#like said character had lot of problematic moments

[chaifootsteps]

The Valentino and Angel Dust section are infuriating and I have to rant about it:

1) Vivziepop can’t complain when people reduce Angel Dust to a sex joke when that’s all the promotional stuff does for him. It’s just “he did porn. Laugh”. His personality is just porn and abuse. This isn’t interesting and honestly just offensive. I actually wish when I thought he was at worst, a 90s gay stereotype

2) The playbills not mentioning Valentino being a serial rapist/abuser is fucking annoying but whatever, it’s meant to be more lighthearted. What annoys me is that all they talk about instead is how hot he is and that’s it. Not his personality or interests, nothing that makes him complex or nuance or just a little bit INTERESTING like his fans pretend he is. Just weird affirmations for a serial rapist.

3) this also explains why Vivziepop is weirdly passive aggressive towards people who hate Valentino. She wanted everyone to see him as a sexy problematic yaoi boyfriend and when a lot of survivors understandably didn’t, and had a massive issue with people trying to woobify a man who’s only lines are about how much he loves murder and rape, she got angry. Which is so telling because she’s so fandom and porn brained that she didn’t realize some survivors wouldn’t look past Valentino’s abusive behavior to find him sexy.

4) The gags about the weird titles of porn films that Angel Dust has starred in aren’t funny but far less funny when you know none of it is consensual. Why is Vivziepop still trying to push this joke about how funny it is that Angel Dust is a porn star and is owned by Valentino. Even in merch like Youtooz they make jokes about it. As if we didn’t see what the porn films actually look like, where he’s visibly in pain and literally beat up LOL.

5) Vivziepop’s obsession with incest and pedophilia, particularly with underaged boys needs to be studied dude. I’m not saying Vivziepop is a pedophile but it’s such a frequent pattern of hers and it adds to that obsession with seeing queer men suffering. Yes porn is pretty notorious for having problematic themes like incest and pedophilia but when you know how she treated some of her underaged male zoophobia characters (cough cough ADDISON cough) it’s just makes me side eye her a bit

6) also want to add that obsession with “the pure boy” plus the script that would go on and on about how Angel dust is a little boy is fucking creepy. I wouldn’t be shocked if Viv was ever exposed as a shotacon

7) if Valentino dies and Angel dust still makes constant sex jokes and still sexually harasses men then Viv no longer has a right to complain when people point it out

Nailed it. "He did porn. Laugh," is pretty much the show's entire philosophy when it comes to Angel Dust, and one they refuse to budge from even when the moment is meant to be horrifying and serious.

There's no need to wait on her being exposed for it -- Viv absolutely used to be into shota. Apparently, she and Dollcreep would sit around RPing all kinds of horrifying stuff with underage Addison. But that said, this was back during a time when maybe one out of ten people in the fandom thought twice about that. It's hard to stress enough how lackadaisical people used to be about fiction.

[lucy-shining-star]

It's crazy when I see someone saying they are 'defending character so much' when they refer to character supposedly doing something wrong...when he didn't it's just that fandom made something up and if that thing fandom made up would be true then that thing character did would be wrong/weird

[runaeveena]

Your dashboard if you were in a d&d fantasy world still involved in fictional erotica discourse part 2

⛰️ berenicesblade Follow

now that the new Mountain Angel volume has come out can we please tag spoilers, some of us are still waiting for our pigeon mail

🦚 faeynadaughter Follow

you can access the volume in full on TomePlane!

🎭 bardcampistrash Follow

until TomePlane acknowledges that its interplanar storage is made possible by binding aboleths to the plane and killing them then we are going to continue not using that platform, thanks

🦚 faeynadaughter Follow

aboleths killed my cousin who was a royal cleric. ill never understand why theres a whole movement to protect abyssal creatures when theyve caused so much damage to our kingdoms. and disliking a pocket dimension which provides thousands of people access to books? your attitude reeks of anti literaturism and mal-aligned virtue signaling and im not sure which is worse

🫒 tenthday237 Follow

Aliizya gets pregnant on page 62

⛰️ berenicesblade Follow

banished

620 Notes

🏰 finchtruther Follow

okay but the way that faelor finch writes every song that perfectly fits pennbiel liiike its giving closet fangirl

🧭 waywardwarlock

seriouslyy!! like what else is "give me your unmarked hand / in the shadowfell we won't be a secret" supposed to be about if not pennipher and corabiel

16 Notes

🌫️ cloudgiant-snailboy Follow

yall please dont fill up the unseen servant tag with your super fucking weird smut posts im just looking for tips on how to find my unseen servant

🪡 scç-writer

the search function on tomeblr does need to be updated but we dont have to kinkshame :)

🌫️ cloudgiant-snailboy Follow

the site is being overrun by virgin degenerates

🍯 treebarkhookhandwagondoor

sounds like you need Wilam the Wizard with Wandering Hands to help you summon the unseen stick in your ass

290 Notes

🗝️ crypt-princess Follow

so whose going to be the first to commission a painting of that scene with Aliizya and the beholder 👀

🍎 bloodmaledickening Follow

i already asked my local artisan he said he's gotten two other commissions for the same scene lmao

🐁 softbarbarian

girl i commissioned a tapestry

45 Notes

🕯️ andersfirelight Follow

friendly reminder that devil deals are a real thing that a lot of people fall victim too and that demons are malicious and do destroy peoples lives if theyre not careful so please be careful when consuming works like Hellionfinity which romanticizes devil deals and fiendish soul contracts

🌾entangled-farmer Follow

imo any work of fiction that involves a romance between any type of fiend is not just problematic but harmful

🕯️ andersfirelight Follow

i used to be indifferent to books that had devil romance interests because like thats their whole thing theyre seducing people to get their souls and the mc overcomes it, but reading through the replies i see that Hellionfinity actually ends with the devil character as the main romantic lead which is super problematic in terms of power imbalance and the fact that he has a redemption arc is so out of touch especially since our military is finally recovering from the azgurian assault

🧚🏻‍♂️arms-of-faelor

helliofinity also has a scene where the main character uses a soul coin that an imprisoned mortal gave him and he uses it to bring the devil out of avernus so he doesnt fully die and no one in the book mentions it or talks about how messed up it is to use soul coins and we never see the now bound to hell prisoner ever again

🕯️ andersfirelight Follow

hellionfinity officially cancelled on my end!

88 Notes

☘️ celest-ial Follow

moment of silence for all the customers waiting on drink orders while the tavern wench gets her back blown out by a new guy every night ✊😔

🦁 king-killa Follow

the gods work hard but Girthy Gladys gets worked harder

57,022 Notes

🎲 beholdersbeholdingme

paladin and warlock romances are OUT! cleric and necromancer romances are IN!

🪭 royalcoinpurse Follow

the only thing a cleric should do to a necromancer is beat him to death so she can revive him and kill him again

🎲 beholdersbeholdingme

❇️ arch-dryad Follow

i think we need to analyze why we're so quick to place women in categories of devious seductress or healer in romance novels as if that hasnt been the pervasive trope that holds magic-touched women back in our actual society

🍯 treebarkhookhandwagondoor

why do you assume these fictional tropes are mf couples only? can a gay cleric not beat his gay necromancer boyfriend to death?

🎲 beholdersbeholdingme

and off! beat him off cmon guys

5,275 Notes

🧀 weremouse Follow

yall ever be talking or whatnot and feel like no one understands you

🪨 sebrenenogdon Follow

ᛄᚠ ᛡᚢ ᚳᚪᚾ ᚱᛁᛞ ᚦᛄᛋ ᛡᚢ ᚺᚪᚠ ᛏᚢ ᚱᛁᛒᛚᚪᚷ ᚦᛄᛋ

🧀 weremouse Follow

say that shit fr (<- looking around clueless)

🪨 sebrenenogdon Follow

ᛋᛁᚱᛁᚪᛋᛚᛁ

60 Notes

🌠 crownofstars

remember when that person made a call out post for the author of ilairepeler for using a ghost writer and it turned out the author was an actual ghost. writing. like a literal ghost writer. like.

🍄gnomestool Follow

arent you the dwarf that fucked a slaad

🌠 crownofstars

how would you like to become a ghost so you can write more witty comments like this for eternity

301 Notes

[darlingshane]

Professor Castle

Frank Castle x F!Reader

Summary: Frank has a weakness and it's named after you. No matter how much he tries to push you away he always returns to the same point.

CW: 18+. Explicit, Smut, Angst, Oral Sex (f. receiving), Fingering, Making out, Professor/Student relationships, Age Gap, Reader is an undergrad student in her early 20s. [I know this is very problematic. Don't come at me. It's just fiction.]

Word Count: 2.8k // AO3 Link.

A/N: This was inspired by this picture of Jon in Origin. I couldn't write for that character in particular, so I thought Frank was the best choice for it, even if it's a lot OOC.

As you muster the courage to enter and confront Professor Castle, you observe him through the cracked door of his office. He looks as good as ever, freshly shaved, in one of his Bexley plaid shirts in white with blue plaid lines, and a dark tweed blazer on top. His hair has slightly curled from the humid weather. His glasses slip a little over the bridge of his nose when he looks down, and he pushes them back in place before tucking a folder in his leather case. You haven't seen him in a few days. Even when you submitted the form to drop his class you managed to leave it on his desk yesterday after he left home. And just early this morning before getting to campus you got an email from him from his uni account, formally denying your request to drop. You don't give a fuck about failing and having to take another course with a different teacher but after what he told you last weekend, you can't stay in his class any longer. It'd be like torture having to see him and not being able to be with him like you desire to.

Of course, you don't ever want to get him in trouble either, he has a lot more to lose than you. But if he doesn't want to see you anymore, then so don't you. So, after a moment of consideration you just clench your fist as hard as you can, set your jaw straight, and storm into the office without announcing yourself. The door slamming the door behind you is what alerts him of your presence. The loud sound makes his head snap up to look at you, standing as tall as you can.

“You can't force me to stay in your class.” You say firmly without raising your voice.

His brow knits behind the thin frame of his glasses as he processes your intrusion.

“No, I guess I can't force you. But I can't let you drop either. You missed the deadline. Unless you have a good excuse like a serious medical condition or emergency the school is not going to let you withdraw at this point. It's out of my hands.”

“Does dying of heartbreak count as a medical emergency?”

“Jesus Christ, you theater kids are really dramatic.”

“Hey, you're the one who told me to join a club.”

“Yeah, but I meant something else like uh… the debate team, the honor society, the newspaper, or the fucking model UN.”

“Well, I made my choice and so did you. I can't just keep showing up at your class and pretend that nothing happened. Can you just think of something? If I meant anything to you… just give me this, Frank.”

You never said his first name before on school grounds. It sounds like a curse word as it slips out of your mouth.

“There are only two months left. That's nothing. Are you telling me you're willing to throw all of that away for me?”

“Yes, because if I can't have you then I can't see you either.”

You catch when his Adam's apple anxiously goes up and down as you say that.

“This is all my fault. I should've never… I should've put a stop to it when I had the chance.”

“Frank—” You take a step closer to his desk, but he promptly holds a placating palm in the air to push you to a stop.

“Don't. Please. Don't throw away your future for me or for anyone for that matter. You're smart and young and strong enough to endure a few more classes. You'll be getting your bachelor's next year, sweetheart. After that… you won't even remember I was ever part of your life.”

“I won't ever forget. I'm begging you. Just let me go or take me back… but…” your frustration knots in your throat. “Stop pushing me away. I know you love me.”

“It doesn't matter if I do. We both have a lot to lose if they find out.”

“Nobody will. We'll be more careful… We could just start over somewhere else, just you and me.”

“Life is not a movie. It doesn't work like that. I know it feels like a matter of life or death right but when you're older—”

“Don't patronize me. I know what I feel. Just take me out of your class or don't. I won't show up either way.”

You turn around to leave the room at once but Frank quickly shuffles behind you and as you reach to grab the handle, he holds the door closed and secures the lock before your eyes.

“So help me God, you're gonna be the end of me, sweetheart.” His tone changes to an octave graver that sends a chill through your spine.

“What are you doing?” You turn around as he steps so awfully close you can capture the strong scent of his aftershave.

“You're going to stay in my class. Front row. Every Wednesday at 10. Then, you're going to ace your final in May. I don't ever wanna hear you again saying otherwise. Is that clear?” He states as a matter of fact, as if you had no choice but to comply with his demand.

“Why are you so convinced I will?”

You watch him up close as he takes off his glasses and lifts his opposite hand to frame your jaw. With conflicted thoughts he pushes your back against the wall, as his face leans to seize your mouth. Professor Castle slowly spells with his tongue all the secrets kept between you in just one beautiful kiss that leaves you breathless.

“Is that enough?” His head pulls back as he sets his glasses back over his eyes as you smooth the lapels of his blazer.

“I'm not sure,” you draw a breath and let the bookbag hanging on your shoulder fall to the floor. “I think I'm gonna need a bigger incentive.”

“There's never enough for you, huh?” he holds your jaw again and tilts your head to the side as he buries his mouth in the crook of your neck.

His lips hold some sort of spell that enchants your body with just a few nips on your skin. The tip of his tongue is laced with poison that intoxicates each and all of your senses as it juts out to leave a wet trace from your collarbone to the back of your ear before pulling back. His eyes turn darker behind the glass as he locks eyes with you. Your pulse picks up in your chest as he licks his lips and allows lust to take over. He watches his thumb trace the shape of your mouth before fiercely succumbing to the temptation of your lips once more, with feeling.

As your arms curl around his neck, his hands travel beneath the hem of your striped, knitted sweater to bask in the warmth of your skin. The sloppy sounds of your kisses sound like sin in this room. You should stop. He should too. But neither of you have enough strength to push the other away.

One of his hands stays pressed on your spine while the other travels down your denim skirt and slips underneath the hem. Hiking it up, his large palm shamelessly grabs your ass, molds your flesh to the shape of his fingers over your panties. Your skin quickly heats up and your mind swirls along the maddening rhythm of his tongue. He presses himself so hard against you, it feels like he's already fucking you, but it's the illusion of his fingers bluntly sliding between your legs and pressing over your opening, stirring a good moan out of you.

“Sh, sh…” he breaks the kiss and whispers a millimeter away from your mouth. “Gotta be quiet now, yeah?”

You simply nod, having his eyes gauging your expression changing as his hand viciously massages your pussy.

“Like that?” His lips pull up at the corners, and you mirror his expression as you softly pant.

“Fuck yeah.”

Then, you close your eyes and press your forehead to his shoulder, keeping your hands anchored to his arms as your juices stain the fabric of your underwear.

“You're dripping, sweetheart.” His voice echoes in your ear. “Is this what you want?”

He presses harder as your grip on him tightens.

“Yeah.”

For a second you think he's going to finish you right there but all of a sudden he stops.

“C'mere,” he locks your arms around his neck before lifting your ass in his hands without much effort. You tuck your legs around his hips as he takes turns around and walks toward the desk.

Keeping you secured in one arm, Frank blindly moves the stuff in the middle before carefully lowering you down on the wooden surface. While you lay on your back, he sits on his chair and brings your ass close to the edge. Instead of letting your legs dangle, he places your feet on each arm of his chair as he kisses one of your knees.

“God, you're so beautiful,” he mumbles against your skin as he rolls down the fabric of one of your thigh-high stockings to uncover your leg. He does the same with the other stocking before letting his lips get his reward.

The inside of your thigh leads a straight road down to hell. After last weekend, he promised himself he would never cross that line again, but he has a weakness, and it’s named after you. It's taken him through a dangerous path that puts everything he ever believed into question. He could lose his job and his reputation if someone were to cross the door to his office and find you spread like a meal ready to consume. It's lunchtime after all, and he can't think of anything better to feast on other than you. His lips trail that perdition-paved road on your thigh as his fingers softly brush the back of your leg. Your skin sticks out as you pull your knees further apart to make room for his face as it gets closer to your center. The corner of his glasses gently pokes the top of your thigh when he reaches that crucial point. You bite your lip and stare at the broken fixture on the ceiling and try to keep yourself from moaning when he pulls your panties to the side. He stretches the fabric as far as it goes, it makes a tearing sound, but it doesn't break. You couldn't care less if he rips them apart. It wouldn't be the first time either. He’s ruined two pairs already. Professor Castle has a wild side that only comes untamed when he’s with you. But this is different. He's never gone down on you right in his own office on campus like he's about to do. You both know the implications of that, but rules be damned right now. All that worry floats out of your head as his tongue makes first contact with your pussy. He draws a line from your opening up to your clit ever so softly before pulling your outer lips apart and diving in. He has just an ounce of restraint himself from going too hard and making you scream out in pleasure, even though he wants so badly to suck on your clit to hear you pleading for more. To stir out of your voice call out his name and title out of sheer joy. But he holds back. He presses an array of kisses and nibbles all over your folds as you close your eyes to focus on the torturing slow pace of his tongue. Your nipples are hard as a rock under your bra, your legs strain to stay in position when Frank slowly laps around your clit, collecting your arousal as your breathing hollows. He places a palm on your stomach, right under your sweater and catches the effects of his mouth in the way your body reacts. There’s an added edge to doing this right here, it makes his cock throb in his underwear as you mumble his name.

“Frank.” It comes out as a murmur, and he hums against your tender skin before going a little harder. There’s only so much he can do to up the pace and make you come without alerting anyone behind that door of what’s happening inside.

We'll be more careful, you said. He eats out your words straight out of your sex.

To speed up the process uses his other hand to slip two fingers into your opening and press on your g-spot. Your back arches in response. Frank has to press that hand on your abdomen a little harder to keep you from squirming too much. It feels like an eternity until you reach the point of no return, once you're there you can feel that fire burning bright at your core as a mind-numbing chill settles at the back of your head. You've never felt that intense jolt sparking your body like fireworks before. Then again you don't have much to compare him to other than the one and only boyfriend you had when you started college.

You grip at his hair as he cues your orgasm. With a strong flick of his tongue and that adamant pressing of your walls you finally come undone. You bury a moan in your throat as every cell of your body is touched by that wildfire that travels from your center out in every direction. It curls your toes in your shoes, your eyes shut, your knees clench together before he can pull his face away. As the orgasm ebbs he sets himself free from your thighs and watches you descend from cloud nine. He uses a tissue to clean up your cunt and fixes your panties to their former position. Then, Frank settles your legs down as your body goes completely limp, and straightens your skirt over your thighs with such love it almost makes you cry.

“Frank,” your voice comes out watery.

“Sh, it's okay, baby. I know. Come here.” He helps you up and pulls you onto his lap.

“I missed you.”

“I know.” He smiles against your hair as he snuggles you against his chest. “I’ve missed you too, sweetheart.”

You clear your throat and stay still for a minute while his hand soothes your back before noticing he’s still hard.

“Do you want me to take care of this?” You fondle his bulge over his pants.

“No, that’s okay. That’s my punishment for hurting you.” He takes your hand away, brings it up to his lip to kiss your knuckles.

“You really have a thing for punishment, huh?” You quip, lifting your head to look at him. It’s then that you notice his messed up hair and send our fingers to fix it.

“Not as much as you do.” His hand pats your ass reminding you of all those times you've begged him to spank you when you were being a brat.

You laugh as you take off his glasses and use the hem of your sweater to clean them.

“Can I come over this weekend?” You ask putting his eyewear back on.

“I have that wedding I told you about. Can't get out of it, I'm the best man.”

“Right. Of course. One of your marine buddies. Florida, right?”

“Yeah.” His stare goes down as he massages your hand thinking that maybe… “You could come with me if you want.”

“I uh… I don't think I'm ready for that.”

“No, you are. Nobody will know you there, and I don't wanna keep lying about you, at least not to my friends. They won't give a fuck, you know? I'm tired of being set up for blind dates and shit.”

“Oh, it must be really hard being you.” You mock.

“Don't laugh. Just think about it. It'll be something casual at the beach. I'll get you a ticket if you're worried about that.”

“I really changed your mind, did I? That's a full 180 from what you said the other day, Frank. Are you sure you want this?”

“Yeah, I was only fooling myself thinking that I could stay away from you. Which I would've if you hadn't shown up here with a fucking attitude. But you're right, we'll have to be more careful from now on.”

“And we can do whatever we want in Florida.”

“Yeah, you wanna come?”

“Only if you really want me there.”

“I wouldn't be asking if I didn't.”

“Then I'll go with you.”

You press your lips sweetly against his and let them bounce together for a moment before getting back to reality. You pull up your stockings all the way up and fix up your clothes before collecting your bag from the floor. But Professor Castle can't help but stall for a bit longer to kiss you once more until you have no choice but to run to your next class.

[colorfullyminded]

TLDR

Okay I cannot believe I'm about to go off like this, but this has been bothering me for awhile, and it's only making me more spiteful. I have been enjoying the influx of Billford art lately. Amazing, great wonderful. What I have Not been enjoying, is the absolute vitriol the Billdip fans have been getting since the influx of TBOB. I was a billdip shipper for awhile. Hell I was a billdip shipper when I was a Parapines shipper-- I liked shipping Dipper with boys. I was also like 14 or 15 at the time. Obviously, if you follow me now, you'll probably notice what my main ship for Dipper is. I grew out of Billdip, and moved on to Pinescone. I have been shipping Pinescone for 10 years. However, not once did I go around saying "Lol, glad I matured and became a better person and shipped something healthier", nor did I post in the billdip tag, condeming people for a fictional ship! And saying mine was better because it was less problematic.

"I'm really glad people stopped shipping Bill and Dipper together. Bill is a 1000 year old triangle demon, and Dipper is 13--" Stop. Repeat what you just said.

"Bill is 1000 year old triangle--"

Repeat that last word to me. "....triangle?" TRIANGLE! I'm sorry what?! This ship is already completely wild enough. You're getting mad at this fictional age gap-- AND BILL IS A FUCKING SHAPE! A FUCKING SHAPE! This ship was weird from the moment GO! And Billford isn't any better. IT'S STILL A SHIP WITH A FUCKING SHAPE! And you're going to sit on your high horse and look down on the Billdip community. On top of it-- they have an age gap too! Bill is still thousands of years old or whatever-- however long it's been, who knows? And Ford was in his 20s or so when he met Bill. That's still a huge, ridiculous age gap-- that Bill could easily use and manipulate; which he did....and then also caught feelings and became a sad ex, but that's beside the point~ Both of these ships are still insane. And again, the bigger thing I think people are just ignoring about these ships--is that Bill is a TRIANGLE! THREE LINES CONNECTED TOGETHER! And this is the hill you're going to die on? ...Cause apparently it's mine. First of all-- as many people pointed out-- Ford Pines did not exist until the second half of the final season. People couldn't ship Fordbill because there wasn't any Ford to introduce.

"Well, even before Ford, I never shipped Billdip! I always disliked it." ...Okay, that's totally fine. Not everyone needs to like or agree on the same ship. Lord knows there's probably people who don't really care for Pinescone either. There's a lot of popular ships that I can't stand. But I'm don't go into a ship tag I don't like, screaming to a void for self validation. I don't go around mocking other people for ships that they had in 2014-- or even still today! It doesn't matter! I did that when I was a kid-- and then realized that was rude, and it was better to just ignore the ships I didn't like and enjoy the ones that made me happy. And grow a community of kind, like minded friends. And listen, I am all for safe spaces and being able to block things that make you uncomfortable. I am not saying people who find the BillDip ship uncomfortable to be idiots or babies or overly sensitive-- or anything like that. I think if something makes you uncomfortable, that is okay and I think it's perfectly fine to blacklist a tag that you don't want to see. I also think it's imperative that people tag things as accurately as they can so people looking at your work can know if one of your pieces has a thing that they don't like-- and therefore can avoid. What I don't appreciate is the fanhate for this ship that is sprouting up like weeds. You can not like something, you can be disgusted by it (I have my Gravity Falls ships I can not stand, nor do I feel comfortable with), but attacking real people for a FICTIONAL SHIP-- two characters who are drawings on a piece of paper and can not be affected mentally, physically or emotionally by fanwork; who still retain the same shape after everything we put them through-- to the point that you send death threats, or threaten to Doxx, or just harass relentlessly, I have always found that more childish and disgusting. You are causing real world pain to people. Me fucking up Dipper Pines is not going to do anything to him-- because he doesn't actually exist. He's a cartoon character. I could squash him and stretch him in Wonka's taffy machine--- I could throw him mock speed at a wall and watch him explode on impact-- but he still exists. He's not dead; I can pick him up and dust him off, and If I wanted-- I could decide that eh, 'Not a scratch on him'. And I'd be right. Because he is a cartoon character, and I am just a fangirl. I can not change anything about him-- I have no ability to make anything I headcanon canon. And even if I was the original artist-- it doesn't change the fact that Dipper would still be nothing more than a creation. A construct of shapes; he can not be hurt or traumatized in a way that leads to real life consequences-- because he is not real. I am not a cartoon character. My friends are not cartoon characters. Artist and Writers who stay in their lane...are not cartoon characters. If you hurt us...it will linger. It will leave a scar. If you can not tell the difference between Fiction and Reality, then I think maybe media might be too much to handle-- and I think you need to really reevaluate yourself.

And just to vent some other things that i keep seeing that are frustrating: You can't claim the twins are only 13-- and then on August 31st go "Happy 20-something Birthday Mabel and Dipper!" And then proceed to drop a picture of them as adults. Well which is it? Do they age or not? Because Gravity Falls showed them canonically aging. If you think the twins age-- then you can't suddenly turn around and go, 'no you can't ship them-- Dipper is a child!' but you drew him as an adult. So sorry, it looks like you can't draw the twins grown up anymore. You claimed they're 13, so better draw them 13 forever--. Aged up stories and works exist for a reason, especially for a fan who grew up on the series. The characters might have grown up alongside them. It's not unlikely for a person to ship Billdip when Dipper is much older.

And on that note, for people who are like 'well older billdip is fine-- it's just people shipping him during the show that deserve to die.' Okay... and like I said, this rant is coming from a recent influx of Billford shippers spitting on Billdip shippers. You know? The TOXIC Old Man Yaoi!

You're still shipping something that is problematic. You are still shipping something twisted and wrong. And I am not judging you. I am here for this divorced arc. I am thriving. But you can't just pick and choose what is and isn't okay. And let me first off explain; if there is something that personally triggers you about a toxic ship, and you want to avoid that-- again, perfectly understandable. Perfectly reasonable. You are the makers of your content space. And I am not judging anyone for that. I want people to be safe. I want people to have a good time in fandom spaces. I want people to not have to deal with the things that upset them or frighten them, or disgust them. But you can not say one is fine, and one is not. They're both bad! They're both toxic. In real life, these ships would both be charged with serious crimes! And yes, there are some crimes that are worse than others, and if you asked me what I thought was more problematic-- I'd say Billdip-- but both of these ships are extreme, and severe in their problematic content. You are still consuming problematic content. If it's a personal thing, that's fine; avoid it. But don't sit there throwing stones from your glass house.

[problematicbyler]

an incomplete history of byler sexuality discourse

and how widespread fandom purity culture and homophobia created a flourishing nsfw sub-fandom

some may call me chronically online, but i call myself a fandom historian. i've been a member of some fandom or another since i was about thirteen, and i've always been interested in the rise and fall of fandom discourse. though it's annoying in the moment it's happening, i think it's very interesting and telling to look back at the overall arcs and trends.

so, let's talk about the many times the fandom has cancelled people over byler sexuality, and how each level of "hornygate" has contributed to the growth of the proship/byler smut community.

(i use the term proship in its intended definition, which is to say, not "problematic shipping," but rather being pro-fiction, anti-censorship, and anti-harassment; it is a position of believing the fiction one creates or consumes doesn't reflect a person's real life beliefs or morals.)

i have been a stranger things lover since season 1, a byler shipper since season 2, and an active part of the byler community on tumblr since season 4. i'll mostly be focusing on post-season 4 discourse because that's what i've really been most present for and that was the period that really marked a turning point in the fandom.

seasons 1-3

i wasn't as plugged into fandom discourse back in the day, but the broad strokes of early discourse was mostly thinly veiled homophobia. claiming that it was sexualization to assume will or mike could be queer despite blatant queer coding, implying that analysts were no better than will's bullies to assume his sexuality, etc etc. people were criticized for shipping byler at all because they were so young (but these people naturally had no issue with mileven, so, again, homophobia).

season 4 (may-july 2022)

now, season 4. this is where byler was brought to the attention of a lot more fans, and stranger things' viewership reached wider than ever. the byler fandom on tumblr booms from 4k to 100k over the course of season 4's release.

this brought a lot of new people who have never been in fandoms before, people who never learned don't like don't read or your kink is not my kink and that's okay or ship and let ship.

or, a lot of times, people who had only been in fandoms for celebrities and bands, which tend to have different rules when it comes to shipping and sex, because they're real people. hence a lot of young antis' conflation of character with their actors, but that's a different rant.

so with a rapidly growing fandom, a show ripe for analysis, and the art of media literacy bleeding out on the ground in front of us, the hellscape of the fandom post-season 4 in 2022 followed as such:

august 2022

jo/kendra gate where two extremely popular analysts were called out for "sexualizing" byler while being adults (early to mid 20s). they were dogpiled and harassed because one of them said that will was giving mike "bedroom eyes" (he was) and one of them said mike was checking will out (he was):

pyshiie and moogate. the proship side of byler twitter rose up and started to divide itself. i'll credit my own joining-the-dark-side to pyshiie and moo, formerly barbjeanisms, who were two popular artists called out respectively for sexualizing byler and generally being proship. similarly, people were called out and criticized for even following or interacting with those accounts after this discourse.

september 2022

hosegate is the most famous across the byler fandom, and it's when some users proposed that the scene in the pizzeria uses phallic imagery to imply mike turns will on (or vice versa) and a lot of people thought that was too sexualized, it caused a divide, and more fanpolicing, etc.

october 2022

the artist noodlesandtea was harassed for having liked arguably nsfw bakudeku art (they were shirtless, it wasn't explicit) on the same account where they draw characters who are minors. they also drew byler kissing, which was a problem for some? anyone who defended them was also called a pedo, naturally. noodles also got called out for having drawn fanart of the popular e-rated fanfiction....

the unmarked mixtape. a massively popular sequel to a massively popular fic, the red envelope. for a long time, those were the most widely recommended byler fics, but it very soon became taboo to even admit to reading them because the sequel has explicit sex and the first has them making out.

sonnet116 gate is another fic that was beloved and then rapidly turned on by byler twitter because it had implied, fade to black sex scenes. it was about them hooking up but had no smut. and even the non explicit idea of that was offensive and pedophilic of anyone who dared read it. around this time, another fic was called out for having will moaning into a kiss, because writing a teenager moaning was also offensive and pedophilic.

i'm told i (jana / troublebyler gate?) may have influenced a lot of people joining twitter for byler smut after writing illicit affairs and some other smutty oneshots in rapid succession, seeing a lot of byler shippers moving to the proship side of the fandom just to discuss and write byler smut. i also hosted a little fandom gossip column on my curiouscat where a lot of folks confessed to reading or writing smut while pretending to be "normal" in the "main" fandom. it basically revealed/implied that a large amount of popular authors, artists, and accounts were secretly pro byler smut, and that many proshippers were "undercover" in the "main" fandom.

the blocklist era. around this time the "main" fandom also created a "st twt safety" account on twitter which was basically targeted harassment and mass reporting of proshippers. the account does warn of some genuine bad actors sending gore images via dms, being racist, etc. but by far, the majority of it was simply calling out proshippers for sexualizing byler, sharing screenshots they thought were "gross," which only resulted in spreading nsfw content to unintended audiences of minors that likely never would have seen the nsfw accounts otherwise.

november 2022

practice kissing gate is where a handful of popular fic writers were criticized for writing practice kissing fics (such as undertow), and in fact, any amount of byler making out, because adults "fantasizing" about teenagers kissing was "gross."

the proship corner of st twitter continued to grow a lot thanks to so many lovely fan creators, all of whom i couldn't possibly list but who have done a lot for the community! but we continued to get bombarded with endless callout posts and block lists and witch hunting. people were unabashedly policing people's following lists and likes on twitter to call people out for engaging with any questionable users or content. (if you search byler twitter now you can still see the wreckage of so many witch hunts.)

onward through 2023

over time things have mostly calmed down, or at least enough of the folks on "opposing sides" of the fandom have mutually blocked each other to survive. this is likely also influenced by the hiatus leaving the fandom to quiet down, the collapse of twitter-turned-x having many users migrate their fandom content elsewhere, and the mass exodus of many people from the fandom for political reasons. if i had to guess, the ramp-up to season 5 will see all new conflict as more "casual" fans return to the fandom. but who's to say.

which brings us to now:

spicybylerpolls gate, wherein the byler tag on tumblr collectively had to reckon with the fact that people want byler to have sex and it doesn't make them creeps to vote in silly polls about it. people criticized the blog for being overly sexualized and pure fantasy versus more "acceptable" analysis, with many making sweeping moralizing statements about anyone who dared interact with the blog.

this has kicked off tumblr's own sort of horny revolution in encouraging folks to be more open on here, whereas previously we were confined to our corner of twitter.

so in summary:

people over and over again put fan creators on a pedestal just to turn on them when they're "betrayed" when a person's views did not one-to-one line up to theirs.

teens in the fandom especially were "betrayed" by adults in the fandom they thought were "safe" (and i would argue that self proclaimed "safe" adults in fandom are far more dangerous to real life minors than the proship fans who sexualize fictional characters but dont interact with real teens)

most everything has been fueled by widespread ageism at any fan over the age of 18, widespread homophobia and puritanism in regards to exploring queer sexuality or discussing sex at all

so much hate has been over what are essentially "thought crimes", with people watering down serious accusations like pedophilia into a petty insult over disagreements on fiction

and the cycle repeats itself endlessly until things devolve back into witch hunting and policing peoples following and likes etc

the best part to me is that every single cancellation just resulted in more people flooding to the horny side of the fandom to post more freely and without shame. every time a person on twitter posted screenshots of my account to say how "gross" it was (while simultaneously exposing my 18+ nsfw content to their audience of minors) i had a surge in followers. the more the fandom squeezes, the more people slip from its hold.

but that doesn't make the harassment campaigns okay, and it doesn't mean the fandom didn't do massive amounts of harm to real people in an attempt to protect fictional characters.

my hope going forward is that the fandom can coexist as a community where people don't have to like or agree with certain content to treat the people who create it with respect and dignity. and i hope that, while this side of the fandom might grow more on tumblr, we don't have to relive the same old discourses and go through the same cycles we went through on twitter.

and remember kids, the block button is both free and fun.

[my-mt-heart]

Dissecting Zabel's Inappropriate Comments

I shared my initial reaction to the Games Radar article, but now that the original SFX article is also out, I want to dive a little deeper into what David Zabel said. From one source to another, the meaning doesn't change.

Regarding Daryl's and Carol's relationship, he says...

Whereas with Daryl and Isabelle, he insists...

Zabel thinks he's shedding light on his male hero's two most prominent relationships [with women], when in actuality he exposes a lot more about himself and what kind of showrunner he is.

He has no interest in the flagship show nor its acclaim.

Had he actually watched TWD in its entirety, tracked the progression of Daryl's and Carol's relationship from S1 to S11, and researched their fanbase as well as their media coverage from over the years instead of just pretending to, he'd see that nothing about their relationship is "obvious" or "easy." Trauma and self-esteem issues hardly ever explored in TV couples—let alone TV couples in their 50’s—have always complicated things, creating obstacles for them to take their relationship beyond intense feelings and helping them grow closer together, feel safer, understood, and loved to a degree nobody else can measure. There are 12 years and 11 seasons of sexual tension, smoldering looks, vulnerable moments, meaningful conversations, and romantic subtext at Zabel's disposal. The natural thing for him to do, the only thing that furthers the narrative already being told is to confirm that they're "in love" and make them "a couple."

If he wants to talk about a "TV book of tricks," he should re-evaluate the tricks he uses to justify a romantic connection between a well-established, unconventional, fiercely loyal man with intimacy issues and a blonde nun who’s only been around for a few months (and 6 episodes from an audience POV). Zabel tries to project what draws Daryl to Carol—broken until the world ended—onto Isabelle. He forces Daryl and Isabelle into intimate situations straight out of fanfiction—bathtubs, bed-sharing, cleaning wounds in hard-to-reach places—and uses other supporting characters like Losang to tell Daryl and the audience that it's romantic. That's not "seeing what happens," that's repeatedly trying to fit a square peg into a round hole and expecting everybody to think he's a genius. On the contrary...

He's completely tone deaf.

If he's calling Daryl's and Isabelle's relationship "mature," then he clearly doesn't realize how deeply problematic it is for a character to gaslight and lie to another character with a history of childhood abuse in order to get something from him, whether it's to help her find their new home or father a boy he just met. It's also triggering for fans who have survived abuse in their own lives to watch their hero fall back into the cycle without it being acknowledged or resolved in a way that helps him (and the fans) heal from it.

A dynamic between Daryl and a nun definitely could've been an "intriguing" dynamic to explore since they're both supposed to be emotionally unavailable. We'd get to see that Daryl's heart belongs to Carol and Isabelle is "married" to God. We'd get to see them bond over the idea of loving someone and/or something so infinitely and unconditionally that it's frightening to feel disconnected from them, whether physically or spiritually, and we'd get to see them help each other keep their faith, whatever that means to them. That's interesting. That's fresh. A romance between Daryl and a nun, regardless of whether or not she dresses like one, is not interesting. Not intriguing. Not edgy. Not sexy. It's disrespectful on multiple levels.

He calls Daryl and Carol coming back together only to realize that they've "changed" the more interesting story to tell? I call it sad. Sad and out of character for Daryl to feel anything other than elated to realize that the woman who represented everything good to him for over a decade crossed a damn ocean to find him. Sad that after "everything she's done" to find him, she finds that he's replaced her and their family back home.

He views the female perspective as irrelevant.

Saying he "respects" Caryl shippers only to invalidate them and then pour salt on the wound shows an air of superiority that is very typical of white male showrunners and executives. Granted, plenty of men ship Daryl and Carol, but it is also true that the majority of their fanbase is female and because of that, Zabel thinks he can mansplain the relationship to us. He tells us that what we want is cute, but he’s the one with the skillset to write a "good" story for the characters. He either doesn't care about our viewership because other men like him are his "real" audience or he assumes we'll come to our senses because he's right and we're wrong.

It isn't about shipping or romance at all though. If it was, he wouldn't just kill Isabelle off after insisting on this wild chemistry nobody sees but him (and Greg Nicotero). It isn't that Carol can't be a love interest either. It's about catering to the male gaze. Carol can't be the love interest for the white male hero that Zabel wants the fanboys to identify with and glorify. She doesn't fit their biases. Not young enough, not blonde enough, so on and so forth. Ignorance like that is generations-long and it doesn't just go away the more time he spends with Daryl and Carol. It only gets worse. Caryl may go to Spain alone, but there's plenty of new shipbait over there for him to introduce.

In what Zabel is actually quoted as saying about romance, which is all that counts, he only vaguely brings up a conversation with Norman, one I suspect is a lot more nuanced than he wants us to believe, but that's beside the point. He doesn't say "Melissa and I talked about Caryl's relationship" or "Clemence and I talked about Daryl's and Isabelle's relationship." Why not? Would the former disapprove of being treated like a sexless intruder in her "friend's" nuclear family? Would the latter hate to feel like a plot device for the brooding hero's manpain? What do the women have to say about their side of this oh so "interesting" emotional arc, Zabel? It's a rhetorical question obviously because if I really wanted to ask, I'd ask the women directly. The only thing is, they aren’t allowed to talk about it so openly and honestly, are they, Zabel? And you took advantage of that, right?

He's vindictive.

He may treat us like a bug on his windshield, but he isn't unaware that Caryl/McReedus have an active fanbase. He isn't unaware that AMC's promo strategy has centered on Caryl/McReedus. He's competing with it. He's aggressive in these articles because he wants to tell a particular kind of story that AMC, plus all of us unhinged shippers, won't let him. Taking a firm stance is how he takes control again (or so he thinks). The way he positions Carol as an intruder in "Daryl's" story, despite a sorry attempt to put a band-aid on it later, also presents itself in the SDCC trailer where everything, including Carol, has to revolve around the main hook: Daryl making a new family in France. For Zabel, it's true to life because he had to fit unconventional Melissa into his outdated "interesting" formula when that wasn’t what he was hired to do. To paraphrase what Melissa said, she was the newcomer who had to be careful not to disrupt a system already put in place before she arrived. What, or who, made her feel that way when she had already been playing Carol for over a decade?

To watch or not to watch

That is not the question. You can choose not to give AMC your money for Zabel's bullshit or you can choose to help the ratings go up for Melissa/Carol. Both are the right choice. The real question is, how will AMC know to blame Zabel and not Melissa if the ratings drop? How will they know that Carylers still need canon and...wait for it...good storytelling if they watched just to remind them how valuable Melissa is to the franchise? I know I sound like a broken record here, but this is why it's so important to be vocal. Use whatever platform you have (and are comfortable with) to specify what's bothering you whether it's the shipbaiting or Daryl's suspenders. Say what you love (Melissa is the correct answer) and what you want more of or what you want to change in regards to performances, relationships, and storylines. For me, I wanted to see both Daryl and Carol make every effort to get back to each other. I wanted to get the payoff I've been waiting for after a god-awful S11 that kept them separated and angry at each other the whole time. I wanted the story to center on Daryl's and Carol's relationship while everything else revolved around them. "To find home is to find each other." Where did that story go? I want it back.

No matter what we say, egomaniacs like David Zabel, Greg Nicotero, and Scott Gimple will spit on us, punch us in the gut, and kick us while we're down (though I guess only the first one is stupid enough to be so literal). If Zabel understood the first thing about Carol or Caryl, then maybe he would've realized that their fans know how to push back.

As for AMC, they don't care about the characters or the relationship or our feelings either, but they do care about their bottom line and these articles threaten that. Keep reminding them.

[daniclaytcn]

i have an issue with the show i am not sure what to think about. i see people saying athena is a strong black female character and therefore awesome. but i just don't like her. i think she's a bully and constantly abuses authority. on multiple occasions she puts being a cop above the safety of her family (the bad stop, recently with harry being a victim of racism). she literally hit her own traumatized child. people keep talking about chimney punching buck, but everyone seems to forget athena hitting harry. idk, i also love some characters that are problematic, but i feel very iffy about such an uncritical approach just because a character is not a white cishet guy

okay, so...let me start off by saying i hear you, and this is an issue that i and most people have had with athena's character. that being said, conversations about copaganda have happened, at length in this fandom. it's not as common these days, but more so during the season 5 era—and i'd also like to add that the scene where athena slaps harry got a lot of pushback when the episode aired, and people were pretty outraged about it. i think it's just that this show has had a lot of copaganda since s1, and it doesn't look like that's about to change anytime soon.

i don't fully agree with what you're saying about athena, but, again, i get where you're coming from. i think the show's tendency to portray the police in the manner that it does often conflicts with how they choose to write athena as a character outside of her job, if that makes sense. that's why you get episodes like next of kin, worst day ever, rage, athena begins, desperate measures etc that make her look like an outright bully who has no regard for procedure or abuse of power. do i think this is gonna change? no. it's been like this since the very first episode and i don't see it changing.

the thing about 911 is, when it gets something right, it gets it really right. the flipside is when it gets something wrong...oh boy. that's how you can have important moments like michael talking to harry about race that feel very well-written coincide with insane scenes like athena playing devil's advocate for the racist cops who nearly shot her son.

honestly, i don't know how to approach this, mainly because i'm not american, and while i come from a country whose law enforcement has major, major issues, i'm obviously at the same time coming from a very different cultural context and lack of sufficient knowledge concerning the history, etc of policing in america. so i really don't know what else there is that i can say on this topic.

[freakartack]

What is your least favourite misconception or fan interpretation of the WarioWare cast?

And/or do you have a favourite headcanon the community has made for the cast?

Oooohhhh we are really going for the hot hot takes today huh. Just handing me the baseball bat like that

Well I suppose it had to come to this. I've been dancing around this for far too long. It's time for

TOP 10 FREAKATTACK HARDASS MOMENTS

NOTE: please do not open this if me shitting on popular headcanons will ruin your day. I don't generally care what people do with their life do what you want forever

OK with that out of the way it's time to get narsty. Many of these will be ship-related so if that will make you mad or bored just a heads up

1. MONA AND WARIO ARE IN LOVE

OK i lied you can't do this one forever. ENOUGH!! She is in HIGH SCHOOL and if you think she has to secretly be an adult just because she has a job and drives a scooter then not only have you never been to high school but you also have not been paying attention during any of Kat and Ana's cutscenes. "High schoolers don't usually drive that much" 5-year-olds don't usually trek the mountains high and kill people with swords but they do. I get when people get frustrated that almost all the girl characters in warioware are marketable kids, because that does kind of suck, but you can't just ignore that to get shippy about it. Cmon. "Wario was dreaming about her in that 1 microgame break" yeah, and I thought that was weird. I choose to read it as a non-romantic moment (since, again, he's old enough to be her dad), and the fact is that nothing like that has happened since. Yeah mona might think he's a hunka hunka but she has every right to! Doesn't mean they have to get married

2. MIKE AND ORBULON ARE IN LOVE

This one will stir far more pots/torches/pitchforks/etc. but since we're bringing out the fine china i might as well go all out. Here's my reasoning: Orbulon is 2000 years old. Mike is like 2. I'm not saying this one is Problematic (mike is a robot that can file taxes after all) but moreso that it is unrealistic. Picture this: You are orbulon, with all of your weird hangups and whatnot. Your buddy that fixes your car all the time and plays Go with you just had a robot son. Would you fall in love with him? Probably not. On the other end of the coin, you're the robot son now. Your inventor/employer/cyborg dad keeps inviting this weird animal into your house to study it. I don't think he would fall in love with that either. "I would," you say, "i'm built different." And more power to you. I just don't think they are.

3. LUIGI AND DAISY ARE MONA'S PARENTS

FINALLY, a non-shippy one! Anyways, since Get it Together came out, a lot of people took one blurry picture on the wall and the shape of mona's house to mean that Mona's House is actually Luigi's Mansion and that Luigi and Daisy had a child together 16 years ago and promptly abandoned it to play tennis. I think it is obvious by now that I don't think that's true. Not only has Mona described her parents extensively (one of them is an artist that is obsessed with noses, the other is a supermodel that travels the world), but neither of them are anything like Luigi and Daisy. "But what if Luigi is secretly obsessed with noses and Daisy is secretly a supermodel," you say. Okay. Then I think that Luigi cheated on Daisy with Peach, and had Rosalina together, because Peach and Rosalina both have blond hair and Luigi had a telescope once. Don't play games with me, Matthew. I know what you are.

4. PYORO IS INNOCENT

He's not

--------------------

OK now that all of that is out of the way, let's move on to the fun stuff. Top ten favorite things that people have said about warioware!!!

1. PENNY IS DR. CRYGOR'S CLONE

I first saw this thought expressed here, but I've seen many people continue the sentiment and I think it's beautiful. Penny Crygor is the good doctor's transgender lesbian clone whom we all love dearly.

2. ORBULON KNOWS WHAT WAS GOING ON WITH POLYBIUS BUT WON'T TELL ANYONE

Self-explanatory. Unfortunately the genius who thought of this one has since deactivated and the post is forever under an inaccessible read-more so this is the only evidence i have that it ever existed. You have to trust me on this one.

3. WARIO IS LIKE THEIR DAD

This isn't really a headcanon moreso a popular interpretation of the text but I do like to think that despite being a jackass he does genuinely care about all the weirdos he has racked up, including the many wayward children that have glommed onto him over the years. This is like every toxic "we're all a family here!" workplace, except that they actually are all a family here and it's toxic for unrelated reasons

[atticustimestwo]

do you mind sharing a bit more about your analysis of heart,,,

i'd love to!! (i assume this is about the heart critique piece i did a few months ago, but please correct me if im wrong!)

in terms of the "a critique on the treatment of hearts characterization" piece, i wanted to visually explore some frustrations i have had with how the fanbase seems to fall into some unfortunate patterns when it comes to hearts character.

frequently, i see heart infantilized - this either comes across as him being a kicked dog unable to help himself because he is too weak, a baby angel who did nothing wrong, or a feral gremlin child. i think flattening his character down to any/all of these is, for lack of a better word, a bit problematic?

; one reason being it just defeats the idea of emotions being a visceral, intense thing. heart is meant to represent emotion in its purest form; i feel woobifying him takes away from that concept because it shows having emotions as being inherently weaker or less mature. i think a lot of people kinda forget HMS aren't just tv show characters. they represent greater concepts that near everyone feels and feels uniquely - theyre more sensitive than your typical character. thats not saying treating them as characters is bad! everyone relates to them differently because they are so personal, they make them their own and i think thats really awesome!! ; but boiling them down to these really generic tropes and making heart a baby kinda defeats the idea that emotions are a real, visceral, multifaceted concept. ; another reason i think it can be problematic is that it sometimes unintentionally comes across really ableist? a lot of these 'fandom-y' tropes are already rooted in ableism in some way, which is bad on its own, but theres also the important addition that heart is frequently portrayed as blind.

ive seen people time and time again fall into stereotypes with heart that his blindness makes him weak/helpless/childish. truthfully I dont think people do this intentionally, but its still internalized ableism showing up. i recognize that a lot of the people who woobify heart tend to be on the younger side, so they dont really recognize that theyre flattening him down like that- not out of malicious ignorance, but because theyre kids who havent really had the life experience yet to grasp the full concepts of the album or realize they might be implying harmful stereotypes; that doesn't necessarily mean its okay, but i think its just them being uneducated cause theyre kids and they have yet to learn that stuff. ; all that being said, im not trying to police people on how they portray characters. im not any authority on this fandom/album by any means imaginable - im just a fan like everyone else here! like i said before, characterizing HMS is not inherently a bad thing at all ! its fun, and its what this fanbase is built on in the first place! its so great that everyone can interpret and relate to HMS so personally, i think chonny really hit it off with the concept for the album and the execution is stellar! seeing all the fanart and different interpretations of it and the characters is such a beautiful thing, no matter if its joking, lighthearted, or deep! ; at the end of the day, theres no wrong way to interpret this album, and theres no wrong way to characterize heart. more than anything that critique piece was built up frustration turned to a call to action for people to stop and think deeply for a moment about how they portray heart - to open eyes if someone might be unknowingly flattening or adding problematic ideas to their characterizations. and to just be mindful of that going forward! 💜 

[achedelatto]

This is kind of elaborate comment on my first impression of Dr. Watson in Granada version of Holmes

Finally, after lots of hesitation on my side, i started my watch of granada holmes today. Right now, actually. I’m watching it, paused to write this, being halfway into the episode. I’m watching what is presumably the first in the series - A Scandal in Bohemia. I really hope it’s that, because, according to the wikipedia, the order of episodes is rather strange.

Based on what i gathered from the other adaptations i watched and from the acd original, from where i stand at the moment, i expect granada version to be the most accurate in portrayal of its main characters- Sherlock and Watson, in terms of appearance, personality and their dynamic. And thats the goal i was guided with while beginning this series.

In pinterest i stumbled across a lot of screenshots from the show, and from Watson’s looks i’ve already pictured for myself how he would be. He looks incredibly serious , with furrowed eyebrows and intense look and looking quitee. Okay im not gonna try and cherry-pick my wording - dude looks like a total hunk of a man, bro got SHAPES. Which has immediately stricken me as a difference from Soviet Holmes (and any other adaptation i’ve seen, for that matter), where Watson appears as a rather wiry individual. In acd he also first appeared as thin. However, in the book and in soviet holmes he had just returned from the war, while in granada, as we find out from Watson, it’s been several years since he moved in with Holmes (im getting incredibly curious with each second about why they didnt choose to savor the sweet moment of their first meeting) , i was quite happy to see this him evidently getting more healthy. That was the first thing i noticed while watching and what, consequently, has endeared me.

So yea, back to the seriousness. I presumed he would be a man who takes no shit from anyone, stubborn, and the one who keeps it to himself. Or calm as the universe like some major mcnabbs, who agrees with everything and never gets surprised with things (or so it seems). However, when he entered that appartment in the series, i was astonished to discover how…incredibly silly he is. Not only has he a higher voice than i expected (I’ve got nothing against it, it just subverted my expectations more than i could predict), in his conversation with Holmes about the case i caught that childlike wonder! He’s so fascinated!! He also - very, very much - acts like a mom friend. He is a mom friend! While he, not without a bit of gentleman’s prudish manner teaches his friend about the dangers of cocaine, i could see that he really, really cares about Holmes. What a protective lot i see. And he is also made awkward pretty easily, that i also noticed. Silly, as i said. Heavens, how delighted i was to invite that vision with his rather intimidating looks. He still takes no shit from others, thats true, but he is simultaneously so… he seems like he has a simpler approach to life than i could ever imagine.

In conclusion - i find Watson quite canon so far, and like his portrayal. Although i felt like canon Watson thinks more of himself. If you know what i mean. Please, continue, Granada series, happy to get to know you at last.

This comment would probably be followed by a post on Sherlock from this series, then by the post on their dynamic in particular, because both things need to show themselves more, as i proceed with the series.

Thank you for your attention, hopefully granada fans, if they ever find this, wouldn’t be too enraged with some of my takes that could be problematic, after all, i just started the show and mean no harm:)

[royalwhumpness]

Beetlejuice Beetlejuice - Reimagined [Fanfic]

Beetlejuice Beetlejuice didn’t quite live up to my expectations. I was disappointed by some of the creative choices, particularly in how certain characters were portrayed and the story direction. This fic is my re-imagining of the movie, reflecting how I feel the characters and story could have been better developed. ’ve removed the fiancée/manager character entirely. I found him unnecessary, and his execution felt lacking. The overuse of mental health terms to villainize him and, by extension, the mental health movement, struck me as lazy and problematic. While his manipulative nature was meant to control Lydia, there was no positive representation to counterbalance his portrayal, leaving the audience with little context for his misuse. Instead, these issues were treated as punchlines, which, in my opinion, trivialized the subject matter. In my version, Betelgeuse’s ex is introduced more subtly, with hints of her greater role as the main antagonist in a potential third installment: Beetlejuice, Beetlejuice, Beetljuice. Her character was completely underutilized in the film, and I felt she was given one of the most anticlimactic ends for any villain. Bob is not in this story. I’ve slightly re-imagined the detective, a character with a lot of untapped potential. On the other hand, Jeremy was the standout character for me and should have been the central antagonist. I’ve developed his relationship with Astrid more deeply, creating a stronger emotional impact leading up to his betrayal. Astrid, in my version, is a more realistic teenager—not the stereotypical brat she was in the movie. She and Lydia have a complex relationship, which, while strained, is more balanced. (Let’s not forget that Lydia herself was once a moody, gothic teen. She had personality, moped around, and resented her stepmother, but her characterization felt more nuanced and authentic than Astrid’s does here.) I was also disappointed by Delia’s treatment in the sequel—she felt like a mere caricature of her original self, and I believe she deserved much more. As for Betelgeuse, he went from being an outcast in the first film—someone you were warned against—to having an office and a legitimate business? That felt completely out of place. Much like Delia, he seemed like a caricature of his former self, and he’s significantly overpowered in this version. I’ve returned him to the chaotic, outcast anti-hero we all know. If you enjoyed the movie, that’s great—everyone has different tastes, and I respect that. But I hope you’ll give this version a chance and maybe find something to enjoy here too. If, like me, you were left wanting more from the sequel, perhaps this re-imagining will help scratch that itch. It’s been a cathartic project for me, and I hope you enjoy the read.

You can visit my AO3 if you'd like instead of reading here! Kudos would be much appreciated <3

PART ONE

“I can’t believe he survived that crash,” Lydia said, kneeling beside Delia and her daughter Astrid in front of her father’s gravestone. His likeness was etched into a chunk of stone shaped like a shark’s fin. Under the portrait, the inscription read:

Charles Deetz Husband, Father, Grandfather Peace Embraces the Dead Ones 1946-2024.

“Yes, well, I can’t believe that dreadful shark has his head in its belly.” Delia replied wryly, dabbing her eyes with a black handkerchief.

Silence hung in the air until Delia broke it with a sharp, ill-timed squawk: “Welp!” She slapped her knees and stood up abruptly. “Time to sell the house.” Lydia’s mouth fell open as Delia walked away, and after a brief moment of shock, she scrambled to chase after her. “Sell? Wha-why? You can’t, I-“ Lydia stammered. Delia silenced her with a raised, gloved hand. “Lydia, I’ve tried dressing this house in as much metaphorical gold as possible, but it’s still painfully clear that it is shit.” She lowered her hand, “I only stayed because your father loved it, but now I can finally rid myself of its stench. Not to mention that it is now an ugly reminder that my husband is no longer here.” With that, she stormed off, leaving Lydia frozen, watching her retreat. Every fragment of her life she held dear seemed to slip through her fingers, and with each heartbreak, the weight of grief grew heavier. She started bracing herself beneath the looming shadow of yet another impending loss.

Astrid came to stand beside her mom, gently placing a hand on her arm. Lydia glanced down at her daughter, and for a moment, she marveled at the beauty she had brought into the world. She saw herself in Astrid’s smile, but her inky black eyes, high and rounded cheekbones, and even her cute, small ears were all her father’s. At 15, Astrid had endured more than her fair share of losses. For years now, it had been just her and Lydia. Before she turned four, her grandparents had been a constant presence, always nearby. Then one day, with arms full of suitcases, they drove off, their car shrinking into the bright summer horizon. Only her grandfather reappeared from time to time, sitting with her to watch the birds while her mother tended to grieving clients. And instead of growing up surrounded by the warm, steadfast presence of her father, Astrid and Lydia had to confront his absence, mourning him when she was barely seven. Lydia placed her hand gently over Astrid’s. “I’m not going to let her sell the house.” Astrid remained silent, but she didn’t need to say anything. Astrid had never shown any affection for the house or its bygone charm. She had never known its vibrant, ghost-filled days. The town was small, and Astrid had eagerly accepted the chance to go to boarding school when she started her freshman year. To Astrid, this place, steeped in Lydia’s memories, was just a house. Instead, Astrid extended a soft, comforting smile before quietly following Delia’s path.

A little while later, Lydia found Delia in Charles’ office, researching how to list the house for sale and how soon after a death it could be done. “Delia, you don’t even live here anymore. I live here, and Astrid lives here. Doesn’t that mean something?” Without looking up from her screen, Delia replied, “You live here. Astrid goes to boarding school.” Lydia just stared. Where there should have been a beating, pulsing red glob of muscle in Delia’s chest, Lydia saw a yawning, gaping void. She watched as it seemed to draw in and distort the light around it, bending and warping everything towards its dark, insatiable center. Noticing the silence, Delia looked up. “Why are you so determined to stay? The Maitlands have moved on, Astrid is rarely home, and your ex-husband and father are both gone. I don’t see-“ She paused, her gaze meeting Lydia’s. The expression on Lydia’s face made her feel foolish. “I’m making an ass of myself, aren’t I?” Lydia responded with a slow, exaggerated nod, her eyes widening and lips pursed as if to underscore the obviousness of the answer. “I have a business here,” Lydia said quietly, “and memories.” Delia’s face softened. Lydia could see that her usual scowl had melted into something of a motherly expression of genuine compassion and sympathy. “Oh, Lydia.” She rose from her chair and approached her, reaching out to gently touch her face. “We’ve never really gotten along, have we? But you’re still my daughter, and we only have each other now.” “Then why are you uprooting my whole life right now?” Delia had no answer. She hadn’t lived in the house for over a decade. She and Charles had bought a condo in New York, allowing her to pursue her artistic endeavors and escape the ghost house. Charles would often travel back and forth, spending months at a time with Lydia and Astrid to indulge in his seasonal bird watching hobby. Meanwhile, Lydia remained behind, raising Astrid, supporting the house with her psychic business, and keeping Charles company during his visits.

“Alright,” Delia began, “I’m going to wait. But I still intend to sell the house.” Lydia started to interrupt, but Delia raised the same gloved hand to silence her. “I’m going to sell it eventually. But I’m not doing this out of spite. I want you to have the chance to move on, Lydia. I’m giving you a year.” Lydia sighed, lowering her gaze. A year might as well have been next week. The pause stretched long. An overwhelming urge to argue or plead spread through her bones and soaked into her throat, but she swallowed it down, managing a quiet, “Thank you,” paired with a soft, sullen smile. Delia’s expression brightened, and she gave Lydia’s nose a playful boop before leaving the office.

Astrid found her mom sulking on the couch, playing with her wedding ring. “You haven’t worn that in forever,” she said, sitting beside her and resting her head on her shoulder. Lydia returned the gesture, gently resting her own head on Astrid’s. She showed Astrid the ring and the inscription inside: ‘I will be with you, always.’ “Why can’t you see him, Mom?” Astrid asked softly. “I wish I knew, Astrid. Why can’t you?” Astrid lifted her head abruptly and shifted towards the edge of the couch, as if preparing to leave. Lydia, sensing Astrid’s frustration, said, “You can see them.” “So you say, but I have never seen one.” “You saw one when…“ “That I remember,” Astrid interrupted, cutting Lydia off before she could remind her, yet again, of the ghost she saw when she was four. It had been just over ten years since then, and she hadn’t seen one since.

“I’m going to ride my bike around town. I’ll see you later.” Astrid said. Lydia reached out to lovingly rub Astrid’s back before she left. “Okay. Be safe.” Astrid gave a slight smile and stood up. She often felt frustrated whenever her mom brought up her ability, or inability, to see ghosts. Thoughts swirled in her mind: Why can’t I see them? Am I not good enough? Are they even real? Would my mom really lie about something like this? She found it best to distance herself in these moments to avoid lashing out at her.

It had happened once before. Lydia was attempting to teach Astrid how to see ghosts, despite not fully understanding her own abilities. Frustrated by her failures regardless of her mother’s guidance, Astrid snapped. She accused her mother of being a fraud, claiming her psychic abilities were fake and that her business cheated clients out of their money. Astrid instantly regretted her harsh words. Though she didn’t see her mother’s reaction, she sensed it— the subtle shift—and prepared herself for what felt like the beginning of a strained relationship. It became routine then that at the first sign of rising anger or frustration, Astrid would remove herself from the situation to avoid confronting it altogether.

Astrid walked out the front door without a backward glance. Lately, her words had grown fewer, the once-eager stories about her day fading into silence. She barely met Lydia’s eyes anymore, and though small gestures of affection remained, the growing distance was unmistakable. Lydia’s heart ached as she watched her daughter go. Rising from the couch, she looked around the empty house. It was now haunted not by spirits, but by the echoes of a time when it was alive with the Maitlands’ presence and her family’s warm company. Longing to reclaim those cherished moments, she wandered through the house. Her eyes settled on her room, and a deep wave of sentimentality washed over her. An irresistible pull drew her toward the attic, driven by a quiet hope that revisiting the past might help her reconnect with what had been lost.

In her room, Lydia pulled out a small drawer from her jewelry box and carefully took out the old, familiar skeleton key. She smiled at it wistfully before heading for the attic. The stairs were draped in cobwebs and spider silk, hinting at years of neglect. Lydia unlocked the attic door and, after a struggle to unstick it, pushed it open and stepped inside. Waves of familiarity and longing enveloped her. Everything was covered in thick sheets and layers upon layers of dust undisturbed on top. It was clear that neither Lydia nor any other Deetz had ventured into this attic in years. She pulled the sheet off the town model and flicked on the switch. The model illuminated, instantly rekindling its old charm and wonder. Lydia leaned on the table, taking in the intricate details of the small buildings she hadn’t seen since before Astrid was born.

“Oh, I miss you so much,” Lydia said with a sigh. “I wish you had never moved on. We could have stayed a family, even in death.” She spoke aloud with the same reverence and cadence as one might when addressing an unseen deity. Speaking with the departed had always come easily to her—unless they had crossed beyond the reach of the afterlife. At that point, she was merely talking to herself. She knew they couldn’t hear her, but she needed to talk to them anyway. She lowered her head. “Why did you leave me?” She poked absentmindedly at a red toy car in a miniature driveway. “I wish you could have met Astrid. She would have loved you both.” She saw visions of Astrid coming home with her class drawings, eagerly showing them off to the Maitlands. She wanted Astrid to experience the joy she felt when they used their silly ghost powers. “You barely knew Richard before you were given your ticket to the Ethereal Express. Gone forever. And now Richard is gone, too. I can’t even see his spirit. My father is gone, my daughter is unreachable, and Delia is going to sell the house.” Lydia rested her head lightly on the table. She could feel the emotions bubbling up in her eyes, but she wasn’t willing to cry just yet.

She straightened up, sniffling back her tears and swallowing the sob in her throat. She lingered for a moment in silence, watching the dust particles swirl around the model town. Her gaze, initially soft, allowing herself to be at ease watching everything blur, suddenly sharpened. A vivid neon red light flickered on in the model, casting eerie patterns across her face. A soundless gasp escaped her as she saw Betelgeuse’s gravestone had materialized, and above it, a marquee sign surrounded by bulbs flashing in a captivating chase illuminated the words: "I'm still here, Lydia." Panicked, Lydia yanked a sheet over the model, turned off the lights, and rushed out of the attic, locking the door behind her before bolting down the stairs.

[realchemistry]

About Maddie's reaction to ~the incident

One of the things I think is important to point out, because I haven't seen or read anyone talking about it, is Maddie's reaction when Buck told her the truth about the basketball incident. When Buck first arrived, she was all smiles, probably happy to have Buck there. Then she asked about how Eddie was doing and Buck said he hadn't talked to him because what happened on the basketball court was not an accident.

Buck confessed that he might have meant to hurt Eddie because he was pissed, felt left out, and he guessed he was trying to get Eddie's attention (I’m not gonna go Buddie here, but he legit literally said exactly this which !!!).

Her face started to morph, the change in her whole demeanor, the horror of it all... she was really really mad. I don't think JLH got the proper credit for it. It's truly remarkable, her face spoke volumes about everything that was going through her head at the moment. You could see Maddie thinking about her past, about Doug, about how he hurt her and the terrible ways in which he justified that behavior as she was telling Buck that you do not hurt people to get their attention and not to do it again.

The episode didn't make that connection explicit (they had her babbling about Sarahs instead, more on that in the last paragraph), and I KNOW that if roles were reversed, part of the fandom would've lost their mind, since they love to portray Eddie as violent and abusive towards Buck when there's nothing in canon to back that up, quite the opposite as of this episode actually. Since Eddie was the one who got hurt, it was no big deal, it was pretty much forgotten immediately after. I thought it was a huge deal, I thought tptb didn't really address how problematic that was. I thought the only one who reflected the gravity of the situation was Jen, maybe thanks to her character's past.

BTW, I don't think it's in character for Buck to do this, I think he does know better, and he really isn't and hasn't ever been the type to resort to violence. Having said that, that's what tptb decided to do on screen, maybe as a way to show he was struggling with his identity... But that’s kinda terrible, like, he’s confused at this point about his feelings so his first instinct is to harm his friend out of jealousy? Also, we didn't get to see anything else on the matter after. It was such an odd choice, tbh, cause yes, Buck and Eddie probably talked about it for a second and then made up offscreen, but to have a character be violent towards his friend just to push a storyline forward, a storyline about bisexuality of all things, disregarding everything about said character and then not acknowledging it... Some very bad choices were made. Once again, I think tptb prioritized moving the plot forward over making sense and that's just something I truly hate with my whole heart.

Characters cannot have their choices and actions dictated by the plot or, at least, it can't feel that way to the audience. That's just bad writing through and through. Tptb did this a lot this season, and I understand that time was pressing because of the strike and all, but they need to do better. They are professionals getting paid to do a job, the least they can do is actually make it all make sense for the fans and stay away from toxic portrayals of LGBTQ+ characters (Hen cheating, anyone?).

The whole story about the Sarahs was really kinda ridiculous, honestly, I think they just had to give Jen more to do but a follow up without it would've been much better. Of course, seeing as their intention was to completely ignore the gravity of the situation, they simply couldn't mention Doug at all cause that would've required Buck and Eddie discuss this seriously instead of completely forgetting about it.

[the-badger-mole]

Sorry I’m asking a bunch of questions but I’m really interested in how you view ATLA

How would you have personally expanded on Mai’s character had you been a show runner for ATLA? Same with Aang.

What other major differences would you have made, and how would you have instead written Kataang if Zutara weren’t an option?

I would've been fine if the show ended with no romances, tbh. If Zutara wasn't an option, that's the route I'd go. That being said, if Kataang was my ONLY other choice, I'd say that Aang would have to have a growth arc. He'd have to confront his problematic opinions towards the SWT, and I'd love for it to be because he was called out on them by Katara in specific. He'd also have to come to an understanding of his friends' perspective on a war that he's only experienced a few months of and they've spent their entire lives worried about. He'd have to also have a reckoning with his beliefs as they come into conflict with the realities the world is facing. He'd have to be way more empathetic and supportive of Katara, even in her worst moments. Basically, he'd have to be a completely different character who just so happened to be named Aang in order for me to support Kataang at all, Zuko or no Zuko.

As for Mai, I think she's a lot more interesting as an antagonist than a hero. I'd have embraced her calculating and manipulative ways and gone with having Ty Lee be the one to turn on Azula. As it should have always been. She didn't need to be over the top evil, but I see her as one of those antebellum ladies who turned a blind eye to the suffering of others because their lives were comfortable. I'd have her be angry with Zuko for rocking the boat instead of falling in line with the status quo. But I'd also have her dealing with a deep rooted rage because, like those antebellum ladies, she was unsatisfied with her lot in life. Her poor treatment of servants would be focused on more, and her thoughts on her family's part in the Fire Nation's colonizing the world would be explored, too. In the end, she would want more freedom for herself, but still be a Fire Nation supremacist, and she would never forgive Zuko for his treason.

[murfpersonalblog]

FrankFreezy on Victim-Blaming in the IWTV Fandom (IWTV 2x1 - 19:09 - 25:34)

If I see or sense something that is problematic...I'm going to say something, and one of those things that led me to this whole thought process of speaking about victim blaming is because my whole thing with Lestat in Season One is like I have said countless times:

I'm judging and speaking on these characters based on what I am seeing in front of me.

And a lot of people have spoiled; a lot of people have hinted; a lot of people have suggested that: "Don't worry, when you get to Season Two everything will make sense!"

And I'm happy for that! I'm happy to grow and evolve...with the story as I go. I'm a patient man, and I'm a man that likes being told I am wrong, in the sense that I'm open to learn, I'm open to embrace new point of views.

However, I'm also a man who calls sh*t when I see it, or calls some kind of characters and behaviors when I see it.

Now, something I want to talk about victim blaming is: If someone SA'd someone, or abused someone, and your first comment or your initial comment is: "Hey man, we need to look deeper into this abuser's past! We need to check out their trauma and what made them do this!" Then I'm going to say something about that, because those things are valid! Mental health is important, and knowing how a character got from Point A to Point B is very valid.

But the part about victim blaming that comes up for me is: Why is the abuser's past or trauma the thing being centered in this moment??? Doesn't it make more sense that the person that is going through it or the person who is abused--their pain, their current trauma that we're seeing Lestat inflict in front of our eyes--should be centered first?!

When that person is cared for and taken care of and understood, yeah, we can run back then we can run back and check out Lestat's past or why this person got from here to here, you know?

...Because if I just got abused, and in the midst of it the first thing I'm hearing people asking is: "Oh, the person that abused me, they've had a hard past, and was hurt, people hurt people!" And all these conversations that comes around trauma, generational trauma? I would feel so neglected and messed up! Because I just went through some traumatic sh*t, and my abuser is being centered!?

...Everyone has been telling me we're just seeing Louis' point of view. Even in Episode 7, Armand told Molloy that "You only know half the story, you're going to apologize when you hear everything." I'm SO eager to hear Lestat's side and everything.... Let let me see all the nuances. And I'm happy to see how it changes my mind and all this.

But...almost every time I am cautioned or I am nudged gently in the "right direction" to look at Lestat's reasons for what he's doing, often times it never comes side-by-side with also empathizing or centering Louis, or the people who are being abused.

Like, I just posted Episode [Four] on YouTube, the episode where Claudia did her first kill [on Charlie], unfortunately, and how Lestat was after it happened. He wasn't very comforting; he forced her to look at the body, and all these things, and that's a child! Vampire or not!... I had some thoughts towards that, I'm like: "Yo, she just went through something very traumatic, and you do this!?"

And there was a bunch of folks that were on the whole: "He was training her to be what she was supposed to to be!"

...She did some self harm at the ending of that episode, and in a lot of those comments, none of...the trauma she's actively going through was centered. It was just more: "So, this is Lestat's reason for doing this;" and it gave me victim blaming vibes a lot.

...Especially with Louis, like: "Oh yeah, he was a flawed man before Lestat changed him. He agreed to it, he consented into it!"

I'm not seeing them being centered in that case. I am seeing justifications for why Lestat is doing that.

....I'm just seeing some thoughts, patterns, that I feel from my POV are like low key problematic.

-- Already LOVE season 2 🧡| Interview With The Vampire 2x1 | Reaction & Commentary - FrankFreezy (19:09 - 25:34)

[cursedvibes]

The way people are focusing on "My fav Gojo is not racist, he's just ignorant" and "Gege really hates Gojo he made him racist" when it was not even the point of that interaction. The point was to educate and talk about some stereotypes about black people that are harmful to the community and, if you look into it I'm sure you'll find has it origins in slavery.

Besides, Gojo is privileged and comes from an old money family, and it looks like he isolatehimself from others. Of course, it's in character for him to say stupid things like that. Even if he strives for change.

Yeah, everyone is so pressed that their fave is being problematic (which honestly Gojo has always been, he's hardly a saint and he treats many people quite shitty like for example Utahime and Ijichi) that they miss the bigger picture of this. Given, I think there are better ways to get that point across, but the aim here was definitely not "look at what a uniquely bad person Gojo is, I want to make readers hate him" it's for readers to reflect upon themselves and their own biases, conscious or not. Gojo is often being a dick to people, Miguel included, but this wasn't it. He wasn't just being annoying as usual, he made a misinformed statement rooted in racism "black people are naturally stronger/tougher/more resistant" and he got told off for it, which actually led to him apologizing. He expresses bigoted views, that are quite common all around the world and can lead to real harm like for example medical discrimination, but people often don't question or even notice that they have these views. I think exactly because he's such a fan-favourite character, Miguel calling him out and Gojo admitting he said fucked up shit is important.

Gojo might make a trip to Kenya to meet Yuuta, but unsurprisingly doesn't have any real black acquaintances and the one black person he knows a little better doesn't like him because he treats him like shit, an expandable tool (given, Miguel did try to help someone do a genocide so it's not like him working to make up for that in principle is a problem, but Gojo is not just treating him badly because of that) and has dismissed him and his culture as a whole. Gojo's racism towards Miguel didn't come out of thin air with chapter 255.

No wonder Miguel wants him dead.

You could say Gojo's racism and ignorance got punished before as this powerful cursed tool he so casually dismisses here together with its history could have gotten him out of the box much earlier. If he hadn't gone out of his way to destroy part of Kenyian sorcerer's culture because of his fear that it might be used to hurt him, he might still be alive. This chapter the payback was just more direct, Miguel was given the space to push back and not just get beat up (making in the previous moment Gojo seem like the righteous cool guy, seen by how the fandom reacted to their fight) and he also didn't sugar-coat it and straight up said "you're being racist".

The fact that Gojo apologized, something quite rare for him, and didn't defend his uninformed views or mocked Miguel for questioning him also shows that a lot of this comes from unaddressed biases, irrational fears and having lived a sheltered life in terms of being exposed to other cultures (and actually valuing them) that influence his judgement. He's not trying to be maliciously racist, but he clearly doesn't know what he's talking about and why it is harmful. I don't think he revelled in destroying other people's culture, he was just driven by a base fear, but that doesn't make the harm he caused any better. He's never had any reason to engage with black people on a personal level and that has unsurprisingly led to some ignorant opinions about them. Again, a very common sentiment which Gege uses Gojo to highlight. This is clearly reflecting arguments and talking points Gege has heard themselves and tried to address here. I'm sure there are all kinds of wild racist takes about Miguel on Japanese social media, I know the English side has them plenty.

I think the message Gege wanted to send was executed a bit clunkily by for example still tying Miguel's CT to rhythm (replacing the inhumanly strong black guy stereotype with another common one) and putting the burden all on Miguel to educate the people around him. Similarly, having only one (explicit) black person in the manga who has to then explain anti-black racism to the reader makes it feel very forced. I think you could've avoided a lot of that and included these topics more dynamically by giving us more background on Miguel's technique and how he came to it and comparing it to cursed technique's of other Kenyan or African sorcerer's. Another option would be making Hakari for example Black-Asian (or Todo or Yaga). He has a darker skin tone than the other characters and differently textured hair (which would already lead to him having to face a bunch of bigotry in his everyday life) and he is hated by the conservative higher-ups. So actually do something with that and address it.

Even Japanese people who are merely slightly tanned get harassed. Just being from Kyushu or Okinawa, somewhere where it's much warmer and sunnier and therefore not being as pale as the average person in e.g. Tokyo will get you plenty of derogatory comments, especially if you're a woman. That goes extra for indigenous people like the Ryukyuan or Ainu who not only face prejudice because of their appearance but also legal discrimination because of their origins and challenge the very popular notion that Japan only has one ethnic group and one language. Japan still struggles with a lot of racism internally against their own people, so you can imagine that it's even worse for anyone who newly immigrated or with parents who immigrated (in the best of times you will always be treated as a foreigner no matter how well you speak the language or integrate into the culture simply because you look "different"). It has gotten better in recent times, but it's still a problem, as Gege pointed out in this chapter.

Coming back to Hakari, we would also be able to see through him how jujutsu society treats black-identified Japanese sorcerers, which would be a different perspective from Miguel's who only visits Japan occasionally and mostly operated outside the system until Gojo came along. Black people aren't just something distant overseas, they are also Japanese citizens. You could show if and how jujutsu society differs from regular Japanese society. Most likely they are even more behind as they also discriminate against what kind of cursed technique you have (modern or one based on a long bloodline, which would automatically work against anyone not born in Japan and with a long family history there). You could also combine it with the transphobia Kirara faced and generally show how this system fails young sorcerers who don't conform to their norm.

But yeah, sorry Gojo is not perfect and will fall into the same stereotypical and bigoted thinking as many other people who rarely step outside their narrow homogenous social circle. Like you said, he's privileged with old money and family history who pride themselves on their bloodline. He's generally very narrow-minded about things that don't interest him or he sees as irrelevant like how he doesn't bother to understand Maki or has no problem ignoring a starving child on the road (who cares what happens to Hana, she's weak and Megumi is the strong one, he's who matters here and deserves to be lifted out of poverty) and international sorcerers fall under that as well. There are so little of them so it's okay to ignore them, why should he bother reaching out or informing himself about people abroad, he's never gonna interact with them anyway. If they get too dangerous for his taste, he's just gonna slap them around a bit and take away their sharp toys.

Honestly, I think what Gojo did previously is worse than what he said this chapter. He can learn to check his internalized racism and be more mindful of how he talks to Miguel or black people in general (he shows openness to criticism and improvement here), but he can't bring back Black Rope. It falls to Kenya's sorcerers to recreate it, which will take decades. They'll feel the impact of Gojo's actions long past his death, even when he can't say anything ignorant or racist anymore.

So I don't think this ruins his character, was done by Gege to make Gojo fans feel bad, or meant to keep anyone from liking him. He has character flaws and that is fine. He gets challenged on them and receives push back for them plenty in the story. I can understand that some fans feel bad reading the chapter, hearing Gojo regurgitate talking points they might've heard said against them as well, but it's not really Gege's fault for addressing this very common issue.