#just. this is why you start things early

[astriiformes]

Finally managed to talk to another professor about serving as my faculty mentor for an undergraduate research project, which means that now I have less than a week for formulate my actual proposal if I want to get it funded for the fall

Cue just a little bit of internal screaming

[jadewritesficshere]

Grey

Steve Harrington x fem!reader

Synopsis: Steve gets a wake up call from yall's daughter

Contents: talks of aging, kids being kids, references to smut but nothing explicit

Steve groans as his consciousness comes to. Something is hitting his face. Someone. Repeatedly.

Steve squints his bleary eyes open as a hand smacks him in the jaw again. A small smile appears on his face even though his jaw stings from the impact. "Morning," Steve's voice is still thick with sleep as he turns to look into brown eyes barely peeking over the edge of the bed.

A quiet voice repeats back ,"Morning," to Steve before arms reach up over the edge of the bed to try and grasp something. Small hands grab the blanket and tug it off of him slightly as the child attempts to climb up. At two and half, Amelia Joy Harrington can barely see above the edge of her parents' bed, let alone get on it.

Steve hoists Amelia up and sits her on his stomach. Steve winces as Amelia scrambles, a stray foot hitting his thigh precariously close to his crotch. Arms are thrown around his neck in a hug as Amelia lays her head against her dad's chest.

Steve feels like his heart could burst out of his chest from the joy he is feeling. A hug from his baby? The best way to wake up in the morning. Who cares if his jaw is still stinging and probably red, his little girl loves him.

Steve sighs in contentment. Steve holds his daughter close until she starts to fidget and wiggle. Amelia sits up and throws her hands in the air. "Happy Birthday!" She whispers excitedly, except she has no concept of how quiet a whisper should actually be and says it in a much too loud voice.

"What?" Steve asks, hand hovering near Amelia's side in case she slips. Amelia's eyebrows furrow as she pouts at him, a look that is an exact copy of you. Her arms slowly lower as she stares at Steve. "Happy Birthday. You old." Amelia pouts at him.

Steve blinks at Amelia in confusion but nods his head. First off, rude, he isn't that old. Steve isn't sure where she gets her unfiltered, blunt commentary (it absolutely isn't him). Second, it absolutely isn't his birthday. Not even close.

"Why uh...why is it my birthday?" Steve asks, unsure if Amelia fully understands the concept. Not sure if he can explain the idea of a birthday to a two (and a half) year old. "Grey." Amelia declares giving Steve whiplash. Before Steve can speak, Amelia points at the comforter," Blue." Steve smiles," Yes, blue."

Amelia points to her shirt," Green." Steve nods. Amelia taps under Steve's eye, lashes brushing against her finger causing him to close it. Steve hopes she doesn't attempt to actually poke his eye.

"Brown." Amelia declares. "Thats right." Steve grins, his girl is so smart. Amelia points to his temple," Grey." "That's ri- what?! No!" Steve's mouth drops open as Amelia giggles. "Uncle Dustbin says grey is old. Birthday makes old. Happy Birthday!"

The creak of the loose floorboard in the hall notifies Steve of your approach. You peek into the doorway of the room, seeing your two favorite people. One looking aghast and the other giggling at her father's reaction.

"What's going on in here?" You ask, leaning against the doorway. "Grey. Birthday." Amelia announces, like it explains everything. And it does in her little mind.

You hum in response, looking at your husband who seems lost for words. Amelia slides off of Steve and off the bed, Steve guiding her so her feet land on the ground absent-mindedly. He would never let her fall or get hurt. Or you.

Amelia half walks half dances in your direction. A prance in her step, she stops in front of you and grabs your hands. "It's daddy's birthday," She says before headbutting your leg. You chuckle and pat her head as she dances out of the room, in her own little world.

"You lying to my kid again?" You ask once Amelia is gone. Steve sputters as he sits up," I did not- our kid- did not lie." "Uh-huh, sure," you say sarcastically. Steve rolls his eyes at you as he gets up out of bed.

Steve stretches as he rocks on his feet, back cracking, before strolling over to you. "Good morning," Steve mumbles, hand landing on your hip. You hum back as he leans in and kisses you. Soft. Slow. Sweet. Leaving you longing for more as he pulls back.

"Love you," Steve says, fingers running along the waistband of your pants. "I love you too," you want to melt into him. Curl up in his arms and stay in this moment. Let the love and adoration fill the air around you.

"Do I look old?" Steve is the first to break the silence. Your brow furrows in confusion," huh?" "Amelia she," Steve huffs out a laugh," said I have grey hair." You chuckle as you bring a hand up, fingers threading through his hair," You have some but its nice." "Its nice huh?" "Makes you look distinguished. Handsome." You bite your lip and look up at him.

Steve knows that look. Knows it well. It's the look you gave him the first time you moved past just making out. The same look you gave him on your first anniversary. The same look you wore on your wedding night. The same look you gave before Amelia was conceived.

Steve can't help the smirk that spreads across his face. If getting old gives him that look, well, he won't complain.

"What about me?" You ask, batting your lashes. "Beautiful," Steve kisses your cheek," Gorgeous," he kisses the corner of your lips. He continues to alternate between kissing all over your face and praising you.

"My love," Steve whispers before kissing you softly on the lips. You sigh into the kiss, one hand tangling in his hair, the other trying to pull him closer.

A loud crash from the living room has you two pulling back from the sweet moment you stole. "What was that?" You call down the hall. "Nothing!" Amelia yells back, making you sigh but smile. Steve can't help but grin too. His life was a little hectic dealing with a rambunctious child, but he wouldn't trade it for the world. And he thinks, if life is like this, he can manage getting old with you. He wouldn't want it any other way.

[rookdaw]

monster X monster hunter

[hesgomorrah]

we need to make suggesting someone skip the first three seasons of mash as taboo as suggesting someone skip the ninth doctor

[arsenicflame]

It's a time-honoured tradition- every time Sam comes across Izzy (and Ed) in their travels, he asks Izzy to marry him. And every time, Izzy turns him down.

At this point, Sam is asking more for the sake of it than any belief Izzy will ever say yes, a remnant of childhood dedication touched with 30 years of heartbreak and regret- though even now, a small part of him still holds out hope. Sam's promises have only got more extravagant over the years, from a job as his first mate, to a captaincy, a fleet at his command, a whole fucking island if that's what Izzy wants- but he knows it isn't though, not really. If Izzy was ever going to agree to marry him, to leave his life and go with Sam, it wouldn't be for anything Sam could offer him. Izzy never did care for flashy shows of wealth, for a ship or to be captain. The only thing that ever mattered to him was loyalty given, and loyalty shown in return. 

It all comes to a head after Stede left and came back, after Izzy lost a toe, lost his leg. Sam hasn't seen him since before things with Ed started to really slide off the rails, before stress permanently set into the lines of Izzy’s face. So, when he sees a dishevelled man with a hoof for a leg in a no-name port, he doesn't even consider the idea that he might know him. It's only when he turns towards him, and Sam catches a glance at those oh too familiar tattoos, he realises this is Izzy, his Izzy, that stands before him.

Knowing Izzy's discomfort with pity, he doesn't treat him any differently than he would in years gone by, positioning himself in Izzy's line of sight before approaching and sweeping him up into a bone crushing hug. 

“Israel-goddamn-Hands!” he exclaims, as Izzy grumbles back a begrudging “Samuel-fucking-Bellamy”, a tradition almost as old as their friendship itself. Izzy might not hug him back, but he can’t keep the corner of his mouth from twitching, just for a second.

(If Sam holds Izzy a little tighter and a little longer than usual, well. That's his business)

By the time Sam lets go, most of the crew has appeared in the town square, drawn in by the commotion. They may have given Izzy his leg and welcomed him as one of them, but still there’s an underlying tension, with nobody quite ready to set aside everything that happened before the Kraken. Seeing him cosying up to an unknown man sets everyone on edge, unsure whether to come to their first mate’s aid, or to assume that they've been betrayed once again.

When Ed sees that the yelling was Sam, his hand goes tense where it's held in Stede's. He knows the routine, has seen it more times than he can count, but as he watches them part he realises that this is the first time in a long time he's unsure of what Izzy's response will be.

Knowing that something’s different, knowing that Izzy's feeling vulnerable already, Sam doesn't go for the same flashy proposal he’s been giving for years. He doesn't promise Izzy the world, he doesn't cause a scene (or, any more of a scene than he already has, anyway). He looks at the fractured man in front of him, takes his face in his hands, and says the exact same thing to him he said when they were little more than boys. “Israel, I have to ask you. I know what you'll say, but I have to try. Come with me. Marry me and sail away with me. I'll keep you safe”

And Izzy… hesitates. He glances over at Ed, at Stede, and says to Sam “...We’re staying in port for a week. Ask me again then”

That's the moment Sam knows there is something deeply, horribly, wrong. He's not just looking at an Izzy who got seriously injured in a fight and is struggling to cope, this is something so much bigger than that- and that Ed has something to do with it. Izzy wouldn't even be considering leaving if he didn't. Whether it was negligence or something more sinister, Sam doesn't yet know, but he intends to find out.

[piko-rose]

My Personal Headcanon On Why Amy's Love For Sonic Died Down Lately (and their dynamic)

When they were younger, Amy's love for Sonic was pretty extreme, and Sonic was, understandable, uncomfortable for the most part. He knows she means well, but that girl needs to calm down.

She can fight, but sometimes her hammer could only stun her enemies for a while. (It took her a long time to get rid of that robot that has been chasing her around Station Square.) She wasn't fully independent yet, even if she fought on her own a couple of times.

She often follows Sonic and his friends around. She is part of the team, but she was not a strong as she is now at the time yet.

She admires Sonic. A LOT. And Sonic knows that. Obviously, he could only run away from something like that, since he is NOT ready for that kind of thing, and whether Amy takes the hint or stop, she still loves him.

...BUT, I think things were slightly starting to change between her and Sonic after Lost World.

Remember this line?

You remember that? Okay, okay. Here's another totally unrelated question:

Before the events of Lost World, when was the last time Amy said "I love you" to Sonic out loud?

...YEP. 😈 (Unless I'm missing something, let me know lmao)

As more games and adventures come out, the characters get slightly older, and Amy is 12 to 13 now, and she is most certainly at that age where her body starts to change, but especially on how she views Sonic.

She knows she loves Sonic, but it was this moment during her change where she actually wanted to admit that she loves him.

I believe that Amy was all about sharing her affection to him not through confessions, but through obvious hints. Sonic totally got it, and there was no need to confess. Sonic knows she loves her.

...But she never said it. And she almost did, but she never did again for a while.

I think this was the moment in her life where, oh, God, she actually loves Sonic. SHE LOVES HIM, WHAT.

And she was looking back at all the times she had with Sonic that she can now see were unpleasant to Sonic (At least that's what she thinks) and that's probably why she isn't so expressive about her love to him than how she used to back then.

She wasn't sure what to do with this realization, and sets aside it for a while, and nearly stayed as her casual, peppy self... until the Eggman War happened.

During the 6 months of being with the Resistance, fighting Eggman's army all day and all night, all she can think of was Sonic.

She dreams that he still with not just her, but with her friends. She just wanted to see Sonic again, she just wants to be with her hero again.

But I'd like to think that she was also thinking about how she used to treat Sonic back when they were younger, how Sonic would almost always run away from her whenever she asks him out, or always look so uncomfortable whenever she gets so close to him.

Cringing at those memories big time, she wanted to change and hopefully when Sonic is okay and comes back, she can be better for him.

...Or will he still find her uncomfortable regardless? Would he even be happy to see her at all if he did survive?

But, hold on! She can't just give up her love for Sonic! He made her who she is today! A peppy, nature-loving, hammer-swinging, confident, brave... loud-mouth... annoying... Sonic obsessed... weak... pathetic... lonely little girl.

If she gives up on Sonic, it'll be like she gave up on the one hedgehog who saved her life. If she didn't she'll still be the same ol' Amy.

I also like to think she had parents a long while before she met Sonic, and was even expecting a little sister, but a robot invasion happened from where she was and attacked her parents and instead of trying to save them, after getting hurt, she ran away, hoping that they'll come back okay. But they never did.

She was all alone, and needed someone, a friend, a new family, someone who will hold her hand, anyone, to be there for her. But she was ignored by lots, and at that point, she's better off by herself, but still longed for company.

Eventually though, her tarot cards told her her future hero, and there might be hope after all. She encountered Sonic, held onto the belief of the cards tight, and the rest is history.

So, with that headcanon in mind, not only did Amy loose her parents that she didn't save because of her cowardliness (she was only so little at the time that happened) and also Sonic, who she thought will be her only hope, but now gone.

She doesn't even care if he did come back, he'd probably hate her now after everything she did to him, always talking about their "future wedding" or forcing him to go to Twinkle Park.

For the last few months of the war, it was nothing but Amy mentally beating herself up for either refusing to change or moving on, and they are both not fine choices.

She loves Sonic, but he does not love her, and she finally, finally realized it. And it's probably for the best if no body loved her at all.

But of course Sonic did survive and all of her worries wash away in an instant, she's just not expressive about her love for Sonic AT ALL now, since she's still worried about it but rather not mention it to Sonic because it doesn't matter.

If Sonic doesn't love her, then her feelings don't matter to him, and according to Amy herself, that is okay.

But also, I'd like to think that Sonic was thinking about his friends a lot up in the Death Egg for the past months, sometimes it's Tails (worried for his safety), sometimes it's Shadow (because he's wondering why he would join Eggman.) At some point, for a few days, Amy was in his mind the longest, and he felt bad about how he thought he was rude and pushy to her.

He wondered if she's not thinking about it too much, and if she is, will she give up on him? Yeah, he doesn't feel the same and still not looking for a relationship, but it's so strange but interesting how anyone could ever like someone like Sonic the Hedgehog. Amy was never afraid to show that, and she probably might be now.

He couldn't help but feel guilty. They were kids when she was like this, but he was so... arrogant at the time too. Not a lot happened at the time yet. He'd always have trouble expressing how much he value his friends, until he shattered the Paradox Prism. (I'd like to think Prime took place before Forces. It makes sense.)

She is such a sweet girl, and he probably made her believe that he didn't care for her. Just because he doesn't feel the same, that doesn't mean he hates her at all.

He wished he never ran away from Amy... Worrying for his little bro and wishing to be a good person for Amy was when Sonic cried in the Death Egg for the first and only time.

Frontiers, in my opinion, is kind of confirming their dynamic now. Sonic is a lot more sincere and kinder to Amy and she is not all hyperactive and lovey to Sonic. There is probably a real reason for this now.

They are both hiding their feelings from them, and they are both unaware of this. Amy, hiding her mental issues from Sonic, and Sonic, hiding his guilt away from Amy.

None of those things are important now. Sonic is with Amy and Amy is with Sonic. They are here with each other. They can be finally be better for each other now.

They don't care if they'll ever be something more when they get older. None of that matters anymore. They are here with each other. They can be finally be better for each other now.

Maybe someday they'll both talk about it, but for now, the present is important. They care about each other too much to think about it right now.

It's the kind of love that is unbreakable. It doesn't even have to be romantic. It's just love. Love is important for everyone, in any form. It's something Sonic and his friends need. And especially Sonic and Amy.

Amy Rose is the living embodiment of love, and without her, a lot would go downhill for Sonic and co. Heck, if it weren't for her, Shadow wouldn't have never remembered Maria's promise, which lead him to save the world with Sonic, before he temporarily disappeared from their lives for a while.

She is always there to lend a helping hand for anybody, even bad guys like Metal Sonic, and despite what she had been through, both in Forces and headcanon wise, she still fights back, even without her hammer.

She will pick you back up on your feet, reminding you that you are important and that you are loved, and that you should never give up. It's pretty much the words of encouragement she herself needed also...

She is still the happy, hyper, butt-kicking hedgehog we all know and love, but she still need someone to pick her back up on her feet after so long. Thankfully, she has her friends and her blue hero. The hero who made her who she is today.

I think Amy has no idea how important she thought she is, but Sonic does. Sonic knows fully well how important she is to a lot of people. It's about time he returns the favor to her. It's his turn to remind her how much a lot of people love her.

How much he loves her.

And I feel like The Murder of Sonic the Hedgehog was the moment where their dynamic really shined, but also the starting point of their relationship not only healing, but also the next chapter of what's to come for them.

Everyone, friends old and new, gathered around for a special birthday. A birthday for the confident, unshakable, and radiant Amy Rose.

It was such a special moment in Amy's life. After years of chasing and following the people she look up to, she is part of the team, but most importantly, she is part of the family.

She is fully realized as someone more than just a fangirl, but someone strong, courageous, creative, kind and a big inspiration for others.

I feel like this moment here...

-is where Amy is eternally grateful to call her friends her family. A family she thought she'll never have again. She's not alone anymore, and as long as they're by her side, she'll never will be again.

Her chasing days are over. She's finally caught up to them. She's finally home.

And it's all thanks to Sonic.

If it weren't for him, she'd probably be alone forever. Her past moments with Sonic might be embarrassing to look back on for a while, but they are good memories regardless, because they involve him.

Sonic saved her life in more ways than one, and despite everything, he's grateful to have her too.

He cares about her. He really does... And in her eyes, that all she needed to know. As long as Sonic loves her in his own way, she'll be happy.

Amy hasn't given up on Sonic. As long as Amy always supports him, he'll be happy.

Maybe sometime in the future, they can talk about their problems, but that's a story for another time. At this point, they need to. Right now, they are happy. They are okay.

They are here for each other. They are finally better for each other now.

"You guys won't ever leave me, right?"

"Wouldn't dream of it."

[captainuranium543]

People who say erza "doesn't show any signs of trauma the way other characters do" and is therefore not a complex character, then complain about her social awkwardness, rigid personality, generally hostile outward appearance and tendency to resort to violence as a fix all solution in the same breath make me so genuinely angry.

[ingo-ingoing-ingone]

A gentle and I hope kind reminder:

It makes just as much sense to not have a significant other and kids as an adult as it does to have them, whether you're talking about real life or writing characters.

The submas fandom is chock full of aro and/or ace people, so of course a large amount of people prefer to not go the amatonormative nuclear family route with characters whose home lives are a blank slate.

It doesn't "not make sense" and I again kindly ask anyone who thinks being alone or living with family or solely having platonic relationships as an adult is weird or a crazy idea to think about why they feel like that.

Having a partner isn't "probable," in real life or fiction, just because someone's sexuality or status is unknown.

Everyone is allowed to choose whatever sexuality and relationship status they want for characters, please just be mindful about how you speak about certain concepts okay? Characters can have no opinion on how things are written but real aro and/or ace people do, and it doesn't feel very good to read stuff like this.

[deadbeandrop]

i can for sure imagine lumpus as being Old and it even feels more "right" to me but it also frustrates me a little bit while trying to figure stuff out... a few ramblings about this under the cut

there's genuinely just no way for me to make it work with stuff like him being childhood friends at camp with slinkman without making them AND jane (!) the same/similar old age... which i Could very well do! but i'd probably cap it at like 50 and i already have important dates organized and even designs made according to the timeline i already had, so it'd kind of overhaul... everything. i think it'd leave me with some stuff that actually makes more sense, and even more that makes less sense... but. i'd have to write things out and think about them. and the thing is that i can probably see slinkman being in his late 40's as well, but jane, on the other hand, not so much... and their history together is important to things to me too! so it's like i'm being tugged in a few directions and if i were to alter something at this point in time it would likely end in a sacrifice. so i would make lumpus a bit older if i could but all of this is the most important thing to me...

so, its really itching my brain right now just due to the Shape of my thoughts, which isn't a good way to go about things, but its sort of become apart of my process and i have to sort of just... deal with it. (most of the time it helps me decide on things and overall has me more satisfied with it, but at other times, it's really not based on anything and ends in situations like this...)

in a way, there's almost like two different versions of things i could go with:

1. lumpus and slinkman meet as adults, with lumpus being a good deal older than him, and lumpus is stuck working the job because nothing else will take him + weird power trip + he comes from a line of scoutmasters.

i can see myself thinking about this version of events too cus i do think it's perfectly solid on its own and fits the more casual tone of the actual show. i might even like how this one is "shaped" a bit more. if i wanted, i could have this be how i view the show's canon timeline (which would include a lot more of the episodes than i personally do) so i can at least have/explore those ideas somewhere as well...

(additionally, chris had some alternative ideas for how dead bean drop could still work with that, and i can imagine playing with that to some degree)

but then there's 2. my version of things in my own version of the show, where lumpus and slinkman (and jane!) attend camp as kids, and there isn't anything like lumpus' family history of scoutmasters.

i think this in itself sort of lends everything to be very character driven, where things like history over time and the characters' general psychology and motivation contribute to themes and more complexity in the stories that wouldn't work as well with the base source material. in my version of everything, i am aiming a bit higher than the average person, after all, to imagine something that's more than only building off of the source material. the main difference of what drives them all back to camp ends up more tied up in those sorts of things, where lumpus is mostly here of his own volition despite hating everything (+ the weird power trip stuff). there's a lot more there to dig into which is more interesting and fun to me personally, and his relationship and close with slinkman i feel almost hinges on this sort of set-up because of how everything ends up tying together, as discussed here. for what i'm doing, it all simply hits harder with the emotional backing if i have it like this, and because of how things are already set up, that means i do still have to make some decisions like the topic of today's post where lumpus is a bit younger than i'd imagine him to be as well

while the first option is perfectly suitable for the actual show, a lot of the elements just don't work for what i'm trying to accomplish, and that's okay. i gotta be okay with that! and to allow myself to do More than one thing if i want, because "canon" is being made subjective and malleable here anyway. we are all just playing around and i'm allowed to play around in multiple ways if i want to as well

end the end, i don't think i even use any lore from episodes like the bean tree in the first place, but, it is sort of crazy when you think about it that its equally as canon that we went from "teenagers at camp 15 years ago" in dead bean drop to slinkman implying lumpus is like way older in the bean tree, but i guess there's really something for everyone here depending on how you want to go about it

[utilitycaster]

Sort of a distant tangent off my post about Ashton, but I'm growing more and more suspicious of the fandom claim that there's no time for small RP moments in Campaign 3. I do think that it's been challenging to get deeper party bonding or serious conversations that aren't about the big philosophical questions they're facing, since those do take much more time; but then I think about Calamity, or Candela Obscura. I can genuinely give you at least a couple paragraphs about pretty much every relationship in the two Circles, or in the Ring of Brass. I can also point to no shortage of small moments between characters in the Mighty Nein Aeor or Vox Machina Vecna endgame episodes, which were all extremely plot-heavy and fast-paced, and D20 consistently nails character relationships in a fraction of the time.

I think it really does come down to, as Brennan Lee Mulligan always says, the character creation phase. Laying down a solid groundwork in which everyone has a detailed, rich backstory and sense of personality and relationship history (in the case of characters who knew each other prior to the start of the series) is absolutely crucial, and even in the case of characters who don't know each other before going in, a good amount of time spent in character creation ensures that it's easier for them to develop those interpersonal relationships on the fly. I know in actual play there's some degree of finding the character as you play, but there are games for which there is a very short runway, and I don't think it ever hurts to do more extensive character prep than the bare minimum. And if there are gaps, I think it also helps to go back and fill those in mid-way, away from the table - Travis clarifying Chetney's backstory being a great example that allowed the history of Chetney and Deanna to feel realized and full, despite only a few episodes.

I'll also be blunt: most of the time when people complain that there aren't moments because the plot keeps moving...they're mad about shipping. Which has always rung hollow to me. It was a common complaint in C2, that no time was taken for character relationships, despite them taking an entire half of an episode for the Beauyasha date and despite no shortage of moments for all three of the other couples (and plenty of platonic moments between friends). The issue was never a lack of time; it was that the characters they wanted to talk to each other didn't actually have the relationship in canon that the fans had dreamed up, and so, when the chips were down, they went to other people.

It takes two seconds to say something like "I hold their hand", even in the middle of plot-heavy adventuring. If someone doesn't say it, it's rarely the GM rushing them; it's the player either choosing not to do so, or not remembering to do so, and either of those is quite revealing regarding how the player feels about that relationship and where it stands in their priorities.

[magniloquent-raven]

yall mfers need to stop

[bunnyboy-juice]

spent the first hour and change at work deleting some old files and am having a grand ol time laughing at myself for not realizing i was a lesbian sooner

[is-this-even-relatable]

I’ve seen this a few times and I wanna address it. In the phandom, as a fan of Danny Phantom, you can be a fan however you want.

You’re not wrong for liking what you like. If you don’t care for AU’s and fanon and all the rewriting and fix-its and shipping… then good on you. If you watched the show as a kid and are a fan because you like canon and the show itself makes you happy, then good on you. If you discovered the show recently or as an adult and are diving into a new passion, then good. on. you.

We all love the show, or at least the concepts and vision behind it, that’s why we are fans. (especially the theme song, THAT I think we can all agree is a hecking banger.)

ASIDE 1: What this post is addressing is the concerns from some people who only like canon, or prefer majority of canon over fanon, about feeling left out of the phandom. I’ve also heard some people, who grew up with the show, who’ve said that Butch Hartman is their childhood hero, and feeling awkward and off to the side in the phandom, while people bash on him and the show.

While yes there are problems, and I truly recommend everyone who reads this looking up “Why don’t people like Butch Hartman?” or “What did Butch Hartman do?” and doing a bit of research on your own, this doesn’t mean you can’t still have that childhood respect.

It’s a bittersweet sort of thing, where someone doesn’t turn out to be as great as you’d envisioned they were. Where you have respect for them from the past, and are learning that they’re not who you thought they’d be, and you feel betrayed because maybe your trust was misplaced. But that’s not on you, and you shouldn’t be shamed for wanting to preserve that memory and keep the innocence of your childhood heroes alive.

I myself, have had a huge part of my childhood and formulaic memories, had to be reevaluated once I got older and realized that hey… that was definitely problematic. I was a kid, and didn’t know any better, but the organizers definitely did. I’m glad to have done it because those experiences really mattered to me, but I feel guilty for thinking that because I also now have the knowledge that it wasn’t right. Cultural appropriation is a huge disrespect to the things I thought I was respecting when I was young. So although I appreciate the memories and the time I spent and who it made me today, I can say for a fact I do not condone the ones who orchestrated it, because I have become an informed individual. Because I know better. So I will continue to love the ideals introduced to me, but I will go about it the correct way.

In that thread, I do think that it’s good for everyone to educate themselves on the media you consume, especially on subtle contexts and perhaps why some things get spread around like “butch hartman sucks” rather than just accepting or rejecting hearsay without confirming it for yourself. If you don’t know something, seek to understand it!

But, and I stand by this, any existing or future issues with the show’s aging or it’s creator does not give anyone the right to make any other person feel unwelcome. And if anyone, phandom or otherwise, yells and kicks and screams and or otherwise has a hissy fit at you for liking canon or anything like that… then fuck em.

Nobody can stop you from loving what you love! We are all on earth together, and you truly only live once. So don’t waste the amazing time you have doubting yourself. Don’t spend time reading and consuming content that you don’t want to. If you wanna read canon fics only, never reading crossovers, then you. go. damn. do it.

If you’ve never created anything in your life, never drawn a doodle or written a blurb, you are still a part of the phandom, and we are happy to have you. Leave comments, likes, and reblogs to show your presence and appreciation! Tell the content creators you like the most that you appreciate what they’ve done!

In the end, we are all just people, who one day found ourselves reading/watching/looking at a silly ghost boy who was just 14, and found that we couldn’t look away.

[sundial-bee-scribbles]

anyone else ever have this random fear of being accused of copying other people unintentionally? like

>be me >see another artist post something cool >"ooh funky i had a really similar idea once!" >get inspired to possibly draw something >"wait but what if their fans or they themselves notice and think i copied their idea and start drama (;;;*_*)" >end up not doing anything

[deus-ex-mona]

up next on chapter 36 of idol sengen… _(:3 」∠)_

[worstloki]

Jujutsu Kaisen asks many important questions such as: mentally healthy daughters that are happy but racist OR son that isn’t racist but is so mentally unwell he rarely smiles and has no will to live