#just of the scenes we've seen so far <3< /div> Explore tagged Tumblr posts

[bigfatbreak]

Hi. Love your blog and your art, really the way you had with storytelling is really interesing. I have a question in the villain AU, whats Tom's general opinion on Adrien? in the last comic he seems annoyed by him. Is he aware about Mari's feelings for him being the cause of Adriens suddenly being really sick?

its a slow evolution, tbh

Editing to add: Tom is a morning person to Marinette Specifically, otherwise he's nonverbal for an hour

[hawkins-batman]

The Noah Schnapp Situation Going Into S5

With Stranger Things Season 5 coming out this year, we are unfortunately going to see a revival of the debacle around Noah, even though by then it will be an almost 2 year old subject. So, I thought I would get ahead of that with some of my thoughts based on what I've seen these last few weeks and more broadly over the last 6 or more months I've been on this scene.

Spoiler Alert: This is going to be a long one. It'll probably be my new pinned post.

Why Still Talk About It?

Frankly? Because it's still going on. Keep in mind, Liam Payne died in October 2024 (just three months ago), right around Noah's birthday, and THIS is how Twitter responded to that.

And just in case anyone thinks I had to dig back a whole 3 months to find Noah-hate-content on Twitter, here was just random things I grabbed from the last week:

Which brings me to the next point.

Why Do You Even Care?

"Noah doesn't know you." "He's not your pookie."

I know that. The funny thing is, from what little I know about Noah, I'm pretty sure if he DID know me beyond the ONE DM conversation we've had, he'd probably tell me to chill. Dude is very non-confrontational and nice. So, why do it?

Because I think the online movement in favor of Palestinian self-determination has been hijacked by teenagers and performative leftists who care more about looking good for their peers than practicing what they preach.

Because (as you can see above and in screenshots like the one below), people who claim to hold my liberal/progressive/left-leaning values have used this as an opportunity to be openly homophobic and antisemitic towards a then-19-year old who had JUST come out of the closet.

Proponents of the hate campaign against Noah have said that they are just "holding him accountable" or "criticizing him" in the hopes he "learns something."

Look up. Point to me which image is accountability. Point to me the valid criticisms.

There are none. There is just flagrant homophobia. And then there are posts like this one, coming from the same crowd:

This behavior is wrong on its face.

It is violent. It is bullying (which doesn't seem like strong enough of a word) and it's bigoted.

Wanna see more? Look up @noah_schnapp on Twitter/X. See what they've done to his account.

Inevitably, some of the people participating in this will see this blog post. If you've made it this far, this is for you:

This behavior discredits your activism. It makes you look performative and fake to say in one breath that you are a "Leftist" who cares about Palestinian lives as well as the lives of minority groups worldwide, and then to turn around and talk like this about a Jewish person and a gay KID. Because he WAS a kid when this started. Furthermore, it makes it clear to those of us who actually hold the beliefs we claim, that you are vapid enough to use Palestinian suffering for your own personal vendettas. That the APPEARANCE of goodness is more important than goodness itself. And that you will shuck solidarity with minority groups the MOMENT one of them steps out of the lines you have drawn around them.

Not to mention...

It's Based Mostly On Lies

As a reminder, this is what Noah Schnapp actually said shortly after October 7, 2023:

Read that again.

"...we will hope and pray for safety, justice, liberation, and self-determination in Palestine." That was part of the very first thing he ever said about the issue.

And then this happened:

This was the image he was crucified for.

Stickers that weren't even his. That he wasn't holding up or making. He was in a cafe, someone else came up to him with them, and he was videoed with that person.

That's it. That's all. All those tweets you saw above? The fake stories made up about him like this one?

All of that was supposedly "accountability."

The harassment of his family. Murder threats. Rape threats. All for stickers that weren't even his.

There's even a paid Stranger Things author on this very site, styling herself as a Byler shipper, who has contributed to the lies that have further added to the hate campaign I've described.

As an aside, Noah wasn't the only one in that video. The influencers that actually posted the video and HAD THE STICKERS?

Nothing. Nada. Zilch.

And just to be clear - I don't think they should get hate. I think non-Jewish online Leftists appropriated a term from Jewish culture, redefined it, and are weaponizing it to beat down Jews all over the internet—which is par for the course for this charcuterie board of performative activism.

Yet the point stands. Noah was specifically targeted; and the homophobia that IMMEDIATELY came from the Left suggests to me that it was his sexuality and cultural/religious identity that motivated the attacks.

Again, I'll say, this is wrong.

Noah Has Since Responded

It hasn't stopped the bullying.

Didn't stop him from withdrawing from spaces he loved. From needing therapy from what we've learned from his now-deleted second TikTok.

And that really says something, does it? He cleared up his point. He tried to clarify and even apologize.

They didn't accept it. Not because it wasn't good enough. Not because it was "too late." Because this was the point. They wanted to keep doing it. They get sick joy from it.

Which is why...

I'm Not Shutting Up About This

This post doesn't even nearly cover the whole situation. The Byler fans who try to replace Noah's image in fan art and fan fiction. Who fan cast themselves as Will instead of Noah. The stalking and doxxing on Twitter. People reporting to GIANT hate accounts his location and when he's alone, PRAYING for him to be hurt.

I wish I could cover it all.

We have to stand up to this. On tumblr, on TikTok, on Threads, Twitter/X—everywhere we see it.

For our gay and Jewish siblings who see how Noah was attacked and feel less safe in their online spaces as a result, we have to speak up and say something.

And yeah. We have to say something for Noah, too.

The person who replied to me like this:

Him?

He did it because he needed to see a show of love from his fans. Doesn't mean he's perfect. Doesn't mean he won't mess up or do something in the future.

And no. Standing up for Noah, or for Jewish people, or other gay folks does not make you a genocide supporter or apologist. It doesn't mean you want any innocent people harmed. Don't give them the power to talk down to you like that. It's bullshit. You know it, and I know it.

All standing up to this vile shit is is an acknowledgement that Noah is a living, breathing person, as some of these people tend to forget.

And he didn't deserve this.

Any of it.

Related Blogs:

The Evolution of a Lie

[kinardsevan]

What is your opinion on Tommy coming back or not? And in they case we see him again, do you think it’ll be just for closure (ex: Abby in season 3) or maybe for a BuckTommy second chance?

fun fact: i was considering doing an entire breakdown with a bunch of Oliver's interviews from the start of this arc until now to point to my opinion:

Tommy is coming back. The romcom theme is still in effect, and we're only about midway through the 3rd act.

Long story short (and without sources right now), I think that the interviews were actuallly pointing in this direction with the wording for a hot second. We have OS telling us that he thinks the best relationships have a "will they, won't they" bit where the audience and the characters are pining. We've seen this play out on the show. And we also have to remember that Oli knew during this interview that the breakup was coming. We also have the interview (I believe it was the Decider one I linked last week) where he mentions choosing to fight for the relationship or not. I feel like a lot of people have taken the context of that and twisted it into "they didn't do it right away, so they're not going to". Except, there's ANOTHER quote of relevance, which is Oliver talking about how Buck's queerness isn't tied to Tommy or Eddie, and only to himself.

Obviously, there have been things said since 806 that would point towards me being delulu, except, here's the issue: TM, OS and LFJr are NOT going to tell us that Tommy is coming back if that's the intention. It would spoil the surprise of it all, and the win of it all. What fun is there in that? What TM has said is that Tommy is Buck's romantic past but that doesn't mean he won't turn up again in the future (all relevant and true facts which do not shut down a reconciliation). Lou never out-and-out said he was done with the show. He's said time and time again that he wants to come back. TM has mentioned Tommy coming around again. OS literally said in an interview "they may run into each other on scene and have it be awkward".

Now obviously we don't actually have the full story with how things went down and the show decided to go with splitting the boys up. I think the fact that Lou has called out the bullying but says he wants to come back suggests that it wasn't him saying it was too much. I have two theories that could honestly run concurrent with one another:

Evan and Tommy break up in 806 at the end of the episode. With 911 having 18 episode seasons, this quite literally only makes up the first third of the season. It set up the beginning of the year for us. We're now two episodes into the second part of the season with a pretty clear idea of where the next three will go and suggestions (by fans, nothing official) that the "soonest" we could see LFJr again is 812. This is reasonable, as it would be the end of the middle of the season. Knowing that TM has suggested he might do a multi-episode season finale, pushing LFJr back into the show in 812 (or even the end of 811 if we go with my theory that Eddie could possibly leave around this time and Tommy helps them pack up/his and Buck's first time spending time around each other again), there would still likely be something around this time period that would be around when they would open the doors to this. As it is, we know that 809 and 810 go together, and then we'd have 811 to really flesh out the end of Buck's fling. I think there's even more possibility of LFJr being in this episode as well because if the plan is to bring them back together (which everything has been suggested so far ON screen in terms of keeping Tommy "in" the story), three-episode arc gives us several things: a. it allows the show to make the point that Buck's queerness is not intrinsically attached to Tommy; that his interest in men is as equal as he know his interest in women is. b. it gives them the ability to also show that his feelings for Tommy are not based in Tommy being his "first", or Evan needing to "discover" more about himself. They're in love with each other, and the show has given us the pieces for that. LFJr has acknowledged it in an interview, Tommy loves Buck. We also know that Tommy's line to Evan is "you'd end up breaking my heart, and I don't think I could deal with that". When I hear that sentence, what I'm actually hearing is "I'm already in love with you, and if I let myself fall more in love with you by being with you every day all the time and this ends, I won't survive it". By relation, we have Josh ask Buck if he loves Tommy and Buck waffles, but I think this has more to do with his lack of understanding of what a healthy love is in a relationship, given his past relationships. He never got to tell Abby. Ali left. and saying I love you to Taylor wasn't about the core of actually being in love with her, which I think is another important piece for BuckTommy: they don't just love each other, they're in love with each other. Still, sometimes it's hard to quantify that feeling, and I think (as I've referenced before), for Evan it was easier to ask Tommy to share a living space with him than to share how he feels about him because historically, things haven't worked out well for him when he's been in love outwardly. Further, the questions Josh asks Evan are directly correlated with loving someone, and Evan answers yes to all of them. (I don't think I need to add this, but he also sees a future with Tommy, talks about being engaged or married. He's serious about Tommy in a way he never has been before.)

There's also the theory that the breakup happened because of scheduling conflicts. Now obviously the show could've found other ways to work around LFJr's scheduling issues by having Tommy go on a trip or what-have-you, but let's remember OTHER things that have been said by OS in prior interviews: a. back in June, he did an interview where he stated that he wanted and hoped that BuckTommy would go through issues that couples normally go through in their first year together. He wanted normal issues. This storyline IS normal. b. he didn't want to repeat Tarlos. By the very definition of what the show is doing right now, we're not. Tarlos and BuckTommy are their own things with their own reasonings.

One of the other things I also keep being pulled back to is these issues: first of all, we know how LFJr plays with the 911 demo, given that they got to see it last season. It's why he was written into more episodes after his initial four episode arc and brought back. ABC has also used BuckTommy in their own adverts, which suggests that they are very supportive of the relationship continuing because it draws in viewers. Truly giving that up for good feels like dousing yourself in gasoline and then considering striking a match. Second, people also keep calling out that TM only plans a few weeks in advance. I believe this is true with story beats. We know that the writers room has a general idea on character arcs, thanks to some of the discussion on the cheese page post-806. I really struggle to believe that TM didn't know going into going forward with the breakup whether or not he wanted to bring LFJr back. We know he waffled back and forth on the idea of the breakup, meaning he probably had other solutions on his mind for whatever LFJr's schedule needed adjusting for, and this is what he decided on. Also, even if 8b hasn't been broken down yet (we know it hasn't), they would still know at this point what they do or don't want, what their ideas might be. Solidification for why Tommy should be brought back is directly shown in the reaction by the GA and the fandom to the breakup. They may not know exactly how that reunion happens yet, but what they have suggested is that Buck's new relationship will be short-lived. That he's using it to cope. We also know he's still processing the break-up and still misses Tommy. These are all things that point to the story not being over. Plus, I feel (once again), if the story really was over and they didn't have plans to continue this in 8b, LFJr wouldn't be talking about wanting to go back. It be far more "yeah that sucked, but it's over now and what can you do? I'm off to this new show and I'll never be back." (I've commented also on the fact that the fangirlish interview comment about his "i'm going here, doing this, have some opportunities" statement is very run-of-the-mill. Obvs I could mean something. Or it could literally just be a canned answer.) (This might feel a little off-center, but I think his commentary on trusting TM and knowing what he's doing in one of his post-806 interviews directly suggests that he believes the story is going to be handled properly.)

I realize at the end of the day, all of what I'm piecing together could mean zilch and Tommy could possibly never come back. They could truly just drop the story and never circle back around, set fire to a beautiful arc and lose thousands (possibly millions) of viewers. I've certainly suggested myself being one of them. But I don't see BuckTommy only getting an Abby fix for two reasons. LFJr wants to come back and continue the story, and Connie Britton only ever intended to do one season. Also, the fling has been called out as being planned to be short-lived. Why bother mentioning that if you don't have other plans for the story.

The last thing I'll leave you with is my commentary from the interview Oli and Aisha did with the guy from Chicago. That reporter obviously liked the BuckTommy storyline and said he's choosing to believe that the relationship is paused, not over. By relation, we had Oliver say three things: (1 and 2) Buck is still looking for love, both in himself and with another person. (3)The season is only half over. Circle that back to 806-808. Buck is finding love in himself by dealing with it in a healthy way (so far) with the baking. We've also seen the "cracks" Oli mentioned with his continued urge to want to text Tommy, as well as him fighting it off by baking (referencing the "pendulum swinging"). Looking for love in others will likely be this arc where he tries to deal/move on. I feel like we collectively watched the end of 806, and then 807 and 808 yelling at the TV "you're in love with him, piece it together already!" (or maybe that was just me???). But truly, whether it's a fling, his therapist, or Bobby/Maddie/Eddie who finally spells it out of or him, I think there will be a point at which we see that come to fruition. The seeds were sewn in for it in the scene with Josh. Now it's just about watching those seeds sprout.

Final note: we've had a good run up to this point with these two. Did we truly thing that the honeymoon phase would last forever? (I didn't. Conflict and the pink bubble popping have to happen eventually.) If we really want to suggest that what BuckTommy has is real, they have to go through this and come out the other side. I think everyone is justifiably frustrated due to the 4 month wait on new episodes (I personally would not have left people hanging quite like this, but that's just me), but the narrative does lead us toward what the show is doing with the suggestion that it does have a natural (and good) conclusion. (Possibly with a helicopter/truck/jeep crash?!)

And just as my singularly LAST note, here's my other thing: Evan and Tommy both have abandonment issues. (Tommy's are clear based on the break up and we know Buck's.) By that correlation, when these two finally get back together, they're never going to fucking let the other go.

(This was so much longer than I intended it to be, but that's my answer 😂😂😂😂😂😂)

[warblogs17282]

I'm still busy thinking about that comment that said that Vivzie said season 3 would have a focus on 'family and addiction', and now that I think about it, the show really does appear to be heading that direction. (Again, I do not have the clip to confirm this claim at this moment in time.)

As for family, let's start with Stolas and Octavia, we know that their conflict is far from being over at this point in the show for a few reasons, but the biggest one is the fact that Blitz makes it especially clear in the last few moments of the episode, with the lines 'You just gotta give her time.' and 'You just gotta keep trying.', so we definitely have more plotlines involving these two in season 3 (and Andrealphus + Stella).

Wherever the show decides to go in regards in Millie's pregnancy and the fact that Sallie May knows about said pregnancy, and I also imagine it's likely that the rest of Millie's family is also going to find out about Millie's pregnancy at some point during season 3 as well, so Millie's family is likely going to make more appearances during season 3 as well.

Blitz mentions Barbie Wire towards the end of the episode as well, in which I can only imagine that it's foreshadowing more Blitz and Barbie Wire interactions, and potentially some sort of resolution to their conflict at some point during season 3 as well.

Something else that the show makes quite clear is just how much the circus fire + Blitz's upbringing with an abusive parent still deeply effects Blitz to this day, (and quite frankly, the events of that fateful day will probably still continue to effect Blitz, forever.) so we're probably going to see more regarding that and potentially some more flashbacks to the pre-circus fire days, especially in regards to Blitz's mother and Blitz's abusive father, even more so if Blitz is referring to said circus fire with the line 'for something that I did.'

Considering how s2 e3 and s2 e6 went for Crimson, I imagine he's going to be plot relevant next season as well, which likely opens the gates for more flashbacks and such regarding Moxxie's upbringing in the mob family, potentially showing us more scenes of Moxxie's mother as well, who, as I've said before, was likely murdered by Crimson when Moxxie was very young.

I have no idea if they'll make an appearance next season, but I do still find it interesting that Stolas' mother just appears to be non-existent, so I do wonder if they have a plotline involving her, or if they have plotlines related to Stolas and Paimon at some point during season 3 as well, although probably not tbh.

Of course, I can't finish off this section without mentioning I.M.P, and all the people within it, which is it's own found family at this point tbh.

And this scene as well, we absolutely cannot forget the Stolitz domestic family moment that we saw in Sinsmas, aka, the scene where we see some of Blitz's hopes and dreams.

As for addiction, we have Stolas' alcoholism, which alongside being something that the show has pointed out in some form time and time again, Bryce has mentioned at a panel or whatever that it is something that Stolas struggles with, so I imagine it's probably going to get a mention in season 3 at some point.

Stolas and smoking might be something that comes up at some point, but I kinda doubt that considering that we've only seen Stolas smoke once before, all the way back in s1 e5, but for now I do think it's something worth keeping an eye on.

The fact that Verosika also appears to be an alcoholic, it got mentioned once in s1 e3 that she went to rehab, but got out early because she was famous, while still very clearly being an alcoholic, so I wonder if that's going to get a mention at some point during season 3.

And finally, Blitz makes a comment about the fact that Barbie Wire used to be on some sort of drug named H-8, which she went to rehab for at some point considering Verosika's earlier statement, so I wouldn't be surprised if this detail gets brought up again tbh.

So yea, considering that alleged statement from Vivziepop saying that season 3 is going to have a focus on 'family and addiction', I can already see quite a few potential plot points the show has potentially been setting up for that's relevant to either the themes of family or addiction. (Obviously there's also other ones that's going to relevant as well like Blitz and Loona, but I just want to focus more so on the plot points that the show appears to be directly setting up for season 3.)

[e-vay]

SONIC 3 REVIEW

I wanted to wait a few weeks to give many people the chance to see Sonic 3 before I wrote a review, but of course I'll keep it under the cut for those who still haven't seen it.

DISCLAIMERS!

I acknowledge that the Sonic Cinematic Universe is a SEPARATE interpretation of the Sonic franchise so I will never dock it points for doing things different than we've seen in the games. These movies are inspired by the Sonic the Hedgehog video games, they are not direct adaptations. I have no sympathy for anyone who complains these movies get things 'wrong' about the games.

I acknowledge that the Sonic movies are family films marketed towards children, so some of the writing and plot devices are simplified or toned down for younger audiences. However, that won't stop me from pointing out some plot holes.

My review is just my opinion. I'm not saying I'm right or that you're wrong if you disagree.

I'm so damn excited to finally talk about it and I have SO MUCH to say, so buckle up!

TL;DR: I give Sonic 3 a score of 9/10, just barely shy of being an absolutely perfect movie! There were some editing choices and some plot holes that made me dock minor points. These nitpicks are small and almost insignificant compared to the whole of the film, but they stood out enough to bother me and they're why I can't give it a perfect rating.

Let's start with the positives.

CAST & CHARACTERS - 10/10

TL;DR - With a star-studded cast, it's almost impossible to say any one actor/character outshined the others. Every single person was on their A-game for this movie and gave emotional, hilarious, all-out performances.

Jim Carrey as both Ivo and Gerald Robotnik is genius! He plays both characters so differently that you could almost believe they were being played by two different people -- minus the tongue-in-cheek way the movie reminds you that they're the same person.

This iteration of Gerald is unlike any we've seen before, which kept me on my toes the entire time I was watching. He comes onto the scene fully claiming that he's a villain, but still he manages to suckerpunch you (and Ivo) with the final reveal of his ultimate plan. You would think that the same old man who was just doing a choreographed dance performance 20 minutes ago couldn't tear your heart out without even the use of words when we see him mourning the loss of his granddaughter, and then fill you with spine-chilling terror as he uses his whole chest to exclaim he's going to 'burn it all down!', but damn did Jim Carrey do that and more! This movie (and Jim Carrey alike) managed to make Gerald both the major comic relief of the movie AND simultaneously made him one of the most despicable villains in the franchise so far. His utter lack of compassion for Shadow or Ivo, using both of them as his puppets, really shows you how little this man values even those who are supposed to be closest to him. I encourage you to rewatch the movie and really appreciate the dynamic range we were given of this character in under a 2 hour window.

Ivo is back and better than ever, baby (despite what Tails says)! Though I liked the initial, unexpected take on his character in Sonic 1, it has been beyond satisfying to see the evil doctor's descent into madness, all culminating into THE Eggman we recognize from the games! Seeing him in the iconic Eggman suit was like seeing my baby in her gown for prom. I was one proud mama! Sonic 3 sends Ivo on an emotional rollercoaster and we not only get to see him the silliest he's ever been, but your heart truly breaks for him by the end of the film. Honestly, I'm still gutted over Gerald's "Ivo, you're no Maria" line! One thing I particularly loved is that repeatedly throughout this franchise, Ivo has mentioned how society has always rejected him, he's had nobody who loves him (except Stone ofc) and he's repeatedly reminded he's a failure. Yet at the end of this film, he's given the chance to live up to his real potential and Team Sonic (and Shadow (and all of Earth while we're at it)) wouldn't have stood a chance without him. With Ivo seemingly dead, this was a heartfelt, tearjerking, beautiful sendoff for Eggman in a way that doesn't feel forced and gives Jim Carrey the chance to excuse himself should he decide he no longer wants to be a part of the future movies. BUT if he does decide to come back (and it's sounding like he does) -- c'mon, y'all don't really think Shadow would have just left Eggman to die, do you? He absolutely could have teleported them both outta there at the last minute.

SHADOW. 👏👏👏 This was without a doubt, the BEST depiction of Shadow I have ever seen! Keanu Reeves and the animators put everything into this rendition of Shadow and I was moved to tears on several occasions. This movie gave us an emotional, heartbroken Shadow who doesn't mask his feelings. Even before losing Maria, we see that Shadow is someone who struggles with understanding who he is, where he comes from and what his purpose is. He's subjected to constant testing and when he's not 'in use,' he's seemingly stowed away in the dark for later. It isn't until Maria shows up and befriends him that we get to see that he's just a regular person. He's curious about music and dancing, he enjoys play and stargazing, he's self-conscious. And then the transformation he takes after being betrayed and losing his loved ones, UGH! Keanu Reeves freaking NAILS it in every single scene! One of the moments that stood out the most to me and physically gave me goosebumps was when Shadow begins to question if destroying the planet is what Maria would have wanted and Gerald convinces him to focus on the pain that was left from her death. When Shadow's charging the Eclipse Cannon and reliving the most devastating moment of his life, you can hear his rage just in the way he's breathing! Keanu Reeves doesn't even speak any words in that scene but I could feel every drop of anger and regret and hatred in his performance. But also he delivered some very funny lines too and at least to me, it didn't feel forced. I also really liked that Keanu Reeves did research for this character and actually 'created' a voice for Shadow instead of using his normal voice. (I strongly recommend watching this clip where he talks about how he came up with 'the voice'. It's fascinating and such a delight). I think a lot of people might have initially thought having him voice Shadow was cool but kind of a joke, but he took the role very seriously and I feel he made an effort to separate himself from Shadow. His voice scratched my brain in the most satisfying way lol. I wish he could permanently voice Shadow from now on, but at least I can always imagine his voice whenever I read or play any Shadow content. Also, Shadow's character model was GOR-GEOUS. He was so handsome and badass and also I love, love, LOVE the amount of contrast between him and Sonic. EVEN DOWN TO THE DETAILS IN THE TEXTILES OF THEIR GLOVES. Sonic's gloves appear to be cotton so they're soft and warm and porous -- a fabric that comforts and lets things in. Shadow's gloves are leather -- a fabric that's firm, resistant, impenetrable. SO MUCH thought and detail went into designing Shadow. AND SUPER SHADOW OH MYGOOOODDDDDDDD. He looked like an angel! I have always loved Super Shadow's platinum design in the games, but giving him the extra detail of iridescent and rose gold quills in the movie was so freaking beautiful. I truly can't fault a single thing about him in this movie. A thousand kisses to Keanu Shadow.

TEAM SONIC. That's right, I'm addressing the group here because this movie really treated each member of Team Sonic as equals and I loved it. Sonic may be the leader, but Knuckles packed this movie full of action, heart and laughs. Idris Elba and the writers found a great balance for Knuckles in that he delivered what I thought were some of the funniest lines of the film, but it didn't lessen the impact of his more serious scenes. When Knuckles is arguing with Sonic about using the Chaos Emeralds, there is so much tension and I feel like they really nailed the gravity of that fight. Knuckles ultimately chooses not to battle Sonic, but I felt that him reminding Sonic of their oath and pointing out that Sonic is breaking it was actually MORE of a punishment than a punch to the face. We also really got to see Knuckles 'THE GUARDIAN" in this movie which I greatly appreciated. We see a lot of Knuckles "the fighter" where he's quick to throw fists, but there were many moments in Sonic 3 where he got to serve as a proper protector. I cried when he caught Sonic and Tails and even after they're safe he's just holding them, the three of them a battered mess in the cornfield! AH MY HEART!

Speaking of my heart-- Tails you good boy! Tails showed so much growth between Sonic 2 and Sonic 3 and I was so proud of him! He's still cute as can be and still has moments of childlike wonder, but he played a significantly larger role in this movie and showed a lot of maturity. He's quick to come up with plans but he is also actually in the action instead of shouting from the sidelines. I also really liked that during the bleakest part of the film, it's actually Tails who is trying to console Sonic about what's happened to Tom. You know things are bad when it's the baby sibling who attempts to be the emotionally strong one and comfort the older sibling. And I love that it's Tails and Knuckles who help Ivo to steer the Eclipse Cannon away from the Earth. It would have been easy to just sideline them and have them hope that Super Sonic and Super Shadow could handle things, but that diminishes the value of Team Sonic. The movie made it very clear that their teamwork is what made them so strong and it was through all of their combined efforts that the Earth was saved in the end. Sonic and Shadow could not have done it alone, even with the combined power of the Chaos Emeralds. I feel like a broken record by saying this but it has to be said: Colleen O'Shaughnessey killed it as Tails yet again. Go queen!

This might come as a surprise to some, but the Sonic in this movie is my favorite we've seen throughout the SCU franchise so far. I have heard people criticize that Sonic was a little 'boring' or 'underwhelming' during the first 2 acts of the movie, but I actually perceived that as intentional by design. At this point in Sonic's life, he's used to the whole hero thing. He's saved the world multiple times by now so it makes sense to me that he's become complacent and doesn't really take the time to consider how potentially dangerous a threat can be (I mean think about it, he nearly gets lasered-to-death via the forcefield at G.U.N. Headquarters just because he had to be a silly goof and do a tour of London NOW of all times! Yes it's funny and in-character and I still loved that scene ((and loved that it gave Tails a shining moment to save him)), but c'mon Sonic you almost fucked up the entire plan because you just had to do your goofy thing!). So when Shadow shows up and kicks his ass not once, but MULTIPLE times--and then he nearly loses his father figure TWICE--it serves as a rude awakening. He learns that there is a price to pay for being blasé, underestimating the gravity of a situation and not sticking to a plan, and that's where he dramatically overcompensates and goes on a vengeful arc. And vengeful Sonic is FUCKING. FANTASTIC. I think we as an audience can forget how lethal Sonic can be because he's normally so playful and silly, so to see him lock in and not hold back is actually pretty terrifying (but in a great way!). Ben Schwartz was AMAZING in this portion of the movie. I find him to be one of the funniest comedians on the planet, but I couldn't believe it was the same guy during this act. He dug deep and gave such a compelling performance full of anguish and hatred that I honestly didn't realize he was capable of. But most importantly--he was able to rein it in when it mattered most and Sonic didn't lose himself before it was too late. Sonic is not a perfect character, but one of the things that makes him such a great hero is that he always manages to hold on to the light that's inside of him. I always appreciate Sonic's motivational speeches and I loved that when he's having the heart-to-heart with Shadow, the emphasis is about who you are and the good that comes from the love you have for others. It's heavy and important but was delivered in a way that was easily digestible for younger viewers without diminishing the meaning of the message. However, what I found even more moving in this scene was the moment of silence that Sonic and Shadow share on the moon. It was so poignant and I'm glad they held that moment of stillness and quiet. By the end of the movie, we do get our loveable Sonic back but he acknowledges the mistakes he made and regrets putting everyone in danger because of his reckless decisions. Each movie builds up his character more and more and I think as long as they don't backpedal, Sonic's in store for some incredible things! ALSO! Just like I said with Shadow, I freaking LOVED Sonic's character model in this one! I love that we are seeing him physically growing up and maturing instead of being forever stuck in place (no shade to the games). This character model is SO much taller and stockier than the model in Sonic 1 and is evidence that not only is he emotionally maturing, but he's physically aging up as well. It's just so cool!

I absolutely adored Alyla Browne's portrayal of Maria in this movie! She was so charming and instantly loveable the moment she was onscreen. I've noticed many people highlighting the part where she draws the bunny face on Shadow (which I love) but even the seconds before that where she mocks his scowl INSTANTLY won me over. And she even gets Shadow to smile because of it! The smile is small and only visible for a few frames, but it's there! It was clear that this girl saw more to this alien than a menacing, dangerous little space demon and wasn't gonna put up with his charade. It's no wonder the two of them became fast friends. I don't know about you, but I have been STARVED of ARK Sibling content since Shadow's very first introduction so I was obsessed with every single scene we got of the two of them actually getting to spend time together. I do love drama but so far all we've seen is the ARK tragedy and rarely any of the highlights before that event. Yes the SCU is a different universe, but this filled a hole in my heart that I've been waiting on for years. It did not disappoint!

I also want to highlight Agent Stone. Listen, I've loved Lee Majdoub since Sonic 1, but his character is at his best in this movie. Agent Stone was proper badass in Sonic 3 and proved that he's far more than just a simple henchman. It's revealed that with Ivo sulking and remaining in hiding, Stone has stepped up and is constantly monitoring what's going on in the outside world and immediately jumps into action when he notices the doctor's tech being used by someone else. Eggman wasn't even aware of it and yet Stone is out there shutting it down and bringing back reinforcements to clear Eggman's name! That super suit?? And those MOTORCYCLE TRICKS?? And him dodging a freaking ROCKET like it ain't no thing??? Hell yeah, Stone! Lee Majdoub is so funny and I love how he can be so quiet and stoic around Eggman ( "Resourceful.") but he can also be so over the top like when he's mocking the hell out of Knuckles ("Įt'Ŝ 𝕋𝒽𝒆 ⓖ𝓸Ａ𝐓 𝔪𝕀ŁҜє𝓡!... Relax.") and both just work so well! I think it's further evidence of why he makes such a good partner for Eggman because they're both capable of some intense power but they're also both such weirdos. I loved the amount of emotion and vulnerability Stone had in this movie. He's always had an allegiance to Eggman and even in Sonic 2 we saw how much he missed the doctor while he was away and how enthusiastic he was when he learned he was alive, but it went a lot deeper in this film. We got to learn that there's a much stronger affinity there and Stone legitimately cares about Robotnik and supports him through thick and thin. Personally, I ship Stobotnik, so this movie gave me plenty of delicious food! But even if you don't ship it, I think it was so significant to show the depth to Stone and Robotnik's relationship and I believe that it was Stone's affection for the doctor (romantic or platonic) that ultimately made Eggman save the world in the end. Though I'm still hoping for Jim Carrey to come back, I think they set things up so Stone could take up the EggMantle in a seamless way and I sure wouldn't be mad about it!

[Allow me to pause for a deep inhale of breath...]

Ä̷͇̰̞́Ȁ̷̭̩̰̔͐Ấ̶̝̗̠A̴͉͗A̵̳̠̚ͅA̵̫̋Ḿ̴͕Y̴̨̯̆Y̷͖͍̜̓͝Ỹ̵͍̺͑̕Y̸̜̫̆͋͋Y̶͕̫̱̾̐!!!!!!!!!!!!!!!!!! 😭💖💖💖💖💖💖😘😘😘😘😍😍😍😍😍😍🥰🥰🥰🥰🥰💖💖💖💖💖💖💖💖 My beloved! My most darling angel! My reason for waking up in the morning! SHE MADE IT! Amy is my favorite character of all time and I told y'all I was gonna throw up if she wasn't in this movie, so you'd better believe I SCREAMED when her hammer appeared in the post-credits scene! When she walked up and pulled back the hood of her cloak I was in tears and I was TREMBLING! I'm sure they're going to make changes to her once they finalize her design for Sonic 4, but this reveal was so freaking good and got me so excited for the next movie. Her character model is already so beautiful and I love that they turned the tables and have her rescuing Sonic this time! I cannot wait to see what they have in store!!!!!!!!!!!!!!! (Metal Sonic was cool too btw)

ACTION - 10/10

TL;DR - Highspeed fun that has you on the edge of your seat for every single minute of screen time!

This movie is NONSTOP. I wasn't bored for a single second and by the time we hit the credits I couldn't believe how much time had passed. Every fight scene was so perfectly choreographed and so RAMPED UP that it had me stunned. There's a joke early in the movie that Sonic/Tails/Knuckles' antics are capable of cataclysmic events but the movie delivers on that promise a multitude of times! From city-wide power outages to mini-black holes to volcanic eruptions, there's no shortage of chaos and action in this movie!

You guys. The first time I saw this movie, I was at a prescreening so I was among critics and people from the media instead of a group of fans. It took EVERYTHING WITHIN ME to contain my glee. I was PHYSICALLY BALLED UP, knees pulled to my chest, palms pressed to my face to try to stay quiet. My heart burst through the roof of my skull! Even when I went to go see it for a fourth time, my heart was still racing. I actually had my friend feel my pulse as proof. This movie just gets you so excited it's insane!

The fact that the movie BEGAN with Shadow's breakout... god bless it. God bless everyone who worked on it. It was so intense and heartpumping! And I loved the choice to have little-to-no music during Shadow's fight with the soldiers. It just added to the tension and didn't give you any hint of when and where Shadow was going to teleport next. This was basically a scene from a horror movie! It set the entire tone for the film and showed that Shadow was NOT to be messed with.

I seriously could describe how much I loved every action scene but I will be here forever so I won't, but I have to say-

THE ✨SUPER✨ SCENES. OH. MY. 🎶GO~~~~OD🎶!!!!!!!!!!!!!

I had high hopes and expectations we were going to see Super Shadow in this one, but never in my lifetime did I think we were going to finally see Super Sonic VERSUS Super Shadow!!! Holy hell, what a fight! We get to finally see what two god-mode characters are capable of when they're out to kill each other and aren't showing any mercy. EACH PUNCH LAUNCHING THE OPPONENT ACROSS THE FREAKING PLANET?!??!?? That editing choice in particular is one of my absolute FAVORITE things about this movie. There's a million ways this fight could have been done but showing just how fast and how strong these two are--- even causing the earth to split open and erupt just from one of them pushing off the ground--really shows just how minuscule and inferior us humans are hahaha. We wouldn't stand a freaking CHANCE. AND SONIC PUNCHES SHADOW TO THE MOON?!

ALSO THEY EACH TOOK TURNS PUNCHING THE SUPER OUT OF EACH OTHER!???!!!

I'm having to pause as I'm writing this because even though I've seen this movie four times I'm still getting so worked up just thinking about these action scenes again that I'm struggling to breathe omg

Even better than Super Sonic VERSUS Super Shadow was that final team up. That CLAP and they both turn super had me WEAK. I just about fainted right then but thank god I didn't because that entire sequence was INCREDIBLE. That little exchange of Sonic saying "Ready to recycle some tin cans?" and Shadow rolling his shoulder and saying "Try to keep up" before launching into a flurry of attacks is TATTOOED ON MY BRAIN. It will never leave my mind. It gave us SA2 and MORE. The battle was a masterpiece and it's something that words truly can't describe, you just have to witness it in all it's glory. I will never be normal about that fight scene.

One more moment I want to highlight because it shows action in nontraditional ways -- I am infatuated with the way they depicted Eggman and Shadow's last moments of saving the earth from the Eclipse Cannon. There was just something in the slow, labored movements that Jim Carrey made to show him attempting to block the explosions with shields, and the quietness of Shadow pushing the exterior of the ship with his hands and the metal is just crushing under his palms from the force. It isn't a moment of fast punches or flashing lights but it was so damn powerful and I absolutely loved it.

VISUALS - 10/10

TL;DR - Stellar effects and cinematography not only make for a delightful experience for your eyes but further immerse us into this fictional world.

WOW! I already touched on this in my above notes but seriously this movie was just beautiful. The character models were so good and felt real despite being cartoons (which goes to show you don't need them to look hyper-realistic to convince me it's a living creature). The lighting and the framing of shots were not only visually appealing but helped further the emotions of the scenes. The neon lights bouncing off Shadow in the rain as he's slowly walking down the streets of Shibuya was a WORK OF ART. Even all the moments of chaos and destruction were portrayed so well and so crisp that not only were they beautiful to look at -- I could actually tell what was going on! I watch a lot of action films and it gets so frustrating when there's so many explosions, lens flares, camera whips, etc that I can't actually make out what's happening. I never had that problem in this movie!

FAN SERVICE - 10/10

TL;DR - No, not that kind of fan service. This was a film FOR the fans!

I already said that the cinematic universe is clearly separate from the game universe. However, there were so many delightful little treats for fans of the games that felt like all the creators of this movie reached out and hugged me and said "This is for you!" BLESS! I won't list out all the Easter eggs and scene-recreations because there are too many, but man the joy I felt in sitting there and thinking "I KNOW THAT REFERENCE!" was healing to my soul. I figured "Live and Learn" was going to show up in some way because we heard the tune in the trailer, but I didn't realize how often and in how many different ways it would play throughout the movie! Starting out the movie with a memory of Maria playing "Live and Learn" on the guitar had me clutching my chest and I knew I was gonna be emotionally wrecked by this film! I loved the orchestral version of the song during the final battle which took an already badass theme and made it even more epic, but I do love that they included a snippet with the original lyrics too.

I don't know why people get so upset with these movies not being 100% like the games when it's clear that the people who work on these movies care so much about the games and want to reward us fans who love the games, too. Think about the scene where Shadow goes to push the Eclipse Cannon and he removes his inhibitor rings. That was specifically for us fans. The movie never explains what his inhibitor rings are or what they do or why he's removing them. Not knowing what the inhibitor rings are doesn't detract from the movie--but if you play the games you KNOW the significance of that moment. That was written and animated FOR YOU to enjoy. What's not to love about that???

DRAMAAAA~

Again, I know these SCU movies are marketed as family films and are more aimed for children, but I love that the movies are evolving and 'maturing' over time instead of repeating the same simple formula of some children's movies. With each Sonic movie that comes out, the themes and story are getting deeper and heavier without losing it's whimsy and fun. It's done in a way that feels like a natural progression and growth and I don't think the heavier subject matter will deter anyone who watched the previous two movies.

⭐BONUS POINTS!⭐

This is a hot take and I know many people are gonna disagree, but I was so pleased with there being LESS focus on the humans in this story (minus the Robotniks+Stone, of course). I do not care about the Wachowskis. I do not care about the Whipples. I understand why they were initially in the movies and I understand that Sonic considers the Wachowskis as his parents now, but I don't go to these movies to see the humans attending weddings or doing other sideplot shenanigans. I'm here for the aliens, damn it! So to have the humans' appearances mostly diminished to scenes that specifically related to the main plot was a huge relief to me!

THANK YOU SONIC 3.

---------------------------------------------------------------------

I could talk endlessly about this movie and even though I've written what feels like an entire essay there's still tons I'm leaving out, but to try to move this review along I'm going to move on to the negatives. Again, none of these below items were enough to ruin the movie for me and individually they aren't even worth a full point as far as a review. But ultimately these are things that I couldn't shake after watching and it's why I felt I had to dock the movie a single point in total.

EDITING WHIPLASH

I've already complimented this movie by several of the editing choices that were made, but there's one moment in particular that totally took me out of it and I'm sure you can guess what I'm going to say... Yes, it was the frequent cutting between the Super Hedgehogs and the Robotniks. Don't get me wrong -- individually these scenes were great. Ivo versus Gerald was hilarious and I did enjoy it and yes it was important to the plot -- but how DARE you interrupt my Super Sonic and Super Shadow fight with mustache wrestling! Whiplash is the best word I can use to describe how I felt in this moment. Sonic and Shadow fighting all of the robots and lasers to get to the Cannon was so dynamic and so intense and so spectacular, that when it suddenly cut away to Eggman getting spanked by a giant mech hand, I felt like I just got slapped across the face. My heart had just been racing so fast and then you cut away? Then I'm starting to calm down and just enjoy the Robotnik fight for the silliness but then it cuts BACK to the epic power of Sonic and Shadow --- and you do it AGAIN?! It just killed me!

I saw an edit somebody made where they spliced all of the super fight scenes together and removed the Robotnik fight and as you can imagine, it was infinitely better. You actually had the time to be fully enraptured by the battle and get to absorb every awesome second of it.

The Robotnik fight was still necessary (and yes, even the way they killed Gerald was hilarious to me and I still laugh even now) but they really should have edited this part of the movie better in my opinion.

PLOT HOLE -- ARE WE MISSING PART OF THE SCRIPT?

Although I think the writing for this movie was overall great, I felt there were key elements missing from the G.U.N. plot line that was meant to drive the narrative. This led me to think... was there a deleted scene and the filmmakers thought nobody would care/question it? Here are the things that I felt the movie did not clearly address:

1: Why are Team Sonic and Commander Walters close allies now? G.U.N. and Walters were previously antagonists in these films. Yes, at the end of Sonic 2 Commander Walters gives up his goal of capturing Sonic, but surrendering isn't the same as forming a partnership. Why is Team Sonic on-call for G.U.N. missions at Walters' requests all of a sudden? Then there's the scene in the Chao Garden. Why do Team Sonic and Walters meet up without anyone else from G.U.N. knowing about it? Why does Sonic trust Walters more than the rest of G.U.N.? I understand Sonic is a hero and especially in these movies he likes to see the good in people, but throughout these movies Walters ALWAYS lies. In Sonic 2, not only does Walters/G.U.N. fabricate an entire wedding as a sting operation to capture Sonic, but Walters lies when he claims that G.U.N. was formed because of Sonic's misadventures in San Francisco. In Sonic 3 we learn that G.U.N. was around for Project Shadow in the 70s. Nobody calls him out on this. Even in the Chao Garden scene, Walters is lying to Sonic about Shadow's history! He tells Sonic that Maria was killed in a terrible accident and Gerald was blamed for it. It was no accident! Soldiers showed up with guns and when Walters tried to stop them, they said "We have our orders." Sure, shooting the canister of chaos energy was not the intention and so the explosion itself was an accident, but those soldiers had every intent on taking Maria and Gerald out (if not Shadow as well). I'm sure Walters left that detail out to keep Sonic from asking further questions, but that makes him all the more of an unreliable storyteller and someone Sonic should NOT trust.

2: Why doesn't Walters trust G.U.N.? When Walters is injured in the Chao Garden attack, he gives Sonic one of the keys to the Eclipse Cannon and tells him that Sonic's the only person he trusts to keep it safe. Walters is the commander of G.U.N. -- surely he would trust a member of his team to hold onto the key, right? And if he doesn't, WHY? If you watched the Knuckles series then you know that there are indeed rogue members of G.U.N., but people watching the movie don't know that. Walters telling Sonic to keep the key safe from everyone suddenly puts Sonic on heightened alert and makes him believe he can't trust anyone, but we aren't given a reason why. Even if Walters simply had a line saying "I worry there's corruption in G.U.N." then I would have been satisfied.

3: Why is Team Sonic stealing the second key? Once the Team learns that there is a second key to the Eclipse Cannon and that the Robotniks are planning to steal it, they devise a heist to steal the second key themselves. Why? Walters didn't tell Sonic about a second key or tell him to retrieve the second key. Doesn't that mean Walters believes the safest place for the second key is where it's currently stored: at G.U.N. headquarters? Team Sonic knew Robotnik was en route, so the wisest option would have been to alert G.U.N. so they could heighten security and be on the lookout (which turns out, they already were). Again, all of this would make sense if Sonic was given an explicit reason to not trust G.U.N. and was specifically told to keep the keyS away from them, but at this point he went from trusting them to suddenly trying to take both keys from them. I loved the heist scenes and I don't want them removed, I feel they just need justification.

4: What is Director Rockwell's problem? It's clear that Rockwell is not a fan of Team Sonic (some people just can't trust aliens) but it seemed her character was going a certain direction and then just... stopped. After Walters is killed, the first thing she does is check his pocket for the key. Surely Walters would have known that Director Rockwell would have checked his pockets, especially since she was in Tokyo at the time of his death, again going back to my question of why he wouldn't trust her to retrieve the key instead of handing it over to Sonic? I was fully expecting a reveal of her being a rogue agent, especially because Team Sonic was still trying to take the second key even after the Robotniks had been thwarted. Think about it -- G.U.N. has stopped the Robotniks (and Team Sonic) from stealing the second key. That was the whole point, right? So why is Tom now trying to take the key FROM Rockwell? Isn't the key safely where it belongs and the Robotniks are supposedly in custody? So again, was there a reason Rockwell wasn't meant to be trusted, but we just don't know? I really felt like she was being set up to be a villain, but it led nowhere.

Now a lot of the elements I just addressed can be inferred and we can use context clues to guess, but I think it's the writers' job (especially in a family film) to make it clear why characters are making the choices/decisions they're making, at least by the time you reach the end of the movie. I know some stories are more ambiguous than others, but to me it felt like something was missing. I guess we'll see if there's anything hidden in deleted scenes.

FINAL THOUGHTS

As a whole, I absolutely loved this movie and I am so thankful it exists. I can't wait for Sonic 4 and I hope it receives just as much hype, love and attention that this movie did! If you read my entire review, thank you! I hope you enjoyed it, even if you didn't agree with all of it :)

[rootspiral]

Agatha All Along deep dive: episode 9 part 1

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2][3][4][5][6][7][+1] ep5 [1][2][3][4][5] ep6 [1][2][3] ep7 [1][2][3][4][5][6] ep8 [1][2][3][4][5][6][7][8][9] ep9 [1][2][3][4][5][6])

wow this is another difficult one to go through. okay. okay.

it's been 57 years since we saw agatha kill her mother and the salemites - agatha should now be around 74, 75. how many of those years has she spent with rio? even if they met right away, that is a comparatively short time considering their long lives (rio's especially) and the almost 300 years they stayed separated afterwards.

the first thing we notice about the scene: just how damn green it is.

the forest and the river - rio, nature, is everywhere.

we're not told why agatha is running, but the obvious answer is that she is running from rio. she's in her shift, she was probably in their bed in the little cabin in the woods going through labor. and then rio told her that nicky was going to be stillborn and, in typical agatha fashion, she bolted, she tried to buy time, to bargain, to outrun the inevitable. but nature is all around, engulfing her. trying to escape is futile.

I so appreciate how bloody this scene is but I can't watch it, it's too much. she's run as far as she could, but the baby is coming now. she bites on a lemon and pushes. no family, no coven, no midwife. the one person in her corner, rio, has betrayed her.

that shot of rio so small between the trees, and yet the same exact color as the leaves? both one tiny person and the very essence of nature everywhere? I've got chills.

rio has brought her orchid so you know how serious the situation is. and I believe the costume department called this a shepherdess outfit? she chose this gentle look to guide nicky's little innocent soul to the other side.

you need to look at plaza's acting closely in this scene because while agatha's pain is on full display, raw and open, rio is keeping her pain close to her chest, she has no other choice. she swallows, she shakes her head ever so slightly. agatha is shaking her head too, completely and utterly devastated.

Rio walks closer, strong determined steps that don't match how difficult she's finding it to speak. her face contracts with pain before she smooths it back in a neutral expression. she shrugs a little, so small and apologetic. remember how formidable she was with alice, how clear she made it look that there was no escape? she can't quite bring herself to do that here.

you know by now what it means when agatha clutches her chest like that. you've seen her poor heart.

she licks her lips, she straighten up, vicious, ready to go into battle, ready to bite and hurt and beg and do everything, everything in her power to save nicky. we get this scene at the very end, when we know agatha and rio and their dynamic so intimately, and it's so easy to read what's happening. agatha will never go down with dignity, she'll fight till her last breath.

rio gives the tiniest of nods, she takes a deep breath. she knows agatha so well, she didn't expect anything less. while agatha is all over the place, rio is so still. her eyes are huge, and there's one stubborn tear that she's not allowing to fall. this has always been their dynamic - agatha's pain is too overwhelming, it engulfs all, there's no containing it. rio has to be strong and wise for the two of them.

this is rio losing her wife and child in one tragic swoop. this is rio being cast as the villain that took nicky's life.

this is futile. we can't fight Death.

oh, but she will try. she's been trying since we've known her. since she killed that poor dog to see if wanda could do something about it.

Death makes her decision.

not only does the grim reaper refuses to reap a soul. for the first time in all of history, she actively uses her magic to stop someone from dying. it goes against everything she stands for, and it's ultimately useless, because not even the power of the greatest Green Witch can heal nicky, she can only delay the inevitable. but she does it anyway, because she loves agatha too much. even if she knows perfectly well that she's just lost her forever.

rio is apparently impassible, but look closer: her nostrils are flaring, her jaw is trembling. if rio can't kill, by logic she can't generate life either. not that she's not able to - she's not allowed to, because she needs to be impartial. because if she lets herself fall in love with someone, it might just happen that their child will be stillborn in 18th century nowhere, massachusetts and Death might not be able to be selfless and impartial about it.

and then bye bye, sacred balance.

who the fuck came up with this story? and made it about lesbians, too? was it you, jac? I don't know if I want to kiss you or scream at you.

agatha doesn't recognize the world-shattering decision, the unprecedented sacrifice rio has just made for her. she can only think about nicky. how much time has she won? a day? a month? ten years? not knowing is torture.

and look, this is agatha, selfish to her very core. but can you blame her? can you feel anything but infinite pity and understanding for her at this moment? who is even to blame here? agatha, a mother begging for her child's life? rio going against every law and everything she believes in to give her beloveds one fleeting moment of reprieve?

there is no one to blame, not even nature - it has no concept of tragedy. (now that I think about it, agatha is the only person in history who could ever made nature feel.)

you did it, agatha, you made Death go away. you made your choice. it's you and nicky now.

oh god, kathryn, don't make that face. it's too much.

I spoke no spell, I said no incantation, you were made from scratch. the utter beauty that is agatha, the witch killer, the master of spells and craft, creating a baby (almost) the old fashioned way - the magic of life that no spell could ever improve.

this is agatha claiming nicky as hers. not rio's, only hers. she sought to have him for arguably selfish but deeply human reasons: because she needed to prove her mother wrong. because she wanted someone who would love her unquestioningly, unconditionally. because she was so, so lonely, and rio alone couldn't fill the chasm in her heart. she wanted her coven to grow from two to three, but looks like it's coven two again: her whole happiness is once again tied to only one person.

the little feetsies!

this shot, dear lord. green leaves and water taking over.

this entry was a lot. I need a hug.

go to episode 9 part 2

[autistichalsin]

I am once again thinking about the fact that Halsin doesn't WANT to be told that he was a good leader at the Grove, and he DOES want exactly one thing.

Think about the scene where he gets the letter from Francesca. After Halsin laments that he might not have been meant to be Archdruid, you get a few options. First, the two that try to reassure him he was a good leader.

You served the grove well, and found a worthy successor. No one can ask more of you.

To which Halsin says: Still, though... I cannot help but wonder if there was more I could have done. Perhaps, Oak Father willing, I may yet have the chance some day... Forgive me. The shadow curse occupied me so entirely and for so long... I almost miss the purpose it gave me. Now I must find a new one.

He's still glum. A bit hopeful he'll find a new purpose, but clearly not happy overall.

2. You could resume your position at the grove once we've defeated the Absolute.

To which Halsin replies: I thought that would be the case once... yet perhaps the grove will not need me.

He's given up on returning to the Grove, and is a bit sad about it, as much as he's relieved; he never wanted the position and was quite happy to leave, but seeing the ease with which the Grove recovered- didn't actually need him at all- has to hurt, and further his belief that he was never a good leader. Hence, not feeling remotely cheered up by the player's insistence otherwise, because he feels in his heart of hearts it's not true.

One option lets you gently tell Halsin yeah, he is a bad leader, but that's okay.

3. Not everyone is meant for leadership. There's no shame in walking away.

Halsin responds neutrally to this: Indeed. But I have roamed far and wide for years - whole lifetimes. I have seen much, done much, learned much. It would be a shame to not pass that on.

Because he is okay with the idea that he wasn't meant to be there. But he needs something more. He needs a purpose, and he needs something else.

Leading us to...

4. Grove aside, I'm glad you stayed with me.

The only response Halsin gives his approval to, before he replies: As am I. I can scarcely imagine life without your company now, and of course I made a promise to help you - one I intend to fulfill.

He didn't just need to be told it was okay if he hadn't been the best leader at the Grove, and he didn't just need a new purpose.

He needed the promise that he belonged somewhere, in spite of it. That no matter what mistakes he made, someone out there still cared for him. That he could be Halsin Silverbough, not Master Halsin, First Druid of the Emerald Grove.

And that's why he's so happy in his epilogue: not just because he left the Grove, not just because he has children to care for, not just because he's done fighting, not just because he has a purpose, a way to serve others/nature... But because they care for him there. Just like the player does.

It's why he says that he no longer needs to roam now that he has somewhere he's meant to be, and why he says the struggles of balancing others' needs are diminished. And why he says so deeply and sincerely that he's pined for the company of the group.

He needed to be wanted, more than anything.

[skeletonapricationday]

Collaboration

Dead dove do not eat

I do not condone any of these actions and neither should you. This is purely fantasy. Do not forget that.

Warnings: blood kink, choking (gone a little far), bondage bench, face fucking, knotted genitals (fox pp), dark web streaming, recorded sex, and too many more to count.

Minors dni

You move around your messy warehouse excitedly and nervously. All the cameras placed perfectly, even a few mics placed caustiously as to not be in view. You walk over to your computer screens, their bright lights the only lights in the room. They shine on your face as you slip the mask on. Securing it tight. The familiar feeling of power surging through you.

1...2...3...Action!

"Hey my little degenerates! Cobra here today with a very exciting stream." You see the chats and views roll in quickly. The followers you've gained over the years quick to join.

'A new exciting stream! We've missed you Cobra' one writes. 'I've been so lonely without my favorite whore.' Another chimes in. All types of messages on your screens.

"Awee you've missed me. That's so cute." You say, your lips curling into a foul smile. The mask covered the top half of your face, leaving your plump round mouth as the only thing in view. "I missed yall too, but you won't regret why I've been gone for so long...today we have a very exciting guest. Can yall guess who it is?" You ask sickly sweet.

'A guest? Is it a new toy?' A chatter asks. 'No, she never introduces her toys this way.' Another correctly assumes. 'Could it be another streamer?'

"Oh my. You've gone from cold to burning hot chat. You're close~" You purr. Waiting for them to catch on. "C'mon yall begged for this. You should know!" You say fake pouting. Setting up a silent hype for your viewers.

Suddenly the door opens behind you, setting your nerves ablaze. You've never met him before, but you've seen his streams. Always quick to jump in and even tip him. You look over as he stands out of the cameras view, slowly putting on his mask. He's so quick you didn't get to see his face. "Guys! Your surprise is here." You giggle standing. Walking over to him, flaunting your hips as you walk for the camera.

The man barks out a laugh. "My, you seem more excited than your chat." He says in that usual mechanical tone you've come to love.

"Can't help it, I'm also a fan yknow." You giggle nervously.

You can hear the chat going wild. Some already catching on from his voice alone, and others left in utter confusion. You toy with the stockings on your lingire nervously. Wondering what to say or do, but you quickly go back to being professional.

He walks slowly into the frame, walking straight up to a camera. "Hey chat- did you miss me too?" He asks expertly, his reveal making the fans go nuts.

'No way! Cobra did it!' 'I wanna be her, I've always wanted to meet Fox.' 'Shut up and just enjoy this!' The chat goes wild, sending in tips before the show even starts.

You walk over and playfully grab Fox's arm, pulling it close to your barely clothed chest. "Isn't this just exciting! Who knew you'd ever respond to little ol' me." You tease, looking into his cold eyes.

"I'm not dumb enough to reject such an offer! I'm sure plenty would kill to be in my place." He teases back, quick on his feet. "Though I'm sorry for the time crunch, I wish we could've met behind the scenes first." He says earnestly, like he's also excited for this show.

"It's no problem. We're both busy people." You purr out like honey. Voice more animalistic than the fox being in front of you. Excited merely at the thought of this shoot.

He wrenches his arm out of your grasp, grabbing your waist with it. His sharp nails caressing your bare side. "I hate making pretty woman wait, especially when they're famous. Should we get to it?" He asks, then looks back the screen. Fans biting their nails eagerly for this.

This was it. You're a famous gore streamer yourself, frequently buying from Fox's underground trade. Breaking toy after toy. You even did a few streams of just yourself, a nice toy, and a knife, those seem to be the fans favorites. They want to see you in a reversed position. Used the same way you use others. You're pulled out of your thoughts by a harsh grip.

His nails now digging into your side, small spots of blood pouring down from the small puncture wounds. You hiss and groan, receiving a small chuckle in return. "Now now- we haven't even started. Can't have you zoning out...yet." He says, a dark looming foreshadow. You blush under your mask and look at him.

"Sorry I'm a tad nervous. I'm not exactly used to handing over my reigns." You say like an announcer, trying to keep the act up for the fans. He simply looks humored as he pulls his hand away. When he does you quickly show off to the camera the small cresant shaped injuries. Nothing major, not even worse than what you've done to yourself. Simply telling of what's to come.

"So I've brought something special, since I'm being gifted such a special toy." He purrs, walking over and opening a suitcase. Inside is a choke chain you've seen on stream before. "Don't worry doll, that's just the beginning." He hums out. Pulling out the chain and placing it aside. Underneath is a peculiar looking stick. You don't know what it is until he pulls it out, it's a cane. Long, hard, and sturdy. The perfect tool to get yelps out of someone. You gulp nervously, unsure of this, but also entirely sure.

He walks over and grabs your bandage bench, setting it up to fit you. Hooking the choke chain into the ceiling above it. If he wasn't wearing a mask you could swear he was smirking. "Do you understand the plan now doll?" He asks darkly with a honeyed undertone. You nod slowly and understanding. Seeing that the play has already begun.

You look at the camera and pretend to fan your face. "Geez chat it feels like it's already gotten hot in here!" You beam. Feeling Fox come behind you, running his hands up and down your sides.

"I think it's just you." He says into your ear, gripping onto your breast in front of the camera. Pushing them together for the viewers pleasure before teasing your nipples through the lace. Getting a small moan from you. "Afterall, what a cute little outfit. Is this all for me?" He barks out curiously, running his hands down to your thighs. Wiggling and playing with them like a cat.

"Of course it's for you silly. Gotta put on my best wear right?" You respond right back, trying to keep your confidence.

He whispers low into your ear, so quiet the microphones can't pick it up. He's speaking just for you. "Perfect darling. Perfect. Because I'm going to destroy you." He then looks at the camera and crinkles his eyes innocently. He grabs your throat, squeezing lightly.

You gasp as your airflow is weakened, not completely restricted. "Now where do we start with a little inexperienced thing like you?" He quips to the camera. Reading off chat requests till one catches his eye.

'Just strip her already and put her in that chair. I wanna see a Dom squeal.' He laughs at the chatter. Turning your head so you can see the message too. "You hear that doll? Your cute little fans wanna see you turned into a mess. Normally we'd do some kind of light play before getting into the meat of the show but...I can see you're too tantalizing for that." His grip on your throat tightens. Completely cutting off your ability to breathe.

You struggle a bit, surprised by his harsh grip. He only lets out a huff through his nose and squeezes tighter. Causing you to feel a small ring like bruise form on your precious skin. He lets go.

You fall to the floors coughing, holding the concrete floor as a life line. He picks up a camera and zooms it in on your face. "We've only just started and she's already sputtering. Are you sure you aren't just a bottom in disguise?' He asks curiously, running his boot up your thigh, pressing painfully into it.

"Nope, I'm a switch, Fox. Never claimed to be a dom." You giggle out cockily. Looking through the holes of your mask defiantly. Rubbing your throat to ease the pain of the mark, feeling wetness pool at your thighs. His harsh and unloving gaze already turning you on.

"Doesn't mean anything if you're still pathetic." He says, barking out another laugh. Taking his boot off your thigh he notions towards the bdsm bench. Telling you to get ready to be strapped in.

You slowly stand and walk to it. The bandage bench forcing you into a downward dog position. He straps you in carefully, till you can only move your head back and forth, and mildly rock your hips. "You look better positioned like the bitch you are." He says looking down at you. Putting the choke chain around your neck, forcing you to keep your head up. One wrong move and the nails would pierce through your throat, rendering you dead.

"I'm not a dog." You say in a bratty tone. Smirking at him like 'what are you gonna do about it.'

"Sure you are." He smiles, running a cold gloved hand down your back all the way to your ass. Goosebumps forming whereever he touches. He quickly brings a hand down to your ass causing you to yelp. "See? You just barked." He giggles out. Entertained by your shattering ego.

"I don't bark, I moan get it right." You huff in response, rolling your eyes. He can't see it since he's behind you, but you're sure he catches it in one of the several viewfinders. Your kinky play broadcasted to thousands. It makes you grow wetter at the thought, and distracts you enough for Fox to surprise you

A sudden blinding pain vibrates through your body. Starting at your ass and zapping all the way up your spine. You whimper when it subsides. "What is-?" You shout confused.

"Don't tell me you've forgotten? I even showed you." He purrs behind you. Rubbing over the mark on your ass, soothing it with his cold palm. "That's one."

"On-one?" You stutter. Keeping your head painfully up despite the urge to hang your head in pain. "How many are you gonna do Fox." Suddently you scream in pain again.

"Wrong." He states coldly. "Whats my name?" He asks.

You bite your bottom lip in thought but come up blank."Fox-its Fox- AAA." Another slap of the cane.

"Fox is only when you're human." He coos. "And right now you're a toy. What do toys say?" He hums, tapping his nails on your back expectantly.

"Daddy..." You hush out quietly.

"Say it proudly or you've earned another." He grabs the back of your hair, forcing your head even further upward. "Say it, slut."

"Daddy!" You shout, tears pricking your eyes under your mask. You hear a laugh behind you and he lets your head go. Leaving you to hold yourself up.

"Good girl!" He says proudly, a lustful tone underneath. "See it wasn't that hard...but I am." He jokes to the camera. Looking right into the lens like a famous actor.

"You're hard?" You ask excitedly. Your ego lighting aflame in your chest. You made Fox hard. You've won. You did it.

"You don't believe me?" He says with a fake pout. Rubbing his cock against your ass. "Do you believe me now?" He says, rutting his hips a tad, groaning at the clothed contact.

"Yes daddy." You purr. Feeling it twitch in his pants, his tip probably already soaking wet just like you. "I'm wet~" You respond.

You yelp when the cane comes back down on you, this time hitting your thigh. It's difficult to keep your head up on your own through the fire but you manage. "I don't need a naughty girl stating the obvious. Do I?" He ask retortically, not looking for a real answer. He's looking for submission.

"No daddy. You don't." You whine, biting your bottom lip.

"Behave and you'll get rewarded, so will your fans." He hums, a smile in his voice. He walks in front of you and removes the choke chain. Letting you finally hang your head limply, giving your neck a rest. He tsks his tongue "No, no baby. That isn't why I freed you. You got a show to put on!" He says micheviously, like he's reprimanding a toddler.

"What do I do daddy?" You say trying to convince yourself to look up, no matter how limp you felt.

You hear the pop of buttons and that gets your attention. Looking up at him through blurry eyes, blinking rapidly. "So that catches your attention huh?" He teases. He rubs his claw against your bottom lip, smearing your blood from earlier on it. "Open. Do a good job and you won't get the cane for the rest of the night."

'That's right, treat her like the whore she is!' 'This is the best show yet!' 'I'm so glad I paid for this.' Echos of chats and tips come in, but they simply bounce off your blurry mind.

You open your lips slowly, feeling his knotted tip entering your mouth. Jaw being stretched impossibly wide. You hiss at the angle but open your mouth further, allowing him to push in the rest. "Remember, no teeth doll. I feel a single tooth and I'll pull them out of your skull." He beams cheerily. Throwing his head back with a groan as he slides in and out of your wet tight mouth. "It's like you were made for this." He says with a smirk in his wavering tone. His voice gravely, but his groans higher pitched.

You can't properly respond so you hum around him. Sending pleasurable vibrations through his dick. "Oh yea that's it doll. Fuck." He curses and looks back down at you. Making direct eye contact through your mask.

You whine around him, feeling your throat painfully restrict on every thrust. His tail swishing from side to side behind him, betraying his cold gaze and revealing his excitement. You move your tongue around rapidly, hoping it'll make him cum. Wanting nothing more than to feel his salty seed pour down your throat. He starts to thrust faster. Holding you by your hair to angle himself better. "That's it. Take it. Fucking take it." He repeats his words as you feel his cock twitch in your mouth. The veins pulsing more and more, tipping you off that he'll cum soon. You suck harder, desperate. "I'm going cum- that's it. Imma' pour my cum right down your throat. You want that baby?" He urges. Almost like you could say yes. You can't speak so you hum again and that sends him over the edge. Cum painting the inside of your neck. The thick liquid clinging to the walls, almost gagging you. He pulls out slowly with a relieved sigh. You cough and sputter, drool and a little bit of cum leaking down your chin.

"My, my don't you just look pretty. Let's see how wet you've become huh?" You look at him blushed, not wanting him to see the mess you've made. He walks behind you and laughs, gently slapping the side of your ass. "Wow, you really enjoyed that didn't you. Do you often dream of being a cocksleeve?"

You think of lying, but his cold sharp gaze can be felt behind you. You decide against it, clearing your throat. "Yes daddy. I do." He barks out another laugh.

"I made her suck me so hard I made her an honest woman." He teases cockily. Proud of everything. He rubs a hand against your still clothed folds. Collecting slick even through the fabric. You hear lick and slurping behind you, he was cleaning it off his hand. He was tasting you, and he moaned while doing it. "Geez, wish we could bottle this taste."

"That wouldn't sell well daddy." You joke back, he chuckles.

"On the contrary, I think it would be top teir on the sales chart." He giggle and rips your panties in half. Leaving your aching hole in the open, the cold air making you clench around nothing. "I don't even wanna bother preparing you, I mean you're already so wet. What's the point."

"You can just enter daddy...please." You whine, rocking your hips purposefully. Begging to finally get your rocks off after all this pain.

"Whatever you say, don't complain if it's a tight fit." He says proudly, stroking his own ego.

You feel the tip of his cock slip through your folds, teasing and collecting wetness. He even slaps the tip against your clit a few times, earning hefty short moans from your lips. "Daddy please!" You shout and as soon as you do he enters. Painfully stretching you open, filling up your aching cunt all too quickly. You cry and sob out a moan. A mixture of pain and pleasure as his hips meet your abused ass. His balls slapping against your clit.

"This is one tight cunt." He growls approvingly, like he was rating it. Slowly slipping in and out again. Actually giving you a few thrusts to adjust. You moan out babbles of thank you and daddy. "Oh baby I'm not gonna be nice, it just feels like I'm going to break in half. You got one beast of a pussy baby." He chuckles out.

He starts slamming back into you at an impossible speed, each thrust earning a yelp and moan. You whine as his tip kisses your cervix with each aching movement. Your thighs already shaking like you're going to cum. "Not so soon~" He purrs between his own moan. "Daddy has gotta get close first." He says cockily. Leaning down and sniffing your neck. "God you smell so fucking arousing!"

You moan and press your hips back against him, begging nonverbally for more. "Daddy please m' needa cum. Gotta cum daddy please-" You pant out. Bucking and trashing in the bondage bench desperately. More drool dripping down your already coated jaw. Each inahle you can taste his cum again, it only heightens your senses. "Daddy-daddy!" You shout.

"Just a little longer baby mm." He responses softly despite his animalistic pace. "You're gonna take it, and take it, and take it till I tell you otherwise." He punctuates every word with a sharp thrust. Fucking you deep and fast, not even pulling out completely. Every slap of his balls on your clit causing you to scream, tears falling down your face.

" 'mma cum 'mma cum I can't I can't-" You sob out, your cunt clenching impossibly tight around him. You hear a deep gravely sound pull out of him. He leans down into your shoulder and you hear his mask unclip. He bites harshly into your shoulder, blood dripping down onto the floor in front of you. You scream loudly, clenching again. He licks and laps at the wound, hiding his face from the public in your skin.

"Look into the fucking camera when you cum." You hear him put his mask back on. A strong hand gripping the base of your jaw, forcing you to look up. "Cum slut, now." He hisses between clenched teeth.

You do, the whole world turning white. Your walls spasming like crazy on his dick. Squirting onto the floor, his pants, and cock. Clear liquid streaming out of you. The world feels blurry and unreal as all the pleasure hits you. You don't even know if you're moaning, maybe you're talking but you don't know. It all feels too good, it's feels too too good.

"That's it. That's fucking it doll. Cum on daddy." He growls. Shooting hot ropes of seed inside you, burying himself in your cunt. Each pulse is another round of cum slipping out of him and into you. If you weren't on the pill you'd be pregnant for sure. "God I could fucking breed you. Whore." He hisses as he pulls out. Cum dripping down your abused folds.

You chuckle cockdrunk, drool leaking out of your mouth uncontrollably. "Hehe daddy~" You purr.

The lights of all the cameras shut off as you see the room grow darker. He had ended the stream. You're unhooked from the bench and fall right into his arms. He pulls your mask off and his too, bringing you in and kissing you deep. Your blood on his tongue and the taste of his cum of yours. It was like lightning.

"Let's see how good you preform off stream." You hear the dark voice as you fade out of consciousness. Passing out.

[arendelle-archives]

January 2025 Frozen map bonanza!

That's right, there is more than just in-depth studies of Frozen kingdoms and family trees in the Archive cabinets.

This was my present to the Arendelle Archives discord server for the new year! A quick recap of every large scale map we've seen in the Frozen franchise so far.

Here they are in order of appearance:

1. Frozen - The Troll Map (2013)

A supposedly ancient map that guided the royal family to the Valley of the Living Rock on the night of the accident. In the novel Dangerous Secrets (2020), it was revealed that the map had once belonged to Agnarr's mother Queen Rita. Ironically, later maps have proven this location of the Troll Valley to be incorrect.

2. Frozen Free Fall (2014)

A massive 3d-map assembled from screenshots of the mobile game Frozen Free Fall. Shared by u/DuckOfDuckness on reddit (full quality in the comments). Some of the locations, like the Troll Valley on the middle left, are actually consistent with later maps.

3. Frozen Fever (2015)

The first map that showed us the outline of Arendelle and The Southern Isles. Thanks to this, fans quickly deduced that Hans's home country was based on the Danish island Funen (Fyn). Note: "Nordsoen" (technically Nordsøen) is Danish for the North Sea, the real sea between Scandinavia, Denmark and the British Isles.

4. Frozen: Live at the Hyperion - Arendelle History 101 Queue Video (2015)

The only official map so far to feature Weselton. An expansion of the map from Frozen Fever. Shared by u/ArendelleKnight on reddit (video). Notice how the seemingly small island gets cut off on the left? I suspect Weselton is a bit bigger than what's seen here. Edit by me on the right.

5. Sailing Sisters (2016)

A comic book map I very recently analysed in my Frozen-project covering the kingdom of Vakretta! Arendelle is to the right and Vakretta is to the left. Also, notice how the large island at the top appears to be in the same location as Weselton on the previous map.

6. Forest of Shadows (2019)

The first and only map so far to show actual places of interest in the kingdom. The locations of Oaken's trade post, the Troll Valley as well as the Roaring River are consistent with the Frozen Free Fall-map! A very interesting map overall. Just don't look too close at the misaligned grid compared to the compass. Or the ridiculously wide fjord...

7. Saks Fifth Avenue - Disney’s Frozen II Enchanted Forest Experience Booklet (2019)

A proper little treasure revealed to me by @saiten-gefroren through his Frozen timeline project Annals of Frozen in 2021. Originally posted on Instagram by @imdaaddlepate. Edit by me on the right.

8. Frozen II: Spirits of the Enchanted Forest - Iduna's Map (2019)

A re-imagining of the scene from the movie (even though the book was released before the movie) and actually showed the whole map, including The Southern Isles. In this version, Ahtohallan is a mapped landmass rather than just a sketch! According to what's revealed in Dangerous Secrets, this actually makes sense!

9. Frozen II: Look and Find (2019)

This version of the map also shows Ahtohallan as a mapped landmass.

10. The Art of Frozen II - Arendelle Town Map

Concept art (3D model) for Frozen II by David Womersley. According to the map, this part of the town is called"Arendelle North", suggesting the other (southern) half of the town is called "Arendelle South."

11. Frozen II - Iduna's Map (2019)

The map seen in the movie showing the borders of Arendelle and Northuldra. Rivers are consistent with the map from Forest of Shadows, meaning the Roaring River marks Arendelle's northern border. This map was a breakthrough for analysing Arendelle's location, as it features real coordinates along the "frame". You can find interesting theories about this here, here and here (my own project). Edits by me.

12. Frozen: The Saga - The Legacy of Anna and Elsa - Iduna's Map (2020)

Iduna's map before she hid it in the watertight compartment. Like the movie map, this one is cut off at the bottom and is missing The Southern Isles.

13. The Love Tree (2021)

An adaptation of the map from Frozen Fever. To my knowledge, this is the only other time we've seen this particular map design appear in a comic. What's odd is that (besides using the outdated geography) Kai is pointing out the land across the Arenfjord as if it belongs to Arendelle when the map from Frozen II clearly showed it doesn't. But at least we can credit the artist for getting the compass angle right!

14. Disney Wish - Arendelle: A Frozen Dining Adventure (2022)

A slightly adapted version of the map from Frozen Fever, with "Nordsoen" (North Sea) written in English instead of the original Danish. The "frame" also features added coordinates. Unfortunately, the latitude is off by one degree compared to the map from Frozen II. The third pic was very kindly shared with me on discord by BadAtNamesAndFaces.

15. Tokyo DisneySea: Frozen Kingdom - Royal Banquet of Arendelle (2024)

This is the complete version of Iduna's map from Frozen II. Found in one of the dining halls of the Royal Banquet of Arendelle restaurant. The map once again confirms the borders of Arendelle and Northuldra.

16. Tokyo DisneySea: Frozen Kingdom - Kristoff's Ice Delivery Map (2024)

Many variations of this cartoon-y map have been included in the Frozen Official magazine throughout the years but this is to my knowledge the first time it has appeared "in-universe". Locations and rivers are consistent with previous maps. Note: the "Best ice in Arendelle!"-spot by the North Mountain is actually located outside the kingdom. It seems Kristoff doesn't have the best navigation skills 😁

/Virtual Winter

[vidavalor]

That night in 1941... is the night that Crowley (temporarily) died?

What is the dramatic thing that happens to Crowley on that night in 1941 that causes Aziraphale to still feel guilt and regret over it into the present?

Could it be that one of the reasons why 1941 is so significant to them is because it was as Furfur foreshadowed in Part 2-- their last night on Earth-- because it was, for a time, the last night of Crowley's life?

So, I think we all agree that something very, very major has to happen in the inevitable 1941, Part 3. I don't just mean only the inevitable canoodling. There's something more that these flashbacks are building towards because this is the big flashback that we're watching across all the seasons. It parallels and underlines the story in the present. Crowley and Aziraphale have had over 6,000 years on Earth but it's this night in 1941 that runs through the story so there has to be a big reason for that.

While there's plenty of suggestion that these two are going to bed in Part 3, there's another scene in the present of S2 that indicates that that's not at all what The Big Thing about this night actually is.

It might be a pretty big thing to some of the audience but it's not going to be any sort of romantic first for Crowley and Aziraphale and it's not the only thing that 1941 is building towards. What makes me think this?

The context of the scene in S2 wherein one of them-- Aziraphale-- actually directly mentions 1941 and Aziraphale's tone when he does.

While we have watched two very, very romantic parts of this night of 1941 so far-- and while we know it was that to them, too-- look at how Aziraphale refers to it in the present of S2...

There's a regret to this, a sense that he was the one in the wrong about something in 1941, even if Crowley might not agree with that.

I think that it's suggestive of Part 3 involving something related to Crowley about which Aziraphale is still regretful into the present of S2-- something he feels he was wrong about. This would be something we still haven't seen yet because, so far, Crowley and Aziraphale are winning at 1941. We've just watched two parts of them helping one another and emerging victorious from trouble, right?

We last left them in Part 2 flirting and drinking Chateauneuf-de-Pape... yet, also, we also still have the Zombie Nazis, an embarrassed Furfur, and a Chekhov's gun Derringer still in play ahead of Part 3. It doesn't bode well, then, when Aziraphale mentions the 1941 night aloud in the present of S2 with the tone that he used when he did. So, what might have happened that night in 1941, based on what other times Aziraphale mentioned during that same scene?

While we don't know what happened in 1650 right now and, depending upon what's in The Finale, it might always be speculative, we do know what happened in 1793. We know why Aziraphale would feel the need to apologize and see himself as having made a mistake. It's evident that Aziraphale regrets miscalculating the scenario in The Bastille in such a way that he wound up unintentionally triggering Crowley with Jean-Claude the Executioner.

While he and Crowley were ultimately alright and had a nice, crepes-laden time in Paris to a point that "Paris, 1793" was memorable enough to be shorthand in the 2008 story in the first episode, it's also an example in Aziraphale's mind where he feels he made a mistake in his care of Crowley and so was the one apologizing-- doing a metaphorical apology dance.

So, this might be telling us that something happened to Crowley in 1941... something pretty bad, as Aziraphale's tone when he mentions it indicates that he considers it worse than 1793. Given what we've seen so far, this something bad is part of what's coming in 1941, Part 3 in The Finale. Something big enough that it's really to where our watching of this night during both scenes has been leading.

There are a few, other scenes that I think might be providing us with some Clues as to what that thing is.

One Clue is Furfur saying: "Enjoy your last night on Earth."

At present, we think that Crowley and Aziraphale have evaded this threat because Aziraphale got the evidence photo away from Furfur... but there's still a Part 3.

This would be a big twist because we're not expecting this right now. We last left them drinking wine in the bookshop. Most of our theories (including a couple of my own) have been centered around more romantic aspects of Part 3-- and those could all still well hold up. But while it might be the first time we are shown that more directly, it's not the first time any of it's happened. Anything romantic in a new way wouldn't really explain Aziraphale's regret over this night in the present of S2.

What if the reason why, of all the very romantic nights that Crowley and Aziraphale have had over the years, we're watching this one in 1941 is because this was, for a time, until Aziraphale brought him back, their last night on Earth together because it was the last day of Crowley's life?

Still shuffling out there are The Nazi Zombie Flesheaters and we've got two different guns-- The Bullet Catch and Aziraphale's Chekhov's gun of a Derringer-- in play in the bookshop. Greta can get into the bookshop because Aziraphale let her in when she recruited him. If some kind of conflict happens and a gun goes off, what if Crowley got shot and, worse, died for a little while?

Aziraphale will blame himself for that forever, no matter how much Crowley will tell him not to. To Aziraphale, Crowley will have only been there with him that night and in danger because he showed up in the church to rescue Aziraphale from the Nazis. It would explain how Aziraphale feels about 1941 in the present.

There's also the dramatic irony of them doing The Bullet Catch successfully... only for Crowley to then get shot later that night...

...as well as the way the photograph Furfur took of the two of them on stage would change if it was this one picture of the two of them living life together that ended up being taken just hours before Crowley died.

We also had the stakes raised for us in Part 2 by Furfur explaining that Aziraphale being shot could have real, deadly consequences. It's something that we think right now that we just needed to know to understand the stakes of them doing The Bullet Catch in Part 2 but it might also have been set up to make us understand the severity of the situation if Crowley were to get shot, say, right near the heart, in Part 3.

And speaking of getting shot near the heart... the show has a bunch of other scenes that seem like they might look different in retrospect if we see a 1941, Part 3 wherein Crowley was temporarily killed during a probable confrontation with some, ah... *checks thematic notes* well, with some other dead people who also came back to life on this night in 1941...

There's the foreshadowing of Crowley getting shot in the chest with the paint in Tadfield and the way he instinctively clutches his heart...

...there's Crowley getting shot in the chest in the bookshop with the fire hose's water...

...there's maybe even a tie to it in Aziraphale petting Crowley's chest over his heart in The Dirty Donkey.

So, let's say Crowley does get shot somehow during all of this. Maybe there's a miracle block that Furfur put on the bookshop so the zombies could get inside or something so Aziraphale can't just fix it with a miracle. We could then get this whole, angsty and perfect scene of Aziraphale trying to save Crowley the human way because they're stuck there with no miracles and Crowley's too wounded to move. Crowley dies, Aziraphale's a mess, and somehow eventually brings him back... maybe like how Aziraphale's parallel, Beez, brought back Shax on Crowley's couch in 2.06? Not sure if that's connected but it has the feeling like it might be.

Finally, there's the sex-and-death of it all, which is something I looked at in this meta. If there is ever a time in Good Omens where one of them is going to die, it's so going to be the same night as when we first go into Aziraphale's bedroom, and the end of 1941, Part 2 has dialogue that pretty heavily suggests they're going to be upstairs, ah, retiring the act in Part 3. Having some metaphorical "little death" and then getting some literal death would be the most Good Omens thing to ever Good Omens. 😂

Why do I get the feeling that the above might not be the first time that Aziraphale's said that in the bookshop about a feared dead Crowley?

[secriden]

So, I get that Style "knowing" and choosing Fadel anyway in episode 5 still isn't enough for some people, because (as pointed out by others) he still hasn't physically witnessed all that Fadel is capable of: for eg. he hasn't actually seen Fadel shoot (at) / kill someone yet.

But here's the thing, he did watch Fadel dispatch 3 guys with ruthless - and, more importantly, evidently skilled - efficiency and also unnecessarily* break a guy's arm with his thighs... and Style just got more attracted and intrigued. Fear and flight isn't naturally a big part of Style's personality, and violence isn't enough to deter him. Which is why I totally buy how quickly Style gets over his initial apprehension in episode 5 (a little fear, but no flight) and why he came back even after Fadel punched him in the guts in episode 4 (violence isn't a deterrent).

*forever amused by how unnecessary it was for Fadel to do it like that. He was totally trying to intimidate Style and maybe (definitely) showing off for the boy he was actively refusing to admit he wanted carnally.

Moreover, his reaction to Kant's (legitimate) worry for his ex is, "Dude, worry about your own skin!" Style clearly feels that they don't have room to be concerned about any 3rd (or 5th) parties being caught in the collateral damage of Kant's scheme, even if he eventually gives in to Kant's plea for help (again, because something that Style does have is loyalty).

Edit: I forgot to add these other examples in, but in episode 1 we see Style kind of shrug off the idea that Fadel could have stolen his car despite the way he expressed quite validly that Fadel was acting weird about not wanting to show the proper paperwork for the car. Similarly, we never see Style surprised/shocked about Kant's background in crime, which makes me wonder if he already knew and was okay with it.

I love that this show is explicitly showing us that Style is just as morally grey as the other 3 main characters. He may not have done anything close to what the others have (that we've seen so far), but he has the disposition and character traits to stand beside them.

So yes, absolutely when they get to the scene with Fadel shooting someone over Style's shoulder and just generally brandishing a gun, Style is going to once again have to come to terms with what it means to choose to love a killer, but I am 1000000% certain of his choice. Not (just) because the genre and narrative and source material are all pointing towards it, but because fundamentally this is exactly how Style's character would respond.

Style says "I'll be your 100%" and it's going to be true even if it isn't yet, because Style isn't a "good" character, morally speaking, but dammit he is just perfectly made for Fadel.

[my-cat-ate-your-appendix]

A few theories floating around in my head that aren't based on anything, just me wildly speculating possibilities (and when I saw wild, I really mean it):

1) That book and that key

As was pointed out by user goodbye432, we can see that Violet's key comes out of the book, but this key still remains.

I feel like this could be a gateway key that helps all the keys find each other? Or it could be the book that acts as a gateway. Or maybe both of them as a combination act as a gateway?

Point is, that key definitely isn't a key that gathers narratonin

It doesn't have the narratonin compartment that all the other keys have

The whole structure is different, actually.

So it's probably not a key that was in the original story-key roster. Maybe it was created after the other keys to help them find each other better? Maybe Nox himself created this key while he was still a human? Maybe Nox created this key after he became a key? Maybe Nox didn't have anything to do with it at all? Maybe it was accidentally made by a cat named Prunella?

Personally, I don't think that key is sentient (like, I don't think it has a tiny goober form like the other keys), either, but that really has no basis at all. It very well could.

2) Are the stories themselves sentient?

The story just wants to be enjoyed, the story just wants to be finished, the story doesn't want to be destroyed. The story's sounding an awful lot like a sentient creature right now.

We know that the keys don't decide anything about the story, and nor do the holders of the keys. So who decides when the story ends? Who decides the amount of enjoyment (and therefore the amount of narratonin) received from the story? My bet's on the story itself.

I don't think this is going to have much relevance in the actual plot, but it was just interesting to think about.

3) Silver is in on it

Silver knows something. This has such major foreshadowing with this particular panel:

and then the scene immediately cuts to Silver

Suspicious. Also, so far, Silver's key is the only key that was left around with a note. Bronze and Goldie were literally on sale in a flea market. Silver's key, on the other hand, was left in the library, very clearly intentionally. It was meant to be found, just not by Chase.

And why was Silver broken? What happened? Did she just like, fall? I don't think so.

This is not necessarily a bad thing, since we all know that Silver adores Chase as well as her family and would never agree to endanger them again. Maybe she escaped and was supposed to help the other keys escape too? Maybe she was supposed to help Nox escape? Maybe she did help some of the keys escape, but not the others? Maybe she's part of the FBI? Who knows? Not me, that's who.

4) What's up with Ex Libris anyway?

So far, we've been hearing of Ex Libris as this kind of Big Bad Organisation, but we've never actually seen them make a move? I think it's clear now that Nox wasn't working for the Ex Libris, but rather for his own motives, so it isn't as if the Ex Libris sent him either.

So does the Ex Libris just like, not know that half of it's keys are missing and another key is trying to turn human? Or does it know and is deciding to not do anything about it?

Or does it know and can't do anything about it? What if the Ex Libris has been disbanded, and the keys just don't know about it? That's not quite feasible, I know, considering that Violet and Buddy are probably in the Ex Libris facility right now but that's just our assumption, y'know? They might be in hiding. I'm pretty sure Ex Libris wouldn't want Buddy turning back into a human, so they're definitely going behind Ex Libris' back to do what they're doing, so why can't they be in hiding? Why can't they be totally unaware of what's going on in Ex Libris?

Or maybe the Ex Libris isn't evil at all? They seem more like a bunch of sleep-deprived scientists making one mad discovery after another. If I'm right about the artificial key Buddy theory (see this post) then I admit that would make them more evil, but maybe they're aware of that. Maybe they know that what they did was wrong, and regret it. Maybe all the unethical experimentation was done by a far, far older batch of the Ex Libris, and the new generation of the Ex Libris is strictly vegan and on the keys' side. Maybe they're choosing to help by ignoring. Maybe there's a helper on the inside. Maybe it's Chase's dance partner who never shows up to practices.

Maybe he never shows up to practices because he's too busy trying to save the keys from the Ex Libris. Poor guy.

5) Chase's friends

Yeah, they're definitely not just there to show us that hey! Chase actually has friends his own age! It just doesn't line up.

Maybe one of them's going to coincidentally show up in the same book as Chase and Nox some other time, and Nox is just going to stare at Chase and Chase will be like "Dude I swear I had absolutely no idea this time."

I just think that would be funny.

That's all I can think of right now. Thanks for coming to my Ted Talk, I'll be disappearing off of the face of Earth now.

(On a totally unrelated note, a few months ago, my school counsellor told me I should test for ADHD)

[such-a-daydreamer]

*flutters eyelashes*

Me when I oc x cannon but it's platonic and I also get to expand on pre-existing lore with my random ass world building.

Check under the cut for a fic drabble of this scene and the oc info

My Gf Oc Manny!!♡♡ :3 (I want to be him so bad the gender envy hits HARD grrrgrrgrgrgrgrrrgrgrgrgrr)

He is a closeted gay man and cursed so every cryptid in a 20 mile radius wants him dead.

Now onto the story explaining the comic scene!!!!!!!

Lil' warnin, but there be blood!!!

✄----------------------------------------------------

The three men wander the halls in silence, they each know the importance to stay quiet in times like this, and each man has decades of experience in stealth.

The hospital -a real classy choice- is full of spiderweb decor, and each room has decayed into an unrecognisable square full of debris and metal skeletons.

Stanley wishes he stayed in the van, while Ford's mind is occupied with suspicion regarding their new "travel companion."

"So, Manny," Ford breaks the silence with a directed whisper. He doesn't miss the way the other two flinch despite his soft volume. "Since you're the "renowned expert" when it comes to cryptids, I'd like to ask you about this particular case."

Stanley feels the tension crackle between them, and suddenly regrets standing in the middle. Then again, if they decide to jump at each other's throats, he'd better stay put. Not that he'd like to break up a fight in the middle of a possibly-haunted run-down hospital, but he's done worse in worse places.

"It's a curious case." Manny mumbles out. "I've never seen a ghost report like this before, but considering it seems to be a location-bound spirit, I'm not exactly surprised. They tend to get more bizzare the longer they "ferment."

"Location-bound?" Ford repeats.

Manny gives his rival a sideways smirk. "C'mon now, this is basic ghost knowledge. You tellin' me you don't know?"

"I prefer to sort them through catagories, is all." Ford dismisses the subject in favour of staring at his EMF reader.

Another round of tense silence goes by, yet the three of them have come across nothing. Stanley is beginning to think this is just a huge waste of time.

Manny holds a similar sentiment as he pauses to shine his UV light around one last time.

"Welp, if nothing has come to get us by now, there's probably nothing here. This place is a bust, let's wrap things up." He points his finger up and swirls it before pointing to the exit.

"What, just like that?" Stan grumbles out as he lowers the flashlight. "Ya couldn't have made that decision any further back?"

With the light now pointed at the floor, it leaves everything above their waists in a dark abyss. The only other light source is from the UV lamp Manny holds.

"Scared, are we?" Ford asks, but there's an undeniable mocking tilt to his tone.

Manny rolls his eyes and crosses his arms, the UV light in his hand makes the side of his shirt glow.

"No, it's just that I've got something you don't."

"And what's that?" Ford crosses his arms in a similar fashion.

Manny does a little flourish with his hands. "Magic."

Stan and Ford scoff in sync.

"I knew I shoulda stayed in the van." Stan begins to make his way back to the exit while the other two continue their squabble in the growing dark.

"So, this "magic" lets you know when ghosts are about?" Ford asks, partly curious, and partly to jeer at him.

Ford isn't poking fun at Manny because he doesn't believe in magic, it's just that if a spell to detect ghosts were in use, Ford would be able to tell. So far, Manny doesn't have anything on him that could be used for such a spell.

"Not just ghosts, but yes, it does. And it's totally real, by the way!" Manny spins on his heel to follow Stanley out before he pauses abruptly.

"Actually, nevermind. I think we've found our ghost."

Ford follows Manny's gaze down the empty corridor. The shine of the UV light does little to illuminate their surroundings, unlike the flashlight Stanley had.

Ford feels his blood run cold.

"Don't panic."

"I'm not panicking." Ford replies evenly.

"Really? Because you just broke the EMF reader."

Ford looks down to the cracked device in his hand. Alright, he'll admit this to himself and no one else, but he is very much panicking.

"The ghost didn't trigger the EMF reader, so it's not like we'll be needing this anyway." Ford throws the broken pieces to the side with a little more force than he intended.

"Uh... true, I suppose." Manny shines the UV light around the hallway before spotting drops shining against the cracked tiles. "Okay, we've got a lead, at least."

"And all it took was my brother to find it." Ford grits out under his breath.

Manny lifts his hands in a placating gesture. "I know you probably don't want to hear this right now -and certainly not from me- but let's try to calm down and keep a level head, alright?"

Ford shoots him a deadly glare, but Manny simply holds his gaze with a worried expression. Out of both of the twins, he likes Stanley more, so Ford isn't the only one concerned.

The trail leads to a room, a suspiciously empty room. The far back wall glows brightly under the shine of the UV light, and that's the only thing worth noting. Ford is reasonably upset once he realises Stanley isn't here, but trudges onward into the room anyway.

Ford stares at the wall curiously. He places a hand on it, and it feels completely normal. Dissapointed once again.

"I wonder why only this wall glows under ultra violet light..." Ford murmurs to himself as he raises a hand to place on his chin.

"Up."

"Pardon?"

Ford turns to Manny and sees his horrified expression. Before he has time to register that, something wet splatters against his glasses.

Manny lifts the UV light upwards just as Ford lifts his gaze.

"Ah, I see... Up."

There, strung up by limbs of what can only be assumed to be blood, is Stanley. He looks furious.

Behind him, flat against the roof, glows an almost cartoonish depiction of a human. They laugh, but there's no sound. Slowly, it removes itself from the roof and takes form. It shines hauntingly under the UV.

What first started as a light sprinkle, is now a full on downpour of blood as it looms above them. The stench of it makes Manny gag, but Ford just narrows his eyes at the being while it approaches slowly. It continues to laugh silently; that's the only thing that irks Ford.

"How do you suppose we kill this thing, Manny?"

Manny jolts a bit in surprise at being addressed, then strugles to form a sentence for a moment as he takes a step back.

"Wha- me??? I dunno, usually with ghosts I can just exorcize them with my medallion and be done with it, but that isn't a ghost." He points at the liquid mass that Stanley's struggling to escape from.

Both men would be worried about Stanley possibly suffocating from the stream of blood that covers the lower half of his face, but it doesn't seem to be covering his nose. Which, as relieved they both are, is still concerning.

Could it be using Stanley as bait? What is it planning? Whatever it is, no one's keen to find out.

It continues to move forward, almost sussing the two men out like they are to it. Ford mentally checks his inventory for a weapon that would do the most damage to a creature made of blood.

Predictably, nothing comes to mind.

He lets out a frustrated growl. "We have to do something."

Ford decides to take the inititive, seeing that he's the more capable one out of the two. Not that he's being presumptious of Manny's abilities, but the fact of the matter is that Manny is staring at the creature like a deer in headlights and Ford is inches away from trying to pummel a liquid.

Which also isn't good, but it's better. Ford will take better than nothing.

Flicking open one of his books from inside his coat, he searches through it until he finds what he's looking for.

"I believe this might be a failed resurection spell."

Ford pauses on an old partchment page in a plastic sleeve, the words are written in a dead language, but to Ford, it's like reading english.

"The closest I can find to-"

Ford doesn't get time to finish before he finds himself being shoved to the side. There's a split second where he sees Manny, then he doesn't.

A stream of blood slams Manny through the wall and leaves him lying in a pile of debris in the corridor. A pained groan proves that he's alive, so Ford returns his focus to the task at hand.

Despite the UV light now being broken, the mass of blood continues to glow.

"It would appear you've made your final assesment." Ford says to it while pocketing his book. He's read all he needs to, anyway.

It looses it's human form in favour of creating large waves to try and crash against Ford, but it underestimates his speed.

Manny stumbles back into the room with his madallion in hand. He raises it and the metal glows blue, acompanied by a low hum.

The blood spikes, then looses form. Most of the blood falls to the floor with Stanley, who wastes no time to put distance between it and himself.

Multiple souls writhe and scream as they try to escape the blood, but eventually they fade back into the mass. Manny lets his arm drop as he joins the other two men.

"There should be some sort of tether, we need to destroy it." Ford explains.

"There's a heart-" Stanley starts as he tries to wipe himself clean. He makes zero progress. "-Inside that thing somewhere. It kept movin' the damn thing around though, so I couldn't get a grip on it."

"That's fine, Stanley, thank you." Ford turns to Manny. "Do whatever you did before, and I'll shoot its heart."

Manny, although dazed, manages to nod and turns his attention to the growing ball of blood.

"Do you still have your flashlight, Stanley?" Ford asks as he pulls out his trusty gun. The line along the side of it's triangular barrel glows blue as it whirrs to life.

"Even if I did, it would've been chock-full of blood."

"Alright. Just stay behind me, then."

Begrudingly, Stanley complies. He wishes he could do more to help right now, but he has neither guns nor magic. He would offer to punch the thing, but he's been doing that for the last ten minutes and done no damage.

Once the ball reaches its previous size, jets of blood shoot out from it. Stan and Ford manage to dodge them but Manny gets clipped on the shoulder.

He stumbles back against the wall with a pained hiss. Yet he still manages to lift his hand up to activate the medallion. Ford takes aim.

The blood spikes again, more violently this time, before a large jet of blood slams against Manny.

"Dammit-!"

"Manny!"

Ford takes a shot in the dark, hoping to distract it.

The lazer passes through it with a sizzle as blood get evaporated. The light from the lazer briefly illuminates the inside of the blood enough for Ford to see the heart.

It stops the constant stream against Manny to turn its attention towards Ford. Manny falls to his knees and coughs violently.

"Sixer." Stan calls out to his brother with a warning tone.

"Manny, I'm counting on you here!" Ford takes aim again.

It takes the form of a human again and its expression is livid.

It lunges at Ford with its mouth open too wide for a human in something like a scream.

The being stops a mere inches away from Ford, its hands ghosting around Ford's neck before it writhes. Blue spikes jut out from it as it tries to keep form.

It takes a moment, but Ford can feel something on his shoulder. He glances to his left and sees Stanley with a handful of his coat, his stance tense and ready to run. Ford hasn't seen an expression this serious on his brother's face in a while as Stanley stares down the entity.

Ford returns his gaze forward.

For a split second, he sees the heart reveal itself.

He shoots.

✄----------------------------------------------------

Uhm!!! I like them all a lot :3 Mwah mwah mwah kisses to all. If you read allat then THANK YOU!!! I HOPE YOU LIKED IT!!!!! Lmk if you'd like to see more of this stuff idk

[warblogs17282]

So, what relationship does Stella and Octavia have with each other exactly?

Short Answer: Evidence points to them having a really bad dynamic with each other.

Long Answer:

Let's just quickly address the fact that we've never seen Stella and Octavia actually interact with each other on screen yet. Yes, I'm aware of this, but I'm making this post thinking about what we actually know so far, and what I've gathered points to Stella not caring about Octavia. To be honest, I think the lack of elaboration on their relationship has been incredibly purposeful, with the purpose being to paint the image of what their relationship actually looks like in a sense.

Evidence 1: Stolas' Assassination Plot.

We know Stella wants Stolas killed, and at no point has Stella actually considered how Stolas' assassination would make Octavia feel, which is best evidenced by the time she screamed she wanted Stolas dead right in front of Octavia (the fact Octavia had headphones on is entirely irrelevant to the point I'm making),

and the conversation with Andrealphus in s2 e4, where both of them also did not give any fucks about how the assassination would make Octavia feel. (I'll get back to this point later on)

Evidence 2: Stella being abusive to Stolas in front of Octavia.

What this proves is that Stella is abusive towards Octavia. Many reputable sources say that what Stella is doing here is child abuse, which I'd like to mention, that it can negatively impact the child in a number of different ways, and I highly advise you check out the Barnardo's page about it if you want to learn more.

Evidence 3: "You leave with Via on weekends."

Notice how this never gets expanded on at all? It's just that, there's no specifics to it or anything, which in my eyes, potentially also points to the fact that Stella doesn't care for Octavia, because it could tell us that there's no attempt made from Stella to actually bond with Octavia, which would explain why that statement is never expanded upon. Plus, Stella literally sidetracks that statement from Stolas with "I like tormenting you. I want to keep reminding you of what you did."

Evidence 4: The beginning of s1 e2.

"Mmph. Via's calling us, Stella."

"You get up."

Notice how Stella is not concerned about the fact that Octavia is actively calling her out, and also when Octavia is clearly upset from the tone of her voice. Which shows us just how little Stella actually cared about Octavia, even when she was just a young child.

Evidence 5: The s2 e4 conversation.

"Because, my dear sister, you've already produced an heir; when he dies, his duties, his possessions, his legions, it'll all pass to.... Via."

"If you kill him, you would…."

"Laugh? Ha-"

Notice how Stella does not even pay Andrealphus any attention whatsoever when he brings up the fact that all of Stolas' stuff will go to Octavia. This alone shows just how much Stella is self-centered within her own desires, which in this specific case, was to have Stolas dead, as shown by the follow up line "Laugh? Ha-".

Which just further shows that Stella is only interested in what she wants, not taking how Octavia would feel about the assassination into consideration yet again, with that and the obvious display of her being self-centered in this scene, both of which showing further that Stella doesn't care about Octavia.

Evidence 6: "What? No! I'm not turning her against you--"

Let's be real here, Stella has already started screaming at Stolas over petty shit, so I highly doubt that Stella said this out of actual concern that he's turning Octavia against her, but instead, she said that to use it as a weaponized statement. Or you could also say that she's weaponizing that sentiment against Stolas.

Evidence 7: "I'm glad one egg fell out of me"

It's always irked me about the fact that Stella refers to Octavia as "an egg" here. Like instead of any other possible way she could possibly phrase that statement, she chooses the one that refers to Octavia as "an egg", instead of her actual name or even daughter for that matter. Which also could point to Stella not really caring about Octavia.

Evidence 8: The paintings.

The Loo Loo Land picture. Just compare Stolas' and Stella's faces in that painting, Stolas looks actually happy in it, most likely because of Octavia, while Stella on the other hand? Her smile looks quite forced to me, it's barely even there, which tells me that Stella doesn't even want to be at the family outing to Loo Loo Land, which further shows how little she actually cares for Octavia.

And if I recall correctly, that's the only picture we see both Stella and Octavia in, as shown by the other paintings where there's only Stolas and Octavia present, which combined with the forced smile in the Loo Loo Land painting, further shows us how little Stella cares for Octavia.

In conclusion: I have shown multiple clues and pieces of evidence that show that Stella most likely doesn't genuinely care for Octavia, with s2 e4 really showing how self-centered Stella is, and just how much she only cares for her own self-interests. While future episodes will most likely show us more about Stella's and Octavia's relationship, the evidence and clues within the show appear to point to the fact that Stella does not genuinely care for Octavia.

[sissylittlefeather]

It Feels So Right (how can it be wrong?): Part 1

A/N: a new 3-part mini-series that was supposed to be a one-shot but got too long 😂. This is gonna be a fun one. I hate to give too much away up here, but just know we've got Austin filming Elvis, ghost Elvis, and you...

Shoutout to my beloved @ccab for hatching this one with me one late night. I love you, bestie.

Warnings: 18+ minors DNI! This is gonna stay dirty. Kissing, cussing, fingering, oral sex (m & f receiving), p in v penetrative sex, unprotected sex, creampie

Word count: ~3.2k

Honestly, you're a glorified assistant. Your job has a technical title, but you spend most of your time getting coffee and running errands for anyone on set who asks you. It's very rarely the actors. Usually, you're at the whim of everyone behind the cameras. You've been graduated from college for five years and you're just waiting for your shot in the film industry. In a lot of ways, you're blessed just to be on the set of this movie, so you swallow your pride and fetch lattes for every grip and sound guy that hollers for one.

Admittedly, you don't know as much about it as you probably should, but watching the filming has you convinced this Austin Butler will be up for an Oscar. You know Elvis and this guy has him nailed. You've seen footage of him a thousand times and Austin's performance seems to line up perfectly.

What you don't know, what no one but Austin knows, is Elvis is there. He stands and watches, not far from you actually, and in crucial moments, he takes over. Usually, he doesn't leave the sanctuary of Graceland, but when he heard about this movie, he knew it was an opportunity. And when he saw Austin and his dedication to the role, he knew that he'd be open enough for him to step in when he wanted. The first time he tried it, he shifted from one foot to the other for a few seconds and jumped, not knowing exactly what would happen. He opened his eyes and looked at his hands. They were close, similar long fingers, but not quite right. His body was thinner, more cut, and his face felt different. He called for a break and made his way to a place with a mirror. When he cautiously chanced a glance, he was shocked to see Austin's face looking back at him. It worked. He knew possession was possible, he was a ghost after all, but he'd never tried it before this. After the scene was finished, he decided the experience was so satisfying, he'd try it again. So he did. Over and over again throughout the filming process Austin would wake up with no memory of doing certain scenes. He figured out quickly what was happening and didn't seem to mind, so when he turned on set and saw Elvis, he wasn't even alarmed. Elvis had been surprised to be seen after all these years, but it didn't take the two long to strike up a friendship.

By the time Elvis noticed you, he'd been talking to Austin and possessing him regularly for weeks.

You come back from your morning coffee run and set the tray on a table.

"Coffee's here, guys!" You holler to everyone whose order you diligently fetched. For some reason, this time, you catch Elvis's attention. He watches, amused, as you sarcastically deliver all the coffees.

"Who is she?" He whispers to Austin.

"I'm not sure. I think her name is y/n. She gets coffee for the behind-camera guys." Austin answers nonchalantly.

"Have you actually looked at her?"

"I'm way ahead of you, man."

"You asked her out?"

"Not yet, but-"

"What are you waiting for?!" Austin looks at Elvis exasperated.

"I've been a bit busy."

"Can I?"

"Can you what?"

"Take her out." Austin laughs quietly.

"I don't know. Can you?" Elvis sighs.

"Can I use your body, I mean?"

"To go on a date? With a living girl? I'm not sure that's a reasonable plan." Elvis nods, defeated, and Austin walks back out on set to continue filming.

But Elvis can't stop watching you. He hovers around you, longing to be seen. You have an undeniable grace that has him damn-near spellbound. Austin pretends not to notice Elvis's preoccupation with you. He has plans to ask you out himself, eventually.

But Elvis gets tired of waiting. There's not too much left to film and he doesn't want to miss his chance. So one day, he jumps into Austin to film a scene during the '68 Special and just... doesn't leave. Instead, he swallows his nervousness and walks up to you at the end of the day.

"Hi. I'm... Austin." He holds a hand out for you to shake.

"Oh, gosh, I know, I'm y/n." You can't believe one of the actors knows you exist, much less is talking to you. And it's Austin Butler in black leather.

"I've been watching you. And I- okay that sounds creepy. You're just very pretty and I was wondering if, maybe, you'd like to go out with me? Tonight?"

"Oh wow... tonight?" You have a bed with your name on it and a pizza you plan to order, but this is Austin Butler and he's asking you out.

"Yeah..." Elvis isn't going to take the chance that Austin might refuse to let him take you out.

"Sure? I mean. Yes. I'd love to go out with you." A warm smile spreads across Austin's face and you can't believe how relieved he seems. Truly, it's Elvis, but you don't know that.

"Okay! Great! Can I pick you up in a couple hours?" Elvis isn't sure how he'll stay in Austin for this long, but he's going to try his best.

You nod and give Austin your address. Then, you make your way home completely in awe of the fact that you have a date with Austin Butler tonight.

******

Later that night, there's a knock on your door and you put the last minute touches on your makeup and walk to it to open it. When you do, you're a little shocked to find Austin with his hair fixed like Elvis, in a suit with the shirt unbuttoned half way down his chest and a thick gold cross sitting on his sternum. For some reason, this outfit doesn't feel like him. And it's not; it's 100% Elvis, but you have no way of knowing that.

"You ready, doll?" Why does he even sound like Elvis?

"Yeah, lemme just grab my purse."

You spend the rest of the evening on one of the best first dates you've ever experienced. Conversation comes easily to both of you, and you think it's unbelievably endearing that he takes you to a diner, and a movie, and a roller skating rink.

You've never been good at roller skating, so you spend most of the time hanging on him and trying to keep your balance.

Elvis is in heaven. He hasn't had this much fun in almost 5 decades. And the feeling of your hands on his skin and your body pressed up against his, even if it's not exactly his, is something he's desperately missed. When it's time to take you home, he's dying to take you inside and feel more of you on him, but he doesn't want to push you or take advantage of you in any way. Instead, he walks you to the door and stands with you awkwardly under the awning of your apartment complex.

"This was really fun." You want to ask him inside, but you're not sure if that would be too slutty. Still, he's a movie star, he has to be used to that. Right?

"Yeah, it was." You notice his eyes flick down to your lips, so you turn your face up to signal that he can kiss you. Elvis gets suddenly nervous. He hasn't kissed anyone in a very long time. After a few seconds, you realize he's not going to kiss you, so you step back.

"Oh... I'm sorry..." Elvis wants to kick himself for missing the window.

"For what, doll?"

"Nothing, I just thought... it's nothing." He takes a deep breath and remembers who he is. Then, he reaches out and grabs you by the waist, pulling you into him. He crashes his lips into yours and kisses you deeply. It's weird to kiss with someone else's mouth, but it doesn't take him long to figure it out.

You revel in the fact that Austin Butler is kissing you. You.

After you make out on the porch for a good fifteen minutes, you pull back from the kiss and look up into his eyes.

"Do you... wanna come in...?"

"Can I?" Elvis is shocked that you'd ask that so soon. Then, he remembers that it's not 1956 anymore. 1969 happened... he was there... and women are different now.

"Yeah... if you want to..." You start to get nervous that maybe you've made him uncomfortable. "You don't have to-"

"Yes. Please. I'd like that." You nod and smile and turn to open the door. He swallows deeply as you lead him into your apartment. It's been a long time since he's kissed someone, but it's been even longer since he did this. And kissing is easier to do well without practice.

You turn to him and take his hand, leading him to the bedroom. Is it possible that Austin is shy? He seems a little nervous to be headed that way with you.

"Do you not want to do this?" You stand facing each other next to the bed and look up into his eyes as he nods fervently.

"I do. I really do. I just... haven't... in a while..."

"Oh. Well, that's okay." Elvis smiles with Austin's face. He reaches out and fiddles with your shirt on your shoulder. Then, he moves his hand up to your cheek and runs his thumb over your lips.

"I just never thought this would be possible."

"What do you mean?" Elvis's heart jumps.

"Oh, umm, just, I've been watching you for a long time. I didn't think you'd want to go out with me." You smile and Elvis relaxes. He leans in slowly and presses his lips to yours again. He's surprised by how easy it is to fall back into a rhythm with you as the kissing ramps up and his hands, Austin's hands, begin to roam over your body. Without thinking, he slides them up under your shirt, dragging them across your back. He wants to lift your shirt and pull it off, but again, he's not sure just how far you're willing to go. Seemingly reading his mind, you remove your shirt for him.

You're shocked at how shy Austin is. You assumed he'd take the lead, but he seems reluctant even to take your shirt off. You push his jacket off of his shoulders and it falls to the ground. Your fingers go to the buttons and you take his shirt off too.

"Wow..." It comes out of you as a whisper while you run your fingertips over Austin's rippling abdominal muscles. Elvis looks down at himself and flexes his stomach as you touch him. This is different, but seeing the way you look at him, he's not exactly complaining. Bodies like this weren't common in his day, but he's thankful for Austin's dedication to diet and exercise in this moment. Something about it boosts his confidence and he reaches behind your back to remove your bra, but his fingers fumble. He peeks over your shoulder and eventually figures it out, pulling your bra forward off of you and dropping it to the floor. His hands slide to your breasts hungrily and he realizes how much he's missed the softness of a woman's skin against him. He pulls you in close and his kisses reach a fever pitch as he begins to move his mouth down your body. You revel in the sensation of his tongue on your nipple, throwing your head back in pleasure.

He turns you and lays you down on the bed, scooting you backwards and crawling on top of you. You arch your back as he kisses your stomach gently, finally landing at the place between your bellybutton and the top of your skirt. He hooks his fingers under your waistline and looks up at you, blue eyes wide with lust.

"Can I?"

"Yes. Please." He smiles softly and slides your skirt down your legs, removing your shoes at the same time.

"Mmmm." He groans as he holds one of your feet in his hand and kisses your ankle. You have beautiful feet and this is just another thing Elvis has missed about being with a woman. He feels his erection throbbing where it presses against the fabric of his pants. This creates a new sense of urgency in him and he hooks your panties with one finger between your legs and drags them off, quickly tossing them to the side. Now you're completely naked and he just stares at you for a minute. He was right to take this chance. You're worth it.

"What?"

"Nothing. You're just incredibly beautiful. I don't think I've ever wanted a woman this badly." You feel the blood rush to your cheeks and your core. He's unbelievable and if he's not careful, he'll have you head over heels for him. You sit up and begin to unbutton his pants, but he stops you. "This first, honey. Come here." He lays with his head on your pillow and pulls you to him, situating your hips above his face. He puts both hands on your ass and pulls your clit to his lips.

"Oh, fuck!" You grab the headboard while he goes to work licking and sucking you like his life depends on it. His tongue makes tantalizing circles on your sensitive button and you want to scream it feels so good. Elvis can tell by your reaction that he hasn't lost his touch, even if he is technically using someone else's mouth to do it. You look down at Austin with his face buried in your pussy, eyes closed like he's truly enjoying what he's doing. He slides first one and then two fingers into you and pumps them in and out while his tongue moves on you fervently.

"Oh, God, Austin, I'm gonna cum!" For a second, he forgets that he's Austin and his eyes pop open, but he adjusts quickly as your orgasm slams into you and your walls pulse around his fingers. Electricity explodes in your core and shoots lightning bolts to your fingertips in exquisite waves. When you finally come back down, you fall sideways off of him and lay on the bed. He wipes his face with his hand and sits up next to you.

"How was that, doll?"

"Oh. My. God." That's all you can get out and he smiles widely. He's still got it.

He stands up next to the bed, kicks off his shoes, and drops his pants and underwear. This is the first time he's looked down at himself and seen Austin's cock. Elvis is a little in shock. Not only is it huge, it's circumcised. He hopes it'll work the same way. Before he has too much more time to think about it, though, he looks up and you're on your knees in front of him.

You hold the base of him with one hand, put the other on his ass, and lick a circle around the tip.

"Fuck, y/n." Yep, it works the same way.

You slide as much of him as you can stand into your mouth, letting him hit the back of your throat. His head falls back and his mouth opens as you continue to work on him, bouncing and sucking and running your tongue along his shaft. Elvis is in heaven with your mouth around him and as much as he never wants it to stop, he wants to feel the rest of you too. Still, he reaches down and takes a handful of your hair as you let him thrust gently into your mouth for a bit. Then, he stops and stands you up, looking down into your eyes.

"Can I make love to you?" Your heart skips. No one has ever asked you that before.

"Yes. Yes, please." You lay back down on the bed together and he lines himself up with your entrance. His heart is pounding in anticipation. It's been so long.

He begins to push into you slowly, letting you stretch to accommodate his size. You moan softly as the sensation almost overwhelms you. When he's fully filling you, he pulls back slowly and thrusts forward again, groaning at the feeling of your tightness around him. He picks up a steady pace of fucking into you and you wrap your legs around his waist. Elvis is impressed with Austin's body and his ability to thrust without getting tired. It's been a very long time since he had that kind of youthful vitality.

"Yes, yes, yes!" You cry out breathlessly as he pounds you.

"God, y/n, it's so good." He moans again and kisses you deeply, feeling his orgasm begin to build in his hips. You're teetering just on the edge too, breasts bouncing with his rhythm. His cock is perfect to hit just the right spot inside you as he drives into you.

You feel him tense up as he slams into you one last time, throwing you over the edge into oblivion as well. You throb around him as he shoots you full of his warmth and shudders his hips into you. He relaxes and sets his head on your shoulder, both of you sweating and breathing heavily. After a few seconds, he slides out of you and lays next to you on the bed.

He's dying to tell you that he's Elvis and not Austin. He wants you to know that it's him. But he's afraid that would freak you out too much, so he keeps his mouth shut. Instead, he turns to look at you and you look back into Austin's face.

"That was amazing." You say, smiling. He smiles in return.

"It really was."

"Do you wanna... stay...?" You feel like you should know better than to ask, but you do anyway. Elvis knows he can't hold onto Austin when he sleeps, though. He'd be shocked to wake up here with you with no memory of how he got here.

"I wish I could, doll, but I can't. I'd love to do this again sometime, though."

"Yeah?" He rolls over and runs his fingertips down the side of your face.

"Yes. I really would." He leans in and kisses your lips softly. Then, he sighs deeply and rolls over, getting out of bed and putting his clothes on. It doesn't seem like he wants to leave, but he does anyway. He kisses you at the door again, tucking a stray piece of hair behind your ear.

"I'll see you soon, doll." You think to yourself that you'll see him tomorrow at work, but you don't say that part out loud. He walks through the door and you close it softly behind him.

He stays in Austin just long enough to get him home and in bed, laying there for a bit thinking about the encounter he just had with you. Elvis hasn't had a better day in over 50 years. Finally, his eyes close and Elvis pulls himself out, letting Austin sleep.

He's nervous about how he'll react when he finds out Elvis used his body to go out with you, but what's done is done. And he has every intention of begging to let it happen again.

******

Until part 2. Thoughts?

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Taglist:

@ccab @elvisfatass @elvisalltheway101 @aliypop @18lkpeters @dkayfixates @tacozebra051 @your-nanas-house @deniseinmn @joshuntildawn13 @lookingforrainbows @60svintage @littlehoneyposts @epthedream69 @louisejoy86 @rjmartin11 @from-memphis-with-love @deltafalax

[gyaruhana]

Hai since you aren't taking actual fic requests right now and only headcanons I wanted to ask if you also do those rankings? If you haven't seen basically people ask a question like 'who would be the biggest gentleman in a relationship' and the person who asks either gives a few characters for the writer to rank and write a few sentences or let the writer choose which characters they think fit best

But yeah I've basically have been seeing this a lot recently and had to think of you and your blog because I think I'd be something nice and short to write when you don't wanna do hc's/fic's and could help with potential writers block !

And if you plan on doing that then here would be your first ranking request !! :3

So out of Thanos, gwi-nam and niragi who would be the most freaky and rough in bed?

(btw I know this is long and I hope this wasn't a bother to you, I just ramble a lot about things I'm interested in and I just love your blog and everything you've written so far and I hope you continue <33)

im in love with this ranking system thingy uhm oh em gee ?!?!?!?!

i will absolutely be ranking now it's such a cute concept😭😭

below is my personal ranking.. (also thank you for liking my writing it always makes me so nervous when people compliment me..)

No.3: Choi Su-Bong/Thanos (Squid Game)

Thanos is rough, yes. He likes choking you, he likes making you cry - not to mention he really enjoys edging you for as long as possible to watch your face contort in slight pain as you beg him to let you cum.

However, I'd argue he's not entirely the type to force you into anything if it makes you super uncomfortable. The only exception for this is when he's high and not really mentally present but most of the time he doesn't push you too far over the limit.

Of course, don't mistake this for me saying he's not rough! He totally is. But, compared to the others I'm ranking, he's def less extreme..

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No.2: Yoon Gwi-Nam (All Of Us Are Dead)

This is pretty self-explanatory.. we've seen plenty of scenes with him and he does NOT play.

Again, he also likes seeing you cry and choking you and blah blah blah but he's more freaky than Thanos which is why he's number two on my ranking.

He's ONLY degrading. There's nothing nice about this man. Maybe he would've pretended to be a little nice but he drops all that when he's fucking you honestly.

However, he's still only no.2 because while, yes, he isn't above being violent toward you and man handling you - he's not quite as bad as who i put as no.1

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No.1: Suguru Niragi (Alice In Borderland)

No.1 for a reason.

He's the roughest and the freakiest best believe it !! He really doesn't bother playing nice whatsoever. If he sees you and he likes you, he'll just claim you without a care in the world.

Just really kinky in my opinion!!

prolly into gun play, knife play - anything incredibly violent sorry not sorry. I mean.. we all know the typa guy he is so..

i'd argue he views you ENTIRELY as a doll for his pleasure. Not anything more honestly.

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CONCLUSION: First time ranking and I may have made it a little fancy set up bc i got excited at this concept..

But, yes - Niragi is No.1 on this list. I feel like he's just a real kinky and rough asshole. Although, I do totally see Gwinam being similar to Niragi in the future when he reaches PEAK dickhead-ness.

My king Thanos is only No.3 bc he's not totally mean at heart i feel.. he's just really rough when he's high but I don't think he'd be the same level of rough as Gwinam and Niragi.

anyway, hope my ranking was good !!

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(thank you sm for this idea i need more holy moly..)