#it is a product of its time in many parts but it is also such a raw writing on PTSD

[jamiepaige]

Constant Companions Closeup #9: OBJECT OF AFFECTION

(also on spotify!)

O, wayward soul, I beg of thee an ear; Companionship, a Constant of desire, is all too fleeting. Would thee quell this fire? My love, do you know what you want to hear?

Welcome back to the Constant Companions Closeups - a series of in-depth dives into the songs off of my latest album, Constant Companions! Yesterday was some gay shit (Liaison) and today is some more gay shit (Object of Affection)

---

I'm usually pretty good about letting go of the things I make and letting them live imperfectly, but there is exactly one released song of mine that I've ever been actively unhappy with the final product of, that I haven't been able to let go of my displeasure with.

Honor Majesty, off of Autumn Every Day.

It's not that it's a bad song, or that it didn't have good ideas! In fact, I genuinely think it shares more with the music I make now than a lot of my older work does. Rather, it was incredibly rushed and full of uninspired choices I made for the sake of completing the song rather than making it the best version of itself, and it ultimately ended up falling incredibly flat relative to what I wanted it to be!

I really like the intersection of synthpop/electropop and fantasy. One of my favorite musicians ever is Baths, whose album Romaplasm is chock full of this exact thematic and sonic intersection, and it's so deeply inspiring to me that it still gets put on whenever I want to dream things up. I've always wanted to make things like that! Bubbly and fantastical, brimming with a sense of magic so pervasive it makes even the mundane seem mystic.

...Also I'm just a fantasy dork okay. I like wizards and shit. Sue me

I've been wanting to make a grandiose and fantastical story song for years, and my single attempt to do so felt like it missed the mark entirely. I did touch on fantasy a couple times on Bittersweet, but ultimately, when I started working on this album, I knew exactly what I wanted to take a second crack at.

---

The intended story in question here is fairly vague, but to sum it up as literally as possible:

A rebellious, disobedient, gender-questioning prince has mildly inconvenienced "his" royal lineage one too many times. Their solution is to invoke magicks widely regarded as heretical - what's a fantasy monarchy without some hypocrisy - to seal their "son's" soul within an automaton body, rendering "him" a perfect, subservient doll.

This doll is promptly spirited away under cover of darkness by a mage, and is granted free will once again. She experiences the crushing weight of newfound self-awareness and nearly spirals out of control, before realizing the mage who saved her is the same - a doll. It turns out being a magical-mechanical construct has its perks if you are TRANSGENDER. then they overthrow the monarchy and fuck nasty or whatever idk this is where the story gives way to things like "metaphor"

this is a song about artifice and being transgender

Seriously, though, I know that being an electronic-music-producing transgender lesbian with a thing about dolls or robots or whatever is a major endless-store-shelves-of-identical-buzz-lightyear-action-figures moment on my part, but dammit, I own a copy of Logic Pro and a genuine leather wizard hat, I inject estrogen into my stomach fat every Wednesday, and I think ball joints are cute. I'm posting this on Tumblr, for gods sake, I am unconcerned as an active choice

---

With the exception of Liaison, the entirety of Constant Companions utilizes only three unique vocal synth characters - ANRI, Gumi, and Teto. This trifecta was born organically from simply being the vocal synths I enjoy using the most, and in this song, I wanted to use all three of them almost like one single singer, freely shifting intonation based on the context. I messed with this idea before on Ballroom, my voice meshing and melting into Gumi V3's voice, but it felt especially appropriate for this context; Plus, I feel like there aren't a lot of examples of vocal synths being used/recontextualized in this way, and that's a shame in my opinion!!

I really want to do more story-driven songwriting like this in the future as well. Now that I'm a bonafide VocaloP I've been floating the idea of doing a song series with this trio... I'm mostly just worried I'll want to get too ambitious with it.

Off the top of my head, Object of Affection references at least eight other songs of mine - Honor Majesty is an obvious one, but it also directly samples parts of Autumn Every Day, and lyrically references genuinely just a bunch of things. I'm probably forgetting some, even!

I know I'm the Leitmotif Lover, but it's a lot even by my standards. However, this song's entire existence already served to satisfy a fairly self-indulgent desire, and these days, I don't deal in half measures. I think the final product serves as a lovely little look back at where I've come from, though, and perhaps even a little glimpse into the future!

That all being said, Object of Affection in some sense is also a love letter to a beloved part of my creative process - the voice memo. A lot of the audio I've provided with these posts have been recordings off my phone for good reason! Not only are the chops at the beginning of the song entirely comprised of edited recordings I got on my phone, but the sample at the very end happens to be from a particularly legendary recording, never before heard by the public...

Until now. I present to you an excerpt from "the worst beat on planet earth", featuring none other than unit.0.

That's about it for today!! If you have any questions, I'll gladly answer them below, but otherwise, I'll be back here tomorrow to talk about this album's title track laid askew - My Darling, My Companion!

[prettieinpink]

BUDGETING + SAVING MONEY FOR TEENS 𐙚

For many of us, we are entering an age when we can work casual jobs such as retail or fast food. It’s not a lot of money that we receive, depending on how often you get paid, but it can go a long way in the long term. 

In this post, I’ll be discussing how to budget for your needs/wants and save money for future goals. 

CREATING GOALS, you may want to save a certain amount of money in a time frame, want to make a big purchase (like a car) or buy everything off your wishlist. It is entirely up to you what your goals are, so I can’t say too much. However, the more specific it is, the better.

HOW MUCH? Determine how much money you need to save to achieve your goal. In total, and monthly. 

There are three types of saving goals that may apply to you;

Short-term goals >1 year (outings, latest gadget, buying your cart)

Medium-term goals 1-2 years (road trips, shopping spree)

Long-term goals 2-4 years (higher education, car)

It’s very important to set a realistic time frame, as teens we don’t get paid much and we also don’t work as much. You don’t want to overwhelm yourself as well, as it takes patience and self-control to achieve these goals.

NO LOOONG-TERM GOALS! This may sound aggressive, but any money that just sits in your account for years on end is dead money. Even though the amount of money is increasing, its value is slowly decreasing. Keep your goals achievable within a time frame of less than four years. It's much more useful if this money is put into some type of investment instead. 

CREATING A BUDGET

Calculate how much money you receive every month, and how much money you spend every month. 

You have two types of expenses. Fixed and variable. Fixed are any expenses required in your day-to-day life or it’s an amount of money that doesn’t change e.g. subscriptions or transportation costs. Variable costs are expenses that may fluctuate, like food, or any other recreational activities. 

Record the average you’re spending monthly with these two categories. 

There are many ways people choose to budget, but you have to choose a system that works for you.

Work out how much money you need to save each month to achieve your goal.

However, for anyone who’s starting in budgeting, I would say to allocate your costs using a percentage system. Your percentages for each category are going to differ from mine; e.g. 60% = savings, 20% = wants, 20% needs. Make sure it reflects the end goal. 

Track your progress. This is the major part of budgeting, you want to be recording and regularly reviewing how much money you’re spending and comparing it to how much you’re earning. It allows for space to reflect on the flow of your money like if some purchases are worth it, if you’re impulsively spending, or if you’re frequently withdrawing money from your savings. 

Adjust if needed. Maybe you want to put more money in savings and less into wants, or you want to put more into wants and less into needs. 

SAVING TIPS

SAY NO! This is probably my biggest struggle at the moment, but say no to things that will cause you to go off track. Whether its outings, getting fast-food or anything similar, say no. You have to be firm with your financial boundaries, as these opportunities will always arise again. 

RESTRICT IMPULSIVE SPENDING. We all have our moments when we see a product and we instantly think ‘I’ve got to have this’. Giving in once or twice is okay, but it shouldn’t become a habit at all. Its unnecessary spending (most of the time!) and leads to buyers remorse. 

IS IT WORTH IT? Always remember to work out which products you’re getting the most value out of. 

PAYING FOR THE NAME, a lot of brands will cut down on quality to save a few dollars, so essentially the customer is only paying for the name of that brand. Just because a store is more expensive, doesn’t mean its better.

[scarlet--wiccan]

If you want more context on how Young Avengers (2013) is not only a product of its time, but is in direct conversation with the cultural moment that comics, as a medium and an industry, were occupying, I would recommend Adrienne Resha's article The Blue Age of Comic Books. A version of the article is available here.

Reshas' theoretical "Blue Age" is largely defined by the emergence of digital comics, and the resulting changes in audiences and demographics. This is underscored by the evolving relationship between fandom and mainstream social media and the genre's metatextual relationship with both its readers and the spaces they populated. Simultaneously, there was a renewed focus on diversity and inclusion, although the material impact may have left something to be desired.

Young Avengers was part of the first wave of Marvel Now!, a branding relaunch that lasted from 2012 to 2015, which in many ways defined the first, and formative, portion of the Blue Age. The book holds obvious aspirations towards a characteristic notion of diversity which teeters on the edge of self-conscious tokenism, and the creators were directly plugged into their tumblr-based audience in a way that seems almost inconceivable in today's landscape. Between that, the notably organic (for the time) use of social media formats and vernacular, and a surprisingly clear grasp on junior millennial voices, the book both courted and gave birth to a very specific fandom environment where titles like Ms. Marvel and Champions would later thrive.

To me, Young Avengers perfectly encapsulates the opening moments of the Blue Age. It precipitates so much of what comics, and comic book spaces, would become over the next five to eight years, and experiencing it first hand really informed my perspective on both the industry and fandom. But the book also suffers for its liminality-- tonally and stylistically, it doesn't quite fit into people's nostalgic image of either the Blue Age or the post-9/11 Modern Age which preceded it, and the characters-- now on the verge of legal drinking age-- resist the conventions of an archetypical "teen team."

It's a weird book that sits in an interstitial period for the characters, the genre and its creators, being Team Phonogram's singular dip into work-for-hire supeheroics before returning to making creator-owned, pup-infused urban fantasies at Image. As somebody who loves reading and learning about the medium, I think it's a really valuable and I've learned so much about comics just from poring over this series. You'll never make me hate it, but even if you don't like it, there's a lot to gain from being open to objective, academic conversation!

[sonknuxadow]

i know i complained about it a lot already but im actually sooo annoyed about the apple arcade thing like most sonic mobile games are like. just running with no plot or anything. fun way to pass time and they occasionally have cute alternate costumes or bring back characters that havent been around for a while but youre not really missing much by not playing them. that or theyre just mobile ports of already existing games. but now theyre making a mobile game that seems to have an actual story and is introducing a new character and also just looks really cute and fun in general and also they brought back cream as a main character for the first time in like 50 years and theyre not only making it exclusive to apple devices but also locking it behind a subscription service. go to hell like actually

[perexcri]

happy one year to her and one of my better opening lines for a fic <3

now, because i'm curious:

[nebuvoid]

reread the entirety of ranma for the first time in years. the thing about ranma is that almost everyone is selfish, immature and has the emotional intelligence of a goose. and while the premise is the relationship between ranma and akane and they do have their moments, the show's essence is a slapstick romcom with a heavy emphasis on the com. most gags are built on endless misunderstandings and willful assumptions. youll get growth about every couple dozen chapters at best. the ending leaves you wishing for more. i wanted more development and less BONKS YOU WITH HAMMER every five panels. fans might maul me for saying this but i do hope the remake anime cuts some of the chapters out because they just plain arent needed. they feel distracting. also some stuff reeeeally didnt age well and im not sure todays audience would like those jokes.

[howlingtothevoid]

"Forbidden games"

Post-Traumatic Child's Play

Lenore C. Terr, M.D.

[motherforthefamicom]

ohh i can feel a category five autism event on the horizon

[unproduciblesmackdown]

the sense of having any lore about the ancient [ten to thirteen years ago] of marble hornets times like granpa granpa tell us a greentext story....the only hitch is not having stories and instead having "i guess you had to be there" tales from the fringes, unless instead of a hitch you frame this as a bit

[125storejuice]

.

[sunuism]

watching the most toe curling feet kick-inducing bl drama rn

[futuremercifulnerd]

...

[neganium]

yannow, it occurs to me that I'm actually in an art server that I've never really posted in, largely bc a lot of people that I don't already know make me kind of antsy. I could probably ask for help wrt setting up a carrd and arranging a decent TOS for my work, or even find out the status of some of the brushes I use on Krita that I am uncertain as to the origins of (apparently some brushes cannot be used in commercial work, but I feel like it's harder to prove about a brush that isn't a direct stamp of copyrighted material than it is for, say, a font type; also I feel like that applies more for the brush itself and its distribution/modification). all I gotta do is, u know, actually Ask Them. which is a Problem, for me at least.

hh.

[reasonsforhope]

It’s an open secret in fashion. Unsold inventory goes to the incinerator; excess handbags are slashed so they can’t be resold; perfectly usable products are sent to the landfill to avoid discounts and flash sales. The European Union wants to put an end to these unsustainable practices. On Monday, [December 4, 2023], it banned the destruction of unsold textiles and footwear.

“It is time to end the model of ‘take, make, dispose’ that is so harmful to our planet, our health and our economy,” MEP Alessandra Moretti said in a statement. “Banning the destruction of unsold textiles and footwear will contribute to a shift in the way fast fashion manufacturers produce their goods.”

This comes as part of a broader push to tighten sustainable fashion legislation, with new policies around ecodesign, greenwashing and textile waste phasing in over the next few years. The ban on destroying unsold goods will be among the longer lead times: large businesses have two years to comply, and SMEs have been granted up to six years. It’s not yet clear on whether the ban applies to companies headquartered in the EU, or any that operate there, as well as how this ban might impact regions outside of Europe.

For many, this is a welcome decision that indirectly tackles the controversial topics of overproduction and degrowth. Policymakers may not be directly telling brands to produce less, or placing limits on how many units they can make each year, but they are penalising those overproducing, which is a step in the right direction, says Eco-Age sustainability consultant Philippa Grogan. “This has been a dirty secret of the fashion industry for so long. The ban won’t end overproduction on its own, but hopefully it will compel brands to be better organised, more responsible and less greedy.”

Clarifications to come

There are some kinks to iron out, says Scott Lipinski, CEO of Fashion Council Germany and the European Fashion Alliance (EFA). The EFA is calling on the EU to clarify what it means by both “unsold goods” and “destruction”. Unsold goods, to the EFA, mean they are fit for consumption or sale (excluding counterfeits, samples or prototypes)...

The question of what happens to these unsold goods if they are not destroyed is yet to be answered. “Will they be shipped around the world? Will they be reused as deadstock or shredded and downcycled? Will outlet stores have an abundance of stock to sell?” asks Grogan.

Large companies will also have to disclose how many unsold consumer products they discard each year and why, a rule the EU is hoping will curb overproduction and destruction...

Could this shift supply chains?

For Dio Kurazawa, founder of sustainable fashion consultancy The Bear Scouts, this is an opportunity for brands to increase supply chain agility and wean themselves off the wholesale model so many rely on. “This is the time to get behind innovations like pre-order and on-demand manufacturing,” he says. “It’s a chance for brands to play with AI to understand the future of forecasting. Technology can help brands be more intentional with what they make, so they have less unsold goods in the first place.”

Grogan is equally optimistic about what this could mean for sustainable fashion in general. “It’s great to see that this is more ambitious than the EU’s original proposal and that it specifically calls out textiles. It demonstrates a willingness from policymakers to create a more robust system,” she says. “Banning the destruction of unsold goods might make brands rethink their production models and possibly better forecast their collections.”

One of the outstanding questions is over enforcement. Time and again, brands have used the lack of supply chain transparency in fashion as an excuse for bad behaviour. Part of the challenge with the EU’s new ban will be proving that brands are destroying unsold goods, not to mention how they’re doing it and to what extent, says Kurazawa. “Someone obviously knows what is happening and where, but will the EU?”"

-via British Vogue, December 7, 2023

[spectorgram]

FAN BEHAVIOR

characters: dick grayson, jason todd, tim drake summary: batboys with a celebrity! reader content/warnings: fem! reader, fluff

DICK GRAYSON

You’re an actress who has had a meteoric rise, moving from doing small, one-off parts in TV shows to becoming a breakout star on a particularly popular series to being cast in major movie productions

Your stardom is still a little surreal to you and when you’re invited to a wayne enterprise charity gala, you contemplate not going — what business do you have being somewhere with people far more famous than you? But when you tell your agent this, she gives you a look that says you’re insane for even considering declining

You’ll forever be grateful that she urged you to do so because that’s where you meet Dick

He’s standing with Bruce Wayne, chatting with some frequent donors, dressed in a perfectly-tailored navy blue suit when he sees you out of the corner of his eye and he lights up. He approaches you first with that megawatt smile and introduces himself with an extended hand and says, “I’m a huge fan! I’ve been watching your stuff since you were in Legends of the Kingdom!” And the rest is history

Dick goes to every red carpet event you invite him to and he makes it a point to attend every private premiere screening and public opening night

He definitely shushes anyone who talks during your movies or TV shows and does not care if people think he’s obnoxious.

You’re definitely the ‘it couple’ and your faces are plastered constantly on magazine covers and two-page spreads

There are people who try to sow discord in your relationship and their go-to is either pointing out how different you are to Dick’s former girlfriends; that you’re not his type, that this isn’t going to last, etc., or that you’re not talented enough for the fame you have or to be dating Dick Grayson

It definitely gets to you and does nothing to whatever lingering imposter syndrome you harbor but Dick is such a grounding force, reminding you that it’s all just noise and that he loves you completely and unconditionally

At home, he likes to rewind your scenes in shows and movies, and it flatters you as much as it flusters you

He also likes to read through scripts with you when he can and his voices for the various other characters bring you to tears from laughter 

So many intentional and unintentional thirst trap couples pics. Like, a selfie you post one morning — Dick is shirtless and you’re in one of his old t-shirts and its sliding down your shoulder and showing your collarbone and you’re both laying on your stomachs in your shared bed, hair sleep (and sex) tousled with the morning sun making both of you look like you’re golden and glowing 

JASON TODD

You meet Jason as Red Hood first when you’re running from the paparazzi but you don’t know it’s him

They chase you down a couple of blocks before someone tugs you into an alleyway and you’re about to scream for help when you see who it is. Red Hood shields you as the paparazzi pass and when you ask him why he helped you, he simply says, “I hate the paps and you looked like you needed a hand.”

Once he’s sure the coast is clear, he walks you back to your hotel using the back alleys of Gotham. You make several attempts to strike a conversation up with him in the first few minutes of your walk but what seems to catch his interest is when you start rambling on about just finishing Dostoevsky’s Crime and Punishment. 

You’re disappointed when you arrive at your hotel and you’re rush inside to find a pad to scribble your number on but he’s gone when you return, disappearing into the night

It’s by chance that you meet him again (unbeknownst to you), this time in his civilian identity as Jason Todd. You’re in disguise at a bookstore in Gotham when you bump into him and spill his iced coffee all over both of you, apologizing profusely and offering to buy him another drink, which he accepts. (His voice is oddly familiar to you but you can’t put your finger on why) 

You two keep in touch and start dating privately. The long-distance is difficult at times given your very different and busy schedules and Jason is pretty cagey about what he does but you both make time for each other as much as possible

He tells you that he listens to your music during his workouts and in the background while he’s doing stuff around his apartment. He hums along too.

He recommends your songs to anyone who listens, which raises suspicions in the Batfam, and it obviously doesn’t take long for them to figure out that he’s dating you but he makes them promise to keep it to themselves. 

Whenever you have a concert in Gotham, which you make a point to do frequently, Jason is in the VIP box, bobbing his head and mouthing along to your songs. When it ends, he’s right there backstage with flowers and a thermos of tea for your throat

Your relationship goes public when fans capture of video of you two leaving one of your concerts together, Jason’s leather jacket draped over your shoulders

You eventually move to Gotham to be closer to him and the two of you spend every free moment either of you have together, making up for lost time. 

You still try to keep your relationship as private as possible but fans eat up any crumbs they get, including the occasional selfie of you both 

He is your biggest inspiration for songs and also your biggest help. You love bouncing ideas off of him and he likes sitting with you when you pick at your guitar strings and mumble a half-formed melody

(You eventually do find out that he’s Red Hood when he tumbles through the window of your bedroom, bleeding profusely, and you have to take his helmet off to assess the damage)

TIM DRAKE

You’ve known Tim since you were kids given that your parents ran in the same social circles

You started out as a child model in department store clothing catalogs. Tim did some shoots with you too but while his parents eventually stopped auditioning him for such jobs, you continued until the present day, and you’re now a well-known supermodel 

You two have been friends forever and the internet laps up your interactions together. There are compilations of videos and photos of the two of you at banquets and red carpet events and memes with text like “when will someone look at me like that?”

Before you two even started dating, there were articles about a supposed romance and sexual tension between you two. In interviews, you would vehemently deny anything asked about it and reiterate that you two are just good friends

At some point, however, you start seeing your childhood friend in a different light. He’s kind, brilliant, funny, attentive, and very handsome. It’s not that you didn’t know that before but it’s different now. You find yourself shying away his casual touches and suddenly conscious of your actions around him — did you laugh too loud? Is your hair in your face? Does he know how you feel? Can he tell?

You don’t want to ruin your friendship, as cliche as it sounds, so you did your best to keep your feelings under wraps, which resulted in you distancing yourself. When Tim would text to congratulate you on your latest Vogue cover or runway show, you would simply shoot a simple ‘thanks!’ text back instead of the usual ‘THANK U’ followed by five heart emojis. 

He confronts you about it one day and you’ve never really been a good liar in front of him so you tell him, bracing for a gentle rejection but instead receiving a kiss. 

You made a hard launch post with him on Instagram and received hundreds of DMs of people saying they were vindicated in believing that “friends don’t look at each other like that”

Tim is in the front row at every single runway show you have, dressed impeccably in an expensive suit. He takes pictures of you and visits you backstage with your favorite sweet treat.

After fashion shows and other events, you return to his apartment to let your hair down and put your feet up. You do your skincare routines together, sheet face mask and all, and snuggle on the couch for some TV or just to hang out and talk endlessly

You’re very active on social media with him and you two have a lot of couples posts together. When you both have time, you do Instagram lives where people watch you two make dinner together or answer some questions from viewers. A fan favorite is when you choose outfits for each other.

During a runway, you blow a kiss at Tim in the audience and the camera zooms in on his face, where he just watches you with a lovestruck expression and bright red ears — it’s in almost every video compilation that’s titled something like ‘15 minutes of Tim Drake being a simp’

[changeling-droneco]

Hi I'm that person who made the original post about "no doesn mean no" when a small bit of the mr beast company document was leaked, well, now we have the full document (thanks rosanna) so I'm going to go over it. Please note I am not a lawyer or a business man, I'm in college for psychology, so I might misunderstand some things or make the wrong conclusion. However, if this is a document made for the average mr. beast employee, if I cannot understand it properly, then im sure some employees also struggled

First of all, the opening paragraph. Like I get it's supposed to be like, to put people at ease, but

This is so strange? Like, first of all, this is your EMPLOYEE MANUAL, you should have run it through like, a spell check? Or had someone edit it? This is already incredibly unprofessional. Also the promising of a thousand dollars if you pass a quiz on it? It's bizarre and I'd love to see if it's an actual quiz.

Jimmy, hun, please god get an editor for this you're already trying my patience.

YOU SHOULD, you genuinely should, while interconnected these are all COMPLETELY different jobs, if you think you could write a separate manual for each branch you SHOULD

I'm sure I'm about to get an answer but what the fuck is the best YOUTUBE video then? If it's not comedy, its not production, its not quality, its not look, then what the hell is left? (monetization, it's monetization)

First of all, Jimmy, why are you using internet lingo in this, it's not a text message, this is not a place for, idc, and lol, and not capitalizing your headers correctly??? Also like I said, he's chasing trends for monetization, and also he's just wrong, there are plenty of hollywood level shows and the like on youtube. You fully admit you do not care about trends and actively rush things?

This is just fucked??? Like of COURSE IT MATTERS??? Results based company is bullshit, your employees that worked for five weeks and failed aren't "lesser" then James, it's a structural failure! They still worked for HOURS to try and succeed?? That shows merit and loyalty??? What the fuck???

Rosanna covers this one in her video but it's worth restating that this is FUCKED??? It's clear overwork "your job is your family" culture. Especially the use of the word obsessive? If you do not OBSESS over your work, you are considered poisonous. NO WONDER we have so many reports of employees doing things they feel is dangerous or unsafe, if they don't they're considered POISON to the company.

The formatting in this doc continues to fucking kill me, what are you DOING man GET AN EDITOR

This feels like such an easy fix of just...make the thumbnail after the fact? Or only make a rough draft of one first? Like if production makes a red bouncy castle instead of a yellow one, that feels like an easy fix to the thumbnail OR a communication error, and again, that's on management

A lot of the next stuff is like analytics stuff that for the most part I can't really speak on as someone who does not do any of this stuff. There are a few things though

Which like???? what??? a lull??? what do you mean "watching a video without even realizing they are watching a video??" That doesn't scream good or even mediocre content to me. If I'm actively tuning out as I watch a video, that's bad. Especially because there have been plenty of times I've been like half way through a video i go "hey this sucks actually" and click off. They actively want their audience to not be paying attention to the video so it runs all the way through, that's kinda pathetic.

I don't actually know if this is common or not in this industry, but as an outsider this seems INCREDIBLY micromanaging to me, to an immense degree.

Jimmy why are you putting swears in your employee manual?? sir??? and also something about this whole thing icks me out, I don't quite have the words but the whole emphasis on "im different im special no one else can be me" just reeks of something kind of manipulative

Why is production changing so much Jimmy??? Infinite growth is the mindset of a cancer cell Jimmy! This is incredibly unstable working conditions! Also again with the word obsession, if you take time out of your own day on your own time to watch hulu, that's seen as not being obsessed enough for the company. This is nonsensical!

Again, this is INSANELY micromanaging, and also so fucking unhinged??? "God himself couldn't stop you from making this video on time" is NOT a healthy work mindset, things HAPPEN!!!

In this segment he's actually talking normal things but I did just want to highlight his use of "freaken" who the hell puts that in an EMPLOYEE MANUEL

Again with the micromanaging, and the immense pressure on employees for problems OTHER people do. While he's not fully wrong that you should be in more contact with the contractor then the example, this is too much in the other direction. How much time in the day does he think people have?!

My kingdom for a fucking paragraph break dude, my fucking eyes. Also this is a lot of "im so great and do everything and you should do more for me and if i dont know something that's your fault" for something titled "I am not always right"

I'm getting lazy with my highlighting, but again, the micromanaging? If you're SOOO busy, the first question should be the ideal? it's quick and makes a quick decision, while the second one meanders and meanders

Again, Jimmy is pushing blame for HIS mistakes on OTHER PEOPLE. For again, a section called "i am not always right" hes taking NO accountability for that and just making the SAME excuses he's berating in other places.

I can't even tell what he means here AN EDITOR JIMMY

Autism Hell tm, PLEASE email me so I can DOUBLE CHECK IT, things in writing are SO useful

Again the language towards "C-Players" which as mr beast has said, are the people who y'know, are NORMAL employees who DON'T live and breathe this company

Okay first of all, a Lamborghini is like 300k so that's already A REALLY hard task, and i sure hope don't usually put typos in the tasks. SECOND of all the fact he thinks its okay to go "hey if the studio is literally on fire around you and you stop working to get the Lamborghini, you're not doing good enough" even if he claims it as a joke is NOT OKAY what the FUCK

We've covered this before, but to reiterate this segment is named after a sexual assault reference when it could have been named ANYTHING ELSE and harasses employees and pressures them to break rules, don't do that.

I'm not an editor, so maybe this is normal, but as someone from the outside it seems strange to put this much emphasis on dividing focus between so many videos at once.

Jimmy, hun, are you paying extra for this? Because if I'm an editor and you want me FILMING stuff then i want to be paid more for doing TWO jobs and I probably still wont be as skilled a TRAINED CAMERA MAN

First of all now THAT'S a type, consteatants. Also the fact they are aware that leaving contestants out in the sun is bad, why are you not doing MORE TO STOP IT BEYOND "hey maybe giving them three hours of heatstroke is bad, try only two next time"

Don't we love favoritism, more shitty unprofessional writings, and a completely unstable work environment?

If your people have to pull all nighters period something is wrong, and if something happens to an employees car that could have seriously hurt someone, i sure hope you care more then just "LOL FUNNY" Who's picking up the broken glass? Who's reimbursing the car owner? That one meme of "your first care should be commitment to the bit" is a MEME jimmy, it's not ACTUAL ADVICE

Ah shit I hit image limit, well, you've seen enough screenshots to know these are screenshots, we're almost done I'll put them in as quotes

"Let’s say you are tasked with finding us a castle to live in for 50 hours and while doing research you find a castle and a number to call for the owner. So you do call, and he answers. Only problem is he says he quit the castle renting business to pursue his dream of building a 100 foot tall lego catapult. You can obviously tell where i’m going with this. Ideally you’d recognize that’s badass as fuck and try to convince him to let us use it when we do find a castle. This is a bad example because it’s so obvious but if you’re doing your job right you will be doing an absurd amounts of calls and data collecting. While trying to complete your prios and prepare for the video you should always be on the lookout for new things you can bring to your creative team to inspire them. Because just like me, they don’t know what they don’t know and you can’t just say “i’m in production and i’m not very creative” because that’s literally the equivalent of saying I suck at what I do. You also need to apply this same mindset when problem solving because many people lose sight of this stuff when in the weeds. If a problem appears, always always always ask yourself if your new plan is whats best for creative, not just the easiest bandaid."

First of all it's really funny seeing all the red lines pop up, second of all this insistent blurring of everyone's job seems so strange? Again maybe this is normal, but it really feels like Jimmy wants everyone working every job, instead on focusing on what they are actually hired to do.

"What is the goal of our content?

To excite me. The goal of our content is to excite me. That may sound weird to some of you, especially if you’re new but to me it’s what’s most important. If I'm not excited to get in front of that camera and film the video, it’s just simply not going to happen."

That's fucking weirddddd, like I get that he's trying to be like "im authentic" but it always feels like a bad sign when the goal of a company is literally just "What amuses the boss" like...bad sign

"this is youtube and there are constraints. You know the video can’t be a minute so you’re obviously going to need a story to hold the viewers and there are rules to storytelling. Our audience is massive and because of that you have to be simple, for 50 million people to understand something it must be simple. Content can be anything but there is structure and rules that we must mold it into that I want to teach you about, because virality doesn’t just happen. Every frame of our videos will be seen by 10s of millions of people"

Gross

"I'd say the average MrBeast viewer is a teenage memer that likes video games."

Mr Beast is completely aware of his demographic and puts screen shots of it, he is very aware his stuff is aimed at kids, even when its about gambling or hiring people not around near minors

"I feel silly for having to write this but all the time I talk to 32 new people that have at most seen like 5 or 6 of our videos and it’s mind blowing that they don’t see a problem with that lol."

It's almost like your audience is teenage memer and that people who working here are not in fact, teenage memers.

"What you consume on social media, when you watch youtube, tv, the games you play, etc. are what I like to call your information diet.

How do you stay up to date on the latest memes? How do you know what’s going on with celebrities? What’s trending on youtube? What other creators are doing? What’s popping on tik tok? Your information diet. Consume things on a daily basis that help you write better content."

If my job as a creative writer had my boss tell me to have to see whats "popping on tik tok" as part of my job i'd quit also again, the micromanaging of someone's life as well pops up again, it's weirddd

"It’s okay for the boys to be childish

If talent wants to draw a dick on the white board in the video or do something stupid, let them. (assuming they know all the risks and arn’t missing context on why it’s not safe) People like when we are in our natural element of stupidity. Really do everything you can to empower the boys when filming and help them make content. Help them be idiots"

More favoritism

"If you’ve made it this far you are probably at least semi interested in this being your career. So I wanted to chat about it. Because if you're ambitious and want to dedicate your life to work, you picked the best company in America to do it at. I really don’t care to hoard a bunch of money and I deeply believe in rewarding the people that help this business get where it needs to be. But before I get into that, let’s talk about the future. As I write this we have 2 teams, that will grow to 4 in the next year. (and possibly 8 in the next 2 years but I can’t talk about that cause james will kill me haha). We need more leaders in the company. Weneed hard working, obsessive, coachable, intelligent, grinders that can step up and take some of these leadership spots over the next 2 years. Every single department has an opportunity for you to grow in and you’re in luck because we don’t do yearly reviews. We do whenever the fuck you want reviewes"

Lack of communication from management, and more emphasis on grinding and crunch culture, goodie, all while riddled with typos! God.

"I see a world where this company is worth billions and one day 10s of billions. And those of you that help build this will be rewarded. I want nothing more then for you to go all in, obsessive all day everyday, and become so god dam valuable this company can’t operate without you. And in return for becoming so valuable I hope to give you incredible experiences, a fun place to work, and of course, more money then you could ever dream of making at any other company."

I feel like I'm reading a fucking pyramid scheme document here, "youre so so valuable spend literally every minute of every day on this company haha" good GOD man