#architecture book

[germanpostwarmodern]

The built manifestations of Brutalism, despite their omnipresence on social media, remain controversial: especially in Europe they are loved by some and hated by many. In other parts of the world opinions aren’t as polarized and Brutalism simply a part of the built environment, e.g. in Japan. Okinawa-based photographer Paul Tulett has been exploring the Japanese brutalist heritage for years and in his new book „Brutalist Japan“, recently published by Prestel, points to the particular appeal concrete had in postwar Japan: it offered seismic safety, was resistant to termites and easy to pour in form and via the shuttering boards also left room for the skilled Japanese wood crafts. At the same time the Japanese tradition for leaving natural materials rough and raw played in the hands of „béton brut“ that, as Tulett explains, became „béton nécessaire“.

The former’s gradual aging and the acceptance thereof agains roots in Japanese tradition, i.e. the concepts of „wabi sabi“ and „mono no aware“ which embrace the beauty of imperfection and describe the ambivalent awareness of the fleeting nature of beauty. Against this background and Tulett’s introduction to Japanese philosophies it becomes easier to understand why Brutalism is a lot less controversial in Japan than it is in other parts of the world and never disappeared. Accordingly the buildings gathered in „Brutalist Japan“ date from the 1950s to the present day and offer a comprehensive panorama of Brutalism in Japan: in brilliant photographs Tulett shows classics like Kenzo Tange’s Hiroshima Peace Memorial Museum (1955) and Setagawa Ward Office (1959) or Le Corbusier’s National Museum of Western Art (1959) but also a plethora of little-known buildings. And they are compelling: the fortress-like Tanimura Art Museum (1983) by Togo Murano, the Keihan Uji Station (1995) by Hiroyuki Wakabayashi or the Okinawa Prefectural and Art Museum (2007) by Ishimoto and Niki Associates demonstrate the masterful use of raw concrete while also dealing with Japanese history and traditions.

This beautifully crafted mix of buildings makes the book a great read and an eye-opening survey of Japanese Brutalism. Highly recommended!

[schau]

El Croquis, Pezo von Ellrichshausen, 2022

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[escapismsworld]

✨Pretty floor mosaics✨

[ai-dream]

[abustoslife]

[ur-daily-inspiration]

[daily-spooky]

Credit to moeai.art on Tik Tok

[vintagehomecollection]

In Manhattan, a 17th century screen attributed to the Kano school dictated a bedroom's design. Given the screen as a starting point by his client, architect Sam Takeuchi built a ledge behind the headboard for its display. A wall panel above holds the upper edge in place.

At Home With Japanese Design: Accents, Structure and Spirit, 1990

[anelaxoxo]

@anelaxoxo

"And you too have come into the world to do this, to go easy, to be filled with light, and to shine."

Mary oliver, from Evidence :poems, "when i am among the trees"

[n--m7]

[germanpostwarmodern]

During the 1960s numerous subsaharan African countries gained independence from their colonial rule, a process that put an end to a grim period of history during which European rulers conquered and subjugated African peoples and tribes. But the African independence movement not only shook off the shackles of foreign rule but also initiated a boom in modern architecture that has gone largely unnoticed outside of Africa: as a sign of modernization and ambition conference centers, administrative buildings, universities, high rises and luxury hotels were erected, predominantly as concrete constructions and under the aegis of European architects. The employment of the latter obviously came at the expense of local building traditions and techniques but at least local climate conditions were accounted for, a concession that resulted in expressive details and unusual forms.

Over time these buildings have nonetheless fallen into disrepair and often lost their initial purpose. Against this background and in view of their obscurity beyond Africa the architect Manuel Herz at the ETH Zurich initiated a research project focused on Ghana, Senegal, Cote d’Ivoire, Kenya and Zambia. The result is the monumental compendium „African Modernism: The Architecture of Independence“, originally published in 2015 by Park Books and presented here in its second edition from 2022. On 640 pages the volume documents a stunning selection of buildings, cities and architects that are expertly captured by photographers Iwan Baan and Alexia Webster. In an unconventional move they go beyond the purely architectural documentation and also take into account the everyday life and hence demonstrate the lively goings-on in and around the buildings.

In light of these qualities the present volume is a highly recommended opportunity to get familiar with African post-independence architecture and hopefully only the starting point for increased interest and research into the architecture of the continent.

[gentlemanmotorslifestyle]

[escapismsworld]

“Do not draw me without reason. Do not wield me without valor.”

[landsccape]

[abustoslife]