#incredibly well written

[twinksintrees]

thinking about dazai makes me genuinely sick sometimes

[golden-ebony]

GOD DAMN

love language | origins!logan x f!reader

logan told you one million times he didn’t want anything for his birthday… anything besides you, lingerie and the moonlight.

a/n: hiiii <33 lis disappeared but is back again and apparently still obsessed with the concept of hot old men unwrapping you like a present. the hugh jackman fever hit me VERY hard and im down bad cough cough enjoy! also to enhance the experience when i say “he looked up at you” pls picture him exactly like in this picture ☝🏼and expect to feel something growing in ur belly in the next 9 months

wc: 4k

warnings: 18+ mdni. pure smut and fluff!! lingerie, logan is obsessed w reader, older!logan (i picture him in origins cause wtf is this man and reader in her early/middle 20s but up to you! legal ofc!!) fingering and eating out but brief cause reader is hot to go!, blowjob, facefucking & deepthroat (not rough), unprotected piv (wrap it up!), creampie, AFTERCARE!!! like SO MUCH logan is soooo soft!dom in this the whole time is like toothache sweet cause it’s a lis fic and yes. they are IN LOVE yall. oh and also reader is a kindergarten teacher (oops

🎀🎀🎀

“Stay”

You grabbed his wrist the moment he recollected his will to leave the end of the bed. Logan’s eyes turned soft, finding you from over his shoulder and turning around to follow the sunlight that kissed your cheeks.

“I wish, angel,” he cooed, both hands brushing your cheeks while his body towered over you “but someone already made me late, huh?”

You gave him a shy smile to meet the smirk that adorned his features, both of you sharing the memories of your bodies tangled just minutes prior. “Wanted to give you a present,” you almost whispered, remembering the one hundred times he told you he didn’t want anything for his birthday.

Not a cake, not a present, not a party. Nothing. Just you.

Logan’s smile faded, but you knew he wasn’t mad. With large hands embracing your neck softly, he kissed you on the forehead, “told you,” on the nose, “you are,” on the jaw, “the only thing i want”, and on your mouth, leaving the taste of him to linger on your lips throughout the whole day.

Your eyes slowly drifted up to find his gaze, the back of your head now resting on his palms.

“Promise” he gave you a sterner look before walking towards the door, “I promise,” you whispered, following as the smile you had earned earlier returned to his face, his back only turning to you when he heard the words fall from your lips.

But it was only a half promise. After all, he still wanted nothing but you, right?

🎀🎀🎀

The day passed by very slowly. You didn’t work on fridays, so you spent the most of it correcting some grades and planning the activities for your next week’s classes. You missed the kids, you can’t lie, and having glue and glitter all over your house definitely distracted you from the little something that was waiting patiently inside a very fancy box on the back of your closet.

The sun was setting around the time Logan would be home and you also had finished all the things you had planned earlier, so you used the time you had to take a shower and get ready.

The scent of some very sweet flower graced your nostrils when you pulled the lid of the heart-shaped box. Your eyes glowed in awe when your fingertips brushed the delicate baby pink lace, the little hairs on your lower belly goosebumping with anticipation, thinking how beautiful you’d feel in it and how the man that loved you would feel about you in it.

And that’s when you heard his steps on the stairs.

Logan arrived silently, and in part to make sure you hadn’t burnt yourself out making some sort of surprise for him. It’s not that he didn’t trust you, but all the glitter and glue on the table and the all the silence scared him a bit.

“Baby?” He called you while undressing himself down to his black t-shirt and boxers. “Oh, hey you,” his expression softened when his eyes found your head peaking from the bathroom door, gaze savoring the sight of him slowly unbuckling his belt.

“How was your day?” you asked watching him from the same spot, the muscles of his arms flexing when he reached to close the door and turn off the lights. Exactly how he said, the only things he wanted for his birthday were you, the lingerie he still didn’t know about, and the moon watching the two of you through the window.

“Great. Apparently someone told the guys it was my birthday and they let me work on paper today. So… Not so tired as I usually am.”

“I’m not sorry for that,” you smiled, knowing exactly who told the guys it was his birthday.

“I know,” he reciprocated your smirk, offering a hand in your direction. “Come here.”

Your breath got momentarily caught in your throat, excitement bursting in your body like fireworks in your veins.

“Close your eyes,” you said.

“Sweetheart-“

“Please?”

And how could he not? When your soft voice asked so nicely for him to? And the sweet and at the same time sexy scent of your perfume bewitched his thoughts? With your eyelashes blinking up at him and making the cold of his claws run to the lower of his spine? If closing his eyes would end the distance between you, then he would.

You then stepped carefully towards him, trying not to bump onto his knees and ruin the surprise.

You took both of his hands within yours, playing his fingers with your smaller ones. The simple contact made him shiver, the warmth of your presence washing all his tiredness and worries away.

“Could sit here with my eyes closed and just smell you forever”

You grinned. You knew his senses were heightened and definitely wanted to play with it tonight.

“Well, you told me you didn’t want to receive anything,” you then brought his hands to the sides of your thighs, the firmness of his palms on your soft skin sending shivers up and down your belly.

“Not totally true,” he thumbed your leg, fingertip brushing dangerously close to the fabric.

“Mhmm,” your hands glued on top of his and guided them a little lower, his palms now resting on top of the delicate, lacy garters adorning your thighs, “but I want you to feel it.”

Logan’s thoughts were in completely caos. Which of course, could only be translated by the grin on his face. You were close enough that he could not only smell your perfume and your scent, but knowing that he was the one causing that and with so little effort drove him insane. He could hear your accelerated heartbeat and used the grip on your legs to soothe you, moving his thumbs up and down, up and down, very slowly, feeling the contrast between the lacy fabric and your thighs.

“Yeah?”

You agreed silently, using your grip to move one of his hands all the way up to your belly in a very slow motion, to then release them both and let Logan’s fingers dance freely around your body.

The one hand he kept down gripped your thigh harder, snaking down to the back of your knee to bend it over his own leg, giving him better access to the rest of you. The thumb on your belly caressed around of your belly button in small circles and traced all the little flowers and bows on the thing garter that hugged your waist and decorated your breasts. The image being painted on Logan’s mind was already enough to make his underwear start to stiffen.

“Oh, baby,” he breathed, and it felt like the first fresh breath he had taken in the day.

The contrast of his rough digits with your delicate skin made your body a too tight space to contain yourself, inching closer to him at every touch. He then surrounded your middle with both of his arms and gave your stomach a kiss, your fingers playing with the hairs on the nape of his neck when he moved his face upwards, his chin rested on your tummy, eyes inching to meet yours.

“Can I see you, princess? Please?”

You hummed a quiet “mhmm”, and when he looked up at you with the most lovelorn eyes you had ever seen, you weren’t strong enough to hold back and kissed him.

It felt like the first kiss you two have had in a lifetime; deep, warm and wet. Your tongues danced together while his arms kept you impossibly closer, hands tightly holding from the back of your thighs to the top of your spine. When you parted to breathe, his eyes found yours again;

“There’s my girl. Let me see you, baby,” he held your hand in his and you took his signal to do a little spin, showing him your lacy one-piece.

“Happy birthday, love” you whispered, hands resting on his shoulders to balance yourself, one leg returning to rest on his.

“So you’re my present, hm?” Logan waited for you silent confirmation, palms devouring your thighs and ass while the kisses that he so gently placed on your knee slowly inched forward, “and do I get to unwrap you, angel?”

At that moment your walls were already pulsing with desire and your mind was already empty of words. You felt his lips wrap at a very special place on your inner thigh while his opposite hand moved up to message one of your boobs. You knew it wouldn’t take much for any of you to release control and quit the teasing, and being both on the verge of bursting the whole day waiting for the other, that was the time and the place.

You whimpered when his hand moved down and cupped your clothed center, his lips now distributing pecks on your hip while your nails dig in his shoulders.

“Gonna let me taste you, sweet girl? Hm?” He kissed your beating clit trough the lace and you nodded your head fastly, not being able to hold back anymore. You knew very well the animalistic look he had on his eyes now and the way his hands couldn’t rest in just one spot; he wanted nothing but to devour, explore and adore you.

With your consent, Logan wasted no time in sliding the delicate fabric to the side to meet your leaking pussy. The groan that left his chest when he saw your juices dripping to down your legs put your whole body on fire, followed by the cold that ran through your veins when two of his digits gently spread your lips apart.

“Fuck, look at you,” his thumb toyed with your clit, drawing little circles with a small pressure of the pad, “that’s how wet this little pussy gets for me, hm? Left you waiting the whole day to take care of you… Bad ol’ man, ain’t I?”

“N-no, you’re g-ood,” you managed to take the words out, eyes rolling to the back of your head and nails digging impossibly deeper into his shoulders when his digits lowered down and teased your opening, “and I wanna. Fuck. Wanna be good for you, Logan.”

“Oh, you are, princess. You’re my best girl.”

Pressing your clit between his lips and tongue, he sucked and savoured on it as if you were the source of all life on the planet, the most succulent fruit to the most starving man, like he himself once said; the sweetest thing he had ever tasted. His fingers pumped in and out of your hole rhythmically, hitting deeper and deeper each time. His other hand gripped your ass tightly and pressed your lower body impossibly closer to his face, making you moan loudly with all the stimulation.

You felt your walls start to clench his digits and pulled his head back by his hair to join your mouths in a wet, hot kiss, your other hand slowly removing his own from your sopping pussy, your shaking legs leading you to straddle him.

In his lap, the kiss only deepened; your and his movements were desperate, constantly searching for each other. You gripped his shirt by the collar and helped him take it off of his body, his muscular torso greeting you. Your hands eagerly pressed against his chest while Logan dig his fingers deep into your waist and moved you back and forth, your cunt pooling his underwear with the grinding of your exposed center on his throbbing and neglected cock.

“Wait- Logan, wait,” you pulled his roots again, making him moan.

“I’m here,” he rest his forehead on yours, fingers playing with the ends of your head while your breaths and heartbeats found the other’s rhythm.

“Wanna suck on you”

“Get on your knees for me then,” he demanded after a moment staring at you, trying to hide in his smile the excitement that flooded through his body.

You removed your body from his finding balance on his shoulder, lowering down to your knees on the carpet with the help of his arms around you.

He looked so, so beautiful like this. His prince hair and strong shoulders outerlined by the glowing moonlight that touched his back. His arm muscles tensin when one palm rested on his thigh and the other lowered down to finger-kiss your face. The “thank you, I love you” look he had on his eyes the whole time you were together. Who wouldn’t get get on their knees for this?

“That’s it princess, comfortable there?” You nodded and spread his legs a little, giving you space to kneel closer. He gave you another peck on the lips and moved his hands to rest flat on the bed, giving you all the freedom to do your thing.

You started by running your hands up and down his thighs while kissing down his abdomen, the thick path of hairs on his belly tickling your lips. Slowly, your hand snaked to his boxers while your mouth kept him distracted, licking the angry veins on his happy trail.

You palmed him eagerly, the volume of his member filling your whole palm and a little more. This first contact was enough to earn a raspy groan from his chest and some beads of precum that pooled on the little wet patch between his tip and boxers, where you butterfly-kissed before finally putting his underwear down.

You used your hands to spread his precum down and pump him a bit, desperate to have him in your mouth, you kept moving up and down while your mouth lowered to wrap around his tip, nursing on it like it was your favorite lollipop.

Your messiness has Logan seeing stars. Spit and precum was all over your face already, tongue darting up and down his shaft with desire. He almost screamed when your fingers played with the very top of his head and you lowered your mouth to his balls, suckling each into your mouth carefully.

“Jesus baby, that’s my girl, fuck-“

But it wasn’t enough. You were starved for him, for his pleasure. You waited the whole day to see his mouth hanging in bliss and you also wanted him to have what he wanted. You took his mouth of off his balls and kept lazily stroking him, lashes batting up to meet his eyes, “Fuck my mouth?”

Logan couldn’t believe how such a cute thing like you could look so sexy saying such filthy words. He loved it.

“Are you sure?” You nodded.

He then motioned for you to scoot back a little so he could get up, positioning himself in front of you, now both of you in front of the bed, sides facing the window.

He could die like this. The last thing he would ever see in his life could easily be you, on your knees, fucked out face with his precum and spit all over your face, with the moonlight reflecting on your rounded eyes just waiting for him to love on you. And he would die peacefully.

“Gonna start real gentle, ‘kay?” he assured you while brushing your hair back to hold it in his hands, one wrapping around the strands at the back of your head and the other holding his member.

“Lemme see this pretty tongue, baby’” he waited for your mouth to hang open and positioned his tip on top of your waiting tongue, tapping and circling it there. Logan kept teasing you (and himself) for a moment like this, smearing the leaking tip of his cock all over your mouth, tracing your tongue and lips at a torturing pace until he understood the desperate look in your widened eyes and scrunched brows, a silent “please”.

“Shh, gonna give you what y’want, princess. Suck on the tip, hm? Just the tip. Like you were doing before,” you loved when he ordered you around like this, especially when he looked so big towering over you and his voice was so low and deep like it was right now. You wasted no time in closing your already plump lips around him and deliciously suffocating his bulbous head in your mouth.

“That’s it bub, fuck. That’s my girl,” he loved when you were so obedient like you were right now during sex, his own little princess. His free hand stroked the part of his cock that wasn’t enveloped by your lips, using the mix of your spit and his own precum that was everywhere by now.

Your hands left your lap to dig into his thighs and your movements started to get more shallow, eyelids heaving and lashes blinking slowly up at him. You knew what you wanted, and Logan knew too, and he was gonna give it you.

The hand that was on his cock moved up to hold your jaw and the back of your head, inclining it up a bit so your face was now completely turned to him. This simple move of his already made his cock slip a little further into your mouth, taking a moan from both of you.

“Shhh, angel, yeah, that’s it,” his firm hold in the back of your head allowed you to stop moving and he slowly started to move his hips, pumping his cock in and out of your mouth carefully to not gag you. Not right now, at least. “Gonna give it to you slow, baby. You can take it, can’t you?” He knew an answer for you wouldn’t be exactly available at the moment, but you gave your best to manage out a nod, “know you can, bub.”

Logan kept his pace for a while before roughening and fastening it a bit to prepare you, tightening his grip on your head and steading the movements of his hips, his cock now halfway into your mouth, in and out, in and out. He felt your lips and throat loosening and the gagging sounds leaving your lips were driving him insane, his bones were on fire from keeping back and not just fuck your throat like he (and you) wanted.

When his tip kissed the edge of your throat you let your eyes close and your hands fall to his calf, letting him know you were ready, “just a bit more, sweet girl, just-“ his tip entered your throat with ease, curving a bit to follow its anatomy. When your lips finally touched the hairs on his base and his whole cock was seated into your hot mouth, he stilled completely.

You could hear his heavy breathing as if he ran a marathon in five minutes. The silence between the two of you letting you know that if he said or did anything he was surely cuming at that right moment. Logan’s eyes were closed and his head turned to the ceiling, brows furrowed trying to contain himself.

Your fingers caressed his leg slightly, reminding him you were ready, and when his gaze turned down to give you attention, dark and serious, like a big wolf preying down a little bunny, you knew what he was feeling. It faded quickly though when his eyes found yours, his rough expression turning into a smile, “you’re my best girl, aren’t you? That’s what y’wanted babe? To choke on my dick?”

You blinked your eyes assuringly, the heaviness of your eyelids taking a sexy, deep laugh from his chest. His hand left your head momentarily to caress your cheek with the back of his point finger, “think you can swallow for me?” he whispered.

You’ve done that before, and the feeling was nothing like anything you’ve ever experienced, the both of you. And you felt that it was coming by the calm and patient way he was dealing with you tonight. Logan was always careful to ask for things that edged your limits, always trying his best to keep you safe and comfortable. And who were you to deny the birthday boy what he was asking for?

You prepared yourself and slowly clenched your throat, suffocating his tip in the curve of it. Tears involuntarily pooled and fell from your eyes with the overstimulation and the feeling of oh, being so full of him, of his cock angrily pulsing in the whole extent of your mouth and now your throat. Logan’s eyes turned to the back of his head and his mouth hanged open, his fingers flexing in your hair to not lose control.

“O-one more time ba-“ and before he could even finish his sentence you were swallowing him down again, this time earning a loud and raspy groan from him, “fuck! baby, c’mon,” he carefully pulled himself from your mouth, cock hanging angry and desperate from your activities. “Need to feel you,” and kissed you hungrily.

He pulled you by your arms and intertwined them around his neck, tapping your bum slightly in a sign for you to jump in his lap. Logan was careful to drop you on the bed, never parting your lips and laying with his whole body weight on top of you. The hairs on his chest feathering over your nipples and the kiss of his tip over your folds were growing in you a type of desire you couldn’t quite decipher.

Sweat, spit and love were everywhere, your bodies swayed under the moonlight as if you were one. While your tongues fought for space into the other’s mouth, he reached a hand down and starting to thumb your clit, applying a delicious amount of pressure that had your mouth unplugging from his with a whine. When you felt his head finally circling your hole, you released him and turned around.

“Like that?” Logan watched as you switched positions, large palm finding your lower back while you placed yourself tummy down on the bed. “Can we?” you whispered, looking at him over your shoulder.

Logan smiled; if you kept being this cute he was going to fuck the sense out of you without effort. His other hand reached behind your knee and lifted it, giving him more easy access to you. Positioning himself into your entrance, he slipped his cock up and down your folds, your juices mixing in a squelching sound.

When he felt your hole flutter and your eyes close, your smaller fingers gripping the sheets, he reached up and kissed a drying tear in your cheek, “shhh baby, g’na go slow, ‘kay?” you nodded. There’s no exaggeration, Logan was big. Big and wide and veiny and filled you in all the right places.

The moment his head eased into you, you were seeing stars. The way your walls spread to welcome his girth made your mind fuzzy and all your senses heightened, the moan he left ecoed in your brain and the touch of his hand embracing yours burned like fire. He slowly pressed forward until his cock was perfectly engulfed inside you, both his member and your walls pulsing in unison.

“Move,” you mewled, fingers gripping his thumb in need. Logan used the hand on the small of your back to balance himself, starting to pump in an out at a perfect pace; not so fast but not so slow, deep, deep as he could to kiss every inch of your cunt and rearrange your insides.

“Pussy so warm, angel. Gripping me so tight,” he sad in your ear, “my little sweet gift.”

Stars exploded all the way down your spine, the fullness of his cock pumping your pussy and the weight of his body pressing on top of yours drove you over the edge, your walls gripping him tightly while you came, bringing his thumb into your mouth.

“That’s it, sweet girl, come for me,” he kissed your temple, “gush this cock, it’s all yours,” Logan slowed his pace inside you to let you calm down, caressing your hair and distributing kisses around your teary eyes.

“Think you can take a bit more, princess?” he whispered gently in your ear, his cock still throbbing inside you, “just a bit and I’ll be done. So I can fill your pussy up and good? Keep you full and plugged with me, hm?” You nodded with his thumb still between your lips and felt his hips meet your ass again.

It was so good. The overstimulation had you throbbing nonstop and your head in the clouds. Logan’s groans and moans were music to your ears along with his “that’s it, princess, fuck”, “whose’s pussy is this, hm? All mine to fuck and love on, ain’t it?”, “yeah, baby, that’s my sweet girl. Taking it so good f’me”, until he himself could take anymore, his cock pulsating and balls stiffening, until his voice got muffled by a low groan and you felt his seed fill you completely, gushing your insides and spilling down and off your walls.

“Fuck, fuck,” he whispered, tired. His forehead rested on your temple as you both calmed down, breathing harmonised. Logan awaited until you opened your eyes and delicately pulled his thumb from your mouth, brushing your hair off of your face.

“Hi,” he smiled.

“Hey,” you reciprocated, receiving a little peck on the lips, that turned into many many kisses all over your face while his palm messaged your back. “Thank you, sweetheart. Gonna pull out now, ‘kay?”

While Logan left to the bathroom to clean himself and find a cloth to clean you, you rested your chin on your forearms and stared up at the full moon through the window, sweetly reminiscing the last hour and thanking her for him. On moments like these all your mind could process was Logan Logan Logan.

“Here, bub,” he carefully whipped the fluids from your pussy, the pair of you giggling when you clenched in sensitivity, “c’mon, I draw the bath.”

You hand Logan spent another hour in the warm bath, cleaning and caressing and stealing kisses while the bubbles danced on your skin. You rested your head on his chest and lifted one finger, using the others to simulate a lighter to lit up the “candle”. “Here, make a wish,” you motioned it in front of his face, taking a laugh from him, who closed his eyes and made some funny faces to amuse you. He then blew your finger and playfully bit it, “what did you wish?”

“Well, I can’t tell you, can I?”

You kissed him and closed your eyes, laying back to your position on his shoulder.

“You. You’re my only wish.”

🎀🎀🎀

[aardvaark]

romance nate & sophie style

[rosefires20]

My brainrot today is thinking about just how incredible for a character Eowyn is.

Genuinely. The series might not have many female characters but the ones we do get go so fucking hard.

To me, Eowyn is literally the definition of defining being a woman for oneself. She rejects the roles she is given despite acknlowdging the importance and its mostly because she knows part of the reason is that she is a woman.

The reason why she is obsessed with Aragorn isn't because she loves him but because she wants what he has. She wants the freedom and courage and bravery that Aragorn has at every turn. She literally has multiple conversations during the Two Towers about how what she fears most is a cage. All this girl wants is the freedom to be and not be forced into a role. The best thing is that she literally gets that.

The segment of Return of the King about Eowyn and Faramir is literally about her piecing together what she truly wants. She doesn't want Aragorn. She wants freedom and the ability to choose. Faramir does nothing but encourage that in her. Their love story is literally one of the healthiest love stories I've seen in a long time because at the heart of it, their love is a place to return home to for both parties. Both go off to lead and help their people for a considerable amount of time before returning to each other but that does not diminish their bond. Even Faramir, I believe, falls in love with her bravery and dedication to her loved ones. The reason she went to Pelenor Fields and Gondor with the troops of Rohan was because she had things she wanted to fight for. She wanted to fight for herself, her people, and her loved ones. She is the one who protects Theoden after he is killed so that his body gets the treatment it deserves. She encourages Merry and helps him go to the battle because she sees her struggle in Merry. They feel helpless standing around when there are things to be doing.

Let's also not forget the fact that she was around Grima Wormtounge just as much as the King was. She was exposed to the same poison and awful words that eroded the king. It's even implied that her care for him is part of the reason why Theoden was savable when Gandalf showed up. She had the same power and bravery as everyone else even if she didn't see it in herself.

Then at the end of the day, SHE decides where she wants to go and what path she wants to walk. She walked the path of a warrior. The path of a princess/ruler. The path of a caretaker. But in the end she decides which elements truly mean something to her outside of gender definitions. That is what makes her character so incredible to me. In this she literally kills one of the biggest enemies in that battle with such a badass line.

[mrgaretcarter]

"She never misses Pride. Well, can't blame her. She's had a hell of a year. Cheers to that."

"You can kind of blame her."

[applestorms]

thinking about how near refers to light at the end of the series— not really as light yagami, not even really as kira, and not quite as L, but rather an amalgamation of titles: L-KIRA, a twisted mix of two personas, masks on top of masks. no longer a person but a series of letters, a filtered voice through a screen. a man who has built his entire life in the space between lies, who cannot let himself stop for a second without the weight of his own guilt, his sins, crushing him. regrets repressed because this is the only way it could ever be, it has to be worth it, it has to, it has to, because you can’t even bring yourself to consider what it all means otherwise.

i am a firm believer that light yagami, the son, the student, the average human person, dies at the same time that L does. at least at the beginning of the series he has some semblance of normalcy to hold himself to, the Serious Student persona that keeps him walking to and from school and talking to people and eating dinner with his family at home. how many times do we really see him going outside, post-L death? how often do we see him outside of some L-based police HQ, talking to people he isn’t trying to manipulate? really, it’s no wonder he falls so far, alienated as he is from the rest of humanity. when was the last time he breathed long enough to remember what the sky looks like? hugged his mom, laughed with his sister? did he ever visit his father’s grave? does he remember what the breeze smells like? was he ever really happy? did he deny himself his only chance?

at least in the case of L and near the isolation feels intentional, a preferable choice, carefully and logically considered for all the pros and cons. light never asked for the position he fell into, that fell upon him, that he created for himself. he denies the death note being a curse, but it’s not like he could ever admit it if it was.

light’s story arc in death note really feels like a tragedy to me, specifically in the sense that he never really gets the chance to change. on a plot level this is true, much of the second half of the story post-L death is light utilizing the exact same strategies as before (taking away his ownership of the DN to Strategize, romancing a woman he doesn’t care for to use her, fighting a snarky troll of a super genius hiding behind a letter whose real name & face he cannot find), but it’s true on an emotional level too. light never really gets to grow up, he never gets the chance to truly question his ideals or goals without the world he’s built by himself crashing down around him.

i keep thinking back to the significance of matsuda asking him about his dad, how he could drag him to his death for the sake of all of this. light’s response, so truthful in its desperation, really sums it all up: he died for a reason. KIRA has to win, or his dad died for nothing. he cannot face the idea that he caused his own father’s death, so KIRA must be justice. there is no other alternative. KIRA is god, or light yagami killed his own father for a fairytale.

really, it’s so fitting that his name uses the kanji for moon. moonlight— not originating from the moon itself but a reflection, of something brighter, greater, more powerful than he could ever be. light dies the same way as every other criminal he passed his judgement upon, on his knees and desperate, pathetic, begging for life even as he knows he is doomed to the same fate of nothingness that he granted to everybody else. godhood denied. he said it himself, that he could never be anything more than a human, but somewhere in the fog he lost track of the person he once was. and it’s near’s cruelest observation that stands out the most to me in that final scene— that he never really had to be this. he could’ve stopped at any point, felt his guilt, paid his regrets, and moved on with his humanity still intact. light has spent far too long repressing and denying to ever consider that an option anymore— but there was still room for sympathy for the 17 year old kid who killed without thinking, long before he built up such a dedicated palace of lies to justify his actions and hide away his guilt.

L-KIRA dies on the floor of a dirty, abandoned building, surrounded by the people he spent years manipulating and lying to and betraying. light yagami dies in a helicopter, locked and chained to his only closest equal, holding a notebook that he would use to sound the death knell of his own fate and wearing his father’s gifted watch.

[leonardcohenofficial]

the more i rewatch twin peaks i am reminded more and more that albert rosenfield (and to a lesser extent bobby briggs, though he doesn’t quite articulate it as clearly as albert with the exception of him breaking down at laura’s funeral) is THE only character to recognize laura’s death for what it was—completely avoidable, unromantic, and caused by human evil that nobody recognized the signs of or did anything to stop

[sysig]

How much of me is me? (Patreon)

[scrollll]

YOOOOOOOOOOOOOOOOOO!!!!!!

Okay, people, GIVE THIS A READ!

I know, we are all on the edge because Nont just pulled out a fucking gun to make scrambled brain matter out of Nuth, I know we all are ready to wreak havoc if he really killed Phop while doing this BUT this, right here, this fic, IS GOLD!

Oh my fucking gods!

Writer, author, echo, how do I properly adress you, my mind is in shambles right now!

You captured Nont PERFECTLY!

"Nont wasn’t sure where Nant ended and he began."

Starting with THIS, the feeling of being whole with each other, of belonging together and suddently they are not... but they still cling on to each other, still trying, still protecting the little piece of "them" with all they have.

"You’re only twelve minutes older! That doesn’t count! But to Nont, it more than counted: it meant the world." NOOOOOO, don't make me feel things right now, not when I know what will come!!!!!

"In those few hours, long past the fear of discovery, they could almost pretend, eyes closed and wishful, that they were in the same room. A few feet apart, all the while a country away." *ugly crying, still trying to hold myself together with little glue*

"It wasn’t a full year later before Nont’s carefully reconstructed world, patched together with tape and rough nails, shattered once more."

"The day Nant went missing."

NOOOOOOOOO!!!!!!! NOT THIS! NOT NONT EVEN TRYING BACK THEN TO BE THE STRONGER ONE, TO PROTECT, TO TRY TO WORK IT OUT ONLY TO HAVE IT RIPPED FROM HIS HANDS, ARRGHHHH, NOOO!!!!!

The whole next part is amazingly written and pure PAIN.

I feel how lost Nont is. How helpless he is, the whole thing is just so much for him and he still tries, he has to try to run along the path of his brother while every step is shattering the image he had of him.

They were two halves of a whole but now one is shattered. Left like a beautiful picture with a broken frame and everything he does only manages to highlight the cracks.

"This is what Nant wanted.

What did Nont want?" A good question but does he ever get the choice? He choosed this role but did not understand how much it would break him...

God, your writing is hitting me while I'm on the ground!

"You’re not Nant.”

"Nothing ever goes right."

 Just this fucking acceptance in this sentence, the feeling of giving up because Nont failed again, he failed when his parents divorced, je failed when Nant went missing and now he failed here. He is the older one but still is never good enough to do and protect something.

"He may have been born twelve minutes earlier, but he never considered himself the better twin." NOOOO, DON'T MAKE MY THOUGHTS REALITY, FUCK, NO!!!!!!!!

 You can't!

How dare you!

Come back right here and explain why!!!!

The Beginning (?) of My Prom/Nont Fic… 👀

Lemme know what y’all thank about my mini ramblings 💪

[she-posts-nerdy-stuff]

Sometimes I think I’m not that weird and then I spend a solid amount of time wondering what kind of contraceptives are available in the Grishaverse and specifically how accessible they are in the Barrel, particularly based on the quote “Getting pregnant isn’t actually a special talent. Ask any luckless girl in the Barrel”. Is unwanted pregnancy more common in the Barrel than elsewhere in Ketterdam because of the lack of social services in the city and especially in its poorest areas? is it because teen pregnancies often lead to kids being kicked out so they end up in the Barrel? is there a higher statistic by product of the pleasure houses and especially if there aren’t safe contraceptives readily available in the pleasure houses? and if so what do the people running the pleasure houses do to the girls because of it? is it because unexpected pregnancies in higher social classes would just lead to rushed marriages so it’s more noticeable in the Barrel? or is the comment based solely on Kaz’s individual experience of the city, ie its slums, in which case whilst it’s telling us about the Barrel it’s not making any particular comparison to the rest of the city? I kind of assume there must be some contraceptives available because the possibility of pregnancies in the pleasure houses is never discussed but I doubt they’re readily available and based on what we know about the resources and development in the worldbuilding and timeline may not be the most reliable, in which case what is happening to indentured girls who end up impregnated? Because, somehow, I just don’t think they’re safe. (Where could I have possibly gotten that idea?) So yeah, I am, in fact, that weird. But I really need to know the answer to this.

[teryyo]

No Need for Umbrellas

[egophiliac]

I always though Mal's mom was meant to be like "Eleanor" but they stuck an M at the start honestly, Sobbing Emoji. But "Maleanor" also makes me feel less insane since in that scene where she's just handed egg Malleus to Lilia and went to battle, it sounds more like Lilia is saying "Maleanor" than "Meleanor" (Japanese accent pending). Mayhaps they went more with what it sounded like the characters were saying :0 (we don't talk about Doodle Suit to Paint The Roses)

the transliteration of her name is Marenoa (マレノア), which is what all the voice lines are saying! all the Draconias' names start with マレ (Malleus' grandma is Maleficia/マレフィシア) as a nod to Maleficent. :D it's almost certainly a take on Eleanor, which is Erenoa (エレノア), but her name is written in English at a couple points, and I was pretty surprised to see it was Mel instead of Mal!

and, like, that's fine, it wouldn't be first Twst romanization that's tripped me up (like Keito for Cater, I know that's something to do with the loanword specific to playing cards(?) but it's just not how my brain wants to read it). but now Eng has given us Maleanor! and someone else said it was spelled inconsistently between Maleanor and Maeleanor??????? so WHO KNOWS it's a SPELLING FREE-FOR-ALL

I AM torn on which I want to use, because Mel just sounds so cute to me (and is what I'm used to now), but...the Mal consistency is kinda too good to pass up. alas, alas, truly these are the most difficult conundrums of our times. 😔

[batsplat]

Your post about sete/vale rivalry is literally so informative it's like a pivotal post to fully understand the way valentino's mind works. You're his friend just up to the point you are not (mainly after perceived crimes not backed up by any real proof apparently). Valentino literally turbodivorced every guy he was friendly with in the paddock (and the irony of two of those turbodivorces happening in the same place isn't lost on me)

I did do my best to keep marc out of that post and let the parallels speak for themselves but like. yes

what's interesting to me about this rivalry is that it's... kind of his first rodeo. I mean he'd obviously had rivals before and a feud and all that and him and biaggi were constantly *gestures* - but one of the most common complaints about valentino is that he switches up towards you when you actually become a serious threat. which!! I still fully believe to some extent is natural, this is sports, they're competing, and I take more seriously with some of valentino's victims than with others. (melandri is always the one where I'm a bit? valentino no offence but why would you bother, in 2005 there wasn't a title fight and in 2006 valentino actually got on really well with two of the four other main contenders and at the very least didn't actively have a problem with dani. so maybe just a melandri problem question mark.) but I do feel like sete was... maybe not the first, but the first that was this extreme. and, very much topic for another post, but he really does learn a lot from the sete rivalry. a lot of the tactics and performance art and all of that, how he uses all of it to demoralise his enemies - this rivalry was kinda the blueprint

but, at the same time, of course it was a different valentino that marc ended up fighting, and not just in terms of how fast and competitive valentino was at that stage of his career. this is something that's quite hard to get across sometimes, because the natural inclination is to just... look at all the past instances in which valentino was a dick and conclude that he has, in fact, always been a dick. but he wasn't just statically malevolent for a twenty plus year career, and it's important to... reinsert context to assess how he developed as a rider and as a character during that time. it's not twenty non-stop years of valentino feuding. and marc is facing a valentino who had inevitably changed as a result of years of injury and poor results on a poor bike. valentino was pretty open in 2012 that he was returning to yamaha after two years on a donkey of a bike to, y'know, see if he was still fast, if he still had it in him - because he genuinely did not know (stop me if this reminds you of anyone more recently). he was so frustrated in 2013 with constantly finishing in fourth place that he took the truly radical step of firing his crew chief jb. one more try, one more change up to see if he could still be fast

it was only in 2014, where, okay he was losing to marc, but he could feel that he was competitive again, he could semi-regularly beat jorge and dani at the very least... then comes misano and he beats marc in a direct fight, draws an error out of him, gets him to crash, and marc shows up at his ranch and manages to strongly signal that he does actually really want to beat valentino. and that, in a way, shows that he was beginning to take valentino seriously as a competitor again (which I would suggest he wasn't doing at the end of 2013). that's something that's easy to miss about the ranch episode: yes, it's notable how much they were treating each other like hardened rivals, but it was also notable they were doing so in 2014, given the kind of season marc was having. maybe it truly was the worst possible timing. maybe it truly was the race in misano that made both of them go. hey. this really could be happening

but it's still a humbled version of valentino, it's still a version of valentino who has already kind of had to make his peace with the fact his time might very much be over. to me, in a way it's more dramatically satisfying if he did make peace with it, if he was more or less all right with marc making the sport his own. okay, there's always going to be a little bit of bitterness, a little bit of envy... because he wished he could still do what marc was doing, of course he did. but by the end of 2013, he knew it was more likely than not he would never be involved in another title fight. he thought his career might be ending after the 2014 season. he told the world if he wasn't competitive in the early races in 2014 then that would be that, and I think he meant it

there was no guarantee he'd have a season like 2015 - sure, he was working harder than ever and making radical personnel choices, all in the hope he still had something more to give... but he didn't know it would happen. it was really really unlikely!! there's a giddiness to him in early 2015, almost like he couldn't quite believe himself he'd get that chance. and then, yes, he does withdraw from marc, he does go back into title fight mode... but relatively speaking, this is still a more agreeable version of valentino. this is still a version of valentino who is determined to not start shit with jorge - it's odd to watch, but in those 2015 pressers valentino is constantly engaging him in conversation, at a time in which the marc chatter was already dropping off pretty sharpish

(incidentally, I think vale was proper pissed off at how jorge reacted to the whole sepang thing and how jorge was angry with valentino, which is very funny to me. like at catalunya 2016 vale's going!! I actually made an effort with this bitch!! I was nice to him for three years, does that count for nothing??)

valentino also doesn't blow shit up over assen, even though by his standards marc should be giving him plenty of reason to. he's definitely cooled off towards marc, but he's still giving him the benefit of the doubt where he wouldn't have done so with past rivals - which, yes, I do think partly reflects how he felt about marc, but also reflects how he was approaching that year and that phase of his career as a whole. he didn't really want drama; he wasn't really looking for any distractions from the actual title fight. which doesn't mean that he wasn't already changing his behaviour towards his competitors in response to the demands of the season - it's just a question of the extent. here from a write-up of assen 2015 (I don't entirely agree on the point of the effectiveness of valentino's mind games, though I do agree - like valentino himself does - with the general idea that most of the work needs to be done on-track):

in the end, he cracked. I guess that's what generally happens when you put someone under that kind of pressure - you make them revert to type. valentino wasn't arrogant or entitled or over-confident in that season, he was desperate. he'd been given this unexpected chance and he was throwing everything he had into making it work. body, mind, soul, all of it, wringing himself out in pursuit of this dream. he could feel it slipping away at several points that season... that four race jorge win streak where he led every single lap and it was kind of like? okay, you just can't do anything about that. valentino can't match that, not at this stage of his career. or brno, after which they were level on points and jorge led on countback and it just felt like valentino so obviously had a consistent pace deficit that surely this could only go one way. all these moments where it felt like it might actually be over, in the least dramatic way imaginable. in many ways, this wasn't really a title fight that should ever have been so close - and it's to valentino's credit as a rider, his versatility and willpower, that he was even able to push things as far as he did. but he did know he was hanging on by a thread, and he ended up playing the last hand he felt he had available

obviously, it wasn't really rational calculation that made him do what he did in sepang - though there probably was an element of, y'know, might as well. but he believed he detected a pattern of behaviour in marc - not entirely incorrectly, because it did feel like marc approached his battles with valentino differently - and fashioned himself a conspiracy on the basis of it. he hoped it could change the momentum one last time; he decided to make one final roll of the dice. and then, of course, marc reacted in a way that has ensured valentino will never stop believing in his conspiracy theory. because of course marc did, because of course he never would have taken it lying down. because valentino knew from the moment marc engaged him in that battle at sepang that it was almost certainly all over, because he lost his temper - which usually helps him, except when it doesn't. because they both lost their tempers and ended up just wanting to hurt each other, to prove a point. because that's who they both are

the main point I'm trying to make here is kind of.... it's just how I personally read the sete stuff - yes, these are the same patterns of behaviour, yes, a lot of parallels do obviously present themselves. I've long felt that sete is the single most significant valentino feud to understanding what happened with marc. he's the only other one who valentino was friends with, the only other one valentino felt hurt by on a personal level, the only other one who valentino changed his behaviour towards from one day to the next. and I think under the right circumstances, if you give valentino enough of an excuse and enough of a prize to aim for and have planted enough seeds of suspicion in advance... you can get this situation where the competitive paranoia takes control and he buys into this whole betrayal narrative and he decides he needs to go nuclear. and it also gave him a script to follow - one he knew could work because it had. except of course it could have gone very wrong in 2004 too. what happens if he's so desperately determined to ruin sete that he bins it in phillip island and finds himself only barely ahead in the points going into the title decider? compare that race to phillip island 2009 - obviously, there's a sizeable difference between the level of opposition (especially at that circuit) and the '09 race probably wasn't winnable, but he still ends up eventually deciding to settle for second behind casey because he doesn't want to risk losing the championship to jorge. he's not casey's biggest fan either, but he never came close to losing his head fighting him. it's different. he might do some of his finest riding when he's angry, but where there's anger there's also volatility. and, on occasion, there's also some really bad choices

if 2004 is the moment where he's properly learning to play these games, then 2015 is him falling back on these tools when he really had basically discarded them. it'd been five years since he'd engaged in mind games in earnest (I know him and casey were constantly at it in 2011-12, but whatever the hell that was about, whatever part of their psyches they were appeasing there, it obviously had fuck all to do with on-track competition). that's a long time! there's a 2014 interview where he's asked about his work on the 'mental side' against his rivals:

the first thing he immediately stresses is that there's zero point in doing any of this if you're not fast enough on-track to back it up. if you are fast, sure, you can do some off-track 'work', especially if you know it makes your rivals suffer :) but it won't have the same effect without the on-track performance. so even if we want to say valentino hadn't mellowed post-2012, even if he hadn't grown one jot humbler in his heart of hearts, even if he wasn't swayed by any genuine fondness for marc, he still knew the maths just didn't work out in his favour with his current opponents. he couldn't deploy his favourite tactics against jorge because jorge insisted on spending the entire season either two spots ahead or three spots behind valentino, and the off-track stuff just can't work if you're never sharing space on-track. it could and did work against marc, but he wasn't trying to score psychological victories against marc! certainly not by the time they reached assen and marc was basically out of that title fight. so there wouldn't have been any point in trying to fuck with either of them in that way off-track and, well, it could easily backfire. which is something valentino understood perfectly well until they were 88.9% of the way through the season, and then he changed his mind at what was almost the very last possible moment. which I think speaks to how desperate valentino was to make a mistake like he did at sepang: he felt it was all he had left to try

the other way in which marc comes into this whole thing is that.... I mean, he knew about all this stuff! this is the thing right, maybe he wasn't watching the sepang 2004 press conference as an eleven year old and later going 'huh' but broadly speaking, he will obviously have been aware of how this went down, qatar controversy and all of it. he's sitting right there in that jerez 2015 presser when valentino is asked about sete and in response valentino says sete played 'dirty games'. he's obviously aware of the whole jerez 2005 situation, not least because he copied valentino's overtake in his third ever premier class race. which in turn sete was watching unfold, and is still having thoughts about in 2023:

so it's kind of... y'know, you've got marc, you've got someone who's still very much the heir apparent despite all the drama between him and valentino. if you're sete, do you look at marc and see somebody who valentino hurt in similar ways to what he did to you, or do you look at marc and see another version of valentino? do you see both? it's again that thing of, if you have a problem with some of valentino's more aggressive riding then you will definitely have a problem with marc. because of course marc is the escalation, because valentino generally picked his moments a bit more and adjusted his levels of aggression more to the situation, whereas marc is mostly just Like That. so sure, if you're sete gibernau you can look at marc and see another one of valentino's victims, but at the end of the day you're also going to see his legacy

and this from 2017:

not an original thing to say obviously, half of motogp has said it at one point or another. but. still. meaningful to me!

that tension between 'fellow valentino rival' and 'valentino's successor' is imo inherent to the jerez pass situation, because (along with laguna seca) it's an example of marc actively inserting himself into valentino's legacy. and the thing is, right, these aren't just neutral fun passes that everyone remembers because they looked cool: they're the biggest flashpoints of their respective feuds. marc did to jorge what valentino did to sete - and then he did the most valentino thing imaginable and went to jorge when he must have known jorge would still be furious, making him publicly reject his handshake and starting up a whole lot of discourse™ that would take forever to die down. marc knew immediately how controversial what he did would be and was completely at home in the chaos. it's not just the pass that does valentino proud, it's the shamelessness

while that race might not have had the same repercussions as '05, at the end of the day you do have to remember that those passes have a lot of baggage and controversy attached that marc is also making himself a part of. in the case of laguna, it's valentino addressing livio suppo in the presser because of all the grief suppo and casey had given valentino over the '08 overtake. in the case of the jerez pass, it's sete talking about how alienated he is by this whole approach to riding that marc so completely embodies. and the whole thing has come up quite a few times since 2013, because everyone loves bringing up last corner passes at least once a year when they show up again at jerez

so for instance we have this clip from 2016 (fourth race of the season, vibes still in hell), where the riders are asked whether they'd prefer to be in first, second or third position heading into that final corner. not all too much to say about this one, really. jorge, who it seems has at long last learned his lesson about what to do when you've got a lunatic sitting on your rear wheel headed into the final corner of a race, stresses that he'd protect the inside line - not least because these two fuckers would dive on the inside through the grass if you give them half a chance. also, decent gag from marc! good on him. not always easy for those who have decided they hate him so much so that they refuse to laugh at anything he says

then we have this from 2017 - where sete is in the room - asking four riders who they'd want to arrive at jerez's final corner with. three guys give pretty boring answers, though you'll note in 2017 valentino does actually mention his battle with sete (*gestures with his head in sete's direction*) in the same breath as the one between "marc and jorge". those three boring answers are followed by a great response courtesy of jorge. the question doesn't actually specify, but obviously jorge immediately zeroes in on valentino and marc since they are. you know. the two guys with a history of doing last corner jerez crimes. and they're also two confirmed lunatics, though jorge believes that valentino at least might be a little less reckless now that he's a little older. hey, maybe even marc has become 3% more sensible at the advanced age of 24 (funnily enough, vale when making that overtake in '05 was two years older than marc is in this clip). it's a sweet moment - but, without wanting to belabour the obvious, it's also another way of showing how irrevocably linked both the passes and the blokes executing them are. both valentino and marc are 'hard brakers', to put it lightly. two peas in a pod, from a man who would know

we do also of course get sete reacting to valentino's answer. idk what this facial expression is but I sure am compelled by it (thank u to dani pedrosa for working with sete in 2017 so that we'd get live sete reaction shots. I am very grateful)

okay so those two I included because. well it's just kind of neat and fun that this is a parallel they won't ever escape. linked legacies and all that. but I am actually building up to a point here, and it's to do with how even post-2015, it's not like marc is always overflowing with sympathy and compassion for valentino's other victims. he knows his lore! he will know at least the general details of the sete relationship and how it deteriorated and what valentino did to him afterwards! so let's bring in austria 2017, a time at which the vibes between the two of them aren't actually. catastrophic. exhibit a:

so in this presser, valentino is asked if his overtake on jorge at catalunya '09 is the favourite of his career, and he says it was special because it was the last corner - he can't remember any other examples of him making a last corner overtake in the premier class. at which point marc taps valentino to point out sete:

the expression marc makes in the thumbnail - that's how he looks when he's eagerly waiting for valentino to put two and two together. the thing is, right, this whole feuding business, the way valentino treated his rivals, how he was pretty awful to them... all of it will have been stuff that marc actively enjoyed as a fan. and even post-2015, when marc has experienced some of the very worst valentino has to offer, marc still finds the whole jerez thing pretty funny, not just the overtake but what it meant for the relationship between valentino and sete. he makes valentino aware of sete in the room, because of course he would never forget valentino's greatest hits. like, remember why this exchange is funny: everybody knows this overtake was a super controversial thing and a big source of tension between the two of them and valentino's forgotten about it. and marc's laughing at this!! in 2017!! "after we have a bit problems" and marc thinks it's hilarious!! buddy

one more presser moment, from 2019. just a bit of context here - earlier in the presser they were asked about dani getting a corner named after him at jerez and valentino went 'yeah good for him but I wouldn't want a corner named after me !!' and marc talked about how he'd gotten a corner at aragon named after him the year before. so now, the riders are asked what their favourite bit of the jerez circuit is. the joke here goes a) marc says 'last corner' the way he does because everyone knows he did a terrorism there, b) jack miller says 'you mean jorge lorenzo corner' because everyone knows it's funny marc did a terrorism on jorge there like a day after jorge got the corner named after him, and c) marc says 'it's valentino corner' because everyone knows his move was copying the move valentino did on sete. and... 'valentino corner'... first of all why would you do this to your literal teammate jorge lorenzo... but again the whole reason this exchange is funny is because the premise is that they did the same thing, valentino to sete and marc to jorge. implicitly, it's making the link between the pair of them and how they terrorised their rivals in the same way. still. in 2019

speaking of legacies, there's a moment in the 2016 catalunya presser where valentino is asked how that duel compares to his past duels in 2007 and 2009 at that circuit (notice the blatant and unchallenged sete erasure - 2004 and 2005 were really great but okay). and valentino says he counts it on the same level as the jorge fight - "was three great battles with three great opponents". which, y'know, I really love 2016, I think it's fantastic, but marc makes a mistake on the penultimate lap and denies us the most dramatic of finales. like I think it's completely reasonable and nice for valentino to count it in that same camp as the 2009 duel, but I also think it wouldn't have been crazy or disrespectful or anything if he'd gone 'yeah that was great but not quite the same thing'. this definitely might be reading too much into it (surely not) but given how valentino has since occasionally left marc out of the rivalries list, said he wasn't his toughest rival etc etc, I do think it's kinda notable that during that moment of 'reconciliation', valentino allowed marc to be part of his legacy - even if it's just in a small way. 'great valentino catalunya battles' is a pretty cool group of races to be a part of, y'know? the infamous overtakes, the duels, these are the things people remember. these are the things marc remembered, as valentino's fan - inevitably, it'll mean something to him. it's a legacy he wants to be a part of, by fighting valentino, by emulating valentino, and sometimes valentino lets him and sometimes he'd rather leave marc out in the cold. you'll note that in 2019 he doesn't really engage with the "valentino corner" gag from marc and instead goes with the far more neutral turn 5 as his own pick

in the very very immediate aftermath of sepang (aka december 2015), marc did openly make the comparison between himself and valentino's other rivals:

and it's informed his whole approach since then - it's a big part of why he's tried to be quiet about the drama with valentino over the years. he knows how valentino behaves towards his rivals, he always has. he knows he can't beat valentino off-track... but (beyond his undeniable mental resilience) he's just fortunate enough that with his talent and the way their career windows have overlapped, more often than not he's been able to out-perform valentino on the track. and y'know, it's an interesting element to the whole thing I feel... marc was a fan of valentino's for a lot of reasons - he was very much a fan of the complete package, if you will. including what valentino did to his enemies! it's not like that aspect of vale was some kind of closely guarded secret; it was like a top three valentino rossi talking point for years and years. (part of the subtext of assen 2015 is marc not really enjoying being on the receiving end of one of those classic valentino scam wins, when marc had been intending to do that to valentino.) again, those overtakes of valentino's weren't just famous because they were cool, they were famous because they helped valentino fuck with his rivals. it's not just about emulating his on-track aggression, it's about emulating how valentino did his best to get in his rivals' heads. when we talk about marc 'being a fan' of valentino, then it shouldn't be ignored that this involved marc being a fan of what an absolute and utter asshole valentino was. and like with all things relating to valentino, I'd wager marc has pretty complicated feelings about this. at the end of the day that's also part of his make up as a rider... but it also really burnt him personally...

it's almost like an identification thing, isn't it. if you're marc and you're thinking about valentino's past rivalries, whose shoes are you placing yourself in? in many ways it should be valentino's rivals, because of course some of their experiences mirror marc's. and there's a rare moment in the winter of 2015, when he's still in the process of trying to make sense of everything that's happened, where he does make the connection. but apart from that, he's shied away from it - even when he's criticising valentino, he's generally not framing what valentino did to marc as indicative of some broader character flaw. it's casey and jorge who explicitly make that link, not marc. he's still kind of... idk, separating that out. obviously, marc would far rather be valentino's successor than another one of valentino's victims, even if he hasn't really been given a choice in the matter and has ended up being both. I don't really have any evidence to back this up, but my guess is that deep down he feels like what valentino did to him was different from what he did to those other guys. and in some ways he's right and in some ways he's wrong

unfortunate, isn't it. you're a fan of somebody with a reputation for fucking with his enemies, which is fun and neat and you kinda want to copy how he does it - maybe put your own spin on the whole thing but you're still into the general vibe. you enter the sport at a time when you can still fight your hero, but he's kinda washed and he's too old to be starting new feuds (*bzzzzt!!* incorrect! you are never too old to start feuds) so there's no real danger. and you share a bond you think on some level is different from whatever those other guys had going on, even sete gibernau, whoever tf that is. and then you become real rivals and realise how extremely not enjoyable it is to be losing to him yourself and you really want to show him and maybe you do push it a little far along the way. but it'll be okay. it's all fine... until he decides it's time to destroy you. and on one level you do obviously see the parallels because you're not an idiot... but on the other hand, none of that stuff, none of what he did to those other guys - it wasn't ever going to stop you from being a fan of his. it's the bits he did to you that are the problem. and at the end of the day, you'll never quite be able to let go of the twelve year old boy inside of you who found jerez 2005 really, really cool

anyway

[disordercinema]

When Ekko released in 2015 it was so awesome, he had a great voice actor (at least in Brazil his voice is really well known), he had a cool design, fun powers and an amazing backstory. He was a black kid from a poor upbringing who, despite the environment he grew up in, learnt to create incredible things basically out of scrap. He was a genuine hero in a land where most of the characters were bad people or chaotic monsters, he fought for what was right and tried his best to save the people he loved.

Over the years he became the face of resistance in Zaun, every story was about him fighting for the people, every voice line with other champions showed how much people admired him. Fuck, I know it's probably not canon but Azir of all people treats him well in their interactions, that's how cool he is. So it bothers me a little that the freedom fighter/symbol of resistance in Zaun role is being shifted to Jinx in the show.

She, and the Inx (her blue haired followers), are literal antagonists in his game, he has to fight them because all they care about is chaos. I understand though what they are building up to in Arcane and it is very well written, but it makes me a bit sad. Especially because of how I see most of the fandom treat Ekko, most talk about him has to do with Jinx and fair, I guess, Arcane barely gives him solo screen time. But y'know, I wish after this they give him another game or a comic book, Idk. I really don't want Ekko to just become a background character on someone else's narrative.

[project-sekai-facts]

what do you think the "Please forgive me and Purple" mean? considering the Miku (and Teto!) version it could be stand as a prayer like "Amen" yk? I always thought it said "please forgive me Empurple" as if "Empurple" was an entity

please forgive me and "purple", the wavering me dyed purple

So empurple means "to become purple", hence why in the official english lyrics "empurple" is replaced by "dyed purple". I think the 'and "purple" ' in the lyrics is representative of Mafuyu's emotional state, as in, her true and genuine self waiting to be found/freed. The real Mafuyu - her image color is purple after all. I think to understand what it means to Mafuyu at least, we need to look at the SEKAI ver instead of Harumaki Gohan's version. It was written for Mafuyu, so most likely Mafuyu is the origin of this lyric, which was then put into a different context with Harumaki Gohan's MV.

In the first verse where Mafuyu sings "the real me feeling stuck in my throat is empurpling", which gives us an image of Mafuyu struggling to open up about her feelings. The longer she feels stuck and keeps everything in the more purple it becomes. This is confirmation enough that the "purple" that she's asking for forgiveness for is just the things she kept hidden from her parents. It makes a lot more sense if you consider that this is the event where she starts to reconnect with her dad, and truly starts to trust him and open up to him. You don't have to read past this part, I have answered the question.

I think it's worth mentioning as well that we see these red and blue strings throughout the entire MV, obviously red and blue being the colors that make purple. We'll get more on what red and blue mean in the context of this song later, but just briefly I want to talk about this specific frame here. Strings have been a recurring motif for Mafuyu from as early as her first ever event, Captive Marionette. In that event, Mafuyu likens herself to a marionette doll, with the way she feels completely under the control of her mother and like she's being used for her mother's own performance (that will get its own analysis in due time). Her card for that event shows her dressed as a marionette doll bound by strings.

The strings come back for her aptly titled My True Feelings card in her fourth event, Saying Goodbye to my Masked Self. She's seen cutting the threads here, symbolising how she ran away from home and effectively cut off her mother. And now back to Empurple. In the opening shot of the MV, we see red and blue strings wrapped around Mafuyu's ankles, binding her to something offscreen. Behind her, towards the area she's being bound to, we see a bunny plushie and some apple slices cut into the shape of rabbits.

These are taken from her Memories of Warm Affection card, which shows kid Mafuyu being taken care of by her mother. The event Empurple was commissioned for, Reeling in the Lights, heavily calls back to Mirage of Lights, Mafuyu's second event and the event this card originates from. It's pretty clear here that Mafuyu is being bound to her mother, and her memories of her mother's care for her when she was younger. Continuing on with the actual song:

The next part of interest is the first pre-chorus. The first shot here is one of a child's hand holding an adult's, obviously meant to be Mafuyu and her father based on the card for this event (below). The next shot is of kid Mafuyu's eye, much brighter and with a far lighter blue color. These two shots are accompanied by the lyrics "Try to open my left hand and have a look? It's still embedded with blue eyes." (It is in fact her left hand that she uses to hold her dad's hand in her card). Now here's where we get to the meaning of blue in the song and MV.

The blue here is meant to represent Mafuyu's younger self. Her more genuine and innocent self before her parents started setting more pressure and expectations on her. The first line of the chorus is "If I saw that, would I be surprised", which I think perfectly encapsulates how Mafuyu feels when looking back at her childhood. In both of the "Lights" events focusing on her relationship with her parents, she looks back on these childhood memories that are so distant from her reality that she'd almost forgotten them, and yeah, it's surprising how different her life was and how she was when she was younger. The second line of the chorus "I just want to live once with genuine feelings only" plays into this too. And then we come back to the "purple".

If we hold hands, it would be great if you could understand, Please, Forgive me and "Purple", The wavering me is Empurpled

It's very clear here that this is all directed towards her father. In the event, we flash back to Mafuyu's dad comforting her during a thunderstorm, and although its one of her only memories of him because he was very absent from her childhood, she realises that she associates him with being a source of support, and decides to tell him more about how she really feels. She affirms her trust and comfort by holding his hand. In the context of the song, she's asking him to forgive her and all the things she's been hiding over the years.

The next point of interest is the second prechorus, which is very similar to the first, only this time, it's about the "red". Once again we get a shot of Mafuyu holding her dad's hand, only this time it shows the present day, and Mafuyu is using her right hand this time. Like how the first prechorus mentioned her left hand, this one mentions her right, with the precise lyric being "Try to open my right hand and have a look? You'll find a crimson sky.". An aside, her eyes aren't crimson here, I won't deny that, but they can't exactly just give Mafuyu red eyes, so for the sake of this analysis, pretend she has red eyes or something or that crimson and indigo are the same thing. We see the shot of teenage Mafuyu's dull indigo right eye over the lyric about the crimson sky, a direct contrast to her bright blue eyes from the first prechorus.

The "red" in this song references Mafuyu's current state of being. A girl struggling with expectations and appearances to the point she lost her sense of self, her emotions, and her will to live. All of this has been kept well hidden until the mask finally came off in her previous event, and now her father is seeing this completely new side to his daughter too. It's far more impactful though with the knowledge that he was an absent father, and never really got to spend any time with Mafuyu due to his work schedule. Like he never really knew Mafuyu to begin with in some ways. All he knew of her would've mainly come from how other people saw her, which is what caused this in the first place.

The first line of the second chorus is "If you see it, will you be shocked?", obviously referring to how she has her worries about telling her dad these things about herself. He is, in fact. shocked by the situation. He's completely stunned when he finds out Mafuyu can't even taste the food he's been buying her back in The Tone Played on that Day, because this is nothing like the Mafuyu he thought he knew. At that point he knew Mafuyu had been struggling, but he had no idea of the severity of it because Mafuyu had been holding these things in her throat.

The second line interests me quite a lot though. "The crimson sky is so beautiful, yet you'll never know." I've been trying to think about what quite we're looking at here for a few minutes, but here's what I've interpreted it as. Where we are right now in the story, the crimson is the closest we can get to the real Mafuyu. It's her true self as much as her current emotional state will allow, and obviously there's some beauty in that. It's far more authentic that the manufactured facade of blue that she'd been putting up for the previous few years. "yet you'll never know" could refer to three things in my opinion. Number one: Mafuyu's unwillingness to open up before the end of this event. No one gets to know her real self, because she won't let people see it. Number two: Mafuyu's father missed out on a huge amount of her childhood, and missed many of the signs that Mafuyu was going through mental anguish. Obviously, this ends up being remedied at the end of the event. And number three: This is aimed at Mafuyu's mother, who doesn't understand how this has happened and refuses to accept that this is who Mafuyu is.

And the last part of this chorus is "If we hold hands, it would be so warm... Please, Forgive me and 'Purple' ". Warmth is something that comes up a lot in Mafuyu's story. It's a sign of comfort for her. Her mother, or even just her presence, physical or not, is consistently described as cold and icy. It's unnerving and chilling. However, being around Niigo, holding their hands, brings her an unfamiliar warmth. Mafuyu associates this warmth with how she felt around her mother when she was younger. She can't quite place it, but it's a feeling of safety, comfort, and happiness. As I mentioned earlier, although Mafuyu has very few memories of her father from when she was a kid, what she does remember of him brings her that same feeling of warmth. And it's different to how her memories of her mother give her warmth, because he's still here, now, trying to help her.

I particularly like the bridge and final chorus too. There isn't much to say about the MV here aside from the fact it gets darker during the bridge, connecting with the "crimson sky that was hidden at all costs" lyric. Mafuyu is the last person to sing, and as expected it's darkest then, though it does get brighter as she finishes her line, probably because she's going to be more open from now on. I like the "still tinged with blue, these eyes" part too, because obviously, her happier and genuine "blue" side is still a part of her, she's just lost sight of the genuine manifestation of it over time. Blue and red make purple after all, and you can't get the true purple form of Mafuyu without combining her blue and red sides.

The final chorus refers to the event story again. "The important things, I'll keep them with me" obviously references the memories of her dad comforting her that she never let go of, "Inside my body, something is still broken" because Mafuyu isn't fully healed yet, and "If we hold hands, please fix me" because she is going to let her dad help her from now. Them holding hands was a sign of trust between the two of them, and a sign that Mafuyu is going to be genuine with her father because it is what's best for her, for real this time. He says in the event that he's been looking into getting her seen by a hospital (therapy), so he truly does want to help her.

The MV ends with the same shot as we started with, only this time, the camera has moved over to the left a bit, fitting with the fact that her "blue" childhood happiness was said to be on the left. The strings binding her also fade away, and allow her to step towards a new person whose feet have appeared in the frame, who is obviously meant to be her dad (Mr Asahina canonically wears sliders). We're finally seeing Mafuyu make some significant progress following her running away. Even after she ran away, she was still bound to her mother, and the warm memories she had of her, but now she's found someone who can give her that support and love for her genuine self in the present. She's freeing herself little by little.

[kingtheghast]

Martyn shrank into his armor slightly. Fuck. He was an idiot. “Ah.”

TL;DR - Martyn is a warlock mercenary who stumbles through a gate to the Plane of Faerie, and accidentally indebts himself to the local Archfey lord, King Ren. Shenanigans ensue.

My pieces for @mcytblraufest from the renchanting duo fic, to bedevil and beguile, by @eternalduos