#in the timeline I put it between Act II and Act III
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spellandblade · 1 year ago
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jazzjlan · 11 months ago
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ok look, this has been scratching my brain the past few days and i had to let it out, fair warning though it's not THAT shocking it just fascinates me and i was going insane as the damn linebeck stan i am
midway through this blog i just checked the zelda wiki and hyrule historia again and found out 100 years passed since then, so just a small warning this is all BEFORE i found out about the 100 year gap between the games, and theory's rather going with the more "logical" 70-80 years
This is basically related to Phantom Hourglass and Spirit Tracks, and specifically Linebeck himself. Based on some rambles of mine one random night at 4 am, with no prior research but facts from Hyrule Historia, and autism.
In Spirit Tracks, you come across Linebeck III, who looks very similar to Linebeck himself from Phantom Hourglass. He gives you a letter from his grandpa, which is signed "Linebeck Senior". Initially I thought; "Is his grandpa Linebeck's father? Is Linebeck this guy's dad, then?" But turns out I was wrong.
I was reading Hyrule Historia the other day (i have the french version, hence the french screenshot underneath) and it says that Linebeck III is not only Linebeck's descendant as mentioned in-game but also his grandson. Therefore, Linebeck Senior is in fact the guy we all know (and love) from Phantom Hourglass.
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don't worry, i got you covered, put a translation at the top as well
But then I was confused. I asked myself; "Wait, how did Linebeck ALREADY have a grandson???"
Putting Linebeck aside, if we pay close attention to Niko, the silly hehe pirate from Tetra's crew who appeared since Wind Waker, we notice that he's aged up, from possibly a child/teen to a grandpa. I'd like to pretend Niko's around 14-15 during TWW and PH.
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So if we think about it, a lot of time has passed since the events of Phantom Hourglass, let's say 70-80 years. we love you grandpa niko
Anyway, going back to Linebeck, let's say he's in his 40s, and so is Linebeck III (maybe younger, he seems like it), and if we still say that the average human life expectancy is 80 years, that means Linebeck III is born when his father's the same age, being 30-40 years old.
If we take this same pattern with Linebeck (Senior) and his child (Linebeck II), that means...
Linebeck's a father during the events of Phantom Hourglass???
i'm honestly shook over this fact idk why. it's just so funny to me to think of linebeck as a dad, seeing his personality and the way he acts and so on. i just always see him as some bitchless pathetic stinky garbage man LMAO
With whom did he even have this child? Jolene? Who knows?
Personally, I just think it's funny to think of Jolene's being after Linebeck's ass because of that child he possibly abandoned. But that's not the canon reason why she's after him, that being just pure revenge.
honestly i'd like to think of it like that it's just hilarious like "LINEBECK FOR FUCKS SAKE WHERES THE CHILD SUPPORT"
However, if we delve into the more canon timeline, being ST happening 100 years after PH, that would mean that Linebeck possibly had his child after finding land, by the end of PH. It's either that, or he could just be much older than I thought (like, maybe 60?) and he's already had his child.
and niko's old as fuck and somehow still thriving
wild
thanks for listening to my rambles baibaiii
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TFA Fan-Headcanon & Theory: Megatron Has Five Kids!
[Note: Don’t Reblog Without Permission.] 
I had just realized this, I think it might of been yesterday or somewhere around this month probably....
that besides Soundwave from TFA, technically being Megatron’s son...
and also realizing that Sari is Soundwave’s big sister, because of the whole Sari’s Protoform self having been born in the lab that Megatron’s Head was being kept, I don’t even think her human dad, Isaac Sumdac, had put two and two together that her protoform self was born in that lab because of Megatron, who was possibly in a coma and not really offline, the allspark-key had possibly brought him out of the coma and if it didn’t and if he went a few more cycles without his body, then yeah, he would of went offline for good.
while Cybertronians can live with their head and bodies separated for maybe like 50 years in Earth Years, but there could still be a time limit on how long they can go without being put back together, like how Steven could of went for so long without being fused back together, while it seem that without the two halves being whole, does seem to make the human half (who might still be made up of some stuff that makes a Gem, and he could turn out to be bio-synth, that makes him part organic and part synthetic.) does become really sick and weak without his gem half aka his “brother” who I still like to view Pink-Steven being a fragment from Rose, who in a Fanon Timeline, didn’t really give up her form, but made a new Pink Diamond that would become Steven,
when she fragmented a part of herself, she placed that fragment (that had copies of her memories as well as the Pink Diamond I who made her to take over the job of running Earth while she ran off to a far off galaxy where White, Yellow and Blue hadn’t conquered yet, so she can make gem colonizes there instead...) into the newly created pink diamond, it the fragment had split into two.
one fragment stayed in the pink diamond while the other half went into the organic half, and unlike Steven, the human half, Pink-Steven may know that Rose hadn’t given up her physical form, and like the Original Pink, had ran away...
(I will go back to talking about the TFA Fan-Headcanon and Theory about Megatron having Five Kids, after I talk a bit about Steven Universe...) 
I like the idea of Rose being fully separate from Pink, but while still being Pink, but not the one that White, Yellow, Blue, Pink-Pearl and Spinel knew.
cause the one they knew, was Pink Diamond I, while Rose was made by that Pink, as Pink Diamond II, and Steven is Pink Diamond III.
even Pearl might of not known or if she did, she was promise to never speak of it again and never to tell anyone the truth, that the original Pink Diamond, had created a body double to take on all the responsibilities of colonizing Earth, while she ran off to make a colony as far away from White, Yellow and Blue as possible.
it could be possible that while Rose didn’t know that by making Gems on Earth, was hurting the planet, it could be possible that her predecessor did know of this, but chose not to keep Rose/Pink II in the dark.
even if White knew that Pink was Rose and vice-versa, she might of found out by accident when Rose was on homeworld, and she was in her room (that use to be Pink Diamond I’s room.) and she was switching between forms, and coming up with a plan and kind of talking to herself, like Pink talking to Rose, and Rose talking to Pink.
anyway, when Pearl was talking about how Spinel was Pink’s Playmate, in the Fanon Timeline, she could been talking about the Original Pink, and not the one who would become Rose and when she poof she would permanently make the Rose Quartz disguise into her new true form.
Pearl fell in love with Pink II aka “Rose” and not the one that Pink-Pearl was making excuses for...
both Pink Diamonds had destructive powers, but only the one who became Rose had changed into a healer, but Pearl couldn’t say that and still had to act like both her and Pink-Pearl were talking about the same gem.
Rose could of still did some bad stuff, even if she didn’t mean to, but I guess it is still nice to think about her not being the Pink that had hurt Pink-Pearl and Spinel, and it was some predecessor who had made Rose to be her body double and gave all the responsibility of making the gem colony on Earth to her, while she ran off and made many gem colonizes on other planets as far away from White, Yellow and Blue as possible...
anyway, as for the whole Gem Half and Human Half of Steven being separated, and yeah if any of the halves had to become Sans The Skeleton of Undertale, it would be the Human half...
but yeah, even if the human half does become weak and sick when not together with his gem half, it is possibly more than that...
like there is a time limit on how long they can stay separated, and if they aren’t back together before the time limit is up, Steven, the human half, will die.
so in theory if the two hadn’t fused back together before White had her tantrum, the human half of Steven would of been gone.
unlike half-human & half-gem hybrids, Cybertronians have a much longer time limit, but it would still be short compared to a thousand years...
so if the allspark didn’t change Sari’s key into a allspark-key, and she didn’t use it and accidentally bring Megatron out of his possible coma, he would of been gone by the next year, maybe like on Sari’s 9th birthday.
so anyway I had just realized, that Megatron isn’t just the Dad and Mentor to Soundwave in the TFA Timeline....
but he is also the Dad of The Dinbots: Grimlock, Swoop and Snarl.
which by the way, when I did do a fan art of Older Sari and it had Snarl in it, along with other characters as possible crushes of Sari’s, I had NOT come to that realization yet, that Snarl is technically Sari’s brother. XD
well given that Isaac did make them first, and Megatron had remade the Dinobots, he would still technically be those three’s Other Parent...
I’m still going to view Megatron as Sari’s Mom and Other Dad, because it is obvious that the newborn protoform that was the size of a human baby and was a liquid metal body, didn’t just pop out of nowhere or from a space or ground bridge, that newborn protoform came from Megatron.
and if there was any proof, I would say it would be in the security cameras.
like all of the sudden, Megatron starts to look like he’s melting because this liquid metal stuff is forming on him and then the liquid metal starts to move on it’s own and jumps off of him and goes to the spot where Isaac would find it,
and it would end up forming into a small newborn protoform, and even has a mini-stasis pod for them to be held in.
so while Sari’s Brothers (Grimlock, Swoop, Snarl and Soundwave), were made by Megatron in another way, she is technically his first born, and would be his only daughter.
Grimlock, Swoop and Snarl might still be technically older than both Sari and Soundwave, because of how their original selves were made before Megatron had remade them and had been part of their rebirth.
Ratchet might be viewed as the Other Mentor of the Dinobots, and the Allspark-Key could be viewed as the “Mom” maybe...?
well the Allspark is technically the Mother of All Cybertronians, and it doesn’t help that some versions of Optimus, like from the Live-Action Movie Universe as well as the Earthspark (which are both great movies and shows by the way, you know the live-action is a great movie series and the Earthspark is a great show.), he has to end up being disrespectful to the Allspark.  
and once again, Megatron shouldn’t be made to be the scapegoat when he isn’t the one truly at fault.
the Allspark could be the Feminine Half of Primus, and Primus himself is the Masculine Half.....
plus who’s to say that the Allspark was made from Primus, and not a Goddess Cybertronian who ended up in the Earth, and it could turn out in Transformers Prime, it wasn’t  Unicron in the planet, but a Femme Goddess who was infected by the dark energon that was brought to Earth, only when Unicron was defeated, did the unknown Femme Cybertronian Goddess got her body, mind and spark back to normal.
and the same could be said for in the Live-Action Timeline...
plus if there was a very giant size femme in the Earth in Transformers: Earthspark, I’m still going to view the Terran’s have more than one Mom.
one of them being their adoptive mother Dot, and the other being Earth, and I guess a Femme Goddess who has become one with the planet Earth.
she cannot leave where she is (because it might harm the Earth and all those who live on it.), but she could probably make a type of holo-matter proxy type body, so she can interact with her Terran Children.
even if such a character might not appear in the show, I’m going to view it as fan-headcanon.          
 and yeah one of my weird ideas, is that the Megatron from Transformers Prime, might of once been Solus Prime or at least a Femme who was named after Solus Prime, but is only called Solus or Sol for short, before reformatting into what he is now, and living among the lower class and finding out how bad things are on Cybertron, which that makes me view it being like Pink becoming Rose in Steven Universe, well I do view the TFA Autobots being like the Homeworld Gems from Steven Universe, and the TFA Decepticons aren’t truly the bad guys, and both the TFA Decepticons and Optimus’s Team in TFA, are technically the Crystal Gems of that Universe and Timeline.  
and if it were true that Megatron from TFP had originally been a Femme who was named after Solus Prime, and was part of the rich and high ranking class, I would imagine he wouldn’t want to let anyone to find this out.
and would possibly only trust those who can keep it secret, like Soundwave from Transformers Prime.
Solus II could been part of the Council before she went “missing”, and before becoming Megatron, they had no idea how corrupt the Council or the Caste System was until trying to live as a Mech with no name (but would later be given a new name...) and fighting as a gladiator, did they find out how bad things are.
like at first Megatron could of still been able to go back to being Solus II, but after seeing how corrupt the Council was and even them showing favoritism to Optimus...
Megatron reformatted himself and no longer went back to being the Femme that was named after Solus Prime, he was Megatron now.
if this idea were canon, it would be one of the few versions of Megatron, who had originally been a Femme and had been named after Solus Prime before changing their name to Megatron.
anyway, not everyone has to agree to this, but I still think that Megatron from TFA, would not only be Soundwave’s Dad, but also the Dad of Sari, Grimlock, Swoop and Snarl...
which means that Megatron has Five Kids, and he might only think he made four, but he did have a part in Sari being born in a lab, well her newborn protoform self, that has his CNA.
even if Sari’s human half, is thanks to her human dad, her cybertronian half would be from Megatron, so DNA comes from Isaac, while the CNA comes from Megatron.
but because they never said it was that way in the show, and it’s too bad they didn’t try to make another season in the show that would prove that Sari is Megatron’s daughter as well...
we just have to go with fans knowing it is possibly true and Megatron has not figured out that Sari is his daughter, not just Isaac’s.
Isaac would be both Sari’s adoptive parent as well as biological parent, because of the DNA that the newborn protoform had absorbed.
but given that he was wearing a rubber glove, I still have doubts that he is the only human parent of Sari, because of the whole red hair thing...
like it could turn out when he was shocked, a small piece of strands of hair came off of either his head or mustache and got on to the protoform, but it wasn’t enough for the newborn protoform to absorb and scan and they needed more.
and if anyone had to be working at Sumdac Tower and saw Isaac on the floor out cold, it would be Marissa Faireborn, who has Red Hair...
so yeah my crazy and weird fan headcanon and theory is...
is that Marissa Faireborn who hadn’t really been in the show, but could of been at Sumdac Tower, could of not been wearing gloves when she had found Isaac, and the liquid metal body in the same room.
when Marissa touched the newborn protoform, it was able to get more DNA and was able to mix both the small bit of DNA it got from Isaac and the other DNA that came from Marissa Faireborn, and yeah, just like Isaac, Marissa went out cold from the shock the protoform gave her.
but when both Isaac and Marissa came to, in the place of the protoform, was a small human baby girl.
so that would mean that Sari would have three parents, who are Megatron, Isaac Sumdac and Marissa Faireborn.
if they took a DNA Test as well as a CNA Test, they would probably find out that Isaac isn’t the only Human DNA that Sari had inherited, but she also got some other Human DNA from a Maternal Source, which could turn out to be Marissa Faireborn, and her CNA comes from Megatron.
it could turn out that Marissa, before she left, had help co-create the Dinobots with Isaac Sumdac (you know, before Megatron had remade them and ended up becoming their Mentor...)
so if that were true, that would mean Marissa would kind of be Grimlock, Swoop and Snarl’s Mom.
plus when Marissa left, Sari might of been still very young, and wouldn’t remember her Mom, so when Isaac was telling the story on how he found Sari, he left out some parts of the story, like one of them being that Marissa was involved.
the reason being is that Marissa was probably Isaac’s wife, who would of been Mrs Marissa Faireborn-Sumdac, but he could of got word that she had been K.I.A.
but it could turn out she was just abducted by the Quintessons or Vok.
Isaac could of probably knew that only some of his DNA, like from his hair had pop off of his head or mustache had got on the protoform, but not enough to make Sari into who she is now, so he probably knew that the red hair came from Marissa, his wife, who had been in Sumdac Tower and had found him unconscious and with a glowing liquid metal body that had absorbed some of his DNA, but didn’t have enough to fully transform into Sari, or become a techno-organic.
I still think that while Blackarachnia did become a Techno-Organic, and become cold sparked, it might still be possible she was always two-faced and had been two-sparking both Optimus and Sentinel, and always not 100% a good person.
and it might be possible that her become half-spider, might of been her karma.
once again, the word “two-sparking” is something I view as being “two-timing”
and if Elita-1 was seeing both Optimus and Sentinel, she likely made both promise not to tell the other and kept it secret, and she didn’t have trouble choosing between them, and wasn’t in emotional torture over it.
she likely did it for the fun and thrill of it, and not because she really loved them, even if she could of still cared for them as friends, but it wasn’t enough to consider she might be hurting them by two-sparking them without their knowledge.
so yeah, if it is true, then she got what she deserved, because what she was doing to those two, was going to bite her in the aft at some point, and it gave her the karma she finally got.
even if we might be made to view her as a victim and who Optimus left behind, even if he didn’t mean to...
but it isn’t Optimus or surprisingly Sentinel’s fault she became this way,
she became that way, because she was always that way, her personality, her true personality was always hidden behind a sweet and kind mask, but now that she became Blackarachnia, she no longer hid behind that mask, and her true self had become way worse over the time she was Blackarachnia.
not everyone has to agree about that theory, but I view it as possibly being true.
so it’s both my theory and fan headcanon, that the reason why Elita-1 became Blackarachnia wasn’t just a accident, it was karma punishing Elita-1 for not just two-sparking both Mechs who were suppose to be her teammates and friends,
but also possibly some other misdeeds she has done when she was Elita-1.
and anyway, I guess one of the theories could be that Blackarachnia was Sari’s Mom, but she was likely not on Earth yet when Sari was born, so that rules her out.
as well as Optimus and his Team, because they were under a lake and in stasis.
so that only leaves Megatron as the true Cybertronian Parent.
also I had realized that Sari is technically a Terran, like Twitch, Thrash, Hashtag, Jawbreaker and Nightshade are.
but slightly different, but Sari would still technically be Terran because she is a mix of being something from cybertronian and something from Earth, and that being from her human and cybertronian parents.
plus if you think about it, Soundwave from TFA is also technically Terran.
as well as any other Cybertronians born on Earth.
anyway Megatron being a Mentor and even a Parent who was not much involved with bringing up his five kids, is not really surprising, given that there are some real life parents who don’t even bother to visit their own kids more than just once, and could of did so much earlier and they could of still went back to their real family, even if the kid they visit is still technically their biological child as well...
Soundwave from TFA, could be seen as the “baby of the family” like being the baby brother of Sari and the Dinobots.
like can you picture Sari, who is in her Older Upgraded form, teasing Soundwave and calling him her “baby brother”...
and if TFP-Soundwave was part of TFA, he would likely be called Soundblaster (which is his other name.)
maybe Megatron could of based his son Soundwave, a little on Soundblaster, and he could of had some of his blue prints from Soundblaster, but made Soundwave outer appearance slightly different.
if Starscream can be viewed as Jetstorm and Jetfire’s Parent, as well as Skyfire being the Other parent of those Jet-Twins...
then there could be a Soundblaster in TFA (even if it would be in a Fanon Timeline version of it), who Megatron based most of Soundwave’s creation on...
anyway in TFA, Megatron was responsible for creating Soundwave, which did make him both the Dad and Mentor, but if you think about how he was involved in remaking and upgrading the Dinobots, and how he unknowingly brought Sari into the world in a lab, and her newborn protoform self was found by Isaac, and she would end up becoming the first techno-organic terran human in the canon...
this would still point out that Megatron is technically the father of five, three of which he kind of helped make “reborn” into what they are now...of course I’m talking about the Dinobots.
the only kid he doesn’t have a clue is his, would be Sari.
and who knows if there will ever be a canon crossover, that would finally reveal that big secret that all fans (well maybe only some who have watched TFA and started to put two and two together...) have known all this time, that Sari didn’t just appear in Isaac’s lab, she was born there, and Megatron was in that very same lab.
so Sari being a protoform that was born on Earth, and ended up absorbing human DNA and becoming half-cybertronian and half-human, that would make her a Terran, and I’m viewing that as Headcanon.
I wonder if other fans of TFA, would end up viewing Megatron as a father and mentor of five...
and with how Lugnut is, he would likely be very happy that Megatron had more than one offspring.
like even if the relationship between Sari and Soundwave didn’t start out good,
but after finding out they are technically siblings.
maybe Soundwave could end up acting like the protective brother type, along with Grimlock, Swoop and Snarl.
like any boy, either it be a human or cybertronian, even tries to flirt with their sister, they could end up becoming very protective.
which could embarrass Sari, and she could be glad that Megatron isn’t doing that, well not to her knowledge anyway...XD            
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sojournerstales · 2 years ago
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Belle's 2022 Wrap-Up Thingie.
Hello! I've been quiet on here lately, equal parts due to a new fixation and simply that a lot of my output has been spread across a bunch of different Works-In-Progress as opposed to focusing on finishing just one.
I don't think I'm procrastinating. I think the days are short and cold and these are not conditions in which I am the most productive, so I do what I can, work on things that don't have the pressure of polish, of showing and telling.
Still, that doesn't mean I can't have doubts over how much I'm getting done, how much I've written, so I'm doing this post to take stock of what I did get finished this year and maybe some quick thoughts on them.
If you're a writer and we follow each other maybe this'd be a fun thing for you to do too! (Or don't, I'm not a cop.)
Also some of this stuff won't be in any particular order as memory is fake, timelines don't matter.
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SOJOURNER'S TALES, VOLUME 1: WE FEEL AT NIGHT.
5,200 words.
So I released We Feel At Night at around April time, it was the first project I put up on itch dot io and was a bit of an experiment as to whether that would be a format I enjoy. Each story was originally released on a single Carrd, hosted only until the next one was finished. Something a little eerie, a little ephemeral.
The stories within are In The Dark We Look Like Monsters, All I Am Is An Alley Cat, and Late Night Make-Out Sessions, along with I, II, III, IV and an Epilogue.
In The Dark We Look Like Monsters is a moody little look at the night-time rituals of a group of neighbours who all struggle with sleep, and the passing headlights of a car lost on their street. It has a guest appearance from Jackie, ostensibly my mainstay OC who is in a bunch of stuff I write. I think this is a really nice piece? It's about touching someone's life without ever knowing it at all. It's about freaking yourself at night with the shadows in your house.
All I Am Is An Alley Cat is probably everyone's favourite of the bunch, it seemed to touch a lot of people with its shapeshifting genderfreak main character. Alley Cat is a cool dude, guy, girl, creature who doesn't know what they want for themselves, and only just knows what others want from them, and they change themselves to fulfil those desires and to feel a little something. I'm really proud of this one.
Late Night Make-Out Sessions is the longest of this collection - though it is a short collection. It was important to me here to include a non-monster/creature/supernatural non-binary character. I so often write about non-human characters, like Alley Cat, and I didn't want to just relegate any non-binary character I write into the stereotypical shapeshifter, or alien, or robot. The story isn't really about gender, it's about making a friend who is so much braver than you, knows so much more than you, who teaches you strange rituals to reconcile horrible, unfixable memories. It's also about kissing in the dark.
I, II, III, IV are a series of personal ghost stories, each one appearing between the stories above to act as a little breather. They detail my personal, limited experience with ghosts. No, that's not strictly accurate; The stories are me detailing my personal thoughts on ghosts as I try to deal with the loss of my mother, the woman who has me believing in this stuff, the woman who got me into horror. I miss her a lot.
And the Epilogue is just a personal essay about my motivation to put the collection together, what themes I'd hoped to achieve, meeting strangers at night who showed me concern and made me realize that the way the world perceives me has changed. It's thoughts on trans success, I suppose.
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A SERIES OF ROOMS
Some amount of words.
So some time after finishing Volume 1 I become enamoured with liminal spaces. I've always been into the quiet eeriness of the backrooms, or empty shopping centres, or roads at night, and I always see these things limited to a creepy, visual medium. I wanted to translate the eeriness of the backrooms into prose, and so what we have here as an experimental exploration of the backrooms. It's best viewed on desktop devices, I never tested the layout for mobile.
It's short, sweet, creepy, and I really dig what I made here.
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SOJOURNER'S TALES, VOLUME 2: PARTICULAR MOMENTS IN VAGUE PLACES
11,000 words. Give or take.
So I published this around August time, it's a continuation of my fascination with liminal spaces, but here I marry the eerie horror of them with queer romance - my favourite flavour of horror. The idea I wanted to hit on is that I've always found the typical liminal space comforting. I've fallen in love in an airport, I've snoozed comfortably in the back of a car rattling around dark country roads, and there are so many places I'd love to be alone with a friend in.
I also did something with the titles of the stories here that works best if I write the chapter list out:
(What if-)
Waiting For D5
(-we kissed-)
On Sundays +1
(-between-)
Just Off The A48
(-the walls?)
(What if we kissed between the walls?) is a series of bumper-stories that again act as a breather between each story, and they detail a couple getting lost in the backrooms, this is where I lay the imagery on the thickest of impossible spaces, yellow halls, chlorinated pools. It's all alright, they have each other, these are great make-out spots.
Waiting For D5 is my love-letter to Birmingham airport. Or a love-letter to my partner. We started long distance, but that was okay because the flight was quick and I enjoyed the romance of Burger King at 5AM waiting for my gate to open. It's about travelling together, it's about being about to travel together. These stories are about liminal spaces, but they're also about liminal states of mind, states of being. Waiting For D5 is about holding onto that moment between where you were and where you are going and getting to share that moment with someone you love.
On Sundays +1 was the toughest to write of the bunch. Not emotionally or anything like that, I just struggled with the presentation and plot the most. It's about a girl who keeps waking up on an extra day that exists between Sunday and Monday, and only one other person is experiencing that with her. Together they explore and abandoned version of their hometown, getting to know each other totally separated from the realities of the world, from other people. Like their own private chat. It's about making friends online, in undefined spaces, and the anticipation of bringing that into the real world. It's also about all the transmasculine people in my life who I so often fall madly, platonically in-like with. I adore them all. On Sundays +1 is for them.
Just Off The A48 started off as a complicated beast. It was going to be about this pub in the countryside that every now and then is visited by someone who has just recently died. It was going to be about hitting it off with a woman at the bar and going to bed with her and refusing to turn around the following morning just in case she was gone, just in case she was never there to begin with. I tried so hard to make that story work but everything about it needed way more space than I was willing to give - I wanted each story to match the other in length, so instead I wrote something complete different that fleshes out the ideas of the Volume so much better. Instead JOTA48 completes the triumvirate: Liminal spaces with a romantic partner. Liminal spaces with a friend. Liminal spaces with a stranger. I once again get to introduce Jackie to one of my collections, and this time she helps a frustrated teenager get their car unstuck from a muddy ditch in the road. It's more than that, it's no more than that, it's being in the right place at the right time.
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THE LONG FINGERS
I wanna say like 5k words?
Oh boy, The Long Fingers. I wanted to write something scary for October. I finished this in November. That's how it always goes! It's okay, I still managed to write something scary. I remember fretting over whether it was super boring, sending it to a friend who I rely on so often for test-reading, and being sent back:
"Jesus Christ, Belle."
The Long Fingers is about a shame spiral, it's about depression, it's about letting your hygiene slip, your house fall into disarray and mess, and being unable to ask for help because what if they judge you?
Shame is a long fingered thing, and as dire as this story is it is not meant to be without hope, it is meant to be a cautionary tale.
Fun fact! I still get nervous when I take the trash out at home because I based the apartment building in this story on my own home and I scared myself with it! Even so, I'm extremely proud of this work. I made something scary and meaningful and freaked a bunch of my friends out.
It's one of the last things I finished before winter came on strong and my productivity slowed down, I hope to finish a couple of other similarly themed stories to release as Volume 3: Siren Songs, but we shall see about that!
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THE OBLITERATION PIT
Maybe 1,5k words?
This one was scary to post, but I wanted to post it. I wanted to post something to affirm that hello I am a lesbian trans writer, which is a shallow reason for posting something so personal I know. I just wanted to get off my chest some thoughts about dysphoria, non-physical dysphoria, the sort of dysphoria you feel in your heart and your brainstem and the bottomless pit in your stomach.
I'm doing good though.
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THE WORKS IN PROGRESS
There are so many text files, I'unno like 4-5k words among them?
Between Volume 1 and The Long Fingers I have a whole bunch of things that aren't yet finished, that are only just conceptualized, that have half a chapter written and saved.
There is HERO-99, TRANSGENDER SCI-FI ACTION, a sort-of riff on the vibes of action cartoons aimed at teens, centered around a canonically transgender super-heroine in a cyberpunk city, DIY'ing her hormones and fighting against an evil scientist (and capitalism). I've been structuring this around the idea of lost episodes of a cancelled TV-show before it ever left production and have written the pilot, half of episode 3, and the first half of the finale. Will this ever see the light of day? Probably not. I'm writing this for me. It's so indulgent.
THE KNIGHTS ERRANT, my foray into sword'n'board fantasy writing. I've made a good start on it, motivated by a friend who is desperate for some good dark fantasy that isn't so, y'know, like that. This one probably will see the light of day!
ISTE BY THE SEA, hopefully this will be a part of Siren Songs, and I'm going to remain relatively tight-lipped as I'm likely to finish this within the next couple months.
FANFICTION. Nothing too exciting, just pornography and maybe a little something for Vi League Of Legends because watching Arcane has filled me with that classic spite-fuel. (I won't get into it here. I WON'T get into it here.) Oh, and some Warframe fanfiction too. Don't get me started on Warframe, I owe it my life and more.
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There's probably one or two things I'm missing. I haven't mentioned A WARM FIELD or KALIEDOHOUSE because I haven't committed anything to a text document for them yet (though I do have some scenes and chapters handwritten in my notebook, I highly encourage this habit of scrawling some things out somewhere they can't be backspace'd). Taking stock of everything makes me realize I've had a good year for my writing. I got burnt out a little bit after I finished my book - BY THE WAY I FINISHED MY BOOK A WHILE BACK - and so it's feeling good to be back in the saddle and not crunching.
I'm still shopping around GIRLS AND GHOSTS to various publishers, but it's hard to find someone willing to bite on a first-time-author of a weird queer-horror-romance-anthology. It'll happen someday, I'm sure of it. It's a really good book.
Thanks for reading!
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adamwatchesmovies · 1 year ago
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Cinderella III: A Twist in Time (2007)
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Between 1994 and 2008, Walt Disney Pictures was making sequels to just about any of their movies. Mostly, you got stuff like Mulan II and The Little Mermaid II: Return to the Sea. At best, they MIGHT appeal to young children who were die-hard fans of the originals. Before you dismiss all of them, however, take a look at Cinderella III: A Twist in Time. It may be the best of the direct-to-video sequels that came out of that era of Disney animated films.
After their wedding, Cinderella (voiced by Jennifer Hale) and Prince Philipp (voiced by Christopher Daniel Barnes) are celebrating with The Fairy Godmother (voiced by Russi Taylor) when Anastasia Tremaine (Tress MacNeille) spots them. Realizing what the fairy must've done on the night at the ball, Lady Tremaine (Susan Blakeslee) steals the magic wand, uses it to turn The Fairy Godmother to stone and then alters the the past. Now, when the Grand Duke (Rob Paulsen) tried to put the glass slipper on Anastasia, it fit and Cinderella’s happily ever after is about to vanish.
I know you’re raising an eyebrow at the concept of a straight-to-DVD second sequel to a movie made 50+ years prior but hear me out. Firstly, this is a “true sequel” rather than a re-tread of the first. Lady Tremaine was so wicked and cruel when we met her. Don’t you think her hatred for Cinderella would keep going? She’s always wanted her daughters to be above Cinderella and now, she’s found a way to do it. Right away, you’ve got high stakes. Once Anastasia and the Prince marry, it’s over. Cinderella will never have an opportunity to live happily ever after and who knows what the kingdom will turn into with Lady Tremaine in the castle. Saving the day will be an uphill climb, as Cinderella will have to do everything on her own -no fairy will come to her rescue this time. At best, she can call upon her bird and mouse friends (Gus - voiced by Corey Burton - and Jaq - by Rob Paulsen - return). If those odds weren't steep enough, Lady Tremaine, Anastasia and Drizella (Russi Taylor) all remember what happened before the timeline was altered. No one else does, including the Prince, whom they promptly mind-control using magic.
It may come as a disappointment that A Twist in Time doesn’t really acknowledge Cinderella II: Dreams Come True but it’s almost as if the people who worked on this film looked at the previous one and said, “You know what, I think we’re onto something here… can we try it again and give it our all this time?” Like its predecessor, Cinderella III spends a lot of time on Anastasia. She gets plenty of character growth as she begins questioning what her future will be like. She's about to marry a man who does not love her, all because her bully of a mother wants more power and (more importantly) to get revenge against someone who’s never done anything wrong to them. This anxiety leads to some tender moments between the King (Andre Stojka) as he confides with his future stepdaughter.
Overall, the quality of the animation, voice acting, humour, romance, drama and characters are consistent enough with the original (without ever matching it) that undiscerning viewers will be fooled into thinking the movies were made within a short period. The one area where there is a significant drop in quality are the songs. None of them are bad but neither are they any special or memorable. Another element to improve would be the film’s opening. Cinderella III= only lasts 70 minutes so the plot wastes no time getting started and it really could’ve used a bit more room to breathe. I won’t hold these flaws against it too harshly. In a perfect world, this film directed by Frank Nissen would’ve gotten a bigger budget and a theatrical release but no way was that going to happen. Ever. Who would buy tickets for a time-travel/alternate-universe version of a beloved classic made half a century later, particularly considering the reputation of Disney sequels? The fact is everyone working on this movie cared. They cared A LOT. They made the best movie they could with the resources available and they should be applauded for it.
Cinderella III: A Twist in Time is a good film. It’s an engaging sequel that brings the elements and characters you love back, tells an original story, and surmounts the obstacles placed in front of it spectacularly. It maintains the spirit of the original, down to the most “action-packed” scene of the film: a thrilling chase that’s a mirror-world opposite of Cinderella’s ride inside the pumpkin carriage on the night of the ball. I hope this movie finds the audience it deserves. Anyone who catches it should stay for the end credits to see a bonus scene halfway, along with several amusing gags and an epilogue as well. (May 28, 2021)
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radishtears · 3 years ago
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qqgk prompt list
(procrastinating again so I guess it’s time for more JiuHuo thoughts…)
(for the two and a half people in this Eng fandom, feel free to let me know if any of these sound interesting and maybe I’ll be inspired to actually write some fic ^^ …or tell me your suggestions!)
Post-Canon
temporary amnesia: QJ’s memories reverts to double examiner timeline for a day or two and YH (at Chu Yue’s insistence) pranks him because he’s mad about it - mostly fluff (already started writing this but am currently stuck)
cosplay convention: probably quite ooc - Yu Wen begs YH to help out his girlfriend’s cosplay club and YH (and QJ) gets dragged into convention activities - dressing up and acting out various scenarios link: https://archiveofourown.org/works/39970308
headache: YH gets a migraine for the first time since leaving the System and Chu Yue teaches QJ how to take care of him - QJ discovers YH used to get them all the time - QJ reflects on the time lost between them
attempted robbery: YH has a terrible day and thwarts some criminals along the way
presumed dead: QJ receives the news that YH has been killed in action - plot
undercover i: JiuHuo put on a show to draw out a mole - melodramatic
injury: JiuHuo getting mad at each other for taking risks - QJ’s mission takes a turn for the worse and YH leads a rescue team to go extract them - protective boyfriends
surprise: QJ happily returns home for the day only to find bloodstains and no YH - what happened?
Double Examiner Era
fever: YH is ill and, for some reason, QJ has the urge to take care of this so-called adversary of his - bittersweet ao3: link
drunk: QJ gets tipsy (or does he??) and his companions look on in horror as he starts teasing/flirting with Examiner A
unexpected interlude: a bug causes examiner!YH and examiner!QJ to take a trip to “the future” where they witness post-canon!JiuHuo’s relationship - crack, probably - time travel-ish
AUs
schoolyard romance: QJ crushes hard on the new transfer student
undercover ii/pretend relationship: JiuHuo, exes who parted years ago, reunite when a mission requires them to play boyfriends/husbands
undercover iii: police officer!QJ falls in love with local florist/cafe owner/musician/hooker!YH who turns out to be a special forces agent in disguise
black cat: supernatural - human!QJ and leopard!YH - post-canon and/or completely AU
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whatifyoulivelikethat · 4 years ago
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tuxedo iv, m | myg
pairing(s): yoongi x reader, mentions of previous jungkook x reader
summary: Your life? Oh, it’s normal. Your cat turned into a man yesterday and you just now humped his leg to orgasm. Sorry, what? That’s not normal? O-Of course, it is! It’s like... having a roommate! You argue because you recorded him without his consent. You eat noodles that he’s trying not to bat at all meal. There are skeletons in your closet. Your fingers get stuck in a Chinese finger trap and then you get fingered. Totally normal, by the way!
warnings: rated M (18+) for language, mentions of the coronavirus pandemic; possibly full-on crack; Yoongi LOVES his box; smut (fem reader, mild restraint, penetrative sex, forced orgasms, intentional voyeurism (tsk tsk, Shooky), fingering); domestic and soft moments with your cat-man; non-idol!AU - cat!Yoongi x human!reader; ft shy boy Jeon Jungkook (gasp!!!) POV and bestfriend!Kim Seokjin POV; breaking of the fourth wall; you ARE a furry, oh well
yes, I reference Jin’s iconic Billboard interview answer, The Lion King (1994), Yoongi’s BTS café cereal milkshake, Bill Nye the Science Guy, PENTAGON’s ‘DO or NOT’ / ‘Shine’ / ‘Humph!”, “you got no jams”, The Addams Family (1991) – also there’s a bit of a meme scavenger hunt, I reference too many to list XD
part i | part ii | part iii
-
So.
You kinda.
Humped your cat-man’s thigh to orgasm.
You animal.
“Ah… Yoongi,” you started as your cat… man tilted his head, blinking slowly. Unnerving. Why was he staring like that? It reminded you of his previous cat self, where Shooky would watch you with his minty-green eyes, cat face expressionless, whiskers unmoving. What were cats thinking about all the time anyway?
Better yet, what the fuck was Min Yoongi thinking?
You knew what you were thinking. You were thinking that you couldn’t stare at you cum stain on his pink silk pajama leg all day, because that was a master yikes. He had tons of clothes still piled next to the front door of your apartment. All you had to do was convince him to change his outfit. Simple. Easy. Don’t make this weird. Be casual. Be cool as a cucumber. Chill out.
“Um… You should… take off the pajamas… so I can wash them… there are still more clothes you need to try on from the order, right…?”
Your dignity threw up their hands. Why do I even bother being here? I get ignored, the brain in here is smoother than KY Jelly on glass, and you would know, wouldn’t you, you–
“Take them off for me.”
“… P… Pardon?”
“I’m joking.”
He raised an eyebrow, glancing down at your raised hands. You abruptly dropped them, shoving them behind your back. When did that happen? Why did you make grabby hands like that? Surely not because you were expecting anything, right? Definitely not. Not you.
You need help. 
Yoongi turned around, black fur tall swishing, the back of his pink silk pants half-lowered. Your jaw went slack, only to forcefully shut back into place as you realized he was still wearing his black boxer briefs since you had spent yesterday sewing tail holes in his convenience store underwear. Of course, he was still wearing them. There was no reason to take them off.
What, did you want to look at his booty again or something?
(Yes.)
He went through the doorframe of your bedroom without saying a word. 
Hold on a second.
Did Yoongi let you ride his thigh to orgasm, be sweet to you for two seconds, only to fucking bounce without a peep of acknowledgment? Just fucking yeet? Act like that was totally ordinary behavior and saunter off?
Say sike right now.
A millisecond of bravery shot through you and you bolted out of your chair, your desk rattling with your sudden action.
"Yoongi–!"
You nearly collided into him. You weren’t expecting him to be facing you and you yelped in surprise, skidding on your heels. His hands stopped your hips, freezing you in place so you didn't barrel headfirst into his chest. You flailed about, struggling to regain your balance. All this happening while he continued giving you that deadpan stare. Did anything faze this (cat) man? Shit, you were too close to his face. So close you could feel his breath on your nose. 
"You should change too."
Brain malfunctioning at the softness of his tone.
"... W-What?"
Then your neck, ears, face, even your past and future self, the whole timeline became hotter than a supernova, brain erupting into nuclear fusion as Yoongi's deft fingers slid up to the waistband of your leggings, hooking underneath, stroking your skin. He leaned forward, dark eyes out of your vision, chin hovering above your shoulder. 
"Urk?!"
He started pushing your leggings down. 
He started.
Pushing.
Them. 
DOWN!!!
"You can't stay like this all day, right?" Yoongi murmured gently, voice so deep it was resonating in your empty brain, completely clear of all thoughts except those cool fingers pushing your black leggings down, the skintight fabric catching your soaked panties and taking those on the path to hell too, which was probably where you were headed at the rate this was going. "It would be a good idea to change clothes, I think."
You think, Yoongi?
Not you. 
You don't have think. 
A shrill barrage of low meowing cut through the silence.
Your phone was ringing violently in your room. Yoongi paused, backing up with a frown.
"Why is your ringtone a cat chattering?" he asked, tilting his head quizzically. The continuing sonata of cat chitters escalated before his dark eyes narrowed in recognition. He glared at you and pulled his hands away from your hips, snapping you out of your daze.
"You recorded me?"
"What, what, what?" You blinked rapidly, hearing the familiar sharp chirps and barks of Shooky the cat yelling at birds outside the window. "Oh! Well, yeah... it was funny," you explained weakly, trying to shake out the fog of your horny brain. 
"There's nothing funny about trespassers," Yoongi hissed, turning his heel and swiftly marching away. 
"Trespassers?" you echoed, blinking in confusion. That’s why he yelled at them as a cat? Did he think he owned all the land the sun touches or something? The sound was getting louder and louder, indicating the call was about to be missed. No time to think about it. You rushed back into your room, nearly half tripping with your leggings only partway on your ass, scrambling to answer your phone. There was an uncomfortable squish between your legs. Yikes. You did need to change. 
"Hello? Oh, yes, the video? I'm putting it in the Dropbox right now," you babbled, clicking out of a bizarre pop-up ad with some brown-haired guy in a sienna floral shirt and a boxy smile before placing the exported video in the shared Dropbox folder. 
"Sorry, yeah, I know I usually have it done earlier. It's been a weird couple of days..."
-
Kim Seokjin was furious. 
Furious! 
His best friend ignored his face. His beautiful face! How could she! He fumed, deciding to instead spend his time wisely, as he always did.
He stared at his reflection and nodded, stroking his chin. Yes. A true winner. Look at that brilliant smile. Perfect. He looked great today, as he did every day. Seokjin looked away from the mirror on his desk and went back to his MapleStory life.
-
After a quick change and final edits of the completed video sent off to the client, you left your room to find that Yoongi had stacked his new clothes on the coffee table. The brown cardboard box was on the sofa with him (???), as if it was a human being instead of an ordinary box. He had neatly folded the plastic packaging and placed it on the kitchen counter so you could sort it into the correct recycling. 
"Oh... thanks."
He was now wearing a white t-shirt and black pants that actually seemed like they fit, the back of said pants halfway down his butt to accommodate for his tail. He was watching that historical drama; eyes glued the television. The dark brown orbs were hidden by his curtain of black hair. His pointed black ears were turned away from your direction, as if he had no desire to listen to anything you had to say.
As usual.
Yoongi's response was grunting disapprovingly at you. 
You sighed, feeling a little guilty.
"To be fair, I couldn't really ask your consent when you were a cat."
Your cat-man appeared to be out of fucks to give. "You should do laundry," he huffed gruffly. 
You scooted away awkwardly. "Er... yeah. Let me order some delivery for lunch first..."
-
"Yoongi."
"What?"
"What are you doing?"
He stared at his chopsticks, holding them up high. 
"Hmm..."
His pink lips twisted, narrowing his eyes. The fingers in his other hand twitched. He had been staring at the noodles in his ramen for the past five minutes. They were probably cold now. You were getting a bit worried that he didn't like carbs or something. But then you realized that wasn't the case.
His fingers twitched again. 
"They're noodles. Not string."
Yoongi didn't reply, itching to bat at the long noodles. 
"Just put them in your mouth."
He gave you this look. As if to tell you, you don't usually say that. Usually someone else tells you that. 
You thinned your mouth into a line. 
"I know you're admiring the skinny legend that is noodles, but, yes, they're edible. Need I remind you that you used to eat string and I had to pull it out of your mouth when you choked on it?"
Yoongi scowled. Apparently, he did not like being reminded. It wasn’t that pleasant for you to remember either. At least you never had to wait until it passed through his body and never had to pull it out of the other end (ew). He peered them for several more seconds before putting them in his mouth. You noticed his ears perked up as he ate. 
"You like them?" you asked.
He hummed, not looking at you. Was Yoongi still angry about the recording thing? You weren't changing your ringtone regardless of his dissatisfaction. It was cute. You liked it. And he was being a drama queen, acting all catty.
Hold on. 
He was a cat. 
(Man.)
-
"What is this?"
"Dessert."
You took a sip and choked a little at the grainy taste. 
"Is that cereal?"
"Yeah. It's too hard. Better this way."
You gawked at him, holding the weird cereal milkshake with one hand and his half-sewn pants in the other. Was Yoongi being serious or fucking with you? You couldn't tell. His expression was completely neutral. His cat ears were straight up, trained in your direction, judging your reaction. He lifted his free hand and dropped a handful of rice crisps on the top of the thick white drink.
Well. 
Not your preferred thick white drink. 
(You nasty.)
He nodded sagely and sat down beside you. 
"Show me how to sew."
-
We interrupt your regularly scheduled program for you to, please, consider the following. 
See, by all recommendations of building healthy relationships, you should have been a responsible human being and had a serious, but necessary, conversation with your (new?) cat-man. 
Hey, Yoongi, I find you quite physically attractive and we had that moment in my bedroom, so maybe there's some chemistry and, oh, I don't know, maybe you could stick that prefect looking dick inside me because I've been thinking about it nonstop since (checking watch) the literal second I realized it existed, not to be too forward or anything, you know?
That kind of speech could get you a quick restraining order in most cases, but this was your cat (man) who had lived with you – maybe against his will but, then again, he got fed regularly and when you were previously a stray you can’t complain.
So. 
Do or not?
Hmm...
You could have admitted these things, but, alas, this was not the way. No, the way was to remain an absolute fucking mess every time Yoongi leaned over your shoulder to inspect your needlework, nearly stabbing yourself in the finger, your heart leaping your throat, strangling yourself with anxiety. 
Fun!
Could everything be quickly solved by telling the truth?
Debatable. Yoongi didn’t seem like the kind of (cat) man to give you a straight answer. Not because he couldn’t. Mostly because he seemed to enjoy watching you struggle. Were you picking up on that? 
No. You were too busy thinking about dick. 
His dick. 
Honestly, don't know if you should laugh or cry right now. 
-
Jeon Jungkook flipped his phone around and around in his hand, scrunching up his face.
Should he say something?
Yes. No. Yes? No. Yes… No, no, no.
He sighed and threw his phone onto his bed.
He missed and it slid off, hitting the floor. 
That was a bad sign.
“Shit.”
He dived onto the bed, scabbing around on the hardwood to pick up the fallen device. Ah, how come he was thinking about this now? He knew why. He had watched a funny cat video of a tuxedo cat and it reminded him of a certain naughty little fluffball always following around a certain owner. Jungkook hadn’t contacted said owner in nearly a year. Wouldn’t it look bad if he said anything now? But he couldn’t not think about it either. That smile was on his mind all the time now. That feeling from back then, floating around in his head. He sighed again, followed by inhaling with his upper teeth pressed against his inner lower lip, creating a loud sucking sound that no one else could hear because he lived alone.
Alone.
Jungkook lifted his phone, dying sunlight reflecting off the screen, a shine that blinded him for a short moment. He clicked his tongue, squinting as he spied the number still on the screen.
“Ah, why am I always a loser in front of love?”
He wasn’t really saying it to anyone in particular. No one could reply to him anyway.
He tossed the phone carelessly on the pillow and it slid behind it, falling in between the mattress and the bedframe.
“Shit!”
Jungkook spent five minutes fishing his phone out of the narrow crevice before firmly placing it on the bed beside him, pointing at it angrily, glaring at it.
“No! Bad.”
The phone did nothing. It was not sentiment.
Humph! He let out a frustrated puff of breath and flopped down on the bed.
His phone flew up from the force of his flop and smacked him in the nuts.
“SHIT!”
-
“Huh, you pick up things so fast. So meticulous.”
You watched as Yoongi brought the needle through the fabric in slow but clean strokes, following your previous demonstration. For someone who only had opposable thumbs for less than two days, he was surprisingly dexterous. Seemed like he could do a lot with his hands. No. Stop that. Stop being weird.
“Are you a genius?”
Yoongi didn’t hesitate, not looking up.
“Of course.”
You regretted asking. He continued, oblivious to your annoyed expression.
“I’m a cat.”
“All cats are geniuses?” you retorted disbelievingly.
“Most of them are.” His eyes flickered to you, eyebrows raising. “Compared to humans anyway.”
Was this a dig at you and your missing brain cells after running into things chasing after him and your brain exploding at his hotness? Which he wasn’t, by the way. Yeah, that’s right. Take that, Min Yoongi! You’re being mean, so therefore your attractiveness points are going down in this brain, yes, they are and there’s nothing you can do about it, yup, absolutely NOTHING–
He held up the pants, showing off his handiwork.
“Did I do a good job?”
His voice was soft, unsure, head slightly tilted, velvety ears eagerly perked to listen to your response.
Oh no.
Oh nooo.
Oh nooooooo.
He’s cute.
“Yeah. That looks amazing, Yoongi,” you heard yourself saying, smiling at him.
His fair-skinned cheeks flushed pink, lowering the pants quickly to snip the excess thread off, placing the needle in the cat-shaped pincushion like you had done earlier so he could carefully tie a knot to seal his hard work.
Shit.
You were whipped for him.
Damnnit.
To be honest, nothing had changed. You were whipped for him as a cat too.
“I’m going to clear out some space the closet so you have somewhere to put your clothes, okay?”
“A-ah… Thanks…” he mumbled, picking up another pair of pants. Jeans this time.
“Oh, with these you can simply cut the hole. No need to sew because this type of fabric won’t fray too much. Ah, but not directly on the seam. Maybe here?” You pointed slightly to the right of the back middle seam. Your mouth kept talking despite not having any more instructions for him. “Did you know the butt rip was fashionable among women for a little while? Under the pocket though, not the center. That’s just weird.”
Yoongi tilted his head the other way.
“Women are weird,” he said in a deadpan voice.
You narrowed your eyes. “Oi.”
He picked up the scissors, raising an eyebrow at you. “Are you not weird?”
You opened your mouth to reply, but nothing came out. He’s got you there. Shit. You puffed your cheeks and turned around, stalking off to your bedroom. Why was he always right? One day, he won’t be right and you’ll mark it on your fucking calendar. Humph.
You slowed at your doorframe, remembering his sheepishly proud face as he showed off his sewing. Crap. What was Min Yoongi so cute for? And how were you supposed to look at other guys after knowing your cat (man) was so damn adorable? And observant and diligent? And driven to be independent, asking questions and trying to do things on his own not even forty-eight hours after becoming human? Cooking, sewing, folding his own clothes… what’s next, playing the fucking piano?
Yeah, right.
You snorted and went into your bedroom.
-
“What’s this?”
You looked up, half-buried in idol merchandise you didn’t even know you had. How long had these sweatshirts been sitting here in their plastic packages? And these posters left in the tubes at the back of your closet? You shouldn’t own so much stuff. You should sell it. You weren’t going to, because these were limited edition items and you would have to be crazy to sell stuff with the cute faces of your favorite idols. You stuck you head out of the closet to see what Yoongi was referring to.
“What? Oh, that?”
You wheezed in embarrassment, ducking back in the closet, pretending to be busy.
“Uh… so… YouTube and Twitch had a crackdown on using copyrighted music and I thought, well, maybe I could maybe make my own, so I brought a keyboard but, uh…”
You rubbed the back of your head sheepishly, trying to figure out how to say you had no musical inclination and only had the ability to appreciate it.
“Basically, I got no jams.”
The keyboard was still in its box. You had opened it and attempted to learn piano, but well, you were shit. Also, you gave up pretty quickly. It was embarrassing considering you had spent so much money on it and were all confident when buying it, only for it to become a hidden occupant in the back of your closet. This was before Shooky – er, Yoongi – had come into your life. Yes. It had been there for literal years.
“I was going to donate it,” you added with a sigh.
You suddenly noticed something out of the corner of your eye. You frowned and reached in, grabbing the thin, hard object before pulling it out.
A…
Skeleton in your closet.
A long-lost Halloween decoration? Why was this here?
“Can I have it?”
You looked up, holding the mysterious plastic skeleton like a small child. “What?”
Yoongi pointed to the keyboard box, black tail swishing rapidly. There was a liveliness in his dark brown eyes and his pointed ears were sticking straight up. You narrowed your eyes.
“You don’t want that skinny box for some reason, do you?” you accused.
He pursed his lips at you, scowling. “No, you can throw away the box. I want to keep the keyboard.”
Huh? “Uh… okay, I guess. More space in the closet, I suppose. Oh, wait…” You stumbled into the back of the closet, feeling around. “I brought a stand for it, hold on… fuck!” You jammed your finger against a metal pole and howled, quickly retreating your hand to massage it. Fuck, that hurt! Scowling, you reached back in to grab the metal keyboard stand and yank it out from between your tightly packed clothes.
“Are you dead?”
“Shit!”
You jumped nearly ten feet, almost banging your head on the clothing rail if it wasn’t for Yoongi’s swift movement of grabbing your shoulders, pulling you to him. He didn’t have to pull far, because he was right behind you. How did he always sneak up on you when he wore a damn bell around his neck that announced his presence? Sorcery. Aliens. Voodoo witchcraft. Now you were convinced these things existed.
(Your cat turning into a man wasn’t enough for you to believe in magic? What’s wrong with you?)
“You’re really clumsy,” Yoongi remarked.
No, you’re spooky, you thought. One of your hands was on his chest. Instant heart palpitations. And handsome. Crap.
“Are you going to do something weird again?”
Weird? You were never weird. What was this man going on about? You needed to reprimand him. Put him in his place! Enough is enough, Min Yoongi! You can’t win over me every time! You raised your head to face him, opening your mouth to give him a piece of your mind.
Yoongi was centimeters away from your face.
You froze.
Ice effect overlapping your whole body.
You dropped the keyboard stand.
Thankfully, it simply fell against your clothing, leaning against your sweatshirts. It stayed upright, held up by the clothing. You didn’t have to worry about it for the time being. It was perfectly fine, unlike you. You were not fine. Not fine at all, staring at Yoongi’s upturned upper lip and unreadable dark brown eyes, slowly blinking at you. Hands on your shoulders, holding you close to him.
Not letting go.
!!!
-
Jeon Jungkook placed his phone on his desk and chopped the air, threatening it.
It wasn’t sentient.
He still didn’t trust it.
He glared at his phone angrily and shuffled back to his bed to have a nice, calm rest that didn’t involve his nuts getting destroyed. Ugh. He was bored. He had plenty to do. Schoolwork. Studying. Cleaning his room covered in clothes. Attempting to cook.
Jungkook made a face at the ceiling.
The last time he tried to cook some glazed sweet potatoes they had been glued to the plate somehow. A neat magic trick, but not edible. He couldn’t get them to unstick, much less be eaten. He had to order out that night. Come to think of it, he spent most of his money on ordering out. Maybe that was a bad habit.
He ran a hand through his bleached, blond hair that had too much toner in it so it had turned slightly silvery-purple. An at-home experiment. Another bad habit.
Jungkook groaned, rolling onto his face.
“I need someone older to take care of me,” he mumbled into the sheets.
Someone older… with a certain tuxedo cat, perhaps? He pouted even though no one was there to witness his cuteness.
“Ahhhhhhh…”
He yelled quietly into his bedding, letting go.
Finally thinking about you.
In front of you, he could tease. He could poke fun. It was easy. You were just so flustered around him, not really trying to hide your attraction to him. The first time he had met you was when he went bowling with Seokjin-hyung (he won, much to the disdain of his hyung). You had stopped by to say hello and Seokjin had introduced you two. It had been a fairly innocent meeting, mostly because for a long time Jungkook couldn’t open his mouth to say anything at all. You were wearing a huge white t-shirt with a colorful strawberry graphic, a wide-brimmed straw hat, and white sneakers with black laces. It had been a hot summer day, he remembered. You were already pretty simply by standing there, chatting animatedly with his hyung. Jungkook tried not to look too closely, sneaking glances in between your conversation.
Seokjin had absolutely no qualms about shitting on your outfit.
“Yah, grandma, you’re off to pick some strawberries in the field or something?”
You had shoved him, rolling your eyes. “You’re a grandpa too! Look at you, losing to kid.”
Was that referring to him? “Ah, I’m not a kid.” Shit. His Busan dialect slipped out a little in his nervousness, deepening his voice.
Your cheeks had peppered pink. “A-ah… right…”
Oh?
Oh!
Oh!!!
You shook your head abruptly and reached into your tuxedo-cat-printed tote bag. “Here’s your freaking hard drive, you monkey,” you had said to Seokjin, handing over the small paper bag.
“Did you manage to restore all my files?” Seokjin asked worriedly, completely ignoring your insult.
You shrugged, looking rueful. “I don’t know how many you had, but I did the best I could.” You leaned forward, eyes narrowing, whispering in his ear. Didn’t matter. Jungkook was close enough to hear.
“Stop downloading porn!”
Jungkook snorted.
Seokjin glared at you. “Excuse me, I am living a healthy lifestyle, do not judge me!” he hissed. “And not in front of the child!”
Yeah, well, Jungkook didn’t let you think he was a child for long.
He wasn't really sure why he was attracted to you. It wasn't only because you were pretty. He just had a strong urge to get a reaction out of you. Ah, maybe that was it. He liked seeing your reactions to things and did everything he could to get more and more interesting reactions out of you. You never told Jungkook to stop. You told Seokjin to stop all the time.
"I swear if you make one more pun, I'm going to tie your tongue into a knot!"
"Then I'd really be tongue-tied, eh? Eh?! WAIT, NO, WATCH THE FACE, NOT MY FACE!!!"
Jungkook couldn't help himself. He had to mess with you. 
Fuck. 
(Yes, actually.)
He couldn't stop. It was too fun. It didn't help that you had a cute surprised face. Didn't help that you had a great smile. Didn’t help that you had an amazing body under your clothes and knew exactly how to use it (Jungkook wouldn’t admit it, but he learned a lot from you). Didn't help that you would chase after your tuxedo cat and scoop up that furball even after getting railed by him, which Jungkook found very impressive. 
"Shooky, you loon, I told you to stop running on the counters..."
And you would cradle that cat to your chest, petting his head and waiting for him to purr and lick your nose before releasing him, satisfied that he was no longer going to be a menace. He still was though. He was a cat. You forgave Shooky every time. 
Just like how you let Jungkook get away with everything. 
Present Jungkook frowned, rolling onto his back, frowning at the ceiling. Maybe you thought he was a fuckboy and had a negative image of him. He scratched his head, tongue in cheek, thinking hard. No. You didn't seem like the type. You were never angry at him, not really, not even when he interrupted your work to mess around in bed. Exasperated, maybe, but it never seemed like you were holding an internal grudge or upset at his nonchalant actions. Ah, but he hadn’t tried to talk to you in almost a whole year. Would you think he was a dick if he tried to contact you now? He couldn’t ask you. He couldn’t ask your best friend. Seokjin-hyung still had no idea. 
Jungkook laughed to himself. 
He kind of went behind his hyung's back, whoops.
He looked to his left side, the side you used to fall asleep on when he spent the night. He could imagine it, your past self and his past self, your hair on your pillow, blankets loosely over your chest, his hand on your breasts as you slept. 
A pair of mint-green eyes glaring at him from the left side of your body. 
Jungkook remembered poking that pink nose with his index finger, the rest of his hand still on your tits. The tuxedo cat had given him a very displeased look. 
"Are you mad?"
The cat didn't reply. He was a cat. 
"You're really lucky. You get to be with her every day," Jungkook had whispered, not wanting to wake you up. "She takes good care of you, you know. I see how much she loves you."
The cat closed his eyes, resting his furry head on your arm. 
"Do you love her back?"
Maybe. Maybe not. Jungkook didn't know. He wasn't a cat. He couldn't ask in cat language. He let go of your breasts for a second to scratch the top of Shooky's head, right between those velvety ears. He began purring like a little motor. 
You continued your adventures in la la land, oblivious to this interaction. 
"I guess cats are kind of simple, huh?" Jungkook mused, smoothing out the black fur on top of that little head. "You don't have to think about much. You don't have to get a job, plan for the future, or worry about being a good husband."
His hand lowered.
"But I do."
You breathed softly against him, nuzzling closer to his body. Jungkook put his hand back on your breasts and you stilled, lost in your dreams. He breathed out, warmth against your skin. He saw the side of your lips twitch ever so slightly upwards, but maybe it was only his imagination wishing to see what he wanted.
Only a wish.
He had placed his nose by your cheek and breathed in, losing himself in dreams as well. 
-
Yoongi looked into your eyes. 
Then both of you turned to opposite sides and sneezed loudly.
"Fuck–"
"That was horrible," Yoongi hissed, rubbing his nose with the back of his hand and backing up. "Ugh, human bodies are awful."
You shook your head roughly. "Someone must be thinking about me... and you, I guess..." you mumbled, clearing your head before prodding him in the chest. "Also, last time I checked, now you're human too, so jokes on you. Hope you enjoy the suffering!" You stuck your tongue out childishly.
Yoongi gave you an annoyed look, reaching over you to grab the keyboard stand. You stiffened at his closeness, but he quickly withdrew, taking the metal stand and leaving you disappointed, but not surprised. Couldn't even pretend to be shocked.
He lifted it up so it wouldn’t drag on the floor and began to walk out of the room, ignoring you.
Classic. 
You thinned your mouth into a line and picked up the white plastic skeleton. What to do with this? Fuck it. Back into the closet it goes, along with your winter wardrobe, summer wardrobe, and other knickknacks.
Well. 
Maybe you could donate a couple things to charity. 
Like this Chinese finger trap. Why was this here?
You stuck your fingers in it. 
S... shit!
Yoongi reappeared to grab the keyboard. You opened your mouth, about to ask for help, looking up to see your cat-man standing in the doorframe of your bedroom, glaring. Very displeased and disapproving, reminding you a whole lot of a certain tuxedo fluffball.
"I'll say it again."
Huh? You gave him a confused look. 
He pointed to his pointed, velvety black ears. 
"I'm a cat, duh."
And then he walked out. Fuck him. You didn't need his help. 
-
You couldn’t get it off.
Panik!
Yes, you can. It was just a finger trap. You were smart. You graduated university. You had been a human for many more years than Min Yoongi. He had been human for two days! And besides, Yoongi was mean. You didn’t need a meanie to help you. You were a strong, independent woman who didn’t need no (cat) man.
Kalm.
You…
You…
You couldn’t get it off!!!
PANIK!!!!!!!
-
“… What are you doing?”
You were the epitome of the emoji holding back tears.
“Y… Yoongi…” you whined.
He blinked at you, holding the manual of the keyboard upside down. The keyboard was already set up on the stand, pushed up against one of the walls of your living room. He was using the cardboard box that his clothes came in – he really loved that damn box – as a makeshift seat.
“Are you dying?”
You held up your hands, pouting. The bronze dragon Chinese finger trap was still stuck on your index fingers. It had been roughly twenty, maybe thirty minutes.
Your cat-man just blinked at you and it.
“I… can’t get it off… Help…”
He raised an eyebrow and put the manual on the keyboard before walking over to you. He placed his chin in between his index finger and his thumb, frowning. Looking this way and that. The realization was slowly kicking in.
Yoongi wasn’t hiding his smirk very well.
“You know how to take it off!” you howled, smacking him in the chest.
He cackled, backing up as you repeatedly whacked him with the back of your hands, furious because it was obvious that he knew what to do and was simply not doing it to piss you off, his grin getting wider and wider, still not saying anything, this little shit, backing up into your living room as you chased him, stupid cat-man was fucking fast, dodging you easily, your joined hands and annoyed demeanor making you a bit wobbly.
“Min Yoongi, I swear I’ll–”
“You’ll what?” he teased, raising his hands in mock innocence. “Maybe I don’t know?”
You scowled at him. “You definitely know.”
He smirked.
Shit.
It was sexy and you were supposed to be mad!
You were next to the keyboard now. And a certain something. Hm. You jerked your head to the cardboard box. His eyes widened.
“You wouldn’t do such a thing.”
“I would.”
“You wouldn’t, you heathen.”
“You better fucking believe I would!”
(You’re threatening to recycle a cardboard box to force your cat-man to get you out of a metal finger trap that you put yourself in. Um, are you okay? Better yet, are both of you okay???)
He marched over to you, relenting with an angry huff, yanking up your hands.
“There’s a trick to it, of course.”
He pressed the dragon’s horns in tandem with the dragon’s beard on either side and the trap released your red fingers, making you gasp at the sudden freedom. Holy shit. You stared at your freed index fingers. You had two hands. Wow. Amazing. Show stopping, spectacular, never the same, totally unique…
Yoongi placed the finger trap on the coffee table.
“Hmph. This thing is probably only worth three dollars.”
You poked your index fingers together, suddenly ashamed. “Sorry I threatened your box.”
Yoongi grunted, cat ears flicking back and forth in annoyance.
You poked his stomach with your index fingers. “Er… I just… wanted you to help me...”
“You weren’t going to do it anyway.”
You puffed your cheeks, narrowing your eyes, irritation flaring back. “Well, maybe I was! What were you going to do, leave me like that, unable to use my hands for the rest of my life?” You jabbed him repeatedly in the chest, driving your point home in between your snappish words. “Hmm? I need hands to do things! Important things!”
Yoongi suddenly grabbed your wrists and held them up over your head.
(Aw shit, here we go again.)
“Y-Yoongi?!”
He raised an eyebrow at you.
“What important things do you need to do with your hands?” he asked.
Oh shit.
Oh no.
Why was his vice suddenly so deep? Did he even know???
Your eyes widened, brain malfunctioning, your last two working brain cells rushing to the library to find the book titled ‘things you can do with your hands’, opening it, reading, handsy things. That was it. That was all you had at this moment. Why was it that your brain had the memory equal to the RAM of a fucking Tamagotchi every time your cat-man touched you?
Oh, yeah, that’s right, because he was a cat literally two days ago and you never thought about fucking your cat because that’s just fucking weird, but now he’s a man, so maybe it’s okay, unless it’s not, and then what does that make you? FUCKING WEIRD, THAT’S WHAT.
You yelped as your back collided to the wall. When had you walked that far? What was going on? What was life??? You were yanked back to reality as Yoongi leaned down, tilting his head, eyebrow still cocked, dark eyes darker from his fluffy black hair falling over his eyes.
“I hear you don’t always like being able to use your hands.”
Holyfuckingshitcrap.
Instantly, your cheerful brain decided to play the memory of you begging Jeon Jungkook to hold down your wrists so you couldn’t stop him and his relentless assault on your pussy, one hand grasping both your wrists and the other rubbing two fingers on your clit, thrusting his hard cock in and out of you as he abused the sensitive bundle of nerves, pinning you to your bed, panting in your face.
“You like this, noona?” Jungkook had purred.
(Respectfully.)
Voice low, deep, and sexy, driving you insane, waves of pleasure crashing into you over and over, pussy throbbing with repeated orgasm.
“F-Fuck, yes, oh fuck, Jungkook, yes… don’t s-stooop…”
Shooky had sat on the highest level of his cat tree, glaring down at you two.
Shit, shit, shit…
Yoongi leaned in even more, eyes disappearing, lips next to your ear. You felt him transfer one of your wrists to his other hand, now holding both with one hand as the other fell against your body.
“In fact, I’ve seen it firsthand,” he whispered, low, soft, dangerous.
Your brain ended the film reel in your head, giving you two mental thumbs-up and beaming happily at you as if it had done a great thing.
No, brain.
You’ve fucked me over and now I’m horny as fuck!
A needy whimper popped out of you as Yoongi’s free hand slipped between your bodies, fingers dancing deftly across the fabric of your sweatshirt, following the rhythm of your racing heart as it went down, down, too fast, sanity unable to keep up, you rising into his touch, his fingers sliding underneath the waistband of your leggings. This pair wasn’t as tight as the previous pair, but the fabric still clung to your skin just as tightly.
Wait. Is that you? Moaning?
(Yes.)
He dragged them down your hips, having to let go of the waistband for a moment to push them past the sides before resuming, you moaning in the space where he should have a human ear, but he didn’t, because Yoongi was a cat-man and his pointed furry ears were at the top of his head.
“Y… Yoongi…”
“Hm?”
His soft lips lightly pressed against your ear and you shivered. His grip on your wrists wasn’t very tight. You could break out any time. He was only loosely holding you.
“I… I am…” you quivered, voice shaking.
“I want to make you feel good.”
His murmur was so gentle, so calm, so quiet that it almost didn’t feel real. Almost a purr.
“Do you want me to make you feel good?”
Thump.
Thump.
Thump.
“Yes.”
You said it.
Your panties were leaving with your leggings, shoved down mid-thigh. Your name in your ear, spoken by Min Yoongi, his body hovering over yours, black hair against your cheek, his fingers slipping between your legs, your heart slamming in your chest, thighs squeezing his hand.
“Feels nice here,” Yoongi mumbled, breath feathering on your skin. A single finger grazed your wetness and you gasped, his raspy chuckle in your ear. “Wet.”
Your eye twitched, slightly annoyed. No, really? Thanks for letting me know, it’s not like I can fucking feel it myself or anything, I absolutely need your riveting play-by-play–
“Urk!”
Yoongi scooped two fingers into your pussy and felt around inside, rubbing his fingertips against your throbbing walls.
“Ah…” He was breathing hard, pushing them in joint by joint, his own inhale shallowing. “Fuck, it’s so tight in here, are you alright?”
Oh, my fucking God, Yoongi, just fucking destroy me, I’m not a virgin!
You sucked in a shaking breath, mentally beating your inner thot back down. “F-Feels really nice, Yoongi… just… a little more…” He sank his fingers all the way to the knuckles. “Fuuuck, yes, oh, fuck yes…”
You rocked your hips into it, moaning, eyes closing, building up a pace, not really waiting for him to figure out that he could move his fingers too. It didn’t matter though, because Yoongi was highly observant and diligent, and, as much as you avoided to admit it, he had seen you get fingered hundreds of times, all over the apartment, in all sorts of embarrassing positions and with plenty of visible, graphic, high-definition detail, better than any porn video.
By – yup, you guessed it – Jeon Jungkook.
Yoongi began his own pace to match yours, thrusting his two fingers in and out until you were a hopeless mess, whining and bucking against his touch, your juices coating his hand, staring up at the ceiling with the tips of his black ears in your peripheral vision, tilted towards you to listen to every single one of your sounds. His heavy exhale invaded your head, lost in Yoongi’s rhythm that was uniquely his, only able to cry out, harder or faster, losing yourself in him, his scent, the smell of your vanilla body wash, and the rapidly strengthening sweetness between your legs rising up despite it dripping down your thighs.
“Yoongi… oh, fuck, Yoongi…”
It just felt too good, speed, strength, sound, wet messy squelches of his fingers entering you over and over, your pussy responding in kind, shuddering around them, clenching tight, hips rocking into every plunge to deepen the stroke, prolonging your own orgasm, savoring the moment.
“You feel so good…”
That wasn’t you.
That was Yoongi.
Whispering in your ear, probably not even realizing his own dirty talk.
“So fucking wet and warm,” he murmured, the rumble purring in his chest, soothing but also far too sexy. “Sucking my fingers back in, fucking me back… You really like me this much?” His lips brushed your ear, chaste kisses compared to the rough fingering of his slippery digits pushing into you repeatedly, the sounds getting louder and lewder because you were getting wetter and wetter. “Am I really that good-looking to you?”
Yoongi, are you BLIND, DEAF, or BOTH???
“Fuck yes, you are, what the fuck?” you gasped out, turning your head slightly, one of his dark brown eyes locking with yours, your jaw clenched with the effort of you holding back your orgasm to respond to his ludicrous question. “You are so fucking handsome I couldn’t even last two days of being in your presence, thirsting after you!”
You heard Yoongi chuckle, the sound resonating and teasing your ear.
“Actually, you couldn’t even last one, remember?” he drawled slyly.
His knuckle grazed your throbbing, aroused clit.
“Fuck!”
Your body twisted, whining wail torn out of you as you came, pushing your head and hands against the wall, nerves sparking and shaking, intense pleasure flooding all over your senses from holding back, breathless whimpers of Yoongi’s name, grinding into his hand. He let go of your wrists. They prickled with pins and needles of lost circulation, but you didn’t give a shit, grabbing his hand between your legs and shoving it back in you before it could retreat, riding out your orgasm, milking it for every single gram of ecstasy, cherishing every single second of another’s hand inside you, not just another but your disturbingly attractive man who was previously a cat sleeping in your lap exactly forty-eight hours ago as you innocently watched American Horror Story.
“Y… Yoongi?” you panted, orgasm petering out, trickling waves subsiding.
“Y… Yes?”
He wasn’t making fun of you. You could hear the nervousness in his voice.
“Can I kiss you?”
His face appeared in front of yours.
“Yes.”
You didn’t think twice.
You closed your eyes and leaned forward, lips on his, your satisfied sigh tickling his skin, kissing him hard, the intimacy you desired for so long, moments you spent all year trying to keep it at bay, no one to show your affection but tiny kisses on Shooky’s furry head, but now one of your hands was cupping Yoongi’s cheek, deepening the kiss, him pressing back against you, sandwiching you between the wall and himself. You let go of his hand between your legs and held both his cheeks, peppering light pecks against that lovely mouth. You wanted to kiss him over and over, so nice, so lovely, his barely-there gasps drifting on your lips with every kiss.
His fingers slipped out and touched your thigh.
You drew back, heart thudding, still holding his face, his round cheeks a little squished in your hands.
He raised his hand and put his pussy-soaked fingers in his mouth.
You jerked your hands back. “Y-Yoongi!” you exclaimed, shocked.
His pink tongue slipped around his fingers, tiny kitten licks to slurp it all up. He hummed, small smirk playing on his lips. You gawked at him.
“Y-You don’t have to–”
“You like it, don’t you?”
You shut your mouth, cheeks burning with heat.
Yoongi smirked wider, nimble tongue slipping around and around, your eyes glued to the movement, brain already dreaming up lecherous scenarios. His dark brown eyes flickered to you, eyebrows rising.
“Hmm…”
“W-What?” you snapped, trying to collect yourself. He was giving you that look again. That enigmatic expression of maybe-maybe-not. Yoongi shrugged, taking his fingers out of his mouth.
“I think we should do that again sometime.”
Your mind went blank.
Again? Now? Later?
Next Tuesday?
WHEN, MIN YOONGI, WHEN?
“… Urk?”
Those cunning dark brown orbs sparkled with mischief. “Hmm, then again, maybe we’ll do something different next time,” he pondered out loud, taunting you with the suggestive depth of his voice. He backed up, tail swaying from side to side, his grin widening, turning into an open-mouthed smirk that showed off his pretty teeth and devious expression.
His next words were the verbal equivalent of pushing your full glass of brainpower right off the table and sending it crashing to the floor.
“I have a lot of things I want to try.”
-
part v
--
masterpost
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scripturiends · 4 years ago
Text
gave me no compasses, gave me no signs
Read on ao3
Summary: It was the one time her hunch had been wrong.
In which Han Joonhwi is acting suspicious, and Kang Sol A intends to find out why.
Rating: T
Word count: 3,848
Notes: Title taken from Taylor Swift’s ‘invisible string’: “Time, curious time, gave me no compasses, gave me no signs; were there clues I didn’t see?”
~
As promised, here is the Solhwi fic that I had hoped to be up before Episode 7 airs. I went straight to work after receiving positive feedback from an interest check post. As I mentioned there, the story isn’t necessarily dwelling on the current timeline, but is, for the most part, still canon-compliant. I totally made up all the legal jargon, so please bear with me. And, like the show, I decided to do ‘cutscenes’ instead of one unilinear fic.
I had a lot of fun with this little project for the past two days, so I hope you enjoy reading it as much as I did writing it :) I’d also love to hear your thoughts, please do send me a message or feel free to comment, it would mean the absolute world to me. Thank you and let’s all look forward to Episodes 7 and 8 this week!
The fic is under the cut. As a sidenote, this fic is un-beta’ed. All mistakes are mine.
~
I.
Kang Sol A swears she only drifted off for a second.
She had been burning the midnight oil for the past few days, well into the weekend, so much that the tension was radiating into her atmosphere, so much that the heat was starting to get to her head. Her Civil Code paper may not write itself, but neither could she if it took every ounce of her energy just to even sit up. So she plopped down on her bed, head heavy on her pillow, still fighting the urge to doze off.
She blinked, slowly, and as her eyes fluttered at an alarming rate, they eventually closed — just for a moment, I’ll count to ten and then wake up again — and stilled.
Birds were chirping outside her window when her eyes shot open, and that’s how she knew she messed up big-time. She woke with a start, frantically shaking off the books and papers off her person and frisking for her phone, silently praying that she wasn’t too late for her meeting with her project partner Seo Jiho, who she knows absolutely despises latecomers.
Sol A felt something vibrate from behind her, and an incomprehensible sound escaped her lips as she checked her phone. There were mountains of notifications that prevented her from checking the current time: self-set alarms, e-mails from her professors, reminders about today’s meeting with Jiho, and missed calls from a certain Han Joonhwi.
Clearing all of them at once, she finally reads: 9:07 AM. She was supposed to meet Jiho at 9:15. Sol A breathes a sigh of relief, but her momentary celebration is cut short when her phone starts to ring.
Han Joonhwi was calling again.
She didn’t even get a chance to speak yet when the voice on the other end asked, “Breakfast?”
Sol A put him on speaker phone as she packed up her things. “Can’t,” she replied mindlessly. “I have to meet with Seo Jiho and I’m already late. Eat by yourself.”
A few seconds of silence went unnoticed as Kang Sol A zipped up her knapsack and wore it over her shoulder. She finally picked up her phone and switched back to the handset. “Don’t skip breakfast, you hear me?”
Still nothing. “Joonhwi-ah.”
“Walk fast,” was all he said. And then he hung up.
That caught Sol A off guard, but she heeded the advice anyway.
She made it to the study room at exactly 9:13, only stopping by the entrance to catch her breath and tie her hair back into a ponytail. It was silent, so she half-hoped that no one would be there, but half-expected nothing less from Jiho. So she walks in, footsteps heavy, only skidding to a halt when she sees Jiho staring someone down, someone whose back looked all-too-familiar.
“You like her, don’t you?” she overhears from Jiho. “Kang So-”
Jiho suddenly fell silent at the sight of Sol A, and the man opposite him suddenly turned his head towards her. She was right about who it was — it was none other than the person she spoke with on the phone just a few minutes ago.
If Joonhwi was surprised, he didn’t show it.
But Kang Sol A did. She blinked once, and with a hint of dubiousness, she asked, “Who likes who?”
The men shared a look, and she was met with silence again, which was beginning to irk her. But she bit her tongue, took a seat across Seo Jiho, and grinned cheekily at him. “Sorry I’m late.”
“You aren’t...” Jiho replied, trailing off.
“I am by your standards. I know you,” she said matter-of-factly. “For Seo Jiho, ‘on time’ actually means ‘thirty minutes early’. Which means I’m late.”
Sighing wistfully, Sol A added, “I learned that the hard way.”
She locks eyes with Joonhwi momentarily, but he averts his gaze, expression unreadable. Sol A ignores this and tries her luck once more, eyes flitting from Jiho to Joonhwi and back. “Who were you guys talking about?”
This time, almost with no hesitation, Joonhwi finally spoke up. “No one,” he answered. “My roommate was just practicing his cross-examination skills on me.”
He stood up, giving Seo Jiho a final staredown. “They’re very poor at the moment. Help him out, will you?”
Then, without looking Kang Sol A in the eye, he gave her a soft squeeze on the shoulder, and promptly left.
Sol A’s eyes followed Joonhwi’s back, and stayed there even after he left. His touch lingered on her shoulder like a ghost, but instead of comfort, all she felt was fear. Suspicion. Restlessness. That maybe he was hiding something, and whether it involved her or not, she was keen on finding out just exactly what it was.
II.
“I’m telling you, Yeseul-ah,” Sol A insists. “Something’s up with him.”
They link arms, walking past the school entrance and into the lobby. Jeon Yeseul turns to her, hair falling perfectly into place as she lets out an angelic laugh. God, Sol A thinks. Even her laugh is perfect. But past the admiration for her Aphrodite-like features, Sol A feels like she’s being mocked.
She pouts. “You don’t believe me.”
“I do!” Yeseul defends. “You think he likes Kang Sol B.”
Sol A slides her left hand off Yeseul’s arm and holds her friend’s right one lightly. “So why are you laughing at me, then?”
“Unnie.” Yeseul wraps an arm around Sol A’s shoulder. “Has it ever crossed your mind that maybe Joonhwi-oppa likes you?”
Sol A almost choked on her spit. Of course she’s thought about it — after all, she’s a hundred percent certain that it was the name Kang Sol that slipped from Seo Jiho’s mouth a few days ago. But none of the evidence so far points to it being herself. And anyway, it’s not as if he’s shown any interest in Sol A as a woman. In fact, all he does is tease her. And she’s okay with that. And Sol B already likes Joonhwi. And they seem to be a far better fit than Sol A and Joonhwi. And it’s not like she harbors any romantic feelings for him, either.
She pushes the thought away before it could become bigger.
Sol A denies, deflects, and defends. “That can’t be right.”
“Why not?” her friend challenges.
“Why would he be avoiding me if that were true?” Sol A counters.
“People do that when they feel awkward around their crush,” Yeseul rebuts.
This is starting to feel like a game of chess rather than a conversation between best friends. “I think he’s just scared I’ll tell my roommate or something.” Before Yeseul could say anything else, by some stroke of luck, Sol A spots Joonhwi from her peripheral vision, walking past Lady Justice.
Yeseul smiles kindly at Sol A. She doesn’t doubt its genuineness, but she feels like it’s laced with mischief. “Should we test your theory, then?”
What does that mean?
“Joonhwi-oppa!” Yeseul shouts, waving at him from across the room.
She’s not going to ask him, is she?
Yeseul runs to Joonhwi, a light skip in her step. “I have something to ask you.”
Wait.
“Wait,” escaped from Sol A’s lips, barely a whisper before it started registering on her what Yeseul was about to do. And when it does, she finally sprints. “Jeon Yeseul, wait!”
“Oppa.” Yeseul bats her eyelashes at Joonhwi. Sol A was in tow behind her, feeling small but unsure why.
“Oh, Yeseul-ah,” Joonhwi greets. His eyes lit up at the sight of his friend and classmate.
While it pained Sol A to just sit back and watch, knowing that Joonhwi had been purposefully avoiding her, she let the scene unfold, trusting that Yeseul knew what she was doing.
“You haven’t been going to the study group sessions lately,” Yeseul starts.
Sol A hoped it would get a rise out of him, seeing as he was the one who started the group to begin with, but was barely showing up these days. Instead, all he said was, “The pair project in Civil Code has been holding me up.”
Yeah, right, she thinks. A second-round judicial exam passer and a former police academy student having a hard time in Civil Code? Why do I find that hard to believe?
Sol A scoffs, and Yeseul pinches her side. “Sol-unnie and I are meeting the others for lunch. You should come join us.”
“Ah,” Joonhwi drawled out slowly, as if coming up with an excuse to say no. Sol A expects it to be his next move. “I wish I could, but-”
Knew it.
“Kang Sol B will be there,” Sol A blurts out, fully aware that it’s a total lie. Still, she had to try.
Something in Joonhwi’s mood changed, and his face hardened. Still not making eye contact with Sol A, he excuses himself from Yeseul. “I’ll take a rain check today, okay?”
And without another word, he left again, leaving Sol A with the same emptiness that she had felt in the study room the other day.
Yeseul finally turns to Sol A, crossing her arms. “You’re right. He’s being weird.”
III.
A few more days without Joonhwi’s company, and Sol A was starting to feel its ill effects on her. She hadn’t realized just how much she took him for granted until he was no longer around to challenge her ideas, to annoy her over the littlest of things, to calm her down when she’s freaking out, to be her drinking buddy, to be someone she could tell any and every stupid story to, with the utmost confidence that he’ll keep it to himself or that he wouldn’t belittle her for it.
They’d been through too much together now, and even their fateful first meeting all those years ago didn’t faze him from her. In fact, her little scheme, no matter how deceitful at the time, brought him closer not just to her, but to Byeol, her mom, and to an extent, even Dan.
So what changed? What on earth did Seo Jiho say to him, and what on earth did she walk into, that made him close himself off from her? Proximity may not breed familiarity, but right now she wishes nothing more than to be in his orbit again.
Arguably the worst consequence of the lack of Joonhwi in Sol A’s life right now is having no one to eat with.
During one of her all-nighters at the dorm, she found herself with an intense craving for some ramyeon. She removed her earphones, partly to pull herself back to reality, but mostly to ask her roommate to have a meal with her. As if Sol B would say yes, but it was worth a shot.
“I’m going downstairs for a bite. You wanna come?”
No response, as expected from Kang Sol B. Sol A inwardly rolled her eyes, spinning in her chair to tease her roommate, only to find the desk empty.
She scratched her head while walking, wondering where Sol B could be at this time of night. And without a heads up, too… She was getting worried.
But it seems like her concern was all for naught, because Sol B was right where Sol A was headed.
And she was there with Han Joonhwi.
She was laughing. It was the first time that she saw Sol B laugh, maybe ever, and to see that Joonhwi could be someone who could do that for her, made Sol A feel proud. Like knowing Han Joonhwi was a privilege, not only because of the way he could make people comfortable around him, but also because Sol A had once been on the receiving end of it herself.
She should be relieved. In fact, she should be happy. Because it means that her guess was right, which means she doesn’t have to keep digging anymore. She could just tell Joonhwi that his secret’s safe with her, and they could finally go back to the way they were before... Right?
And yet something about witnessing the pair interact as a mere bystander didn’t sit right with Sol A. There’s a pang in her chest that she can’t quite comprehend — maybe she just misses him, or maybe it’s something else completely. Because if Han Joonhwi has feelings for Kang Sol B, and they’re together right now, then that leaves only one explanation: he must be avoiding her, and for a completely different reason.
It was the first time her hunch had been wrong.
Needless to say, Sol A lost her appetite and trudged back upstairs lifelessly, a bitter taste in her mouth and an ache in her stomach that she couldn’t quite place where it even came from.
IV.
Come Friday, Sol A was too exhausted to even think about Han Joonhwi. Between the endless deadlines and papers to write, her job in the copy room, and the Seo Byungju case, her energy had been too depleted and her social battery too worn out to even care that her relationships could be falling apart.
The only thing she has going for her now is the Legal Clinic, the one place where she could bury her nose deep in case digests and law readings and she would absolutely never get tired of it, because it’s the one place where she feels like she’s making a real difference, especially when people’s lives are at stake. It was the remaining part of her life where Sol A felt like she was in control, so these days, all her emotionally-charged passion was focused on this one thing.
But of course that had to fall apart too, when Professor Yang asked for her to stay after class.
He cut right to the chase. “I’ll be meeting with my defense lawyer today so I need you to consult with the client in my stead.”
Count on Yangcrates to always give Sol A a heart attack in under two seconds.
“M-me?” she stuttered.
The professor’s face twitched, ever-so-slightly, which Sol A took as a sign to backtrack and confidently proclaim that she’s up to the task. She knows there’s nothing Yang Jonghoon hates more than a quitter.
“Ah, yes, of course,” she accedes, with a little more verve.
He nods once in her direction. “And take Han Joonhwi with you,” he commanded.
She’s doomed. Not that she wasn’t doomed before, but now that Professor Yang had to drag her personal life into this, she was really in shambles.
Sol A clears her throat. “With all due respect, Sir,” she laughs nervously, “don’t you trust me?”
Professor Yang takes a moment to think about it. Sol A wonders if today’s the day she finally gets a definitive answer. But Yangcrates is as sly as ever. “This is your chance to get back at him for the Bad FaMa case. Make him your assistant this time.”
He walks away, leaving Sol A dumbfounded once again, but not before he adds, “Under my orders, of course.”
Sol A’s knees buckled at the thought. Normally, she would find this predicament to be absolutely funny, a chance to bicker with Joonhwi and learn something from him at the same time. But he’s angry at her, and she doesn’t even know why, and even merely approaching him has turned into a problem.
Everything in Sol A’s life right now is a problem. She wonders if it's getting Joonhwi back that would fix everything.
Upon leaving the classroom, she spots him getting a drink from the vending machine. She has to slap herself twice, just to mentally prepare herself, to muster up the courage to approach him again.
“Come on, Sol,” she whispers to herself. “This isn’t hard.”
Shaking off the nerves, she takes a step forward, but in a momentary state of weakness, takes another step back. “So what if he’s mad? That’s his problem. I’ve never given him a reason to be angry. He should suck it up. Not me. Come on. Just do it.”
A step forward.
“Just do it.”
A step back.
“Goddamn it.”
One final step back to boost herself forward, and she’s running towards him, pretending to be as casual as possible. “Han Joonhwi!” she calls out to him.
His eyes widen at the sight of her, knowing he has nowhere to escape.
“Did you get my text? Professor Yang needs our help at the Legal Clinic.” She smiled at him. “Let’s go.”
Joonhwi scratched the back of his head, and Sol A just knows it’s about to be another lame excuse. “I can’t. I’m meeting Sol B for our Civil Code term paper.”
He can’t even look at her, and Sol A wonders just how bad she had hurt Joonhwi for him to feel like this towards her. But that only lasted for a second, when she realized just exactly what he said. Then, her pity turned into irritation, as she accused, “Liar.”
Sol A crossed her arms, and glared at Joonhwi. “Did you forget that I’m her roommate? She went home today.”
V.
Sol A sat across Joonhwi inside the Legal Clinic, her eyes narrowed to slits. A profound silence enveloped the room, interrupted only by a sharp inhale from her.
“You like Kang Sol B, don’t you?”
The only response she got was Han Joonhwi’s signature smirk, playful and taunting, one that said, ‘You don’t know me, and you never will’.
She hated that.
She slammed a hand on the table, and pointed at him accusingly. “Don’t look at me like that. I would have kept your secret if you just asked. Is that why you were avoiding me? Because you think I’d tell her or something?”
The same smile painted on his face, Joonhwi exhaled defeatedly. “Kang Sol A, I thought I taught you to never make any claims with unfounded bases.”
An eyebrow perched up on Sol A’s end. “It’s not unfounded,” she argues.
“Where’s your evidence, then?” he dared her.
Sol A had been waiting for this. She listed everything he had ever done — or refused to do, which was spend time with her, speak to her, or even look at her, which was absolutely the bare minimum — since the incident with Seo Jiho up to this very moment.
He waves his hand dismissingly. “That’s all speculative.”
If his goal was to rile her up, then it’s definitely working. “Then what about what I heard Seo Jiho tell you that one time? And most importantly, you straight up lied to my face.”
“Circumstantial,” he quips. “That would never hold up in court, especially not when the only witness is yourself. How are you going to be both the defense lawyer and the sole witness?”
Han Joonhwi should be at the edge of the precipice here, and yet he has managed to flip the situation over and turn it into an interrogation for Kang Sol A.
Nothing can hide her frustration anymore. “I would never be the lawyer in my own case. Look, it’s still evidence. You asked, and I gave it. Seriously, Han Joonhwi, what’s with you?”
Instead of a direct answer, he points out, “You rely on your emotions too much.”
Almost immediately, she shoots back, “And you rely on the law too much. This isn’t a courtroom. This is a human conversation.”
He purses his lips, unable to say anything, and Kang Sol A continues. “You’re too stubborn.”
“And you’re too nosy.”
“You’ve benefited from it more than once.” Sol A’s patience is getting thinner by the second. “Can’t you just tell me what I did so that I can either apologize for it or call you out for being wrong?”
“You and Sol B are hardly friends. What reason would I have to be afraid?” Amusement gleamed in Joonhwi’s eyes; Sol A was astounded by how he could stay so nonchalant about this. “Think.”
She glared at him, but still ceded. Damn his tenacity. “Fine, I’ll play along.”
She rolled her eyes, and in a blasé manner, started to think out loud. “I overheard Jiho ask you if you liked Kang Sol, and then you started avoiding me. Yeseul asked you to join us for lunch, and when I said Sol B would be there, even though she really wasn’t, you declined. So I thought it was her that you liked. But it doesn’t make sense, because I saw you two hanging out at the cafeteria that one night-”
His arrogant expression changed to one of shock. “You did?”
“-and then you straight up lied to me about your plans. Unless you two are already dating-”
“We’re not,” he interrupts once more. Sol A eyes him with suspicion. “We’re not,” he repeats indignantly.
“-it could only mean that you do like Kang Sol…”
Joonhwi starts slowly nodding, face a little flushed, but somehow urging her on to continue.
“...just not B. You like-”
“Kang Sol A.” Professor Yang enters the room, calling out her name.
She’s sure her professor asked her to do something, but she was unmoved. At this point, she doesn’t think anything could pull her out of her reverie for the rest of the day.
A veil that covered her eyes was lifted, and she had never been so pitiful of the blindfold that Lady Justice wore. The scales Kang Sol A carried, as heavy as the burdens she was facing, balanced with Han Joonhwi holding them up with her. She wanted nothing more than to take his hand right at that moment, to feel the heaviness in its entirety, and thank him for staying anyway.
They don't talk for the rest of the day, but Kang Sol A is unbothered.
Her questioning attitude may have always gotten her in trouble in school, but this was the one time she was glad to be wrong.
Epilogue
Han Joonhwi fell asleep on his desk again.
He normally finishes up all his revisions early, but because of his agitation, the cold table seemed to be more inviting than the bed, where he simply ends up tossing and turning.
Despite the stiff neck it was bound to cause, he’s been doing it for days, only being woken up by his constant 8:30 alarms. This time, however, it was his gracious roommate Seo Jiho who finally interrupted him from his slumber.
Jiho slammed a sealed instant ramyeon pack on Joonhwi’s desk. He groggily looked up at his friend, whose hair was still disheveled, and asked, “What’s this?”
“It’s from Kang Sol A.” Before walking away, he deadpanned, “Do your own bidding next time. I’m not your messenger.”
Joonhwi took the cup ramyeon, spotting the bright yellow sticky note on it, not unlike the ones he’d put on Sol A’s notebook, or occasionally, her forehead. He smiled to himself as he read the message, walking out to heat up some water for breakfast, but not before carefully displaying the note on his bulletin board for the whole world to see.
Han Joonhwi,
For a second-round judicial exam passer, you can be so dense.
I like you back, you idiot.
Now stop sulking and have breakfast with me.
Idiot.
~
Send me your thoughts/fic requests here!
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curioussubjects · 4 years ago
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come be a season 12 truther with me; or what if dean and cas got together offscreen
Originally, I wrote this post to celebrate “Galaxy Brain” airing as Berens & Glynn gave us “The Future.” It’s been a while since that episode aired, and some things have changed about this meta. As such, there are multiple versions of this post floating around, so make sure to go back to the source for the most up to date version.  For all intents and purposes, this post functions as a meta manifesto not unlike shipping manifestos from days of LJ past. In keeping with that tradition, this post is a close reading of Dabb Era Destiel in which I argue that by using narrative gaps, queer coding, and romance tropes, Dean and Cas are shown to be in an established relationship. Although beyond the scope of this post, it’s worth pointing out that keeping Destiel mostly off screen was a way for the creatives to bypass network censorship while still remaining true to the characters.
This post is divided into three sections. Section I focuses on giving an overview of why earlier seasons of Supernatural aren’t as compelling as season 12 as a turning point for Dean and Cas’s relationship. That said, special consideration is given to 09.06 “Heaven Can’t Wait” as a potential rest stop in our journey due to it’s significantly placed narrative gap as well as themes in the episode. However, this post isn’t going to examine season 9 trutherism in depth, though it does coexist with and allow for it. Section II analyses season 12 and proposes a timeline and justification for the shifting Destiel dynamic. Finally, Section III will offer an analysis of how Dean and Cas’s relationship has changed dramatically from previous seasons in a way that is most like the shift from a “will they or won’t they” pairing to an established one. 
Before I move to Section I, I’d like to note something this post takes for granted: Dean and Cas are the main romantic subplot of Supernatural, and, in fact, their relationship is elevated to main plot for both characters in season 15. This post won’t argue about the canonicity of Dean and Cas’s feelings for each other, therefore, and so won’t spend time looking at many Destiel defining moments. I’d also like to make clear that this post also takes for granted that Destiel is being intentionally developed by the writers starting with Carver’s Era, and more so in Dabb’s. 
I. Why Seasons 4 through 11 May Not be It
The tl;dr. here is that while there are many moments throughout these seasons that Dean and Cas could potentially get together, none of those moments are ideal for a bunch of reasons that can be summed up as really bad timing. I also think the narrative is actively pushing them towards a moment that works. We get plenty of stepping stones, especially once we hit seasons 8 through 11 (and 11 most of all).
Seasons 4 & 5:
I know there’s been a lot of get together fics over the years set in this time period, but I just don’t see it. Do I see them being intrigued and drawn to each other? Yes. Do I think either Cas or Dean would act on it? Nope. I’m not arguing anything re: Dean’s feelings, but with everything going at the time I find it hard to believe he’d pursue anything with his angel friend. Most importantly here, though, is that during this time Cas was still very alien and other. There was too much angel in him, and while he obviously came to care about Dean (and Sam) very much, I just can’t see him navigating the realm of human relationships. That said, seeing human!Cas in “The End” is the first we see of potential developments for how Cas could behave without his angelness interfering. Being human changes Cas a lot, beyond even his experience existing among humans, though that of course matters too. This development will be important later /wink.
Seasons 6 & 7:
Before anything else let me just recognize that if we could see some sexual tension in seasons 4 & 5, these two seasons come with our first taste of romantic tension. The pining! Also note the difference between season 4 Cas and season 6 Cas in terms of behaviour. He is much less the angel we saw in that barn in “Lazarus Rising.” In season 6, we have a Cas making misguided decisions guided entirely by his emotions – namely, not wanting to involve Dean with the war in heaven – which is peak human, honestly. Put a pin on how sad Dean is in both seasons with Cas’s absence. Finally, put a pin on this being our first moment of Cas doing things on his own to spare Dean and it not ending well (soulless!Sam, Cas “dying” after Leviathan) because this is *the* hurdle in their relationship (along with Dean’s lashing out and self-worth issues). With all this said, the marked distance between Dean and Cas in these seasons negates the possibility of them entering into any kind of relationship. Much like seasons 4 and 5, there’s too much going on.
Season 8:
Ah, yes, the summer of purgatory. If you thought we had pining before…! I think we’re all very clear on season 8 being a turning point for the show, not only because new showrunner, but we also get the bunker. TFW now has an HQ, which pretty soon becomes home. Yes, Baby will always be home, but the bunker becomes the *unmovable* safe haven that Baby couldn’t be. The bunker is a place to coalesce, and for all the amazing things Baby is, she is not that. The acquisition of the bunker marks a shift in the psychology of the show: with the stable home space we can start to imagine domesticity, a place to come home to, the stuff of ordinary living. Most of all, the bunker is emblematic of security, of safety –keep this in mind, as we go forward.
This season also continues to see Cas go down the path of independently solving his problems instead of asking for help from Sam and Dean (his family in a way heaven never was) – note that the better together issue is at play in different ways with Sam and Dean also, but I digress. I also want to point out disastrous instance #2 of Cas’s insistence on figuring it out on his own: he loses his grace, and the angels fall. As for Dean, season 8’s focus for him has much to do with Sam, and them coming face to face with their issues with codependency, which hit catastrophic levels with the gates of hell and Gadreel plots.
So despite all the deliciously angsty get together purgatory fics and spec, there’s too much distance between Dean and Cas on Cas’s part due to his guilt over betraying the Winchesters in s6 plus slaughtering angels plus unleashing Leviathan. We do see Dean being more emotionally open with Cas and continue to voicing his wish that Cas would just stay with him and Sam, and let them help. It’s clear as day how much Dean cares. The timing is still bad, though.
Before moving on to next season, let’s take a moment to appreciate that this is the season Dean admits being kinda done with one night stands because “always with the adios.” Remember the bunker as a sign of stability? Yeah. I wouldn’t say Dean is craving a relationship, exactly, but I think we can see that he does want something more (ahem also I’m nodding to Cas refusing to stay put just cause).
Seasons 9 & 10:
The most important thing to happen between this two seasons is Cas’s stint as a human for an extended period of time. There’s been plenty of spec and meta written over the years about the effects of being human on Cas’s grace (a proto-soul now maybe?). What we can say for sure, regardless, is that Cas is much more humanized once he becomes an angel again. The understanding he gets from being human doesn’t go away once he regains his angel powers. You’ll notice that while we still see some of season 4’s characterization, Cas is not the same as he was – he is alien to angels now and is more intelligible to humans. Additionally, in an interesting reversal from previous seasons, we now get to see the depth of Cas’s feelings for Dean (thanks, Metatron) as well as seeing him be more open emotionally, while Dean does most of the pushing away (first because of Gadreel, then because of the Mark of Cain). In short, the timing is still bad as Dean and Cas are largely kept apart both physically and emotionally.
9.06 Heaven Can’t Wait
This episode is my white whale, friends. While I’ve come to fully subscribe to the idea that something did happen between Dean and Cas during the fanfic gap, I don’t actually think it’s feasible that it marked the start of a relationship -- be it sexual or romantic. My reasoning here is quite simple: the timing is bad. Were it not for external events (Cas regaining his Grace and Dean taking on the MoC), the course would have likely differed. Furthermore, Dean’s guilt over making Cas leave the bunker as well as Cas’s own hurt and self-loathing pose a significant and as yet insurmountable obstacle, which is easily seen with how Dean and Cas’s character trajectories go separate ways.
YMMV on what exactly happened between them in that Motel, but something definitely did. Perhaps one day I’ll have a proper s9 trutherism post to link to here for more details (likely won’t be written by me, though). 
10.16 Paint It Black
From the point Dean gets the MoC until the end of season 10, anything between him and Cas is quite impossible due to distancing, to say the least. Again, yes, the fic is really good, but alas. One of the reasons I’m bringing up this episode in particular is because of the confession scene. One, it’s a rare bit of explicit emotional honesty from Dean, and two, it tells me that while he and Cas may be well aware of the Thing™ between them, it’s still uncharted waters. It’s scary, and murky, and they’re unsure how to navigated it or if they should even try. Makes sense, too, there’s been A LOT going on since s6. Anyway, he’s the full confession:
You know, the life I live, the work I do…I pretty much just figured that that was all there was to me, you know? Tear around and jam the key in the ignition and haul ass until I ran out of gas. I guess I just thought sooner or later, I’d go out the same way that I live – pedal to the metal, and that would be it. […]  Now, um… recent events, uh… make me think I might be closer to that than I really thought. And…I don’t know. I mean, you know, there’s – there’s things, there’s…people, feelings that I-I-I want to experience differently than I have before, or maybe even for the first time. […]  Yeah, I’m just starting to think that… maybe there’s more to it all than I thought.
Can I just say, first, that this confession keeps me up at night because we never actually see anything done with it explicitly? I mean, obviously, I think we do in fact see the effects of this confession in the show, otherwise I wouldn’t be writing this behemoth, but still, like. Damn. Ok, so, remember when I brought up that thing in season 7 about Dean being kinda done with hook-ups? Here’s where that led us. We’re seeing a Dean here who wants more than what he has convinced himself he gets to have. He wants more than dying bloody. And when he talks about wanting to experience people and feelings differently, well, that says a lot not just on the queer coding front or the romantic front. I mean, jfc, Dean is accepting the idea that he can have more in life than just hunt until he drops, and he’s specifically talking about experiences at the interpersonal level.
Do you ever see a character having an epiphany and find yourself wanting to cry because this is it right here. Dean is just blatantly admitting he wants more and maybe he can make himself be open to that (!!!), which all culminates in season 11, so…
Season 11:
The pining is still here, but it’s worse now since it’s the whole plot? It’s been *checks calendar* 5 years of this. How are any of us still kicking I don’t know. Your slow burns could never. Cool worth noting points: Cas says yes to Lucifer (bad decision #2.5, lots of mitigating effects_I don’t actually hold it against him that much but Dean is another story & not entirely rational at this point); for the first time since the early days, Dean and Cas are on equal grounds: they’ve both fucked up a lot and have hurt each other. The issues this season are outside their dynamic. Amara and Lucifer here serve as externalizing forces for Dean and Cas’s problems: Cas checks out with Lucifer because he thinks it’s the only way he can help, Dean is caught up in the turmoil of Amara, the emblem of absence and avoidance of struggle. We do get something like an affirmation from the two of them to each other via Dean calling Cas his brother (and I want y’all to consider the historical queering of that statement, and Cas’s “I could go with you.” It feels like we’re headed to them being on the same page. By the end of the season, though, it feels like we’re getting a clean slate: Mary is back, nobody died, no end-of-the-world in sight, no interpersonal crisis. We’re also getting a new showrunner, so. No wonder. We’re gearing up for something, but I’m getting ahead of myself. What this season does that is super important is that it sets up the stage for the possibility of an actual relationship between Dean and Cas, something that has, up until this point, been pretty much impossible.
11.04 Baby
Y’all know what I’m about to quote here, right? That conversation between Dean and Sam about having something with someone who understands the life. Here we still have Dean reverting to the idea that it’s impossible, which is a direct contrast to the openness in 10.16. It’s understandable, though, considering there’s been little reason to think anything like that would be possible (see all the mess and poor timing from seasons past). The quote in question, though, marks a continuing development regarding the issues Dean is struggling with this season:
DEAN: Piper? That’s awesome. Heather. One-night wonders, man. Shoot, we’re lucky we still get that at all. SAM: Really? You don’t … Ever want something more? DEAN: I’m sorry, have you met us? We’re batting a whopping zero in domestic life, man. Goose eggs. SAM: You don’t ever think about something? Not marriage or whatever. But … Something? You know, with a hunter? Somebody who understands the life?
We wouldn’t be talking about this stuff all these years after Sam and Dean had a serious relationship if it wasn’t important, right? Also who else do we meet this season? That’s right! Eileen! And doesn’t that hit different with season 15 hindsight? And who does Dean have that understands the life? Whose stories have been intricately connected to his? Right now, this is all conjecture. A pipe dream Sam is revisiting, and Dean is skeptical about. Except, well. Look at what we get in “Into the Mystic” and “The Chitters.”
11.11 Into The Mystic
I’m bringing up this episode as a cross reference to “Paint It Black” as well as to complement the talk from “Baby,” and to show, again, that, for all the closeness between Dean and Cas, there’s still a marked distance they haven’t yet bridged. There’s still truths they haven’t told each other. Thanks Mildred for the delicious exposition:
Darlin’…If there’s one thing I’ve learned in all my years on the road, it’s when somebody’s pining for somebody else. […] Oh, don’t try and hide it now. Follow your heart. Remember?
11.19 The Chitters
And here we see some validation to Sam’s imagining of a possible future with someone else. We actually see hunters who not only are married, but they both make it out alive. Jesse and Cesar get their happy ending. They make the dream come true. And the reality of it important not just for Dean to see, but Sam too.
Dean: [with realization] Oh, so … [points back and forth to Jesse and Cesar] Cesar: Yeah. Dean: Okay, that’s… Cesar puts his beer bottle on the table and looks at Dean, while Jesse is being silent. Dean: What’s it like, settling down with a hunter? Cesar: Smelly, dirty. [turns to Jesse] Twice the worrying about getting ganked.
I’d like to point out, too, that the fear of getting ganked is thematic when it comes to the tension between Dean and Cas. More on this when we hit s13.
Alright, now, having said that, let’s take a look at season 12. Bear in mind, this is the official start of Dabb’s era, even if he kinda began taking over in season 11, and the change in vibes is obvious. In fact, 12 jumped out at me as a turning point, in hindsight, after getting smacked by the domesticity of seasons 13 and 14.
II. Why Season 12
[Out of date section. Update coming soon when spoons. After significant debate, I’ve altered the definitive start of Dean and Cas’s friend-with-benefits-with-mutual-pining relationship to between 12.02 and 12.03. I briefly explained why here, and yes it’s a shitpost--still true tho.]
Finally, the promise land, y’all. Getting right to it: what s11 was for Dean in terms of setting up the relationship stage, s12 was for Cas. In its initial beats, any way. That is, until the Kelly debacle, this was the longest Cas has been around the bunker and with the exception of seasons 13 and 14, it’s one of the first times we get to see how Cas might actually fit into the bunker-as-home. Things seem remarkably chill. Of course, we’ll notice that there’s still a lot of baggage hanging around because despite Dean and Cas being in a more stable place, they haven’t actually dealt with their interpersonal problems. I didn’t single out directly this episode, but do keep in mind Cas’s declaration in 12.09 First Blood as far as how much the Winchesters matter to Cas & how we also see Dean and Cas be particularly singled out with them seating together in the backseat of the Impala. What we also see this season is Cas trying to prove he is worthy of this family, his family. He’s not fighting for heaven or to right some grievous wrong (a la s8). No, this season he’s fighting to spare the Winchester, to bring them a win. To bring Dean a win. The major disconnect is that Dean (and Sam & Mary) already sees Cas that way, he doesn’t think Cas has anything to prove. And just maybe, Cas starts believing that too – or, at least, believing it enough.
12.10 Lily Sunders Has Some Regrets
This episode, oh my god, the goodness. In the wake of 12.09 we have Dean and Cas in a tiff because Cas mistake #3 (killing Billie and “cosmic consequences”), this is a pattern. Twice the worry of getting ganked, etc etc. But where this episode really shines is through the contrast between Ishim’s obsession with Lily and Cas & Dean’s mutual affection for each other. Ishim sees no difference here and, to him, Cas’s feelings for Dean are a human weakness. Returning to my point about human!Cas, this episode underscores that Cas’s increasing humanity is what puts him in the place where he can want what Dean wants instead of either being too alien to get it (see s4 & 5) or unable to experience it properly (Ishim).
12.12 Stuck in the Middle (With You)
Cas’s trajectory culminates here with the whole I love you (@ Dean), I love all of you (@ Winchesters). Let’s note too that Cas is dying here, in a way that is much more human than going up in light. This declaration of different types of love is entirely human. It’s also a definitive step wrt to Cas and Dean’s relationship because of what happens in 12.19. This. is. it. Oh, and, of course, let’s not forget to point to Dean’s face when Cas says that “I love you,” and how terrified he is that Cas is dying. Might make one rethink some things, hm?
12.19 The Future
This episode is simply hella suspicious, and all the kudos to Berens and Glynn for writing it. It’ll haunt me forever. Consider watching it again and just questioning everything. So. Weird things:
1. Dean’s reaction to Cas no getting in touch as opposed to Sam’s. Dean is pissed, which is Dean-speak for worried out of his mind. Sam is very worried, too, and puzzled, but he’s mostly expressing his relief that Cas is back. But Cas has gone awol before, but this time Dean is much more worked up about it; Sam takes note of this, too. Now, let’s imagine that maybe the events of 12.12 led to something happening between Dean and Cas. Then Cas decided to leave to find a lead on Kelly, but eventually Cas decides to work with Heaven and goes radio silent. For days. Having taken a chance, and something having happened between them, how would Dean react to Cas just going poof and not contacting him – despite Dean having called Cas multiple times.
2. Cas knows about the Colt. Ok, nothing off there. But when he goes to Dean’s room to talk, right after Dean leaves we see Cas looking around briefly. Like he know Dean would keep it in there. Maybe Cas had looked other places already. Who knows. What we do know is that eventually he does find the Colt not only in Dean’s room, but under Dean’s pillow. Sam didn’t even know the Colt wasn’t in the safe. So how did Cas know?
3.“He came into my room and he played me.” So, this quote right there, makes it seem like some seduction for personal gain, right? But can you see Cas actually doing that if they hadn’t gone there previously? For Dean not to suspect anything and go with it? There’s plenty of plausible deniability here, but the gaps in time in the narrative make me question what is there in those spaces. The scene where Cas tried to give Dean the mixtape back doesn’t read like “playing,” so it’s about a different interaction. Hm. Hmmm.
4. Dean and Cas’s brief conversation in Dean’s room is clearly Dean just wanting Cas to stay, so they can work (and be) together – because they’re better that way. Which, yeah, truth, but also ow.
5.And most importantly: When did Dean give Cas that mixtape??? How did that happen?
Sequence of events: Cas tells Dean he loves him – Dean is clearly shook by it – Dean gives Cas a mixtape (romantic gesture, often a declaration of feelings; in true Dean speak too lolsobs) – Cas goes awol - Dean acts like he got ghosted by his new bf -?????- Cas somehow knows the Colt is under Dean’s pillow – "He went into my room and he played me."
What am I supposed to do with that, hm? Like. Y’all realize they probably had some emotionally constipated getting together moment, right? Something that Dean clearly initially thought meant things were gonna change, now. Something that Cas couldn’t allow to happen until he could give Dean a win. Y’all are seeing this, yeah? I’m not saying they slept together and were full of feelings, except that’s kind of what I’m saying. But YMMV, there are other possibilities beyond sex. The full of feelings isn’t up for debate, though, even if the whole thing is informed by ridiculous amounts of miscommunication.
III. Seasons 13 through 15 As Established Relationship
Regardless of what happened in season 12, exactly, I can’t shake the feeling that something did happen, and something did change. My reasoning here is actually really simple: in comparison to previous seasons, Dean and Cas’s dynamic shifts significantly come season 13. I know some folks have been disappointed with some of season 13 and then season 14 for having dialed back on the destiel side of things. And, hey, maybe there’s truth to that in terms of backstage stuff, but I also want to point out that...well, the dialing back isn’t quite dialing back is it? Let’s look at 13 a little more closely:
Season 13:
So I said the deancas dynamic changed, right? I also think that change caught us unaware because the pivotal turning point that would cue us in never happened on screen as well as being subsumed by Cas’s death and Jack’s birth. But if I ask you about deancas in season 13 what would come to mind? Grief arc? Brokebacknatural? How domestic Dean and Cas are? There’s just something easy about their relationship after Cas returns from the Empty. The tension we’d grown so familiar with over the years is gone. Actually, it feels like we skipped the getting together bit of their relationship and went straight to established relationship and parenting. Some of the most peak married deancas moments we see circulating? Season 13, (and 12.10). It’s a lot, and it’s different, and it’s amazing.
13.01-13.05
Dean’s grief mini-arc. He was acting like a widower. Here’s me vaguely gesturing towards the mapping of Jonh, Mary, Dean, and Sam onto Dean, Cas, Sam, and Jack. And the reunion? I can’t help but be giddy at the song choice: “it’s never too late to start all over again.” To. Start. All. Over. Again. I’m just saying.
13.06 Tombstone & 13.16 Scoobynatural
I’m not going at length about these episodes, I just want to point out that they reveal that Dean and Cas have a whole thing going on off screen: they watch movies together, Cas knows about Dean being an angry sleeper, Cas seems to have been aware of the Dean-cave before Sam was. It’s little things like this that are examples of the narrative gaps surrounding Dean and Cas that have cropped up over the years. I don’t think it’s unreasonable to wonder what else could be hiding there. And when did the movie nights alluded in “Tombstone” happen? Maybe in season 12 when Cas in hanging around the bunker? The same period when Dean and Cas seem to be coalescing into something safer and more stable? Something that we never see come to a head because plot happens and Cas dies? Something that is immediately taken back up once Cas is alive again?
Season 14:
Overall, this season is more of what we got during 13, but it had two high notes I wanted to single out before ending this already too long post.
14.15 Peace of Mind
Look me in the eye and tell me Dean and Cas talking in the kitchen about Jack doesn’t read like husbands talking about their child. Look me in the eye and tell me Cas just texting Dean to gossip about Sam isn’t couple-y as hell.
14.18-14.20
Ah, yes, the divorce arc. Awful. Terrible. The culmination of Dean’s problem in all this: he lashes out, he pushes Cas away, his anger is alienating. Cue all of us suffering. But while Dean is clearly in the wrong in how the deals with his feelings, let’s not pretend some of his anger doesn’t come from a long established, and unaddressed, rift between him and Cas, which had its last traumatic turn when Cas died in s12. Dean isn’t being rational here: he saw Cas doing something on his own, and he saw that his mother is dead. What else could happen? Why won’t Cas just trust they can work as a team? What if Cas died again? And why should Cas put up with Dean’s behavior without knowing the cause? How can any relationship work this way? But notice how caught in the middle Sam was during all this. Notice how Jack is running off and acting out. The whole family is falling apart. Divorce arc, indeed.
Season 15:
But what about what we’re building up in 15? That seems like it could be a getting together plot, too, right? Well, yeah. It could very well be. But I’d argue the tension we’re seeing isn’t a will-they-or-won’t-they because they already have. We’re are watching a getting back together plot! The tension is, instead, will-they-or -won’t-they use their words to talk about the baggage that has kept them from truly being confident about their relationship. That’s the crucial step in their togetherness that they’re still missing, which is also the bedrock of the divorce arc that spanned twelve fucking episodes -- y’all, that’s half a season.
And technically? We’re not even done with yet because Cas never let Dean finish his prayer/confession in purgatory. What’s more, Cas hasn’t grappled with his role in the breakdown of their relationship, either: that he keeps going off on his own and getting hurt (and getting other people hurt), and Dean has to deal with the fallout. The deep emotional understanding, the truly being on the same page is what we’re on the edge of our seats for. We’re waiting to see what else Dean had to say, and what will happen when Cas’s deal with the Empty comes to light.
Finally, could we still have this plot without Dean and Cas having gotten together off screen? Sure, but I think the stakes are higher if they already did have something between them. If they actually have an established romantic relationship going on. Something real and tangible and as of yet much too fragile.
"...you asked what about all this is real. We are."
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fortes-fortuna-iogurtum · 4 years ago
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I still think it is really a shame that we don’t have more content with Romana III/Trey in the Big Finish version of things.
I want to know more about her, what makes her unique and special from the other two Romanas. Obviously she’s a lot more emotionally open compared to the other two, more outright human-acting in many ways, and I think we can infer that this is at least partially due to the amount of time she spent around Leela and Ace and other human friends. But in what ways is she still undeniably a Time Lord? How does she act when put in different circumstances? Is the warmth and sensitivity she usually displays completely natural to her, or is it a persona she’s embraced that slips away sometimes to reveal the same coldness of her previous incarnations? The novel version of Romana III could be almost cruel at times, “The War Queen,” so is this version of Trey the same in that respect?
Supposedly Leela “betrayed” her, and we assume that had to do with the events on the Time Ship that led to Romana II’s regeneration (which Braxiatel averted, supposedly at Trey’s request), but I can’t help but feel there’s more to that story. Is she hiding some details of what led Leela to leave Gallifrey? Does she know where Leela is now, or is her best friend long gone?
Narvin often seems uncomfortable around her in Intervention Earth; his abiding loyalty to Romana as his President remains fervent as usual, and occasionally you see slivers of his personal attachment to her as well, but their friendship seems strained. Is this because of what happened with Leela? Have they just fallen back into the rhythm of their individual jobs since returning to their Gallifrey, and the demand of those positions as well as the natural tensions between the President’s office and the CIA has caused them to drift apart? Is it simply a natural clashing of personalities that happens sometimes?
What does Trey think of Brax? Is she sympathetic to him still, or has she completely broken free from his influence? How does he feel towards her? Is he as enamored (obsessed?) with her as he was her previous incarnation? Is she more open to his personal (romantic?) feelings towards her, given her more emotional nature?
Are we 100% sure that she actually instructed Brax to go back and stop Romana II from regenerating and bringing Trey’s timeline to be? We only have Brax’s word on that, and we all know Brax’s word is doubtful at best...
How does she interact with the Doctor? Does she miss him and still consider him a close friend, or has she moved on after he seemingly rejected her in Neverland/Zagreus?
In her presidential decisions, is she colder? softer? more likely to be moved in compassion or even more of a pragmatist than her previous self? What does her personal moral code look like? Has she come to terms with the “Destroyer of Worlds” identity, or does she still fight against it? Does she have any lingering effects from Pandora’s influence, or is all that far behind her now?
How does she react when angry? when threatened? when completely at ease and interacting with the people she’s most comfortable around? who are those people? where is she most likely to let down her guard and in what circumstances does she feel most relaxed? does she view her friends from her previous life the same as she did before regeneration, or has she pushed them to an arms’ length despite her seeming approachability?  We get all of one full-length story with Trey in the Gallifrey canon (I don’t count the stories in Gallifrey 6 because I don’t think her personality there is an accurate representation of the actual Romana III—due both to unknowns in the Matrix and Romana II’s deliberate programming), and most of that takes place on Gallifrey, in her position as President, and she really only interacts with Narvin, Ace, and a few other Time Lords. We don’t get to see her having adventures, being thrown new situations to deal with, being faced with intensely tough character-determining decisions or moments of life-or-death peril. We don’t know much about her Presidential decisions—she continues to work for a more inclusive Gallifrey and seems to be Ace’s champion as she heads towards becoming a fully-fledged CIA operative and the human equivalent of a Time Lord. But in her daily interactions with other politicians and allies and rivals and enemies? There’s so very little.
I’m actually totally fine with Trey never becoming the next Romana in the current Gallifrey timeline. If Romana never regenerates, or if she does, and the next incarnation is a completely different person than Trey was. (I’d personally love to see an incarnation based Romana’s fourth self who appears for one brief scene in the end of one novel.) But the fact remains that the character does exist, even if only in an aborted timeline, and I desperately wish we got to know her better. As it stands, I’m actually pretty neutral on how I feel about her. I actively disliked her when she appeared in earlier seasons of Gallifrey, until the truth of what she was there was revealed. Then I was intrigued to learn more about her in Intervention Earth, and I remain so now, given how little we actually got to know her in that story. I feel like I could really love her. But as it stands, there’s so little content that I feel like I can’t get a solid grasp on the character or my opinions on her, and I want to know her better. 
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tronmike82 · 4 years ago
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Ok so, I’ve spent the last two weeks obsessed with the idea of tucker becoming a spartan.
I know it sounds crazy but hear me out; the halo and rvb timelines could -with some difficulty- be integrated into a single unified continuity, think about it;
in season 1 episode 1, Simmons talks about the apparent pointlessness of having a base in blood gulch, and Grif says; “What's up with that anyway? I mean, I signed on to fight some aliens. Next thing I know, Master Chief blows up the whole Covenant armada and I'm stuck in the middle of nowhere, fighting a bunch of blue guys.”
And in season 9 episode 15, the freelancers steal the sarcophagus from Charon industries, the sarcophagus has huragok symbols on it, and is later revealed to actually contain a live huragok.
Thirdly; freelancer armor is a dead ringer for Mjolnir armor, meaning it could have been developed as a cheaper and less advanced offshoot, or even semi-powered infiltration armor which doesn’t enhance the wearers physical capabilities to nearly the same extent as Mjolnir, so an unaugmented human could wear it without mutilating themselves. So ONI could have made a shit-ton of SPI armor without the photoreactive-panels and shields, making them much cheaper than normal, and given them wholesale to project freelancer.
Fuck, who knows, maybe agent Maine was a Spartan-ii that didn’t make the cut for some reason so they gave him to PFL as a bonus. It would certainly explain his immense size and strength, as well as his poor social skills.
Furthermore; Tucker’s son, Junior, he’s clearly a sangheili, and he & his father became ambassadors between their two species after the “Great War” given the incredibly tense relations between humanity and the sangheili after the war, having someone who possesses a key-sword and sired a sangheili -and genuinely wants to learn about sangheili culture so he can raise his son better- act as an ambassador would greatly improve the situation.
Going back to the halo side of things; while spartan-IIs and IIIs were made of kidnapped children and orphans respectively, Spartan-IVs are made of adult volunteers pulled from the best the UNSC has to offer, and tucker absolutely fits the bill.
So in conclusion, Grif directly mentioning the master chief, project freelancer using a huragok in its A.I. experiments, freelancer armor looking exactly like Mjolnir armor, pre-meta Maine looking and acting exactly like a spartan-II, junior being a sangheili, and Tucker’s sword, all lead to the same conclusion; the halo and rvb universes are one and the same, which means tucker could absolutely become a spartan!
I’m putting all of this together to justify this scenario;
Tucker joins the spartan program, and the reds & blues haven’t seen him in months. He finally comes back after months of training, augmentations, and waiting for his Mjolnir armor to be assembled, he immediately shows off his new physique and wash quietly says to Carolina; “Carolina, I think I might be bisexual” and -having figured that out years ago-Carolina replies; “it took you this long to figure that out?” Too distracted by Tucker’s showing off, wash doesn’t hear her.
THAT’S RIGHT, THIS WAS A TUCKINGTON POST THE ENTIRE TIME LOL!!! I REGRET NOTHING!!!
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fireinmywoods · 4 years ago
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the heart of the matter (is Leonard McCoy)
Followers...friends. I come to you today, hat in hand, to ask for your support in a certain fandom matter, a trifling concern of little real consequence which nevertheless has been driving me absolutely cross-eyed bonkers for some years now.
Simply put: can we please all agree that Bones is the heart of the Enterprise???
In AOS, I mean. I’m not aware of any debate over this when it comes to TOS, where the roles of the triumvirate have always been explicit, though there are a few different ways to identify them:
Spock = logos = superego = head
Bones = pathos = id = heart
Kirk = ethos = ego = soul
So clear! So clean! So universally accepted by Trek fandom at large!
Oh, but things get murkier in AOS, and there are plenty of posts floating around which suggest that it’s Kirk, not McCoy, who serves as the heart in the Kelvin timeline. Even the writers of the first two AOS films have outright stated that their interpretation of the triumvirate had the original roles switched, with Kirk as the highly emotional one and McCoy as the arbiter between Kirk’s passion and Spock’s logic. It’s true that this technically counts as a Word of God pronouncement by the actual creators of 2/3 of the series thus far, which some would argue renders it canon. However, it’s equally true that those same creators also felt that Kirk was a fuckboi and that Benedict Cumberbatch wonderfully embodied their vision for Khan Noonien Singh, so honestly, who gives a hot hollerin’ fuck what those dingdongs think. This seems as justified a time as any to invoke Death of the Author, and in fact, it’s my firm belief that despite the writers’ intentions, Star Trek and Into Darkness both support the original triumvirate breakdown.
Under the cut you’ll find a long-winded and self-indulgent ~*~character analysis~*~ of the Kelvin-timeline incarnations of Jim Kirk and Leonard “Bones” McCoy, reviewing why Leonard is still unmistakably the heart, unpacking what the hell Jim’s deal is, and finally taking a look at some key examples from canon, because ya girl believes in showing her work.
Let’s get down to business.
[A quick warning, as this is starting to spread beyond my own followers: if you don’t like McKirk as a romantic pairing, you ain’t gonna like part IV, so I’d bow out before then or just take your leave now.]
i. Leonard
Independent of Jim’s characterization, it should be blindingly obvious that Leonard is the heart. He’s by far the most nakedly emotional of our seven core crew members, a trait we see writ large and small throughout the films. He’s reactive; he’s passionate; he’s humane. He cares, first and foremost.
Not about Starfleet, of course. Leonard doesn’t give a damn about playing the game or advancing his career, or even really about the Enterprise’s mission - he has no desire to explore strange new worlds, he’ll pass on seeking out new life and new civilizations, and he spends half his time trying to convince everyone else that boldly going where no man has gone before is a great way to die horribly. Fuck exploration, fuck space, and fuck the Federation while we’re at it. Leonard is perhaps the most improbable of the Enterprise’s senior officers for the simple reason that he seems to resent everything about the job.
Well. Almost everything.
See, what Leonard cares about is people. He cares about their lives, about their stories, about their hopes and dreams, about their suffering. That’s why he entered and has stayed in an extremely taxing caring profession, and it’s why he’s still on the Enterprise despite his incessant bitching about everything they do. He wouldn’t trust anyone else to take care of the crew he’s become so attached to, and he finds fulfillment in helping the people they encounter out there in the nightmare of space.
In every timeline, Leonard McCoy defines himself by what he can do for others: the pain he can ameliorate, the wounds he can heal, the diseases he can cure, the small amounts of good he can bring to a galaxy filled with so much absolute horseshit. Unlike most of his colleagues, he’s not motivated by curiosity or an adventurer’s spirit or a burning desire to make sense of the universe. (Fuck the universe, too, as a matter of fact.) Instead, he’s driven by the incredible depths of his compassion and empathy and concern for the people he serves alongside and those they meet along the way.
Sure sounds like the heart to me.
ii. Jim
I actually totally get why some people characterize Kelvin-timeline Jim as the heart. He’s quite literally a different man than the original timeline’s Kirk, and he definitely has more of the pathos qualities to him. Early on, he’s a total spitfire, fierce and hot-blooded, quick to anger and other sharp-edged emotions we’re not used to associating with James T. Kirk. Even as he grows into himself and leaves some of those traits behind, he remains spontaneous, passionate, protective, and self-sacrificing - easy enough to mistake for the heart if you squint.
But let’s not confuse having a heart for being the heart. Sure, Jim is more openly emotional and reactive than his TOS counterpart, but there’s still a marked difference between the way he and Leonard express and act on their emotions.
AOS Jim definitely has a lot of feelings - big ones - but at the end of the day, he’s not driven by his heart. He’s driven by his gut.
Whenever there’s trouble, Jim makes a beeline right for the center of it. He’s impulsive as hell, rarely pausing to think past his first instinct, because he just wants to be doing something, no matter the odds, no matter what it costs him. He explicitly calls himself out on this in ST:ID when arguing with Spock: “I have no idea what I’m supposed to do. I only know what I can do.” He doesn’t have the patience or the constitution to sit and debate all the options, either internally or with his crew. If there’s a path forward from where he is, even a bad one, Jim’s gonna take it.
[Sidebar: One could make the case that the roots of Jim’s instinct to act reach back to his childhood traumas - canonically ignored abuse and neglect on the one hand, and the Tarsus IV famine and massacre on the other - but that’s a whole post on its own and we ain’t got all day here.]
Jim can’t not act, and while that gets him into a lot of trouble, it also saves lives. Sulu probably appreciated that Jim’s gut drove him to leap off Nero’s drilling platform without a moment’s hesitation after a man he’d only just met. He may have been a real shithead about it, but Jim’s impassioned insistence on going after the Narada and not wasting time on the possibility of a better option was key to saving Pike and Earth itself. And I don’t know why Spock was so surprised that Jim intervened to save him on Nibiru, considering that the reason they were there in the first place was because Jim couldn’t sit back and watch the Nibirans die when there was something his crew could do to help them, even if it meant risking a violation of the Prime Directive.
Jim is a good man with a big heart, and he cares about people, absolutely. But he cares most of all about Doing The Right Thing - which in the heat of the moment often translates to Doing Something, Anything, Hold My Beer.
iii. heart vs. gut (i.e., time for some receipts)
I think one of the main reasons Leonard and Jim’s characterizations get confused is because they both tend to act on instinct, only lightly informed by higher reasoning. However, I’d argue that their motivations and the nature of those actions are super distinct, and those distinctions remain relatively consistent throughout all three films. (And y’all know I really mean this shit if I’m out here calling ST:ID consistent.)
Jim is a big picture guy, figuratively and often literally heaving himself full-body into the mix of whatever problem the crew has encountered for lack of any better alternative. That energy propels the plots of all three films: the chaotic path he carves through the events of Star Trek and ST:ID, and the slightly calmer but still undeniably bananas course he charts for himself and his crew in the second half of Beyond.
As the heart, Leonard operates on a more micro level. His concern invariably lies with the individual people caught up in those grand events Captain Chaos is busy dragging them all through. While Jim’s zooming around flipping plot switches, Leonard can always be counted on to bring it back to the personal.
We frequently see this juxtaposed right there on film. Think of that slow pan through medbay in the first movie after the Narada’s ambush and the destruction of Vulcan: while Jim is stewing over what to do about the Big Bad, Leonard has stepped into the CMO role without fuss or fanfare to care for the wounded crew and traumatized survivors.
Or jump ahead to Beyond: during Krall’s attack on the Enterprise, there’s a gorgeous cinematic shot of Jim sprinting down the corridor with two crew members to take on the invaders - and then we cut to Leonard moving slowly through those same ghastly red-lit corridors, searching for casualties in need of help, visibly affected by what his scanner is telling him about the downed crewman he tries to save.
Actually, Beyond as a whole does terrific justice to each of their roles. (Perhaps because it was not written by dingdongs.) The first act finds Jim flailing around for a sense of purpose and forward momentum - an understandable consequence of a gut-driven character having stalled out for too long - and he ultimately gets his mojo back by spending the rest of the film careening through one insane seat-of-his-pants ploy after another. Meanwhile, in the quieter moments between all the mayhem, Leonard serves as the empathetic sounding board for both Jim and Spock as they struggle with deep emotionally charged secrets and Big Life Questions, helping them untangle their feelings and reminding them of the emotional attachments which are ultimately key to their respective decisions to stay on the Enterprise.
More examples, you say? Don’t mind if I do!
Star Trek
GUT: Jim hurtles around the Narada, improvising almost every step of the way and paying the price for his and Spock’s scheme in bodily harm, and ultimately succeeds in rescuing Pike. HEART: Leonard calls out for Jim as he runs into the transporter room, overwhelmed with relief that he’s made it back, and takes Chris Pike’s weight literally and figuratively onto his own shoulders to begin healing him while Jim runs back off to the center of the action.
Star Trek: Into Darkness
GUT: Jim argues with Leonard, Spock, and Scotty in quick succession as he’s preparing to drag them all off to Qo’noS, immune to their attempts to reason with him because, unraveled as he is by grief and pain, he can only focus on his visceral drive to Do Something. HEART: Unlike the others, Leonard is upset not about the larger moral questions of whether it’s right to go after John Harrison or bring torpedoes aboard the ship, but about the fact that Jim himself is hurt and hurting and won’t accept help.
GUT: Jim makes a snap decision to sacrifice himself by hurling his body against the warp core to realign it and save his crew. HEART: Shellshocked by the emotional grenade of his best friend’s death, Leonard suddenly realizes, through the haze of his own numbness and upswelling grief, that he might still be able to do something for this lonely radiation-ravaged body he’s been brought and the life it represents.
Star Trek Beyond
GUT: At the tail end of an improvised plan to out-maneuver Kalara, Jim quite literally shoots first and asks questions later, igniting a fuel tank and setting off an explosive series of events which he and Chekov just barely escape. HEART: The next time we see Leonard, Spock is opening up to him about Ambassador Spock’s death and his own plan to leave Starfleet for New Vulcan - and while he’s empathetic toward Spock (I can’t imagine what that must feel like), Leonard’s thoughts go immediately to the emotional impact of Spock’s plan on the other people he’s closest with. (I can see how that would upset [Nyota]. / I can tell you, [Jim]’s not gonna like that.)
GUT: Jim frantically strains to reach the final switch in the life support hub, believing that he’s going to die either way since the vent has already opened, but spurred on by the knowledge that his ability to move that switch is the only thing standing between Yorktown and annihilation. HEART: Knowing exactly what’s at stake, with the fate of the station and millions of lives hanging in the balance, Leonard’s greatest concern is that Jim won’t make it out in time.
iv. never bet against the heart
Let’s wrap this up with a deep dive on one of the absolute best examples of Leonard as the heart: his decision to sneak Jim onto the Enterprise in the first movie.
As relentlessly as I drag him for the, you know, poisoning and kidnapping aspects of that whole deal, there’s no denying that it is a god-tier heart move. Is it logical? Absolutely not. Is it really the right thing to do for either himself or Jim, as far as he knows at the time? Nope. It’s 100% the wrong choice for his own job security, reputation, and relationships with his fellow crew, and it’s almost guaranteed to get Jim into even worse trouble. Leonard is a smart dude who must understand that this course of action will likely end up coming back on them both in a real bad way. For someone who argues loudly and often in defense of self-preservation, this is a shockingly bad idea.
But none of that matters, because Jim shakes his hand and tells him to be safe with that horrible empty-eyed smile, and it gets him right in the heart, one-two-three.
One: sympathy, worry, and affection for Jim - his best friend, his wild and troublesome stray, his only family.
Two: guilt over adding onto Jim’s pain, and the instinctive urge to fix whatever‘s hurting him.
Three: fear of heading out into the unknown by himself, the agonizing uncertainty of not knowing what’s coming, craving for the security and reassurance Jim’s presence would give him.
“Dammit,” Leonard says, as his heart wins out over his brain. He knows this is a garbage plan, and he doesn’t care. His heart chooses Jim. That’s all that matters.
So he goes back for Jim, and to his own surprise it turns out that this Very Bad Idea was actually a Very Good Idea because Jim’s impulsive instincts end up saving Earth, and Leonard’s not in the habit of fixing what ain’t broke so he figures he may as well keep on chasing Jim’s crazy ass around the galaxy for a while, through jungles and off cliffs and into the goddamn afterlife when need be, until finally one day Jim’s gut drives him right into Leonard’s arms and he suddenly realizes that this is what his heart was choosing all those years ago: Jim’s wide terrified eyes, Jim’s voice breaking over his name, Jim’s hand pressing hard against his chest, reaching out for what’s his.
But that’s another story.
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buffaloborgine · 4 years ago
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An over-review and (many) theories of FFVII compilation - Part IV
Part I: The Timeline - https://buffaloborgine.tumblr.com/post/624717906149818368/an-over-review-and-many-theories-of-ffvii Part II: The Fated Trio(s) - https://buffaloborgine.tumblr.com/post/624817710806827008/an-over-review-and-many-theories-of-ffvii Part III: To be or not to be - https://buffaloborgine.tumblr.com/post/625180368648159232/an-over-review-and-many-theories-of-ffvii
Part IV: LOVELESS As last time I have talked about the three Sides which engage in the real conflict in FFVII Compilation, this time, I’m going to talk about the poem that is likely going to be prophetic for the whole story of FFVII.  I believe we all know that LOVELESS is a poem, which is very much linked to many events in FFVII and can be interpreted into many different meanings.  But what if I tell you that LOVELESS is actually something truly important, and that it’s missing last verse could be what we need to decode what the fuck is going on in FFVII Remake? What if I tell you that... LOVELESS is actually the Book of Genesis of FFVII Compilation?  Yes, the Book of Genesis. I’m not joking, this was put in Crisis as a very funny way. You see, LOVELESS is a poem, with one prologue and five verses, but is very short and there is no way that poem (unless you use dinosaur-size font) could fit in a book. 
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See how thick that book is? And Genesis is reading the whole prologue on one page, then how the fuck can a poem that long fits a whole book?  Of course, because that book was meant to be for word play. The only time LOVELESS is depicted as a book was in Crisis Core, solely belongs to Genesis. So, you get it, with transitivity (and the fact that putting a very short poem into a giant book makes no sense at all), LOVELESS is the Book of Genesis of FFVII. Etymology: Book of Genesis is the first book of the Hebrew Bible and Christian’s Old Testament, it’s about the creation of the world and the early history of humanity.  The structure of LOVELESS is strangely fit with the structure of FFVII Compilation (as anyone who watches Sleepezi’s videos would already know this): One prologue (FFVII Original), four clear verses (Before Crisis, Crisis Core, Advent Children and Dirge of Cerberus) and one last missing verse (FFVII Remake - as we don’t really know what the fuck is going on in this one). Besides, the content of LOVELESS is not just a story about three friends on their ways to find the gift of the Goddess but also the retelling of how the cycle of events in FFVII Compilation repeat itself. 
Prologue  When the war of the beasts brings about the world's end The goddess descends from the sky Wings of light and dark spread afar She guides us to bliss, her gift everlasting
We can see here that the poem begins with a world renewed after “the world’s end” with the help of “the goddess”. 
Act IV  My friend, the fates are cruel  There are no dreams, no honor remains The arrow has left the bow of the goddess My soul, corrupted by vengeance  Hath endured torment, to find the end of the journey In my own salvation And your eternal slumber Legend shall speak Of sacrifice at world's end The wind sails over the water's surface Quietly, but surely
In act IV, we see that “world’s end” event happens again, and we sure know that the two “world’s end” in prologue and act IV are not the same one, because the one in the prologue is linked with the “war of the beasts” and the one in act IV is linked with the event that the “Prisoner” find his salvation.  The fact that “world’s end” was set to looped in prologue and act IV instead of prologue and act V points out that, those events in act I, act II and act III will repeat themselves as the world is reborn after its end. We can see how this kind of loop happens in the compilation: each part starts with a conflict between two groups of people, a “Hero” appears in order to stop the conflict wrecking the whole world, in the progress helping the “Prisoner” from their fate, a “Traveller” leaving to find the meaning of their own existence, by the end the conflict is stopped, the world is renewed.  However, as act V, the ending verse is missing, we don’t really know whether this kind of cycle will be continue or it will be broken. As in last part I have pointed out, the Planet wants to preserve the cycle while Jenova wants to break the cycle, because this conflict has yet come to an end, the last verse of LOVELESS will continue to be missing.  We do know one thing about act V, that is it will be written by the third Side, Humanity. Why? Because at the end of Crisis Core, we see that Genesis composes act V on his own interpretation, citing about his “return” (of course he will return, I will talk about this in later parts), although we all know that is not the true act V, the fact that verse just popped up into the book is a metaphor that it can be written by anyone, or in other words, an open end depending on how one sees it.
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And where do we see that open end? FFVII Remake part I’s ending where Cloud&Co. beat the Harbinger, cutting the chains that tie them to Destiny, setting themselves free, therefore, whatever happened in the future will be their own to decide, just like act V of LOVELESS - written by the interpretation, or intervention, of Humanity. Thank you very much for reading this, see you in the next part.
Part V: The Culprit -https://buffaloborgine.tumblr.com/post/627169302357966848/an-over-review-and-many-theories-of-ffvii
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watchmebitch · 5 years ago
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hot take: epic iii from the nytw should be swapped with epic iii from the obcr.
broadway’s take on hadestown HEAVILY played up the worker’s rights and speaking truth to power elements. that’s why we see “if it’s true” change from something that’s deeply mournful + lonesome all the way through (even once the chorus joins in) in NYTW recordings to the rousing rallying cry it becomes in the OBCR. 
in the NYTW, even as orpheus has seemingly gotten the chorus to join in with his question, he does not appear at any point before epic iii to be a meaningful threat to the way of things in hadestown. perhaps for that reason, chant ii - following hades’ flat refusal when persephone appeals to him to let eurydice go - begins with hades laughing and interrupting orpheus and the chorus to explain ‘the way of things’ to what he perceives as the ‘foolish, naive’ orpheus. he launches into an explanation about how you can never trust women, almost as though he’s trying to give actual advice, even as mocking as it comes across.
in the OBCR, chant ii starts very differently. orpheus has rallied the workers into a potential rebellion, as we saw at the end of if it’s true. hades, recognizing this for what it is, actually sounds apprehensive when he delivers his first lines. ‘what’s that noise’ is delivered as, “something’s not right. ‘it’s the boy’ is, “oh, fuck.” hades blows the whistle and forces the chorus back to order, and the rest of the song is a power struggle as the chorus tries to break away to rally behind orpheus and hades tries to force them into line.
at the end of both versions of chant ii, hades viciously brings hadestown back into order and, in a plainly mocking way, expecting nothing to break his grip, demands that orpheus sing the song that he’s so confident about.
in the NYTW version, there isn’t much hope at this point. if it’s true was enough to make people (especially persephone, but the workers/wall as well) pity him, but that’s all it did. orpheus felt like he had the power to change minds, not to change the world - regardless of the musical’s overarching metaphors.
in the OBCR version, orpheus has already proven that his voice has power - not just a magical melody that magically brings spring, but his voice generally. that’s why we have a motif throughout the whole musical of members of the chorus harmonizing with him. if it’s true still wins over persephone in this version, sure, but it also starts a rebellion that hades has to forcibly, and with some difficulty, quash. 
it is WEIRD, at this point, that NYTW orpheus decides to grow his very first backbone to lay down a scathing indictment of hades. he clearly has no intention of flattering or being charitable towards hades in the first verse; instead, he’s literally speaking truth to power when he sings, “the heart of the king loves everything like the hammer loves the nail.” he trades between verses, talking about hades as any other man in love, and hades as a hard, cold-hearted king who “scrapes the sky and scars the earth.” this is not charitable. this is not nice. this is not orpheus softly winning over the heart of his audience in the way that he does during if it’s true.
meanwhile, OBCR orpheus, who spent the previous span of act ii rallying the chorus behind him and challenging hades’ authority, decides to softly appeal to hades, apparently flattering him (”oh, it’s about me?”) before launching into a generous, kind depiction of his love for persephone. this orpheus tells hades that they’re both the same, and that he’s really such a softhearted man deep down, and that surely, he’ll change his mind. orpheus here does not speak truth to power; he writes a flattering nytimes opinion piece about power.
it’s not that i hate either version of this song. truthfully, I prefer the original epic iii, but there are nice things about both. what’s strange to me is that they seem misplaced - NYTW’s epic iii feels like it belongs in the OBCR. that would create a timeline where orpheus deliberately rallies the workers to rebellion, has to experience that rebellion being suppressed, is threatened and coerced into singing his song for a man who has no respect for it and, seemingly, is definitely going to kill him when he’s finished, and goes absolutely feral telling hades exactly what kind of king he is.
meanwhile, the OBCR’s epic iii would fit right in to the NYTW’s act ii continuity. orpheus is defeated and mournful after failing to retrieve eurydice, persephone unsuccessfully appeals to hades because of how deeply orpheus’s song moved her, and hades ultimately makes the terrible mistake of demanding that orpheus (who, we’ve established, has a voice so beautiful that it will change your mind) sing for him. the perfect song to follow this is the OBCR’s epic iii, where orpheus optimistically (perhaps naively) appeals to hades’ better nature. where persephone, who was already won over, has to interrupt so that hades lets orpheus finish.
it feels like they got swapped. put ‘em back.
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apolesen · 6 years ago
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Fixing the Changeling Bashir Timeline. Or: Uniform Changes and Bedside Manner
Common wisdom is that Bashir was kidnapped and replaced by a Changeling between The Ascent and Rapture, as when he appears in the prison-camp, he is wearing the old uniform. 
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However, I would like to propose that that is not the case. Christopher L. Bennett, who writes tie-in novels, has pointed out that the timeline does not add up. Consider:
The Begotten takes place at least three weeks after The Darkness and the Light (in the latter Kira says that she is due in three weeks, and she gives birth in The Begotten)
The Begotten takes place during at least one week (Bennett says two, but I can only find that the baby Changeling has been with Odo for a week, so let’s say a week)
Kirayoshi was born “less than a month” before Purgatory’s Shadow.
Bashir says in Purgatory’s Shadow that he was captured “over a month ago”.
Let’s draw up a timeline based on this. This counts weeks from the end of The Darkness and the Light. 
START - The Darkness and the Light
Week 1 
Week 2 
Week 3 
Week 4 - The Begotten
Week 5 
Week 6 - (For the Uniform somewhere here)
Week 7 
Week 8 ~ In Purgatory’s Shadow
We don’t know the gap between Rapture and The Darkness and the Light. Even if there is virtually no time in between, the timeline doesn’t add up if Bashir was impersonated by a Changeling for four weeks (as Bashir says in Purgatory’s Shadow)  but this started before Rapture. 
What is it that dates Bashir’s abduction to before Rapture? The fact that he’s in the old uniform. That is all. 
So, let us say that Bashir was not abducted before Rapture, but sometime before The Begotten. Why is he in the old uniform? Bennett calls this “a paradox”. I do not agree. For this we have to look at how uniform changes in Starfleet happen. 
For this part, I will be referring to uniform by numbers in the order they were rolled out (as terms like “TNG uniform” and “DS9/VOY uniform” are often confusing and feel odd when discussing things in-verse): 
Uniform type I - the uniform seen in TNG. Black shoulders, division colour beneath, no visible undershirt. 
Uniform type II - the uniform seen in Voyager and DS9 series 1-4. Division colours on shoulders, the rest black, grey undershirt. 
Uniform type III - the uniform seen in DS9 series 5-7 and the TNG films. Grey shoulders, the rest black, division colours on undershirt. 
The Emissary, Way of the Warrior and TNG Birth Right part 1 show that uniform changes are not done all at once. In The Emissary, we see Bashir and Dax in Uniform type I when they first arrive, and then change into Uniform type II. The same goes for Sisko. 
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In Birth Right, Bashir wears a type II uniform at the same time as the Enterprise crew wear type I.  
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In Way of the Warrior, when Worf turns up, he is still in Uniform type I, while the Deep Space Nine crew are in Uniform type II.
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I propose that uniform changes happen gradually, not all at once. Deep Space Nine (the station not the show) undergoes uniform changes earlier than the Enterprise. If you stationed on Deep Space Nine, you are supposed to wear Uniform type II, and if you work on the Enterprise, you wear Uniform type I. If you are visiting, like when Worf and Geordi go over to Deep Space Nine or Bashir goes onboard the Enterprise, you don’t change your uniform for that short time. 
So why would Bashir change from Uniform type III to Uniform type II?
We can find the answer in Homefront. Here is Sisko when he is acting head of Starfleet Security: 
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Like Captain Benteen (who is stationed on Earth), Sisko is in Uniform type I. Earlier in this episode, when Sisko is on Deep Space Nine, he is in Uniform type II. However, as soon as he comes to Earth, he changes into Uniform type I. This implies that it is about maintaining uniformity and making things like ranks easier to tell. The difference between this and the other cases when people do not change is that when Sisko goes to Earth, is a longer stay and a much more official one. 
So my suggestion is this. At the time around The Begotten, Deep Space Nine has already changed to Uniform type III, but other parts of Starfleet are still wearing Uniform type II. Therefore, when Bashir goes to the burn treatment conference on Meezan IV, he changes from Uniform type III to type II. It is an official occasion, he is on duty and there is probably going to be a lot of Starfleet people. Deep Space Nine seems to be one of the first places where new uniforms are introduced, so it is plausible that many other participants will still be in Uniform type II. This explains how Bashir would be in his old uniform despite having left after the uniform change. 
What is more, it makes much more sense that Bashir is not abducted until just before The Begotten. Let’s consider what he is up to and how he acts during the first four episodes after the uniform change. 
In Rapture, he treats Sisko, eventually performing brain surgery. In The Darkness and the Light, he examines Kira and he treats her for a placental laceration and a haemorrhage. In The Begotten, Bashir treats Odo for a bad back - he also mentions treating Odo a week earlier for stomach trouble. He treats the baby Changeling too, first putting it through a electrophoretic diffuser to purge the radiation that was making it ill, and then later trying to save it when it is dying. Also, he briefly examines Kira (but he does not deliver Kirayoshi, as many claim, including Memory Alpha - that is the midwife Y’Pora who does). In For The Uniform, Bashir does not appear at all. 
If we compare what Bashir does in Rapture and The Darkness and the Light to what he does in The Begotten, there is a noticeable difference. The stuff he does in the first two episodes are complex. Furthermore, throughout these episodes he is gentle and reassuring to his patients. In The Begotten, we do not see that kindness. He jokes around with Odo, but in retrospect, there seems to be an edge to it. When he tells Odo the baby Changeling is dying, there is none of the vulnerability we see when he breaks similar bad news to Kira in Life Support or the crew in Tears of the Prophets. The most of the medicine he does is Changeling-related, either the baby or Odo. He only sees Kira briefly, and when he leaves it is abrupt, saying that he is very busy. When he leaves, we see O’Brien give him a surprised, maybe even hurt look. Perhaps he wanted his best friend around for this. As for his absence in For the Uniform, this too might be an attempt not to have to interact with people very much, as it could give him away. 
Bashir in The Begotten does not act like the Bashir we know. He removes himself from emotional and/or social situations quickly, leaving other medical personnel (Y’Pora) in charge. Overall, his bedside manner is lacking. Not only does he not act like the Bashir we know - he does not act like the Bashir in the previous two episodes. In those, he feels much more himself. 
Based on this - the chronology based on dialogue, Starfleet uniform customs and how Bashir acts like himself in two episodes but not the third - we can make the following timeline: 
Uniform change on Deep Space Nine occurs
Rapture (Actual Bashir)
The Darkness and the Light (Actual Bashir)
Circa three weeks later: Actual Bashir is abducted from a conference. Changeling Bashir returns to Deep Space Nine.
Circa one week later: The Begotten (Changeling Bashir)
Circa four weeks pass. For the Uniform happens during this time. (Changeling Bashir, but not seen on screen.) 
Circa four weeks after The Begotten: In Purgatory’s Shadow (Changeling Bashir on the station, Actual Bashir in Gamma Quadrant.) 
This means that it is the real Julian Bashir who we see in Rapture and The Darkness and The Light. The Changeling posing as Bashir does not turn up until The Begotten. 
Sources: 
Screenshots: Trekcore
Opinions and quotes of Christopher L. Bennett: Memory Alpha, article “Julian Bashir (Changeling)”. 
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some-spooky-stuff · 5 years ago
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I finally caught up with the Saw franchise. Yay
Here are some thoughts on that, as well as my favorite trap from each movie, and my rating. How I choose to rate the franchise: LIVE or DIE. _____________________
Saw: When I first watched this years ago, it was not the first Saw movie I had seen. My first Saw movie was Saw II because it was on TV and I just ended up seeing it. So when I was younger I went to Saw 1 and was bored. Now as an adult I sat down and watched it and boy is it GOOD. its damn good. Weird editing which has aged but its easy to forgive. The weird “panic” film editing scenes werent needed but now it just feels normal to the franchise. i like at the end when the two main victims realize the game isnt just an isolated incident involving the two of them but more complex involving more people with their stories colliding. Amanda in the reverse bear trap was pretty iconic though... 
FAVORITE GAME: Reverse Bear Trap
LIVE OR DIE: LIVE ________________
Saw II: traps felt like minigames. Dat needle pit tho. The recap scenes get old real quick. I get it. I put the puzzle together. Amanda returns, doing pretty well. This was my first introduction to Saw so Im fond of this movie. Reminds me of the old days when the syfy channel was once “scifi” and had scary movies on a lot. John is awesome in this movie. I love the scene where he asks for a glass of water. Also memorable traps
FAVORITE GAME: tie between The Needle Pit and The Razor Box
LIVE or DIE: LIVE _______________
Saw III: the traps were secondary to the plot. Why. But the traps were way more interesting and complex machines. Amanda gets annoying. I dont really like her, shes just gasping with wide eyes in every scene. I like the traps in this one but I feel like this is where the series took a turn with the traps, instead of a player being IN their own trap, they now have to decide the fate of other people trapped because of the player. TBH I feel like this was bad for the series and made a huge impact on the rest of the movies. I remember when I was younger thinking the pig guts drowning scene was stupid and wacky, but now watching it again its pretty intense. I liked this movie and i liked the traps despite it setting up failure for the franchise. Also John dies WAY TOO SOON to allow a handful of movies to continue.
FAVORITE GAME: The Rack (Honorable mention to the Pig Vat)
LIVE or DIE: LIVE ______________
Saw IV: John Kramer dick and balls for the world to see. THANKS. Bad cg blood. Not sure where the budget went. Weird scene transitioning, weird over the top traps, to the point of being unbelievable. no one is going to build a head crushing machine with two massive slabs of ice, its way too big, too complicated, and too stupid. Every white guy in this movie looks the same, its hard to tell characters apart, i get lost with the timelines and story. 
FAVORITE GAME: The Knife Chair
LIVE or DIE: hmmmmm LIVE ______________
Saw V: boring, with stupid traps, and dusty gray characters. If people would stop screaming, they could easy make it out alive. Also the gore in this movie is just for gore. they didnt need it, and characters could have easily avoided it but its Saw so you gotta have the gore in there.. somewhere..
FAVORITE GAME: The Glass Coffin
LIVE or DIE: DIE PLEASE _____________
Saw VI: "RIGHT NOW YOU’RE FEELING HELPLESS"  ... Such a cool scene.. Okay this movie was much better than Saw 5. the traps are getting bigger which is dumb and the traps are killing everyone BUT the player which is dumb, but this movie is entertaining and its brutal. Also.. Amanda redemption? Maybe she’s not so annoying? Also why they keep editing Jill’s eyebags? Stop trying to make her young and sexy, let her age like a human god damn.
FAVORITE GAME: The Shotgun Carousel
LIVE or DIE: LIVE ______________
Saw VII the final chapter: pandering af. It felt like the writers were thinking “hmm what do our young dumb audience want to see get killed.. hmm.. cheaters?.. dumb sluts? racists? yeah thats good enough.” Dumb reasons. Dumb dumb. John would never, he has more thought into his players.. they pissed all over the character and made it just so dumb i offended on behalf of John Kramer, you all should be in a game and realize you suck balls.. This is all so against the entire purpose of Saw, also bad acting, stupid tropes, weird sound editing, every victim except one was a female just sitting there screaming and then dying so yeah. The only good thing about this movie is the ending, which ties in all the movies and has a nice victory lap for the fans. I really appreciate that. I sat through every movie, give me some fanservice. RIP Chester Bennington.
FAVORITE GAME: Reverse Bear Trap (yes, again. the only good trap in this movie)
LIVE of DIE: DIE DIE DIE DIE DIE _______________
Jigsaw: too humorous. But much better than saw 7. The filming felt more tight as well. An overall better movie even though the timeline if fucked. I mean its been fucked for a while so im not really mad. I expect no less. The traps felt odd. But still a fun time. This movie is lacking something in all the Saw movies idk what it is. There’s something about Jigsaw that is more sterile than the Saw franchise. I feel like the only thing dirty about Jigsaw is the blood. It felt clean. Also wHY does Saw have LASERS????
FAVORITE GAME: Backwards Shotgun (I cant find trap names on the fan wiki)
LIVE or DIE: ...LIVE __________________
What i like about the series: john kramer real OG. Traps are cool af (though they get wackier and wackier), the classic Saw theme music plays at the end with a 5 minute recap with weird editing followed by the signature “Game Over”. Hated it at first, but i took the stick out my ass and i enjoy it. 
What i dont like: every character who isnt John (after movie 1) is kind of empty and shouldnt be on screen as long as they are. John’s wife was so uncooperative the ENTIRE time she pissed me off. also for the love of god i cant keep up with the fucked up timeline and please get actors who dont look the same. _________________ No one’s above the SAW! LIVE OR DIE! Enjoy “The Jig is Up” by ICE NINE KILLS
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