#i know they’re more or less supposed to be the same general character

[sabertoothwalrus]

There’s something I love love loveeee about Laios and how badly he wants to be cool.

Let me preface with this: in general, I believe the harder you try to be cool, the less cool you actually are. The less you care what people think about you, if you’re “cringe” or “weird”, the more likely people will perceive you as confident and self-assured.

There are countless pieces of media where characters try to fit in with some group, change every part of themself to look/act like what they’re “supposed” to be, and end up miserable, often realizing the people they’re trying to impress aren’t worth the trouble.

I’ve experienced this in my own life too! Sometimes when I go out I wear a rainbow propeller cap! Cause I think it’s funny and silly and!! I ALWAYS get compliments!! I don’t wear it to be cool, I wear it because it makes me happy. And people overall have a positive reaction to it. it’s a huge contrast to when I was teenager and didn’t really put as much of myself into my appearance/wardrobe, and barely left any kind of impression on people.

So anyway, let’s get into it.

Laios… he’s been hurt so badly by people. He resented humanity for it. And yet, he still yearns for the approval of others. He wants FRIENDS!!!! and was angry and frustrated to learn his perception of his relationship with Shuro was so drastically different than Shuro’s!!!!

He KNEW that people were put-off by his love of monsters. Up until Falin got eaten, he deliberately suppressed how much he talked about it with others. He probably thought by not talking about monsters so much, it was working!! He was doing all the Right Things now! So Shuro confessing he always hated him was a huge blow.

But the reality is, he loves monsters. And most importantly, he loves cool monsters. He fantasizes about what would make the Ultimate Monster.

He feels very strongly about what he considers “cool” as well. He finds all aspects of monsters fascinating, but can still be HORRIBLY underwhelmed when they look too lame for his tastes.

He knows most people don’t feel the same way he does. He knows his “cool” is everyone else’s “weird”. It’s so tragically sweet how he latches onto Kabru the moment he shows interest in monsters, and takes every opportunity to infodump about them to him.

He wants people to find monsters as cool as he does!! But, he also wants people to think he’s as cool as he finds monsters.

Like!!! djkfghadkfjg IT DOESN'T EVEN BOTHER HIM WHEN PEOPLE HAVE A WRONG IMPRESSION OF HIM! He's FLATTERED by it. It's almost like, at this point, it doesn't matter to him if people don't like him. People can not like him and still think he's cool.

And my favorite thing is, it works. Laios IS cool as fuck. You KNOW he thought he looked so badass when he did this and he was RIGHT:

And yet, this is him trying very hard to look cool. But it's Laios's version of cool. It's almost contradictory, in that sense. Cause he knows people still don't get it. Like. He wants to be cool. He doesn't care about the "normal" ways to be cool. He thinks his cringe thing is cool. He does his cringe thing, that people very much do still think is cringe. So you would think that, since he wants people to think he's cool, he would not do the cringe thing. But he wore the pelt because he thought it was cool. And people clapped and cheered for him anyway.

is what he's doing really so different than this? ^

YAYYYYY WOOO GO LAIOS YOURE SO COOL!!!!!!!

[byoldervine]

Writing Tips - Beating Perfectionism

1. Recognising writing perfectionism. It’s not usually as literal as “This isn’t 100% perfect and so it is the worst thing ever”, in my experience it usually sneaks up more subtly. Things like where you should probably be continuing on but if you don’t figure out how to word this paragraph better it’s just going to bug you the whole time, or where you’re growing demotivated because you don’t know how to describe the scene 100% exactly as you can imagine it in your head, or things along those lines where your desire to be exact can get in the way of progression. In isolated scenarios this is natural, but if it’s regularly and notably impacting your progress then there’s a more pressing issue

2. Write now, edit later. Easier said than done, which always infuriated me until I worked out how it translates into practice; you need to recognise what the purpose of this stage of the writing process is and when editing will hinder you more than help you. Anything up to and including your first draft is purely done for structural and creative purposes, and trying to impose perfection on a creative process will naturally stifle said creativity. Creativity demands the freedom of imperfection

3. Perfection is stagnant. We all know that we have to give our characters flaws and challenges to overcome since, otherwise, there’s no room for growth or conflict or plot, and it ends up being boring and predictable at best - and it’s just the same as your writing. Say you wrote the absolute perfect book; the perfect plot, the perfect characters, the perfect arcs, the perfect ending, etc etc. It’s an overnight bestseller and you’re discussed as a literary great for all time. Everyone, even those outside of your target demographic, call it the perfect book. Not only would that first require you to turn the perfect book into something objective, which is impossible, but it would also mean that you would either never write again, because you can never do better than your perfect book, or you’ll always write the exact same thing in the exact same way to ensure constant perfection. It’s repetitive, it’s boring, and all in all it’s just fearful behaviour meant to protect you from criticism that you aren’t used to, rather than allowing yourself to get acclimated to less than purely positive feedback

4. Faulty comparisons. Comparing your writing to that of a published author’s is great from an analytical perspective, but it can easily just become a case of “Their work is so much better, mine sucks, I’ll never be as good as them or as good as any ‘real’ writer”. You need to remember that you’re comparing a completely finished draft, which likely underwent at least three major edits and could have even had upwards of ten, to wherever it is you’re at. A surprising number of people compare their *first* draft to a finished product, which is insanity when you think of it that way; it seems so obvious from this perspective why your first attempt isn’t as good as their tenth. You also end up comparing your ability to describe the images in your head to their ability to craft a new image in your head; I guarantee you that the image the author came up with isn’t the one their readers have, and they’re kicking themselves for not being able to get it exactly as they themselves imagine it. Only the author knows what image they’re working off of; the readers don’t, and they can imagine their own variation which is just as amazing

5. Up close and too personal. Expanding on the last point, just in general it’s harder to describe something in coherent words than it is to process it when someone else prompts you to do so. You end up frustrated and going over it a gazillion times, even to the point where words don’t even look like words anymore. You’ve got this perfect vision of how the whole story is supposed to go, and when you very understandably can’t flawlessly translate every single minute detail to your satisfaction, it’s demotivating. You’re emotionally attached to this perfect version that can’t ever be fully articulated through any other medium. But on the other hand, when consuming other media that you didn’t have a hand in creating, you’re viewing it with perfectly fresh eyes; you have no ‘perfect ideal’ of how everything is supposed to look and feel and be, so the images the final product conjures up become that idealised version - its no wonder why it always feels like every writer except you can pull off their visions when your writing is the only one you have such rigorous preconceived notions of

6. That’s entertainment. Of course writing can be stressful and draining and frustrating and all other sorts of nasty things, but if overall you can’t say that you ultimately enjoy it, you’re not writing for the right reasons. You’ll never take true pride in your work if it only brings you misery. Take a step back, figure out what you can do to make things more fun for you - or at least less like a chore - and work from there

7. Write for yourself. One of the things that most gets to me when writing is “If this was found and read by someone I know, how would that feel?”, which has lead me on multiple occasions to backtrack and try to be less cringe or less weird or less preachy or whatever else. It’s harder to share your work with people you know whose opinions you care about and whose impressions of you have the potential of shifting based on this - sharing it to strangers whose opinions ultimately don’t matter and who you’ll never have to interact with again is somehow a lot less scary because their judgements won’t stick. But allowing the imaginary opinions of others to dictate not even your finished project, but your unmoderated creative process in general? Nobody is going to see this without your say so; this is not the time to be fussing over how others may perceive your writing. The only opinion that matters at this stage is your own

8. Redirection. Instead of focusing on quality, focusing on quantity has helped me to improve my perfectionism issues; it doesn’t matter if I write twenty paragraphs of complete BS so long as I’ve written twenty paragraphs or something that may or may not be useful later. I can still let myself feel accomplished regardless of quality, and if I later have to throw out whole chapters, so be it

9. That’s a problem for future me. A lot of people have no idea how to edit, or what to look for when they do so, so having a clear idea of what you want to edit by the time the editing session comes around is gonna be a game-changer once you’re supposed to be editing. Save the clear work for when you’re allocating time for it and you’ll have a much easier and more focused start to the editing process. It’ll be more motivating than staring blankly at the intimidating word count, at least

10. The application of applications. If all else fails and you’re still going back to edit what you’ve just wrote in some struggle for the perfect writing, there are apps and websites that you can use that physically prevent you from editing your work until you’re done with it. If nothing else, maybe it can help train you away from major edits as you go

[bulbabutt]

i think its weird that arcee is like. a core member of transformers groups now, cuz it makes her stick out like a sore thumb being the token girl when at the time she wasnt exactly supposed to be? she was part of the second generation of characters (even though I know the movie was being made first)

like it seems like modern stuff tries to do this with her

which just shows off how much that design doesnt fit and comes off like it was made to be "i am THE girl. you need no more girls we have made the one girl”

but when she was actually designed to match the movie crew, a bunch of more futuristic (the far off year of 2005) cybertronian vehicle transformers with her rounded shapes and pastel colours and she isnt even the only pink one because hot rod is also pink, albeit a much darker pink

(leaving ultra magnus out cuz he was designed to be a brick holding optimus doesnt count)

the point like yeah shes still the only girl but its less egregious when you look at what she was actually supposed to match. i dont think shes designed perfectly but i think its weird that because shes the most recognizable girl transformer she has to be pulled away from her crew and forced into a group she doesnt share the design philosophy of (let alone for her character its sad like... are those not her friends? she’s not allowed to hang out with her own friends anymore cuz she’s the only girl who’s marketable? sad)

it’s extra weird when you realize there’s this crew who were the original girl transformers shown on screen

they’re not perfect either but I like that they have the same busy more squared off shapes and more strong colours, and I just think if they got added in arcees place you could have a less skewed view gender binary for the robots

there’s also the part where it would be cool to have more than one girl in a group, but again arcee with her iconic leia space buns head fits in aesthetically better with the movie crew

[dystopyx-blog]

with the ask about all the characters that overblot, you mentioned we’d be better off when they’re regular yanderes as opposed to overblotted yanderes—so who do you think would be the easiest and who do you think would be the worst in their regular yandere state? and do you think some of their yandere tendencies would be different pre-overblot compared to post-overblot?

gonna ramble for a second here… i am honestly not too sure with leona, vil, or idia but i kind of imagine riddle lightens up significantly after it. probably more lenient with his darling in general, but especially regarding the whole following rules thing. i see azul being a 50/50, it probably depends on your reaction. having his darling witness his overblot, aka seeing his deepest darkest insecurities, and react poorly might validate his not-so-good tendencies, i.e., blackmail, lies, manipulation, gaslight, gatekeep, girlboss. but if they react more positively, i assume he would feel more inclined to establish a relationship in a healthy… or at least in a more normal/conventional way. with jamil, i am under the belief it wouldn’t necessarily improve or worsen, it’ll just change. prior to the overblot, his methods likely follow a more sneaky approach, i’ll let you decide what that means lmao, but afterwards, he just becomes more blatant and likely won’t even attempt to hide it anymore. malleus is the only one i am almost certain will become even more difficult. the fear of losing you is still very prominent, but now he also fears hurting you again. he definitely thinks that he is the only one capable of keeping you safe, or at least he did think that, but now that delusion is… essentially shattered and he knows it’s all his fault. i don’t even know what he would do, but i just feel like it will be 10 times worse. stop i didn’t realize how much i’d yap hope you don’t mind…

mmmm, I love ramblings <3

Tbh I was already thinkin of doing a general “what kind of yandere are they?” Post, this gives me a lil head start on it, teehee.

Riddle - riddle is WORSE pre overblot! Because overblot teaches him to be less strict. So after overblot, he’s more forgiving with you, even if he wants to just keep you locked up. But pre overblot riddle is an extremely strict and possessive yandere! You are his king of hearts, therefore you must stay beside him and FOLLOW HIS RULES! No exceptions, even for his darling! Especially for his darling, you are supposed to help lead by example! He can’t stand it when you misbehave in front of the others, no matter how much he loves you. It’s only after his overblot he becomes far more lenient, and it is only after his overblot that he starts treating you with exceptions. He doesn’t want to be like his mother, after all. So he shows you proper love and affection, instead of just rules rules rules. And post overblot riddle feels so so so fucking bad for basically putting you through a speed run of what he GREW UP WITH, which gives you an extra bit of leniency, as well.

Leona - Leona is pm the same pre or post. Like at most he will try a little harder after his overblot to have you. He also will likely be more interested in you after his overblot.

Azul - Azul could very well be worse after his overblot. He watched all his contracts go up in sand. And he went from being fairly confident in himself to once again feeling pretty self conscious, as you said, he had all his insecurities on display. I imagine that after his overblot, more of his confidence is for show. He is SHAKEN after that, in a way that the others aren’t necessarily. All this greatly increases his desire to have you, and have you completely, in a way that leaves no room for doubts. He’ll find somewhere even more secure than where he kept his contracts just for you.

Jamil - I agree, I see Jamil as far more blunt. Pre overblot, tbh I imagine you’d be a secondary goal. Like he’s been waiting so long for this opportunity, he’ll deal with romance later. And/or romancing you is a goal he views as going hand in hand with his takeover—like replace Kalim, charm the girl, that’s not two steps, that’s one and a half, y’know? He’s charming you while he ruins Kalim. But after overblot, he’d probably just walk up to you, no bullshit, just “I like you. I am asking you out.” But if you reject him… well, wtf else is he supposed to do besides try to slither his way into your a heart? Oh but one way to guarantee he’s worse post overblot is if you prefer Kalim. That is the one thing absolutely un allowed.

Vil - Vil is worse after overblot. Pre overblot he honestly doesn’t think about you that much, sorry. He has competition against Niege and like a million other things on his mind. But you… you make him better. In more ways than one, even. He NEEDS you, his overblot only proves that. He is worse after overblot, because pre overblot he will give you quite a lot of freedom (as in he’ll let you go as you please, but he’s still controlling in the same way he is with pomefiore students), but after his overblot he requires you by his side 24/7 or he will freak the fuck out.

Idia - idk much about his overblot :’) Idia is one I see getting worse tho, in a similar vein to Azul.

Malleus - idk much about his overblot :’) but I very much agree with you.

[kikokus]

Lucci and Kaku: An Analysis

I haven’t done long analysis/meta/essay-style posts in a while, but after seeing a comment that amounted to “every time Lucci’s shown an interest in something that doesn’t have to do with killing, Kaku’s involved” it made me think about whether or not that's true and, more specifically, whether or not there’s been sufficient build-up to justify what happens in Chapter 1111.

So let’s explore, shall we?

First of all, basic disclaimer that I’ve been heavily into One Piece since 2008 and Water 7 has been my favorite arc since the first time I read it that summer. Kaku, in turn, has always been one of my top characters in the entire series for various reasons…but this isn’t about him (at least, not entirely), so all of that is just to say that I’ve thought about these characters a lot over the years.

And I think what always struck me about them is that not only are they so fundamentally different, but that realistically Lucci should not tolerate Kaku at all. He’s pretty much everything Lucci’s not, and they’re more-or-less a perfect example of the ‘someone will die…of fun!’ meme in a lot of ways (and honestly it’s what I think of every time I see this card, but I digress):

At the same time, what happened in the latest chapter didn’t surprise me, because there’s been hints all along, and I’ve personally been waiting years for it to pay off…even though part of me thought it never would, or at least not in the way it did!

Still, how did we get here?

But First, A Bit About 相棒

So. Why is the fact that Lucci calls Kaku his “相棒” (aibou) so significant? Mostly because of the…individualistic meaning of the word. It literally translates to ‘partner’, but not in a romantic/life-partner way (not to say that it has never been used like that, but it’s not the inherent meaning of the word).

Unlike words such as 友人 (yuujin), 友�� (tomodachi), and of course, with Luffy, 仲間 (nakama), aibou generally only refers to one person. You can have many friends, teammates, crew members…but only one aibou. So by calling Kaku that, Lucci’s already placing him on a different level to anyone else in CP9 or CP0 and acknowledging openly that Kaku’s important enough to him to have earned that distinction.

Which is why a lot of us were very excited about it, since this is not a common occurrence where Lucci’s concerned.

That aside, let’s get to the actual canon content.

Water 7

Obviously at the beginning we find out they both work at the shipyard, but that in and of itself isn’t entirely significant…until you consider that, since Kalifa is pretty much with Iceburg all the time and Blueno’s running the bar, the two of them are working in much closer proximity to each other than to the other CP9 members in the city. 

The first real indication we get regarding their comfort level with each other comes in chapter 327 when Kaku gets back from examining the Merry and goes to sit down to explain what he’s discovered. Paulie’s the closest to him, but he actually ends up stepping past both him and Lucci in order to sit directly beside Lucci on the same level.

It’s quite a while before we see the two of them alone again, and it doesn’t happen until chapter 339 when they’re speaking with Robin. Of course at the time we’re not supposed to know it’s them, but there’s really nobody else it can be since this is happening at the exact same time that Blueno’s talking with Franky and Kokoro at the bar. So, as will become fairly common, the two of them are again acting as a unit of their own within the larger group.

And then, of course, we get the infiltration of the mansion prior to The Big Reveal (which I’ve spoken about before because for me it’s still the single greatest reveal in the entire manga because of how carefully crafted it is, right down to Kaku’s limited dialogue in this section being completely devoid of his usual speech quirks in the original Japanese text). Once again, Blueno and Kalifa are doing their own things while these two are working together.

This panel has always been interesting to me because immediately prior to this Lucci says he can’t let Paulie live, and then he decides to just restrain him instead. In Luffy’s case it makes sense because they gave their word to Robin not to harm the Strawhats, but he has absolutely no reason to spare Paulie, and the little lines of shock/surprise beside Kaku imply that he hadn’t expected Lucci to do that, either. The ‘why’ is still unclear, but it’s interesting nonetheless, and it’s also…noteworthy that it’s the only thing Lucci asks Kaku to do. All of the actual damage Paulie takes comes from Lucci and he never asks for or expects Kaku to harm him.

I never connected these two panels before but it’s obviously very deliberate to have Lucci telling Iceburg that feeling emotions is a sign of humanity followed immediately by Kaku…demonstrating exactly that and thanking Iceburg. It’s important to establish that part of Kaku’s character, but keep in mind Lucci’s lack of a reaction here because it’ll come back later.

Again, very tiny moment, but there’s a lot of examples of Lucci deferring to Kaku or letting him take the lead without any hesitation, and I like this because Kaku’s noticed something that Lucci hasn’t and Lucci just goes with it immediately.

I’d forgotten about this but Kaku’s also the one that decides to take Usopp with them, first by recognizing him as one of the Strawhats and then going through with it even after finding out he doesn’t consider himself a part of them anymore. And Lucci just…stands back and lets him give out orders to the others while doing so.

Okay so this is what I was referencing earlier. Kaku shows actual emotions with Iceburg and Lucci’s silent, but the moment Kalifa gets even slightly happy about completing the mission he’s berating her instantly. Kaku’s expression here is interesting too because he looks absolutely haunted and it’s very telling.

And also another visual representation of Lucci and Kaku being equal to/on the same level as each other.

I didn’t include the panel but Kaku was ‘sleeping’ when Corgi was giving them all of the information about Nero while Lucci was (seemingly) wide awake, and yet Lucci has no idea who he is and relies on Kaku to have all the information. Which he does.

Kaku being the one to take charge again and direct the others even though Lucci’s standing right there. They do this more than I’d realized at first, especially since Lucci always seems to be looked at as the unofficial ‘leader’ of CP9.

Enies Lobby

We’ve made it to Enies Lobby, which is the first glimpse we get of these two interacting with the full CP9 group outside of any sort of ‘mission’ environment.

Mostly it entails Lucci being more combative (especially with Jabra) and Kaku being more annoyed, but again I can’t really imagine anyone else taking this tone with Lucci and getting away with it while Kaku does it fairly often and Lucci never retorts or gets angry with him.

And while Kaku’s not immune to taking Jabra’s bait in the right circumstances, his typical tendency is to de-escalate situations if he can and here he’s refusing to engage despite being deliberately called out…and Lucci, without being asked, immediately takes his side and defends his choice.

This is practically the next panel and while both Lucci and Jabra are kind of equally at fault for this little display, Kaku only berates Jabra for it while Kalifa’s directing her comments at both of them.

Now that I’m actually looking for these sorts of things it’s becoming more obvious, but again we have Lucci and Kaku in an equal position to each other at the front of CP9.

This isn’t just to Kaku since Kalifa’s there as well, but Lucci’s still encouraging them to eat the fruits and I have to believe it’s coming from a place of good faith because he’d know whether or not being able to swim is that big an issue in their profession. I also want to note that Kaku echoes Lucci’s ‘it’ll be fun’ line when he actually does eat his fruit, so obviously that resonated with him.

I’ve put these two together because they both highlight the same thing, that being in both of these sequences we get almost all of CP9 giving out their individual thoughts/comments on what’s happening but Kaku’s statement both times is a direct reply to what Lucci says, so again the two of them are paired off in a way that doesn’t include anyone else there. 

The only other thing of note in this section is that while Robin’s talking about what happened during the Buster Call on Ohara, Kaku and Lucci are the only CP9 members to kind of…break formation and actually look at her while she’s speaking, which is interesting.

And for the rest of Enies Lobby they aren’t together so there’s not too much more to say here other than Kaku of course being the one to have the actual key to Robin’s cuffs, but it’s never made explicit who came up with that plan or handed out the keys so…if I ever actually do the thing and write a full analysis of Kaku’s character we can talk about it then Lark you’ve been saying you’ll do this for years IF I EVER--

Interlude - CP9’s Independent Report

Besides the fact that this is still one of my favorite cover stories, there’s a couple of noteworthy things here, the first of which is that Kaku again is taking the lead. Even though he’s the only other CP9 member other than Lucci to be injured badly enough that he can’t walk on his own, he’s still the one directing them where to go.

Other than that, I love seeing all of them just…interacting like friends and being very relaxed and casual, and pretty much every panel where Kaku and Lucci are together they’re directly beside each other so I’ve included a bunch of those here.

Dressrosa & Egghead

The next time we see Lucci and Kaku is at the end of Dressrosa, where they’ve been promoted to CP0 Oda can we please get some explanation of how this happened and let me tell you, I remember this vividly because the spoilers at the time just said that Lucci was talking to ‘someone’ and when the raws came out you can bet I went right to the dialogue to see if it was Kaku because his way of speaking is so telling.

But even in this little scene, we can see they’re having an equal conversation and there’s a major difference between how Lucci’s speaking with Kaku and how he addresses Spandam mere seconds later.

After this we have the Reverie/Levely/what-even-is-this-thing-called arc where they get all of a single panel together and while it’s the first time we actually ‘see’ Kaku after the time-skip, nothing really interesting regarding their relationship happens, so let’s move on to…

The end of the colored manga! And Egghead.

We start with a very familiar situation: Lucci asking Kaku what’s going on, and while Kaku this entire arc seems more outwardly annoyed with Lucci than he ever was in the past (which is never really explained but then again, Lucci spends a lot of the arc doing things he’s specifically been told not to do, so maybe it’s understandable…), he still has all the information and relays it.

Though Kaku’s also much more comfortable letting his real personality show despite them being on a mission while before he was always completely serious after the Water 7 reveal, especially around Lucci. It came through with Zoro and Jabra but during the cover story he’s smiling and laughing a lot with Lucci right there so it makes sense he’d be more willing to let his guard down even ‘on the job’ by now.

So here’s the first real instance of Lucci showing concern for Kaku, something which escalates pretty quickly throughout the arc. It’s subtle, and though he’s framing it as a suggestion to Stussy, if he didn’t care at all he wouldn’t have said anything. 

At this point it’s fairly obvious that Lucci and Kaku don’t really have any authority difference between them and Kaku spends a lot of time in this chapter especially telling Lucci to Not Do The Thing. Anyone that’s ever lived with a cat knows how well this works.

I’ve always found this bit of dialogue particularly interesting because Kaku’s very openly…praising Sentomaru for choosing his loyalty to Vegapunk over assisting the government, and there’s no way Lucci doesn’t hear him say this but he doesn’t say anything in return. There’s no real evidence that Lucci knows about Kaku willingly giving up the key to Zoro or how conflicted he was about Paulie and everyone else, but this seems to imply that at the very least, even if he doesn’t share those sentiments, he wouldn’t think less of Kaku because of it.

Putting these two together since they’re in the same scene but at this point it’s not even subtle concern anymore, Lucci’s genuinely worried for Kaku and you can tell this caught him off-guard.

Kaku’s the first one to suggest working together but Lucci immediately backs him up and goes with the idea. It’s logical in the sense that it’ll give them the biggest chance to survive, but willingly working with pirates isn’t exactly the sort of thing that Lucci, especially in the past, would have so easily done regardless of the situation.

So at this point it’s becoming clear that this whole 4-v-2 section is supposed to be the most…light-hearted thing going on right now and a lot of it is played to be comedic, including Lucci’s inability to lie, but yet again there’s almost nobody else that could get away with scolding him the way Kaku’s doing here.

…And then we skip ahead a day and things happen that I really hope get explained at some point because they seem important, but while Lucci’s never going to have impeccable bedside manner, he’s very concerned with getting Kaku to rest and while Kaku’s trying to justify what happened Lucci really doesn’t seem to care about that. It’s a big departure from him being willing to write off anyone he deems ‘too weak’ and it’s a nice character moment.

I’d mentioned on my liveblog that some of the things Lucci was doing after this point were confusing, but if you look at them through the lens of him wanting to protect Kaku, it makes a lot more sense. Yes, he’s deliberately keeping him out of the loop, but Lucci I think has decided that he’s going to throw caution to the wind and act alone since if Kaku can’t prove he knew about the plan, he’s probably safer being left with the Strawhats, and if the Marines show up he should be safe anyway or so Lucci thinks…

When this chapter came out, I’d said something about Lucci being a hypocrite considering what the rest of CP9 did for him when they could have easily just left him at Enies Lobby, but given what happens almost directly after and likely what he’s trying to do with this entire fight, these words feel even less genuine…

And that brings us to this. The moment that I’ve been thinking about for almost an entire week now. The moment that, looking back at…oh, wow…almost 3000 words of analysis maybe shouldn’t be as surprising as it was for most of us, but it does feel like the payoff for a long, long buildup that’s taken nearly twenty years to reach. Because really, there’s no other way to describe them other than ‘partners’, and probably hasn’t been for a long time…and I’m so glad that Lucci acknowledged it.

To summarize, I think what surprised me most about re-visiting all of this is how much the manga has framed them as equals since the beginning even though it was never explicitly stated between the characters themselves. Lucci’s always been far more lenient with Kaku than with anyone else, and Kaku in turn has never had any fear of Lucci even if he wasn’t really expressing his true self with him for a long time.

The cover story being the turning point makes perfect sense, and the progression throughout Egghead of Lucci being more outwardly willing to show his concern and Kaku not hiding his emotions at all seems like a natural progression of their relationship and their level of comfort around each other.

And the fact that Oda is never really…hitting us over the head with any of it until that final moment when Lucci says everything so plainly because Kaku’s life is the most important thing to him even when faced with a literal monster… It’s so effective. 

I don’t know where we go from here. To be honest, I’m kind of scared of where we go from here. But regardless of the outcome, I hope this little essay has been at the very least interesting and perhaps allowed you to look at these two in a different light.

Thanks for reading.

[friendsoup]

aah you're fuelling my reverse 1999 addiction sm righ now!! if you're able to maybe some fluff with medicine pocket, dikke or blonney with a SO who got a new hair cut??

Haircuts!

Recipe: Medi is oblivious, but they try!, Hair touching, Awkward Dikke, Blonney being a rich girl, And a sugar mommy?, She just likes spoiling you WC: 703 Chef's Note: I hope you don't mind that this is super short! I just wanted to get this out, and I didn't want to write a full fic for 3 characters at a time! If you like these little bite sized fics, let me know! They're honestly way less stress for me, and I can get them out quicker!

Medicine Pocket

…It takes a moment for Medi to realize there’s something different about you, to be honest. They’re so wrapped up in their work, they don’t spare a second glance. They simply mutter a generic reply when you try to get their attention, too focused on what’s in front of them to care. After you clear your throat, they’ll look up. They’ll squint at you for a moment, realizing something’s off, but not knowing what. “Uhhh… new glasses?” Once they realize what’s going on, they’ll feel incredibly silly. Their face will heat up, and they’ll get very defensive about it. “How was I supposed to know?!” is thrown out, though they do feel bad for not noticing sooner. 

They’ll compliment it awkwardly. They aren’t one for fashion, nor any form of self care, but they do like how it looks on you. They just don’t know how to express it.

Once you two are alone, without Medi’s nose in their studies, Medi is ALL over your new hair. Touching it, playing with it, brushing it with their fingers. At one point, they start petting you like one would a dog, even giving the baby talk along with it. They’re so used to giving their canines affection, they’ve forgotten how to give humans normal affection. You can correct them if you’d like, and they’ll stop. But honestly? It feels nice.

Dikke

Dikke freezes when she first sees you. She stares at you from across the room, acclimating to your new look. For a moment, you’re worried that she may be mad at you. Did you offend her in some way? You don’t remember anything you could have done. When she approaches you, it’s with such determination that you’re worried you may meet the end of her sword. 

“You look… nice…” The words fight to escape her mouth, her whole face becoming flushed in response. She doesn’t dare look you in the eyes, her body rigid, her expression the same. If you weren’t used to Dikke’s antics, you might have thought that she was attempting to lie, but you knew her far better than that. “Thank you!” You respond, reaching for her hand. She jumps at the touch, but quickly accepts it, threading her fingers into yours. 

“Y-Your hair is… pretty…” She continues. Affection through words is not her strong suit. However, she still wants to compliment you, despite how embarrassed it makes her to do so. 

“I’m glad you like it, my knight.” You smile, caressing the back of her hand with your thumb.

Blonney

When you mentioned getting your hair cut, Blonney was over the moon. She brought you to her favorite place, and made sure to spare no expense on your new look. The hairdressers were high tier stuff, whatever you wanted for your hair? They were able to replicate. 

You walk into the waiting room to see her, feeling a bit nervous. However, the moment she sees you, her face lights up. She jumps out of her seat, wrapping her arms around you and pulling you into a tight hug. Every compliment she can give is exclaimed loudly, as she spins you in her arms. It’s embarrassing, the entire waiting room’s eyes glued onto the two of you, but you’re so overcome with affection that you can ignore it.

Once Blonney releases you from her embrace, you can tell she’s only getting more excited. “Now we have to get a new outfit for you!” She says, grabbing your hand and dragging you off to the nearest mall.

Blonney has always loved dressing you up, but with the new haircut? It’s like a whole new beast was unleashed. She keeps in mind your preferred fashion style, making sure to get only things she knows you’ll like to wear. Her eye for fashion is incredibly good, and every outfit she picks makes you almost dizzy with confidence. 

At the end of the day, the two of you will be relaxing on the couch, and Blonney will be playing with your hair. She’ll tell you all the ways you can style it, and how she’d like to see you wear it. The two of you stay cuddled up there until you fall asleep.

[nattikay]

actually no wait holdup, I stumbled across some "Na'vi redesigns" recently, and while I don't want to make a stink about it on the actual redesign posts themselves because I don't want to antagonize the artists, who are clearly skilled in their own right, I do have something to say on the topic. While there is of course nothing wrong with re-designing characters or species for fun, there seems to be this condescending attitude surrounding Na'vi redesigns in particular, especially ones that make them significantly more monstrous/non-human, about how they're "better" than the canon designs for being less humanoid but....

y'all. Though there is a lot of cool speculative biology in Avatar, Avatar at is heart is not meant to be a speculative biology documentary, it's meant to be a story.

y’know, it’s interesting, there’s a section in Anomaly Inc’s epic eight-hour Avatar defense in which he’s refuting The Critical Drinker’s Avatar video. Paraphrasing a bit because I don’t want to dig through eight hours for this one line, but there’s a point where Critical Drinker says “if the Na'vi looked like this, or this, or this [showing images of much more monstrous alien designs from other movies], Avatar would be a very different movie”, and Anomaly Inc responds, “no actually, if the Na'vi looked like xenomorphs nothing in the plot would change, it would just be a whole lot less pleasant to look at.”

And you know what? They’re both right. Anomaly Inc is correct that giving the Na'vi a more monstrous design would not affect the plot itself, but Critical Drinker is also right (though perhaps not in the way he intended) that it would make Avatar a different movie. A WORSE MOVIE.

Yeah, I said it. Because plot is an important element to a movie, yes, but it’s not the only important element. Film is a visual medium, and therefore design is very important too, and it’s not arbitrary: the design of your characters should be used to support the story you’re trying to tell.

The story of Avatar requires the audience to empathize with the Na'vi. We’re supposed to be able to relate to them, to see ourselves in them. We’re meant not to see them as just “aliens”, but as people, because recognizing them as people emphasizes the wrongness of the RDA’s treatment of them. Blowing up the village of a clearly humanoid species is going to hit the audience much harder than blowing up the nest of scary-looking aliens, even if we know the aliens are smart and have their own culture etc. (not to say that blowing up the “nest” wouldn’t still be bad, of course it would be, it just wouldn’t invoke quite the same gut reaction in the viewers and yes that matters in a story).

A more monstrous design would not only not support the Na'vi’s narrative role, it would actively hinder it. Like it or not, general audiences would have a much more difficult time connecting with the Na'vi if they were depicted as hunched-over four-eyed hexapods with gaping jaws and the inability to make human facial expressions. Making them more humanoid makes them much easier to read and therefore to emotionally connect to. And no, Mr. Drinker, making your protagonists appealing to look at is not “lazy dirty manipulation”, it’s character design 101.

And don’t get me wrong, there’s certainly a place for more monstrous-looking sapient alien species in fiction! And if that’s your cup of tea by all means go nuts! Make that alien species! Flesh out their culture! That sounds awesome! I know I’ve definitely seen some cool and interesting ones out there!

….but I just don’t think that Avatar is that place. And that’s ok. There’s a place for “monstrous” aliens (sapient or otherwise), but there’s a place for humanoid aliens too, Avatar is the latter and there’s nothing wrong with that.

…all that to say, my stance on Na'vi redesigns is heavily dependent on the attitude behind them:

“Here’s a Na'vi redesign because I thought it would be a fun challenge and look cool!” Awesome, go for it, have fun! :D

“Here’s a Na'vi redesign because the canon designs are dumb and lazy and mine is way Better and More Original because it looks more like a movie monster, the filmmakers were so stupid for not making them look more like this, I’m just Fixing It” shut up

[vigilskeep]

you gonna check out Vows & Vengeance? Would love to get your first impression/takes on it

yeah i listened to ep 1 this morning!! one comment without context: the line “more or less” made me choke on my drink

some comments with spoilery context under the cut:

nadia & elio are fine, i wish their dialogue was a little less uhhh self-aware and expository (“we are having an argument and this is exactly how i feel and i will explain why my backstory is responsible! now i will state your character flaws clearly out loud for the audience!”) that’s a pet peeve of mine. they and their relationship feel a bit generic to me overall. like i say they’re just kind of fine

i guess i did enjoy that nadia’s right and elio does act like a magister and immediately try to solve problems like a magister when they come up. i always like when there’s a new character and the things they say ring true for where they’re coming from, it makes them feel uhhh rooted in the world? i suppose tevinter social class being plot relevant at all is nice in terms of just knowing they’re grounding things in the established lore

people announcing their spells by name so that you know what’s going on was deeply goofy i can’t decide whether or not i loved it

neve attempting to freeze an entire fucking bay to stop a boat and only failing because a magister cast his way out was insane. i said this about her protective dome in the initial gameplay reveal, but she is doing magic on a level we simply have not seen

ummmmm i liked the appearance from our good old wolf pal. it’s funny i feel like i’ve gotten much more fond of him lately. but at the same time whenever we’re not seeing him from an inquisition inner circle member’s perspective i kind of re-learn the way i saw him when he killed felassan at the end of the masked empire. the way i see him when he’s not the guy the inquisition knows, you know? he seems more dangerous and unpredictable to me when we’re looking through a different set of eyes than as one of the people he had to interact with for so long and deal with as people rather than merely obstacles to his greater purpose. i don’t inherently trust him or put anything past him in the same way when he’s dealing with someone he doesn’t have that uh soft spot for

though that “i’m sorry” when things went bad seems demonstrative of the effect dai had on him. it’s not exactly the response of a man who can still convince himself these aren’t really people. anyway no idea what happened in that funny little ritual but rip to another of his a+ plans. you’ll get there one day buddy

not entirely convinced at all that it’s really elio that nadia is hearing 😬

the idea that a person in tevinter hears the words “the hinterlands” and immediately knows it means the hinterlands in ferelden (which i can only assume is what it means) is so stupid i was genuinely taken aback like be serious jsgsjsjsk

[heloflor]

So this was supposed to be part of my other fop post but it got way too long (both posts did tbh) and is a different topic than the other one. So yeah here’s a bunch of random thoughts about the show in general from what I’ve seen of it. For context I’ve only seen the first 4-5 episodes + “Battle of the Dimmsonian” + the Cosmo-Wanda-Peri scenes in “Lost in Fairy World” and “Operation: Birthday Takeback”.

SPOILERS for “Operation: Birthday Takeback” for the last three dashes (2.4k words below):

- Putting it in first since it’s still related to Peri but I’m pretty amused by the whole “Tumblr sexyman” situation. I mean, less than two weeks ago all canon pics we had of him were baby pics. It’s the same deal when I see people call him a father figure to Dev, I can’t help but be like “wdym father figure? He’s barely an adult! He’s too young!”

It’s like imagine you have a neighbor who have a baby when you’re 9-10, then they move out and 20 years later you meet their kid as an adult. You can clearly tell they’re an adult and treat them as such but also it’s a bit weird bc your last and only memories of them were of a baby. Idk, I see Peri’s character as an adult but also he’s still a bit of a kid, you know? I feel like I explain this better in the other post tbh.

- In retrospect it’s also very funny to see how, when people talk about the decline of fop, they point at the inclusion of the new characters, including Poof. Yet look where we are now! If you thought the baby was the problem, apologize to him, now! /j

But yeah more seriously, personally I never minded Poof. He was definitely a useless addition, like outside of the handful of episodes focused on him he mostly just stands there looking at the other characters, but he was also a cute baby, so I’ve always been fine with him being around. He’s a useless but inoffensive addition, and I think the decline of the show around that time had less to do with him and more to do with the writing as a whole.

- Last thing about Peri before moving on to the show in general, which tbh I could've put in the other post: I've seen people talk about the idea of Hazel and Dev switching fairies and I kind of agree with it.

Not only because Cosmo and Wanda have the experience needed to help a kid like Dev (though it wouldn't be all sunshine and rainbows) while Hazel's situation is easier for Peri, but also it's worth noting that Dev needs a parental figure, which Cosmo and Wanda can be, while Hazel misses her older brother, who Peri is around the same age of. Idk, I feel like this could work, or at least make things easier for everyone involved (but also especially for Dev).

- Something I originally wanted to put in the tags of the other post but fuck it: I’m really not a fan of them releasing the episodes so soon one after the other. With serialized shows, I’m always been more of a fan of having an episode a week you can chew on and theorize about, rather than being given everything at once. Also it takes a while for the cargo to get on the ships if you catch my drift.

I’d also complain about seeing all those plot-related episodes one after the other with none of the more casual stories in-between that give us more character moments, but honestly that’s on me for looking up spoilers.

- Going to the early show, I think the first episode is such a good introduction! I especially like the amount of focus on Cosmo and Wanda, it’s good to have them reintroduced given how flanderized they became in the og show. I’m especially happy with Cosmo! He arguably had it worse than Wanda in the og and it’s so good to see him shine this much in this first episode (also I love his human form having a bit of a gut)! On that note, they did a fantastic job having them around a lot while still giving Hazel enough time to be introduced properly and get us to care about her as the MC!

But yeah I really like this first episode, fantastic beginning to the show! The only issue I “really” have with it is the way Cosmo and Wanda go back to being godparents just because Hazel made a strong enough wish or something, it felt a bit arbitrary rather than them just telling her who they are.

And on that note, big fan of that one scene where they immediately notice her trying to run away and try to talk her out of it. I love the contrast between them starting off as disasters being barely capable of passing off as humans at the beginning of the episode, and them being perfectly in their element the second they start talking to Hazel about her running away in this scene. It’s such a good way to see how much experience they have with taking care of kids!

- I’m not going to go episode by episode but one thing that bothers me a lot in the second one is that rule of “kids should get whatever they wish for”. Doesn’t that...go against the whole concept of having rules in the first place???

They should’ve replaced it with something along the lines of “a kid should always get the fairy that fits them the best”, not only bc it would work perfectly well for the episode, but also from what I’ve heard Foop (now Irep) is coming back and I could 100% see him use that rule to his advantage given Peri and Dev were such a bad match (I’m guessing anti-fairies don’t actually follow Da Rules but maybe they could still use it as an excuse regardless since fairies do have to follow them or something?)

- Call we talk about the fact Hazel is clearly autistic? Like is this a canon thing in the show? Are there people out there talking about it? No because seriously:

The fidget toys (Cosmo and Wanda’s disguises), her special interest for rocks, her anxiety over making new friends which is reinforced as uncommon when that one girl she befriends comments on how easy and not scary it is to approach other people (also Hazel’s “what am I supposed to talk about with them? School lunches?” comment in the teachers friend episode), her liking for fries which could be seen as her being potentially picky (bit of a stretch tho), her comment about liking the DMV if only for the reaction she gets that makes her seem “different”, her struggles to come up with a wish on the fly with minimal/vague instructions (episode 2), her character arc throughout the show apparently having to do with her not wanting things to change (me too girl), her being considered mature for her age, the angry outbursts when things don’t go how she hoped, pretty sure there’s also a lot of stimming that I have yet to pick up on (see if any of them repeat often). Like, there’s no way ALL of that was a coincidence!

I’d also like to mention at the beginning of the Dino episode, when her dad is explaining things to her, he starts talking louder and louder in excitement until his wife tells him to quiet down. Makes me think her dad’s likely neurodivergent as well. Also this moment hurts my soul a bit, as someone who’s both been on the receiving end of it and done it to someone else, in both cases it sucks.: /

- Took me until like episode 4 to realize the town she lives in is named after the Dimmadomes, with the hat in it (the very first shot of the intro). Also you can see their infinite house in the background, both in that shot and the show in general, and I absolutely adore that they committed so hard to this joke! That giant ambiguously-shaped-like-a-hat skyscraper that we never see the top of is just *chief kiss*.

- On that note Dev’s introduction in the first episode made me laugh, if only for the references. I also find it kinda funny he has such a big speaking role considering he doesn’t do anything for the rest of the pilot and the next few episodes. Then again I guess it’s in character for him to make such a show of introducing himself.

- Still on general stuff, I’m a bit curious about how the timeline went in regards to Cosmo and Wanda retiring and going on vacation “right after” Timmy (iirc they don’t voice it like that in the show). Like I’m having a hard time believing they would just ditch their then-child son to go on vacation, and then come back when he’s an adult. So I ended up having a bunch of headcanons.

Basically, after leaving Timmy they do take what was supposed to be a short leave to think of their future since it feels strange to get a new kid after so long with the same one + I like the idea that Cosmo and Wanda’s marriage did suffer while living with Timmy and they want to work on it before getting a new kid (the whole thing about them feeling confined, made worse if the “stopping time for 50 years” wish is canon) + Poof/Peri is struggling with the reality of having to leave Timmy behind and is nervous about his parents having a new godkid because of it.

Eventually they decide to retire, got to marriage counseling, possibly get Poof/Peri into therapy, and raise their son until he’s an older teen/young adult, at which point they leave for their vacation. And while the vacation is 10 thousand years for them, it’s like, 5 years at max in their present. And in that meantime, Peri starts his godparents studies (or however it works), leaves the house and changes his name.

Btw Cosmo and Wanda would 100% invite him to the vacation, he’d just refuse in a mix between wanting to be away from his parents for once, wanting to maybe surprise them a bit with his work and/or just get started with work, and not knowing how long the vacation would be. He’d also probably tell them to just use this time as some new honeymoon to finish rebuilding their marriage (though by that point it must’ve gone back to being strong). Oh and Cosmo and Wanda would send Peri postcards every so often, which would also let him know how long they’ve been gone.

Once they come back from vacation, I’d imagine there’s like less than a month between them “moving to the human world” and meeting Hazel, hence why they didn’t reconnect with Peri. They didn’t really know how to contact him and were busy with the move, and afterwards they had a godkid to take care of so they couldn’t exactly go back to Fairyworld.

As for Peri, he hears through the gravepine that his parents are back, and would be happy until he realizes they’ve been gone for 10 thousand years, hence him freaking out about meeting them again (he doesn’t know how much they might’ve changed with how long it’s been). Also he can’t contact them bc he’d hear about them coming back due to them taking in Hazel, meaning they’re in the human world and he doesn’t know where. Also he might be intimidated to contact them, which doesn’t help his decision-making.

So yeah, that’s all for how I could imagine this whole vacation thing going and how it fits with them having a child.

- Since I’m talking about Cosmo and Wanda’s marriage, I’ve heard about the whole “they fixed their marriage” before watching the show and oh my god I can’t get over how fucking adorable those two are in this show!!! I fucking love them.

- And on that note I’m incredibly amused that this show had the balls to reference the mpreg. Twice. Especially since it doesn’t even specify the whole “that’s just how fairies work”! In the eyes of people who never watched the og show, “A New Wish” just casually dropped the fact that Cosmo’s a trans man (bc let’s be real, how else are you supposed to interpret those lines if you haven’t watched the og show?) or you get the vibe that the writers wanted to make him trans (+ Wanda by proxy since she’s Peri’s bio mom) but weren’t allowed so that’s how they got past the censors.

And I love this because you just know Hartman would be furious about it! With our current society more aware of trans people and how men can in fact get pregnant, I could definitely see him sweep the whole mpreg thing under the rug, hoping people would forget about his “”accidentally-progressive”” (and also very sexist 😒) episode, but nope! New show said Cosmo was pregnant and gave birth! And better yet it didn’t even elaborate further! It just goes “btw this guy has an uterus and was once pregnant, here’s his bio child if you need more proof” and then walks on like nothing happened, I love it!

- Going back to the episodes talk for the last three dashes, there’s that shot at the very end of “Operation: Birthday Takeback” that I really dislike. It’s the one when Dev lashes out on Peri, with him hovering over Peri who’s laying on the ground in fear.

Really not a big fan of this shot bc 1. It makes Dev look way too much like a villain, especially with the way Peri’s laying like a servant that gets beaten up, and 2. Peri, honey, you’re a grown ass man; why are you so scared of that 10 years old scarred kid that’s lashing out while in a very vulnerable mental state? What are you doing on the ground buddy? I’m not asking for him to fight back but at least stand up! Don’t act like that kid can actually hurt you! Btw I’m completely fine with Peri afterwards looking like a dejected puppy (after Dev makes his wish), it’s just that one shot with him on the ground that I dislike.

- Obviously I’m genuinely curious to see how things are going to go in the next episodes (which apparently air tonight?). Like obviously Dev is going to spiral but if you have a scene at school how will it go? How will Hazel feel about the whole thing? What about Peri? Is he going to be gone for a few episodes? Be a temporary third fairy to Hazel? Crash at Cosmo and Wanda’s for a while?

(Personally I’m hoping for the third option, it would be a good way to still give him appearances to show the main plot’s still going without giving him to much screentime, which could take away from Hazel. Also given how much he wants to appear independent, I don’t see him being a third fairy to her, though I think he’d be ok with staying at his parents for a bit, if only for emotional support (though tbh I doubt they’ll do that, most likely he’ll be doing his own thing off-screen for an episode or two). Also I want to see a “human” design for him)

OK so I wrote this yesterday before the Irep episode came out, so on one hand nevermind all that but on the other hand I’m letting it in bc I AM curious as to how things are going to evolve with our main cast, especially with Dev spiraling and pushing both his bestie and fairy away.

- Btw is nobody going to talk about how Vicky’s dress might be a reference to one of the “Oh Yeah” shorts?

- VERY LAST SECOND ADDITION, SPOILERS FOR IREP: So yesterday before I finished both this and the other post the new episodes dropped, with a few clips shared on Tumblr. And OH MY GOD IREP’S DESIGN!!! The fact that they kept him as a cube makes me so happy!!! I was HOPING at least ONE part of him would be a cube and they delivered!!! He looks like absolulte dogshit I love it!!! Bc yeah for some reason I remember Foop as a character you’re not supposed to take seriously at all? And as a result I really like how stupid Irep looks. A+ design right there! /gen

[moeyangwenli]

I feel like I come across as moralistic when I talk about Reinhard. In fact when I started the show, I was engaging with it how I engage with history. I’ve studied Roman and Chinese history somewhat in-depth; when you’re discussing a ruler, you aren’t trying to slap a “good” or “bad” label on them, but to place them in historical context. Appraisals of their merits and weaknesses are done neutrally. Thus, I was watching the show like a drama rooted in realpolitik.

The reason I ended up being critical of Reinhard’s writing is that it felt like the story romanticized him to a significant degree… specifically in how it ceased having any feeling of sociopolitical groundedness. If LOGH has historical felicity, it’s in terms of military history. Reinhard as head of state was glossed over; he faced none of the challenges one would expect for someone in his position.

I’ll give one example. You know what foe shows up to menace kings and emperors across history? Inflation. Financial crises have brought imperial powers to their knees, accomplishing what a thousand armies could not. I suppose you could say that seizing control of so much territory, including the financial hub of Fezzan, would solve that for him. But is that actually the case? The Mongols conquered vast lands and riches in a span of three generations, but it took no time at all for them to devalue their currency and burn through their wealth. What kind of taxes did Reinhard impose? I’d assume he’d have to levy high ones to maintain his military force and support his building projects. Wouldn’t that reduce his popularity?

While watching LOGH, I was asking myself a lot of logistical questions like that, which the story itself seemed uninterested in. For instance, where were all the damn ships coming from? An economic and materialist exploration of that question could be very interesting. I mean, we were told next to nothing about the economic systems of the Alliance or the Empire. One can assume they’re capitalist and feudal respectively, but how was the work actually getting done? Wouldn’t it have deepened the themes to compare the two societies in these terms? An exploration of how the Alliance’s economy was geared towards war would have been nice, as well as an acknowledgment of the role money plays in politics (the work liked to blame “the people” for the failures of democracy without actually going into how that democracy functioned). And on the side of the Empire, we are told that the Goldenbaums used forced labor. Well, did Reinhard outlaw that or maintain it? If he got rid of it, how did he replace the laborers? Wouldn’t that affect the imperial budget?

After watching LOGH, I went on a bit of a girl-on-girl kick to cleanse myself of all the masculine energy. I finally sat down and read JWQS (English title “Two Adamant Hearts”), an incredibly long Chinese novel series. Spoilers, but one of the main characters of that series, Jingnu, becomes an empress. She’s young and idealistic, determined to be a good ruler. And as soon as she takes office, she’s hit with the reality that she’s inherited a financial crisis. The story expends a great deal of time dwelling on what she has to do to save her kingdom from destitution.

I’m not saying LOGH had to do the same. Tax policies aren’t all that fun to learn about in history books, much less in fiction. My point is that I believed Jingnu as a good ruler more than I believed Reinhard as one because the story focused on what it would actually take to rule competently, justly, and responsibly.

Reinhard ended up looking like a pretty weak ruler in a variety of ways, and even if he had been perfect, I would expect his empire to be very unstable. It would take a ridiculous amount of effort to control and administrate all the territory under his power. Even an excellent statesman like Kublai Khan ended his reign in failure and disgrace because of the contradictions inherent to being an imperial power: the imperative to expand. But Reinhard’s glory was dimmed by nothing; even the most significant challenge he faced, the accusations of the survivor of Westerland, were only used to fuel his angst and get him in bed with Hilda, after which they were swept under the rug, never to be mentioned again. Couldn’t that have gotten out and damaged his reputation? Again, there were a million ways the story could have gone, but it feels like it only chose the safest ones.

So what I’m saying is I would have liked either for Reinhard to have done his absolute to best to be a good ruler, with focus on the logistics of that, or I would have liked to see the story take a realist turn where his legacy is tainted and his empire falls apart, or is at least destabilized. Ending the story with an epic tone, and the assurance that everything will probably be fine ‘cause Reinhard has a son, was too much for me. Especially given that there was no resolution between democracy and autocracy. At one point, Yang gave a wonderful speech about how dangerous it would be for all of humanity to exist under a dictatorship, and then the story ended with all of humanity under a dictatorship, and this was not painted as a bad thing 😭 A constitutional monarchy was maybe on the table but that was also not explored at all, leaving me with no choice but to conclude that LOGH ultimately did not care about politics in the least.

[genericpuff]

I’ve seen some people try and defend Lore Olympus by saying that movies like Hercules and such aren’t accurate to Greek myth, yet they’re still loved. And I somewhat get where they’re coming from, i really do.

BUT- I feel like part of the problem with LO is the fact that if you replace the names, you’d almost be right to assume it takes place in a completely different setting. Meanwhile, if you take away the names from the Hercules movie, you can still tell where it’s supposed to take place. (And who’s who, if you know your myths). Plus the writing of Hercules is 100% better than LO.

The difference between LO and Hercules is that Hercules clearly has respect for the source material put into it. It might not be accurate to the source material - because it's being retooled as a Disney movie for children - but you can tell there's still a lot of thought, love, and effort put into it. The team behind that movie did research on the art and culture of Greece, and adapted it into a movie that was entertaining and recognizable as a Greek myth adaption.

They put our home boy Heracles/Hercules in a tunic! Do you know how shocking that must have looked to American viewers who didn't know a shred of Greek myth and wondered why the big buff hero was being drawn in a skirt? Still accurate though!

LO, meanwhile, writes Greek myth as if it hates Greek myth for existing. It comes across more as a white woman using these stories purely for profit and colonizing it with American-esque culture. The outfits have become noticeably less Greek since the beginning, the characters never eat Greek food anymore, and the locations are left as vague as solid color backdrops to indicate "The Underworld" and "Olympus" without actually showing any set pieces or understanding of how these locations would look and feel in a modern setting.

All of these examples I gave are things we saw a decent amount of in S1. But since then it's just become talking heads on top of flat color backgrounds, eating Chinese food and dressing in American-style clothing. When was the last time we saw a mortal? There's just nothing Greek about the comic anymore because either Rachel has gotten so complacent that she just defaults to what she knows without any research (so what she watches on TV and in movies) or she only bothered with her research in the beginning to get people hooked and convinced that she's a "folklorist" so that they'd keep reading the series and giving her money on good will alone.

Using Hercules as an example of "well it's not accurate to Greek myth either!" completely misses the point of what people are getting at when they say that LO is a bad Greek myth retelling. Guess what else isn't completely accurate to Greek myth? Hadestown. Hades (the game). God of War. Stray Gods. They all take creative liberties with the source material in order to adjust it to the medium and audience they're creating it for, but none of those adaptions are quite as disrespectful as LO's. And God of War literally has little angry man going around and brutally murdering the gods. It still respects the setting of Greek myth more than LO, but unlike LO, it doesn't try to constantly sound smart with its inaccuracies, it knows fully well that it's a video game first and foremost.

And that's the beauty of myths. They can be adapted across generations and used to tell new versions of the same stories. So it begs the question, why bother writing a Greek myth retelling if you're going to make it so non-Greek that you could have just as well just written a normal soap drama and have it still be virtually the same?

Compared to all of the other examples, LO is the definition of confidently incorrect. It should have stuck to just being Greek myth inspired, not a retelling.

[vampsquerade]

Hi

I was wondering if I could leave a request with you.

Could I please request a platonic Simon ghost Riley x male reader where reader joins the 141 for the very first time and ghost being ghost is very skeptical and I trust worthy of him. But over time during a duo mission they become the bestest friends possible like an inseparable duo.

Please and thank you

yes of course! thank you so much for the request and sorry if it’s a bit weird, it’s been a bit since i’ve written a platonic relationship for a character with a personality like ghost’s…but i hope you like it either way c: hope you’ve been well 💕

~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~

Ghost x Male!Reader: The FNG’s Impression

Trigger Warnings: untrusting feelings, is mostly a normal fic

Being the FNG to a new task force was typically always seen as a bad thing. The decisions made on the first mission is the one that makes that lasting impression on the entirety of the squad, so it usually makes them nervous and less rational. But not you. You have always made it out to prove your worth that you’re able to contribute and follow orders as they’re given. You proved several times that you weren’t some rookie who didn’t know jackshit with each new squad you worked with as you moved up in your ranks. So once you were assigned to Task Force 141 after Captain Price decided after the Hassan situation and betrayal of the former General, Shepherd, that it was time to beef up the squad a bit more.

Upon arrival at their current location, you made a quick effort to greet everyone before the debriefing. “Fuckin’ hell…so this is the guy I’m supposed to be on a duo mission with?” Simon mutters to Kyle as he stares at you. “Easy now, I’m sure he’ll be a good addition to the team.” Kyle says, uncrossing his arms to wave at you as you walk into the tent with Captain Price and Farah. “He doesn't seem trustworthy, something feels off about him.” Simon says, walking towards the barracks. “You’re being too judgemental mate! I know when we were working with Graves that suspicion wasn’t really there because he was Shepherd’s recommendation, but that’s all over now.” Kyle says, following behind him.

“Doesn’t matter. Someone with an extensive file like his being that chipper ain’t exactly a good thing.” Simon says. “The two of you taking the piss outta the new guy or something?” Johnny asks, sitting up once Simon flicked the lights of the barracks on. “Simon’s just being an old man and complaining about how the new guy doesn’t seem trustworthy.” Kyle says, shaking his head. “Aye, you think so? I kinda had the same feeling.” Johnny says, scratching his chin. “Really? Surprising—considering that’s how you were when you joined the team.” Kyle says, causing Johnny to scowl at him. “Away ‘n bile yer heid.” he says curtly. “What?” Kyle asks. “He said ‘Go fuck yourself,’ Kyle.” Simon says, a soft scoff escaping his lips.

Knowing full well it was a laugh, Johnny just grinned at him. “Oh shove it up yours MacTavish. You two are being a little harsh to him and all he said to you was ‘Hello, I can’t wait to work with you guys. Let’s be sure to do our best.’ Don’t you think we should, oh I don’t know, not be suspicious?” Kyle says. As he finishes saying that, they all immediately turn and look at the door as it opens and reveals you standing there. “Oh! You guys were probably talking about something private, I’ll head out and let you guys keep talking.” you say, freezing up. “No, no, it’s fine. We had just finished talking. Y/N, right? Nice to finally meet you.” Kyle says.

He walks over to you, that same friendly smile from earlier on his face as his hand extends towards you. “Nice to meet you too, Kyle. Hope to do my absolute best on this mission with Simon here.” you say, giving Simon a smile as you shake Kyle’s hand. “Call me Lieutenant. You and I aren’t on a first name basis.” Simon says coldly, his eyes narrowed as he glared daggers into you. “Alright Lieutenant. So, uh, is it okay if I can go to sleep here?” you ask. “Of course you can, you don’t have to ask us to go to sleep. What time are you two being dropped off?” Kyle asks. “We’re being dropped at 0600 sharp so I’m gonna get some rest before 0500 to be ready by then.” you say.

“You’re a meticulous one, aren’t you?” Johnny asks, causing you to look at him. “Well yeah I mean…it kinda comes with the field doesn’t it? No room for error.” you say. “And that’s what got you to provide good overwatch as a sniper?” Johnny asks again. “Oh yeah. Hopefully I’ll be able to be as good as the Lieutenant here. I really can’t wait for these next few months working with you all.” you say excitedly. “Don’t get too excited. We aren’t exactly sure what the two of us are getting into. Can you keep yourself level headed?” Simon asks. “I have a pretty good record for a reason, Lieutenant—my head’s as level as it’s gonna be.” you say. “Alright, I think I’m starting to like the new guy now. Welcome to the 141, Y/N.” Johnny says.

Soon enough after a bit more banter, all of you find yourselves getting to bed. Obviously still uneasy, Simon finds himself staying awake just a bit longer to make sure you don’t try and do anything whilst the others sleep. Once he sees you’re not thinking of trying anything, he eventually lets himself drift off to sleep until it was time to get up and head out for the mission in the morning. You’re obviously the first one to get up and ready, so when Simon feels you gently shaking him awake, it causes him to open his eyes out of a slight panic and tightly grip your wrist. “H-Hey! Easy now Lieutenant, you’re gonna break the hand I need!” you whisper yell. Simon then scowls at you through the darkness, letting go of your wrist.

You rub at it to relieve some of the remaining pain and pressure, walking out to the weapons wall to get your assigned sniper rifle and pistol, both of which are already equipped with suppressors. Simon eventually joins you, grabbing a suppressed pistol and automatic rifle. “Let’s do some good work out there, Lieutenant.” you say, giving him a friendly bump on the shoulder before you walk towards the hangar. Simon just groans and follows after you begrudgingly. He was most certainly not looking forward to these next few months with you, especially not the first day of your mission. He felt like you were an annoyance by how friendly you were making yourself out to be and he honestly just wasn’t having it.

You didn’t talk to him the entire time you waited to be dropped off by Nikolai, wanting to keep yourself calm and collected. Once you were dropped off, Nikolai bid the both of you farewell and wished you luck. “Bravo 0-7 and 3-6 this is Watcher-1. How copy?” a woman’s voice, one of which you recognized as C.I.A agent Kate Laswell, asks through the comms. “This is Bravo 0-7. We’ve landed in the DZ and are ready for infil.” Simon says, making you excited and ramped up for this first mission. “On your TacMap are all six buildings you’ll need to infiltrate to find any and all information that’ll help us get our leads on Makarov. Luckily for you, there aren’t many guards patrolling the compound—make your way in and use what little darkness you have left to ensure your safety. If you’re compromised you’ll need to make your way to the EZ where Nikolai will come and get you.” Laswell says. “Understood.” Simon acknowledges.

You make your way to your designated slope that provides overwatch for a good 85% of the area, hunkering down and hoping your ghillie suit ensures you’re well camouflaged. “Alright, C/S. I don’t reckon you’ll make a good impression on Price and Laswell if you so let me get a scratch by not doing your job. On my signal, you’ll take out any and all guards that are surrounding me, got it?” Simon says into the comms. “Yes, Lieutenant Ghost. I won’t let a single one come near you—I’ll alert you if I see any you can’t and take them out before they get to you.” you reassure. “Take out the guards in the North and South outposts. Know how many notches that’ll be?” Simon asks, questioning your ability and knowledge. “Three and a half notches for both. I’m taking the shots now.” you say. Holding your breath to keep your aim steady, you first take your shot at the guard stationed south before taking out the one up north.

Mildly impressed by this, Simon takes note of your clear ability to follow orders and prove your intelligence. “I’m moving to building Alpha. Do you see any guards I should be aware of?” he asks. “Negative, you’re clear to move in.” you say. You keep your eye on Simon, watching him scale the building through the windows. “See anything in there Lieutenant?” you ask softly. “Negative. Is there anyone coming near Alpha, Sergeant?” Simon asks. “Not a thing, you’re clear to move out now.” you reassure. This then goes on for the rest of the morning, with you both having to take extra precautions now that the sun has come up.

At this point, Simon’s become impressed by you, but now he thinks you’re being a bit of a kiss-ass. “Is this really how you act all the time?” he asks rudely as you wait at the EZ for Nikolai to arrive. “It’s how I am with people I haven’t worked or met with yet—like you guys. Once I’m closer to people is when I start to kind of act like a dick.” you say. “That right?” Simon asks, shaking his head. “What, don’t believe me?” you ask, crossing your arms as you sling your sniper on your shoulder. “Not at all. I better see that exact behavior then the further along you and I keep going on these missions.” Simon says. You grin at him, crossing your arms against your chest. “I think you’re warming up to me, Lieutenant Ghost.” you say cheekily. “And I think I should kick you in the ass so hard you feel my boot in your throat.” Simon says just as cheekily through his normally gruff voice.

After this, the months would come to pass more and more as you got closer to getting a proper lead on Makarov. The both of you were forced to go radio silent together, as there was a risk that the whole operation would be compromised. This left you less monitored during subsequent missions and you’d come to prove that you were more than capable of saving Simon’s ass because that’s all you did. Sure, he’s saved yours a couple of times, however it was mostly you making sure he didn’t so much as get a single scratch on him. You’d also, in turn, begun to treat him like you said you would; a complete dick. Simon liked that, as he figured that it suited you a lot more than trying to be some kiss-ass.

“Ghost, C/S, good to see you lads again.” Price says as the two of you finally walk onto the base of operations they were using. “Good to see you too, Captain. We got a proper lead on Makarov now,” you say as you hand over a manila folder containing all the information regarding the information you and Simon spent months getting. “So, how was he?” Price asks, looking at Simon after scanning the contents of the folder for a bit. “I’d say he’s a right good fellow. Perfect fit for the 141.” Simon says, making you content. “And how was it with Simon?” Price asks you this time. “All I can say is that the old dog’s got some soft spots in him. Couple blind spots too, think he needs to get his eyes checked.” you joke, making Simon elbow you in the ribs. “Easy now, pup, I reckon I can still kick your ass.” he says.

“Simon! Y/N! How the hell did you guys find where we were? The two of you went radio silent on us.” Kyle says, going and shaking your hand. “Ah, we just followed the North Star and managed to find you guys.” you say sarcastically. “Haha, very funny Y/N,” Kyle says, rolling his eyes as a smile crosses his face. “Has he taken a liking to you yet? It took him a bit to take a liking to Johnny and I.” he asks. “Oh yeah. Surely enough I’ll get him to be completely smitten.” you say, playfully nudging at Simon. “You’re not my type.” he says, crossing his arms. You could tell he’s smiling a little behind his balaclava, and it makes you glad to have gained his trust. “Well then, mI’ll be putting the two of you on more missions together.” Price says, nodding at you both before walking away.

Kyle follows after him, leaving you and Simon alone. “Honestly I can’t fathom the thought of you taking a liking to me. I’m pretty sure you don’t even have a heart.” you say, starting to walk away from Simon. “Oh I have a heart all right, I just keep it frozen and locked in a box.” Simon says as he follows after you. “Sounds like something out of those freak shows they show on tv.” you say, laughing a bit. “Careful, that might just be you someday.” Simon jokes. “What’s that supposed to mean, Lt.?” you ask, no longer walking. Simon simply goes quiet and keeps walking once you stop walking. “Hey! What the hell’s that supposed to mean?!” you exclaim.

[kindlingkeen]

I need to know if I’m alone in this or maybe missing something.

It always bothers me when people say Tim’s childhood was so much worse than Jason’s, or even says they’re the same kinda thing. Am I the only one in this?? (More specifically when they compare them) Like it feels like they’re minimizing Jason’s story to nothing, when it makes his character up as much as his death does. (I’ve even seen people compare Tim’s childhood to Jason’s death, which is. A choice.)

Granted, I’m not a big Tim fan (he’s a cool character, just not the one I focus on) so maybe I’ve missed some part of his canonical backstory or ive subconsciously got something against his character idk.

But from my understanding, Tim is a rich kid who was taken care of (as in, he always had what he needed), just his parents were neglectful? Or away? (Not to say this isn’t bad, of course wouldn’t wish that on a kid either)

But Jason’s lived surrounded by crime and poverty, hell we see panels where he’s hurt and generally not havin a great time.

And I’m fine with people making angst worse because like, favourite character. I’m sure I’m guilty of doing the same to Jason (fave character bias and whatnot) it’s just something that strikes me as odd. But hey, maybe I just don’t know about some canon panel that shows Tim’s childhood as a tragedy where he almost died countless times (another thing I’ve seen fans use)

So yeah. Generally, what do you think about this? I am not too great with character analysis & whatever else, but I like the stuff you’ve said in regards to characters. I know you’re a Jason fan, unsure about how you feel about Tim/how much you know, but curious about your opinion anyway. Thanks.

You are not alone, anon.

You’re also not missing anything in canon, Tim’s childhood was not a tragedy (his parents traveled a lot and he spent his time in boarding school). Were his parents on the neglectful side? Yes. Does that equate to being parentless and living on the street before the age of 12? No. I answered an Ask about Tim a little while ago explaining why I don’t really care much for Tim in the comics or a lot of fanfics. And I only ranted a little about how projecting Jason’s trauma onto Tim is Not. Cool. So maybe check that out.

As for my opinion on this … *takes a deep breath* Let me start by saying that everyone should like what they like, read what they want, write what they want, etc. No judgement or shame intended at all.

But … my opinion is that the enemy-to-caretaker trope is to blame for the over abundance of this dynamic in the fandom.

It seems like this trope grew out of/is a Gen take on enemies-to-lovers. I have absolutely no problem with this trope in general. In fact, I quite enjoy it in certain settings. But the thing is, lovers can be equals. But a caretaker, that has an inherent power imbalance to the relationship. A caretaker takes care of a person who is in some way weaker or less able than them.

So, to make Jason a caretaker for Tim, you somehow have to make Tim weaker, and with time and repetition that’s gotten amplified to much weaker.

The easiest way to do this is to jack up the angst and trauma of Tim’s origin story and increase his overall vulnerability. Because in reality, the inherent power imbalance between Jason and Tim is not that significant. Jason is only two years older than Tim. They’re both supposed to be badass vigilantes who can fight and solve crimes. Tim’s home life was loads more stable and supportive.

Play a few games of fanfic telephone, and all of a sudden you have a baseline of touch-starved Timmy who was made to sleep in a cupboard under the stairs as a wee little niblet and then Lazarus-mad Jason came along and tried to murder him repeatedly (nope), slit his throat (‘twas but a scratch), and generally traumatized him beyond repair (Tim is Robin, pretty sure he’s been beaten up before). 🤦‍♀️

That’s my opinion, anon! Thanks for the ask! 💙

[imsosleepyofyourbull]

AroAce Zenitsu

HEAR. ME. OUT.

I know that — given Zenitsu’s very blatant obsession with romance and his behavior toward women in general — this headcanon immediately seems unrealistic, but I genuinely think that it’s one of the most interesting and fitting ideas I’ve ever had for him. Especially when you go deeper into his character and the themes of love, fear, and self hatred that ultimately surround him. They’re present from the very beginning, when he “proposes” to that random civilian girl.

He might say that it’s because he thinks she fell in love with him, but his explanation for why she has to marry him ultimately boils down to “I have to marry someone before I die.” Or “someone has to love me before I die.” It has absolutely nothing to do with the girl he’s supposedly interested in, and that applies to nearly every moment he has with a “romantic interest.” Including Nezuko! It seems like he’s more obsessed with the idea of being in love or having it than actually experiencing it.

It is a very real possibility (given the era and Zenitsu’s implied lack of a real childhood) that he grew up under the assumption that romantic love was the only kind of valid love. More accurately, the only kind of love that couldn’t abandon him. Familial love was supposed to be unconditional, but his parents orphaned him before he was even old enough to remember what they looked like. Platonic love was barely any better, given the implication that his friends abandoned him when his fear originally got in the way of their bond.

There’s little doubt in my mind that he’d seen or even heard tons of married couples who stayed together despite hating or no longer caring for each other, simply because it’s what they were supposed to do. Would it be that much of a surprise if it turned out that Zenitsu had simply latched onto that? If he saw a couple who thought everything about the other was annoying but stayed anyway, and craved it even when he knew it would hurt him? He had seven ex-girlfriends who used him for money and then discarded him.

And every time I watch him fluster in front a random pretty girl, the same question sits at the back of my mind: “do you actually like her, or are you just unused to the idea that someone might look at you and find you desirable at all?”

Because it’s exactly how I used to think.

I used to think that romantic relationships were the only kind where people could stand beside each other forever, without a doubt in their minds that that’s where they were supposed to be for the rest of their lives. That whatever friends and family you had would inevitably have to leave you behind for their romantic partners, and that being anything less than one of those would make you a permanent second choice. So I forced myself to have crushes and become comfortable with the idea of a future where I had kids and a husband and played housewife. I was wrong. Dead wrong.

And, yeah, a lot of this is definitely me projecting onto Zenitsu (a thing I do with basically all of my favorite characters) but tell me that that doesn’t make at least a little bit of sense to you?

[tmf-confessions]

I HAVE TO CONFESS IT. I HAVE TO SAY IT. GOSHDARNIT I HATE LANDER WITH EVERY BONE IN MY BODY- 😭😭😭

Okay, so, may get some slander for this but Let me explain myself first- Lander is literally the least developed, most emotionless relationship in tmf.

1. Its (pretty much) useless to the plot

Literally like, they’re supposed to be “super close”, they used to be childhood best friends and now they’re lovers! But like…When do we see that ever???

Lander was basically just an excuse to give luke some screentime, and to give zander some more screentime. I know that not everything has to be necessary to the plot of tmf, but in general, when things happen, especially in such a short series (less than 15 episodes in season 1), even filler content should somehow be able to push the plot forward, right? Apparently not, because Lander literally did nothing plot wise!

You could argue that yes, it did show Zander and luke that jake was a trustworthy, but theres so many other ways that he could have done it, without the whole lander arc, which could have arguably set up both characters for more interesting arcs?

Honestly, I feel like there could have been an arc where luke accepted stacy, and zander had to learn to deal with heartbreak, and it would still push the narrative in the same direction, could have had a lot more buildup too

2. It feels like it’s just there for representation

As a queer person myself, do not get me wrong, it is WONDERFUL to have representation within media, on bigger more popular shows too! I’m eternally grateful that rosy added them in to showcase a queer relationship, however, lander honestly feels like its just that. Like its there, JUST to showcase a real relationship.

Like, they had a cute confession moment, but it was so early on in the series that it genuinely didn’t seem like something that was built up to. Sure, we got a bit of time, but how much time was that? 2 episodes of build up tops? “Lovesick luke” and “a drummers confession” was like, literally it. Nothing beforehand to build up to it, besides the whole “Zander is gay” and “zander and luke are childhood best friends” thing, but those can exist within platonic relationships too, so thats not really buildup at all

We never get to see why they’re attracted to eachother, other than “wow, they’ve been friends for a while and admire eachother, they must have crushes on eachother” like- even as a person who is VERY VERY VERY romantically attracted (think opposite of aromantic, then scale it 20x past that), its just giving “boy and girl co-star on a show and end up together at the end because you cant have 2 friends be close without them being romantic,” but made queer.

Genuinely, if theres going to be a relationship, i think that (as much as i personally am not really a shipper of it) jailey is a WONDERFUL example.

They kind of grew on eachother, and we see that attraction growing slowly, rather than being shoved in our faces or being rushed. Its a well thought out love arc, and almost perfectly encapsulates a slowly formed relationship. even in such a short show, it didn’t feel rushed.

(While rereading this, i’m really notsure how to phrase my words, so these words absolutely do not reflect my ABSOLUTE feelings on this, but this is about as close as I can get with it. I am in absolutely no way accusing rosy of being homophobic, Infact i see quite the opposite in her, she’s a wonderful ally, its just meh writing)

3. Its honestly not the best ship? (This part is my opinion purely)

Dont get me wrong, they’re not toxic by any means, (infact, they seem quite healthy!) but they 100% have some issues they need to work on. Like… does no one notice how Luke like, threatened jake if he hurt zander? Obsession issues a tad bit, perchance?/notneg

Luke kinda exists to push zander’s story arc along in the first season, so we get like, no luke character traits, which i think definitely contributes to them not being the best pairing, but overall they’re so generically “mehh” of a relationship. They’re just kinda together, to be together.

4. FINAL REASON: It was just there to push jake’s story along.

Honestly, I think this is the underlying reason here. Jake is the main character in a really short show, so if somethings not revolved around him, its gotta be quick. Lander would definitely be so much better with more development, but because its not jake centred, we basically get nothing on them. This isnt rosy’s fault by any means, shes gotta get the main story in ofc, it just sucks that that seems to cost other characters screen time and development that could have been really nice.

Overall, Rosy please make more lander stuff in season 2, I need to stop hating it cause it could genuinely be so cute 🙏

confession #810

[chibishortdeath]

Free will strikes again, these were some really fun doodles :3. I think Simon is allowed to be a little visual kei sometimes. Idk I just know he’d vibe with it. Explanations under a cut—

And also a couple unfinished doodles that were just intended to be rough pose/anatomy practice sketches, but ended up accidentally more detailed than intended 💀💀💀. It’s nothing graphic, but ⚠️slight artistic nudity warning⚠️ anyway in case d(>_< ).

Hehehe, this is based off of a photo from Malice Mizer live, it’s Simon in place of Mana and Fuma in place of Gackt. Very fun pose to draw!!! Especially cause it’s a pose with a whip and also cause idk why but I find poses with one or both arms up pretty easy to draw. And yeah yay, Fuma inclusion yippie :3!

I don’t have any other explanation for why this exists other than dresses are cool. So I made him one :D. The coord has a half caplet that connects to a shoulder paldron on the other shoulder by chain with a little cross. Under that there’s a blouse and skirt combo with patterns similar to his SQ armor and some rose thorn patterns around the ends of the sleeves and collar. Over that is a corset and under is a cage crinoline made to look like crosses peaking around the edge. Shoes carry outfit motifs like the roses on the bow tie and headdress and the lace throughout. Also, an eyepatch with cross on it because yeah, cute :3. I’d probably wear this if I had uh any skill in sewing at all (TwT ).

A not chibi version of the above outfit! Except probably without the crinoline with how the skirt fabric is sitting lol. Tbh I think Simon would probably be fine with this for a little bit and then get uncomfortable about having so many layers on. I don’t think he’d like tights at all 💀💀💀💀💀💀💀. Hmmm I’ll have to draw a version of it that’d be more comfortable for him hmm maybe tomorrow.

Another Simon holding Dracula’s heart artwork. Shout out to how this guy just carries this thing around for so long lol.

Simon facing off against his worst enemy: stairs! This one was practice drawing characters in backgrounds, since I’m so rusty at actually drawing those two things together (ToT ). I can draw a separate background fine, but the second I have to put someone in it I just completely forget what I’m doing XD.

This one is also a practice! He’s running up to the altar in Drac’s basement. The lighting was fun for this one, but I forgot to draw the whip in his hand 💀.

This one was an attempt at drawing a skeleton and keeping the same proportions in a drawing of someone (Simon) who is uh not a skeleton. Fun fact! It took me like 5 tries to get the skeleton to not just look like Papyrus Undertale cause holy heck do the skeletons from that game take a hold of some part of your art style and never let go 💀💀💀💀

CASTLEVANIA JUDGEMENT HAS HATS??? AS LIKE AN UNLOCKABLE?????????? So obviously I had to draw Simon (x2) with the bow options. Pink probs looks really nice with his hair tbh. And the striped bow was black and white so it fits with the Judgement design’s outfit. If I ever actually play this game again (I suck so bad at it), I’ll be trying to get these for the very important reason of Simon cute. :3

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Ok now these two. The first one was a different attempt at that Mana pose, but a bigger scale and a bit less exaggerated. I ended up having to do a ton of edits to it cause I kept making things too big or too small lol. And the second one is just a couple dynamic posing practices. They’re also excuses to draw more arm up poses cause they’re fun X3. He was just supposed to have like a generic placeholder rectangle er um uh there, but some of the sketchy lines ended up looking like what’s supposed to be in that spot, so I just didn’t wanna risk these being on main tags out in the open 💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀. Though, tbh, I’ve seen more explicit things on the tags so eh, better safe than sorry tho (- w - )