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dykedvonte · 3 months ago

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You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.

-Shrimp Anon

The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.

Get ready cause this is a yap session:

Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.

I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.

The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.

This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.

Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...

These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.

I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.

Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.

It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.

I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.

It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.

There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.

End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.

#i also think it is because mouthwashing is first and foremost a game about rape culture and the patriarchy especially in work spaces #regarding women and centering conversation around Curly a man rubs people wrong because it does overshadow that commentary #but it still mixes other topics into its initial theming and message on how abuse conditions you to accept certain things that are harmful #and how getting used to a culture/enviornment does not mean you are happy healthy or most importantly safe in it. I personally like to #explore those aspects where it mixes all the themes so we can discuss the ways you have to watch out for things because there is a differen #in the idea Curly enabled Jimmy just because they were bros and because he was an example of another man afraid to step out from what #is a still oppressive system that does try to punish those who act against it even if they fall in the category of those who would benefit #from it as Jimmy and PE 100% represent that sort of misogynistic system where men that would be “good” are altered until they follow line #in a way both on the personal and professional level as PE is the corporate lock out and Jimmy represents the social and its just the issue #that the discussion of it sounds like “in defense of men” when I am more so trying to discuss how it is much deeper than men being scared t #upset other men but complacency is rewarded by not becoming another person subjugated hence as all the moments Curly does try to do #something we can tie it back to how Jimmy reacts and a possible penality from PE where we now need to address the ways to combat those #two concepts so we dont get cases like Curly or Daisuke or Swansea where male avoidance of the issue is considered neutral or even good.#i think most of this boils down the perfect victim mentality to where if someone who underwent or is being abused is not a perfect example #or accpetible type than their abuse can not be considered a valid or substantial reason for effects on their behavior compounded with the #fact that Anya's abuse at the hands of Jimmy is a systematic issue that Curly is a part of even if unwillingly and was more physically #violating and topical cause sometimes i have to remind myself that all media is still critiqued through the lens of the culture it came out #in cause i do think about what if this game came out inlike 2014 like the conversations would be sooooooo different could you imagine it?#but back the before statement Curly isn't perfect but I feel like boiling it down if hes a good person or man is not the point of the game #but more so good people can still be part of the problem and the idea of condemning a person for one act creates a false sense of #rightouesness and justice that does not aid the victim and in fact aids the abusers in escaping blame for their mulitple behaviors as we se #how the men on the ship tend to blame Jimmy for just one act against them including himself while there is a plethora of things Anya is #concerned about with Jimmy #and its not that Curly just made one mistake with Jimmy but more so we consider his actions more damning because he didn't stop Jimmy #instead of focusing on the fact Jimmy did what he did regardless of Curly and the consequence because we already know he's bad n maladjuste #which is problem in the conversation where the individuals are blamed but the system and perputrator are overlooked in a sense of acceptiab #complacency as we know how they are and the lack of tangibility to personally affect them on a larger scale like I should just make a post #on like cutting out the face when it comes it confronting systems of oppression rather than tag talking but just ask me to clarify if #you want that like im jus trying to say we avoid talking about Jimmy and PE so much cause it is obvious what they do wrong that we make #the initial and inherent problem out to be one aspect someone in this case Curly does and the the constraints they use to force actions

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plutoswritingplanet · 10 months ago

Text

Hand That Feeds (Cooper Howard/The Ghoul x Female!Reader) pt. 2

a/n: this one's a bit shorter, next one will have smut, i am so fcking sleepy writing this i'll have to check tomorrow it this isn't a hallucination

Warnings: Horny Violence, Blood and Guts, Suggestive Themes, we're on a steady route to pound town

Summary: Cooper catches his prize, but an uninvited guest puts a strain on an already rocky relationship. Cross-Posted on AO3

PT. 1

You must be a Vault Dweller. Truly. There is no other way to explain the utter lack of self-preservation skills.

Cooper finds you almost immediately after the sun sets. He can see the flickering light of your small bonfire through the trees, and languidly, he stalks forwards, opting to stay in the shadows to observe you a moment longer.

You're sitting on the ground, back leaning against a destroyed carcass of a plane. Hair pushed out of your face, Cooper can see the flames illuminating your focused expression with warm light. Once again, he's struck by this seemingly regal air around you. Like you've been raised in a castle, far from this fucked up place, that is now his home. A princess, stuck in harsh reality. Eyebrows furrowed, bottom lip tucked hard between your teeth, you seem to be pondering over something.

With quick motions, you take your messenger bag, opening it and dumping its contents onto the ground in front of you. It's somewhat hard to see, but the sound of small glass bottles knocking into each other is telling enough.

Taking stock of your inventory, you begin to tuck everything back into the bag. Chems upon chems, RadAway, RadX, quite the little drug library, and Cooper's eyes immediately lock onto his most sought after, amber liquid. Why would a Smoothie like you need any of that stuff is beyond him. He hasn't seen any Ghouls in the small town you hail from.

Perks of the job, he thinks to himself, as you stack away at least five vials.

At the last bottle, you hesitate, bringing it up towards the light, and looking at it with a worried expression. The liquid swirls inside, and Cooper watches from the shadows, as you press the cold glass against your forehead in a motion eerily reminding him of a prayer. Your shoulders shudder, and Cooper's mangled ears strain, as he sees your mouth move.

- Let me be brave - you whisper to the vial, like some ancient spell, and something new tightens in his chest, something he immediately brushes away.

Then, he sees you lift a very familiar piece of equipment, putting it on your wrist, and begin to tweak something in the controls. A Pip-Boy. Old and battered, but apparently still working. All his confusing feelings are wiped clean in an instant. Now, he's truly intrigued. The clasps seem slightly too big for your hand, and the device slides the length of your arm, as you move.

You sigh, heavily, then press something, and the Geiger meter clicks to life, picking up on stray radiation. Cooper feels his muscles tense, knowing all too well, why the device has activated so rapidly. As a Ghoul, he leaves a trail of radiation, that follows him wherever he goes. He wasn't particularly aware, that a Pip-Boy could pick up on it, but he wasn't surprised either.

The sound makes you freeze in your spot. Slowly, you scan the area, your hand extended towards the darkening outline of the surrounding trees. As your hand passes by the place Cooper has chosen as his hiding spot, the meter grows louder.

Jumping to your feet, you raise the blasted thing in front of you, your other hand tugging at the waistband of your skirt, freeing your trusted kitchen knife. As if to double-check, you put your hand somewhere to the back, listening to the quiet cracking noise.

You can't fully confirm your suspicions on time, as Cooper springs to action.

A thick line of rope falls over your shoulders, and before you have the chance to react, the loop around you tightens. Your entire body is tugged with surprising force in the direction of the treeline. Loosing your footing, you collapse onto the damp forest floor, chin scraping in the process. The yelp of shock tearing out of your throat, rings through the surrounding area, before you literally, eat dirt. The force of the impact wrenches the knife from your hand, as it bends at an uncomfortable angle. The weapon lands somewhere in the grass, the blade reflecting the flames.

Wiggling like a worm, trying to free yourself from the bounds, you notice a pair of well-worn shoes entering your vision. They cross the remaining distance, stopping just short of your head. Knees crack as your attacker squats down, before taking your hair into a hard grip and lifting your head from the dirt.

Your face twists in pain, neck craning uncomfortably, and with an overwhelming feeling of finality, your eyes land onto the face of a ghoul. The Ghoul. He turns his head slightly to the side with the meanes of grins, before letting go of your hair, your head falling back into the dirt.

- Oh, motherfucker - you groan, pulling your legs up, and attempting to get up.

- Stay down - the Ghoul's voice is rough and biting, and sudden pressure on your back pins you to the ground. - Do you know how fuckin' stupid it is, to light a fire in the wilderness? Any unsightly character could pick you off in seconds.

Spitting out stray clumps of earth and grass from your mouth, you scoff at his scolding tone.

- Thankfully, there are no unsightly characters here, huh?

- Oh, I wouldn't say that, sweetheart. - the bounty hunter tugs the toe of his shoe under your side, and kicks up, turning your body.

You roll onto your back, throwing a nasty look at the Ghoul, as he secures the loop of his lasso. His eyes reflect the light in the most haunting of ways, and you squirm under his gaze, which drags itself across your body, stopping briefly at the tips of your breasts, peaking from under your shirt. Swallowing thickly, your muscles relax, in hopes of loosening the rope. It barely gives, but your limbs recover some wiggle room.

Cooper blinks, his head jerking to the side, and only as he brings his hand up, do you register the gun in his hand. Making sure you can see it, he turns towards your messenger bag, grabbing it from the ground where you left it.

He sits down, somewhere outside your field of vision, and you risk pulling yourself up into a sitting position. He doesn't seem to mind it now, too busy with rummaging through your belongings. Finally, he pulls out a vial of amber liquid, watching it swirl in the flickering light of the bonfire.

- Now - Cooper starts, as he grabs the inhaler from his pocket, inserting the vial into it - Why would a backwoods healer have something like this on 'er?

Rolling your shoulders ever so slightly, the rope slides further down your arms, and you regard the Ghoul with a venomous rendition of a "are you fucking dumb?" look. Which he doesn't appreciate. His hands tremble, as he closes his mouth over the inhaler, taking a long hit, draining the entire vial. You try very hard, not to notice the low moan flowing out of him, as the drug enters his system. Or the way his eyes flutter blissfully for just a second.

- You never know, who might be needing help... - you mutter, wincing at the biting pain in your limbs.

- Well ain't that considerate of you - he coughs into his gloved hand, before sighing deeply, his head reclining back against the plane's exterior, his eyes closed.

From where you're sitting, he looks weirdly handsome. Rugged and very much Ghoul-like, but handsome nonetheless. The skin of his neck is pulled taunt, and in the flickering light of a dying bonfire, you can see a myriad of scars, littering any surface of his skin that's visible. Still, there were other matters at hand, that needed your attention, and you try to shift in your seat as quietly as possible, slowly but surely sliding the rope down your body.

- Next time you try to run away, I'll shoot you - your efforts are stilled by his warning tone, and by the way he waves his gun at you, you know he'll make good on this promise.

- Thought you needed me in good condition.

To that, he finally throws you a look from under his cowboy hat.

- Good... - he confirms, his other hand slowly shortening the length of the rope connecting the both of you - Ain't the same as mint.

The loop suddenly digs further into your flesh, and you grunt at the uncomfortable feeling of the rough rope scratching at your exposed upper arms.

Unfortunately, he's right. During your time as the local healer, you've done many questionable things to ensure the well-being of the town. One of those things, was dealing with organ harvesters. You've only bought a limb or a finger, every once in a while, as if that was some consolation for your darkened soul. Those moments quickly taught you, that something being good was most certainly not the same as ideal. Or mint, as your captor has supplied.

- You a Vault-Dweller? - the Ghoul finally asks, breaking the small spell of silence between you.

The question doesn't surprise you, and you lift the Pip-Boy as far up, as the lasso allows you. Which isn't a lot.

- Nah - the flames dance on your suddenly melancholic expression, and Cooper drinks it all up, curiosity spiking with each new information - My mother was. She ran away from her Vault when she was a teenager and joined the Brotherhood soon after.

- The Brotherhood doesn't recruit women - Cooper turns his body towards you, fishing for lies like a shark sniffing for blood.

- Oh, it doesn't? - your lips pull back into a teasing smile, which perhaps isn't the smartest thing to do, but entertainment is scarce in the Wastelands, and you're determined to have some fun - She posed as a man for years, picked up a job as a medic.

Cooper hums to himself, inviting you to elaborate with an inclination of his head.

- There, she met my father - you continue, looking over at the last glowing embers of the bonfire - They were discovered, court martialed for treason. They escaped together and had me somewhere along the way.

Your Pip-Boy still cracks, the radiation emanating from the Ghoul making the Geiger meter go haywire. With soft eyes, your hand traces the outline of the screen, watching the way green light dances on your fingers.

- The forbidden love of the Wasteland - you sigh into the silence - Sounds like a title of some romance novel, no?

- Or a bad porno - Cooper grumbles, rolling his eyes.

- What's a porno?

His head snaps towards you in record speed, a myriad of emotions running through his mangled expression. It settles on deep annoyance, when he notices the sly smirk on your lips, and you have to bite the inside of your cheek to stop yourself from laughing.

- Gotcha - your attempt at finger guns is pathetic at best.

- Oh, you think you're a fucking comedian, huh? - the bounty hunter asks, a slight amused tint to his words, which you consider to be a small victory.

- That's why they put a bounty on me - you giggle - I'm too damned funny.

- Shut it.

The sudden change in his tone catches you off guard, and you cock an eyebrow at him, confused. The Ghoul looks much more tense than seconds ago, his hand tightening around his gun. One of his legs kicks up a pile of dirt, smothering the dying embers of the bonfire, as he leans forward, seemingly ready to jump.

- Had I known you were such a buzz kill...-

You're not allowed to finish, as the Ghoul basically throws himself in your direction. Your yelp is cut short with a piece of flimsy cloth being shoved into your mouth. A series of muffled sounds, vaguely resembling "is this my robe?" escape you, and the Ghoul pushed against your head, until you fall back down onto the ground.

His body is hot against yours, as he covers you entirely with his weight. It's quite difficult to breathe through the makeshift gag and the overwhelming scent of blood, gunpowder, and the sickly sweet undertone of rot. As well as the unfamiliar feeling of having someone so close. You were a hermit after all.

- I said, shut the fuck up - he whispers harshly into your ear, and you shiver underneath him, as his chest rises and falls against your back.

Then, a sound somewhere close to the forest line makes your head whip in its direction. Cracking of twigs and heavy footsteps, coming closer and closer with clear determination.

- Healer? - your entire body stiffens, as a familiar voice rings out through the trees. - Are you alright, Healer?

Benny. The same Benny, which led this damned bounty hunter right to your doorstep is currently making his merry way towards the both of you. Your eyes follow the way the Ghoul's thumb loads the pistol with a click of finality, and suddenly new energy floods your system.

- Stop fucking moving - Cooper grounds down on his teeth, as you attempt to free yourself from both his grip, and the lasso's.

Images of Benny, bloodied and dead, flash through your mind, and despite your lack of any sympathy towards the man, you don't want to see it. So, you start to move again, violently shaking under the Ghoul, forcing the lasso to slide from your body. Your hips jerk from the ground, bucking into him like a wild animal, and somewhere behind your ear, you can hear him suck in a sharp breath. Which you have no time to dwell upon. Your tongue fights against the fabric of your robe, and after a second you're able to spit it out.

- Don't shoot him - you plead feverishly, hands gripping the Ghoul's forearm - I'll talk to him, he'll leave. Just don't shoot him, please.

Cooper looks down at you, his eyes hard on your face, as he watches out for any signs of deceit. Then, he presses his lips into a thin line.

- Make it quick, or I'll pop his head clean off his shoulders. - southern accent floods every syllable, and were you not fighting to save a life (again), you would've blushed.

- Yes, thank you. I'll be quick. Thank you. - words spill out of you like a broken faucet, whispered into the space between your bodies, as the bounty hunter tugs off the loop of his lasso.

You take a moment to steady yourself, as he drags you up with him, hand twisted into the front of your shirt. Still a little stunned, you allow him to manoeuvre you, turning your body in his grasp, until your back is pressed flush against his front.

Strong arm sneaks over your shoulders, hand clasping around the column of your throat, while the other one waits just outside of your vision. The barrel of the gun rests between your shoulder and your neck, and the coolness of the metal causes a myriad of goosebumps to erupt across your skin.

- I'm here Benny - you call out, praying to anything that would listen, that your plan would work - Come out, slowly.

To his credit, Benny has always been quite good at following directions. There weren't many attributes about him either way, a bit dim in the head, a bit too heroic.

And definitely a bit too quick to pull out a gun.

Which is what he does as soon as he sees your peculiar situation. The Ghoul drums his fingers against your pulse point, and Benny approaches, a simple shotgun in front of him.

- What the hell...?

- Benny, I need you to listen to me - your voice sounds way too panicked, and you swallow hard to fake some illusion of control over this situation - I need you to turn around, and leave.

- But, there's a Ghoul with a gun behind you, Healer.

You nearly jump out of your skin, when you feel the hot breath of your unwanted companion on the back of your neck. You can almost imagine his chapped lips, so close to your skin.

- Time's a tickin', sweetheart - he whispers, and your blood runs cold in your veins.

- He's a - you swallow, mouth going dry in an instant - He's my friend. Who's getting very anxious with the trigger, Benny, so please, just go home.

Deep down inside you know there is no scenario, where the farmer leaves alive. He signed his death warrant the moment he stepped out of the shadows, yet for some unknown reason, that just makes you fight against the odds harder. Call it dumb optimism, perhaps you're possessed by your mother's spirit. Or perhaps the chems have finally scrambled your brains for good.

- He's not looking very friendly - Benny's gun sways slightly, as he tries to keep it raised, muscles evidently straining against the weight - He's the guy that shot Pete.

Oh for fucks sake, your whole body starts shaking at this point, heart thrumming in your chest like a moth batting against a lampshade. You can feel the Ghoul smirk against the skin of your shoulder, and tears prick at the corners of your eyes. His thumb presses slightly into your pulse, feeling it run rampant against his finger.

- Please - somehow you hope the desperation in your voice will be enough - Please, leave. Benny, please.

Benny looks between you and the Ghoul peaking over your trembling form. You can see his brain working overtime, scrunched eyebrows, smacking of the lips. You're only praying it's working in the right direction. Then, some idea flashes across his expression, and you know in the hollow of your stomach, that this is his end.

- If I save you, will you marry me? - he asks, looking at you with the utmost hopeful expression.

- ...what?

Confusion doesn't even fully register in your mind, as the deafening sound of a gun being fired nearly blows up your eardrums. At first you're not sure, what you're looking at. Where there used to be Benny, now there's a carcass, mangled and bloody. It's hard to figure out, where individual parts of his body are, some bones sticking out from the chunky mush. A spray of red falls onto your face like a morning mist, and the scent of iron and gunpowder is stunning your senses.

You can't move. Eyes glued to what once used to Benny, you don't even notice, as the Ghoul removes himself from you, placing the lasso over your head and around your body. The loop is secured tightly, and the bounty hunter tugs on it a couple of times, just to test its durability. Then, lazily, he picks up your messenger bag, swinging it over his shoulder.

- The first time he came to me for help, he tried to domesticate a rad roach - you mutter absentmindedly, not caring if your unwanted companion is hearing you - Wanted it to help with the farm work. I had to stitch half his left side.

- Stupid life deserves a stupid death.

- You're a fucking monster - you spit out, the feeling of Benny's blood on your lips almost making you gag.

Apparently, the Ghoul takes offense to that, because almost instantly, he's in front of you, his hand gripping your throat, and pushing you hard against the metal plating of the destroyed plane. Stars erupt behind your eyelids, as your head knocks hard into the wall, pain barely registering under the confusion.

- I have been more than accommodating to you, little princess - the Ghoul snarls in your direction, but all you can focus on, is his other hand, grabbing your bruised chin - I've entertained your little medical escapade, I let you negotiate with that dimwit over there.

The warmth of his body suffocates you stronger than any hand around your throat. You can't decide on the color of his eyes, as they seem to shift between amber and green, and completely black. Your mouth opens just a smidge, as you try to defend yourself in any way, but before you can speak, the Ghoul shoves two gloved fingers into your mouth, silencing you in an instant.

- I could be so much worse, darlin', and I don't think you would like that - his voice lowers itself barely above a whisper, and he watches your expression shift under his grip.

You can't help it, really, the way your body reacts to this rough manhandling. It's not like you could predict being pinned to a wall by a stranger would make your thighs press together. Cooper looks down. He smiles like a cat, that's just found the fattest of mice, when his eyes drag back up to your face.

- Or perhaps you would - his knee presses against the middle of your thighs, just short of forcing them apart, and you gasp around his fingers.

As if nothing has happened, he pulls away, so suddenly, you nearly fall over. His gloved hand glistens with your saliva, and gracefully, he wipes it clean on your shirt. Blushed, panting, and very angry at this turn of events, you stare daggers at him, as he tugs at the lasso, forcing you to start moving.

- What is your name? - you demand, blood running hot and defiant in your veins.

Cooper stares for just a moment too long. The way you seem to bristle in rage, even though that farmer truly was stupid, and you know it too. He likes the way your eyes harden, the way your jaw sets, when you realize this is no longer fun and games. When you recognize, how dangerous he can be, how mean and ruthless. He'd be a fool not to admit it, it makes him feel powerful, revered.

And the undertone of humiliation running through the length of your spine is just such a delicious addition. Almost better than chems. Almost more addicting.

Lips tugging back into a nasty smirk, he appraises you with his gaze, surprised when your resolve seems to harden even more.

- You, Healer - your title sounds wrong coming from his thin lips, worse than any other time you've heard it - Can call me "sir".

Something akin to disgust runs through your expression, and you turn away with a grumble.

- Fat fucking chance.

#my writing #cooper howard smut #cooper howard x you #cooper howard x reader #fallout x reader #fallout tv series #fallout smut #the ghoul x reader #the ghoul smut #if yall see any typos no you dont ill edit it in the morning i just gotta post it before i go insane #i am slightly taking inspiration from a little ship ive been shiping since highschool but i want tell yall which one #you gotta guess #its from superwholock is all im gonna say which is just... who am i #anyways good night this cowboy is retiring

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