#i've loved him since i was a little kid

[leslieseveride]

NO!!!! NOT MATTHEW PERRY. 😨😨😨

[kettlefire]

As Good as Good Gets (DP X DC Snippet)

Richard "Dick" Grayson is the golden child. In the eyes of the public, and in the eyes of the league. Dick is a sweet, caring son, a man who went from being a sidekick to being a hero. The pipeline from Robin to Nightwing had many people applauding his dedication to keeping Gotham safe.

No one knew the full story, not truly. No one but Bruce Wayne himself. And maybe a certain butler. Many don't know that Dick only became Robin to stop him from hunting down and killing the man who killed his parents.

No one really knows about the harsh fights and arguments he has had with Bruce. The times when Dick would find himself cut off from the Wayne name for a week or so. No one knows that the first person Dick warmed up to was Alfred. Having been bribed with cookies.

Things weren't always this good, trusting, happy relationship between Bruce and Dick. It had been a rough ride, a complicated one. But that was okay, because it got better.

Dick stopped being so moody and angsty. He grew up, he learned, and he changed. He became an older brother, found people that needed him. Needed him in a way that the citizens of Gotham didn't need him.

His brothers like to call him annoying. A goody two shoes who Bruce trusted more than everyone else. They couldn't fathom how someone like Dick could be so stupid and bubbly at all times.

All times, except when shit hits the fans. Despite the name calling, despite coining Dick as the stupid Wayne. They all knew better. They knew that when it mattered, Dick Grayson always pulled through. He was a force to be reckoned with when needed.

The whole Wayne family was a force to be reckoned with when called for. It didn't have to be under the guise of costumes and vigilante acts. Whether he was Officer Grayson or Nightwing, Dick was a man with his morals and values.

One night on patrol as Officer Grayson, Dick found someone who needed that force. A force willing to protect and care for the innocent. The hurt. The damaged, yet still good.

It started like any other night. A call of shots fired by an empty warehouse. There was no sighting or knowledge of any rouges being there, so Dick took the call. Told the team he'll contact them if it seems more than just a civilian incident.

The warehouse was dark, reeked of copper and oil. It didn't take long for Dick to find the trail. The liquid he found looked like the person had been dragged before walking. There was a clear struggle, even with the mess and emptiness that was the warehouse.

That wasn't Dick's biggest concern. The concern lay in just how much blood there was. Too much for any normal person to lose and still manage to stumble through the warehouse.

It wasn't just blood. It wasn't that much, but Dick could spot the strangeness in the liquid. The mixed in green that had an eerily similar color and glow as a certain pit.

Without thinking, Dick followed the trail. Barely remembering to make contact with his family. Give them an update on what he found. Words telling him to stay put for backup went in one ear and out the other.

Something in Dick's gut was telling him he couldn't wait. He needed to find the source. Whoever was currently bleeding out in this warehouse. He silenced the comm, moving further through the dimly lit building.

Then Dick found it. Or more so, he found him. It was just a boy. A boy that reminded Dick too much of the youngest Wayne. A boy sat against a wall, looking pale and weak.

Red and green coated the front of the boy's shirt, arms wrapped tightly around his middle. An attempt to stem the bleeding. A puddle had already started to form beneath the boy, and Dick moved without thinking once again.

He quickly found himself kneeling beside the boy, hands carefully reaching out. Before Dick even touched him, the boy flinched. Eyelids suddenly opened, wide and terrified blue eyes landed on Dick's.

In just that one look, Dick knew what he had to do. The haunting, terrified, and pained look in the boy's eyes told Dick everything he needed to know. The boy was in danger. Someone had hurt this kid, and it was clear it wasn't the first time.

The boy struggled weakly against Dick's touch, terrified whimpers, and barely coherent pleas spilled from the kid's lips. It had Dick's heart aching, clear as day the poor kid has been through hell and back.

It took a lot of reassurance, gentle touches, and promises of help before the kid let Dick take a look at the bleeding wound. A promise on Dick's soul had been the final thing that earned him any semblance of trust. A strange promise, but Dick was willing to make it.

That concern turned to pure anger the moment Dick managed to pull the sticky shirt away from the wound. The sight of a Y-incision cut perfectly into the skin, stitches tight on the skin, but blood still leaking heavily from the wound.

It didn't take long for Dick to realize why. Despite the perfect surgical care of the wound, a good couple of stitches had broken. Leaving gaping spots for that red and green liquid to pour out of.

The boy was deathly silent, tears streaking down his cheek as wide blue eyes stayed trained on Dick. In that moment, Dick knew he had to help. Had to get the kid to safety, patch him up, and find out what kind of monster would do this.

It didn't matter if the kid was human or not. It didn't matter if the kid had special abilities or not. No one, absolutely no one, deserved to be vivisected.

The kid was shrouded in mystery, but that mystery only seemed to grow and become clearer when Bruce had entered the scene. The boy had tensed, eyes flashing a bright glowing green.

Lazarus pit green.

It set a pit of dread in Dick's gut. His mind brings forward memories of Jason. Jason, after his revival, after his dip in that cursed pit. The same flash that his brother would get if he got too angry. Too emotional.

As much as Dick wanted to focus on finding who did this, if it had any connection to Ra's al Ghul. He couldn't. Not when the kid tried to get up, to pull away as Bruce and the others made their way closer.

Right now, Dick only cared about making sure the boy was okay. Fixing those stitches, getting him a meal, and a warm bed.

He needed to get this kid someplace where he felt safe and secure. Comfortable and protected. Dick wasn't sure why. Maybe it was the promise he had made, but he wasn't letting anyone get to the kid.

That included his family. As strange as it seemed, Dick put himself between the others and the kid. Shooting them all a glare that they had only ever seen a handful of times.

Dick lifted the poor boy up in his arms, cradling the crying child close as he led the way out of the warehouse. Ignoring the questions or confusion coming from Bruce and the others. As Dick walked, feeling the trembling boy clinging to him, he made a rather obvious realization.

Maybe the eldest son really was more like Bruce than he expected. Just a few short moments the the boy, a boy that Dick didn't know his name, and he was ready to pull out adoption papers. To give the boy a safety he so desperately needs.

Give him the chance that Bruce had given him all those years ago.

[feroluce]

Belobog was my fave main quest but a lot of it is so. Contradictory. It's like they had multiple groups doing different shit and none of them checked in with each other for consistency. And you see this so much in Gepard's profile.

So in the main quest, they made him unfailingly, unquestionably loyal to Cocolia. Gepard's character arc is him learning to question authority etc etc. And this isn't even a bad thing; that's a story worth telling! It makes good conflict between him and Serval! And I love that we got Gepard as a boss battle and I get to see him all the time in SU!

But then you look at his character stories and it's like. The complete opposite.

According to his profile, Gepard has already HAD this awakening, long before the Astral Express, and he'd already decided Cocolia sucks. Even outside of his stories, there's a pretty damning readable between him and Pela.

He even disobeyed direct orders right in front of her- he has been disobeying orders for a while now!

So I've decided I'm marrying the two different sides of this into a 1.5k fic-ish thingy, because I think there's some fun potential there with Gepard not trusting Cocolia, but still having to pretend to be a good obedient little soldier.

Anyway. I love to think of it as like. Gepard knows Cocolia has sunk into her apathy. He can see it in her eyes every time he looks at her. She doesn't care. Not about him, not about Pela, not about all his soldiers on the frontlines giving their lives to protect the citizens. And that's... It makes him bristle a bit, but ok. Gepard can deal with this. Even if Cocolia no longer cares, as long as she does her job then it's fine. Having compassion behind an action doesn't matter as much as the action itself. If Cocolia's heart is no longer swayed, then he'll just have to care twice as hard to pick up the slack. He considers it part of his duty as a captain of the guard anyway. It's fine. Gepard can deal with it.

And then, Cocolia starts coming down to the restricted zone. Issuing direct orders.

And Gepard realizes he is in way over his head.

Because Cocolia orders him to stay back and issue commands from the ramparts, away from all his comrades, away from where he can protect them.

Gepard had thought nothing could be as bad as watching a fellow guard die right next to him. But the first time he watches someone struck by a killing blow, so far away, it hurts. Every defensive scar across his arms itches, his fingers curl in want of a weapon, the cold cannot numb his hands enough as they desperately ache for his shield. It hurts.

Gepard tries to find any reason to stay. Because surely... He knows Cocolia has lost her love for her people, but surely... She wouldn't...

One day, Cocolia orders for their gunners to advance 20 yards. There are no survivors. She almost looks like she smiles.

Gepard doesn't sleep that night.

Pela brings him the report at the end of the first month; and then the month after that, and the month after that. A significant uptick in losses, and all of it started on that first day Cocolia started overriding his authority and issuing her own orders. The ends of Gepard's pens have all been nearly chewed off. Pela outright calls Cocolia an idiot, and Gepard corrects her. Cocolia isn't an idiot. Gepard had known her through Serval, knew her through all her college years and then some, and he knows how intelligent she is. It's not that she's stupid, and it's not that she's inexperienced, it's nothing of the sort.

Cocolia knows exactly what she's doing.

She must, there's no way she could make such a horrible mess of things so badly by accident. And Pela, quick as a whip, sharp as a tack, always too smart for her own good, catches onto the meaning behind Gepard's correction without any further prompting. The tent goes deathly quiet, nothing but the wind howling outside.

"...She's trying to kill us," Pela whispers, her voice swiftly suffocated by the silence.

Gepard swallows. He can't bring himself to correct her this time. There is nothing he could say that he would actually mean.

His gaze drops, back down to his desk and the reports on it. The names aren't listed, just the numbers, but Gepard knows them, knew them, and there must be something wrong, something he's missing, because why, why would she-? What could this possibly accomplish-?

“Gepard! Focus!” Something snaps right under his nose, and Gepard startles, eyes instantly honing in on Pela's irritated face as she leans over his desk. She holds his gaze for a moment before she huffs and begins to pace, wedges a knuckle between her teeth and bites like Gepard hasn't seen her do since cadet school.

Pela angrily strides from one end of his tent to the other, words hissed between her grit teeth. “What are we going to do?” In the dim lighting, Gepard can just barely see the damp spot of blood weeping under her gloves. “We need a plan.”

“A plan?”

“Wh- Yes, a plan! Unless you want more people to die!” Pela rounds on him then, all the wrath of a blizzard, winds roaring and snow sharp enough to cut.

“We don't even know-”

“What does it matter?! She killed-!!” Pela cuts off with a garbled noise when Gepard leaps up from his desk, hastily shoves his hand over her mouth. The prosthetic, not the flesh one, because he knows better than to assume Pela won't seize the opportunity to leave teeth marks in his skin.

“You're right. I'm sorry, I'm sorry; you're right. But you need to keep quiet.” Pela quirks an eyebrow at him and Gepard can read the question in her face. “Because we both saw what she did to Serval,” he hisses.

It's amazing the snow plains haven't thawed out yet, the amount of heat Pela can put behind a glare. The mere mention of Serval, and the smoking ruins Cocolia had made of her life and career, have her bristling up like a riled cat. The sudden hot breath she takes fans fog across his metal skin, and Gepard wisely keeps it in place until Pela finally sighs and reaches up, taps her fingertips against the back of his hand.

The second she's free, Pela bats him away and then her knuckle is right back between her teeth again, Gepard leaning back against his desk with his arms crossed to watch her resume her pacing. “If we spread the word, she'll have us discharged and make sure we can't even touch the frontlines,” Pela's voice seethes like an open sore. Gepard nods but keeps his silence. He knows better than to get in her way.

“And if you and I are both out of the picture, Belobog is fucked.” A little harsher than how he would have put it, but there's no denying that they're both important to the city's survival. Pela has the restricted zone running as efficiently as ever, and Gepard had become the youngest captain on record for a reason. “We need to keep this tight under wraps, at least for now… It can't leak to anyone higher up the chain.” Another nod. “Serval might know other discontents…” Another n-

Gepard's head snaps up. “No.”

“No what?”

“No. We're not involving Serval in this.”

Somehow, even the same tone that leaves entire squadrons shaking in their boots has never worked on her. “You're not deciding that for her, Gepard.”

Pela hadn't seen the worst of it, though, back when his sister had just been banned from the Architects. Serval's pride hadn't allowed it. Pela wasn't the one to find her passed out bottle still in hand, hadn't been the one to wash the sick out of her hair or carry her to bed. 

Serval still has trouble thinking clearly when it comes to Cocolia, still can't quite bring herself to be objective. And Gepard maybe doesn't want her to be purely objective- but he would worry a lot less if she thought twice before she acted more often.

“At least let me be the one to bring it up to her.”

“Whatever, fine,” Pela gestures affirmatively at him as she paces past, and Gepard sighs. Good, at least that's one thing he can help.

From there, it's a lot of hemming and hawing and frustration. Cocolia has them under her boot, and Gepard and Pela both know it. Even with the way she's been cracking down on freedoms lately, Cocolia is still, overall, liked by the people. It's unlikely anyone would believe them. They don't even have solid proof, because most people don't know Cocolia as well as they do and won't see the clues in the same light. 

The Fragmentum has been ramping up in recent years, too. Everyone is struggling just to survive as is, they can't afford a fight on two fronts. Gepard is a damn good captain, one of the best for that matter. But they're at a massive disadvantage, his experience is narrowed to fighting a defensive battle against monsters, that's all he's ever done. That's all anyone there has ever done. He has no way of finding first-hand knowledge for taking the offensive against a human opponent, and if he goes at this blind, there's no way he'll get everyone out unscathed. He's going to lose people. He's going to lose a lot of people.

He'd never thought before that Cocolia would have it in her to have someone killed. And with this new knowledge, he has no guarantee she won't go after Serval or Lynx if she decides to retaliate.

Gepard has to remind himself to breathe when he realizes this.

Pela writes down every name the two of them can come up with. Lists and lists of names and groups and anyone they can think of who might be an ally in all of this. They memorize every bit of it, make their plans of who to talk to and when. Gepard watches the sparks reflect off Pela's glasses as they burn the evidence together.

Pela finally leaves, far too late to make it home, but says she wants to stay in the restricted zone anyway to investigate. Gepard watches her make her way in the direction of Dunn's tent, watches her back until she's out of his sight and squashes down the urge to follow and keep an eye on her. His tent feels empty.

In the morning, Gepard is up before the wake up bells. He drags himself out of bed, leads his soldiers through their morning training. The same people gravitate to each other everyday. Friend groups and training partners. There's an ongoing rivalry between a few squadrons that everyone bets on. Some of them have lockets around their necks, keepsakes, mementos. Some of them wear wedding rings.

Gepard is suddenly, painfully aware of something acidic clawing at the inside of his throat, of a heavy weight low in his chest that blooms, takes up room until it threatens to spread his ribs. His mouth tastes of bile and blood.

He rearranges the schedules. Puts himself down for every open patrol into the Fragmentum, makes sure he'll be on the frontlines every single time Cocolia visits.

He only hopes that it's enough.

[spotaus]

Thinking about Orchid and her connection to my take on Gender (because this was meant to be about her and the Crew but it just devolved into a character analysis kinda??? More trauma-dumping maybe???) This is very much an oc/personal rant so feel free to ignore it 🫡

So, Orchid started off as a character I didn't really think much of (hear me out this is going to be relevant) because I wanted to add a 'girl' character but didn't know what to *do* with her, y'know? She was always going to be the strongest one there, she had the odds stacked in her favor with her parents. She was always going to be the gloomy side-character to match Reset's energy. But I think she's gone through every stage of Generic Woman I could possibly find.

At first she was angry and abrasive (think Fell!Sans) where every other word was a curse and she was likely to throw the first punch then laugh as she kicks her enemy while they're down. This was when Reset was a cartoonishly self-centered villain whose goal was simply to prove others wrong. Then Orchid became a sort of sisterly figure. This was short-lived, but she was the one comforting people who Reset would torment, but would ultimately follow his orders, because at this point he was actually a danger and sadistic. And then there was the phase where the story mellowed out and she became the token Goth Girl who, yes she was strong, but was heavy on the 'whatever' energy. Then there was her Era of deep self-loathing and anxiety about her worth that held her back and made her a much more timid and meek character who would only lash out on occasion.

Now, Orchid is the best of those iterations I've written yet. She's calm, level-headed, and a natural leader. Her father raised those traits into her. But she's very reactive, and can be silly, and when she's comfortable it's likely that air of importance transforms into something more comfortable and familiar. She laughs loudly and grins wide, she likes loud video-games but loves to read in the quiet. She's extremely disciplined, and normally no one can get through her tough exterior besides her best friend, Reset. She does what she does for her own enjoyment, sure, but she's thought of every angle and makes her choice to help Reset and control the others with her whole chest. She still worries she won't live up to her invisible expectations, and that and her loyalty are her two driving forces.

I know that Orchid is important to me because she's the longest-running female oc I've had. I have a rough relationship with womanhood/girlhood and I know looking back that Orchid recieved every ounce of my distaste for being a woman that I could shovel into her. That never made her less of a character, she was actually always one of my favorites, and rarely was she a 'punching bag oc'. I just... projected onto her a lot. And she's a good sign of how I've learned who I am. I've decided that my own femininity is something I could live without. I'd rather not associate myself with it, and I'd like to leave it in my past, focusing on a future where I'm not tied down with any gender roles or expectations. That won't happen, but I've come to terms with it myself. Orchid though? I figured out through her that I don't have to hate women characters. My own distaste for my circumstances doesn't mean I have to push it onto my characters (on God I've never expressed anything rude to actual people, that'd be rude as hell and uncalled for, but I have a bad habit of disliking fictional women in media). So, Orchid is a well-roubded character finally. She has motivations abd goals and a *lot* more depth than I ever expected her to. She's happy with being a woman, she's content. She's not treated differently for it in unfair ways by those she cares about, so she doesn't mind it. She likes to wear pretty outfits and lets Reset add bows to her ribbons. She doesn't let being a woman hold her back in the slightest.

So, yeah. Orchid is one of my babies. If I ever leave this Fandom behind for good, she's one that's coming with (Ichor, Orchid, and Pretender all have human designs I can use elsewhere lol-) but in the meantime I'll just rotate her around in my brain for a while longer.

If I'm right, she's been with me for nearly 5-6 years and I went through a *lot* with her as an outlet. So, she's kinda just like an old stuffed animal. A lil ripped, matted fur, maybe a stain or two, but there's a story there and that makes it important beyond belief.

[kyouka-supremacy]

Failed a social interaction 0 injured 1 killed (me)

[garciapimienta]

also I love when masia players feed into my superiority complex

[dimiclaudeblaigan]

I know you all know by default how much I love this conversation, but in RD at least, a lot of characters fall out of relevancy after a certain point (whereas in PoR you could argue that having full supports prevents this). Shinon is one of the only side characters who doesn't really do this, having three base conversations throughout part three (which is pretty fucking good considering several of the chapters aren't even with the Greil Mercenaries).

Back in PoR, Shinon asks for praise/gratitude. Expects it. By this point he doesn't want it anymore. He didn't want it when he was selling bows for emergency income (which Rolf took up as well) and he doesn't want it here either. His personality has chilled out so much from being a hothead and he's much more expressive of his actual feelings (even if you compare his standard death quotes in both games, he's much more emotionally expressive in RD).

A lot of characters - most honestly, including even the GMs (barring Boyd if he A supports Mist which gives him more content and expresses a whole lot of maturity compared to PoR Boyd) tend to drop off in development. They might stick around (ex. PoR puts all the major groups in the spotlight until the next group shows up and goes through all of them), but the development eventually stagnates outside of supports (including in base conversations, which this one is such).

Since RD doesn't get supports with full conversations, you only get snippets of development/characterization through them, while the base conversations may offer insight into the characters and show you how they've changed over the years but don't truly develop them. Shinon is a very lucky situation for his character because he keeps returning in both games, and it helps develop him across both games with a full timeline (similar to Naesala, who has a fully fleshed out story and personality development over both games and never stops dead at any point in the pair of games).

In PoR Shinon was distant and selectively a bit cold (Greil, Rolf and Gatrie excluded from that, and Mist to an extent as well). RD gives the impression that he just... doesn't care about all that anymore. He's fine where he is and has learned he can live with these people and not have to expect betrayal. He doesn't have to anticipate being on his own ever again. There's no real reason for him to keep up the walls and barriers to protect himself, and he's not living just to survive anymore.

Most times when I end up loving a character it's because of the content given to me and what have I to work with, rather than loving a character and searching for things to love. I fully expect that that's why I finally, after years of being unable to decide who my Tellius favorite was because I loved several of them too dearly to decide, found myself able to settle on Shinon.

When I got older and gave it more thought, considering all the development and traits of each of them and how responsive I was to them, one day I asked myself, well okay, what if someone asked you who your favorite was? What if you still did love the same ones as your number one, all of them, but could only give one name quick and simple? Who would you pick? The first name that instantly hit me was Shinon. That was enough for me to decide okay, there's a reason he's the first person who instantly came to me if I had to truly settle on one. I hadn't quite figured it out yet, but I knew there was a reason that if I had to pick a single standout, it would be him.

A lot of it harkens back to this conversation. It is development in and of itself, and also very expressive of who he is. The fact that he also doesn't fall off in conversations and is more recurring than not also gives me more to examine about him and more to think about. It puts him in a more likely position to think about him and who he is than I would for characters the writers didn't really bother developing (including other recurring characters like Marcia, who keep coming back in both games similar to Shinon, but see no development as a person - unfortunately in her case, in either game).

He has a very rich, detailed and unforgotten-by-the-writers character and one whose story ends on a very high note. I say "ends" in the sense of main story/base content, but it technically continues if he's taken to the Tower and gains the ability to A support various other characters who he otherwise could not support or could only reach a B support with, such as Sanaki, Tibarn, etc. This conversation is like an accumulation of his growth between both games, including the subtle things you can only pick up on through actions/other character lines.

Ike says he (everyone, which includes Shinon) chose to stay with them when he told everyone who their next employer was/what they'd be doing/etc, and Ike gave him and Soren an out if they weren't comfortable with it. They weren't all forced to go. That says by itself that Shinon made that choice on his own. He chose to stay with them when he was not yet totally comfortable with laguz and was still working on that part of himself (the fact that he uses the term "laguz" at all is already a huge step up from where he leaves off on his A support with Janaff, which did not leave off poorly at all).

Last time Shinon was uncomfortable with something in the Greil Mercenaries, he made the choice to leave. When he did come back, he was not exclusively surrounded by only the GMs and otherwise, purely laguz (which prior to meeting Janaff I would argue he was not ready for at all at the time). Here, he was, and he still made the choice to stay with them knowing exactly what his situation would look like.

Another thing worth considering is how much of a hothead Shinon was in PoR, but he still took Rolf on as a student. While I'm not sure exactly how accurate Mist's statement is about "forcing" Rhys to teach her (it's possible she was pushy about it because he didn't want to, such as because it might mean she might end up on the battlefield), we do know Rolf wanted to learn and was accepted.

We can easily infer through their conversations that Shinon would rather teach him to survive and have a safety net rather than worry about him being on a battlefield. Shinon saw that he was motivated to learn and, regardless of the fact that he was still in survival mode himself and not of the mind of "I'll be with these people forever and want to help them", taught him while apparently having told him "things like this happen" with mercenaries (i.e. different employers, separation, etc). If they ended up on opposite sides but Rolf could wield a weapon, that could endanger him, but he does it anyway. His priority is always survival, but it's also the survival of children and anyone he cares about. He also dies begrudgingly in his PoR death quote, which is completely opposite of his death quote against Rolf.

Another thing for me: he's also very confident and aware of his capabilities as a marksman. He knows what he's worth and at this point, he no longer brags about it (he used to all the time in PoR). He sees no reason to have to prop himself up. There's no insecurity in him that makes him feel the need to try to be open about being better than anyone else. He knows and accepts what he's worth without feeling the need to tell people about it.

If someone asked him what he thought of himself/his own worth, yeah, he'd admit his skill and capability without being too humble, but he also wouldn't go overboard with it or say it during instances that don't really warrant it (basically, if absolutely nobody asked, he'd say it anyway in PoR. In RD he doesn't really seem to give a shit anymore about letting the whole world know how good he is). He's lost the whole pick me, look at me sort of attitude. Imo it's also due to a higher amount of respect he has for himself now, and a much healthier one. He doesn't care about being the best anymore (he'd be perfectly happy if Rolf was instead) and is just satisfied knowing his skill on his own. He's satisfied not being alive just to survive, but to be with this mercenary group and actually able to live.

As a side note, we never actually see him having drunk or in the middle of drinking in RD, so... it's also likely he's worked on his possible PoR drinking issue too!

All in all, he's just one of the few non-main characters who came a whole long way with a full story. He feels very different in RD, but not so much that he feels like a different character entirely. For me, I can feel the growth in who he is, and that to me is an excellent handling of a character. When I can feel how different they are from beginning to end, I can feel the intent of character growth behind it. I can't tell you with certainty that the writers took a liking to him and so biasly kept sticking in dialogue for him (and singlehandedly made him one of the solidly best units in RD, for that matter...), but he's definitely repeatedly present and has hefty, story/backstory littered implications.

His dialogue feels meaningful to his own personal story in all his conversations. In other words, he doesn't have a conversation that feels devoid of meaning. It comes across more as all of his content exists for a reason/has meaning behind it. There's no wasted dialogue with him. When he's there, it means something for his character (comparatively to other side characters who may have lengthy conversations but you walk away having gotten nothing out of it, be that in PoR and/or RD).

He has fewer supports than most of the cast in PoR, but every single one had some kind of direction to it. Even if you look at his C support with Janaff and go "well that's just classic early PoR Shinon", the point of that is exactly that: that he starts out who we recognize and develops from there. That support alone goes from that to a lot of growth in three conversations, and beneficially so on both sides.

Simply put, he has more content the average Tellius character (including all of his boss quotes in chapter 18), and everything leads up to who he is by this conversation. It's a full story for a side character, later including personalized support dialogue for A supports, and he just happens to exhibit a lot of growth and traits that I already lean toward (hence why he was in my top spot all along, just tied with others. Now he's not tied with others and has the top spot to himself!).

I think it's likely it's the fact that as mentioned, none of his conversations are throwaway conversations. You never walk away from his conversations having gotten nothing (I mean, I'm sure people who refuse to see it don't notice precisely because they are willing themselves to refuse to see it to find excuses to keep hating him). Even in his first RD base conversation, the fact that he acts as you'd expect but drops a "laguz" in there is already a hint for his growth direction on top of being there at all. It's really just up from there, as is the case with all his content.

I tend to lean toward characters with a whole fountain of insightful conversations and depth, and in FE games you often don't find those characters outside of the mains. While I'd argue Tellius is a lot less tropey than modern FE (there were some tropey types like Makalov and Ilyana whose characters are basically nothing without their tropes), a lot of its side characters are still reduced to very surface level characterization with no real growth.

Shinon was very lucky to get as much as he did, and I'd say he has just as much if not more personal depth and lore than even some of the mains themselves. Imo he's a very lucky and rare find in FE games, when there are so many goddamn characters that the writers can't flesh them all out (reasonably of course, but it makes it even more special when it happens for non mains). Even with the Fodlan games and all its content, a lot if not most of its characters are full on tropes with little to nothing in the way of anything else. Engage suffers from it too, with a few diamonds in the rough and not much else.

That's not to say I hate the games or their characters, because obviously I would not still be playing new titles to the franchise if I hated it. I'm saying it makes the ones with as much depth as Shinon a gold mine to be found amidst a very large cast of characters that don't usually get that treatment.

anyway i will always talk abt shinon more when able so this is Not The End but i will end this post here lest it turns into another 20+ paragraphs.

[silverselfshippingchaos]

it's a really small detail, but I love how you see m.akoto soften a little whenever y.uya and him talk about his daughter

[born-to-lose]

Was finally back at the bar last Saturday after three weeks of being sick

[mars-ipan]

this is gonna sound incredibly virtue signal-y i fear but i have been feeling. so fiercely protective of all the transfems i've ever met lately

[windor-truffle]

"Yup, I'm right here! See, you can touch me and everything!"

--

Richard and Pascal friendship is something I didn't know I needed to write

[pyrriax]

ANYWHO goodnight tumblr i'll be back on the art grind tomorrow i think 🙏

[im2tired4usernames]

Ugh I was excited for today until I found out I'd have to spend it with people that actively make me hate being alive hate the future and drain me off all energy physically mentally spiritually like a vampire I can't stand to be around her she is the definition of stupidity and even then that's generous as fuck this bitch has filled her brain with so much garbage I watch her brain cells die at alarming rates every single time she uses her vocal cords her giggles make me want to jam a sewing needle into my ear repeatedly so I can never have to hear it again its a friendly reminder that my parents decisions this time my dad's constantly makes me want to die

[sysig]

Big day for the Sims 2

[cosmics-beings]

when nonblack artists (especially white) draw nonhuman characters black or racebend characters black they really need to ask themselves why they subscribe certain traits (like aggression, stupidity, arrogance, largeness, etc.) to black versions of those characters and why they view kinder, wise and morally ambiguous characters as white or lighter skinned.

(kinda unrelated but it also slips into shipping (esp in mlm stances). like why are you making the larger/dominant one black and the smaller/submissive one white or lighter. )

this isn't a jab at anyone , but i just implore some artists to asks themselves why they see a character being aggressive and dangerous and automatically assume that character is black.

at the end of the day you don't even have to listen to me - draw what you want. i am just a faceless icon on tumblr dot com.

[i-am-agent-washingtub]

Very tired but determined young man still thinks I'm going to throw his toy again