#i'd rather do more productive things like show love to the ones i do love rather than hate on anyone

[secriden]

Ohhh, I love this explanation! This makes a lot of sense because Kant is such a practical character (vs Style's almost naivety in clinging to hope, as you pointed out), that it just makes sense that he'd rather Bison (and himself and Babe and Style) be safe apart from the men they have fallen in love with, then attempt to cling onto the tenuous happiness of being together. This also makes sense in light of Kant losing his parents presumably fairly young and, of all the characters(*), being subsequently introduced to the harsh realities of a life very much outside of his own control. Life has taught Kant the practicality of accepting when you can't change something, so its not worth trying.

(*) I'm not intending to downplaying the trauma of Fadel and Bison witnessing their own parents' murders, but they at least were groomed coerced indoctrinated trained into a life that gave them the semblance of control (see: Bison's expression of ecstasy in episode 1 when he knew he was going to murder the man he's currently hugging to his chest) while Kant got into a life of crime out of necessity and then very quickly seems to have fallen into a life under the manipulative thumb of a corrupt police captain.

I think the idea that his past crimes will always hang around his neck, threatening to pull him back in, to sully all of of his relationships (romantic entanglements, his friendship with Style, Babe's respect and trust, etc) is simply a little too much to bear.

Looooove this point. It puts into words something about the air of resentment that Kant has steadily been gaining as the series progresses. At the start of the series, he appears to be almost wilfully ignoring the severity of his situation; the way he searches out casual flings and feeds into Style's playful antics and pretends he has things under control. Even as he protests the Captain's continued manipulation, there's a sense that he was almost resigned to his lot, but in a way that feels like avoidance rather than acceptance -- like he knew he couldn't do anything and he didn't want to allow himself to acknowledge it because then he'd have to FEEL just how unfair it all was. But now that things are coming to a climax, and especially because his affection for Bison have been growing and becoming more and more entangled with his guilt over the manipulation and his worry for Babe and the complication of trying to keep Style from falling in love with a murderer (oops! too late!), its like it's all reaching a boiling point.

I think establishing the tone from the begining was a great call, and i've been trying to make a post about it but it's not coming along

But yes, I am quite happy to agree that this show isn't meant to be taken seriously in these aspects. You're right about them striking the balance very well from the get go, and I was one of the people most intrigued and excited by the intentionality of the cast explicitly being all please don't set up unreasonable expectations! this is a comedy! A COMEDY!!! before the series dropped. I liked how it made me feel like the cast and Jojo and the production team knew exactly the story they wanted to tell and moreover were intentionally setting it in the style and medium and genre they wanted.

But yeah, I'm a-okay with certain things not being fully explained because I'd far rather they take the time and space and funding to nail down the things they actually WANT to nail down (like the complexity of the emotional entanglements that all the characters were grappling with in Ep 6. That slow zoom and linger on Kant's eyes as they turn molten with dismay-longing-happiness-despair when Bison comes back. *clasps hands* Thank you, Jojo and First TwT <3)

Also, no pressure, but I'd love to read your further thoughts on this if you decide to make that post after all! <3 >w<

Ok, genuinely asking cuz I think I missed something??

So the captain is using Kant (and Style) to get evidence, not on Fadel and Bison, but specifically because they want whoever is behind them, right? That's the whole reason for this ruse to begin with.

So, like, okay he's still the police and they're pretty sure there's going to be an attempted murder, so they have to be there to try to prevent it. But if they actually arrested Fadel and Bison, their boss would probably go to ground and be impossible to find.

(Especially if the captain/police don't know about the dysfunctional psudo family relationship that Fadel and Bison have with Lilly.)

So, did Bison and Fadel only get away in episode 6 because they captain intentionally let them go? Is he still hoping to use Fadel and Bison to get to their boss? (Was the motherfucker just a hilariously dramatic act for show?)

If so, why does Kant think he's done? At first I thought it was because he thinks the brothers have been caught, but he tells Style, "You have to get over it. You can't ever get together with him. Move on." which suggests that Kant thinks Style has the opportunity to try (ie. he knows Fadel hasn't been arrested yet).

Clearly, Kant understands that Fadel and Bison's arrest is an inevitability, that it's only been delayed because they're not interested in taking out only the people on the field. So he should know that Fadel and Bison not being arrested means the ruse is very far from being done.

Maybe Kant means it like: I'm done, I can't do it anymore, my heart won't let me lie to Bison again. ;A;

But even so, at this point (the day after the botched shooting), Kant hasn't discovered anything more than what he gave to the captain when the captain refused to agree that Kant was done the previous day, so like... why does he think he's done???!?

I'm just feeling very confused as to what, exactly, the captain's plan is now... Cuz surely the police know that Fadel and Bison are going to be suspicious about the undercover police presence at the charity event. Which therefore puts their moles (Kant/Style) at risk of not only being discovered, but being fed false information. Is the captain so confident in Kant (and Style's) seduction that they think Bison and Fadel will come back with NO caution?

Or am I just taking it all too seriously and this is one of those "accept the suspension of disbelief" moments? Should I just assume the police people aren't actually that smart? This is, after all, a comedy.

[fatass-adam]

Hey Tumblr quit tryin'a get me to like Alastor content HE'S NOTHING MORE THAN AN OVERRATED STINKY DEER MAN WHO PROBABLY SMELLS MUSKY OR SOME SHIT AND I WON'T STAND FOR IT

[malusokay]

Little things that improved my life 𝜗𝜚˚⋆

Accepting my sleep schedule. I'm a night owl; I focus at night, I'm calm at night, I'm motivated at night. For a long time, I tried to fight this since everyone always preaches getting up early, but since I started accepting my natural sleep schedule, I've been feeling a lot better and have become way more productive.

"drink more water". TEA. Tea is the secret here. I will be honest, I hate drinking water; it doesn't matter if I have a cute water bottle or a cute glass, I still hate it. TEA.

Replying quickly. I used to be one of those people who get a text message and think, "Oh, I'll reply to that later", and then just forget about it entirely. Now, I text back as soon as I see the message. This has not only improved my texting anxiety (which I cause on my own by now replying and then feeling bad) but also deepened my connection to my friends. <3

Keeping my circle small and being okay with that. Over the past months, I've had this sudden urge to expand my social circle and get to know more and more people, especially after I moved in August. However, this quickly ended in what I like to call my "social burnout". I was tired, annoyed, and overwhelmed. It took a few weeks for it to settle, but I've come to the conclusion that I would much rather have a smaller circle of people who I trust and love deeply than a huge group of friends, and that's totally okay.

Wearing what I like. Even though I live in a big city, I'd still say that my style can sometimes be a bit more extravagant than what most people wear, another point is that I'm very uncomfortable with pants so I only wear skirts, which is also considered a bit odd where I live. But over the past years, I've come to accept that and have become so sure of myself and found such comfort in my style that I now just wear whatever I like, and it makes every day a little bit nicer.

Reading and writing for pleasure. Reading books outside of my studies and spending time researching topics that simply interest me is such a great way to calm your mind. Same for writing, I always like to say that to write is to think; putting your thoughts on paper in cohesive and well-crafted sentences that you can then reread and think over again is such a liberating thing to do.

Reaching out more. fuck the whole "double texting" and "no contact" thing. If you want to speak to someone because they mean something to you, then just do it. Unless they specifically asked for space, you shouldn't feel bad about wanting to be in touch with them. Many even really appreciate it when you show that you truly care. Let's stop the nonchalant act, and instead, let's face deep emotions and true vulnerability. <3

As always, please feel free to share your own little insights and things that helped you improve comments! <3

my insta: @ malusokay

love ya ･:*₊‧✩

[heartofbusan]

Best laid plans of stomach bugs and men.

The chemistry is the point.

Some people underestimate the effort and toll it takes on ones body and schedule to fly 14 hours to visit another person. 14 hours to spend 72 hours together means commitment. It means bro's before ho's and I am frankly HERE FOR IT.

The discourse I am seeing is extremely telling of how fickle people are about their support for jikook. People watch too much scripted reality tv 🙄 bcs they really expected this relationship, this reunion if you will, to play out in multiple angle close ups and medium shots and several wide angle shots with dramatic zooms and heavily directed post-moment recaps with dramatic silences or eye rolls to play up the drama? The lack of moments, the MUNDANITY if you will IS THE POINT. They are so real to me, so life like, so domestic goals!

Being quiet with each other. No uncomfortable silences, but comfortable togetherness.

That's what leads to horny bed fighting, which in my eyes could lead to more if not for the cameras 👀 just me?

When they said unscripted, this is what they meant. When they said unplanned, this is what they referred to. Not directed, not scripted, not fanservice 🙄 to fit a planned narrative. This is how their relationship plays out. I'd go so far as to call it a documentary instead of a reality series. While documentaries have tons of genres within itself, this genre is one where there's a broad range of planned activities, but where the narrative is constructed in post production: editing. Id know, since im an editor. This tells me that they counted on the natural chemistry between 'JeonJi' (SO CUTE) to 'lead the way' instead of a multitude of directed interactions that they (the producers) would have needed to tick a dramatic narrative box.

So what does that lead to? In my professional opinion as a director/editor the first two episodes lacked a dramatic arc. There was little directing going on to force one

the chemistry is the point

The flirting, the lulls in conversation, them being together, seeing them have fun, and reconnecting is the point. Instead of what they're doing or what they're talking about. The episodes, therefore, are kinda boring in the sense of entertainment, but wildly exiting in the sense of what we get to see play out. And it's incredibly nuanced. And nuance often flies over people's heads..again, the crowd that expects to be held by the hand when it comes to drama: reality tv.

It's a huge risk to take as a production. Let's not underestimate that! 'Are You Sure' was so unscripted that they didn’t even have a title until halfway into the second or third day. Again: they were banking on JeonJi to build upon their chaos to lead to a narrative and a title, etc. That is so telling to me. That them being together is the raison d'etre of this show. Jimin 'sacrificing' his time to fly to the US, Jeonkook making space in his busy schedule time to spend time unwinding, JeonJi making good on their need to finally spend time together after the booked and busy year they've had.

Jimin enjoying the hell out of Jungkook having fun.

Because that is who Jimin has always been: his adventurous spirit takes him places because he loves exploring and being in tue moment. He'll willingly travel to have those moments. Jungkook on the other hand doesn’t. He dislikes leaving the comfort of his surroundings because he doesn’t see the pot of gold that being adventurous brings him while he's comfortable in his home. I relate 😩 so much. Just planning trips alone makes me enter a comatose state, so I'd rather not go than sacrifice my rest to plan an adventure. I don't even know I'll get anything out of. That is, until Im actually on that planned trip and having the time of my life! They've always been like that. Jimin had to be the incentive to get Jungkook out on that trip. Take.him.by the hand if you will 😭😭

And then there's the stomach bug. YOU DAMMNED CURSED THING. It threw a HUGE wrench into their plans, and if anyone doesn’t take that into consideration, then you haven't had a stomachbug EVER while still having to face up to your commitments. Park Jimin will NEVER back down from his commitments, his promises *pinky promises* are sacred to him, and this bug took away the catalyst of this duo. Jungkook suddenly had to be the extrovert of the two, and boy, does he struggle in that role. He was to me his usuall baby elf self. So adorable and cute with his nose focused on food and Jimin’s care. But my man loves to rely on Jimin to lead the way in shenanigans and to make any moment entertaining, and you could just tell Jimin wasn't in his feels enough to overcome his lack of energy. Poor baby. Really, he's the best of us because I would have straight up refused to be filmed in that moment. A whole night of diarrhea and still showing up to film the next day?! NO MA'M NOT ME.

If you've read up to this point, I commend you. It was just supposed to be a short rant, but it became an entire essay because I can not with the overly reactionary nature some people show. Drawing entire conclusions based on two hour long episodes. I know, I might be contradicting myself here but extenuating circumstances and all. Jimin wasn’t on his game, and Jungkook was also recovering. When a show is banking on the chemistry between two people to shoulder the brunt of this show and said people are extremely sick, well then what can I tell you?

We need to sit back and enjoy the fact that we are getting such access to them, so unfiltered. Jikook enjoying each other, come rain or shine, in sickness and in health, whatever the mood brings, because that to me is more valuable than DRAMA or NARRATIVE. We'll probably get a bit more of that once they're going to Jeju, and they're both hopefully healthy. We're even getting a new element for them to play off of: Tete shows up! Like a jack in the box, and Jungkook seems to not be having it, lmao...see..unscripted and natural. I love that for them!

Idols are people first, and we need to celebrate that, not demand more.

[yusuke-of-valla]

So, Video Game Voice Actors Are On Strike: A Quick and Dirty Guide for Tumblr Users

Starting on July 26th, SAG-AFTRA members that are part of the Interactive Media Agreement (so mostly voice actors for video games) will be on strike. If you're a member of SAG-AFTRA with questions, I would speak to them.

Most of this information is coming from the SAG-AFTRA website, feel free to correct me if I'm wrong about anything or ask if you need anything.

If you are a random tumblr user who wants to know what's going on, here we go.

Why are video game voice actors striking?

AI, as one could expect. From the union's statement:

Although agreements have been reached on many issues important to SAG-AFTRA members, the employers refuse to plainly affirm, in clear and enforceable language, that they will protect all performers covered by this contract in their A.I. language.

Which Games Are Being Struck?

Games from: Activision Productions Inc., Blindlight LLC, Disney Character Voices Inc., Electronic Arts Productions Inc., Formosa Interactive LLC, Insomniac Games Inc., Llama Productions LLC, Take 2 Productions Inc., VoiceWorks Productions Inc., and WB Games Inc. are all being struck.

There is also a website to confirm which union projects are being struck but you'd need to be a member actively working on it to use it.

Ok so I'm not a voice actor, union or otherwise, I just like games. What should I do.

I can NOT stress this enough. Do NOT stop playing games. The union has not asked for this, and is instead asking for people to amplify our messages online using #LevelUpTheContract, #VideoGameStrike and #SagAftraStrong."

You can also sign this petition in support of voice actors getting a fair deal.

I'm not a union representative but if a game you're looking forward to is being covered by the struck companies, I'd blow up your social media and their mentions with how much you love the voice acting and the actors deserve a fair contract, but other than that you are not being asked to boycott any games or not cosplay or attend events.

A Streamer is playing a struck game! Is that crossing the picket line?

No, SAG-AFTRA explicitly says that is fine, and in fact encourages it.

An actor is promoting/promoted a struck work at SDCC, is that crossing the picket line?

No, the statement explicitly says those attending SDCC can still do work there because of the short notice, they are also fine.

Wait didn't SAG-AFTRA already do some weird bullshit regarding video game voice actors and AI?

Yes, at the Consumer Electronics Show in January, SAG-AFTRA signed a deal with Replica AI to allow their members to create digital replicas, it was a whole thing and many voice actors were pissed.

So they're hypocrites?

Ok it's more complicated than that. Their logic for the Replica AI thing is rather than allow companies to do whatever they want, it was better to have a system in place to be able to clearly say when a company was breaking the rules and ensure that talent got some compensation.

We can debate the efficacy of that strategy all day and voice actors at the time were not happy, BUT the companies being struck here refuse to even rise to THAT standard and will not agree to the most basic protections for actors, which is worse.

People and organizations contain multitudes and it is not a betrayal or hypocritical to disagree with SAG-AFTRA leadership on the Replica AI situation and side with them, and more importantly their members in this case.

Why aren't game devs striking/ It's not devs on strike so I don't care

The Screen Actors Guild covers actors, so it would not be in everyone's best interest if they were to try and negotiate on behalf of people in different fields with different needs.

However, one way to build support for the various movements to unionize at places like Activision-Blizzard and Bethesda is to support labor movements everywhere and show solidarity whenever it comes up.

Why are the actors striking when the developers should be paid more.

They should be paid more! And they should not be laid off as much. One way to help with that is to be able to point to voice actors and say, hey they got a raise, I want one too.

[uselesslexbian]

the tortured poets department sentence starters.

i was supposed to be sent away, but they forgot to come and get me.

i love you, it's ruining my life.

my husband is cheating. i wanna kill him.

thought of calling you, but you won't pick up.

who's gonna hold you like me?

who's gonna know you, if not me?

sometimes i wonder if you're gonna screw this up with me.

everyone we know understands why it's meant to be. 'cause we're crazy.

who else is gonna know me?

i should've known it was a matter of time.

we could've played for keeps this time.

once i fix me, he's gonna miss me.

he told me i'm better off, but i'm not.

fuck it if i can't have him.

i might just die, it would make no difference.

fuck it if i can't have us.

'cause fuck it, i was in love.

i stopped trying to make him laugh.

how much sad did you think i had in me?

you say i abandoned the ship, but i was going down with it.

just how low did you think i'd go before i'd self-implode?

you swore you love me, but where were the clues?

i'm just mad as hell 'cause i loved this place.

i forget if this was ever fun.

no, i'm not coming to my sense.

i know he's crazy, but he's the one i want.

i'd rather burn my whole life down than listen to one more second of all this bitching and moaning.

i'll tell you something about my good name - it's mine alone to disgrace.

you ain't gotta pray for me.

no, you can't come to the wedding.

it's gonna be alright, i did my time.

i will never lose my baby again.

ain't no way i'm gonna screw up now that i know what's at stake.

they said i was a cheat. i guess it must be true.

yes, i'm haunted, but i'm feeling just fine.

tell me i'm dispicable, say it's unforgivable.

am i allowed to cry?

i keep recalling things we never did.

someone told me there's no such thing as bad thoughts.

if it's make-believe, why does it feel like a vow we'll both uphold somehow?

they're gonna crucify me anyway.

what if the way you hold me is actually what's holy?

you don't get to tell me about "sad."

if you wanted me dead, you should've just said.

who's afraid of little old me?

at all costs, keep your good name.

you don't get to tell me you feel bad.

so tell me everything is not about me, but what if it is?

say they didn't do it to hurt me, but what if they did?

i'm always drunk on my own tears, isn't that what they all said?

i'm fearsome, and i'm wretched, and i'm wrong.

you caged me, and then you called me crazy.

i am what i am 'cause you trained me.

i can fix him. no really, i can.

come close, i'll show you heaven.

trust me, i can handle me a dangerous man.

you said i'm the love of your life.

well, you took me to hell, too.

what we thought was for all time was momentary.

are they second-hand embarrassed that i can't get out of bed 'cause something counterfeit's dead?

you're the loss of my life.

i can handle my shit.

he said he'd love me all his life, but that life was too short.

i can do it with a broken heart.

i'm so obsessed with him, but he avoids me like the plague.

i cry a lot, but i am so productive. it's an art.

you know you're good when you can even do it with a broken heart.

i'm sure i can pass this test.

they said, "babe, you gotta fake it 'til you make it" and i did.

'cause i'm miserable! and nobody even knows!

was any of it true?

who the fuck was that guy?

they just ghosted you. now you know what it feels like.

i don't even want you back.

you didn't measure up in any measure of a man.

were you sent by someone who wanted me dead?

'cause it wasn't sexy once it wasn't forbidden.

i would've died for your sins. instead i just died inside.

i'll forget you, but i'll never forgive.

i haven't come around in so long, but i'm making a comeback to where i belong.

this town is fake, but you're the real thing.

the crown is stained, but you're the real queen.

you're the new god we're worshipping.

it's hell on earth to be heavenly.

[jamiepaige]

Constant Companions Closeup #10: MY DARLING, MY COMPANION

(also on spotify!)

It's the Constant Companions Closeups! A series of in-depth dives into the songs off of my latest album, Constant Companions! Last time, we talked about gender with Object of Affection! Today, we've made it to the title track (kinda?)! My Darling, My Companion! Do you think she's figured out what she wants to hear yet

---

Every time I first embark on the process of making another album, I always think I know what the final product will look like. This is a fairly recent phenomenon, born of the part of me that thinks that planning things out and being somewhat disciplined in the act of creation will ultimately lead to a better final product. That's fair and all, but it's also genuinely never how things actually shake out, as I almost always toss that out the window and just start writing shit the first chance I get.

Constant Companions, however, is the closest I've gotten to actually following through on those initial ambitions. Well, maybe not the initial ambitions - without fail, every time I finish an album, there's a two week period where I start writing new material thinking "this next album's gonna be the MOODY one" and it's never the moody one - but rather the plan I developed once my pile of works-in-progress started looking album-shaped.

There's always been some amount of self-referential leitmotif-loving song-series energy in what I've written - Imaginary, Effervescent and Secret Girlfriend; sampling myself on Too Much Autotune or Second Hello; that little four note motif. I had been leaning even further into it with People Posture Play Pretend and 🤼‍♀️, bringing the little interconnected background radiation straight to the forefront, and I wanted to keep going.

So, I would take that mindset and write about motifs - the things that have stuck with me and gotten me to where I am - the hopes that I've clung to, the dreams I want to make real, the patterns that I keep finding myself in. The things that haunt me and the things that keep me living.

...

My constant companions, if you will.

wait didn't i already do that bit. what was i talking about when i did that

This might be incredibly obvious if you've already read the Closeup for Breeze Blows, but yes, this is another song about being plural.

Like I said previously, writing these self-directed songs portraying internal conversations has been a very big part of finding peace within myself. Having to confront a part of myself both alien and overly familiar with seemingly a mind of her own is, understandably, scary as shit in countless ways! If nothing else, it feels like sometimes I can't even talk about it out loud without sounding completely gone.

But it's made me realize and really think about something I think most people take for granted, something that feels silly to even say out loud given how obvious it is but that has completely changed my relationship with myself - you are always a part of your own life.

The overwhelming, ceaseless negative self-talk I lived with for however many years never went away because it was a part of me, and no amount of compartmentalizing or boxing-up or repression or anything helped even in the slightest compared to the act of showing her kindness and patience, letting her be a genuine part of me, being a friend to her. Doing so revealed to me a happier, more hopeful part of myself I thought I'd lost forever.

Letting yourself be yourself, and loving yourself for who you are, is the best way to be!

or something. that feels so fucking dr seuss of me to say whatever we're corny here we will Be corny

---

The working title of this song was "Hathaway", inspired entirely by my friend Lexie messaging me one morning about a dream in which I had released a song named as such. Naming and writing songs based on dreams is maybe my most beloved bit at this point, but my girlfriend ultimately convinced me to make the title My Darling, My Companion. Mostly because she (correctly) thought it'd be cooler than just a pure title track.

The verses were written by sampling my own previous demo for a title track, turning it into a call-and-response between me and GUMI, and the chorus was lifted almost word-for-word from another demo of mine using Teto. That second demo was partially inspired by the character Morgan from the visual novel Heart of the Woods - which I mostly bring up because it's just a really good yuri VN that is near and dear to my heart. And also because my friend Teffi voices the character Tara in said VN. And also because I recorded my vocals for this song at her house. And also because the voice that says "me when I'm goated as fuck" right before the second verse is in fact Teffi in the recording booth with me. Yuri runs deep in my veins.

Speaking of which, this song, in my mind, is one dedicated to advancing my agenda of GUMI x Teto, albeit subtly and in a roundabout way.

See, GUMI has always been something of an idealized voice in my other work. The songs of mine she sings historically have always been hopeful, upbeat, expressing some sense of comfort - I Wish That I Could Fall maybe being the only exception, and even then still offering some hope in the end.

On the flipside, there's a part in verse two where my voice is swapped out for Teto for a couple lines. I couldn't really tell you what it is, since it's not in terms of timbre or range, but Kasane Teto - her Synth V voicebank especially, but really all iterations of her - is the vocal synth that feels the most like a stand-in for my own voice. And really, writing with her almost seems to bring out parts of myself that are a bit too honest.

These two juxtaposed against each other made perfect sense. It helps that they have The Color Scheme, too.

Finally, this song is basically just one big reference to my song Destiny, from back in 2018, and it even closes out with lyrics based very directly on its closing refrain. I don't have much else to say on that front - but there's another Jamie Paige song this bears some shared DNA with, and a blatant reference to it is hidden in plain sight right as the bridge transitions to the outro.

Do you know what it is?

That's the post! If you have any questions, feel free to send them my way - I'm planning on doing a big AMA style bonus post after the album's finished!!

Speaking of which, tomorrow, we'll be talking about the eleventh and final track on the album - a simple little song about a computer falling in love... :~)

[thefallenangelsgang]

I'm losing my fucking mind

Or: I just saw Lord of the Rings the Musical at the Chicago Shakespeare Theater and my brain chemistry has irreversibly changed

I'm too genuinely scrambled at the moment from travel to make a solid post (I am multiple states away from Illinois and I hate city driving) but I cannot shake the life-changing experience that was.

SPOILERS AHEAD

(Spoiler free tldr: story is changed sometimes severely to make a sub-3hr runtime or to simplify, but the message doesn't get completely lost. Tolkien fan approved)

First issue I can see everyone having is how much the story changes because it does change a lot. Rohan and Gondor being merged is probably the most glaring. I think it works because the show is more focused on the Hobbits (specifically Frodo and Sam). Personally I can look past it. My one issue is the missing Sam monologues (mount doom is a rather swift sequence, I'd have liked to see Sam give his devotion speech and his speech about the shire while waiting to die) those would have made insane songs but alas. The ending still was a gut punch though so it's more a personal preference thing.

First thing that blew me away was the technical aspect. The lighting and set design was GORGEOUS and EVOCATIVE. There were multiple times lighting alone drew me to tears.

The puppetry is immaculate. The nazgul chase is singularly some of the most beautiful choreo I've seen and I'm a slut for puppetry

The cast play all of the instruments live on stage, sometimes while doing choreography (nothing will prepare you to see Legolas holding a fucking trumpet or Boromir strapped into a goddamn accordion)

The costuming is more accurate to the original editions' illustrations which I found endlessly charming. One difference is, for safety (probably OSHA), all the hobbits (and Gollum) wear Sandals. This is never discussed. I love that.

BOROMIR IS KILLED BY HIS OWN SWORD WHICH I CANNOT EXPRESS HOW PERFECT THAT IS NARRATIVELY

GOLLUM PLAYED BY TONY BOZZUTO IS NEARLY INDISTINGUISHABLE FROM ANDY SERKIS

(I am not joking about this. Somehow he has mastered Andy's physicality and voice work. It truly was a sight to behold.)

Saruman/Elrond's actor (dressed as a hobbit) was hanging out in our section during preshow and was having a grand old time.

Bilbo and Frodo were in the main audience bothering people. Frodo was playing a stick and ring game and got absolutely shown up by some 10 year old he invited to play.

The Entmoot took literally 2 minutes (the way I had to stop from HOWLING at that)

I was SOBBING at the end, like actually.

Somehow this production managed to keenly make me feel the ending of Frodo leaving for the Grey Havens more than the movies did. The Irony of Frodo leaving being both a hopeful prayer that there is a place where people bound with trauma and wounds too deep to heal can live in peace without pain and also a grim acceptance that sometimes people cannot recover was STARK

Frodo and Sam really push the narrative of this show up until the end and it hits HARD. God bless this cast with steady work, they all deserve it.

[dnpanimationstudioclone]

Meet Velvette📱🧶

Meet my take on Velvette! I had LOT OF FUN with this one! She’s reviewing Pentabucks newest drink!(being its top influencer can get you it for free!)

My Velvette’s more involved with social media/advertising/trends rather than owning all of Hell’s fashion indurstry. She���s basically a social marketer/influencer who uses her influence to support and advertise a lot of the overlords and high influence peoples businesses, products and services. She’s def still into fashion, I imagine she has something like a Bergdorf Goodmans, luxury end store and probably collabed with other fashion brands). I also see her own some fo the trendiest resteraunts, clubs, beauty salons, etc. def sewn herself into big brands!

I’ve heard she was suppose to be a doll because her pilot look mouth alluded a bit to stitching and wore frilly clothes.

so I ended up making her a rag doll! Doll’s are very popular to sell, especially to sell additional objects such as fashion, accessories, etc. Basically she sells herself out to the public eye 👁️. There’s also a bit of sewing terms that fits with social media such as “Pinned”, “Threads”, etc.🪡📍

And rag dolls are known for their adaptability(perfect for trend setting Vel)! I styled her outfit as a kinda tweaked modern outfit of Raggedy Anne/Andy’s outfit. The jumper and black booties. Restyled into a more flashy romp jumper and heeled boots 👢 Even made it to her name, VELVET!

Ngl many friends of mine have said she gives off Monster High vibes(I feel like 2000’s cartoons def inspired me). As well as Lalaloopsy!!!!!!! I was also a bit inspired by OG Millie’s outfit(love the double straps).

Put her in two shades of brown for a patchwork vibe! Another thing I’m going for with the rag doll theme is to allude to insecurity. I imagine she came from less glamorous origins. Didn’t have porcelain dolls like Charlie or plastic Barbies like all the other popular and rich girls, but simple rag dolls and stuffies. No matter how hard she tries to be like perfect porcelain or pretty plastic…she’s cursed to be seen as just some raggedy rag doll💔. I also imagine her death had something related to becoming…torn up(I imagine it wasn’t a pretty end)…

For this look, went with bubble braids made from balls of yarn 🧶 She has all kinds of hairstyles, from yarn, cotton, stitch on wigs and even real hair(from scalps of those who got on her nasty side, @a-sterling-rose suggested this). There’s even a type of hairstyle called “yarn braids”.

Wears fake nails 💅. Gel, acrylic, she’s made of cloth so she can adapt to any kind.

Gave her actual ears 👂 (added them on herself).

Clout Glasses 😎.

For her color scheme, @the-burd-lord suggested I'd go with RGB theme, colors on display screen(Vox is the leader and a screen) Ngl I was conflicted what colors to go with for the vees(Primary, Red blue purple etc). But then I realized when u mix those colors u get those other colors and then I decided to give the Vees two main color themes for each. One for show, the other their true colors! Velvette likes to use green, magenta and purple, for a visually pleasing vibe, light green and magenta for sweetness with purple/gold for luxury, but truth she’s a vain, envious clout seeker who has and will do less than ethic things for the likes. The two colors r also a mix of Val and Vox’s colors(uses them, advertises them to advertise herself!)

Played around with a assymetry color vibe for the envy vibe, thats she’s two faced 🎭. Having a deceptive social media personality like Miss Heed(less lovey dovey).

@lovesart23 video on Velvette really helped me consider what to do with her, like her beign Envy theme(she’s a clout chaser afterall). I LOVE her use of purples and greens for her! I also really dig the eye theme which mine in a sense does too. In this case, button eyes.

Added more weight on her a bit, to give off a more rag doll type body(especially with the limbs 🦾🦵)

Gave her black purple eyes with pink and mint button irises. Got Pin eyelashes 🪡📍

Her her a needle/selfie stick. Good for selfies, fashion emergency and stabbing people!

What do u think? I’d love to know💖

I’ve also done the Hazbin Gang, Mimzy, and even her associate, Vox 📺.

[hotdaemondtargaryen]

TOM GLYNN-CARNEY INTERVIEWED FOR VESTAL MAGAZINE.

REFLECTING ON YOUR JOURNEY IN THE ACTING INDUSTRY, DO YOU REMEMBER THE MOMENT YOU REALIZED YOU REALIZED YOU WANTED TO PURSUE ACTING?

"The moment I realized I wanted to pursue acting was probably when I was around 12 years old, in high school."

"I was performing in a production of Shakespeare's Macbeth at the Royal Exchange in Manchester."

"I saw older actors and wondered what their "proper" jobs were outside of the theater."

'When I asked one of them, they said': — "No, this is my proper job. This is what I do."

"I didn’t know people could do that."

"From that moment on, I knew that this is what I wanted to do as a career."

YOU'VE DONE MULTIPLE SHOWS AND MOVIES IN THE DRAMATIC GENRE. WOULD YOU EVER BE OPEN TO DOING OTHER GENRES?

"Absolutely, I'd love to explore new genres in the future."

"I'd love to give comedy a go."

"I think that would be a good challenge."

"It’s difficult because timing is crucial delivering a joke at the right time can feel almost mathematical."

"But I think that good comedy actors don't see it that way at all."

"It just comes naturally to them."

"I'd love to give it a shot."

"I'm also interested in doing biopics, bringing real-life stories to life."

"Chet Baker and Gene Kelly, in particular, would be fascinating characters to portray."

"But I'm open to any interesting projects that come my way."

HOW DO YOU CHOOSE THE ROLES YOU TAKE ON? ARE YOU DRAWN TO A PARTICULAR TYPE OF CHARACTER OR STORY?

"Honestly, I'm drawn to anything that makes me feel uncomfortable and pushes me out of my comfort zone."

"I seek out roles where the character feels distant and challenging."

"I like to test myself and see if I can bring such characters to life."

"If a role feels like something I might struggle with, that's exactly what I want to tackle."

"I often joke that these challenging roles might be my downfall someday." [laughs]

CAN YOU SHARE ANY INSIGHTS INTO HOW YOUR CHARACTER, AEGON II TARGARYEN, ENVOLVES IN THE UPCOMING SEASON?

"I found it fascinating to delve deeper into Aegon this season because there's so much more to uncover about him."

"In the first season, we saw quite a two-dimensional view of Aegon—not due to Ty Tennant's portrayal, which I thought was fantastic, bringing a lot of vulnerability and teenage angst to the character."

"When I took over, the time frame was too short to really explore Aegon's complexities."

"This time, I've had an extended period to sit with the character and dig into his deeper layers."

"Playing a character experiencing profound grief is always a challenge."

"I'm lucky enough that I've never gone through anything like that myself, so I had to imagine it as vividly as possible."

"This season, Aegon is shown as more of an empath than a psychopath."

"It becomes clear that he has the capacity to love, feel, and grieve."

"There are so many comparisons between Aegon and Richard II."

"People are saying Aegon is cold, calculated, and evil, and while he's certainly done horrible things—I'm not justifying any of those—it's important to note that, rather than being a straightforward villain, he's a crumbling tragedy."

HOW HAS YOUR APPROACH TO PORTRAYING AEGON II CHANGED FROM THE PREVIOUS SEASON TO THE NEW ONE?

"There’s definitely a continuation of the drama and theatricality from season one."

"It's huge, rousing, and intense."

"I've seen episodes one to four, and they are just unbelievable, especially the battle scenes — you can't get any bigger than that."

"This season, though, there’s also an element of humor."

"At some point, they called Aegon 'the Magnanimous,' and it was important to bring some levity to his character."

"Aegon has just stepped into the role of King and is trying to figure it all out."

"We're at a point where he’s found a spring in his step, enjoying this new responsibility and purpose."

"He’s also got a lot of power now."

"Power can go to people's heads and make them crazy."

"It was nice to explore his boyishness and playfulness, as it gives his character more depth and leaves room for growth."

WHAT WOULD YOU TELL PEOPLE TO GET THEM ON TEAM GREEN?

"I don’t think I need to persuade them—obviously, we’re the best."

"But if you really want to see why, this season is packed with surprises that will make it clear."

SINCE THE SHOW IS BASED ORIGINALLY ON BOOKS, IS THERE A SPECIFIC BOOK YOU'D LIKE TO SEE BROUGHT TO THE SCREEN AND FOR YOU TO BE A PART OF?

"I'd love to see a film adaptation of Douglas Stuart's book Shuggie Bain."

"Another great choice would be The Thousand Autumns of Jacob de Zoet by David Mitchell."

"It’s a collection of beautiful and heart-wrenching short stories, and each one could make a compelling film."

"Looking at my bookshelf now, I see a lot of books on Bob Dylan, David Bowie, and Paul McCartney—mostly singer-songwriters."

"I also have a lot of poetry. I'd love to see a biopic of Patti Smith."

"That would be incredible."

YOUR CAREER HAS TAKEN YOU TO VARIOUS FILMING LOCATIONS AROUND THE WORLD. IS THERE A SPECIFIC LOCATION YOU HAVEN'T BEEN TO YET AND WOULD LOVE TO BE THE BACKDROP FOR A POTENTIAL FUTURE PROYECT?

"Oh, that's a good question."

"I think somewhere that’s a hybrid between beautiful rolling countryside and the coast."

"A place that offers both stunning landscapes and the sea."

"On your days off, you could go for a swim or hike through the mountains."

"I’d love to work in a scenic and peaceful location like that."

SOMETIMES, ACTORS WHO PLAY 'VILLAINS' CAN GET AN ADVERSE REACTION FROM SOME FANS OF A SHOW. WHAT HAVE YOUR INTERACTIONS BEEN LIKE?

"I've been very lucky."

"Many people have approached me with kind words about my portrayal of Aegon."

"It's a challenging task to humanize someone so seemingly poisonous."

"Fortunately, I haven't had negative encounters with fans who can't differentiate between the character and the actor."

"I think we're in a different phase in society now."

"When Jack Gleeson played Joffrey, there was less social media presence, making it harder for audiences to separate the actor from the character."

"Today I think we are a more technologically advanced community, with more behind-the-scenes and a better understanding of the distinction between actor and character."

"I think people have copped on. I hope that's the case, anyway."

YOU'VE COLLABORATED WITH RENOWNED DIRECTORS LIKE CHRISTOPHER NOLAN. WHAT HAVE YOU LEARNED FROM THESE EXPERIENCES?

"Doing Dunkirk was my first significant experience on a film set."

"I really didn't know where to start."

"The canvas was completely blank."

"And it was just such a gift, a pinch me moment that I was able to learn from some of, if not the best filmmaker in the world."

"It was overwhelming."

"And I had to remind myself to be present and soak in everything like a sponge."

"Chris's patience and the support from the rest of the cast were invaluable throughout."

"We were all in it together, especially us young lads who were new to such a big production."

"We learned and grew together during that incredible experience."

IN THE KING, YOU PORTRAYED A HISTORICAL FIGURE. HOW DID YOU APPROACH BRINGING THIS CHARACTER TO LIFE?

"When portraying a fictional character, there's often more freedom because there's no definitive blueprint to follow—even if they're written in a book, they're still fictional."

"You can infuse your own understanding and personality into the role."

"However, there’s added pressure when it comes to a historical figure because you're portraying someone real."

"I never let that pressure overwhelm or hinder the process."

"Instead, I took the character as presented and focused on doing my best with the role."

A NEW HUNGER GAMES MOVIE WAS JUST ANNOUNCED, SPECIFICALLY A PREQUEL FOCUSING ON HAYMITCH'S STORY, AND MANY FANS ARE EAGER TO SEE YOU IN THAT ROLE. WHAT ARE YOUR THOUGHTS ON THAT?

"No way, that’s the first I’ve heard of it! But I'm incredibly flattered that people would like to see me on screen again."

"If all goes well, I'll fight for my life in the Hunger Games!" [laugh]

WHAT ARE SOME OF YOUR FAVORITE SHOWS DURING YOUR DOWNTIME?

"One show I watch repeatedly, and it never gets old for me, is the UK version of The Office."

"The humor is very relatable and comforting to me."

"I even laugh just thinking about it. It's one of those TV shows when it finishes, you're like: — “Oh no! What do I do with my life? I miss the characters already.” [laugh]

"I also enjoy the US version of The Office."

"Besides that, I'm fascinated by farming documentaries."

"Shows like This Farming Life on BBC are incredibly calming for me."

"And I have to mention The Great Pottery Throwdown — I'm a bit of a pottery nerd, and that show is brilliant!

WHO ARE SOME CREATIVES YOU WOULD LOVE TO WORK WITH IN THE FUTURE?

"The list is long."

"Firstly, there are directors I'd love to collaborate with again, like Chris Nolan and Sam Mendes, with whom I've had some of my best experiences and whom I consider friends."

"I'm eager to work with them again."

"Then there are filmmakers like Andrea Arnold, Yorgos Lanthimos, Greta Gerwig, Paul Thomas Anderson, and Ruben Ostlund, all of whom I admire and would love to collaborate with."

"When it comes to actors, there are many I admire as well."

"I plan to work with individuals who challenge me, from whom I can learn, and who are dedicated to their craft."

"I appreciate those who find joy and humor in their work because life is short, and it’s important to enjoy what you do."

LASTLY, WHERE DO YOU HOPE YOUR CAREER WILL HEAD INTO THE FUTURE?

"It’s more of a feeling than a checklist of achievements that I aim for."

"I understand that feeling because I can almost sense it in advance."

"It’s difficult to articulate—it’s a mix of happiness, creative fulfillment, diversity in roles, consistent challenge, and pushing boundaries."

"I aspire to transform and lose myself in characters."

"Equally important to me is collaborating with inspiring individuals whom I can learn from and grow with."

"I also value the freedom to select projects that resonate with me personally."

[galaxy-fleur]

What did you think of Leon and Ada's new relationship in the remakes? Meta wise

I think it's an interesting and more nuanced take on their relationship! Which I definitely like. I see no point in judging OG RE2's love story between them, no matter how cliché and nonsensical it is. It's a product of its time, and it's charming in its own cheesy way. Teenage me cried over Ada's death in there, so I do have a soft spot for it.

But the Remakes offer a fresh interpretation of what happened between them, and I'm definitely interested to see where they will take their relationship in the future (that is if they do, because I wouldn't mind them just having separate story arcs from now on).

If we're talking actual analysis, I'll put down my thoughts. I don't know if you can call it a full-on analysis per se, as it's more just me writing out my personal interpretations on things. So keep that in mind please!

Long post under the cut. I'm talking almost 4k words and way too many shitty gifs (I have no time to make them all polished). I have way too much to say. I'll basically be going over their entire relationship throughout RE2R and RE4R so... yeah.

RE2R and RE4R are two games that offer a full story for Leon's character, and that's a very awesome thing that Capcom has done. I'd even say it's one of the best things they've done with RE recently. Making RE4R feel like a direct continuation to Leon's arc in RE2R makes total sense, and it makes many scenes in RE4R that much more satisfying to play through.

While RE2R does end on a somewhat positive note (much like every RE game has to), Leon's arc in it is very much negative. He loses more than he gains, he's unable to save anyone, and his good intentions end up being used against him. Claire ends her RE2R story by saving a little girl she has come to care for. Leon ends his RE2R story by losing the G-sample, 'losing' Ada without getting much, if any, closure from her, and not saving even a single person he has encountered. Claire and Sherry don't really count in Remake-verse (which I kinda don't like) because their storylines mostly happened separately from each other.

And that's not mentioning that he gets (assumedly, and I am very much hoping we'll finally see more concrete scenes of how it all happened in Remake-verse) pretty much kidnapped and forced into a life he never wanted right after. To say that Leon can't get a break in RE2R is like saying nothing at all. Poor guy gets put through the wringer on every level.

Now, onto his relationship with Ada, and how it ties into everything... It should be said that, while he obviously grows to care about her throughout their short time spent together, he remains suspicious of her. RE2R Leon is naive, but I often feel like people make him too naive. He's not an idiot. He tries over and over again to get answers from her, and he clearly feels apprehensive with her. And I mean... that makes sense. While she does save him multiple times, she keeps her distance from him.

I'd say he starts opening up to her on an emotional level after witnessing Robert having to kill off his own daughter. He directly confronts her, demanding for answers and voicing his drive to do what's right. In a way, that's him showing his vulnerability to her. And Ada uses it against him. After all, it's a perfect opportunity to play on his (rather naive) determination to be the hero to help her achieve her own goals. Ada is also the only figure of 'authority' he has at the moment. Even if her claim of being FBI seems kinda off, she's the only one he has.

And I'll go over Ada and how I interpret her later. For now, just keep in mind that her using Leon is more of a gray area than just some horrible, disgusting thing. I'm just going over the events from Leon's viewpoint here.

So, they team up. Ada starts softening up to him. They share light banter with each other: 'A: After you. L: Gee, thanks.' She expresses concern over his safety (the alligator scene). I'd say that's the point where he starts to care for her on a more personal level from before. As you would.

Him taking a bullet for her was instinctual. I'd say it's a more pivotal moment for Ada's character here rather than Leon's. In Leon's case it's moreso her taking care of him right after that matters. He directly mentions it to her later on (at least I'm pretty sure his 'you protected me' referred to that). I'd say him waking up to find himself tucked in with her coat and his wound taken care of was the moment his 'I care because it's another person who's in this with me' turned into 'I care because I feel genuine attachment to this person'.

Was it romantic? I'd say that's left for you to interpret how you wish. I like to think of it as him just caring for her as a person. Leon is someone who cares very deeply for others, and he's always striving to be the protector to those around him. I kind of think that someone caring for him when he's weak and vulnerable is something that is very meaningful to him. Now, Ada saves him multiple times at that point. But that's the first instance of her arguably going beyond what's needed. Sure, taking care of his wound was necessary, although she could have just let him be as he was for all we know. But tucking him in on top of that? Yeah, that's an obvious 'I care' gesture.

From then on, Leon is following Ada because he wants to trust her. And I do want to ring this home. He wants to trust her. Doesn't mean he does trust her. Because even though he shows genuine care for her, it's clear that he knows she's might not be telling him everything.

He wants her to trust him, so that she'll tell him what she is keeping from him. So that he can trust her.

The kiss scene is a perfect representation of exactly that, I'd say. Honestly, I'll just link this analysis right here, because I pretty much interpret it in almost the exact same way. But I'll go over it in my own words as well.

Leon's growing frustration is in full display here. He turns around from her, he paces, he tries to appeal to her. To just trust him enough to be honest with him. It's clear that he knows Ada might not be telling everything, but he chooses to believe her regardless.

Hence the exchange that follows this:

Ada: 'Hey Leon, trust me?'

Leon, walking up to her: 'Trust me?' (Reversing her question)

Ada: 'Honestly, if I didn't, you'd probably be dead.' (A genuine answer as far as we know, but it's not one Leon wanted to hear, so he shakes his head, mutters 'Right.' and walks off.)

And I do feel like Ada knows that Leon is suspicious of her here. Her reaction once he walks off comes off as kind of panicky to me. She knows she might be losing him, and she can't have that. So, she once again appeals to what she knows is his weak spot. His drive to help others and 'save' the city. It does work. Somewhat. But he's still swaying, so she does the first thing she thinks of. She kisses him.

She, quite literally, cuts off his line of thought so he stops thinking about it. Because him thinking is dangerous for what she's really doing here.

I think it would be very disingenuous to say that that was a kiss of love or affection. It is not presented as such, nor is it addressed that way in all. It was Ada's last attempt at stopping Leon from questioning her any further. How much of it was her focusing on her goals, and how much of it was her effort to 'protect' him from potentially figuring out the truth, is left to your interpretation. But whatever intentions she had, good or bad, it was a kiss of manipulation.

It does shut Leon up, as he's visibly stunned. He doesn't even say anything at that. He just stares at her, then at her hand on his knee. Now, here's the tricky part of it all. Do I think Leon felt romantic affection/attraction to her here? On some level, I'd say yes. But it's definitely no 'love at first kiss' or anything like that. He's confused, mostly. While he spent arguably little time with Ada, it was a time full of meaning. Surviving side by side and protecting one another is no small feat. And Ada did show her care for him.

I think, he chooses to trust her in that moment, because he, once again, wants to believe in her. Even if her kiss felt out of nowhere, and so much of what she says (or rather doesn't say) makes no sense. He chooses to trust her because he wants to think that she's a good person who cares for him.

And so, we come to the pivotal bridge scene once he learns the truth. I do like how he confronts her in a blatantly emotional manner rather than logical. It's not so much about her being a mercenary itself, as it is about her using him and lying to him. That's what he's actually confronting her about, whether he realizes it or not. That's exactly why he tells her to shoot him, fully resolute as he holds her gaze. He wouldn't do that if he was just trying to apprehend a criminal like a good cop would (as he tries to present it at first).

But, he never gets that closure or resolution he was aiming for. Ada lowers her pistol. He breaths out shakily, probably wanting to continue talking, to figure this out. But he doesn't get that.

I do think Ada telling him to take care of himself as her 'last words' is a very painful thing for him. Because it leaves him with no actual closure on what happened between them. Ada chose to not harm him, and her last words to him are ones of selflessness. But she also lied to him and used his vulnerabilities to achieve her goals. And it's not like Leon knows anything about her occupation, and just how much she's involved with it on an emotional level. Maybe she's someone forced to do this against her will. Or maybe she enjoys doing such dirty jobs for all he knows.

That's the thing. Leon doesn't know. And that must be both frustrating and painful. He's basically left questioning all of his interactions with her, how much of it was genuine, whether she was honest with him at all.

And, most importantly, his time with Ada basically proves to him that his drive to protect and save, his willingness to give people the benefit of the doubt - is a flaw, and a weakness. It directly ties into his arc in RE4R. (And his relationship with Krauser, in a way, but I won't go over it here.)

He throws away her bracelet on the train, and I think that kind of shows that he chooses to believe in the pessimistic way of interpreting their time together. He throws it away because he doesn't want to hold on to something that reminds him of her. And, simultaneously, of his mistakes.

Now, let's go through the same events from Ada's POV, shall we? It's a bit more challenging, since we don't get to be in her shoes, but it's still a fun exercise.

Ada's initial interactions with Leon are ones of annoyance. She basically scolds him like a kid for always getting in danger and acts like saving him is a chore. But chooses to help him out regardless. I think it speaks of her humanity despite her line of work. It's an interesting dichotomy that follows her every single appearance pretty much, though not much is done with it (thanks Capcom). But yeah, despite her visible annoyance with him, she saves him time and time again.

She doesn't visibly soften up to him up until that same Robert scene. She's pretty observant from what we can tell, and she probably already had a good idea of Leon's righteous nature, but it's the first instance of her actively playing into it instead of making small snide comments about it ('Trying to save the world?' 'Good luck with that.'). That doesn't mean she doesn't care, though. It's subtle, but the little sighs and changes in her facial expression do show that she's at least a little bit conflicted at the prospect of lying to him on such a huge level (though you can't see most of it with her sunglasses).

It's one thing to say a passing lie about you being an FBI agent, and it's completely another to play the long game by using someone like that. But she needs to accomplish this task, and it already proved to be more difficult than she expected. Remember, Racoon City was Ada's first time dealing with anything of this sort, too. She might be a mercenary, but it's not like she had to deal with zombies and B.O.W's before that. She's out of her depth, and she has someone pretty much offering themselves to her as her assistance.

So, she takes the risk.

While she does join in some passing banter with Leon after that, she still keeps her distance. She's dry and mostly unemotional in her mannerisms. Remember how I said that Leon taking the bullet for her was more pivotal to her in the story? Let's go over that.

It would be disingenuous to say that Ada is a complex character, unfortunately. Most of the complexity she does have, we pretty much have to add on to ourselves. Hell, I'm doing it right now with this entire section! Capcom is doing a way better job with her in the Remakes, but she's still pretty flat as a character. Maybe this'll (hopefully) change in future installments. But for now, we work with what we have.

Either way, we do know that Ada is someone who's self-sufficient and chooses to work alone. She keeps her distance from everyone, and she lives by 'everyone for themselves' ideology. Basically, a total opposite of Leon's 'protector' role. All that to say... someone taking a bullet for her is definitely not something she would expect. On some level, specifically because she would never do that herself. Especially for someone she basically just met. But Leon risks his life for her. Furthermore, telling her to go ahead instead of anything else.

I think that's the moment Ada starts caring for him on a personal level. Maybe she feels like she should repay him for this. Or that she owes him a debt. Regardless, she takes care of him and tucks him in, before proceeding further.

That care only grows once they reunite. Now she's the one injured, and he takes care of her, despite her protests: 'I can do it myself'. Ada is self-sufficient, but Leon offers her his companionship time and time again. We don't know whether that's something she lacks in her life or not. We don't know enough of her as a character to say that. But she's obviously someone who's not used to getting help from others. Again, on some level, because she doesn't do that herself.

Remember, while Ada did save Leon numerous times before, she always acted visibly frustrated by it, like it was a chore she was forced into, despite her choosing to help him herself. Leon, on the other hand, is quick to offer and insist on helping out, very much eager to do that for her. She already made the choice to use him, but now she learns that he's a genuinely good person with a kind heart, and not just some stupid naive rookie.

And so, the kiss scene, again. I already said that her kiss feels like a last-ditch effort to stop Leon from questioning her any further. And I do think she acted on impulse. Thus why she follows up with a hand on his knee and the: 'I'm counting on you'. And I, personally, think she kind of regretted doing that right after. Or maybe felt extra conflicted about the whole ordeal as a whole. The way she slouches and sighs heavily once Leon leaves is very reminiscent of that. It's kind of a mix of 'Fuck, I messed that up, didn't I?' and 'What the hell am I going to do after this?'

It also should be noted that Ada never meant to tell Leon the truth. It would be convenient for both of them. Leon would feel like he did something good, and she would complete her mission with no further issues. Both sides win. But... things go haywire. And she's confronted with the consequences of her initial choice to use him.

It'll be silly to say that Ada doesn't care for Leon. If she truly was this heartless mercenary some would like her to be, she would shoot him on the spot. Her pistol being empty doesn't really matter, either. Leon was basically offering himself up to her, again. Even without any bullets on her hands, she could have easily knocked him out or something.

But, she can't bring herself to hurt him. Because Leon really is a good person that doesn't deserve that. And she knows that, and she cares for him on a personal level on top of it all. We don't know what she was going to do, before Annette shot her. Maybe I'm actually talking out of ass here, and she really was planning on knocking Leon out cold. But, we'll never truly know.

And her last words for him are to take care of himself. Because, in a way, Ada, more than anyone, knows just how selfless Leon is. On some level, it's a wordless 'I'm sorry', if you wish to interpret it that way.

Boy, was that a lengthy mess! Their first introduction to each sure was tumultuous. But we still have RE4R to go through! Though it'll be more about Ada than Leon.

Nevertheless, let's talk about Leon's interactions with Ada. I think we all know he's noticeably harsher and colder to her. It's an interesting change, and it does show that he feels resentment towards her for what happened in Racoon City. We don't know how his initial conflicted feelings morphed into this resentment, but they did.

I don't think nearly enough people mention that he's genuinely being very damn rough with her in their little sparring session. While yeah, you could make an argument that he's holding back, he's not being careful either. Ada has to put in actual effort to fight him off, which she doesn't even succeed in because he takes her off-guard with his intensity.

And he also puts the sharp end of his dagger to her throat. Just to rub more salt into the wound.

I don't think this was him wanting to hurt her or threaten her, though. It was more of a show of strength. Ada approaches him by taunting him and teasing him, like she can do whatever she wants to him. But he's not that same naive rookie anymore. And he shows her exactly that.

A kind of: 'Don't think you can play the same trick on me twice, or you might get burned' message. A message that I think Ada does get.

As for him smirking at her, I don't think that's him being 'happy' to see her or anything. I think that's just him being amused that she still thinks she can play him like that. He grows all cold and distant with her right after.

Leon obviously has a grudge that he hasn't let go of. I actually like how he's almost needlessly petty with her in RE4R. Making snide remarks, calling her heartless and dismissing her on numerous occasions. It shows that he does care. If he didn't, he would cooperate with her with no further complaints on his part. He's purposefully being cold to her to show that yes, he is still upset about what happened, and he will use every opportunity to demonstrate exactly that. It's petty and kind of childish, in a way. But it makes sense for him, and it adds extra flavor to their relationship at this point in time.

Though, he does offer an opening to her in the boat.

'Have you changed, Ada? Or are you trying to use me again?'

It's a good parallel to his: 'Trust me?' In RE2R, and both phrases are used for a similar purpose.

He gives Ada an opening to trust him and be open with him. One that she doesn't take, again: 'What do you think?'

She gives him no answer. Just like she didn't in RE2R. I think, in a way, that kind of gives Leon an answer by itself. He trusts Ada and relies on her when push comes to shove, but he doesn't give her any more openings from then on. I'd say that's his 'I think we both know this is where we go our separate ways' moment.

With Ada, things are way more complicated, in a good way. Separate Ways gave us so much to work with, and that's amazing.

Throughout Separate Ways, we see Ada bouncing back-and-forth on what she wants to do. She's initially very cold and resolute in her job, helping Leon out more like a passing convenience than anything else. She does still help him, though. She's still dealing with the dichotomy of what she presents herself as, and what she actually acts as.

I really like her confrontation with Luis in particular. She's cutthroat and blunt. Almost chillingly so. And she only relents once Luis mentions her own infection. Him telling her of Leon's infection has little effect.

'And why does that matter to me?'

I think that's a question she's asking herself just as much as Luis here. Though, she's still in her cold, self-sufficient mercenary role here. To be honest, I find her relationship with Luis in particular much more interesting in RE4R, but since we're talking about her and Leon here, I'll just say that Luis is the catalyst to her change (so to speak, Ada doesn't really change as a character per se, I'll elaborate on that later). Not Leon.

She confronts Leon face-to-face, quickly being met with the truth that he is not as easy for her to push around now. And I do think she has zero bad intentions there. She was genuinely just playing around and teasing him. Only to figure out that that approach won't work at all. It's kinda cute, honestly. So, she gives him an opening of her own instead. She tells him to leave Ashley, to prioritize his own safety over hers. Because that's what she would have done in his place. Leon is quick to shut that down. Something that Ada probably expected, as she just huffs and gives a knowing 'Right.' to that.

That's the moment Ada knows Leon hasn't changed. Not really. He might be colder, more ruthless and dangerous, but he's still that same guy, wanting to protect others, no matter what. She knows she'll have no success in swaying him at that point. Hence why she tells him exactly that on the boat later.

The next pivotal scene, I'd say, is her watching Ashley wake up and learn of Luis' death. Ada mostly treats Ashley like a nuisance, something Leon has to protect. Because that's his job. But in that moment, she sees the genuine connection they share with each other. She sees that Leon cares. And not just because Ashley is an innocent person he has to save, but because it's Ashley.

Ada's arc throughout Separate Ways is not that connected to Leon, which is a good thing. Similarly to Leon concluding his story from RE2R by saving Ashley and proving to himself (first and foremost) that he can protect someone he cares about, and that his humanity is a strength, not a weakness, Ada learns to accept herself, too. She's visibly conflicted at the start of SW, but by the end of it, she knows what she has to do, and she made peace with that. Her hesitating before going against Wesker in the facility is one of the last moments of her hesitating with her intentions.

But, again, that scene is more about her and Luis. Luis is very important to Ada's character in SW, and I think that's neat.

While the scene itself is kinda awkward, her encountering Ashley during the final battle is another arguably important one. Her watching Leon and Ashley before that was about her witnessing Leon's care for her. Now she sees that Ashley fully reciprocates that care. They are on equal ground with each other.

And so, the final scene between them. I already said that Leon settled on his answer concerning Ada before that. But Ada makes one final opening to him. It's a selfish one. After all, what exactly would happen if Leon agreed to come with? Would they just leave Ashley to die and fly off into the sunset? On some level, I think Ada knows that what she's asking is unrealistic, especially for Leon. But I think it also speaks of her progression throughout Separate Ways. Ada learns to be more genuine with herself, even if it means being selfish or asking something that she knows will be rejected.

So, she shoots her shot one last time. Leon gives his answer. Ada is not surprised by it. But she is visibly upset by it. She knew it was coming, though.

So, they do exactly that. They go their separate ways. At least for now.

[nyx-thedragon]

Denton Could've Been Included in Livesies

I've been thinking this for a while, but just today wrote it down so I don't forget what I want to say about it. so. here we go

I think the stage production of Newsies could've had both Denton and Katherine, and here's how:

Denton works for The Sun (obviously) and Katherine is his intern. Denton finds out about the strike and tasks Katherine with gathering info so they can start writing articles about it together, and gain support for the strike. Kath spends more time with the boys than Denton, because he's always busy with other stuff, but he still exists and shows up for a few important events/scenes. He could be more of a recurring character than a side/supporting character. My thought for this is having a double casting; a background newsie/ensemble member could play Denton when a scene involves him, just have a pretty simple outfit change. Everything else could be the same. Adding him as a small recurring role wouldn't be a huge change to the story, and it would get an actual adult helping the newsies behind the scenes, rather than just a fellow teenager (Kath), which is one thing about 92sies that I love

The idea of these teenagers doing everything themselves, while kind of inspiring ("you can do things to change the world around you even if you're just a kid" type thing), makes me a bit...sad? Idk exactly how to describe it tbh (I think I talked a little bit about it in one of my "Newsies Thoughts" posts but idk which one). Like, having an adult helping them out could change things, because Denton would be able to do a more than the newsies and Kath can because he's an adult.

Idk let me know what you think. I've had this idea in my brain for a while and needed to get it out, and I figured a tumblr post would be great because I can get the idea out and get feedback from others! win-win! So yeah, feel free to reblog with your thoughts or put them in the tags, I'd love to hear other people's opinions on this (idk if anyone has thought of it before, but I haven't seen anything about it since joining the fandom on here).

uhhh I think that's it! I look forward to hearing your thoughts! Bye!

[basicallyaturtle]

never been part of a tag game, sounds really fun! tagged by dear Lanvender, @khan-crete

Do you make your bed? A freshly decrumbed, stuffed animal arranged and dirty clothes removed bed feels great. How often do I do this? We mustn't ask (like once or twice a month) that's all making the bed entails for me, I just have a fitted then normal sheet and blankets

Favorite Number? 4 4 4 4 4! I've loved four my entire life she is like a goddess to me. 2+2 2*2 2^2, divides into halves twice. can only compete with sixteen, whose status and 2^4 and 4^2 is nice, but not as symmetric. 37 and 73 have a place in my heart as the 12th and 21st primes, but not a large place compared to 4

What's your job? What do I get paid for? undergrad lab TA, what do I do? grad research in low energy nuclear physics

If you could go back to school, would you? In school technically still. Would I rewind time to experience school again? highschool no college yes. would I go back for another college degree? I could be convinced if it would be cheap and unobtrusive to my current schooling. Was always torn between physics and linguistics. I made the right choice but I always wonder what if.

Can you Parallel Park? I have done it, on the driving test, like four or five years ago. I think I could do it again, but not too confident

Do you think Aliens are real? Eh, probably in a 'the observable universe 9.3e+9 ly across, it must have happened more than once' kinda way, but not in a 'they've been feeding us tech for thousands of years or are visiting us' kinda way.

Can you drive a manual car? Never tried, hubris tell me yes, anxiety with even normal cars tells me I'd probably fuck up the transmission while trying to leave the driveway. gonna say yeag

Guilty Pleasure? I think like cheesy childhood disney live action movies?, generally I'm pretty full chested about the things I enjoy

Favorite Type of Music? yeah, hard, a lot of vocaloid, which isn't reallly a genre, a lot of edm genres from like old school monstercat, a lot of jrock by way of anime OP's of show's I've never watched then finding other songs by those artists. some rock music though that genre is also extremely expansive and I'm not sure how I'd categorize a lot of it. Generally my music consumption consists of a group of maybe five songs completely unrelated on repeat for months at a time and genre is not a huge factor in that

Do you like puzzles? twisty puzzles like rubik's cube type puzzles are really fun working, towards doing a 3x3 blindfolded but challenging, I used to do jigsaw's with my mom but over the course of a very long time because we'd get frustrated. crosswords, but I'm no good at them

Favorite Childhood Sport? Soccerrrr. Wish I'd stayed with it, but there were only a couple more years before there wasn't a league for my age group anyway, been trying to get back into it recreationally

Do you talk to yourself? I do, but as if I'm talking to someone else. I prefer not to do it because I'm not content with my voice atm, but I find myself doing it a lot especially when getting stuck on research stuff trying to talk it out or I will say a comment to someone I disagree with outloud rather than typing it and posting it. A lot of this is to my reflection which is probably part of the reason it feels like someone else lol

Tea or Coffee? tea all the way. drank iced sweet black tea my entire childhood and started drinking it hot with milk in college. I was the kind of person that disliking coffee was a sort of pillar of my tastes, but then a few years ago made it with like half milk and a lot of sugar and like it, lotta people wouldn't call that coffee, but eh.

First thing you wanted to be when you grew up? The actual first thing was everything. I would amalgamate like all the stereotypes of things kids want to be into one so a firefighter-astronaut-whatever else. When I got a better sense of my interests, inventor, so I guess like product designer, but what that meant to me was I got to sit around and think of neat gadgets and items then figure out how to make them like freeze ray, time machine, clone gun, that kind of thing lol. the first practical idea of a job I wanted was theoretical physicist in like middle school, which I kinda am now so success I guess

What Movies do you Adore? not much of a movie person, but like to watch movies other people are interested in with them, love castle in the sky, LOTR, howl's moving castle, your name, probably others in those categories I don't know about yet or have forgotten and I have a strong soft spot for childhood halloween movies like twitches and halloweentown

I'm curious what @arc-archernar and @charyou-tree have got to say if they'd like to, and anyone else that wants to participate!

[synergysilhouette]

Not trying to start anything, but I did wanna get this off my chest about Disney's biggest sequels

It's worth noting that in my opinion (and in the opinion of many others), both "Frozen 2" and "Moana 2" were extremely flawed films, for reasons most people know about. That said, there were bright points with the films, where one was perhaps stronger than the other. I'd like to discuss how both of them stacked up.

The music--This is a low blow, but regardless, "Frozen 2" wins this, easily. This isn't to say the music for "Moana 2" is bad (nowhere near as bad as "Wish"), but it doesn't have the same spark. "Frozen 2" had the benefit of having the same team of directors, writers, and songwriters as the first film, while "Moana 2" didn't (well, the screenwriter returned, but he became co-screenwriter) due to the fact that it was originally planned to be a show before Bob Iger made the decision to upgrade it to a full-length feature film. While not a bad idea, this was done at the last minute, and while "Frozen 2" had their own production issues, it was of a different kind, and the team was better-equiped. The team for "Moana 2"--including the songwriters--didn't have the time necessary to restructure the film to better fit an epic sequel, which led to (among other things) average music.

The Animation--This may be an unpopular opinion, but I find the animation for "Frozen 2" to be superior. Between the originals, "Moana" wins thanks to the colorful aesthetic. Both sequels lean towards a darker or paler color scheme, though for "Frozen 2" it's perhaps as a reference to fall, while "Moana 2" was moreso situational. That said, I felt like there were moments in "Moana 2" that felt a bit overrun with purples and greens (though the green is mainly when Moana and co. are trapped), and to my SHOCK, I actually thought the color use would've been better suited for a 2D film, in contrast to the first film, which I felt like was a love letter to 3D. (No shade to either animation style; I love both equally). The darkness in both films seems to befit the darker tones both are going for, but I think it works in favor of "Frozen 2" more than "Moana 2."

The new characters--This is where they're equal: they're all plot devices. In "Frozen 2," the Northuldra Tribe's plight serve as the backbone for the conflict of the story, and their knowledge of the spirits of the land serve as motivation for the potential solution. However, they aren't really characters unto themselves. Despite Yelena being the leader, Honeymaron being the one to talk to Elsa, and Ryder bonding with Kristoff over reindeers (it's sad to me that they had more chemistry than Kristoff and Anna this movie), none of the characters are involved as...well, characters. Their sole existance is to point the cast--mainly Elsa--in the direction of their quest, rather than joining them on their quest. And Arendelle's Royal Guard adds nothing, literally nothing, to the story, so their inclusion isn't really necessary.

With "Moana 2," it's more or less the same. Moana provides logical reasons for her crew: Kele is a farmer and can provide the team with food while on their venture, Loto is a craftsman and can help keep the ship in shape, and Moni is big and strong. However, none of them are particularly characterized beyond their one trope of being grumpy, smart, or excited, so it's kind of a waste of good ideas. None of them have their own motivations or fleshed-out perspectives despite joining Moana on her quest, and it still feels like a Moana and Maui adventure. Giving Moana a sister felt like a waste since they don't bond, and Moana's risks and motivations would've been the same if she was an only child, since she'd still worry about her parents and village. Matangi is set up to appear as a villain, but turns out to be a prisoner who helps Moana, albeit not in a way that was as deep as it could've been with her whole "there's always another way to do things" perspective. And Nalo lacks Te Fiti's purpose, instead just being a random angry storm god who lacks any particular personality, metaphor, or interesting characteristics besides being a storm for most of the film.

The Story--Weirdly enough, "Moana 2" wins this. While "Frozen 2" has a better journey, "Moana 2" has a more clear end goal; there's no confusing mystery or plot expansion we have to work on. Moana has to unite the islands, and Elsa has to find out the identity of the voice who's calling her. The "who" and "what" is a lot clearer than "Moana 2," especially since it ties into the first film.

The Darkness and communicating the messages--Definitely "Frozen 2." While Elsa's self-discovery may have been a bit familiar, Anna's was new territory, exploring what life means for her when she's become codependent on the only family member she has left, and they die. She manages to overcome it in a beautiful song, though she isn't uplifted, just determined. "Moana 2" fails to do this. The message is pretty similar to the cultural identity motif of the first film, though nothing in the film really capitalizes on the idea of losing your identity or turning your back on your culture. As for the darkness, Moni almost dies, and it's a pretty depressing moment, but Maui sings a pep talk song, and suddenly everyone's ready to roll. There isn't really a processing of stress or failure in this moment, and the song isn't even a growing song like "I am Moana" where it starts off sad but grows to be empowering.

Overall, I think both films needed more work (though Disney's whims have played a part in that), but "Frozen 2" had a better foundation and execution, in contrast to "Moana 2, which just felt simple and average.

[kenny-the-ken]

Alone at Last Pt 1

Kyle's fic should be out already by the time this gets posted, so I hope you guys enjoy it!! This one I am sooooo excited for, I might actually make it a small series, drug dealer Kenny is my weakness, cause he most definitely would sell drugs, and take drugs most likely. Warnings: NSFW content, not suitable for minors, drugs, alcohol and strong language!! AGED UP CHARACTERS

"Let's get the fuck outta hear." Kenny spoke to you on the phone, he'd had another argument with his parents, and this was the final straw.

"They think I'm a like a charity! I sell drugs for a living, I ain't gonna make no money if they keep taking all my product!" He shouted, loud enough for his parents to hear, and you could hear them screaming back at him in the background.

"Ken, babe, come over." Your tone was gentle, calming, and that was just what Kenny needed right now, he physically and mentally couldn't take it anymore. He was trying his best to make the most out of a shitty situation, and once again his parents were ruining it.

"I will babe, not until I pack all my shit first, I ain't coming back to this shithole, I'd rather shoot myself in the head again, it's more enjoyable." He shouted back at his parents, and you knew his frustrations. You and Kenny had been dating for a while now (3 years), and you had lost track of how many arguments he and his parents have had over the years, and how many times Kenny had appeared at your house, battered and bruised.

"My mom's out, Ken. Come over." You said once more, and Kenny let out a long sigh, you could hear rustling in the background, as if things were being put into plastic bags.

"I'll be there in ten. I love you."

"I love you too, Ken."

And with that the line went dead. You knew Kenny's resolve was worn incredibly thin, much like your own. Your mother was no where near as bad as Kenny's parents, but she put drugs and men before you, she always had and she always would. You were just thankful that you were an only child, Kenny wasn't that lucky.

You sat pondering in your own thoughts as you heard a loud knock at the door, and you opened it, Kenny walking inside, his car parked outside, and looking full to the brim with his possessions.

"When's your mom coming back?" Kenny asked, wrapping his slender arms delicately around your waist, pulling you closer to him.

"Not a fucking clue, she never even tells me when she's heading out, never mind when she's coming back. Why, what's wrong?" You enquired, wrapping your own arms around Kenny's neck, balancing on your tip toes to place a kiss on his lips before he spoke.

"I meant what I said on the phone, y/n. Pack your stuff, we're getting the fuck outta this god forsaken town once and for all. Somewhere we'll not be judged for not being well off, somewhere we can actually thrive together. The only good thing that's came from living here is meeting you, please say you'll come with me?" His eyes were soft, pleading with you to join him, and you smiled back at him, his serious face melting away into one of sheer relief.

"Let's do it. We've got each other, we don't need anyone or anything else. Come help me pack." You spoke, taking Kenny by the hand, leading him to your bedroom.

"We could always get frisky before we go." Kenny flirted, giving your ass a slap, making you jump in surprise, spinning to look at him.

"Or I could suck you off while you drive down the freeway?" You offered, knowing that Kenny would never turn down an offer like that.

"Then what are we waiting for babe, let's get your stuff packed and get this show on the road!" Kenny exclaimed, a smirk on his face as you both began cramming clothes, shoes, makeup and anything else you owned into two large suitcases. You lifted your glass bong and Kenny took it from you.

"I've got a box in the back of the car that this can go into so it doesn't get broken, babe." He said, pulling an unlit joint from his jacket pocket, placing it delicately between his chapped, pale pink lips and sparking it up, taking a long drag of it and exhaling, passing it to you.

"You ready to go, babe?" You asked as Kenny took down one of the pictures from your bedroom wall, and put it under his arm.

"Can't forget our prom photo, now can we? Now get your sexy ass into the car and I'll bring your stuff out and put it in the back." Kenny spoke, as you passed the joint back to him, it now hanging from his lips lazily as he puffed on it a few times.

And finally, once everything was inside, you both smiled at each other, smoking the joint between you both as Kenny rolled down all the windows as the car reached the last part of South Park.

"See you never, assholes!" Kenny shouted from the window, and you let out a few whoops yourself, both of you smiling stupidly at each other on your way to make a new life.

[quinnfebrey]

why do you think the west end version lowered the "Freud-esque" aspect of gabe?

i haven't seen anyone involved in the production talk about it so i'd only have to guess, but i think it's a combination of a couple things.

1) it just would not work on stage the way that it did in 2008. west end gabe looks much younger than aaron or kyle ever did for one thing, plus the theater is much smaller so a little bit more intimate, AND i've talked before about how the west end set design makes the show feel very literal and grounded with less room to play in the abstract (not a bad thing, just different). so for a lot of different reasons i just feel like it wouldn't work anymore

2) from a purely show perspective, i think that it speaks to the differences in west end gabe and the broadway gabe. broadway gabe felt much more attached to diana, west end gabe seems a lot more spread between the entire family.

to me, broadway gabe also had an attitude of "this is so much fun i love creating chaos" which i think fed a little bit into i miss the mountains where diana talks about missing the ups and downs of life. broadway gabe's version of i'm alive always felt very >:D i'm alive!!! to me, just totally fucking around (metaphorically) with everything no matter if he was doing "good" or "bad", whereas i think west end's gabe felt a lot more desperate and fed off of i dreamed a dance's desperation to hold onto gabe. his i'm alive read a lot more like pleasepleasplease i'm alive!!! right???

and so with that less diana-focused gabe + a more 'clinging to life' attitude rather than 'joyriding in a hallucination' i think dropping the freudian bit between him and diana was necessary