#jamie paige

[jamiepaige]

Constant Companions Closeup #9: OBJECT OF AFFECTION

(also on spotify!)

O, wayward soul, I beg of thee an ear; Companionship, a Constant of desire, is all too fleeting. Would thee quell this fire? My love, do you know what you want to hear?

Welcome back to the Constant Companions Closeups - a series of in-depth dives into the songs off of my latest album, Constant Companions! Yesterday was some gay shit (Liaison) and today is some more gay shit (Object of Affection)

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I'm usually pretty good about letting go of the things I make and letting them live imperfectly, but there is exactly one released song of mine that I've ever been actively unhappy with the final product of, that I haven't been able to let go of my displeasure with.

Honor Majesty, off of Autumn Every Day.

It's not that it's a bad song, or that it didn't have good ideas! In fact, I genuinely think it shares more with the music I make now than a lot of my older work does. Rather, it was incredibly rushed and full of uninspired choices I made for the sake of completing the song rather than making it the best version of itself, and it ultimately ended up falling incredibly flat relative to what I wanted it to be!

I really like the intersection of synthpop/electropop and fantasy. One of my favorite musicians ever is Baths, whose album Romaplasm is chock full of this exact thematic and sonic intersection, and it's so deeply inspiring to me that it still gets put on whenever I want to dream things up. I've always wanted to make things like that! Bubbly and fantastical, brimming with a sense of magic so pervasive it makes even the mundane seem mystic.

...Also I'm just a fantasy dork okay. I like wizards and shit. Sue me

I've been wanting to make a grandiose and fantastical story song for years, and my single attempt to do so felt like it missed the mark entirely. I did touch on fantasy a couple times on Bittersweet, but ultimately, when I started working on this album, I knew exactly what I wanted to take a second crack at.

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The intended story in question here is fairly vague, but to sum it up as literally as possible:

A rebellious, disobedient, gender-questioning prince has mildly inconvenienced "his" royal lineage one too many times. Their solution is to invoke magicks widely regarded as heretical - what's a fantasy monarchy without some hypocrisy - to seal their "son's" soul within an automaton body, rendering "him" a perfect, subservient doll.

This doll is promptly spirited away under cover of darkness by a mage, and is granted free will once again. She experiences the crushing weight of newfound self-awareness and nearly spirals out of control, before realizing the mage who saved her is the same - a doll. It turns out being a magical-mechanical construct has its perks if you are TRANSGENDER. then they overthrow the monarchy and fuck nasty or whatever idk this is where the story gives way to things like "metaphor"

this is a song about artifice and being transgender

Seriously, though, I know that being an electronic-music-producing transgender lesbian with a thing about dolls or robots or whatever is a major endless-store-shelves-of-identical-buzz-lightyear-action-figures moment on my part, but dammit, I own a copy of Logic Pro and a genuine leather wizard hat, I inject estrogen into my stomach fat every Wednesday, and I think ball joints are cute. I'm posting this on Tumblr, for gods sake, I am unconcerned as an active choice

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With the exception of Liaison, the entirety of Constant Companions utilizes only three unique vocal synth characters - ANRI, Gumi, and Teto. This trifecta was born organically from simply being the vocal synths I enjoy using the most, and in this song, I wanted to use all three of them almost like one single singer, freely shifting intonation based on the context. I messed with this idea before on Ballroom, my voice meshing and melting into Gumi V3's voice, but it felt especially appropriate for this context; Plus, I feel like there aren't a lot of examples of vocal synths being used/recontextualized in this way, and that's a shame in my opinion!!

I really want to do more story-driven songwriting like this in the future as well. Now that I'm a bonafide VocaloP I've been floating the idea of doing a song series with this trio... I'm mostly just worried I'll want to get too ambitious with it.

Off the top of my head, Object of Affection references at least eight other songs of mine - Honor Majesty is an obvious one, but it also directly samples parts of Autumn Every Day, and lyrically references genuinely just a bunch of things. I'm probably forgetting some, even!

I know I'm the Leitmotif Lover, but it's a lot even by my standards. However, this song's entire existence already served to satisfy a fairly self-indulgent desire, and these days, I don't deal in half measures. I think the final product serves as a lovely little look back at where I've come from, though, and perhaps even a little glimpse into the future!

That all being said, Object of Affection in some sense is also a love letter to a beloved part of my creative process - the voice memo. A lot of the audio I've provided with these posts have been recordings off my phone for good reason! Not only are the chops at the beginning of the song entirely comprised of edited recordings I got on my phone, but the sample at the very end happens to be from a particularly legendary recording, never before heard by the public...

Until now. I present to you an excerpt from "the worst beat on planet earth", featuring none other than unit.0.

That's about it for today!! If you have any questions, I'll gladly answer them below, but otherwise, I'll be back here tomorrow to talk about this album's title track laid askew - My Darling, My Companion!

[nightshademage]

In honor of @jamiepaige's new album "Constant Companion" release I cracked out this fan art of the first music I've heard from her at the expense of my sleep, wrist, and back!

Gumi design by @bearvamps

[communist-hatsunemiku]

Kohiu

[skadikaos]

tetos i made for machine love !! a truly terrific teto tribute ❤️💚

[matcha-b]

meat girl my beloved

[vocaloid-tunes]

BUTCHER VANITY | FLAVOR FOLEY (Vane, Jamie Paige, rice) feat. Yi Xi

[sealistic]

⭐creating the Jamie Paige-verse before anyone else does

designs taking inspo from reverieque and ricedeity's art

[bluesturngold]

i adore this song's lyricism and the way the vocaloid was tuned

(also, the saxophone solo)

[magical-art-blog]

i wish that i could fall a little bit harder i wish that i could fall, like it would even matter i wish that i could fall right into your life but i'm not there at all, on the other side

(I Wish That I Could Fall ft. GUMI - JamieP)

[rigor-meowtis]

hey. teto nation. please listen to this im begging you

i cant put into words how good it is you just have to. listen to it. please

[nivvledoodles]

Cringetober day 12: Vocaloid

[jamiepaige]

Constant Companions Closeup #8: LIAISON

(also on spotify!)

Welcome once more to the Constant Companions Closeups - a series of in-depth dives into the songs off of my latest album, Constant Companions! After the nightmarish tiktok voice brainrot of Aggrandicize, it's finally time to talk about Lesbian I mean Liaison!

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...It's a love song.

...

That's about it.

...

..

.

Oh you want me to say more okay

I don't really write simple and straightforward love songs much!! Love is absolutely a core aspect of my songwriting, and I love a lot of people and a lot of things, but even when I invoke romantic love, it's usually not entirely literal? If that makes sense.

But, like, c'mon. I'm a lesbian. I love women with the best of 'em. Sometimes I just wanna be gay! Especially on an album as fraught with emotional moments as Constant Companions is, I feel like it's really important to have at least one simple moment to settle on.

...

oh you want me to say More

Well okay. I like yuri. I like vocal synths. And maybe my himejoshi ass likes making certain combinations of vocal synths do gay shit lesbian style.

lets move on already

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I love the band Phoenix. I'll be completely honest and tell you that I first heard their music when Lisztomania and 1901 came out as DLC for Rock Band 2 but hey that's how a lot of people my age found a lot of music when they were younger probably. Their album Wolfgang Amadeus Phoenix was one of a couple major sonic touchstones for how I wanted Constant Companions to sound - bouncy, warm, synthetic-yet-natural, with multiple shades of idiosyncrasies - but Liaison in particular was a pretty bold-faced attempt to directly evoke their music, at least in terms of arrangement.

Now, I'm not well-read or French enough to fully match the bright-eyed abstract lyricism or historical knowledge of their songwriting completely - but I can be Jamie Paige about it, reference Arthurian legend, and quote another freaking song I wrote

🤼‍♀️, also known as :women_wrestling:, isn't the gayest song I've ever written, but it's certainly up there, and it gets referenced pretty heavily in Liaison. Maybe this is the aftercare once they're done in the ring? Maybe there are more complicated layers hiding beneath the saccharine sweetness of these hopeless lovers...

Maybe I'm just gay. Ever consider that, huh?

That being said, for reasons I won't go into here, there's some amount of the vocal synth fandom that interpret Solaria and ANRI as being in a sort of toxic embittered lesbian situationship... which does make the layers a little more interesting... though if you ask me? I think lesbians deserve to be happy. What about that you shithead

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Finally, because I have a moral obligation to make sure you've all seen this, please enjoy ODDEEO's very personal and moving take on Liaison.

Of course, let me know if you have any other questions below!! Otherwise, I'll be back tomorrow to talk about the most transgender song I've ever written - Object of Affection!

[depict1]

BUTCHER VANITY - Flavor Foley feat. Yi Xi

pt: BUTCHER VANITY - Flavor Foley feat. Yi Xi

[communist-hatsunemiku]

Machine Love

[jiraiblood]

I'm depressed but i did a thing

[matcha-b]

^q^