#i really dislike that ship... i think it's so bad. also the girl is a character i love and she deserves better than s.eifer tbh
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sskk-manifesto · 6 months ago
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Ep 5!!!
#Episodes that make me go “The author has never talked with a woman ever” 😓😓😓#I don't like how Lucy's character is handled at all. And I feel like I can't talk about it because I'm just going to sound like a bitter–#ss/kk shipper... But I really don't like it. And if it can help my case I'm a multishipper so I really don't take any–#issues with atsu/lucy I like the ship quite a lot actually.#So you're telling me there's this girl... Who meets this boy who pretty much ruined her life by directly causing her to lose her job...#And the next time she sees him she's going to sacrifice her own freedom for him as well as tell him “when you're done doing your things–#come and save me” (longest ewwww ever)... And when she regains freedom (author didn't bother to explain how because they don't care)–#she goes to work... As a waitress at the café beneath his workplace. So he can keep doing his Cool Superpowers Job while she literally–#must serve him every time he visits the place. It's just ?????????????????????????????????#Look‚ I don't dislike Lucy and I feel general affection towards her. It's just that they make her act like no one ever would#Just for the sake of the plot I guess#And like I knoww it's (probably just a little) more nuanced than that. I know Lucy is living her own fairy tale fantasy.#It's just that what I've said about her story is still true‚ you know?#I'm sorry but as sweet as atsu/lucy can be. I really hate the author for making Lucy a waitress. Sorry. Sorry. Sorry.#It's so weird. This anime has women writing standards that feel like dating back to the 20s#Same with Katai and the ideal woman tbh. Like why are women to be seen as this abstract impersonal entities? Why can't they just be people?#Ideal for WHO. It's like super screwed up of a concept. What even is an ideal woman? What does it mean to be a woman anyways?#They just want to say “ideal wife”. But women aren't made to be wives their existence isn't functional to another person.#Sorry. I derail. Next episode is going to be even worse on this front ughhhh#Back to the episode: once again it really shows they were running out of budget with this season‚‚‚ the animation looks very suffered#Too many flashback also... I feel bad for the animators tbh#I don't really like the shift in art style :( Not even Atsushi I found particularly pretty this episode my heart cries#The nail pulling thing made me feel like throwing up afhsjyabfsbfwasfvb I feel like I can bear worse gore but there's a couple of little–#specific things I can't stand and this seems to be one of them pffftttt#I like Higuchi I think she's both very funny and cool. I really wish she was explored more (but then again looking at Teruko... )#The relationship between Kunikida and Katai looks so interesting even though we only get glimpses of it. Kunikida regrets Katai leaving–#the ada but is also happy for him but also worries for him. He comes to his house seemingly to check on him and starts cleaning around.#The way he loves him and cherishes their friendship and shared history is really evident and it makes for a compelling dynamic.#Perhaps I should read their short story... In any case. Going to someone's house and compulsively start doing the dishes half out of will–#to help out half because he can't bear the mess sounds a lot like something I'd do lol
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eosofspades · 10 months ago
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Question for you, on the subject of SPOP ships: would you have been okay with Glitradora (essentially the poly trio) being a thing, had Nate Stevenson decided he wanted to go that direction? I'm just curious as someone who loved how the Catradora arc was done in the show.
(And for the record, I understand your indifference towards both Korrasami and CaitVi--the latter will need some more seasons in the oven to really flourish, while the former is severely hampered by the constant executive interference Nickelodeon pulled on LOK during its original run.)
if glitradora were made canon i would have eaten my own face (/pos) my god the CONCEPT,,, the DRAMA,,, the DYNAMICS,,,,, that would have been my roman empire actually
also agree w everything you say here indifference is a great word for it. caitvi i actually see the potential in them i don't dislike the pairing it just rlly isn't compelling to me. i actually felt a little,,, weird about it? it felt like it came out of nowhere to me?? which i know isn't true but something about it just strikes me as Rushed idk (vi is still one of my favorite characters though)
as for korrasami i lowkey feel bad hating on it bc i KNOW how much the network screwed over the writers about it, but like,,, man i don't even see the potential in this one ahgakjsdas. i will admit though a big part of this is just the general writing of tlok i felt wasn't great so the character dynamics seem sorta weak to me. i AM glad for what they did for representation in kids' cartoons though and i'm glad ppl are having a good time shipping them. the fanart is gorgeous also
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asyipyip · 11 months ago
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girl its so embarrassing but i love jonmartin so fucking much i havent cared this much about a ship since like. high school
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silverselfshippingchaos · 17 days ago
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this is gonna sound bad but. S.eifer's tag is full of this one ship that I think has no chemistry at all. the girl is this really pretty white girl, and honestly there's always this little voice in the back of my head telling me that he'd probably find her much more attractive than he finds me
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wisteria-lodge · 3 months ago
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And now for a HP fandom question - do you have any thoughts on queercoding in the series and if JKR ever actually intended it, and then backtracked, or if it was always completely unintentional? I'm thinking specifically about Lupin and Tonks (as individuals, not as a ship) Inspired by your post about the intention vs how fans perceived Draco Malfoy. Thanks!
So the first thing I want to do is make a distinction between femme-coding and queer-coding. They're tropes with very similar histories, and a lot of works treat them as the same thing. But Harry Potter doesn’t, and I think we can chalk this one up to JK Rowling’s habit of grabbing aesthetics and visuals without really thinking through the history behind them. 
(Like - the goblins. She says she didn’t mean to write an antisemitic thing, and I actually do believe her. But did she use a lot of tropes and images with a long history of being tied to antisemitism? yes.)
So when I say “femme” I mean giving a male character traits stereotypically associated with femininity. Heightened sensitivity/emotionality, an interest in hair, clothes and being attractive, a love of lace/pink/frills, a dislike of violence and physical confrontation, and a preference for the soft power of manipulation, character assassination and poison - versus the hard power of direct confrontation and physical prowess. Are these things super stereotypical? Yes. But they’re ALSO traits you see all the time on male villains, especially ones that you don’t want to seem that threatening. Femme-coded villains show up a lot in children’s media, or as the Big Bad’s #2. They’re not meant to be heroic or sympathetic (since all these feminine traits are not desirable, especially for guys.) But they also aren’t scary, and you can pretty much always play them for comedy. 
For example: see almost every male Disney villain. And JKR was writing children’s literature in the 90s, so of course she’s pulling from the same zeitgeist as the Disney Renaissance. 
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JKR loves herself a femme villain. The absolute gold standard is of course Lockhart - who wears pink, wants to start his own line of hair care products, is self-centered, vain, obsessed with popularity… but he sucks in a fight. His entire MO involves manipulating people into thinking he has these traditional masculine qualities when he just doesn’t. But there’s also fussy, prissy Percy wearing his prefect badge on his pajamas. Bitchy, emotional mean-girl poisoners Draco and Snape (especially early book Snape - which is Snape at his most villainous.) Draco, Percy and Snape are also unusual for being male characters who we see crying for reasons other than grief. 
Lucius Malfoy is an interesting case because he starts off quite masc. He’s threatening to curse people, the governors are scared of him, etc. But, as the books go on… and he gets less powerful… he also gets more femme. When we meet him in Book 5 he’s no longer threatening people, but bribing them, spreading rumors, and giving interviews to the Prophet casting Arthur Weasley in a negative light. He's also getting really into peacocks. In Book 2 he was a major threat, but as he gets recast as Voldemort’s #2 he becomes a more femme, soft-power villain. When he leads the attack on the Department of Mysteries, he absolutely bungles it, which defines his character (and relationship with Voldemort) for the rest of the series. And it makes sense that Lucius is given this kind of treatment! It’s a way of communicating that there's a new villain in town, a real villain. 
So, are any of these femme-coded villains additionally queer-coded? I’m actually going to say no. Queer-coding is (like it says on the tin) finding ways to imply that your character is specifically gay. Like maybe giving them a same-sex relationship that is written romantically, but not explicitly called out by the text. Or pairing up all of the characters except them. Maybe have other characters joke about them being gay, and use that as a way to talk about the subject with some plausible deniability. Or they could just play suggestively with a cigar, or a walking stick. There are different strategies.  
But Lockhart doesn't get any of that. Honestly, I think that if JKR actually thought of him as gay, she would have been a lot more wary about a scene where he keeps Harry alone with him in his office for way longer than he’s supposed to. And she might have skipped this joke: 
“Harry was hauled to the front of the class during their very next Defense Against the Dark Arts lesson, this time acting a werewolf (...) “Nice loud howl, Harry — exactly — and then, if you’ll believe it, I pounced — like this — slammed him to the floor — thus — with one hand, I managed to hold him down — with my other, I put my wand to his throat (...) he let out a piteous moan — go on, Harry — higher than that — good —” 
Like. At least she would have picked a different word than “moan,” right? Which unfortunately has slightly sexual connotations. Especially if she wanted to keep Lockhart a buffoon, to properly set up the twist at the end. 
Slughorn also gets femme-coded in a similar way: he loves his candy, his parties, his smoking jackets, his lilac silk pajamas, his web of connections he can use to get stuff (Lucius style.) We are introduced to him squatting in specifically a “fussy old lady’s” house. He’s also unusually emotional, getting weepy at Aragog‘s funeral. But I don’t think we’re meant to read him as actually gay, or else his relationship with Tom Riddle might’ve read a little too close to Tom seducing/trying to seduce him. Which is a beat JKR does subtly play out with Hepzibah Smith, but idk. by that point at least Tom is a legal adult.
(As a side note - the Harry Potter series got so lucky that all of its adult characters are played by absolutely top-shelf actors who are aware of the connotations and history behind various symbols, and do consider these things in their performances. Kenneth Brannagh and Jim Broadbent are good enough to make sure there’s not even a hint of iffy subtext when they play Lockhart and Slughorn. Also, Emma Thompson took the potentially very problematic character of Trelawney and made her cute and sympathetic… and not Romani in the slightest.) 
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Draco, Snape, and Percy all have a case of the not-gays. Percy has a girlfriend (we don’t really see her or anything, but we’re told she’s there.) Snape of course gets his whole thing with Lily, and Draco… after one too many beats where it’s clear that Pansy is into him, but he’s not into Pansy…  gets a scene where he’s talking to his buddies with his head in her lap. (JKR uses “no one‘s good enough for me” beats with Blaise, Draco and Sirius, and the idea there seems to be more that they have undeservedly high opinions of themselves, and less that they don’t like girls.)
But, I do agree that a lot of JKR's characters do come across as a little more queer than intended. It boils down, I think, to the general lack of any kind of romance in the Harry Potter books and JKR being generally bad at/uncomfortable with writing male attraction directed at women, BUT being perfectly happy writing attraction directed at pretty guys. And because of that… yeah, it can sometimes feel like maybe Harry has a thing for Cedric. Especially when Dudley goes on to tease him about Cedric being his boyfriend, which I believe is the only actual mention of gay people in the entire series.  
So is there any intentional queer-coding in the book? It’s really subtle, but yes. I think Dumbledore is queer-coded. He is unusually emotional/cries unusually often for a Rowling guy. He is also given a scene which emphasizes his “flamboyantly” cut plum-velvet suit, and his relationship with Grindelwald is implied to be romantic for one book and two movies before being actually confirmed in Fantastic Beasts 3. (With the line of dialogue “I was in love with you.” Big step up from “We were closer than brothers.” which is an odd thing to say about someone you are interested in romantically.) 
But you brought up Tonks and Lupin, two characters very commonly interpreted as queer. So let’s get into that. JKR has said that she considers Lupin’s lycanthropy to be a metaphor for stigmatized diseases like AIDS. And… as incredible as it is to say… I actually do not think that she made the jump from there to thinking that maybe the character suffering from AIDS should be gay.
Because the narrative places so much weight on Lupin being bitten young and then on maybe not being allowed to attend school, I’m pretty sure that he’s not intended to be queer so much as he’s meant to be Ryan White, the literal poster child for AIDS activism who got infected via blood transfusion when he was two. Tragic, absolutely. But not gay. Honestly, I hope JKR was thinking of ‘lycanthropy’ as a metaphor for stigmatized illness in the abstract and not as a comment on gay people specifically. Because otherwise, Greyback’s thing about biting children becomes a mash-up of two of the biggest homophobic boogeymen from the 80s: gay men infecting people with AIDS on purpose because… idk, they hate the world or something. And the influence of gay men somehow “turning” children gay. Both absolutely real, if ridiculous, moral panics.
On top of that, Remus and Sirius do get a pretty clear case of the not-gays early on (“He embraced Black like a brother.”) Buuuut Alfonso Cuarón did think through those implications for Movie 3, absolutely saw Lupin as gay, and directed David Thewlis to play him accordingly. No reports confirming or denying whether Alfonso Cuarón ships Wolfstar, but I think that if I’m an actor trying to make sense of Lupin’s motivations… and I know he didn’t show Dumbledore the Marauders’ Map and didn’t tell anyone Sirius was an animagus… and then I’m told my character is gay… well. Anyway, I think there are absolutely hints of Wolfstar in that performance. 
And there's Tonks. Tonks is introduced during a very spooky segment in Book 5: Harry has been going through it, been left alone at the Dursleys while having what sounds like a depressive episode. It’s dark, he hears intruders. It's a really good piece of writing. But JKR knows that it’s the good guys who are coming and thinks, okay. Let’s make that as clear as possible from the word go. And so the first thing Harry sees is Tonks' pink hair. And what kind of person has pink hair? A young adult. A punky young adult. And what power would a teenager think was cool? Well, the ability to change the color of their hair at will. That, by itself, would have worked perfectly fine for this character.
But then (for reasons best known to herself) JKR goes further. Even though Tonk’s hair changing color is easily 90% of the transformations we see and there is no plot reason her appearance needs to change more than that, we see her drastically change her age and body type. When you think about this power for more than five seconds, it becomes kind of OP. For worldbuilding reasons alone, my instinct would’ve been to tone it down a bit. 
But no, we have this counterculture character who seems interested in her career and not in a relationship, who can easily change anything about her body, and (if her ability works anything like Polyjuice) that means she should definitely be able to change her gender. Cool.
Then, in everyone’s least favorite romance, Tonks and Lupin are paired up. I have heard the argument that this was meant to walk back queer-coding, or to punish people who thought they were queer... but I don’t think that’s the case. I don’t think JKR expected these two to be fan favorites, and then was kind of surprised when everyone wanted to hear about their continuing adventures. 
(There are a handful of characters who JKR clearly really enjoys - and really enjoys writing - that fandom honestly could not care less about. Mundungus Fletcher and Ludo Bagman spring to mind. But the reverse is also true. She had one story for Lupin and people wanted to see more. Tonks is probably supposed to be her comment on immature young adults: she is loud, in your face, causes mild destruction and is “a little annoying at times.” But the fans fell in love with her.) 
So JKR has these two fan favorite characters and nothing for them to do. A romance is something for them to do. JKR also has a kind of weird pattern where good people need to either have kids or take care of kids. It’s not good to be a woman who isn’t involved with taking care of children in some fashion: see Rita Skeeter, Dolores Umbridge, Bellatrix Lestrange. This is also (I think) why Harry names his kids specifically after Severus, Sirius, and Albus. Since they’re good men, JKR had to find a way to give them kids after the fact. 
So yeah. I think we were meant to read Tonks and Lupin having a kid as kind of a reward, or at least as proof of their intrinsic goodness. There also just isn’t another guy in the right age range to ship Tonks with. The only other option is Sirius. 
(Harry in the books and Lupin on Pottermore both suspect that Tonks/Sirius is a thing. Completely forgetting, I guess, that they're cousins.)
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actually-azi · 11 months ago
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✨ Rating Hazbin Hotel ships ✨
Adam / Lucifer - 3/10, It's definitely a funny concept that Lucifer fucked both his wives and then him, but in reality it's a no from me.
Adam / Lute - 7/10, Their relationship would've been unhealthy af but not gonna lie it's pretty cute. I just love Lute so goddamn much lol.
Alastor / Lucifer - 7/10, I like the concept because it's genuinely funny and kinda cute but only as a crack ship. I definitely don't see it actually happening.
Alastor / Literally anyone else - 0/10, I genuinely don't think Alastor would ever even consider a relationship. He just thinks he's above everyone else.
Angel / Cherri - 0/10, What the fuck y'all, he's gay. This one is weird af and idk why it's even a thing.
Angel / Husk - 10/10, I love that Husk cares about Angel for more than sex, they're so cute together especially if they take things slowly.
Charlie / Emily - 2/10, They're so similar that together I feel like it would be too much. Also I really dislike the idea of splitting up Chaggie.
Charlie / Emily / Vaggie - 6/10, I probably wouldn't mind all three of them together. It would be cute to call it Charlie's Angels lol.
Charlie / Vaggie - 10/10, I love them together, they're so supportive and adorable. The way Vaggie looks at Charlie with so much love warms my heart.
Cherri / Sir Pentious - 7/10, I don't like Cherri all that much but I'm so happy that Pen got the girl in the end, he deserves to be loved.
Lilith / Lucifer - 5/10, Mostly it's low because I'm suspicious of Lilith. If she ends up not terrible then I could see it being higher but idk, it's sus for now.
Lute / Vaggie - 7/10, I enjoy the idea of them being exes or something like that. Or Lute being jealous of what Vaggie has with Charlie.
Niffty / Valentino - 10/10, Great crack ship. The fanart is hilarious and Nif's love of bad boys makes it a great concept. But I do pretty much only like it as a joke.
One sided Vox / Alastor - 15/10, This is 100% canon in my head. Vox is SO down bad for Alastor and took it SO personally that Alastor couldn't give less of a fuck like the aroace king he is. I love this SO much.
Valentino / Vox - 500/10, This is my Hazbin OTP honestly. These two losers are terrible people but I love them together more than I can even put into words. They just fit so well together and act like an old married couple.
Valentino / Velvette / Vox - 2/10, Velvette sees Vox and Val as her dumb gay dads and I'll die on that hill. They're more like a family and she's the glue that keeps the other two from imploding when they get pissy.
Velvette / Vox - 2/10, Not feeling it. Honestly I think Velvette is aroace and/or a lesbian. I just don't see anything romantic involving her and either of the other Vees.
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humblefryingpan · 3 months ago
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The "Amy likes spiders" poem in doki doki literature club (Natsuki's second poem) just makes me think of being closeted with internalized homophobia and I think it works really well for her
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There's the poem if you haven't seen it!
(This is just me analyzing the poem and it's probably my longest post yet. I've been overanalyzing all the poems but this is the only one I've typed out atm lol)
It specifically makes me think of four things - Yuri liking different things and her disliking her for it, Natsuki being so far in the closet that she'll take any excuse to avoid the pretty girl™, Natsuki's self projection onto "Amy" and most importantly internalized homophobia, like I said earlier
It generally makes me think natsuri but I'll get to that later. So if we go from the internalized homophobia + closeted perspective (more like raised homophobic and doesn't know she's gay but ykwim), it reads as "a girl I know is a lesbian and Im meant to hate her for it. She's pretty and she makes me feel things but I can't be friends with her because she's a lesbian"
'The narrator' (Natsuki) heard a rumor that a girl, "Amy" (the lesbian), apparently likes 'spiders' (girls) and is repulsed. And that's why she isn't friends with her.
"Amy" sings the narrator's favorite love song, her voice is cute and it's making her heart pound. But she still likes 'spiders', so she can't be her friend.
She hurts her leg and "Amy" helped her get to the nurse. She tried to avoid touching her because her hands might be gross due to touching 'spiders', so she still can't be her friend.
"Amy" is very popular, but "she probably talks about spiders" (being gay). "What if her friends start to like spiders too?" (This entire verse rlly speaks for itself)
The next verse is shortest and even more repetitive than the rest of the poem (to emphasize her point) "it doesn't matter if she has other hobbies, it doesn't matter is she keeps it private, it doesn't matter if it doesn't hurt anyone" because to the narrator - she can't be "Amy's" friend, no matter how bad she wants to, because she's always going to be a 'spider lover' (lesbian) and she won't be able to ignore that.
And then the final nail to seal shut the door to the closet - "it's gross, she's gross, the world is better off without spider lovers. And I'm gonna tell everyone" because she needs everyone to know she hates 'spider lovers' to make sure no one knows she is also one. It's so gross because she was taught it was and now she can't stop thinking it's gross, no matter how nice/pretty/kind "Amy" is.
Onto the natsuri part so if you don't like that ship feel free to skip the rest of this (if you're still here lol)
Yuri and Natsuki like such different things (creepy and complex vs cute and simple) and they reach the point where they've argued so much that Natsuki doesn't want to admit she doesn't dislike Yuri. Even if she likes her poems, she'd never tell her because she feels like she can't at this point.
Natsuki couldn't see past their differences for a while, when she finally does, she's too embarrassed to apologize and too uncomfortable to befriend her without apologizing.
Nearly every verse of the poem will talk about how great the girl is. How she has a cute voice, she helped her, she has lots of friends, she makes her heart pound. But every verse she will still come back to "but she likes spiders. That's why I'm not friends with her". It feels like her gradually warming up to Yuri but still reminding herself that she can't be her friend, they're too different, Yuri likes creepy things (Yuri probably does like spiders so that's a bit more literal but it's also that spiders seem to symbolise everything she likes that Natsuki doesn't) and she couldn't be friends with someone so different.
And lastly, Natsuki's self projection (this is what the meaning is said to be in-game), meaning "Amy" is Natsuki herself. Natsuki likes manga and her friends won't believe it counts as literature. Her manga is the spider in this interpretation, she doesn't want people to judge her based on what she likes. She's had to be so defensive about what she likes, she may even judge herself for liking it at this point. She doesn't want people to judge people by their interests.
I keep seeing people say that Amy is a real person but that's one of the only interpretations that makes no sense to me. Because Natsuki may be a bit judgemental but even she wouldn't make an entire poem about disliking her classmate's love of spiders. She said herself that anyone that agrees with the narrator in the poem is a bad person. It's far more likely that "Amy" is a made up idea, she's barely even shown as a person. She's seemingly meant to be symbolic of Natsuki's flaws and insecurities, whatever you perceive those insecurities to be.
Portraying Amy as an actual person kinda cheapens the poem, at least in my opinion, because she was talking about how people should be given a chance no matter what (or who) they like and if Amy was a person it wouldn't make sense
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thatbadadvice · 7 months ago
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I (15f) am slightly worried that I led on some guys I did not mean to lead on.
There are two guys that I've hung out with over longer spans of time or regularly.
1. Hung out with him for several hours non-stop cause he was fun to hang out with, and we took a walk in the forest aswell, he got (slightly) touchy but not that much.
2. Works in a shop in my small city and I go there almost weekly just to hang out but always buy something, he sometimes offers me drinks for free (twice by now) or reduces the price.
They both got my insta too
However, the problem is that a) I'm not looking for a relationship and, more importantly, b) they are both in their 20s.
I took care to mention that I am only 15 to both of them but idk if that changed anything. Any advice? I also don't want to confront them directly cause I might have just interpreted it like this.
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Hello, anonymous!
Thank you for writing in. I am delighted to inform you that you have excellent judgment for wondering what the hell is going on here, and for questioning these guys' behavior toward you.
Grown-ass men — and that is what dudes in their 20s are — bear the burden of not being weird to, for, or about young women of your age. It is the grown-ass men of the world who are obligated not to make you, or young women like you, feel weird about literally anything. In fact, grown-ass men should go out of their way, on purpose and with gusto, NEVER to get even within ten million football fields' worth of "(slightly) touchy" with a gal of your age. So that's my read on Mr. Walk In The Woods. I have less to say definitively about Mr. Free/Cheap Drinks, but I trust your judgment: if you feel like Mr. Free/Cheap Drinks is sending some ~ signals ~, you're right about it.
It sounds like both of these Grown-Ass Men are trying to make pretty creepo moves, so let me be clear: nothing you could ever do could even possibly in the most remote sense amount to "leading them on," because you are not responsible for the behavior of Grown-Ass Men.
I think you know this, or you wouldn't be asking the Bad Advisor this question. You know they're being weird. You know you haven't done anything beyond exist in these dudes' general sphere, which you are entitled to do! You are allowed to exist in the world without having to swat off the advances of older guys! It really sucks that girls and women can just be living our regular-ass lives and have dudes be at us like this. But you're not responsible for their decisions — whether it's a decision to offer you free/cheap drinks (with strings attached, implied) or to get (slightly) handsy during a walk in the woods.
The fact that you told both of these Grown-Ass Men explicitly that you are 15 years old should have sent both of them spinning back into the sun with shame and embarrassment, not that they probably needed it spelled out, but GOOD ON YOU for making it so clear. That is actually terribly brave of you, and they should have fallen all over themselves to not fall all over you subsequently. They should be mortified about their behavior.
You did not misinterpret their actions; and if you did, who cares? Some dudes who weren't hitting on a 15-year-old will continue to not hit on a 15-year-old? Girl, your self-preservation instinct is INTACT and WORKING. It's on them not to be creepos. Any Grown-Ass Man who is on the level and not a weirdo would 1000000000000% never need to be told "Hey dude, I'm 15" in the first place. You have good judgment. You are reading these men correctly.
So what do you do about your good judgment? Well, first — no more walks in the woods. Suddenly you have an urgent appointment that precludes all walks in woods! The benefit-of-the-doubt ship has sailed. Dude got handsy and you dislike it. Dunzo. You are unavailable for future walks in woods (or anywhere). You've got a test to study for, a practice to go to, some buddies to hang out with elsewhere. So sorry, no-can. Dude can find a 20-to-90-something-year-old woman to paw up under the canopy if that's his jam. There are scores of women his age and older who'd be glad (i guess?) to get felt up while some dude shoves them ~ romantically ~ against the bark of a moldy Hackberry.
As for Mr. Free/Cheap Drinks — look, I appreciate the appeal of a discount beverage — but I think you gotta be prepared to aggressively (politely) pay for your drinks. Dude says "This one is on the house" and you DGAF, because you've got $5 cash and you're laying it on the counter with a smile and saying "I really appreciate it, but I'd like to pay for my drink — you get it!"
It's the "you get it!" that's really the key here. It's polite, but clear. It demands that these Grown-Ass Dudes do the work of not getting it and saying so if they're gonna be that dippy about it. You can use it on Mr. Handsy In The Woods, too. You can't do X, Y, Z because Reasons -- "Gotta get back to piano practice, it would be weird if I stayed here, since we're just friends! You get it!"
You shouldn't have to do the work of offering these dippos the "you get it" out, but it's a safe and reliable way of making it clear that they better the fuck get it. Like, they better the fuck understand that you are 15 and they are being weird about this whole deal.
Practice:
"Oh, I'd like to chill but doing another big long hang alone together would make it seem like we're going out or something, and that would be weird -- you get it."
"I appreciate the discount, but if I keep taking these drinks, it'll seem like you LIKE me or something. That's weird, right? You get it!"
If either of these Grown-Ass Men gets sketchy about these very polite brush-offs, that shit is on them and will only confirm what you know: you have great judgment. These dudes are weird. If they're going to be weird, you can be so polite that they have to explain why, specifically, they are being weird and don't understand what you are politely saying, which is that their interest in you is weird.
You have not led these Grown-Ass Men on by existing in their universe. You have not led them on by being polite to them and tolerating their inappropriate advances to preserve your own safety. The concept of "leading on" is bullshit, fucked up, heteronormative dipshittery that puts the burden on women, mostly, to account for the crappy behavior of men who can, do, and should know better. I assure you these men know better, and they think you don't. That's why older guys pursue younger and teen women in the first place — they think they get to be the big men in charge, because they're afraid they can't manipulate women their own age.
Here's what, though: they can't manipulate you, either. You are clever, self-possessed and a great self-advocate. They're being weird. You're being smart. Make sure they know it.
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stargirl-int3rlud3 · 1 year ago
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𝐏𝐫𝐞𝐭𝐭𝐲 𝐈𝐧 𝐏𝐢𝐧𝐤.
straw hat crew x fem! reader
🗯 ! swearing, flirting, slight suggestive language !
synopsis; how i interpret opla characters would react to having a hyper feminine lover. — ♡ ᵎᵎ
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LUFFY; Personally, Luffy doesn't really care too much what you wear. He thinks you look great in whatever you choose to wear. However, he is your biggest supporter and hype man. Constant compliments left and right about how gorgeous you are and how he's so lucky to have you. Luffy would definitely be one to treat you like a princess. I'm talking carries you around in his arms and puts a jacket done on wet puddles. He highly believes in chivalry and is the biggest gentleman.
You had just recently gotten a new, cute, pink skirt and today was the day you planned on wearing it. When you walk out of Luffy's cabin in the new clothing piece his eyes suddenly fall upon you. "Woah!! Is that new?" Luffy approaches you staring at the piece. "It is, you like?" You ask, spinning for Luffy, so that he gets a full view of the skirt. "Like it? I love it!!" He exclaims, lightly placing his hands on your hips to feel the texture of the skirt. Not too long after, Luffy is running left and right carrying you around in his arms. Some low-life, pirate was trying to attack Luffy and now here you were, tightly nestled against his chest as he tried his very hardest not to let a single stain of mud or any other substance onto your pretty little skirt that he now deemed one of his favorites.
ZORO; He LOVES him some hyper feminine girlies (and hyper feminine girlies love him). The constant slaps to your ass prove just how much he loves the way you dress. He loves admiring how great you look and the jealous looks he gets when men walk by you to see that such a pretty girl is situated on his lap. It boosts his confidence which can be both and good and bad thing. I like to think that Zoro is quite the possessive man and doesn't like sharing, which is why he feeds into your pink obsession. He loves watching your doe eyes beg for him to buy you a new cute pink outfit, he always seems to cave in.
You stare at Zoro through your beautiful lashes with a sweet, sincere smile on your face. Zoro caresses your face sweetly, before moving your head to the side to place even sweeter kisses along your neck until his lips brush up against your. "..I suppose you can get it, since you want it so badly"He smirks at you, staring deep into your doll-like eyes. You wrap your arms around Zoro's neck, "Eeeek!! Thank you so much Zoro, you're the bestest boyfriend ever!!" He watches as you race to the cash register with loving eyes. After shopping, Zoro convinced you to let him take you out for a nice dinner. Now that you're here you think part of it was because Zoro wanted to flaunt you off to anyone that would dare look your way. His smirk got wider and wider by the hour as men would make their way towards you just to quickly turn around at the sight of you so nicely sat in Zoro's lap. While you did find it cute that he wanted to flaunt you to the world you also found his overconfidence to be slightly...annoying at times as he would talk about a random guy's face drop rapidly at the sight of Zoro.
NAMI; Similarly to Luffy, she doesn't really care what you wear as long as you're comfy in what you're wearing. That doesn't mean she dislikes the way pink fits you so well. Nami could never really see herself wearing pink, so to see her lover wearing it so beautifully, she's awestruck to say the least. Due to Nami's sarcastic nature, she constantly is making princess jokes to you.
"Hey Princess, you need help getting down" Nami jokes as you're about to step off the ship. You roll your eyes playfully, following along, "Why yes I would, my knight" She smiles at you before laughs bubble from her throat and out of her perfect lips. You reach your hand out towards her, grazing your hand over her lips. She notices quickly, arching one of her eyebrows at the gesture. Retreating your hand back, you turn away from her with a slight pink across your face. Suddenly, you're dipped and met with a smirking Nami who delicately places her lips upon yours. Your palms meet her face as you pull her even closer than before. " Hey lovebirds, let's get our asses moving!" Zoro scolds you two with a slight look of disgust which leaves you and Nami giggling. "Sorry, Zoro, my princess needed her knight" She jokes nudging you softly.
SANJI; This man loves any woman who will give him the light of day. So the fact that you, a pretty hyper feminine girl, chose HIM. Oh, he fantasizes and daydreams about you like a schoolgirl with a crush. When you show off a new outfit to him, he is all ears and eyes and will tell you how every piece fits together so well to create a masterpiece fit so perfectly for you. I can see Sanji adding natural pink food coloring to your foods just to watch your face light up at the sight of it. Seeing you in cute pink crop tops and skirts as well as many other categories of clothing, makes Sanji want to get on his knees for you (not in that way- okay, maybe a little bit in that way). He is such a simp at heart and will do anything for you.
"Sanji? How is this outfit for lunch?" You ask posing for the blonde man who admired you greatly. "Anything you wear is utmost stunning as it is already being worn by a masterpiece" He explains his reasoning to you with a cute smile that you adore. You skip your way over to Sanji as he leads you to the dining area by your hand that is intertwined with his. He sweetly pushes you into your chair once you've sat down. Sanji sits close to you watching for your reaction as you take of the silver covering over your food. When the food is finally on display your eyes sparkle and you emit a sound of joy as you turn to see a lovesick Sanji. You grab his face placing lipgloss stained kisses all over his face and it's like he's in heaven with how lovesick he is. "You gotta bit of something like...all over your face" Nami points out to Sanji as he takes a quick peek in a mirror, only to fall to the floor with his eyes filled with hearts.
USOPP; We already know based off of the whole Kaya thing that this man is a nervous wreck when it comes to women which is surprising because I feel as though he has a quite a list of girls that would date him. Anyways! He, much like Luffy, is your biggest supporter with his constant stuttery compliments. He worships the very ground you walk on (literally), but he's just a bit nervous at times is all. He is also a big simp, but tries to hide it by being "calm and cool".
"Please Nami!!" You beg for the girl to let you decorate her hair. "For the last time, no" Nami told you sternly, leaving you pouting. You just wanted someone to do girly things with sometimes,but Nami never wanted to do the things you wanted to. What you didn't know was that Usopp was currently watch your sad, distressed face as you walk away from Nami. He hurries towards you stopping in front of you with a big grin on his features. You're somewhat startled by your lovers suddenly appearance, "Oh? Hi, Usopp!!" "What are you so sad for?" He asks, examining your face. "Oh...I wanted to do Nami's hair all pretty, but she seems to be annoyed with my asks" You inform the boy of the situation. "You could do mine, if you'd like" Usopp suggests. Your eyes shine brighter than a thousand suns as you jump into Usopp's arms, leaving a red hue on his face. "You would do that for me, Uso?" "Y-yeah, I don't see why not" He rubs his hand on the back of his neck, not being able to look you in the eyes. You kiss his cheek and drag him to your cabin.
☆ | this was SOOOOOO fun to write, i feel like i captured them pretty well :D
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menuliso · 1 year ago
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i actually think i have some sort of brain damage from chapter 403 because now ive taken my bkdk obsession to a whole new degree. like, i was insane before, but now i feel as if i should be genuinely put into an asylum.
ive gone through a full on awakening.
before this chapter i refused to believe that bkdk would become canon/hinted bc like its wishful thinking. but now? ive fallen into the fucking deep end. i am of full belief that bkdk will become canon or at least be hinted bc horikoshi is cooking something and im so glad im not the only one to see it.
there is no way that man doesnt know what hes doing. bkdks entire arc has been fucking perfect and this man just keeps BUILDING UP. like all this talk about feelings, and how bkdk have never really spoken about them to eachother before??? this is like, building up to a fucking love confession i swear, because katsuki DIED for izuku, and izuku cant control his heart when it comes to katsuki, and like… what other explaination is there? atp i consider it canon that theyre in love with each other.
and the other most likely ship that i thought was gonna be canon, izuocha, just is not feasible. its not like i dislike the ship, no hate to it at all, but making it canon would be so fucking harmful to izuku and ochakos characters and we dont talk about that enough. it would a dissapointing, flat conclusion with barely any build up and itd be the bland, predictable formula. like, ochako has already basically wrapped up her thing with izuku with that entire fight with toga. shes admitted herself that her crush on izuku was more admiration than anything of massive substance. and dont even get me started on izuku. barring some fluster and embarrassed blushing in the early seasons, this boy has NOT reciprocated AT ALL. its actually ridiculous. izuku has been focused on like, two things only: hero work, and kacchan. izuku does not show ANY romantic feeling to ochako whatsoever.
surely, surely if horikoshi were to make this canon, he’d put in a little more effort? add some more chemistry, more development, more than just ‘boy meets girl. blush and get shy. little crush. get married. the end’?
that is bad storytelling, and horikoshi is anything but a bad storyteller. this guy adds foreshadowing YEARS before the chapter. horikoshi is INSANE when it comes to character + relationship + plot development. if horikoshi throws all that out the way, and makes izuocha canon, id be extremely, extremely disappointed. not because i hate the ship, but because itd be out of nowhere, disregard practically ALL development, and be nauseatingly dissatisfying.
talking of which, for the entire day ive been thinking about the foreshadowing for bkdk.
there. is. so. fucking. much. it feels like everytime i read like a new section of the manga, their relationship is described in the most frutti tutti rainbow gay way. im sorry, shigafo, did you just say that katsuki is closer to izuku than ANYONE else? excuse me, aizawa, did you just describe them as pair, a pair that the class revolves around? dont even mention the shit that izuku and katsuki say referring to each other. i cant even choose one to add in here, but every out of context bkdk quote has like these SEVERE more-than-platonic undertones, especially when you consider their past and their development. i feel like horikoshi has been doing some fucking insane foreshadowing for something MORE.
yk, i keep on thinking about how in the double spread in 403, the words ‘the beginning’ are displayed right over bkdk, as they find each other. call me delusional, but that has to be on purpose. i also keep on thinking about izukus green and orange gloves in so many official arts, and the light in both their eyes when they see each other, and the way theyre both always observing the other, never speaking about how they feel directly.
their relationship is just so, so……. and i feel like the only next step is for them to talk. just. fucking. talk. its been hinted at for so long, and horikoshi is doing SOMETHING.
them simply being together would be the most satisfying, developed, beautiful ending.
if they arent canon, i will die. ill say it now. bkdk canon. there is too much proof. as a writer, i know for a fact that i write everything for a REASON. why would horikoshi write this, if he wasn’t going to do anything with it?
bkdk will be canon. i dont care if i sound insane, or get proved entirely wrong. i now fully believe that the last page of the manga will be bkdk at a theme park eating crepes.
thank you chapter 403 for driving me off the rails.
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kathrahender · 5 months ago
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One of the things I dislike most about fandoms is the hypocrisy of their fans. And this is about ships again, yes (it's about characters too ngl).
Every anti-Bakudeku/Catradora fan says things like "How can you ship couples like these? It's so abusive! It's disgusting! Catra/Bakugo were so mean towards Adora/Izuku! Catradora/Bakudeku is so toxic and you shouldn't like it!" and then, when talking about Hiccstrid people always love them together. Even if Astrid was also a bully to Hiccup. Even if her development was null (don't say she had development, her "redemption" arc was shit and she needed more time in screen and more scenes between her and Hiccup to change from "I hate all the dragons" to "I was wrong about them". And one scene with an OST called "Romantic Flight" is not enough to make her redemption believable). Talking about development, do I really have to say that you hate Catradora/Bakudeku, but at least Catra and Bakugo apologized to Adora and Izuku? Astrid didn't say sorry to Hiccup for bullying him/hurting him. And you should be aware of that.
Bakugo and Catra didn't redeem in one day, they didn't get up one day and decided to be nicer. No, they had to work in their redemption and they also had to work in their relationship with the people they hurt (Izuku and Adora). Astrid didn't do that. All she needed to change was flying in a dragon with the person she used to hate.
Having all of that in mind, tell me, which relationship would be more healthy, logical and believable? The ones where the bully had to work hard to make amends for their mistakes, to heal their scars to make it better for the MC? The ones where the bully apologized to their victim, to the people they hurt? Or the one where all it took to change from "I hate you so much" to "I like you" was one scene, and they didn't even apologize for being a bully/being a bad person? Think about that.
And think about another thing too. A girl hurting a boy is bad. "But she-" No. "But she's not being cruel and she-" Enough. Don't fucking justify female-on-male violence. Violence is violence. If you hate Bakugo/Catra so much for hurting Izuku/Adora, then treat Astrid the same way, because she was not an angel before changing. She's not innocent. She was a bully too. And if you despise Bakugo/Catra's past actions, despise Astrid's past actions too.
Where I also saw Double Standard in media is in shows where there's a female character stalking a male character. Two examples that come to my mind right now are Hinata Hyuga from Naruto and Marinette Dupain-Cheng from Miraculous Ladybug.
The thing about them is that a lot of people love them. A lot of people love a female character stalking a male character. Dear God, Marinette learned the daily schedule of Adrien, and she even traveled to another country for him. Because she couldn't bear thinking he was in another country where she couldn't see what was he doing. That's not freaking normal, you guys. "She was a girl" "She didn't know what was she doing" "She's just in love". Excuse me- What. the. hell. Okay. So you're saying you're okay with a girl being so jealous that everytime her "crush" talks to a girl she needs to be around. You're okay with a girl entering her crush's house without permission (Do you know that's a crime, right?). You're okay with a girl having her bedroom full of photos of her crush (and I'm not talking about a fictional character from a show she likes. I'm talking about a real person. Because in Miraculous Ladybug's world, Adrien is Marinette's classmate, not a character from a show). I'm sorry, but if you think that's okay, there's something wrong with you. People can like someone and have a crush, sure, but what she has is an obsession. What she's doing is not normal. (And she can do that in the show, after all she's a character, but don't act like she's a nice person and an innocent person because she isn't. And definitely don't see her actions as a normal thing).
People, please, don't think what she's doing is "iconic" or something like that. If you're watching this show, please, don't do the same as her with your crush because is awful and disgusting. She's not "cute" for doing this. She has a problem, I'm being serious.
If she had a better love story with Adrien, like she did in the movie, I would understand the Adrinette ship because in the new movie it's just beautiful and wholesome and it's actually healthy. But when it comes to the show, the Adrinette ship can't be nothing more than toxic. So stop acting like Marinette's actions towards Adrien are okay (Yes, Adrien's actions towards Ladybug weren't okay neither, but this post is about female characters).
What Hinata Hyuga did -in comparison with Marinette- is not that bad, but even then, following her crush (Naruto Uzumaki) everytime he's with his friends/classmates is not nice. It's not cute. It's not something people should do. And the Naruhina ship honestly makes no sense. Okay, I get it. It's the type of romance we all want to have. We all want our crush to fall in love with us. We all want to have a relationship with the person we used to have a crush on. But if you want to include that trope if your story, if you want them to end up together in a show/book/movie, give them development. The ship has to feel natural.
We have to feel/see the chemitry. And I saw (and still see) no chemistry between Naruto and Hinata. Sasunaru, on the other hand, has a lot of emotional moments together and moments when they bond (their chemistry is right there). And it's not for my own preference, but they would have made a better couple. Mostly because they shared more screen time with each other. Even though Shikanaru and Gaanaru are also good options for a canon ship. Because they also had chemistry. But Naruto's love for Hinata in my opinion didn't feel natural. It was forced.
After all of this, let me say something more. You probably don't care about a girl stalking a boy in fiction. You're probably like "She's not doing anything wrong" "She's a teenager" "Stop being judgmental, she's a good character" "She's a nice person". If what they do it's okay for you, let me ask you a question. What if their gender was reversed? Yeah. Imagine if Marinette and Hinata weren't girls. Imagine if they were boys. Imagine if a boy went to another country to control the actions of another girl. Imagine if a boy entered his crush's house without permission. Imagine if a boy stalked the girl he likes to see if she's talking to another boys. Imagine if a boy had pictures of the girl he likes in his bedroom. What would you think then? Oh- You would think it's disgusting? It would be disgusting for you, right? Why? Because it's a boy?
People, have this in mind:
👏👏👏 If a boy does something bad and a girl does the same thing they both need to be treated the same way 👏👏👏
A girl hitting a boy isn't funny. It shouldn't be played for fun. As well as a boy hitting a girl. Neither of them is funny. And neither of them can be justified.
A girl stalking a boy isn't funny. As well as a boy stalking a girl. Neither of them is funny. And neither of them can be justified.
That's why I ask you to stop being two-faced. If you despise someone's actions, you despise someone's actions, whether it is a boy or a girl. You want equality? Then fucking stop with the double standard.
A bad action is a bad action, no matter who makes it. Period.
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punkeropercyjackson · 2 months ago
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Bestie how is kataang deep its just crushing on your babysitter 😆 also please, i cant speak for everyone, but you can dislike kataang regardless of who you ship katara with. Such as, you do not stand for nonconsensual kissing. I personally think ATLA should’ve stuck to friendships because they really do not do any ship justice. I do ship Zutara but if they wanted to go that route they probably needed another season. They had 3 seasons of kataang and botched the ending anyways imo. So no, ideally no endgame romantic relationships
Aang is Katara's best friend.He looks after and takes care of her as much as she does him and i bet you're also calling her behavior 'babysitting' because you're one of those geeks who lets their friends bully them as 'affection'.Kataang is for people with actual dating experience and not 'female fantasies'
But you're fine with constant physical assaults,a kidnapping and tons of racism?And just gonna leave out the context where Katara got mad at Aang for denying he wants to kiss her and kissed him multiple times throught the show to flirt?How convinient for you
Zutara would've never happened because realistically Zuko will always view Katara as a child and Katara is too high maintenance to crush on Zuko(a compliment to her btw and proof Aang is a good match for her since he's so openly down bad)
You are projecting so bad so like i said,please just make an Atlasona.I'll give you picrew links and everything.And a link to an article on what adultification is since it's gonna be 20 years since Atla dropped and you still haven't learned to treat Katara as a 14 year old girl and not 'too mature for childish things'
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do-you-ship-this-comic-ship · 7 months ago
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propaganda:
This is for all of my fellow Two-Face and Gilda lovers out there! Personally I think that BruHarvey as a ship is underrated because of how much more popular other Rogues are (especially the Joker and the Riddler), and the prominence of ships between Bruce and various members of the Justice League (and of course the various comp het ships DC keeps trying to force Bruce into).
In comparison Harvey just doesn't really capture the fandom's imagination as much. Therefore BruHarvey isn't super popular because they don't consider it as an option a lot of the time. But that being said, I also find that a lot of people when presented with BruHarvey as a possible ship will be pretty amenable to it! It's just a fantastic ship if you want some old man/toxic/tragic yaoi! The ship has so much going for it! Childhood friends to lovers. Enemies to lovers. Friends in their civilian identities, as they try to pursue justice for Gotham together, and even friends after Harvey becomes a villain too! It's SO juicy and has SO much unexplored potential if DC weren't COWARDS and would just let Brucie kiss men already! Each of their themes of justice, duality, and redemptive love mirror one another in such an exceedingly tantalizing way that I could write a whole college thesis on it! But I'm not just here about them. I'm also here for my girl Gilda too!
Now BruHarvey may be an underrated ship... And Two-Face as a character is just about rated as a character (not underrated. Not overrated. Just rated). But Gilda...? My poor, poor girl Gilda! Writers never know what to do with her and refuse to give her the justice she deserves!!! Gilda is a big part of the reason why Two-Face was able to work so well as a character and concept all the way back in the 40's in the first place! I don't think that Harvey would have been as iconic of a character with as much staying power as he does with just... SO MANY imitators if it weren't for Gilda's presence and ability to help Harvey redeem himself! The whole point of Harvey as a character is that while he might be a villain, he is never too far gone as to not deserve a chance at redemption. He genuinely cannot help himself when it comes to the compulsion of doing crime. And in his original stories, he was able to redeem himself and reach a happy ending with Gilda helping him, supporting him, and loving him through that journey.
The reason that Batman doesn't kill is largely because of Harvey himself! His childhood friend that he deeply cares about, and who, no matter how much society at large, and even Harvey himself tells Bruce that he is beyond saving, that he still cares about nevertheless and will NEVER give up on! And Gilda was the first person to never give up on Harvey and was the one to lead him back to the light! In a time where Batman might still occasionally use a gun and where the punishment most criminals would recieve in the comics was death or a lifetime of jail, never to be seen again, Two-Face stood out because of his redemption! A redemption that the writers of the comics stuck to for decades in spite of a clear demand to have Two-Face back as a threat! (Hence the many, many imitators.) And sure, the helpless damsel who saves the bad guy through the power of love may be a tired trope these days, but it's still one that can work very well, and as a woman first written in the 40's Gilda actually has a surprising amount to her that later writers would forget or just outright ignore! Gilda clearly was a female character who had more going on in her life other than her boyfriend at the time she was first written. She was actually a sculptor!
A woman with her own well-respected career entirely divorced from her DA boyfriend's! And while Harvey was her primary muse, I have doubts that her career just stopped when he turned to crime! After all, she seems to have been a woman who owned a house and lived on her own and had enough wealth to spend her free time going to the movies (and apparently buying herself mysterious cloaks). In the 1940's! We love a woman who can get everything on her own without needing a man (though it is a nice bonus) in this household! And she was doing it as an artist when that stuff was less common! And her other biggest trait is her unshaking love and loyalty for Harvey. I think that it's genuinely interesting how the crime and murder matters very little to Gilda (and similar characters that fill her role in stories). What she doesn't like is how he lies and tries to decieve her specifically. She would die for Harvey. She would kill for Harvey. She will stay with and help him through thick and thin. No matter what.
And very few pieces of media do her character justice! The Long Halloween may ostensibly be about her, but they gave her nothing in her life other than the men she associates with, a desire for children, and murder. Not even a hint that she was a sculptor, barely a hint that she studied law or anything that other iterations offered! She's my girl! And she could honestly offer a number of very interesting story posibilities, if only writers saw her potential! But clearly they don't given that for the last several decades, they've been writing her out of stories, or killing her off in brutal fashion so that they don't have to deal with the question of what she's up to while Harvey is doing his crime stuff. Hell. Gilda was the catalyst for the Long Halloween, so why isn't Dark Victory about nor even include her in person!??? Why not explore her being Duela Dent's mother!? Why not show her standing by Bruce's side while the both of them try to help Harvey recover!??? Why do the writers try to make Harvey NOT a wife guy!? Why can't they let Gilda be around and Harvey's wife that's cooler and more chill than him!? Why must Harvey be single!? By far he has the best romantic chemistry with (out of anyone who isn't Gilda) Bruce and no other major character! But if you stick Harvey and Bruce together for that sweet, sweet tragic yaoi and angst... Well... First of all DC are COWARDS who refuse to let Bruce be into dudes. And second of all, why not just let Bruce, Harvey, and Gilda be together and poly!!!? But I'm no coward! Double the partners means double the chances for tragedy and angst! (Or comedy if you'd like!) And double the possibilities for love, recovery, and redemption! Gilda wouldn't and shouldn't give up on Harvey!
And Bruce and Gilda cheating on Harvey without his blessing!??? BROKE! Them being in a polycule? Excellent! And if you need any proof that Bruce, Harvey, and Gilda could be a functional polycule, you should read the daily newspaper Batman comics as archived on @daily-batman! Because they make a GREAT case for it there, and seeing their relationship develop in that story is just delightful! Harvey watches Batman (that he's half figured out is Bruce) kiss his wife (named Alice but like... She's CLEARLY just Gilda with a different name!) and isn't bothered by it AT ALL other than it giving her hope that he can get better! Kissing his wife? That he understands and is perfectly fine with. But giving her HOPE!!!??? Now THAT'S a line too far! Sounds like something someone poly might do! And also... That series finale!!! Lol. Harvey getting jealous of and trying to kill Bruce for thinking that he's stealing his girl? Nah. Broke. Harvey being a-okay with Bruce smooching his wife because he's already in love with Bruce too...? HELL YEAH! Let's do it! Who needs love triangles when you can have power throuples instead!??? Join the few of us that enjoy the ship! And give Gilda and BruHarvey the love they deserve!!!!
Also just LOOK at the image I sent and tell me that it DOESN'T look like Bruce, Harvey, and Gilda are getting poly-married! BruHarvey is juicy and even more juicy with the added DLC of Gilda in the mix! And Gilda deserves the whole world! Give them the world!
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scoobydoodean · 8 months ago
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I was wondering if you, as a Dean fan have opinions about the different writers? Mostly because I see a lot of Dean fans really strongly dislike Dabb for some reason and I don’t really understand why. I’ve never seen a concrete explanation beyond “he can’t write Dean/doesn’t understand Dean/actively hates Dean” but with no examples as to what he does that’s so bad. And I see this in every shipping lane. I don’t have a strong opinion about him as a writer one way or the other.
I'm exploring this more as I rewatch the show (currently on season 6) so I'll speak mainly from that perspective on my most recent thoughts. I am not a big fan of Dabb or Loflin, but have tried to be fair about things so far when talking through each episode. I am a fan of "Alpha and Omega"—it's my favorite finale (it's also... a finale for a season Carver started as showrunner? So I don't know what the implications are there as far as storyboarding). Also points for having demon Dean stab a guy through in 10.02.
I'll focus on the negatives you asked about in this post, but in the links you'll find me moving the narrative this way and that toward much more charitable readings... I think. (I do have a tag #dabb disk horse which you can either peruse or blacklist at your leisure). What I can tell you is something almost always strikes me as a off about Dabb/Loflin episodes so far in this rewatch in terms of character work.
Dabb/Loflin's first ever episode was 4.06 "Yellow Fever". In the aftermath, Kripke felt the need to release a definitive interpretation of their episode to the public, stating, "Dean is not a dick... he's a hero." The whole episode toyed with, to an extent, the idea that all the victims of the MotW were bullies. You can take this other directions—for example, queer meta, or meta about Sam as the real bully. However, the story a lot of fandom latched onto was that "Dean is a jerk and deserves to be humiliated and punished for that" which obviously didn't make Dean fans watching live in season 4 happy—and this theme of Jerk!Dean continues into their next episode, "After School Special", where they once again parallel Dean with a bully literally nicknamed "Dirk the Jerk" by Sam, and throw what I think is transparent shade at Kripke's issued statement from before the Christmas break (post here)... or maybe they mean to throw shade at the Dean fans who got angry. In this episode, they also make illusions to Dean wanting to have sex with barely legal high school cheerleaders, which also did not ingratiate them to Deanfans at the time. I said on my last rewatch, "In After School Special, Dean seems more unlike himself than any episode ever in the history of Supernatural up to this point" (post explaining that here). I carry similar sentiments about portions of 5.06 "I Believe The Children Are Our Future". Yes—I am aware of performing Dean meta. I just... feel like they try a little too hard. It feels hamfisted—desperate. To the point it doesn't feel like Dean anymore sometimes. In 5.06, they also have Dean (guy who is generally very protective of kids) suggest to Jesse that he'd be good to have in a fight???? I can see how they got there, but again—it just feels... off. The last episode I rewatched that they authored, 6.04 "Weekend At Bobby's", also leaves a bad taste in my mouth—not in what it's trying to do with Bobby or what it's trying to do on a meta level—but once again, with dialogue from Dean that just makes me think "he would not fucking say that" (post here). I think looking at all of these, you can probably see deangirl ire toward Dabb has a long history. It's been around as long as he's been around, whether he deserves as much ire as he gets or not.
I haven't circled back yet on this rewatch, but Dabb and Loflin also penned season 7's "The Girl Next Door"... do I need to say anything specific? Maybe I'll just link my entire #amy tag. What narrative did they want you to get from that episode? Who the fuck knows. And that's often the problem:
When you watch various episodes I've mentioned, you can work around to a meta that tells you something different than you might at first think the page conveys—something hidden and maybe contradictory. The thing is... you could also... not do that? And that wouldn't be so bad, except that sometimes the two narratives you can most easily grasp completely contradict each other. "After School Special" can be an episode that points to Sam's envy of Dean and John deep down and foreshadows Sam becoming a bully, but on a meta level, it also just as easily says Sam becoming a bully is somehow Dean's fault, and Sam is some poor captive baby. Dean is a creep and a bully and a cheater but we should all coddle him because he saw his mom die when he was a child and he's sooo sad. "Yellow Fever" can be a queer meta story and might also foreshadow approaching Bully!Sam in 4.14, but it also very much does call Dean a jerk (should we take that seriously? should we not?) and implies Dean should be punished for the outcome of three decades of reality-bending torture. Even if it's a queer meta underneath... it's just as easily one about how closeted men should be humiliated for cowardice or how being closeted turns you into an asshole.
Jumping way ahead, I have to mention 15.10 "The Hero's Journey" just because. Yes, it is full of jokes and Garth goodness, but also tries to sell you the story that nothing about Sam and Dean is real, to a degree that feels like you are being flipped the bird for ever watching this show. And again—you can make meta that it's all a ruse! But is it? Or is Dabb actually just telling you to go fuck yourself? Like he totally wasn't when, after the SPN finale when fans were Not Happy™️, he tweeted a sign reading, "Don't feed the baboons"? Yet again—we play into the motif of the "hero" who isn't a hero at all but some pathetic loser who deserves to be publicly humiliated, bookended with Dabb's opening episode in his opening season. I'm not saying that's what it is on purpose—but I am saying you can make these arguments easily, and that leaves me consistently annoyed with Dabb for being fucking sloppy and leaving me to deal with some of the most insufferable meta imaginable that carries little support outside of episodes written by Dabb or the Dabb/Loflin writing team.... Yes—I am in fact saying that Dabb and Loflin's hamfisted episodes (regardless of their intentions) are largely responsible for some of the most insufferable, loathesome fandom metas about Sam and Dean's relationship around.
Look at 5.16 "Dark Side Of The Moon", and 7.08 "Time for A Wedding!" and 8.14 "Trial and Error", 11.17 "Red Meat", and 15.20 "Carry On". Along with 4.13, while they might or might not say something deeper or contradictory on a meta level, on a surface level, every single one of these episodes sows the narrative that Dean is needy and clingy and needs Sam more than Sam needs him—something I intensely disagree with for a multitude of reasons... but I'll just link this. Many of these episodes also follow a surface level narrative of "normal life obsessed Sam" (and here I'll link my entire #sam the hunter tag and #in which sam is not a helpless little waif with his hands cast over his eyes being carried along by the tides of the immutable sea). When I look at this episode list, I also don't find it at all difficult to believe that Dabb wanted Dean to die in the finale. There is nothing at all shocking about that. And yes—you can argue he's pointing to the opposite—that this fate should be subverted and that's what makes 15.20 the dark ending, but I think you can just as easily argue that yes it's a dark ending and yes Dabb has always dreamed of this ending. A "tragic" ending where Dean dies and Sam goes on to have a white picket fence... while also leaving you little hints along the way that maybe it's all a big ruse because how could he not? He never has to explain anything. Someone else will pick up the story and make it make sense. He's already fucked off to piss all over fans of Resident Evil.
That said, when I mention what I feel is off character work, I mainly mention Dabb/Loflin episodes from my recent rewatch, which suffer from the two of them being newer to the series (coming onto the writing team in season 4) and also leave questions about whether, perhaps, they had conflicting ideas about characterization. Was Dabb the one penning these lines? Was it Loflin? Was it both? Did they trade out who took the lead? I didn't really say anything negative about "Sam, Interrupted" or "Jump the Shark"... (though "Sam, Interrupted" also calls Dean "codependent") who wrote those? Is it possible that the messiness of the meta comes down to two writers at war? I have to imagine though, that they got along, or else they wouldn't have written together for four fucking years. If they didn't get along...? My mind always comes back to their first solo episodes, right after splitting up in season 8. Dabb's first solo episode is "Hunteri Heroici"—the only episode to lend any perspective to season 8 Sam's reasons for abandoning everyone—paralleling him checking out with Fred's catatonia, which Sam has to save Fred from. It is the only episode that lends Sam sympathy in the early part of the season. He follows it up with "Trial and Error"—where Sam promises to save Dean from suicidal thoughts. Loflin's first solo episode is what I would regard as the most scathing solo episode commentary on Sam in the entire series—"Citizen Fang". Then he writes again right after Dabb's "Trial and Error"—penning "Remember The Titans" where Sam tells Dean to get over the promise Sam so passionately made in Dabb's episode and face reality.
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This is why we're exploring this rewatch.
DISCLAIMER: Now I just devolve into bitching because I'm writing at 3AM. Proceed at your own risk.
It seems like these days, everyone demands an explanation for disliking Dabb (something about some sort of destiel battle... I don't know what that flamewar is and I don't give a damn tbqh.) I guess I've just been wondering what's actually so great about him. Because it feels like people have overcorrected to basically acting like he's god's greatest gift to mankind. People point to how meta his episodes can be, but I think other writers easily best him on that front on multiple occasions (particularly enjoyed by me so far on this rewatch: 3.10 "Dream A Little Dream Of Me", 4.04 "Monster Movie", 4.12 "Criss Angel Is A Douchebag"), and without leaving their meaning so up in the air that you don't even know what the hell they were actually trying to tell you because there are two different completely incongruous narratives you could just as justifiably claim were the intended one. Some people may find that duality praise-worthy. I don't. I find it sloppy—and when I add in mediocre character work, I just land on the side of him being, at the very best, mid.
Add him in as showrunner, you have... at least two of my least favorite seasons (13 and 15). Add that he's a one-trick pony in terms of the Sam and Dean conflicts mentioned above that he continuously rehashes rather than come up with anything new or fresh, and the same conflicts between Dean and Cas being played out until they both die (shut UP I'm not talking about canon destiel as the alternative—I am literally just asking for more diverse conflicts). I can't say I understand what I''m supposed to find so impressive.
(Before anyone so much as breathes this near me, Berens also sucks and I am going to tear off your nose hairs if you start bringing him up as if disliking Dabb for some reason means wearing rose colored glasses about Berens. Berens can eat a whole cactus raw over "The Trap" alone.)
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babygirlizu · 1 month ago
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It really is so over, Sina. I didn't think Horikoshi could fumble the epilogue this bad. I strongly dislike that he used Toga like this. Also, in the end he did a great disservice to Katsuki's character. It's incredibly frustrating that Izuku adressed nothing that happened with Katsuki in both wars. Idk their relationship feels kind of imbalanced in the end.
ITS SO FUCKED UP AND DISAPPOINTING like let's be fr izch isn't much of a shock to me but the way he had it play out in the end ??? Ghost Toga (A QUEER GIRL) pushing ochaco towards deku, using her as (not even plot device bc what fucking plot) using her to inforce a straight ship is just .. vile... Katsuki working his ass off for YEARS for that hero suit, just for izuku to idek reject him? tell him he'd rather be a teacher now ?? not offer him another glance ??? Katsuki watching Izuku leave, watching him until he is gone... like katsuki was really in love with him in the end but deciding to let izuku go.... just... what
what.
im sorry i could go on and on i'm just so?? it's like 430 didn't even happen, like katsuki did all that for nothing... toga dying, for what??? just ugh
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cherie-luvv · 4 months ago
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— My opinion about The Maze Runner ships —
This post is completely about my personal opinions, if you don’t like it, please just ignore it!
Long post by the way.
Newtmas
Well if you ever checked my blog you should know that Newtmas is my favorite ship. I loved this ship since the first time I watched the movies. There was always some sort of special connection between Thomas and Newt, not this type of “best friends”connection, but lovers connection. The way they were always needing each other, trusting each others words and opinions. Newt was always looking for Thomas, watching him, having his back, and Thomas was always thinking of Newt before anyone else (Example: “Newt and the others”). Considering Newt is confirmed gay, it’s just makes sense if he was in love with Thomas.
Minewt
I always saw them as soulmates, but in a friend way. I see them more as best friends than lovers, but I won’t deny that they also have a super strong connection like Newtmas, and I like reading fanfics of them from time to time. I don’t hate it, and I kind of like it, just not my favorite!
Thominewt
I like this ship, I feel like they complement each other, but I always kind of see the duo in the trio (newtmas), and because of that I can’t fully enjoy the ship.
Thomesa
Im sorry to anyone who likes this ship, but is a huge no for me. I see them more as siblings than lovers due to their type of relationship before Thomas lost his memories. It feels really forced, like Thomas saw Teresa recognized him, and since she was a girl they just assumed they were lovers in the past. Apart from that, Teresa in the books made Thomas suffer a lot of things he didn’t deserve, and she deserved to lose Thomas love.
Trenda
I mean, they are end game in the books, and they have an special connection. They look cute as a couple, but at the same time I see them as best friends or even siblings (in the movies, Brenda says something like “you remind me to my little brother” to Thomas, which kind of confuses me since I don’t think you would see someone you like as your brother) still, I think it’s obviously not a bad ship, and it’s canon.
Thominho
It’s a cute ship for me, their personalities are completely opposite, so I feel like they are a good match. I don’t have a lot to say to this ship, it’s not my favorite, but I like it and the quotes they have in the book are actually appealing.
Thominally
For some reason, I really like this ship. I don’t have any explanation to it, I read things of them and I just like it. It’s a weird ship? To me, yes. I like it? Absolutely. But, I don’t like Thomally, I just like the ship if Minho is in it too.
Minally
Yes. Absolutely. Totally. I love them.
Nalby
For me, Newt was totally in love with Alby before Thomas arrival (and well maybe Albys death yk). Fanfics of them before Thomas arrival in the glade i find them cute and entertaining. After Thomas arrival I just don’t see it anymore.
Brenderesa
If we are talking about canon-compliant, it’s an absolute nonsense. They hated each other and there’s no possible way they would have actually liked each other if Teresa somehow survived. But if we are not talking about canon-compliant, I totally love it.
Sonya/Harriet
They were utterly in love, nothing more to add.
Minho/Brenda
Well, they kind of have similar personalities, yes I kinda see it.
Minho/Ben
I don’t dislike it, I just think that we had little to nothing about Ben, and I don’t really know where we get the ship from. Apart from that, I saw it in a couple of fanfics and yes I like it when it’s like a secondary couple.
I don’t know if I forgot one, but this are the ones that I have seen. @wildbwills also did one so you can go check theirs also!
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