#i only got one person who could even tell what character i was but it’s ok it was my friend and it made me happy🥰

[nmakii]

must be love

— you find sae’s phone opened, and you decide to snoop.

or; sae gets exposed for being a fake idgafer. this is too sappy. 2.7k words, this is my longest fic in my whole life… what life feels like as a girl who loves too much core

tags: @narcjsistx

— for rhi. love ya, partner.

‘she seems really eager to please,

but she has quite the backbone.’

you huff out in frustration. “ah!! ugh…” you scowl. sae raises his eyebrow. “my groupmate never started on her share of the work… ugh, now i have to cram it..!” you explain your sudden outburst. sae scoffs. “then tell your teacher or something. it’s not like i can do anything about it, im not your teacher.” he, quite obviously, points out. “wh… ugh, i’m gonna… i just— needed to let out my anger.” you groan, face planting and screaming into your textbook. and he hums in response. although he didn’t show it on his face, your outburst was quite out of character for the person he had grown to know. it was… weird, to say the least. and it had caused him to make a mental note not to anger you.

‘her generosity knows no bounds.’

“sae, this is for you. merry christmas!” you hand him a wrapped box. “hm..? i don’t take christmas gifts.” he bluntly states. “i haven’t gotten any gifts since i was 10 years old.” you scoff to yourself. “maybe that’s why you’ve always got that stick in your ass.” you tease. “excuse me?” he glares daggers at you. “aaaanyway! open it!” you shove the box into his hands. he looks at the box, and then at you, and he decides to open it. “new cleats.” he acknowledges. yes, mhm. these were indeed cleats..! “i didn’t need these, i was going to buy them myself.” he states.

“i know, you could probably buy them yourself. but, i thought i’d save you the hassle, y’know?” how thoughtful of you. he eyes the cleats up and down; it’s an expensive brand, but it’s worth the price for the quality. “…thanks.” he says, at last. he didn’t expect a gift from you, he doesn’t have one prepared for you. he’ll make sure to buy you something you’ll love later. “oh! hold on, i wanted to give you some other things ♪~” you fish a keychain and envelope out of your bag and hand it to him.

“…cinnamoroll..?” he questions. “it’s cute right? i thought you’d like it.” what an odd way of thinking… never once has he mentioned anything about cinnamoroll. but then again, it is pretty cute. “…well, i won’t say i hate it. thank you.” he thanks you as he eyes the envelope. “ah, don’t read it in front of me..! i got a bit sappy, it’s pretty. embarrassing…” you awkwardly laugh. “ah, got it.”

later that day, he opened the envelope. there was a letter; it had cute doodles all over. and, he’d be lying if he said that he didn’t feel your affection radiating off the letter. it was… really sweet.

‘what a beautiful human being she is.’

itoshi sae is what you like to call a shy lover, if you were to put it kindly.

you know for a fact that he loves you, he just isn’t good at verbally expressing it. words of affection are too sappy for him. he prefers to show it through the thoughtfulness of his gifts, and the longing touches of his hands, which seem to never leave your’s.

you know he loves you. but, you can’t help but wish for him to say it more often.

it wasn’t many nights lately that the two of you would have a date night. with sae’s rigorous training schedule and endless interviews, the only thing he wants to do at night is to fall asleep beside you.

however, today was the end of the season. meaning, sae would have much more free-time for you.

with sae’s last game for the year completed in 0-4, the first thing he had to do was call you. even though you weren’t far away at all, sitting in the VIP lounge with the relatives and girlfriends of sae’s teammates.

“s/o?” he calls your attention. “mhm? congratulations on your win, babe! i knew you’d win.” you congratulate him. “they could barely keep the ball when they had it. is it really an achievement for me to have won this match?” he says, almost sassily. “pssh— alright. i get it, mr. ‘tepid.’.” you tease.

“don’t call me that.” he huffs. “stay where you are. i’ll go to you.” he commands. you hum in acknowledgment, and he hangs up.

he doesn’t keep you waiting too long before showing up. “there you are…” he sighs in relief, kissing you as his hands automatically find themselves on your body— one tangled in your hair, and the other resting on the curve of your spine.

once he finds the will in himself to finally pull away, he’s breathless.

he looks like he wants to say something, but he holds himself back, his fingers flowing through your hair. “…get ready for our date later tonight, yeah? formal wear.”

you nod, and his lips curl upward. “i’ll see you later.”

you decided to go all out, pull all the brakes. and when sae picks you up in his car, he can’t help thinking that you look like a dream. ‘are you sure you aren’t a model?’ he muses to himself. his heart twists, and the fat of his cheeks redden with affection. your hair flows like silk, and that glimmer in your eyes was once a star, handpicked from the skies, he’s sure of it.

everything about you encourages him to keep staring, but he manages to get ahold of himself. “…you…look beautiful.” is the only thing he can get himself to say. but, beautiful doesn’t seem to encapsulate it, not at all. it’s not even close. beautiful is only a fraction of what he thinks. “heh, you think so?” you ask. “yeah; beautiful.” he assures. “let’s go.” he says, barely turning his attention away from you as he turns to the road.

the drive to the restaurant is quiet, but sae’s mind is screaming at him. his eyes can’t stop moving back to take sneaky glances of you. he drinks up your beauty like a serpent, and he still hasn’t had his fill.

“…we’re here.” he pulls the shift into its’ brake. he gets out, and hands his keys to the valet boy— his words are inaudible through the car door, but he quickly finishes his conversation and moves to open your car door.

you take your first step out, and his hand immediately moves to help you out. god, you might be even prettier under the gleam of moonlight, shining like the pearl of the planet.

his arm moves and snakes around your waist, guiding you into the restaurant under the flash of paparazzi cameras. he grimaces at the loud, pitchy voices of news interviewers, begging for a comment; anything for a headline quote.

the gentle touch of his fingers tighten, as he silently encourages you to walk faster, and lose the crowd. the two of you hurry up, and dash into the restaurant, where you’re greeted with a dim candlelight, mahogany walls, and the rhythmic trumpet of jazz.

“welcome, mr. itoshi.” the receptionist greets. “your table for two is right this way.” she quickly guides the two of you into a secluded part of the restaurant, just like he’s always done as to make sure neither of you are spotted and harassed in public.

lamps hang on the walls, creating a romantic atmosphere. and the curved dark-brown leather booth couch perfectly complements the dark oak roundtable.

the date isn’t too different from the others. the two of you chat about anything that comes to mind. but, it’s actually more like it’s just you chattering on, and sae listening as he admires that excited grin on your face.

on the outside looking in, it’s obvious how he has heart eyes when he stares at you. he’s in a trance as he listens to the rich honeying sweetness of your voice; his finger traces the lines on the roundtable, wishing that it’d be the crinkles of your smile he’s tracing when he blinks and opens his eyes again.

his trance is broken though, when his phone rings. damn it, he forgot to put his phone on do not disturb… “something wrong?” you ask sae, and he takes his phone out of his pocket. “not sure. there shouldn’t be a problem, i cancelled everything for tonight. ugh… just a second, amor…” he remorsefully takes your hand in his as a silent gesture of apology. he took too long to pick up the phone, it already went out…

he opened his call app, and saw that it was from his publicist, dabadie. he groaned before picking up.

“sae! you didn’t mention that you’d be going out on a date today, your paparazzi shot is already all over social medias..!” he worriedly stammers. “i didn’t? well, whatever… it’s just a date photo anyway.” sae shrugs, speaking quietly to ensure that you don’t hear. “right— but… you know the internet… they might criticize you, and say that she’s distracting you from soccer…”

sae is about to correct him— he’s about to say that you aren’t distracting him from his career, but he holds back once he remembers that you’re right beside him, eagerly waiting for his attention to be back on you.

“i… have to speak to you for a second, im already outside the restaurant… the paparazzi didn’t censor out the location well enough either… so, the agency’s security car will follow you two home…” he adds on. sae sighs. “i have to speak to you too. i’ll meet you outside.” he hangs up. he huffs in exasperation and shallowly drops his phone, making it clatter on the table; the screen is left open on his call record. “im sorry, amor… i have to quickly take care of something, i’ll be back soon, i promise.” he kisses your hand.

“hmph, don’t worry. it’s dabadie, right? he’s always worried about something…” you laugh. of course you’d be understanding about it. you always understood. “heh, that he is.” he sasses before leaving the table.

…and you can’t help but notice that his phone is still open.

his phone is practically yelling at you, “check out what’s on me, s/o! check it out right now!”, and you simply can’t resist the temptation to!

first, you simply scroll around at his call record; nothing too interesting, it’s filled with calls from dabadie, and you. as well as occasional calls from his mom. how tepid, as sae would put it. you exit the app, and find his home screen wallpaper to be a picture he took of you; you’re looking out into the distance, the large castle of sleeping beauty in the background.

you smile to yourself at that cute photo, and move to his photos; it’s filled with photos of you, and almost none of him— not unless you were beside him. you scroll down to check out his older photos; they’re childhood pictures, only a few of them are with rin included.

…

…anyways, ‘what is in sae itoshi’s notes app?’, you ponder. you open his notes app.

‘things i want to eat: 1. omelette, 2. paella, 3. pesto pasta’

‘onitsuka tiger mexico - kill bill/grey, new balance 2002r - grey, asics gel NYC - oyster grey’

‘laundry’

‘i love you’

you laugh at the randomness of his notes, quickly scrolling through them. it’s true when they say that a boy’s notes is truly random.

but that last note catches your eye. it’s a pretty odd note that just says ‘i love you’ with no additional text. and, it makes you wonder.

sae’s an organized person, more or less. so, his notes must be filed too. and, you’re correct. there are three files; ‘lists’, ‘important documents’, and a file with your initial as its’ name.

the other two don’t seem as interesting, nor seem as mysterious. so, you click on the mysterious file.

and, the file is filled with everything about you; he’s written down your birthday (including the time…), your family members’ names, foods you like to eat when you aren’t feeling well, shows that you like to watch… everything.

and, there’s a note that catches your eye. it’s a cut-off sentence, since it was too long. you decide to feed your curiosity and click on the note.

‘she talks to everyone, even the people she doesn’t like.

it takes a lot to piss her off.

she’s always kind to me, after all.

she seems really eager to please, but she has quite the backbone.

she works really hard, but i don’t think many see it.

her generosity knows no bounds, and she always knows what kind of joke to make.

i didn’t think it was possible for a soul to be so beautiful.

nor, that someone like i would meet a soul like her’s.

but, im grateful to the stars above that i met her.

someone as kind as her deserves to receive all the love she gives.

i don’t think she knows how loved she really is though.

what a beautiful human being she is.

there simply isn’t enough words to describe the way her dimples crinkle when she’s happy.

the day she was conceived, the gods must’ve tenderly sculpted her heart out of ivory and gold.

the way she enamors everyone in the room simply by walking inside, and the way her personality shines in her rushed, yet sweet handwriting.

one day, i hope she’ll finally be perpetually happy.

so, that she can always shine that enchanting smile of her’s.

she deserves all of it.’

was this a poem..? it didn’t seem like it, it didn’t rhyme, and the stanzas didn’t have equal amounts of lines… but, the way he worded it out almost made it seem like he was a poet.

you don’t… even know what to think at such a romantic confession. it’s certainly much more than sae has ever verbally said to you. but, the fact that he had written this with you in mind makes your heart pound like crazy.

you’ve always known that sae loves you, but seeing his private thoughts all written out for you to read was… overwhelming.

“going through my texts, amor? i’m not texting any other woman besides you.” sae nonchalantly jokes. shit— time went quicker than you’d thought. “ah, nn… just got a bit curious, babe…” you hum. “what were you looking at..?” he asks, and his eyes widen the moment he sees what you were reading. out of all the things on his phone, that was the last thing he wanted you reading.

he embarrassedly closes his phone. “so… what was all that writing about..? were you trying to be a poet?” you jokingly ask; you knew that sae wasn’t mad, per say… he was probably just embarrassed. “n..no… it was, ah…” he clears his throat. “it was just… something i typed out when i realized i had many observations about you that i needed to write down. i just got sidetracked while i was typing.” he explains.

you smile, your entire body feeling like you’re on fire. the love you feel for sae itoshi feels like too much to contain in your heart. “it was really sweet, sae…” you assure him. for some reason, you have the odd incentive to just… cry right now. you love him so much.

“i know. but, it’s also too sappy.” he huffs. “aw, don’t be so shy… i know you’re just a huge softie under that tough surface…” you tease, moving closer to cuddle up to his side. “im not soft. i just love you, okay?” he groans. “don’t make me say embarrassing things.”

your smile widens, making him look at you with that lovesick look in his eyes. “aww… well, i guess i know how much you love me now anyway, so that’s good enough..!” you mentally fist pump at this small victory.

the atmosphere suddenly feels light again as you start to chatter again, teasing him slightly before going back to what you were speaking about before he had left. and still, sae’s looking at you like you’re the world cup trophy, like you’re all he’s dreamed of.

and sae thinks…

‘…you’ll know how sappy i can get when it’s our wedding day.’

but he should save that for another 5 years, or so.

[vespaer77]

Aside from the fact that I think I might be the only person on the planet who could genuinely be interested in the Executors (I say "could" because my faith in good storytelling from BW is on shaky ground), I fully agree with this post.

And I say this as someone who wasn't sure that the Veil coming down was the right move. But whether someone thinks the Veil should come down or stay up is immaterial. The whole point is that no arguments for the validity of either claim were really ever truly examined. The only reasoning in the game that we get for the Veil remaining intact is that its collapse would "drown the world in demons." Which is... almost a fallacy on its own. Aside from naturally occurring malign spirits (that we learn about from the Mournwatch), demons exist as a direct result of the Veil simply existing.

Perhaps the danger is in not knowing what would happen to all of the mundane, unmagical folk when confronted with the full power of all the raw, unfiltered, chaotic magic of the Fade. But that's still thinking of magic within the confines of the Fade itself. We have no perspective, outside of Solas, on what magic really looks like when the Fade and the mundane world combine. Does it change? Is it still dangerous? Who does it endanger? Are we wrong? Are we right? Who knows? The whole point is that there's never an opportunity to ask those questions. And we have at least three characters fully immersed and available in the story who could provide concrete, first-person, lived and experienced answers.

But we never ask.

We have a spirit of Wisdom who loves answering questions.

And we never ask.

Hell, in addition, we have two dwarves that are connected, isatunolly, with the Titans, who were also there before the Veil.

And we don't get to really ask anything of great value. Even our characters are canonically frustrated with how little we get to ask.

I just think it's very interesting that this game was called Dreadwolf for so long, and then it wasn't. The game we got has very little to do with, and makes very little use of, the Dread Wolf at all. So the game is called The Veilguard. But at no point does the Veilguard really ever.... guard... the Veil. Or make any mention of guarding the Veil. Or have any discussion on why guarding the Veil is so super important or what it even means, especially considering that, in the first 20min of the game, the only real element threatening the Veil is neutralized until the last 10min.

The game, called The Veilguard, isn't about the Veil at all.

In my humble opinion? This game should have been given a title that had more to do with the Blight or the gods or something. Or, given how many times it gets said in game, it could've just been called, "Dragon Age: It's Just So Hard." Even on a meta level, that's a title I could've believed, lol.

All this without even mentioning that one mural memory. We all know the one. The one that falls somewhere between a shameful, textbook retcon and a blatant attempt at gaslighting.

Whoops. I mentioned it, didn't I? Maybe I'll make a longer post about that someday. That's the part of this game that really grinds my gears, the status of the Veil notwithstanding.

In short, I firmly believe that the vilification of Solas is purely based on a retcon (and one that makes no logical sense when properly examined) and it's a hill I'm prepared to die on.

Anyhoops, if someone told me that, even though this game had been in development for 10yrs, the final version of this game was produced from start to finish in 16mos or less, I'd honestly believe it. I also feel like they were 100% shooting for a game that would have DLC afterwards and were told late in their development cycle that there wouldn't be so they tried to gift wrap everything with the ribbons and bows that they had. Like... go to the Halls of Valor and tell me that this is a fully finished game that was intended to be complete from the very beginning.

Castles in the Fade, or What Was the Point of the Veil Anyway

Something that will now haunt me until the end of time is why was the concept of the Veil ever introduced into this series.

We’ve been hearing about it since the very first game. There’s a codex entry about tears in the Veil in Origins. Tamlen mentions a thin spot in the Veil if you play a Dalish elf. Sandal has a prophecy in Dragon Age 2: “One day the magic will come back—all of it. Everyone will be just like they were. The shadows will part and the skies will open wide. When he rises, everyone will see.” Admittedly, this is just one line said by a character who often says odd things, but it hinted to the fact they were planning to do something with the Veil from the very beginning. The state of the Veil is repeatedly brought up. It all had to mean something! Or so I thought. 

When I saw “The Dread Wolf Rises” quest in Veilguard, I said, “Oh, here we go!” The Veil is coming down, magic is coming back, and it’s going to set up such an interesting story for the next game. 

Alas, no. 

I hadn’t really enjoyed my time playing Veilguard up until this point. It felt like the game was ducking and dodging every bit of world building and lore that could possibly bring nuance or complexity to the story. Every returning character or faction was a cardboard cutout of themself. They shoved Solas is a time-out box and gave him nothing to do. They refused to let him have any impact or influence on the story when he had been set up to be our main antagonist back in Trespasser. This game used to be called Dreadwolf! And while we learn about his past… we never talk to him about it. In the present, he’s in stasis.

Elgar’nan and Ghilan’nain are our villains. And they are your typical evil for evil’s sake villains. They are mad, bad, and only as dangerous as the narrative will allow as to not give Rook and co too much trouble. They are surprisingly patient while Rook fixes all their companions’ problems… until Elgar’nan moves the moon to cause an eclipse. A vital component in making his own lyrium dagger. For some reason. This guy can move a satellite!? And he just let Rook walk away in previous encounters… twice. Ok. Sure.

The Evil Duo need their own dagger ostensibly to tear down the Veil, because they want to unleash the full force of the Blight onto the world. Because they are evil. And they were thwarted last time they tried to Blight the entire world. Why do they think Blighting the world is a good idea? What’s the point of ruling a world if everyone is dead? I guess they haven’t thought that through, because of the madness and the evilness.

Ok, I thought. Perhaps the gods will be the one to tear down the Veil. Or maybe we’ll have a choice to let Solas do it his way before they can, which will be less chaotic and less full of Blight. Because the Veil has to be coming down one way or another? Why introduce the concept of the Veil, especially a Veil that has been thinning and failing since the series began, if it’s just going to… stay.

There is a principle in storytelling called Chekov’s gun. If something is mentioned in a story, it must have a purpose. If you keeping mentioning that gun hanging on the wall over the fireplace, it’s because at some point in the story, someone is going to take it down and use it. The Veil felt like Chekov’s gun to me. Chekov’s Veil, if you will. It’s been here from the beginning of our tale, the spectre hanging over our protagonists’ heads for multiple games.

The Veil has been a character unto itself. It was the central focus of the third game, and its dissolution was set up to be the core conflict of the fourth game. We learn everything we thought we knew about the Veil was a lie. It was not created by the Maker to separate the Fade from this world because of jealous spirits, it was created by a guy named Solas to trap the elven gods and the Blight from destroying the world. Also, the elven gods were never gods, and they are also evil.

This reveal will surely throw the Andrastian religion into chaos! This puts the very existence of the Maker into question! The Evanuris are a lie; it’s only fair Catholicism—oh, I mean—the Chantry is a lie too. We briefly touch on that in Veilguard… then it is quietly discarded. Religious crisis averted.

But I digress.

When the title of the fourth game was changed from Dreadwolf to Veilguard, I started to see the writing on the wall. Still, I held out hope the Veil would have some greater purpose in the story. That its introduction as a concept was for a reason. That something in this world would change.

Instead, from the get-go, the question of the Veil is no question at all. We only get Solas and Varric making oblique or catastrophizing statements about it. Solas says little beyond he has a plan. If I ever wanted to hear a villain monologue about their plan, it was now! Varric, on the other hand, decries Solas’s plan. He warns that should the Veil fall, it will destroy the world and drown it in demons. And that’s that.

We never really learn why Solas wants to tear the Veil down, or why he thinks it will help anyone. “The Veil is a wound inflicted upon this world. It must be healed,” he says. And that’s basically all he says about it in Veilguard. In Inquisition and Trespasser, we learn it took the immortality from the elves. It cut most of magic off from the world. Spirits are trapped and are being corrupted into demons, and most of what we know about spirits and demons is wrong. There are ancient elves possibly asleep? That part is left vague, but ancient elves are still about. We meet some in Mythal’s temple. There seems to have been some merit in bringing it down, because elves were flocking to Solas’s cause at the end of Trespasser. He had agents working for him already. What do they know that we don’t know?

Apparently nothing, because by the time Veilguard rolls around, there are no mention of agents. He is working alone. His only motivation now seems to be he’s too deep in his sunk-cost fallacy. The Veil is unnatural, so it must be removed—consequences be damned. We are never given any reason to think Solas has a leg to stand on in his pursuit of tearing down the Veil. We never hear any kind of counter argument from anyone, not even Solas, as to why the Veil should come down. We are only told it will destroy the world. It will drown the world in demons. This is all Solas’s fault.

There is no nuance. No complexity. No moral quandary to mull over. The game gives us vague warnings with no explanation as to what exactly is so world-annihilating about the Veil coming down. We must take Varric’s word at face value. We’re the heroes; Solas is the villain. Stop him.

It makes me wonder why Solas was ever a companion in Inquisition, let alone a romance option. Solas was presented to us as a complicated character in Inquisition. We had the potential throughout the game to make him see the value of this world, to help him realize he was wrong about it. “We aren’t even people to you,” the Inquisitor says in Trespasser. Solas replies, “Not at first. You showed me that I was wrong...again.” He began the third game viewing the world as tranquil, seeing the people in it as nothing more than figments in a nightmare, just as we saw our companions in the In Hushed Whispers quest. He ends the game having made friends, having recognized he was mistaken. He might have even fallen in love. (Or he may still seen no merit in this world if the Inquisitor antagonized him the entirety of their time together.) But something makes him continue with his plan to tear down the Veil, despite recognizing this world is real. He must know something we don’t. Something we’ll learn about in the next game.

We’ve been hearing about the Veil for three games now. We’ve set up our complex antivillain for the next installment, and he’s going to tear the Veil down. We swear to stop him or save him. But it has to be more complex than that. It can’t be so straightforward. Uncomplicated. Simple. Boring. Right? Right?

Nope. He really is just the villain, mustache-twirling and all. He apparently had no greater motivation, no as of yet unrevealed knowledge that would put this whole Veil thing into a new context. It was really as simple as the Veil falling will destroy the world, so Solas must be stopped. There is no new information that is revealed which makes us question what we are doing. Solas is never given any nuance or complexity to his actions. Nuance and complexity have actively been taken away. Both him and the Veil are looking like they are the worst things to be in a story: pointless. Why introduce the Veil if it’s just going to remain unchanged? Why introduce a character like Solas, bother humanizing him (for lack of a better term), giving us his backstory, setting him up as a cunning antagonist, only to make him look stupid, then put him on a shelf until the last ten minutes of your game?

Solas was the trickster archetype of this tale. He was our version of Loki from Norse mythology. What is the role of the trickster archetype? To challenge the status quo. To bring about events of extreme change, like say, the tearing down of a Veil that holds back all of magic. Loki is a huge contributing factor in Ragnarök. Through his manipulation, he causes the death of the beloved god, Baldr. This ushers in a long winter, which signifies the beginning of the end. Loki is imprisoned for this crime. When the final battle between gods and giants begins, the sun and moon are swallowed, plunging the earth into darkness. The earth shakes and Loki is freed to fight on the side of the giants. The world burns in raw chaos, falls beneath the sea, and is reborn. The world is remade, and a new realm of the gods and a new, better earth is formed.

It really felt like this was the setup they were going for. Solas causes the death of Mythal, and this is his catalyst for creating the Veil, which ushers in a world without magic. This could be seen as equivalent to the long winter. Solas falls asleep, trapped in dreams. He wakes and sets in motion bringing about the apocalypse. It’s not a perfect one to one, but it’s there if you squint. We have a war against the gods in Veilguard. I was expecting a few remaining Titans to wake and join the fight. But we don’t get any of that. There is a final battle, but it does not end in the end of the world. Or a better world. It just ends, and everything is the same.

It seems our trickster god caused his apocalypse thousands of years before our story started, when he created the Veil. His role in this tale was over before ours began, and he really is just some relic from a long-past age. He has no role, no purpose in this story. He is here to be thwarted. He is no Loki at all.

If you can’t tell, I wanted the Veil to come down. Did I think the Veil coming down would be painless? Have no negative consequences? No. Of course not. But keeping it up has negative consequences too. And it made for an interesting story. Or at least it could have. But we never explore that. The game presents no counter argument to having the Veil stay up, which, again, begs the question: what was the point of introducing the concept of the Veil at all?

Did I think the Veil coming down was actually the best solution to help Thedas become a better place? I don’t know, and I never will, because the game never argues for it one way or another. It just tells you to want it in place and to stop asking questions. In real life, a catastrophic event is not the best way to solve any of the world’s problems. But this is the realm of fiction. We have gods and monsters, magic and myth. We have introduced the status quo of Thedas, recognized it needs to change, then our trickster god appears ready to fulfill his role in the narrative. 

Instead, it all comes to nothing.

I got to the end of Veilguard… and everything was more or less the same as it was at the start of Origins. Veilguard actually tries its hardest to pretend any previously mentioned problems don’t exist, so of course the Veil coming down has no merit. There are no problems to solve in this world, apparently. Solas is just stuck in the past and can’t get with the times. Silly Solas.

The Veil isn’t even a permanent solution. It wasn’t to begin with. It was some duct tape wrapped around a broken pipe, and we’ve just slapped an extra piece of tape on it. It’s still leaking. It is still unnatural, and will fall eventually one way or another. Large amounts of bloodshed weaken it, so I guess Thedas better achieve world peace real quick to avoid any battles. There were seven super-powered mages holding it together… now there is just one. Ironically, the Veil was going to fall after two more Blights anyway. The Wardens were doing Solas’s work for him! It would also have released the full force of the Blight at that time… which Solas was trying to avoid, I presume.

It feels like keeping the Veil up just pushed a big problem onto Thedas��� future generations. We’ll keep slapping bandaids on it until it all falls apart. Someone else can deal with the fallout, but we’ll be dead by then, so who cares.

Primarily, I wanted the Veil to come down from a storytelling perspective. The Veil was an interesting concept and I wanted the story to do something interesting with it. Conflict is what makes stories stories and the Veil coming down could create so much compelling and complex conflict. And the Fade is weird, and I like weird. Stories are also about change, and I wanted to see Thedas change. Yet, Veilguard is over, and barely anything has changed. Instead of magic coming back being a conflict for the next game, they went with Fantasy Illuminati. Oh.

The Veil turned out to be a nothing-burger, and no problems in this world are even close to being solved. Slavery is still rampant in Tevinter. The elven people are still oppressed everywhere. Mages have no more rights in the South than they did in Origins. Spirits are still trapped and being corrupted. The Calling still exists, though might be different somehow now? They don’t really get into that. The Chantry’s validity is still not allowed to be questioned. The Blight still exists in some form, but again it’s vague. Oh, and we learn the dwarves have been gravely wronged, and the Titans are still tranquil. At least if you redeem Solas and a romanced Lavellan joins him, they can work together on healing the Blight and helping the Titans. Oh, good. One problem is being acknowledged and some action will be taken. Offscreen. Hurray? Solas doesn’t have a really great track record of fixing problems, so Lavellan is definitely going to need to be there to make sure he doesn’t fuck it up.

For some reason, this game seemed terrified of letting us think about anything for more than two seconds. It shied away from complexity or nuance at every turn. The game is called The Veilguard—ironically, that word is never uttered in the game—but we are given no real motive for guarding the Veil. We’re unquestionably the hero. The villains are uncomplicatedly evil. Save the world… never wonder what you are doing or why.

I wanted the game to make me question if the Veil staying up or coming down was the right choice. I needed to be given a real counter argument. Convince me the alternative would actually be better or worse, because as I mentioned… things suck quite a bit in Thedas already for a lot of people right now. Let the Veil’s fate be a difficult choice to make. If the conflict cannot be what to do about the Veil, it should be am I doing the right thing about the Veil. If the heart of your game is so thin on motive, everything else falls apart around it.

I hoped they were setting up a complex, Thedas-sized existential conflict for this game in Trespasser, but no. I wanted something to happen, but nothing did. 

I want to feel challenged and changed by a story, not left feeling empty. I’m tired of superficial entertainment. I want to sink my teeth into a narrative that doesn’t paint the world in broad strokes of black and white, good and evil, heroes and villains.

Ultimately, I think my issue is why even introduce a concept like The Veil if you’re not going to do anything interesting with it. Or anything at all. What I thought was Chekov’s Veil turned out to just be a MacGuffin. And that’s disappointing.

[stellamarielu]

sweetheart part 2

declan o'hara x female reader

summary: after finding yourself in a rather compromising position with your boss, you're determined to confront him about his feelings which ultimately leads to the two of you in yet another compromising position.

content: nsfw, 18+, cursing, smut, like a lot of smut, low-key praise kink, choking (if you squint), dirty talk because duh, multiple orgasms, a little bit fluffy here and there

author's note: i'm sorry this took so long!! i got a little carried away with this one, oops. also realized while writing this that declan o'hara would for sure manhandle you while simultaneously whispering sweet nothings into your ear

read part 1 here

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For the fourth week, you took Declan up on his offer to work late together. Except this time, you weren’t sitting in a stiff office chair, you were sat in a cozy armchair in Declan’s study in his home.

The last seven days at work had been filled with near silence. Neither you nor Declan daring to speak of what happened in his office on Thursday night. One week of awkward eye contact and minimal conversation. 7 days of you both knowing what took place between you but pretending to be oblivious.

You weren’t exactly sure what you expected to happen after the two of you were interrupted that night. Shortly after the phone call that took him away from your compromising position, Declan had abruptly ended the evening. Thanking you for working overtime and telling you to go home and get some rest. Your boss gave you little to no time to process what had just happened, let alone ask for clarification. 

The next morning Declan met you with his usual harmless smile, but his eyes were somewhat apologetic, and from that point on he had kept himself busy and away from you as much as possible. It began to feel like he was blatantly ignoring you and you were growing more annoyed by the day. If he was embarrassed by the whole situation and wanted to put it behind him, fine. But for him to make you feel stupid like this? Leaving you out of important meetings and causing you to miss out on work projects just because of some silly conversation about a smutty romance novel was absurd. Afterall he was the one who brought up the book in the first place. He was the one looking at you in such an inappropriate way. The dirty words spoken were from his lips not yours. So why on earth did it feel like you were the one being punished. 

But just as you had enough and built up the courage to march into his office demanding an explanation, you were met with an invitation. 

The same invitation that Declan extended to you week after week- to stay late and work with him.

Only this week he asked if you wouldn’t mind joining him at the Priory, his house.

He had apparently left some important work at home that morning and couldn’t continue without it. Your anxieties and annoyance around last week’s situation instantly faded.

There is no way Declan would be inviting you to his house after work hours if his true intention was to ignore you. He could have easily told you goodbye for the day and gone home to continue working without having you tag along. It begged the question- what were his true intentions then?

So of course, you accepted his invitation, packing up your things and following him out to the countryside. He led you straight to his study upon arriving and left you to your own devices for a few short minutes to fetch you both a drink.

You began searching the room with your eyes. It was strangely intimate being in Declan’s home. At work you had always taken note at how mundane Declan’s office was. There was almost no semblance of his personality, just blank walls and generic furniture.

What surrounded you now was so different.

His study was overflowing with character. Books piled high in numerous places within the room, each one dog eared and worn. Framed artwork adorned the walls. There were vintage trinkets laid out on the mantle of the fireplace. A record player sat in the corner of the room with a handful of vinyl lying underneath it. Two lamps lit the space, creating a much more relaxing ambiance than the florescent lights at coronium. Unlike the bulky desk that sat in his work office, the one in his study was much less intimidating. Still sturdy, it was made of a beautiful dark oak that was faded and rough from years of use. 

You preferred this workspace, it felt so much more like Declan. The room even smelt like him. 

You stood from your chair making your way to a small mountain of books on his desk. Grabbing a copy of Mary Shelley’s Frankenstein from the top you thumbed it noticing annotations throughout. You smiled to yourself imagining Declan at some point in his life reading the gothic novel and marking it for enjoyment. That’s what you liked about Declan, he was eccentric and scholarly. Deep and brooding but also witty and kind. There was so much to learn, and you truly loved getting to know him, he was unlike any man you had ever met. You were so hidden in thought about his many great qualities that you didn’t hear Declan's footsteps approaching behind you. 

“Whiskey?” His voice broke your train of thought.

“Oh- um yeah, thank you.” You spoke putting the book back on his desk and taking the glass from his extended hand. 

You looked down at the whiskey. When he had asked if you wanted something to drink you had assumed he would come back with something more tame like tea or water.

Nonetheless you took a swig of the alcohol, knowing you would need the liquid courage if you wanted to talk to him about his recent behavior.

“I see you’ve taken the liberty to go through my things.” The rhythm of his words were smooth, a chuckle hiding behind them.

He looked amused as he took a sip of his drink. The silent treatment he had been giving you lately made you realize you missed the sound of his voice.  

“Actually I think it was you who went through my things first, remember?” You playfully chide back at him.

“If my memory serves me correctly, I believe you were the one who set your dirty book down on my desk.” He held his glass to his lips as he spoke.

You let out a shaky breath. This was it. The first time either of you had even acknowledged your exchange from the previous week and you were ready to confront Declan for the way he had been acting ever since. 

“What’s going on Declan? You and I have always gotten along great, I thought we were working really well together. Does one silly conversation seriously ruin all of that? I mean I get it if you regret what happened that night, but you’re my boss and it’s really hard for me to do my job when you just ignore me. You’ve barely said a word to me this week and I’m starting to get freaked out that I’m going to get fired or something.” You ramble on- probably a bit too much. 

A worried look immediately takes over his face, eyes softening. He sets his glass down on the corner of his desk and takes a few steps closer to you. 

“Oh God no you’re not going to get fired. Jesus, I’m sorry I made you feel that badly.” He brings his palm up to rest on your cheek, holding your face gently in his hand causing your timid gaze to meet his. The feeling of his hand on you sending heat to your cheeks.

“I’m sorry for giving you the cold shoulder this week I just-“ he paused mid-sentence looking toward the ground and letting his eyes wander for a few seconds as he collected his thoughts. 

“I don’t regret it” 

You raise an eyebrow quizzically, silently asking him to go on. 

“I left that night, and I couldn’t stop thinkin’ about you. Every thought in my mind for the last seven days has been you; the sound of your laugh, the little blush on your cheeks when you’re embarrassed,” his eyes are glued to yours and you feel his thumb begin to rub back and forth softly on your face. 

“the warmth of your skin, the way you looked sitting underneath me. You’ve consumed me. And that’s not right, is it?” his question is clearly rhetorical, but you want to yell out in protest to keep his eyes and touch on you.

Nothing about the fluttering in your chest for the man standing in front of you feels wrong. 

Thankfully he keeps your face in his tender embrace as he continues,

“I’m your boss, I shouldn’t be thinkin’ about you like that. And I definitely shouldn’t have said the things I did last week.”

You couldn’t tell if it was embarrassment or disappointment that washed over you at his words, but it caused your gaze to fall from Declan’s eyes and onto the floor. You were now aware that he didn’t want you the same way you wanted him, and you couldn’t bear to look at him as he rejected you. You suddenly felt silly for thinking your feelings for him would have been reciprocated. 

His hand slid down to your jaw lifting your eyes to meet his again, gently forcing you to look at him as he spoke. 

“But I did say them, and I meant every word. And then like an arsehole, I tried to pretend like nothing happened because I thought maybe we could move on from it. I just don’t want to make this hard for you. I don’t want whatever happens between us to get in the way of your career. People talk, and I won’t be able to live with myself if you’re in some kind of Sunday morning gossip column for bein’ Declan O’Hara’s controversially young mistress.” 

Now it was his turn to ramble, but you were hanging onto every word. You had been waiting for some sort of explanation- for some sort of confession. You understood his worries and a part of you was even thankful for his concern for you and your career. But in this moment- the warmth of his fingertips melting into your skin and the intense, compassionate stare of his big brown eyes pushed any practical reasoning out of your mind. 

“Well maybe I want to be Declan O’Hara’s controversially young mistress.” Your smile was playful yet genuine as you spoke. 

Declan couldn’t help the laugh that escaped his lips shaking his head at your words. 

“I’m serious.”

“So am I. I’m a grown woman Declan. I understand that my actions have consequences. But I also can’t bring myself to care what anyone else thinks about what I’m doing or who I’m doing it with.” 

Before you know it Declan is grabbing the long forgotten whiskey glass from your hand and setting it aside on the desk. He takes another step forward closing the remaining gap between you. One hand still lazily resting on your jaw as he brings the other to snake around your waist. 

“I don’t think you realize how badly I wanted to hear you say that.” He sighs in relief. 

You can’t tell who initiates it but within seconds you’re pulling each other in, lips meeting and bodies touching. The kiss quickly grows heated with all the built-up tension and desire that’s been forced down for so long. His hands begin their descent on your body, roaming the sides of your torso holding and grasping as much of you as humanly possible. 

“How badly I’ve wanted to hear you tell me you want me.” His words are spoken against your lips, he can barely pull away from you.

“How badly I’ve wanted you bent over my desk.” His voice drops an octave, and he uses the hands that have been exploring your body to spin you around, so you’re pressed against his desk. You can feel him behind you, his body flush against yours, the arousal in his pants unmistakable against your backside. 

“I thought about it that night when I went home. Thought about how much I wished I would’ve ignored that phone call and taken you on my desk instead.” His voice was a low whisper in your ear, and you could feel his breath on your neck. 

His palms were flat against your abdomen holding you against his body.

You felt his right-hand slide from its position on your stomach only to find a new home gripping your backside. You could nearly hear Declan groan as he held a handful of your ass in his palm. You wanted him to keep touching you like this, clutching your body in his rough hands. You never realized your deep desire to be manhandled by him until Declan held you like this. 

“Sweetheart, I could never regret the things I said to you last week.”

His grip on your ass was gone, and you let out an unsteady breath at the loss of contact. The breath turned into a whine when you felt Declan’s hand slide underneath your dress. Still pressed against the desk you involuntarily leaned your upper body forward over the furniture pushing your bottom half further into his touch. You were so desperate to have him between your legs you didn’t care how pathetic your actions were. 

“My God darlin, you’re gonna be the death of me.” He hums and you can feel his touch tracing over you’re embarrassingly soaked underwear.

He hooks a single finger underneath the material pulling it to the side and a rush of cool air meets your damp core causing you to clench around nothing. 

“Tell me to stop and I will.” Declan’s voice is so quiet behind you, you’re convinced he didn’t want you to hear his offer. 

“Don’t. please don’t stop.” You manage to sound somewhat composed even though you’re falling apart under Declan’s touch that hasn’t even found you yet. 

“Never in a million years did I think I’d have you like this, bent over and beggin’ for me.” You can’t see him, but you know for a fact there’s a smirk on his face.

Just as your about to plead with him again you feel two of his fingers gather the wetness pooling at your center and slowly push into you. You almost roll your eyes in pleasure, but not because of the gratification of Declan’s thick fingers stretching you open. No- it’s the noise he makes from behind you as he lets his hand work between your legs that has you melting into him. An eager groan escapes his lips when he’s finally able to feel you, a sound that assures you that he’s enjoying this just as much as you. It’s enough to make you squeeze tighter around him. 

The movement of his right hand between your legs is gentle and methodical, on a mission to get you to your release. His left hand, however, is greedily pulling at your waist dragging your body further into him. 

Your gasps of pleasure are very clearly encouraging Declan, causing his fingers to quicken and curl into you. His change in rhythm brings a whimper to your lips.   

Declan’s free hand leaves your waist and begins roughly wandering your upper body stopping when he reaches your neck. Gently grabbing your throat, he brings you back so that your body is flat against him. His fingers softly wrap around your neck, and you only want him to squeeze harder. You can feel him all over: his hand holding onto your throat, his heavy breath on your neck, his fingers curling in your heat, and his length pressing against your backside. It was almost too much, feeling him like this- having him like this.

With his hand still on your throat he places open mouthed kisses down the side of your neck.

“You don’t have to be so quiet darlin’, I want to hear you.” he murmurs into you, the hum of his voice on your skin giving you goosebumps. 

At his request you allow the pleasure building in you to bubble out in a primal moan, finally allowing yourself to fully lose control under Declan’s touch. You could feel him smile into your neck at your sweet sounds filling his ears. 

The feeling of your release was becoming increasingly hard to ignore as Declan’s fingers continued to move within you. In a haze of desire for the man holding you, his name tumbles out of your mouth in a pathetic whine. 

As soon as Declan hears his name, he removes his fingers and abruptly turns you back around to face him. Within seconds he has you sitting on his desk, his body positioned between your open legs. His hand immediately finds its place back at your center, fingers fucking into you at the same pace as before. 

"Fuck- say my name like that again."

You oblige, moaning his name and grabbing onto his forearm, your fingernails digging into his skin.

“I want to watch your face when you cum sweetheart.” His voice is groggy, and his eyes are dark, clouded with hunger as you gaze into them. 

Declan adored your sweet eyes and innocent smile, but seeing the way you looked at him right now was something he never wanted to forget. Your eyes were glazed over with desire barely able to focus, and your mouth fell open in pleasure. It was something he had only ever thought about late at night with his hand wrapped around his cock. 

Adding fuel to the fire already burning within your body, Declan brought his free hand down to rub your clit causing your head to fall back. 

The feeling of his fingers on and in you had your walls shuddering around him. The threat of your peak was so close, and Declan knew it. 

“I’ve got you. Come on. Cum for me angel.” 

The sweet words leave Declan’s lips in a kind whisper and it’s enough to push you right off the edge. Your body tenses and jolts and you find Declan’s name on your tongue repeatedly as you completely let go under his touch. 

Both of your breaths are labored as he slowly pumps his fingers in and out of you a few more times, milking your pleasure.

You barely give yourself enough time to recover from your climax before you’re reaching for Declan, pulling him closer by his belt. You let your hands wander lower palming his length through his pants. His forehead falls against yours and his eyes close in indulgence, a quivering breath evading him. 

“Feel how badly I want to be inside you?” his accent is think and heavy as he speaks.

Those words have your hands fumbling with his belt. You need it gone. You need to have Declan in your hands, in your mouth, in you. You didn’t care you just needed his pants off. 

It’s like he can read your mind because his large hands are instantly assisting you. Watching him undo his belt you shuffle your now soaked and useless panties down your legs. 

With his belt and pants finally off you took him in your hand and Declan immediately grabbed onto your waist, his fingertips threatening to leave a mark in their wake.

He couldn’t handle how sweet and soft your hold on his cock was. He was throbbing in your hand, his patience was almost nonexistent as he guided the both of you so his length was lined up at your entrance.   

You were both staring at each other now. Not a single word shared between you, just heaving breaths and warm touches.

His eyebrows furrowed in pleasure as he pushed into you inch by inch. Your hands trailed their way into his hair, burying your fingertips in his curls at the feeling of him filling you. 

He’s pressed into you to the hilt and stays there for a moment waiting to feel your walls relax around him before he moves. 

“Feel okay darlin?” He’s checking on you in a gruff tone, unable to hold back the starvation for you in his voice. 

“Mhmm” You answer in a hum, giving a small nod of your head causing your foreheads to bump into each other. 

Declan’s gaze falls from your eyes and looks down to where your two bodies meet, looking down to watch the way you’re greedily sucking him in. He watches himself slowly pull out just to plunge right back in. His thrusts are passionate and deep, every inch of him feeling every inch of you. 

He knows he won’t last long- not when this is all he’s thought about for months. Playing all of the different scenarios that end with you screaming his name like a movie in his head. Dreaming of what you would feel like wrapped around him like this.

Watching you take him so easily while you sat in his home on his desk had his cock twitching inside you. 

When his eyes meet yours again, he can’t help but notice your jaw falling slack. You’re fucked out and losing your composure and it fills Declan with a satisfied arrogance.

“You look so pretty takin’ me like that sweetheart.” Given your indecent position his voice shouldn’t be so sincere. 

“So pretty when you cum too.” The words drip from his lips like honey. 

“Think you can give me another one?”

You’re drowning in the syrupiness of his sweet nothings. His words have you squeezing and pulling him deeper into your walls. His hand falls between you, playing with your clit. The already swollen and sensitive bundle of nerves practically vibrating under his fingertips. 

His thrusts are deep and precise; finding the perfect spongey spot that has you gripping his hair tighter and moaning profanities.  

“I wanna feel you sweet girl.”

You let your forehead fall to the nape of his neck as Declan bottoms out in you repeatedly. His fingers are moving in delicate circles over your clit and you can feel your legs start to tremble.

“C’mon let me feel you cum around me. Let me feel it.” 

He’s grunting and pleading and moaning, and you can’t help but give him what he wants. You instinctively bite down on his shoulder to keep from screaming.

Feeling your walls tighten around him has Declan roughly grabbing at your hips, holding you still as he drives into you taking what he wants. 

“Oh darlin’ yes- Fuck you feel so good squeezin’ me like that.” 

You have Declan in a trance: the sweet sting of your mouth on his shoulder, the soft flesh he’s grasping in his hands, the tight little cunt around him all nice and warm, the precious little whimpers leaving your lips. He swears this is heaven and he’s determined to have you in every way possible.

Screw what the tabloids want to say about it. 

You pull your head back to meet his eyes and he can’t take it anymore. The pressure building inside finally sets off and Declan comes undone with a string of moans and sighs finally giving into his release and filling you with heat. 

Both of you are silent for a moment, out of breath and struggling to find the words to speak. Your eyes are still locked on one another when you feel Declans hands reach for your arms trailing his fingertips lightly on your skin. 

“That needs to happen again.” Declan breaks the silence, his voice barely above a whisper.

He’s wearing a dopey lovesick smile that unleashes butterflies in your stomach.

“And again-” He places a kiss on your forehead.

“And again-” He kisses you once on the cheek.

“And then a few more times for good measure.” His lips meet yours in a gentle embrace.

“Well, I guess cheers to being Declan O’Hara’s controversially young mistress!” You joke causing Declan to chuckle darkly hiding his face in the crook of your neck.  

my masterlist

[rowie264]

If someone criticizes something, it doesn't mean that they hate it. It also works the other way around. If you like something, it doesn't mean that it's done well from an objective point of view.

I love Jinx. Her design, her story, her personality, her character arc... I was just fascinated by her. Jinx has become one of my favorite characters in media in general. It was the continuation of her story that I was waiting for the most.

Jinx is still my favorite character in season 2. I love almost every scene with her. How she did Sevika's arm and the subsequent fight with the Smeech, the fight with Vi in Act 1, the prison break, search for Vander in the mines, epic appearance during the battle against Noxus.

I got a lot of positive emotions while watching s2 and especially during Jinx's appearance on the screen. But… an emotional response and objective assessment are two different things. And objectively, Jinx's character in season 2 is OOC and poorly written.

Removing very importand part of her story and personality. Her mental issues almost completely disappear. This is a very important aspect of her character. And no, Isha's presence and a "more favorable environment" would not heal her, the whole 2nd act is completely unrealistic and looks stupid, since all her problems with her mental health were magically solved off-screen;

Irrelevant piece of plot. Her arc of "Zaun symbol" passes by her - she becomes a symbol by accident, ignores the consequences and directly encounters all this revolutionary mood only during Isha's saving from Stillwater (at the same time saving her followers - an indirect action, not a purposeful one). So this arc is kinda about her, but she doesn't seem to participate in it herself, and it ends with literally nothing (like the whole Zaun revolution);

Making her more appealing to wider audience. Her hatred of Piltover and Caitlyn just disappeared. Yes, while she was with Vi in the mines she said "piltie goons who murdered mom and dad," but… that's all? Jinx doesn't kill a single enforcer in the entire 2nd season (although, for example, she could have in Stillwater) and tells Caitlyn "I didn't know your mother was there." Let me remind you that Jinx literally giggled in s1 when she killed a dozen enforcers during gemstone kidnapping, killed enforcers on the bridge without any care, she hated Caitlyn fiercely because she "stole" her sister from her, and she couldn't not know that Cassandra was a councilor. It isn't showed how and why she changed her opinion and this is important thing to her character, you can't explain such change with microexpressions or parallels;

Unrealistic happy family reunion. The reunion of Jinx, Vi, and Vander is a spectacular moment from Disney. Do you remember how Jinx reacted when Vi returned? Yes, she was happy but as soon as she spotted Cait she freaked out and immidiately thought that Vi betrayed her. Imagine what would happen if her supposedly dead - bc of her btw - father had returned and now looks like some animal;

Silco mattered much more to Jinx. A very "subtle" replacement of Silco for Vander in the role of father (Jinx calls him father, sniffs Vander's jacket and not Silco's), although Silco played probably a bigger role in this? And Jinx remembers about him like 2 times? Although it's been about 7-10 years since Vi's "death" in season 1, Jinx was still triggered by just a similar appearance. Apparently, Silco wasn't that important to Jinx (which is not true); I could still keep talking about Jinx, but let's leave it at that.

I love Jinx even in season 2. I like watching scenes with her. But my emotional attachment doesn't stop me from seeing that Jinx's character in s2 is not a continuation of Jinx's character of the end of s1. Her image is broken, the arcs are not completed, the relationships with other characters are poorly written.

[imkazz]

saiki k season 2 lore is insane

cant believe some of my moots said there was barely any lore or character development until the last 2 episodes because what the fuck is thissss (huge spoilers)

making this more organised than my last post about season 1 and the finale

teruhashi at first i really really hated her- of course, i loved and adored her as a character but as a person? no. she is a play on the anime trope of 'perfect mary sue girl' and its so fuckin weird becuase its both exactly that and exactly the opposite. she is perfect and looks beautiful and nobody can compare and basically everyone is falling in love with her or completely and utterly jealous of her- exactly like one of those stereotypical girls in those kinds of animes. but then at the same time shes not. teruhashi is intelligent, cunning, calculating, and puts up a delicate facade practically 24/7. she knows her abilities and utilises them to her absolute fullest, and i completely respect her for that. teruhashi recognises that she is 'gods favourite' and she is not shy in the slightest to manipulate that to ensure she gets the advantage. however, this knowledge of everyone else completely obliterates her own self-perception: she believes that she herself is the very role she is acting. teruhashi is determined that she is absolutely kind and perfect and is in no way wrong with anything she does. and with her lack of experience involving rejection and plainness, she completely overlooks saiki and is utterly confused with him as a whole. and at first, teruhashis obsession with saiki is about getting him to just become another guy- get him to say 'offu' to her. she bugs him, follows him, comes up with ploys, manipulates the world around her to try and get it to happen, uses all of her skills to her advantage, only for nothing. i didnt like her as a high school student to another because she painfully reminds me of a lot of girls i was friends with.

but then as the series goes on...... teruhashi changes. i think it was a gradual thing (such as teruhashi becoming friends with yumehara, even- i dont think she actually had female friends up until yumehara because of the amount of guys around her +the fact that all other girls near her would get overshadowed), but it really showed up for me in episode 17 of season 2. where teruhashi got jealous of aiura (fuuck i gotta talk about this diva). yeahhh it was not pretty. teruhashi began changing herself so that saiki could notice her (and i notice that before, teruhashi had only tried to use her own personal skills to get him to say 'oh wow' so this is the first time shes tried changing herself) and i found saikis attempts to dissuade her interesting too. typically, with all of his attempts, saiki would go into her mind and use his powers to try and turn her off, but this time, he actually told aiura to do it.

i think it was also very interesting that aiura was also changing around her appearance, as it really helped set things in for teruhashi. as they both changed what they were like (teruhashi for a boy (saiki), aiura for a girl (teruhashi)) so teruhashi was only getting more and more confused with that bit. 'if im getting more gyaru and aiura more kawaii then why isnt he reacting to either of us?'. and then saiki gets aiura to talk to teruhashi, and i also found what aiura said to teruhashi interesting. it was all that stuff about saiki and what kind of girl he liked. and i really think that she was telling the truth. i really feel that aiura was just saying things about saiki about a whole for all his relationships, romantic or platonic. he likes people who stay true to themselves. kaido is unafraid to feed his delusions/imagination (whichever you please), toritsuka is always honest with saiki (even if nobody wants to hear that pervy stuff), aiura is unafraid to be boisterous and stylish (even if she is a little bit freaky), kuboyasu is genuinely trying to become a better person (even if it sometimes doesnt work), akechi is determined and didnt let saiki sway him (despite all the obstacles that saiki put in his way), nendo is undoubtedly stupid but he is still kind (saiki watched him jump in front of a truck to save a kid thousands of times), on and on and on.

not only that, it is painfully clear to us the viewers that changing appearances doesnt matter in the slightest to saiki- he only sees it for like 3 seconds (i think he said) before it becomes muscle. curling hair or applying makeup or having more meat on the titties doesnt matter to him at all. what matters is what happens in their head, because while he doesnt get an extensive idea about their outside, he gets overly surrounded by everything on the inside. and thats probably why aiura saw that and said that to teruhashi (even if she cant explain the full reason). so teruhashi returns to normal and says that she will make saiki gasp with her own abilities.

but the strange thing is that shes already given that speech before. i cant say exact episodes from the top of my head but she has totally already said that she would use her charms and looks and sweetness to make him say 'offu' and he has always tried to dissuade her using his powers. but it was this one that made him gasp. and like. i was not expecting it in the slightest ok. but i think it makes sense- she has discovered that she can be confident in herself as a person rather than just her natural looks and is determined nonetheless. i think that saiki recognised around this area that she genuinely liked him as he was, even if she had thought he was 'gloomy and hard to read' (i believe she thought that when with his perv grandpa?) she still wanted to be around him and still had that crush. i love how when teruhashi is talking with other girls (kuriko too, but in this specific case im thinking about is rifuta) about her crush on saiki kusuo, that she would mention that at first, it was pure spite and disbelief that anyone could ignore her like that. and then, teruhashi wouldnt fail to continue and say that she grew to have a genuine crush on saiki that wasnt built upon annoyance at the fact he walked past her. and he discovers that he doesnt particularly mind being the object of her affection (unless her fanbase gets in the way oof) so i think that the offu from was a sort of embarrassed yet begruging acceptance towards this parasite of a girl who has attached herself to him lol

aiura shes sososo cool. i love the freshness(?) of her personality for the rest of the cast. finally a female psychic and i am in love with herr. at first i was a bit skeptical with the whole 'finding my soulmate' thing and i was cackling when saiki was just like 'ah yes she is legit but i am Just Better'. and then she continued to show up more and i love her. shes so quirky and very different from the other girls, who we see as much more feminine and in tune with romance anime tropes than anything, and then she comes in with the gyaru style and i love that so much. not only that, her slang and way of speech compared to the other girls (teruhashi, yumehara, mera) is also very interesting.

not only that, i really loved seeing the anime through her eyes and the auras of other characters including the shock-comedy of saikis. then, as she finds out about his powers and all i really loved how they worked together. i know a lot of other characters also saw that, seeing through teruhashi who commented that they were like the 'opposites attract' trope with 'boring' and 'flamboyant'. but then i also really liked how they worked even without any of the other characters opinions. aiura is still not giving up about the whole soulmates thing and saiki just lets it happen. because his ulterior motives is that she would ward off teruhashi so he begrudgingly accepts her to be near him as she pesters him to date/bang.

and then adding toritsuka into the paragraph, the pk psychic kids are golden. i love love love their dynamics. saiki has more respect for aiura only because he holds none for toritsuka. toritsuka sees saiki as superior and saw aiura as a pair of boobs in the beginning. aiura wants to be with saiki and just hates toritsuka because he tries to flirt. and for every mission they try to do together it always ends up in comedy. when saiki turned kaido and nendo to stone? holy fucking shit that really summed up what they were like. the psychic kids really are a weird band of teenagers with powers and it really showed their personalities in that meeting because. aiura stripping in saikis bed and toritsuka peeking through the door and saiki only sees a pile of muscles on his bed and a perv watching through his door. like cmon

i also want to dig deeper into her powers. she is completely ok with people knowing about her powers (like toritsuka but unlike saiki). she uses them to help people out (unlike toritsuka but like saiki). she uses her powers to her own benefit (like toritsuka but unlike saiki). she doesnt want to burden people with her powers (unlike toritsuka but like saiki). i find them soso interesting too because she questions why saiki doesnt use his powers more openly esp because he just has so many at his disposal. and then he sort of shows her why its a bad idea to so openly help people out by the result of mera and her father and i feel like she toned it down a bit after that too (at least publicly).

childhood lore this was insane. the buildup and everything and how it was presented. it first started with akechi being introduced as a new student and it was already unsettling to see saiki be actually a bit nervous about this guy. and then even more of a shock to see this guy blatantly ask saiki if he was a psychic because what- how the hell would this guy suspect, much less know?! and we learn that they were classmates in elementary school and we see a barely-there flashback to saiki standing in a classroom with childrens bodies scattered around him. so the suspense has started. and then we continue to get pestered by akechi but we know what he wants, but not why and thats the whole deal of it. he is the embodiment of those anime characters who are scarily good at deducing things and has a perfect memory too which makes it all the scarier because we know hes not an idiot unlike the rest of saikis friends.

and then to actually know what happens while saiki is going back in time to change it? masterpiece. we learn more about why akechi is pursuing this answer along with what actually happened to make that happen, along with why saiki cant change it without some sort of grave consequence. and the new knowledge that saiki as a kid without limiters is stronger than teenage saiki with limiters is even scarier because of course saiki wouldnt be able to stop himself.. truly an op main character. i also found it interesting how saiki k (the anime) manages to reuse powers over and over too and in such creative ways and in strange comebacks. he went back in time for his parents, he rewound the earth to one year prior because of the volcano, relived the same moment of nendo dying like thousands of times.. they really only ever hinder him.

and then to know what happens? i thought akechi was a creep for following/knowing everything about saiki but.. knowing everything that he knew at the moment? makes sense. definitely creepy, but much better understood. i feel like it was a good decision from saiki to tell him about his powers. if this isnt the first time theyve been like this, then it really does make sense. they were kids. they still are kids. and omfg saiki saying "i decided not to tell anyone about my abilities after that" because all it did was get akechi into more trouble from bullies. but they are now teenagers and have better cognitive understanding than when they were elementary kids so i feel it was justified for saiki to tell akechi because, after all of that trying with time travel, saiki couldnt stop the series of events unless he was making the world suffer. and akechi deserved at least a bit of closure about what actually happened and why saiki left.

and i feel like this series of events is also what makes saiki who he is in the beginning of the anime. he doesnt want friends at all because if they found out about his power they would be curious and want to know more and blab about it to others. and saiki knows the result from having lived it. because if he gets attached, people he loves get hurt. trying to make friends only causes suffering as akechi got bullied for claiming all those things and saiki hurt other kids using his powers because his emotions got out of control (rightfully!! he was like 8 and his best friend was getting bullied!!! of course he wouldnt be able to control any outbursts).

shipwrekced shipwrecked. i cant forget about this one but i was saving this. i realise i didnt write any notes for this one because i was wayy too focused on the actual happenings to comment. because what the fuck. 

yeah that about sums up what i thought at first.

the tropes. holy shit. they added so so many tropes into this one it was. the teenagers on a ship get shipwrecked on an island. all they have are the clothes theyre wearing and miraculously the pantry which washed ashore along with some supplies to build a raft. like all the typical anime things. and even when they suggest to build a raft, saiki agrees with them because its a good cover up. and i really loved the stereotypes that were put upon them: the loner (saiko), the cannibal (mera), pretty woman (teruhashi), leader (kuboyasu), idiot with good ideas (nendo), then saiki and kaido as the ‘followers’ or ‘helpers’.

then i found how saiki got them out genius, despite the fact he was panicking in the beginning about how to fix it. like of course he should be panicking because you cant see any rational way to get out of the situation without telling the rest of them about his powers. and so he tries to keep them alive for a little bit (going home and sleeping, buying food :sob holy shit bruhh), and then when he finally finds a way out (the raft) they play it off as stupid despite being such a stereotype of any shipwrecked movies. and even teruhashi realised that something was off, right? how his clothes were perfectly clean and all, but when he ‘went to work’ (i totally thought he was off to kill something with the saw helpp), he came back dirty. and of course! only saiki would make a whole new island near japan as a way of keeping his powers secret..

i honestly have no idea how to feel about this because.. how did they move on so quickly?! your students/classmates got trapped on an island for a couple of days. shouldnt this be a bigger deal- shouldnt saiki be known as ‘the kid who got trapped on an island’? like bro…. anime logic (if anyone else could. tell me what the hell was up with the shipwrecked episodes other than being satire towards other shipwrecked medias and being a bit of a comedy along with character development towards some characters like saiko)

friends+classmates so like. kuboyasu is a previous gangster and trying to become better/normal (anime trope). and kaido has middle schooler syndrome and thinks hes so cool (/affectionate). they are the two people you would least expect to become besties right. and yet they fit together so well. kuboyasu wants to become normal while kaido wants anything but. kuboyasu is actually strong and able to protect people while kaido can only dream. and it really shows during that mugging episode where kaido knows about kuboyasus past and yet still tells him to run. kaido is so weak and delusional that he probably gives kuboyasu a reason to remain calm and to 'protect his innocence' while kaido wants to be jet black wings and protect everyone no matter their pasts or abilities despite constantly failing and getting into danger and needing that saving himself. and even after that, they continue to hang out with or without others (such as building that fort or taking motorbike classes together??? or even may i mention when kaido trapped himself inside the coffin and kuboyasu was trying to coax him out). so then imagine my shock and delight when they started calling each other shun and aren like OMFGG?? calling people by their first names in japanese culture is a sign of being close with each other (such as chiyo and kokomi). theyre always in close proximity to each other and i adore themm

okok then saiki. and his friendssss. these episodes as a whole just show how much hes grown to care for themm. he follows yumehara and her boyfriend-sworn friend(?) to ensure that neither gets hurt from their misunderstanding. he warms up the classroom for all his classmates because he caress. he foils the plans of the news team to make teruhashi look bad. he stops hairo from getting killed during a robbery. he makes kaidos prank actually happen. he tries to throw akechi off in order to protect both of them from his power. he fucking saved yumehara from falling to her death. he gets beaten up by some fourth graders to help out yuuta. he gets everyone to return their gifts to mera on her birthday. he uses hypnosis to get his class to look better while they perform that play. he catches teruhashi before she falls and carries her to the nurse. he probably wouldnt have done half those things in the first part of season 1. so many of those require him to genuinely care for the people hes helping and not only that, some of those things draw attention to him and he would only let that happen if he truly cares for who he is aiding.

then to add to more about relationships between characters that arent saiki. kuboyasu and saiko. it definitly started as a hate-hate relationship. but then we see saiko crying in the bathroom because mean things were written on his desk and then we also see kuboyasu had tried to clean it off before saiko got there. my heartttt. not only that, but saiko who didnt care about peasants who went out of his way to redo his mansion to fit their tastes? and at first it was for his own ego (so similar to teruhashi omfgg) but then just like her, saiko began to actually care and didnt even understand it himself about why he was so focused on getting them to like him. and ofc he is an ass. he rolls down the window only to close it and drive away because its cold. he withdraws funding from the play just because the class was going behind his back. but its barely his fault. everything is handed to him on a silver platter and he doesnt know better. while kuboyasu had to work for everything. before he was working as a gang leader but now he is working towards being better. and aughh

world lore first off i need to say that the foreshadowing for this was INSANE. do you hear me. i am shaking you by the shoulders while i say that i am still utterly speechless by the implications and impact of episode.

the fucking volcano. holy shit. holy shit. there is so much i have to talk about considering the anime +worldbuilding +foreshadowing +buildup. this is a comedy anime. this is an anime that makes fun of anime tropes constantly. girl running to school with bread in her mouth. background characters. siblings who are a lil too freaky with their siblings. mary sue anime girls. the idiot friends. and then this???? the fact that saiki has been in a time loop for the same year for four years straight is. its literally mentioned by saiki himself when he says 'you might notice something off about this anime' and its poking fun at the fact that high school animes always loop around in order to continue publishing (like how its meant to represent just one year for the main character but theyve had seven winter episodes/chapters and three birthdays for a character). its poking fun at that bit and it uses saiki himself to do it.

the worldbuilding and foreshadowing come hand in hand. in the episode where kuboyasu was first introduced, toritsuka began talking to him about being a transfer student. when kuboyasu asked when toritsuka had entered he said 'second term of second year' so the same as kuboyasu. and we brushed it off as toritsuka being a dumbass. because of course we would, of course kuboyasu would too. but fuckk. we have four transfer students in one year all in second term?? we thought it was just a fucking anime trope thing again. but no. it was all purposeful. and then to add to that, we already knew that saiki had time travel powers. he could control time, we know from his restoration along with (later on from this episode) how he travels back through time for his parents. it was all deliberately set up in that way and so just holy shit.

and now i have to actually talk about that segment itself. the earthquake in the beginning was seemingly comedy and then we see saiki training. cool but not too big of a deal. and then he starts telling us about what the fuck is up just as he tries to stop the volcano. like excuse me?? i found it so very interesting that he continues rewinding time in order to build up his powers daily yet keep the volcano from exploding and intertwining both the time powers and mind control in order to achieve it. and hes gone through second year of high school four times, yet his parents know. it was crazy how nonchalant they were about it too, saying 'oh he can always do it again right' like he is saving the world. how much longer would he do it? how much would he be willing to do? i find saiki so very interesting because he could always just. let the volcano explode but it is in his core to be kind and to help the ones he loves (including the rest of japan). he tries and he knows his limits and yet he is still ready to try again with a new set of abilities.

final thoughts before reawakened too hyperfixated. OOF. anyways im so sad the anime is almost over (for me loll). its sucked me into its grasp because it has everything im looking for. as a high schooler i love all the shenanigans but then as an anime lover i enjoy the satire tropes and as a theatre kid i love the gags and commentary and as a person who looks wayy too deeply into things i love the implications and dark undertones of the series.

[rin-solo]

You are absolutely correct to point this out. Tagging @glisten-inthedark because this feels like something you'll enjoy. The whole "7 years aren't as long for a god as for a human" thing aside, this just beautifully shows how differently they view each other.

To Odysseus, Poseidon was never more than just another obstacle to getting home. A much more competent, dangerous obstacle than any other, but still just an obstacle that he had no particular or special feelings toward beyond, "I have to avoid this guy." Then he spends 7 years at Calypso's and naturally forgets all about Poseidon because he just doesn't assume that Poseidon would care about him that much either.

... But Poseidon does. And that's the beautiful irony of it all ... To Poseidon, Odysseus is so much more than just a mortal who blinded his son that one time; if the Vengeance saga proves anything, it's this. Think about it—he doesn't mention Polyphemus at all anymore in this saga. Instead, he admits straight out that he's avenging "his reputation"—a fancy way of saying, "I'm hunting you for myself and my own reasons now."

And he does. He waited for him—not because of his son but because of himself. Because he does feel something for Odysseus as a person, be it hatred, indignation, or something entirely else. Whatever it is, it's personal for him, and for him alone.

He cares so much about being the one to kill him that he waits for a decade (even if that's only akin to, like, 10 weeks or something for a god, that's still 10 weeks of camping in front of someone's house to get their attention!) I don't think anyone would shame or fault him for letting Odysseus live anymore either, like I've seen some people say, especially since it was Zeus' decree that Odysseus be released.

No, Poseidon waited for Odysseus because Poseidon wanted to wait for him. Poseidon remembered Odysseus because he was "something" to him, as opposed to Odysseus, who just straight up forgot or assumed he got bored and/or had better things to do with his immortal life (a very fair assumption, honestly.) The fact that Poseidon didn't get bored and didn't have better things to do with his life tells us so much about his character that I could write a whole essay on it ... I've covered parts of it in my Get In The Water analysis and also this lil thing, but I might write a full essay on this someday.

And that's the beautiful, poetic, almost ... tragedy of it all since it's so clearly one-sided: Odysseus feels nothing—no hatred, no attachment, not even enough to consider he might still be after him—whereas Poseidon feels ... everything? A lot, at least.

It's literally a case of "the opposite of love isn't hate (or the other way around, either work); it's indifference." Odysseus is indifferent. But what you, dear god of tides, have is a very serious case of obsession. You might want to—oh, no, he can't hear me; he's passed out on some rock shore, bleeding profusely. We can only hope that being defeated, humiliated, and confronted with his vulnerability in this manner didn't only deepen his obsession. Why do I have a bad, bad feeling about this though ...

My favorite thing in Epic that we don't talk enough about is that during the Circe and Thunder sagas, Odysseus was pretty much aware that Poseidon was after him. But in Vengeance saga, considering his reaction at Poseidon's appearance in "Get in the Water", he kinda thought that Poseidon must've forgotten and let go until that time. BUT HE DIDN'T. THE MAN WAS OBSESSED WITH ODYSSEUS FOR SEVEN YEARS

[vaxxman]

Oh I'm sad to see people didn't like comic 7, I thought it was very well done.

This isn't an invitation to an argument, I just want to say my opinion because I'm seeing a lot of people criticising the last chapter.

We got a lot of answers and everything that seemed conveniently placed for plot was completely in the scope of how the previous stories have worked before. I thought it was funny that soldier lived in a cave of Australium. It's just as convenient as Medic having a deal with the devil and the mercs being unable to die. Or Grey Mann having a daughter who no one wants to punch in a fist fight. Or Sniper's parents coincidentally being involved with the sinking of New Zealand.

I think it was a very good choice to not let the mercs do anything plot driving in this chapter, because this conflict was never a conflict that could have been ended by the mercs. They wouldn't even have cared, heh. We've known that everything was carefully orchestrated by the Admin, so it could only have been resolved by those who are part of the bigger conflict. Hence Miss Pauling, the Admin and Saxton do most of the plot. Everyone else already had a lot of screen time in the previous chapters, but none of their stories were truly contributing to the actual conflict at hand, so the story can't come to an end until we actually see the person who's been pulling the threads actually come to terms with what she was doing. I'm very happy that her ultimate plan turned out to just be a pointless act of revenge, since we've all known from the start that the gravel wars are pointless. This is just one more dimension deeper into how pointless it is.

Managing to resolve the story and making sure all characters receive a happy end the way they did was more than I had hoped for comic 7. But just to summarise how I think everyone received their peace of mind across all comics:

1. Sniper: Finds out he's adopted -> figures out his step parents were his true family after all

2. Spy: Really wants to tell Scout that he's his dad -> actually manages to say the words, even if he wasn't honest with his appearance

3. Soldier: Delusional hater of commies -> marries a Russian woman and stops claiming racist things, because Zhanna as a person was more important to him than whatever he believed about Russian people. Still weird, not with less delusion but genuinely a sweet father and husband. Exaggerated and maximally silly way of how to actually change people's racist opinions in real life.

4. Scout: Upset that he can't get laid and thinks he has to be More Man -> glows up by becoming a dad who steps up and is less preoccupied with getting the girl of his dreams. His kids are what matters to him now and he becomes like his mom

5. Heavy: Worried about his family in Siberia -> his sisters show him they don't need him to protect them all the time and everyone moves to America so he can be with them. His sisters get to live freely.

6. Engineer: Is involved with the conflict since his grandpa, and is contractually unable to stop it -> tells Miss Pauling to sink all Australium in a trench so this never happens again

7. Saxton Hale: Wants to go back to the time when he was still actively doing things, gets his company stolen -> gets his company back but realises it doesn't make him happy. Leaves his company and joins Maggie again because fighting alongside her was what he's always wanted since we got glimpses of his past

8. Miss Pauling: Thinks the Administrator has a great plan that desperately needs her -> learns the plan was nothing at all and decides on the spot to end it by not giving Admin any more Australium because she realises she has been feeding into the conflict

Medic, Demoman, and Pyro never had a personal conflict to resolve. Medic had his moments to shine by sabotaging TFC and being in hell then coming back. Demoman had his arc with his liver leaving him and defeating the robots due to the alcohol in his blood. Medic scooped out parts of his brain to keep him unquestioning about his eye. Pyro is just a very simple character, and I say that with no judgement at all. Pyro is happy with arson, but also with a Dalmatian as their pet.

Everyone is still friends with each other and have their own little families. They come together to celebrate Smissmass at Scout's place. I think Saxton's last line "or do you want to live forever" was so well placed, being a nod to the meme from Expiration Date, as well as pointing out that, obviously, things have to come to an end we should embrace that ending when we see it's time.

And as always. If anyone doesn't like that any of these things, we are still free to make our own stories and reinterpret characters.

[phantasmatoucan]

I WAS TRYING TO PICK WHO IS MY FAVORITE VOICE BUT FAILED MISERABLY... RAMBLINGS UNDER HERE

I CANT FOR THE LIFE OF ME PICK A FAVORITE VOICE THEYRE ALL SO GOOD, EVEN THE 4 ONES I PICKED THAT I LIKED MOST ARE THERE LIKE BY A SMIDGE OF HOW MUCH I LOVE THEM AND CARE THEM

SMITTEN HAS BEEN MY FAVORITE VOICE SINCE BEFORE PRISTINE CUT CAME OUT WHEN I FIRST SAW THE GAME LIKE A YEAR AGO, I JUST LOVE CHARACTERS WHO ARE ASSOCIATED WITH LOVE IN A DETRIMENTAL WAY, HIS CODEPENDANCY WITH THE PRINCESS IS JUST SO GOOD, HE CAN NOT STOP LOVING HER EVEN IF SHE HURTS HIM, MANS BLINDED BY LOVE AND ALSO THE FACT THAT HES SO POWERFUL? LIKE THROUGHT THE POWER OF LOVE HES ABLE TO MANIFEST WHATEVER HE HAS IN MIND EVEN TO THE POINT OF CREATING A PLACE OF HIS OWN ACCORD WITHOUT TLQ'S INFLUENCE [to a point], HE NEEDS THERAPY SEVERLY BUT FOR NOW I WILL HOLD HIM IN PURSE

I ALWAYS HAD A SOFT SPOT FOR BROKEN, NOT BECAUSE OF HOW PATHETIC HE COULD BE SOMETIMES WHICH MOST OF MY FRIENDS FIND KIND OF ANNOYING BUT I MOSTLY THINK ITS FUNNY [also a fair stance i too would fold if a goddess told me to do whatever she tells me] BUT BECAUSE HE COULD BE SO SASSY AND BITTER TOWARDS THE OTHER VOICES WHICH OFTEN MADE ME SO INTERESTED IN HIM, HE WAS BROUGHT UPON BY TLQ BASICALLY GIVING UP ON STANDING UP TO THE PRINCESS OF COURSE HES GONNA LET HER TAKE THE REINGS SINCE TLQ BASICALLY GAVE UP HER POWER OVER HIM TO HER AND WITHT HE PRISTINE CUT HE GOT SO MUCH MORE FOR HIMSELF AS WELL, HIS EMPATHY IS SO POWERFUL THAT HE CAN USE IT TO HIS ADVANTAGE AND FOR BETTER UNDERSTANDING OF THE PRINCESS

I HAVE A THING FOR CHARACTERS WHO TRY TO COVER UP THEMSELVES FOR THEIR OWN PROTECTION AND OPPORTUNIST FITS THE BILL, HES A SURVIVALIST FIRST AND MOST OF ALL, HE WILL DO ANYTHING IN HIS POWER TO SURVIVE BE IT BY GIVING HIS CHOICES TO THE MOST POWERFUL PERSON IN THE ROOM OR USING WHATEVER CARD HE HAS IN STORE TO ONE UP WHOEVER IS WITH HIM FOR HIS OWN SAFETY, AFTER ALL HE CAN ONLY TRUST HIMSELF TO KEEP HIMSELF SAFE, HE LIKES TO BE PRAISED AND THE ATTENTION AND I THINK HE DOES WANT CONNECTION BE IT THE OTHER VOICES OR THE PRINCESS BUT HE HAS TO PUT UP A FRONT NO MATTER WHAT SO THAT HE CAN ALWAYS HAVE SOMETHING UP HIS SLEEVE, ALSO HIS GRIN IN PRINCESS AND THE DRAGON IS SO GOOD...

PARANOID! I ALWAYS LIKED HIM AND HOW FUNNY HE CAN BE WITH HIS BLUNTNESS, HE ALWAYS IS TRYING TO KEEP TLQ SAFE BUT WITH THAT COMES HIS LACK OF ACTION, AS IN USUALLY DUE TO THE CIRCUMSTANCES OF THE ROUTES HE CANNOT FIND A GOOD OUTCOME OF ANY OF THE CHOICES U HAVE, HE HAS A GOOD GRASP OF HOW THE SITUATION IN THE CONSTRUCT WORKS AKA BELIEVING AND THINKING IN SOMETHING CAN HAPPEN WILL HAPPEN, BUT THAT ALSO COMES WITH CONSEQUENCES OF BELIEVING BAD THINGS CAN HAPPEN DO HAPPEN [the nightmare in its entirety], HES ONE OF THE BEST VOICES IN TERMS OF SURVIVAL THO BUT WHEN IT COMES TO UNDERSTANDING OTHERS LIKE THE PRINCESS HES THE WORST AT SINCE HE ALWAYS WILL PUT HIS SAFETY FIRST AND WONT TRY TO TAKE A LEAP OF FAITH, his stress laugh in the cage is also very cute [heart]

I DONT WANT THIS TO BE TOO LONG SO I WILL SAY WITH THE OTHER VOICES I CARE THEM A LOT, HERO COULD ALSO BE IN THE TIER ABOVE SINCE HES THE BEST BUT HE GOTS HIS FLAWS [his lack of desicion making dont want to get into it this is long enough as is help] BUT FOR NOW THATS THAT

THE NARRATOR MOSTLY MAKES ME SAD SINCE WE SEE SO MUCH ABOUT HIM AND HOW BITTER AND AFRAID HE CAN BE ABOUT TRYING TO SAVE HIS WORLD AND HOW EVEN IF HE DOES HAVE A CHANGE OF HEART OR SOME UNDERSTANDING WITH THE PRINCESS IT WILL NEVER STICK AROUND BECAUSE HES JUST AN ECHO AND HE CAN NEVER GROW FROM THAT

AND THATS ALL I HAVE TALKED LONG ENOUGH THAT THIS TOOK ME LIKE HALF AN HOUR TO WRITE JESUS CHRIST 23ÑLRKMOPR21

[ranticore]

im so curious about the kitchen nightmares au, is félix a waiter? are erica and jean creating crimes against the culinary arts in the back? why is esk of all people gordon ramsay

relevant background info was that when i first got my ipad and was getting to grips with procreate, i was also drafting the first go at mvf so i was drawing mostly refs and character designs, and while i was doing that on an ipad i realised that i could, for the first time ever, watch something on another screen while drawing. guess what i watched

this super old art was one of my first paintings all in procreate and i did it while watching kitchen nightmares. love the show (uk version only), it's absolutely terrible and fake and ramsay sucks but something Compels me

i drew a series of fake interview portraits for all main characters of mvf, as different staff members in a failing restaurant on the show. esk who was kind of the straight man/critical voice of the group ended up being the celebrity chef

anyway the basic plot is they work at a tacky outdated italian trattoria with all that entails, that serves french cuisine, in the year 2005. the restaurant was a money laundering front owned by helena but she was an absentee owner who would deny any claim over the restaurant flaws and be generally away & uncooperative

the restaurant was failing because it looked awful and the food was not good but also because the staff could not work well with one another and the constant arguments that customers would overhear was turning them off

the person who called in gordon ramsnake was the restaurant manager, Félix, in a very roundabout attempt to try to bring heat down on Helena

general overview of the staff & their flaws

Manager (Félix) - actively embezzling from the business, basically a middle manager tyrant trying to control everyone else, ambition of becoming the owner one day (and then they'll ALL see). Would deflect the blame for the restaurant's issues onto every single other person except Francis because he can do no wrong ever. Aw jeez guys we just don't know where the money is going!! Don't look at his meticulously-kept, well-hidden balance books or his incongruously nice car. He looks like the sleaziest businessman you have ever seen.

Head Chef (Jean, you guessed right) - confrontational and rude, could not accept criticism no matter what and would pick fights with customers who sent the food back. He could cook decently but only to his own schedule and preference. The type to go "my food is perfect and nobody can teach me anything" before esk convinces the owner to hire a new head chef who can actually listen to feedback. His prized menu hasn't changed in 7 years.

Front of House (Islin) - zero charm or charisma but otherwise pretty sincere, though it IS weird that an ordained priest is working here and not in a church somewhere. He explains in an interview around the back of the restaurant that he's identified a new route to finding converts because just knocking on people's doors hasn't had a good return. He has zero interest in any aspect of the restaurant experience. Attempts to preach to most of the diners.

Head Waiter (Erica) - he's clearly had no training and is never where he's supposed to be at any given time, and it almost looks like he's ambushing the diners while they're mid-bite on purpose. Calculated bare-minimum work while spending most of his time in the kitchens for some reason. In the course of the episode it's discovered that he makes a decent cook and gets relocated. He had a habit of telling customers that the food was bad even if it wasn't.

Barman (Francis) - eager to please and maybe the only truly friendly face in the restaurant, he's the only reason anyone comes back. But he has an inconvenient habit of giving steep discounts to women, so the bar almost never turns a profit. There have been a few complaints about Barman's inappropriate advances from diners & the fact that his shirt is always a little bit too open. He seems to believe that there's nothing wrong with the place and it's a perfectly legit successful business, so it's hard to get through to him to change his behaviour. Won't hear a word of criticism against Félix or Islin.

Sous-chef (Léá) - hates it here hates every second of every day can't stand anyone wants to be out of there asap but she knows she lacks the experience to actually be a sous-chef in a legitimate restaurant, which means she'd take a pay cut if she tried to find work anywhere else, so she's trapped. She has a habit of throwing parsley garnish far too liberally over every single dish because she read in a book from the 90s that this is how you get a Michelin star

Rival Restaurateur (Senca) - she runs an equally tacky fake unpopular italian trattoria across the street and she's been trying to get Helena's one shut down for years by doing various etsy badluck curses and getting the hygiene inspectors called on them but it hasn't worked yet. She suggested to Félix that maybe trying to get the restaurant on TV would draw enough negative attention to get it shut down (and then he could reopen it of course). She's a bit surprised he actually went and did it even though the show could not have been less flattering towards him and he's essentially turbo-nuked his own reputation into the dirt forever. But she's waiting behind the scenes to make an insultingly-cheap offer and then they'll ALL see

over the course of the episode the above flaws are identified. esk attempts to propose a remodel of the tired décor which is fiercely resisted by Félix because he kind of likes the fake tuscany look but eventually he gives in and the place is given a modern and fresh feel. it draws a crowd on its reopening night but the staff struggle to meet the demand, unused to such numbers, and it ends up with Jean refusing to cook and walking out (he's fired shortly after).

they regroup and organise a charming promo event where they serve real french cuisine in a stall outside (oysters mostly) to draw customers for a new lunchtime service. this is well-received because new Head Chef Léa (now even MORE trapped in a role she has no real claim to) doesn't have to cook the oysters so she can't fuck them up. Félix actually tries to be receptive to the staff he's managing, for once, and he does a good job of supporting them and finally effectively managing the floor.

episode ends with Esk walking away and wondering if it left the restaurant in good hands, concluding that "only time will tell". there's a sequence of the restaurant's one successful lunch service, everyone smiling and working well and diners happy, with the text "RESTAURANT closed its business in August 2005, three months after the filming of this episode".

Esk goes back to interview the owner and ask why it failed, and Helena just explains that she sold it and moved on while dodging every other question. Esk berates her for having no passion for the business, calls her lazy and immature, and she simply walks out of the interview.

[lilkittygirleee]

Guys I have a new Saiki AU

This originally started as a silly little thought and then expanded to a full blown Saiki K AU 

PK Academy x American HS AU

Basically, I was like “The fact that there is a school in japan that is just full of common Anime character tropes could mean that there is an American school just full of common character tropes in American movies”

And then I was like, “What if these two schools met”

Then I locked in and got to work.

I’m not sure yet why a school all the way in America is coming into a random ass school in Japan but y'know.

Brooklyn; the “Manic Pixie dream girl”: She represents the Manic Pixie dream girl trope and has hair that she dyes every month and she usually uses bright bold colors. Wears Alt fashion (I haven’t decided which one yet) and she's “not like other girls” “Quirky” and “different”.

Her and Teruhashi are good friends. They became friends when Teruhashi helped her after the popular girls were bullying her. Kokomi’s beauty doesn’t work on Brooklyn but she still hangs around her because she genuinely likes Teru and thinks she's kind and has a nice personality. 

Teruhashi looks up to Brooklyn for being so unbothered. Brook doesn’t care what others think and is just herself. Meanwhile Kokomi has to constantly be something she isn’t and doesn’t get to be herself. So she admires Brook for that. 

Also, the fact that Brook isn’t attracted to Kokomis beauty but still genuinely just likes hanging out around her for her throws Teruhashi off because her whole life people have only been around her because she was pretty and nothing more. But Brook just likes to be her friend??? What???

Sara; the ‘Mean girl’- You know this trope, the blonde rich spoiled popular girl who likes to bully others. The Regina George’s and Sharpay Evans’ of the world. She also is a cheerleader! (or I guess ‘was’ now because I’m pretty sure Japan doesn’t have cheerleaders) 

She and her ‘minions’ went to be friends with Teruhashi (because duh, she’s the popular girl of PK) and even at the start Teru got weird vibes from them and when they started openly bullying some other kids at their school that's when Teru was like “Oh no! This is ruining my kind girl image! Now people will hate me! I need to fix this” she then helps the bullied girl and distances herself away from the two girls.

Brad; The ‘dumb Jock’-Dumb blonde jock who is head over heels for the popular girl (Sara). Obviously, he (was) on the football team.

Brad is always riling up Kuboyasu (and getting his ass beat by him too ☠️). And has taken to bullying Kaidou and sometimes Saiki. (Thanks to Saiki’s powers he’s able to avoid him most times). Imu (Getting choked by comphet (bless her poor soul 💔)) has convinced herself that she ‘likes’ Brad. 

Brad is still absolutely in love with Sara but after seeing Teruhashi he has seriously reconsidered.

Atlas; The “Invisible genius who’s actually a superhero or the chosen one (or some shit like that)”- I couldn’t choose between the ‘genius who’s invisible and secretly a superhero trope’ or the ‘chosen one trope’ and having both is kind of chaotic so I kind of just mixed the two. 

He’s a part of a prophecy from a random Greek myth. Saiki is a comedy anime so obviously the prophecy is not very serious but that doesn’t stop Atlas from taking it super seriously. He also has powers that he uses to fight the ‘villians’ that try to stop him from fulfilling his prophecy. To fight these villains he has a superhero alter ego. (I still need to ponder on what the prophecy is, his powers, and the ‘villains’ ask me later)

He is friends with Kuboyasu, Kaidou, Aiura, and Toritsuka. He feels guilty whenever he talks to them because they are trusting him with all these important secrets (Aren being an ex gang member, Kaidou being the Jet Black Wings, Aiura and Tori being psychics) but he still hasn’t told them his secret yet. He’s still conflicted on this subject. 

Saiki avoids him and told (threatened) Aiura and Toritsuka not to tell him about how Saiki is a psychic too.  Akechi (being the little Sherlock that he is) was able to easily find out about Atlas’ true nature. Akechi’s fast speaking already scared Atlas, but now that he knows about the prophecy, this has given Atlas more of a reason to avoid him. (Even though Akechi promised not to tell a soul).

Gabi; The ‘Damsel In Distress’- Fair skin, blue eyes, strawberry blonde, the model princess. She’s always getting into danger (because of the villains that keep chasing Atlas) and Atlas always has to come get her and save her (in his superhero alter ego obviously). Gabi has feelings for both Atlas and his alter ego. She already felt bad about having a crush on two guys but when she got to PK and saw Saiki… yeah. 

Because of the prophecy it’s obvious that Gabi and Atlas are supposed to get together so Saiki’s very existence is kind of bending reality right now, but that’s Saiki’s daily life so I’m sure it’ll be fine.

Chiyo and Gabi are really close friends.

Benson; The ‘Geek’ - He’s the nerdy guy at the back of the class who no one talks to and looks like Jeffrey from Class of 09.

He hates Sara for ‘breaking his heart’ and is very much an incel (eww ew ew). Toritsuka tried to befriend him for their shared love of lusting over women but the way Benson talked immediately made even Tori uneasy. He’s very creepy towards Teru (even more than Tori) and has tried to get pictures of her when she isn’t looking. Saiki and Aiura try their best to protect Teru from him. (I’m not glorifying people like him, he’s supposed to be the scum of the earth that you want to die)

Mostly everyone in the school hates him (even Tori, because Benson’s like wayyy more weird and gross than him and it even makes Tori uncomfy).

Aiden; the ‘Bad boy’- He’s the bad boy, always getting in trouble and stuff (h-he… he even drives a motorcycle and smokes!1!!!1!!!🥺) Unlike Kuboyasu who is hiding his past and trying to change, Aiden just embraces it and is not changing at all. (There’s even a rumor that on his first day at PK he pulled out a knife at one of the teachers) 

Constantly fights with Aren (The fights are always a tie which is a surprise to both of them). Likes to tease the other guys at PK (aka just Saiki and Kaidou) for being “goody-two-shoes”. 

At first (when they were in the US) tried to swoon Gabi but once he went into PK and saw Teruhashi he decided that she was his new target. Also, did I forget to mention that he is rich? He is constantly trying to impress her with money or his ‘bad boy activities’. Teruhashi is not impressed at all, and she DOES NOT LIKE how he keeps calling her ‘princess’. 

Sorry this is so long I wanted to fully flesh out all the American High Schoolers HJKJSCDJNVJJD

I was gonna put art to go with this but I got really lazy and decided that I should just get my idea out there first and draw it later.

[fandombymanynames]

some season 7 thoughts mostly focusing around the disaster that was Runaan's second trip to Katolis...

buckle up lads, it's gonna be a long one

First of all, do i think Ezran was wrong for locking up Runaan?

absolutely not

This kid just had his entire kingdom burn down and is now staring at the man who killed his dad seemingly but that's another matter. He's allowed to be pissed, and he's well within his rights to arrest Runaan. I was honestly shocked he was the ONLY one acting upset. I thought for sure the second Soren saw Runaan that he'd be drawing steel, since if I remember correctly (and i could totally be wrong, it's been a while since i watched it thru from the beginning, so have mercy), Soren actually fought Runaan while trying to defend Harrow??

So Ezran's actions are not what bother me about the whole plot point. What bothers me is that this is only happening now??? Like, I'm not even convinced Ezran fully knew who Runaan was other than the assassin that killed his dad. Did Rayla ever tell him that's her dad and I just forgot? Did Callum ever tell him 'hey we're trying to free Rayla's dad (the man that killed our dad) from his coin prison that Viren put him in, just a heads up so you can digest that'? That seems like a massive thing to just spring on a person when you've been planning it for several seasons at this point. Couldn't have written him a letter even... smh

And then on top of that...they bring Runaan to Katolis like absolute dumbasses. Like if you're not going to have the decency to warn your brother that you're planning to break Rayla's dad out of coin jail, the least you could do is just let Ezran keep his blissful ignorance and peace on the matter. It was just an objectively stupid move from all three of them (Callum, Rayla, and yes Runaan himself like wait outside my dude). As the saying goes, play stupid games win stupid prizes. Naturally you bring the guy who killed the king to the kingdom...he's gonna get thrown in jail, and it was all perfectly avoidable if they rubbed even two brain cells together.

okay maybe that was a little mean, but it was a stupid thing to do and i hope we can all agree on that.

but it's what happened so we move on to the next domino in this disaster: rayla breaking runaan out.

Was I all for it?

Yes. Let me be very clear, Runaan is my favorite and he and Ethari's reunion was literally the only thing i cared about this season

Was it ALSO a stupid as hell thing to do?

YES

Like you didn't even wait for night?! You're MOONSHADOW ELVES! WHY ARE YOU DOING THIS IN BROAD DAYLIGHT????

I wanted to strangle someone.

The only good thing, imo, is that she did tell Callum ahead of time. That's growth! She knew what she felt she needed to do and let him know. And very critically, she did not want him involved because she knew this was going to hurt Ezran and didn't want to put Callum in a position to directly pick her over his brother. It is so clear that Ezran is in turmoil and he deserves to have his brother there with him. Callum SHOULD have stayed with his brother, but they had to be stupid and stage a prison break in broad daylight like absolute bafoons. I just...it's so dumb.

I get that the idea is to not keep Ethari waiting 'one minute longer' than needed, but come on guys. You can still race back to the Silvergrove while taking reasonable precautions to ensure you actually make it back to Ethari alive. I think he'd prefer that actually.

It just all felt contrived for drama, at the cost of characters acting reasonably intelligent especially my man Runaan who's a fully grown adult and should have known better than just walk into Katolis, ffs man critical thinking skills

What's my take away from this long mess? That this should have been a building conflict within our original trio starting from the moment Rayla got the coins and understood what they were. Ezran should have been involved in the discussions on freeing Rayla's parents, especially Runaan. If that's too much to ask for, we should have atleast seen some conflict out of Callum on the matter (Harrow was his dad too). It's a fumbled arc in my opinion, thru and thru

but hey that's just me, just needed to put some thoughts to paper as it were. hopefully this mess makes sense

[manswithaplans]

Thank you for the tag :)

Uhhh let's see. Okay easy

1. The pixar movie Cars (2006). Not even the trilogy I could talk about the movie Cars forever. Me and several of my friends sat down and watched the trilogy and got really deep into the religious aspects and consequences of both a car Pope and when Mac uses the term "Thank the Manufacturer!". But seriously there's some interesting stuff. It relates to Homestuck somehow. It's also a Hallmark movie but I digress.

2. Five nights at Freddy's. Listen I grew up with/ as the series came out, and if someone sat me down and explained the current, up to date lore my head would explode. But I COULD tell you what my perspective of the lore is as someone who's grown with it and has made their own personal opinions/retcons on it.

3. Yu-Gi-Oh. Only first gen sorry. I grew up on it, know most of the series one lore outside of the specifics of season 5. The way the show makes and breaks it's own rules, and the way the show is so so far from today's playing rules for the card game is ASTOUNDING. But mostly the characters, I think there's some REALLY interesting lore/relationship shit going on that fully envelope me every time during the yearly Yugioh hyperfixation week.

4. Call of duty. Listen I don't do a lot of call of duty stuff, I'm not huge into all the games outside of Black Ops Cold War, but I fucking love the reboot Modern Warfare 2 and I have some really strong opinions on why story wise it became so popular. If you want people to give a shit about your characters, you have GOT to give them TIME with those characters. Also might get sniped for this but black ops 6 having "bosses" where you had to chip at a fucking health bar belongs in exactly ZERO call of duty games. Not sorry. It works if it's a tank, not an armored guard.

5. Fandom culture. Especially on places like AO3. There's a really really strange gap between how much people love their fanfiction/"need it to survive" versus how many people give kudos or COMMENT. I comment on nearly every fic I read. Several paragraphs worth on ones I love. Respect your authors work, and THANK THEM. It can be as simple as a "I loved x part!" Or "Thank you for writing!"

I tag @dwinjohnsel, @velcrooooo, @merthur-phandom, @folkloricstranger , and @bugwatcher6000 :)

Rules: List five topics you can talk about for an hour without preparing any material, and tag five people!

doctor who. boy can i talk about doctor who

the reformation and late medieval/early modern history more broadly

the edge chronicles

the peter o'toole henry ii cinematic universe

douglas adams' books

tagging the dash!

[transmechanicus]

My off the cuff cosplay selfies from the way home bc i was too busy Doing Things yesterday to take anything more professional😅

[pomrania]

From the image, I'd say we're talking about relatively early pre-timeskip stuff, which is what I'll be going with for here.

So yes, everyone's names are well-known; the only person who ISN'T reasonably likely to be recognized on sight is Sakura, because she's basically a nobody pre-timeskip, and she has no reason to HIDE her name. However, just by looking at this image, you can see that Kakashi only has a VERY small portion of his face visible, and thus wouldn't be able to be targeted by the Note from just that. And it's not something he only wears for photos, his face is ALWAYS covered, so if Kira wants to kill him it'll have to be via mundane methods (which Kakashi could easily avoid, as a high-level shinobi while Kira... isn't).

Sasuke and Sakura don't have any special protections against the Note. Their survival solely depends on if Kira decides to kill them or not. (I fully believe that if Kira kills Sasuke, then Itachi will track down and kill Kira within a month at most, and most of that time would be "how long it takes for him to hear that Sasuke's dead", but that's not relevant to this question.)

Naruto... I'm not so sure; as in, I genuinely can't tell. Jinchuuriki can be killed without the need for any special magic other than "do enough damage to them", but the presence of the Kyuubi MIGHT mess up the shinigami "targeting". Or it might just kill the kid and release the Kyuubi. Or it might return an error message of "back off shinigami or I'll bite your head off". Or maybe it gives Naruto a "fatal" heart attack but then he recovers from it. Or maybe it kills "Naruto" and puts the Kyuubi as the sole resident of that human body. Or something else. There's so many different possibilities.

Now, as to whether Kira would choose to try and kill them. I don't think we can apply a defence of "but they're just kids" here; they're GENIN, which means they're considered potential combatants. Kakashi has a Reputation, but he also has a persona, one carefully calculated to make him seem less of a threat, plus anyone trying to wrangle those three kids automatically seems less capable. (As for whether Kakashi would be noticed in the first place, I'd say yes, because he's there in the role of "person responsible for these ninja-in-training".) Naruto has a highly-developed ability to annoy people, and I think he would have gotten bad vibes from "the person who would become Kira", even BEFORE Kira got the Note; unless we're talking really late-stage Kira, he's not likely to want to kill someone SOLELY for being annoying, but I can see it influencing his choice of targets should he decide to kill "one of the genin". I don't believe Kira would consider any of those three as a THREAT, but I'll come back to this point later.

Putting this here, because I can't think of where it would best fit: the Kyuubi would be able to see Ryuk, and might or might not react in a way that Naruto can sense, and might or might not pass on "there's a shinigami hanging around that guy" to Naruto. Ryuk would be able to sense the Kyuubi in Naruto, and absolutely would NOT pass any of that on to Kira, UNLESS the Kyuubi is a threat to Ryuk himself; in which case Ryuk would just say "hey don't write down the name of that kid in orange" if it seems like a possibility.

Would Team Seven be able to CATCH Kira? Kakashi on his own, like if it was a solo mission, absolutely. He's intelligent, he's highly skilled in all sorts of infiltration and assassination, he's familiar with a whole lot of Magic Bullshit, he has dogs he can summon, and he isn't constrained by a need for formal evidence. As for the other members of Team Seven... not only are they a hindrance to Kakashi, they're a hindrance to each other, dysfunctional children that haven't learned to work together. I can see it potentially HAPPENING, but mostly because of Protagonist Power; if Naruto wasn't the main character of the story, it's not likely.

So here's how I see it going. Team Seven is hired to find some unknown shinobi (because that's the most reasonable conclusion, in that world) who is killing people; nobody really CARES that THOSE people are dying, but "having an unknown shinobi running around the place doing their own thing" isn't really comfortable. The investigation goes... laughably. Kakashi does a minimum of looking into things on his own time, to make sure that his students aren't stumbling into anything ACTUALLY dangerous, but otherwise he lets them make their own mistakes. Eventually, something changes. Maybe someone accidentally finds something that could make them a threat to Kira, even though they don't yet know it; maybe Kira learns who that dopey-looking "teacher" actually IS. Kira decides that Team Seven cannot be allowed to stay here, and the easiest way for that to happen is for one of the kids to die in an accident, and the best victim for that is the loud boy.

One way or another, it's the last mistake that Kira ever makes.

Maybe that unleashes the Kyuubi, and Kira dies as part of the collateral damage. Maybe Kakashi snaps from four different traumas all being triggered at once, and goes into "identify and eliminate" mode. Maybe all of Team Seven survives. Maybe none of them do.

[two-person-job]

heyheyhey. do you guys wanna know a secret :}

[letmetellyouaboutmyfeels]

The I feel like she sees me line being said to Eddie who is the person that truly sees Buck for all that he is. Are we supposed to take this line at face value which would indicate piss poor writing because they needed to rush to a horrible ending or do we take it as Buck being an unreliable narrator? What was the audience supposed to interpret from Buck saying that, were we truly supposed to believe him or we supposed to be pissed at Buck for saying this to the one person that truly sees Buck?

Good morning to me, I guess.

I'm assuming you haven't really seen people's reactions in the fandom on tumblr because I feel like I saw this said in quite a few posts going around, but you are absolutely not supposed to take this line at face value. I'm surprised that people think you should. 9-1-1 has from the beginning had a habit of turning friendships into romantic relationships (Bathena and Madney) and taking their time with these things rather than having an instalove situation. Even Karen and Hen, who meet when they're set up on a date together, don't instantly fall in love. I do not think they would set Eddie or Buck up for an endgame relationship with a woman by having them date that woman immediately, even if they didn't plan to make Buddie canon.

Buck is clearly struggling post-death. He's lost and once again looking for the answer from a romantic partner. He did a lot of growth in regards to his family relationships this season but not his romantic ones. Remember, his couch ended up destroyed and he asked his latest girlfriend to pick the new one out for him. Again. He's still not picking his own damn couch. After being unable to sleep on the one his mom gave him but passed out instantly on Eddie's where he ran to feel safe.

If people think this is all, somehow, an accident or the writers are doing this without knowing what they're doing, then I can't help you. Do you also think the symbolism I put into my fanfics are a total accident? Do you guys think I picked the name of the poem "Fuchsia Emerald Alizarin Rose" just because the colors are fun and they accidentally spell out F.E.A.R. or do you think maybe I did that absolutely 100% on purpose and was waiting for someone to realize?

Buck saying that to Eddie is 100% supposed to make the audience raise their eyebrows. Especially when we see Eddie's reaction. He's confused and he's hurt and he's annoyed. Eddie then spends his next few lines showing Buck (and us) that he sees Buck. Buck misses it, it goes right over his head, but the audience is shown that Buck is wrong and Eddie sees him.

I think there was a lot of internal stuff going on behind the scenes way high up the ladder that meant Buddie didn't happen this season. No, I don't mean that in a tinhatting way, I just mean that they knew Fox wouldn't renew them, they didn't know if they'd get picked up somewhere else, Fox hasn't promoted or cared about this show the way it has its other shows in a while, and I think it's pretty clear there was shuffling and changes going on with 6B. So I think things had to be put off. Similar to the pandemic, where I genuinely wonder what kind of season four we would've gotten if we'd had the full 18 episodes and hadn't had to work around Covid. I think that when we know there was a big shift going on behind the scenes, we need to have some grace and patience in how that will effect the story that's told on screen.

But I think that this default to "everything good we see on our screens is an accident and the writers are making shitty choices" is a horrible bad faith argument, and it's exhausting. Aren't you exhausted? I'm exhausted. Fandom shouldn't treat the writing and production team like their enemies any more than the writing and production team should treat the fans like their enemies in some kind of war they have to win (looking at you, GoT showrunners).

We are supposed to be annoyed that Buck is missing the point. We are supposed to see Buck's yearning to be a husband and a father, and how he's missing what's right in front of him. We are supposed to put two and two together and see that Eddie was hurt by Buck's words, that Eddie sees Buck, that Eddie is Buck's safe place, and that Eddie in that moment decided he might not have a chance with Buck and needs to move on, because previously we saw Eddie admit he wants romance again but he doesn't want to go out on dates, we saw his aunt say she met her husband through work, we saw him say 'we have time' and then we saw him immediately after Buck tells him about this new girl who "sees him" flee to visit his mother and then immediately actually try dating. On a meta level this is also because Eddie needs confidence in himself as a romantic partner and needs some more experience under his belt before he's ready to take the plunge with Buck, but in Eddie's mind, I think it's pretty clear he feels Buck will never want him back and he's trying to find the love he wants somewhere else, even if his heart is still Buck's.

So that's what I think. I think it's not explicitly spelled out for a few reasons, but frankly if one of them was a woman we wouldn't need it explicitly spelled out and personally I kinda like that it's not. Something that annoys me with M/F pairings is the constant "we all know you two like each other" talks from third parties that half the time aren't about the characters but are about the audience, to either tell the audience SEE THEY LIKE EACH OTHER THAT'S WHAT THIS IS ABOUT or to give the audience some fanservice while the characters aren't ready to get together. I don't need to be pandered to that way, thank you, so I'm a fan of the slightly more subtle approach that I, personally, see going on with Buddie.

If you or anyone else disagrees with me and feels it was just "piss poor writing" then that's entirely your right. I'd just appreciate it if people who feel that way would stop watching the show, and stop putting their complaints into the inboxes of people who clearly do enjoy the show.

TL;DR - You answered your own question, Buck is an unreliable narrator (and always has been) and we are supposed to be frustrated he said this to Eddie who has proven time and again (and does so in that very scene) that he sees Buck.