#i have a lore essay about this

[scp-xxxx]

The essay about relations in Valdor: Birth of the Imperium.

[redtalics]

love how dogman is just a normal-ass guy 95% of the time and then 5% of the time he passionately spills out an UNGODLY amount of lore, story, and character personality that he did NOT need to give. this man is an admirer of his own work and i think that's pretty cool

[drenched-in-sunlight]

saying this as respectfully as possible but. Do not put fandom content creators on a pedestal. We are also just fans contributing to a community just as you are. We have boundary on our own work and that’s it. What I say is not and should not be considered sth the whole fandom should listen to. I’m just a normal ass person ranting about things on my blog. If it does not have a fandom tag for others to engage in, do not make it out to be me trying to start fights or addressing the whole community. Because it’s not.

I’ve said it before and I will say it again, my art, my lore talk, is biased. I’ve never tried to hide that I view Marika a certain way and will always develop my theory following that base assumption.

Aside from translation stuffs and pointing out in-game items, everything else I say you can look at it, agree or disagree, and move on to form your own opinions. Just because I draw stuffs doesn’t mean you get to saddle me with responsibilities about managing fandom expectations. What the hell? I’m a fan artist, I’m the last person who you should look at for “leaderism” (?) WHAT?

I can and will be a hater in my own space, like I know sometimes other artists will just post their stuffs and not engage too heavily with fandom, and for a while I did try to do that here (because I’m already a dramatic ass on twitter), that’s just not me though.

You will get art and you will get my opinions as well.

[lazylittledragon]

As someone who read the second half of the Drizzt series as it came out (yes I'm that old lol), I just know you have thoughts about him/the books so PLEASE share! So glad there are so many younger DND players getting into it and keeping our lovely boy alive <3

YOU'RE SO RIGHT ANON I DO HAVE THOUGHTS ABOUT HIM

i just!!!! love him!!! so much!!!! he's such a treasure

idk if this is me just overthinking things but the fact that he's THE dnd hero but he's also like. a petite little guy and his defining character trait is being KIND and he loves his friends and he's very physically affectionate (which feels kind of crazy to me that the early books came out so long ago and he was always like that??) and his best friend is his cat and he likes to have FUN and he treats swordfighting like dancing and he STILL sought the approval of his family even after years of abuse aND HE JUST LOVES EVERYONE SO MUCH

he's truly the fantasy protagonist of all time i love him i need to kiss him on the forehead

[vigilskept]

gnashing my teeth thinking about how veilguard talks about the gods only as a joke when they could've gone somewhere truly crazy.... you're so right.

Yeah... you get it. It's just such a missed opportunity!

I don't even mind the jokey tone they use a lot of the time, because we all joke about things we struggle to understand/cope with.

Except Veilguard refuses to let you even try to broach the subject beyond that surface level. In fact, when it does let you engage with it at all, it manages to make things even less nuanced!

I'm just going to talk about Bellara's quest here since it's the most directly linked with the elven gods, and it's already a lot. Fundamentally, her companion quest is asking us two things:

Should elves be blamed for the actions of the Evanuris?

Should they preserve any of their past at all?

The first one is absurd to even begin with. It's not even a good or interesting take on the (very christian!) question: "Are we responsible for the sins of our ancestors?"

The Evanuris are not the ancestors of modern elves. Dalish religion implies that modern elves descend from those who the rebels never freed from slavery to the Evanuris.

This setup is already awful without looking at any of the parallels Bioware has (intentionally) drawn between the elves of Thedas and Jewish/Indigenous people. I have to put the rest of this under the cut because I genuinely don't think it can be shortened without making it sound flippant. In the context of the coding of the elves, the theological/social implications of all of this are so much worse.

TLDR: the indigenous/jewish coding of the elves makes bioware's treatment of elven religion in veilguard thoughtless at best, cruel at worst. they did not have to write themselves into this corner. there was a way of handling this lore reveal without the implication of elven religion (again, jewish/indigenous coded) being obsolete

So, the religion of the Dalish was part of their enslavement. It's the belief they were forced into by the cruel gods they are still devoted to. That's already pretty bad. How could it get worse, you might wonder?

Whether Bioware deviated from their initial inspirations for the elves or not, the implications for these lore reveals in light of those parallels are particularly cruel. Those two core questions in Bellara's quest? Yeah. Those have both been levied against the oppressed groups that Bioware chose to draw inspiration from. Both historically and presently. To justify atrocities against them.

And to be clear, Bioware does not deviate from or subvert the usual indigeous and jewish-coding of the elves in their writing here. If anything, they end up actively endorsing a very significant element of antisemitic and anti-indigenous sentiment.

Indigenous-Coding

Advocates of colonisation have always justified it by arguing they were 'saving' groups of people who were stuck in the past. They had been ‘left in the dark’ through ignorance of Christianity. In the more secular sense, this was framed as Europeans having journeyed through history to reach enlightenment, while the rest of the world was still in an ‘uncivilized’ state.

Christianity and progress had to be brought to these people to save their souls and bring them into the future with everyone else. Their Gods? There were only two possible ways to frame those. Either they were not real at all, or they were evil. Either way, they were obsolete.

In the Americas, these arguments were still used when corralling indigenous children into residential schools or tearing them from communities through the adoption system. Governments pushed the idea that they had to be forced to assimilate because they were 'backward' in their practices and beliefs.

In the settler-colonial state Canada, where Bioware is based, it's still common enough to hear people justify all of this as having been done "for their own good." Even those who admit that the ways colonization was perpetuated were cruel will still try to defend it by telling you, "it was bad, but their ancestors weren't saints either."

Sounding painfully familiar yet? A little uncomfortable in the context of Bellara's questline?

Jewish-Coding

Since the dawn of Christian Church, Jewish people have had a very fraught place in Christian theology. Christianity claims that that the coming of the messiah in the person of Jesus Christ makes the religion of Judaism obsolete. Christians believed the obvious answer to this problem was that Jewish people should convert.

When many did not, they were labeled as ignorant, obstinate, stuck in the past. They were so focused on their history that they couldn't see the truth which had been revealed in the present. There’s a significant legacy of this idea in Christian artwork with depictions of Synagoga blindfolded next to the clear eyed Ecclesia. You still hear echoes of this sentiment in antisemitic language today.

As for the nature of the Jewish God... there is some deviation here. For some Christians, He is God the Father, and He is good. For others — and this idea has been around from early Christianity till now — He is the Creator of the material world, but He is evil.

There are innumerable variations of Christian gnosticism that probably wouldn't be productive to get into on a Dragon Age Blog. What I need to underline here though, is that the idea of the Old Testament God as the devil/the demiurge/fundamentally evil, has been used to justify atrocity towards Jewish people for over a thousand years.

Should elves be blamed then? For the sundering of the Titans? For the Veil? For the Blight? For the evils of this world, created by their Gods?

Implications for Veilguard

Not only is religion in Dragon Age: The Veilguard often devoid of nuance or ignored outright, when the game does engage with it at all, it does so in a way that quite literally draws on these incredibly harmful antisemitic and anti-indigenous sentiments that have been (and still are) used to perpetuate real harm.

To be clear, I don't think the writing here intends to endorse the idea that elves should be blamed for any of what's going on. Bellara's anxieties are being projected onto her people as a whole while she grapples with what this all means for her, I get that. In fact, you could be generous and read some of this as a critique of this particular kind of anti-indigenous/jewish bigotry.

However, I don't think that absolves the writers of any of the implications they've created by confirming that the elven pantheon did exist and was canonically evil.

Elements of Dalish/elven culture might be preserved after all this, but the conclusion the game railroads you into is that their religion is obsolete. Just like Judaism. Just like the many Indigenous religions around the world. Except in Dragon Age: The Veilguard, it’s no longer just the bigotry of outsiders claiming that to be the case. It’s now the objective truth of the setting.

Going forward, the elves of Thedas can keep their culture, but they can’t practice their religion. If they continued to practice, they would be framed the way the Venatori are: evil and stuck in the past. This really can’t be overstated: this is the exact rhetoric that has justified centuries of violence and oppression of Jewish and Indigenous people. This rhetoric is still around and still weaponized.

It’s so cruel to create an in world ‘lineage’ that draws so heavily from their cultures and histories, then validate the rhetoric that has been used to hurt them. At best, it’s thoughtless. But as a company based in a settler-colonial state, this is something they should’ve put thought into, given that they chose to code their elves and Jewish and Indigenous. That was their responsibility, actually.

What gets me about all this is that they actually didn't need to force that conclusion at all. They could have kept the Evanuris as cruel tyrants without demonising the Creators and their worship at the same time.

The Evanuris weren't always Gods. They weren't even always rulers.

In Trespasser, when asked how they became Gods, Solas tells Lavellan that they did so slowly. That it started with a war. That fear bred a desire for simplicity. For right and wrong. For chains of command. That generals became respected elders, then kings, and finally gods.

Veilguard confirms all of this. The addition it makes is that before all this, the first elves were spirits who made their bodies out of the Titans. This all occurred over the course of thousands of years.

None of this needs to be retconned in order to allow for a respectful yet nuanced portrayal of religion!

TLDR pt2: bioware, u could’ve avoided literally ALL of this by making the evanuris part of a priestly class who seized power after the war with the titans. it wouldn’t even have undermined ur lore! u could’ve kept dalish religion alive! u could’ve implied complex political dynamics for your ancient elves without even having to write it! why didn’t you even try?

Trying to Fix This Mess

Say the elves took their bodies from the Titans and settled the lands of Thedas. Say the Titans even allowed this for a time. The dwarves were made from their own bodies after all.

Yet the elves didn't have the same connection with the Titans as the dwarves did. They had no stone-sense, so they couldn't understand the Titans' song.

Generations down the line, some of them took too much from the Titans. More than they were willing to give. That was when the Titans lashed out, making the earth tremble so that all the elves had built crumbled beneath them.

And what if the firstborn among the elves had taken up priesthood to guide the younger ones. They were closer to spirits than the elves that were born into this world, and so the younger ones looked to them for guidance. Maybe they were the ones who were trusted to reach out to the more powerful of the spirits who chosen stay in the Fade, their old kin who preferred to keep their distance from the physical world to preserve the essence of what they were. The spirits of Justice, of Benevolence, of Craft. Those who the elven people paid homage to, and trusted to preserve them in turn.

So when everything seemed to fall apart, the elves turned to their Keepers, their priests, and asked of them what they ought to do. How could they make the earth stop shaking? What would they have to do to be at peace again?

Whatever the spirits themselves may have responded, many of the Keepers (among them the Evanuris) took up arms and chose war. They saw it could be won so they fought, sundering Titans from their dreams and stilling the land.

And yet there was no peace.

Some Keepers sought to hold on to their power as generals, and wanted to wage war on new shores to keep it. Some Keepers thought they had already gone too far, claiming they had acted without the guidance of the spirits who hadn't wanted war.

These Keepers could've caused chaos and endless bloodshed, so the Evanuris formed their alliance to suppress the others. Likely, they thought they were doing so for the benefit of all the elven people. More war meant more death, and it was needless now that the land was still. And even if what they did to the Titans was wrong, it was done and they could not fix it. Better to silence those who meant to stir up fear among the people.

The Evanuris fought until they were the last faction left, naming the few holdouts the Forgotten Ones. They were praised for bringing peace to Elvhenan, and trusting in their guidance their people crowned them as rulers.

Yet some dissent always remained. None of them were infallible. They were no longer spirits, they hadn't been for thousands of years. They were now more accustomed to command than to priesthood after all that war. They had drawn on the power they had stolen from the Titans to gain the advantage over their enemies, and the corruption of the Blight was starting creep in, ever-so-slowly.

Maybe some of the people, unhappy with their rule, started to voice the thought that was expressed by their rival Keepers once more: that the Evanuris had grown distant from the spirits. That Elgar'nan didn't serve Justice anymore. That Mythal had strayed from Benevolence.

So Evanuris took the mantle of godhood for themselves. It was only for peace and stability.

It would be too dangerous if anyone could claim they were deviating from the will of the spirits, so they would claim they were those great spirits. Elgar'nan was Justice, Mythal was Benevolence. They would use their rule only for the benefit of the people, not abuse their power.

And there you go. None of what I've written above can't be neatly incorporated into the existing lore of Veilguard. It leaves the elves of Thedas precisely where they started in Dragon Age: Origins. Distant from their ancient Gods, trying to pick up the pieces of their forgotten past.

[purplecladmerchant]

I like timebomb like the next fucker around. And I giggle with the "jynx tagged Ekko! He's all spray painted!!"

But. I haven't seen anyone talking about that it's not just Ekko. Everyone is painted. It's Zuan uniform. It's Zuan organization to go to war. It's Zuan going to help Piltover, but not wearing their uniform. Wearing It's own. It's Jinx and Ekko railing the revolution, it's the revolution not painting their hair blue and wearing Jinx clothes on a straight up imitation, but respecting her view and call to action to unite her force. It's the people who refused to fight by the banner of Piltover but was still willing to fight for Zuan, and by the side of them, just not to be assimilated. It's Ekko being a soldier. It's Zuan joining together under a uniform that it's proper for them.

[wonderb0n]

sigh

the real culprit behind the current misinformation surrounding greek mythology is the mass consumption of altered or adapted content.

our main example being the obsessive fascination with giving to the myth of Hades and Persephone characteristics already existing in the great unfortunately forgotten myth of Eros and Psyche. in this essay I will-

[some-pers0n]

Downloaded and installed Rain World to actually see and play the game that like 80% of my friends and mutuals love and adore

[cryinginthedeep]

matthew tkachuk - all your life, did you know, you'd be picked like a rose?

something..something...tying your skates like your dad used to but also, outgrowing the shoes you're expected to fill

[lizzybeeee]

I pity anyone studying history at univeristy of orlais trying to write their thesis during inquisition, with Inquisitor and the team stumbling over new historical facts every five seconds (tyrdda bright axe, here you go an entire saga and btw she was a mage; dragonology an entire text from ancient tevinter; whay happened at the red crossing here you go; dwarven ruins boom hissing wastes; INQUISITOR AMERIDAN)

"I can't wait to publish my paper on the collapse of the Kirkwall Circle and the Mage/Templar War! I'm so glad the conclave is next week and I can wrap it all up!" *conclave explodes in the distance*

No, legitimately though, it must be equally exciting and frustrating to be anybody in the research/educational field in Thedas when literally every ten minutes the Inquisitor is tripping over some new historical artifacts or history! Just giving a lecture and then having a dozen hands pop up to object because the Inquisitor discovered something a few days ago. And since the majority of those discoveries are related to the elves I imagine the Orlesian's would be annoyed as hell that they can't really 'control' the narrative or information getting out.

I thought it was really cool that we got to see a little bit of that in Jaws of Hakkon? I'm a sucker for history in general, so hearing Professor Kenric go on about buckles and using them to date battles/artifacts pleased my little nerd heart. I also loved his little mnemonic to remember the elven pantheon! Solas's terse "most people do" when Kenric says he's forgotten Fen'Harel makes me laugh every time.

I would have loved to have picked up a codex entry that was an excerpt of his book on Inquisitor Ameridan! In general, I love that DLC and Ameridan so much - that must have absolutely caused a riot at the university when it was revealed (if the inquisitor chose to). In general I think more media should incorporate archeology into it...it's just such a cool thing and a great world-building tool.

[kaythefloppa]

The in-dev versions of the Wild Kratts flash games are trippy as fuck.

For anyone wondering how the fuck I managed to get this, a friend of mine who was just as enamoured by the flash games sent these to me a while back. They were found on several PBS Kids subdomains that contained flash games prior to the End-of-Life (a good majority of them nowadays are gone unfortunately). I was able to use the flash emulator Ruffle to be able to access them again and yeah, it's really fucken interesting.

For those who want the link, here (I'd advise you install Ruffle beforehand it make it easier to automatically emulate the game. Also disclaimer, bc it's in-dev, the controls do not work).

KangarooGame (early version of Kickboxing Kangaroo)

DracoGame (early version of Draco Glide)

And ofc, if you want to play the games themselves you can download Flashpoint where nearly all of the WK flash games from the 2010's are accessible to play.

[chatonarya]

It genuinely baffles me how some people assume the relationship between Gnosis and Monch was a two-way street. It's blindingly evident from the very beginning that to Gnosis, she always was nothing more than a subordinate to him; a good subordinate, but nothing more than that. She was the one with the misplaced crush on a man who didn't especially care about her. Gnosis always remained focused on the only thing that matters to him: his dream with Enciodes. Nothing more, nothing less.

It also baffles me immensely how much his relationship with Enciodes is overlooked. Enciodes is, in effect, the lynchpin of Gnosis's life, around which everything is based. Enciodes saved him from despairing of Kjerag and gave him a goal to work towards, supported him and remained by his side when nobody else would, of course Gnosis is fiercely and eternally loyal to him, even if he cloaks it in a layer of tsun. Even Gnosis's EP is addressed to him. They've worked hand-in-hand towards their dream since they first became friends. You can't have one without the other.

Furthermore, it also baffles me how some people assume that Gnosis is unlovable or unloved, and play up his intellectual and cerebral traits like he's some kind of robot when the text itself says otherwise. Do his voice lines to the Doctor emphasize this? Yes, but voice lines are only one part of an operator's characterization in Arknights, and their writing in the story carries far more weight than their voice lines. Both BI, RS, and his oprec paint a very different image of Gnosis than his lines indicate, and that is an image of someone who is difficult to get along with yet cared for and appreciated regardless. Enciodes has remained by his side for twenty years and has never flinched or batted an eye at Gnosis's harsher side; Degenbrecher values him as one of her dearest friends on the same level as Enciodes; and Gnosis also cares for them in turn and lets down his facade with them. He not only has a potential long-time lover in Enciodes if you'd like to take the massive amount of subtext between them that way, but he has a good friend in Degenbrecher, with whom he's relaxed enough to bicker with (and you can take them as an OT3 too if you want).

At this point, Gnosis barely even qualifies as a mad scientist given that he doesn't even mention research once in RS, much less a hyperfocused machine who has nobody else in his life but his equipment! He has his company, his career, and most of all, he has his friends. He has bonds with other people, and deep ones at that. Yet most is made of what is, so far, his most shallow relationship (the one with Monch), while everything else is ignored.

I find it rather baffling.

[genericpuff]

The Mishandling of LO’s S3 Mi(n)season Hiatus - Part 3 2/2

ALRIGHT. THIS IS THE LAST PART. I MEAN IT THIS TIME.

I had completely forgotten how long the mi(n)season finale for S3 was, but I suppose it makes sense considering it was operating as the true cliffhanger before the 4 month break.

If you haven't read the first 3 parts of this episodic breakdown, please go check these ones out first:

Part 1

Part 2

Part 3 1/2

Alright, let's get this show on the road!

CAUTION: THIS IS PART 2 OF THE THIRD PART OF A 3 + 1 PART SERIES IN WHICH I WILL BE SPOILING MUCH OF EPISODES 251-253. THIS EPISODE CONTAINS TOPICS SURROUNDING SEXUAL ASSAULT. THIS WILL BE A LONG POST. BRACE YOURSELF.

We've gotten delusional Leuce. We've gotten erasure of the SA. We've gotten a complete bastardization of the original myths that this story got its claim to fame on. The dread has set in, and all I want to do is get off Mr Bones' Wild Ride. But we have one more stretch of mind-numbing track to go, because the reveal of Persephone starting winter was not the end, oh no. The true cliffhanger of this episode - upon which the fans and critics alike have sat on for 4 months - proves that when we think Rachel has gotten crazy enough in this circus she calls a "retelling", she manages to prove that yes, she can make things even crazier, and no, you will not have a good time.

Ironically, despite that opening, I actually have a lot less to say about this last part of Episode 253 than I did about the first part. Obviously there's no feasible way to top "Persephone causes winter", but this episode does come rather close in its absurdity. Ultimately, if these essays have proven anything, it's just how much Rachel retcons things, to such an extent now that she seems to be retconning or outright forgetting information that she established just a handful of episodes prior. You'll see what I mean here as we go along in this.

As soon as it's hinted at that Persephone has started winter, we cut away to Apollo. Because, as per LO tradition, we can't spend longer than 10-15 panels on a single scene.

Already this seems like... really odd framing.

This is Apollo. A character who has been a villain since basically the beginning of the comic, when he sexually assaulted Persephone. This is not something that's up for debate. This is not something that can be refuted, as much as the comic may try to erase it or twist it into something else.

And yet, the vibe I get from this is, "Misled but good-deep-down character being taken advantage of by a sinister being." This isn't the type of framing we should be seeing around a character like Apollo.

I mentioned it ages ago in my post about the SA erasure that it really feels like Rachel is slyly trying to make Apollo empathetic, from giving us an entire episode in his perspective to adding extra panels into the books to making Persephone weirdly reminiscent of feelings for Apollo that she never had.

One thing I also touch on in that post is how Apollo is framed against Zeus. Zeus is also a villain character for much of the series, and even after he's "redeemed", the fanbase still considers him largely to be an antagonistic force. So to have Apollo be trying to take down Zeus comes across as very "the enemy of my enemy is my friend" and I really don't like seeing that framing when it's regarding a rapist.

And this scene largely feels the same. It feels like Rachel's trying to sway the audience into believing Apollo is like Draco Malfoy - a misled boy who "didn't know any better" and was being manipulated by a greater evil. If you haven't guessed by now, that "greater evil" is Ouranos.

Why is it Ouranos? In my opinion (so take this with grains of salt) this is because they need to somehow "one up" Kronos and give Persephone and Hades a tangible force to fight against, to draw a clean line in the sand between "good" and "evil" so that we, the audience, will be forced to categorize Persephone and Hades as "good" and someone else as "evil".

But really, why Ouranos? We're told that he manipulated Gaia to use her powers in an attempt to create "hierarchy" (whatever the FUCK that means, I don't think Rachel really understands how societal hierarchies are created) but there's NOTHING to imply that he was tyrannical or "evil" in the same way that Kronos has been depicted. Rachel's basically submitting this whole plotline to "well it's in the prophecy" but there was NOTHING dictating that she had to try and write a "prophecy" storyline to begin with. So as a result, it feels very tacked on and it's hard to tell what the point is, it really just seems like Rachel watched too much Marvel one week and decided that Lore Olympus - a fantasy romance - needed a big bad.

And by extension it feels like Apollo is being used as a pawn in this dynamic. By making him subservient to an "evil" force, it means he can labelled as definitively "evil", and thus it gives Rachel a vehicle to have Apollo taken down - or even perhaps empathized with much like in the Draco Malfoy sense - without having to touch the SA plot that she set up and never resolved.

He was evil before, but he wasn't the kind of evil that Rachel could write around. Because she doesn't know how to write SA or give her female characters any sense of retribution or agency. We've seen that already with her robbing Demeter of winter and Persephone of her feelings regarding the SA. There was never going to be a chance in hell she was going to be able to write herself out of a plotline she's been procrastinating for 4+ years.

That said, this is just a vibe I get, so I'm not gonna speak on it much more. This is one of those "we're really not gonna know until the comic returns" situations.

Once again, Rachel's trying to make Apollo seem like a "master manipulator", but she's also trying to make him seem like he's the one being manipulated, but she's ALSO trying to write him as a big dumb idiot who literally can't grasp consent. Apollo has to be one of the most inconsistently written characters in the entire comic, and yes, that includes Persephone. Again, it just goes to show she hasn't been able to fully commit to the SA plotline because Apollo's motivations and intelligence levels change with each passing episode. Sometimes he's being nefarious and plotting to overthrow the King, other times he's literally asking a nymph if she'd be willing to cut her hair to look like Persephone. The comic can't choose and so we, the audience, can't tell why Apollo is even still here.

Again, this is SUCH bizarre framing. If we're to believe that Persephone has been "cursed" by no longer being able to create Spring, only Winter, then does that make Ouranos and Apollo the heroes here? Because Ouranos is right, if Persephone is causing winter, that's going to kill the mortals, which is the complete OPPOSITE of what she's trying to do. So what are we left with? A plotline where Apollo and Ouranos might actually have a point about how she rushed into a marriage with the King of the Underworld and sacrificed everything that gave her agency and power - both metaphorically and literally - in the process?

Again, this is why Rachel fundamentally misunderstands the original purpose of The Hymn to Demeter and how she's, by and large, made her retelling worse in an attempt to be "subversive". It puts the plot and character motivations in a place where it's hard to tell what the story is trying to say, I can understand if maybe Rachel's trying to write a conflict where Apollo uses this information to manipulate her, but it doesn't help that knowing EVERYTHING we know about the H x P relationship within the context of this comic, Ouranos has a point that Persephone's union with the King of the Dead is problematic. It might not be the same "problematic" that we're all thinking of, but it really just reinforces the criticisms of this relationship. Is the comic really asking us to say "fuck the human race, they're in love" ??? Because that's NOT what the point of the original myth was in the slightest and it's just a really weird place to put your audience in.

It's 4:45 AM right now as I'm typing this so my thoughts are a little scattered, but all this really feels like is an attempt on Rachel's part to create a new "big bad" for her to use as a distraction from the SA plot and to give Persephone a "flaw", but that "flaw" really only takes away the strength of another character.

Oh, and by the way? This whole "you need the fertility goddess" thing? THE COMIC HAS ALREADY TOLD US THIS WON'T WORK BECAUSE SHE HAS TO BE IN LOVE WITH APOLLO FOR HIM TO BE ABLE TO USE HER POWERS. SO RACHEL'S ALREADY WRITTEN HERSELF INTO A CORNER THAT SHE'LL EITHER HAVE TO SOLVE OR RETCON ENTIRELY. DO YOU SEE WHY THIS IS SO ABSURD???

This line is kind of jarring because we had the Kassandra prophecy at the beginning that talked about the herb, but the prophecy Ouranos is talking about is the one about the sons of kings overthrowing their fathers. I definitely forgot about that one for a hot second reading this, I didn't get how this sequence related to the poisonous plant thing because they're framed as completely separate prophecies. It's not like Kassandra said in her initial prophecy that this plant would be used to overthrow a King again, she just said that the plant still existed and Psyche figured it out on her own that Apollo was gonna use it on Zeus. IDK that's just something that bugged me (also again, why are they believing her prophecies when we literally just had it established an episode ago that no one believes her prophecies LMAO)

Because if it wasn't enough for LO to have one Evil Robot Jeff Bridges villain, it had to throw in another one for good measure. It's just a line of dads and grandpas going back centuries waiting for their turn in the ring with Persephone.

lmao I love this 'hint' at Apollo being the one to write the note from Hebe and leave the cupcake for Zeus. Like... duh? We already put that together as SOON as Psyche said gasp "Zeus!" and then it showed Zeus eating the cupcake while Psyche called him on the phone telling him Apollo was gonna try and harm him. This sequence of 'revealing what really happened' doesn't work here because we've already been told what happened.

Except we know he won't. There's no tension to this whatsoever.

That's Hebe by the way.

It's odd that Apollo is embracing this prophecy when he has a kid himself. He literally has a fully grown son in this comic. I guess Apollo forgot about that, just like Rachel.

And that's it. That's the midseason finale. Ouranos is the new twist villain and Apollo is... whatever the fuck Rachel plans on doing with him.

Now, this leads me to my original motivation to create this series of reviews. It spawned from a conversation we were having in the Discord, discussing what it must be like to be a free reader who hasn't paid for the FP episodes that are still behind a paywall. This is not standard for LO, it hasn't kept FP episodes behind paywalls in the past during long hiatuses like this. I can even prove this with screenshots from the Wayback Machine, during the last midseason hiatus:

(whoof, that rating has dropped. I know it doesn't seem like much but for a series with millions of readers, by law of averages it takes a LOT of poor ratings to pull that number down compared to a series that only has a few readers)

Point is, this is the first time Rachel/WT have done this. Now, I will make this perfectly clear, I don't think this was a decision that was purely on Rachel. WT controls much of the backend like paywall costs, release dates, etc. so I'm not gonna go pinning this on her.

However, I do think this is a completely bungled attempt at trying to get people to pay up. LO has been dropping in views steadily but surely since the midseason break for S2. It's not pulling in the peak numbers that it used to, while it does still pull in a lot more views and money than other series on the platform, it's nowhere near the juggernaut that it once was in terms of record-breaking numbers, and I think WT knows that. So this really comes across as a stunt to get readers to FP, assuming that people will HAVE to pay if they're left waiting for 4 months.

But here's the flaw in that logic - people are still going to have to wait 4 months anyways. Reading those 3 locked episodes, especially all at once, will still leave you in the same place as you were beforehand.

And it shows in the numbers that people aren't falling for the bait.

Again, 17k likes still isn't anything to sneeze at for a FP episode, but it's still just barely above the new average that LO has gained over the past two years. I remember a time when those like counts would be 30k+. And now, despite being on break 4 months with these episodes still locked behind a wall, it's barely able to scrap by its new average of roughly 14-15k, and that average is when episodes are actually updating.

Obviously like counts = / = viewcounts but when they fluctuate, we know that the views have to be as well by extension, at least to some extent, and that's still engagement that's dropped of in and of itself. And we can also see a rough look at how the views have dropped off through the comic's landing page. Now, it's hard to compare data because there was a time when WT actually didn't give follower/view counts on the landing page (this was also when the like count capped at 99k) but we can still see a downslide in growth very visibly in the view count, sub count, and most of all, the rating, which has been steadily dropping for years now.

August 2020:

May 2021:

November 2021:

March 2022 (don't get confused by the 995 million, this is where view count comes in):

September 2022:

March 2023:

Today (October 24th, 2023):

Again, there's no way to get a true clear picture of LO's stats beyond this surface level data, but it does show that LO is just not getting the rapid growth it used to. People are moving on from it. And while its view and sub count are steadily increasing (albeit slowly for a webtoon that gets as much marketing as it does) the average rating is going down. It's clear that the majority of LO's growth happened between 2018 and 2020, which would make sense as the series was still relatively new compared to how it's become old news today, and Webtoons experienced a boom in 2020 due to the COVID-19 lockdowns - a boom that they think still applies in the year 2023, judging by their attempts to import as many series onto the platform as possible and capitalize on an audience that just isn't there anymore.

All of this leads me to wonder - what's in it for free readers after all this? Because if you recall from where we started, the cliffhanger they started on was Hades - possessed by Kronos - attempting to strangle Persephone, a cliffhanger that was resolved within seconds for FastPass readers. If they don't FastPass after that, they'll be met with numerous reveals that don't even make sense for the plot as a whole (such as Leuce making up the text messages).

Again, I don't want to claim that this was a decision on Rachel's part, but it really seems like either she didn't plan this hiatus, or her inability to write naturally without the need for addictive-style formatting as a crutch made it so that the free readers would be given the worst midseason premiere ever.

And what are we, the FastPass readers, going to return to? There are still so many plot threads that have been left unresolved, multiple villains being setup, and as far as Webtoons and Rachel have revealed during NYCC, LO is supposed to end by the spring. That's 20-30 weeks TOPS, which isn't exactly a whole lot of wiggle room for a writer like Rachel who's chronically bad at pacing and getting to the point of the plots she's established.

I know there are so many readers right now anticipating the return of this comic, some of whom genuinely believe this comic is "better than ever" and others who are critical of it but hope that the comic will come back in a better state after the hiatus. But right now there's so much evidence to support the contrary - that LO is about to come back in as bad, if not worse, condition than it was in when it left.

And through all this, for a comic that's finally ending after 5 years, I have to ask - where is the hype? Why are Webtoons and Rachel keeping the finale of this comic behind closed doors? Where's the promotional art, the hinting at what's to come, the attempts to generate any semblance of excitement for the readers who are still left after clinging onto this ride for 5 years? Why were the fans themselves barred out of their own communities during the majority of the hiatus?

And that just leads me to an even more discouraging thought. This is not meant to accuse Rachel or make assumptions. It's simply a thought that I had while thinking about what the series could possibly pull upon its return, so please, take this with MOUNTAINS of salt. It's one thing I hadn't considered with the knowledge that LO will be returning with 3 episodes still behind a paywall, a 'buffer' in and of itself for Rachel to work off of.

Rachel only technically needs one episode ready for the release. Not three as she normally would if the episodes had been unlocked like in previous hiatuses. That's not including whatever buffer episodes she would need beyond the upload schedule, but she's proven to be chronically bad at maintaining a buffer as well since day one.

We haven't seen any promotional art. No hinting. No hyping beyond what's been seen for her "Rachel Smythe Presents" series.

With all that in mind, I have one question to leave this on:

Has Rachel even started working on Episode 254 yet?

[bleue-flora]

Okay I know I said I wasn’t going to talk about discduo anymore, and I meant it. I did. But then I saw the clip of cc!Tommy [post] talking about them and a few people saying how clingy duo didn’t know that they hurt c!Dream, and how c!Dream was just this unreasonable psychopath who drove c!Tommy to want to kill himself… and well I just feel like I can’t stand by while Dream gets slandered after I was being nice to c!Tommy.

So... that brings us here, where to the best of my memory and ability, I’d like to look at c!Tommy as being part of the Antisocial Personality Disorder spectrum. Because here’s the thing, I’ve seen people refer to him as some golden boy, who’s caring and has a good heart, but I’m gonna just be honest, I just don’t see it. From what I can tell, we accuse c!Dream of having no empathy, but I don’t think I’ve really seen c!Tommy show any.

Now granted, I’m definitely no psychologist or whatever, and in the real world diagnosing these disorders is a very intense and extensive process. Especially because there is no true way to know whether an individual has empathy or not since we can’t exactly read their minds or feelings. So we really only have their behavior to study. Having said all that though, here’s why I actually think c!Tommy is perhaps the “psychopath” or since that term is no longer medically used, has Antisocial Personality Disorder (ASPD) in which psychopathy is sometimes considered a subtype of.

And yes, while I am more than aware that I clearly have dsmp favorites and therefore am biased, I have to say when I was rewatching lore I didn’t expect to come to this conclusion, but something about this scene specifically in the finale bothered me.

[clip] Dream: “Why are you–why are you trying to—ruin everything all the time?” Tommy: “Cuz that was just me having fun with my friends, Dream, but I didn’t–I didn’t…” Dream: “Ah-you just stealing my shit and a—griefing my friends’ houses and breaking shit?” Tommy: “I just didn’t realize how much that hurt you.”

Because c!Tommy essentially just straight up admits to enjoying harming others. In fact, is so clueless he doesn’t grasp that killing and breaking and stealing and griefing hurts people. And like how can you possibly tell me that someone at the age of 18 years old can be so oblivious to other people’s suffering. Because he sure didn’t like it when people griefed or trapped his house, stole from him, and killed him, but somehow didn’t know that other people also didn’t like that. I mean, there’s just no way someone can be that clueless, I don’t care how old they are, even children know better than to just push their friend down the stairs because it’s funny. 

Like I don't think this is just the behavior of some flawed teenager, but of someone with a lack of empathy or ASPD, which the National Library of Medicine says this about, “Antisocial personality disorder is characterized by a pervasive and enduring pattern of disregarding and violating the rights of others, typically emerging in childhood or early adolescence and persisting throughout an individual's life. This disorder significantly impacts interpersonal and occupational functioning, often leading to profound impairments in overall quality of life. Individuals with antisocial personality disorder frequently engage in criminal behavior and struggle to learn from the negative consequences of their actions” [source], And I don’t know about you, but doesn’t that sound like c!Tommy? Even further the Millon Theory has this to say about Antisocial (ADAntis) individuals, “Prone to lessened emotional resonance and a marked lack of empathy, those individuals evidencing ADAntis patterns actively seek out what they feel is their entitlement. ADAntis individuals often feel slighted by their circumstances and believe they must take in order to receive. They are impulsive by nature and uncaring about any damage they may inflict on others or themselves” [source].

In other words, someone who does and takes without thinking of others as if they are entitled to it. A great example of this is c!Tommy just up and killing c!Purpled for no reason and stealing c!Tubbo’s resources before they battle c!Dream again for the discs, where c!Tubbo notes that c!Tommy has a ‘shit moral compass’ [clip]. There is also the stream I love to bring up of c!Tommy stealing from c!Tubbo, killing his bee and then burning his house, and not giving anything but a half assed apology of 'I didn’t mean to burn your house down that much’ and ‘I didn’t mean to kill your bee I was just giving him a high five’ [post] and that’s how he treats his best friend, one he drags into war after war. c!Tommy more than once highlights how pain is real in the dsmp whether a non-canonical death or a punch and yet shows no regard for holding back hurting others, whether that's burning c!Techno [clip] or throwing a harming potion at him when he’s found in the basement [clip], lighting c!Dream on fire with a bucket of lava on the first day of Exile [clip & clip], killing c!Alyssa just cuz she’s there and a woman [clip], stabbing c!Dream as he fills in a creeper hole in c!Tommy's yard no less [clip], how bout just dragging c!Tubbo into wars to risk his life and experience pain over some replaceable discs… etc just as some examples off the top of my head I've have seen recently. 

I mean he doesn’t seem to care about others. When c!Tubbo needs help, where’s c!Tommy, like when he goes after c!Sam after he killed his husband and kidnapped his son he teams up with all the people who have killed him. Where the freak is c!Tommy - the one he fought so many wars with. Heck in the finale, c!Tubbo charges into what might be certain death, even after disagreeing with c!Tommy and reasoning that maybe they shouldn’t kill c!Dream [clip]. Oh and then of course, I've talked about his behavior towards c!Punz in the beginning too, of him helping clingy duo and then c!Tommy plotting to stab him the next minute [post]. 

And he struggles so hard to separate the value of items over the living [clip], seen no clearer than his struggle multiple times with putting the discs over c!Tubbo. And as I talked about when looking at c!Quackity at some point, people without empathy can love but it’s more like loving chocolate where they can enjoy it but there is no consideration for a candy bar’s well-being or feelings - people are more so just there to be used than cared about, and isn’t that what he does with c!Tubbo? With c!Techno? With c!Dream? Using them as a weapon and for their resources and then tossing them aside. Certainly not having their back when they need it, something c!Techno highlights pretty well in his speech about being a person [clip].

Perhaps our biggest clue should be how revolved his character arc is about understanding the value of items and how people are more important, as he finally in the finale gives up his discs for Tubbo’s life…

I don’t know maybe I’m wrong, but all I’m saying is I have yet to see a scene that really shows c!Tommy as caring or empathic, instead I see more so the telltale signs and behavior of someone with Antisocial Personality Disorder… who’s the psychopath now? *mic drop*

[drkcatt]

my minfilia alts chocobo, celsettia

[ohsweetflips]

my neutral dragon age trait is that 50% of the time i'm like "the more i critique the games, the more i love them. i can appreciate each game for what they are but my criticism and frustration over what they could be are a sign of love" and the other 50% is like "this is the writing of the dragon age series. sure. why not. this may as well happen."