#i have a lore essay about this

[scp-xxxx]

The essay about relations in Valdor: Birth of the Imperium.

[drenched-in-sunlight]

saying this as respectfully as possible but. Do not put fandom content creators on a pedestal. We are also just fans contributing to a community just as you are. We have boundary on our own work and that’s it. What I say is not and should not be considered sth the whole fandom should listen to. I’m just a normal ass person ranting about things on my blog. If it does not have a fandom tag for others to engage in, do not make it out to be me trying to start fights or addressing the whole community. Because it’s not.

I’ve said it before and I will say it again, my art, my lore talk, is biased. I’ve never tried to hide that I view Marika a certain way and will always develop my theory following that base assumption.

Aside from translation stuffs and pointing out in-game items, everything else I say you can look at it, agree or disagree, and move on to form your own opinions. Just because I draw stuffs doesn’t mean you get to saddle me with responsibilities about managing fandom expectations. What the hell? I’m a fan artist, I’m the last person who you should look at for “leaderism” (?) WHAT?

I can and will be a hater in my own space, like I know sometimes other artists will just post their stuffs and not engage too heavily with fandom, and for a while I did try to do that here (because I’m already a dramatic ass on twitter), that’s just not me though.

You will get art and you will get my opinions as well.

[some-pers0n]

Downloaded and installed Rain World to actually see and play the game that like 80% of my friends and mutuals love and adore

[wonderb0n]

sigh

the real culprit behind the current misinformation surrounding greek mythology is the mass consumption of altered or adapted content.

our main example being the obsessive fascination with giving to the myth of Hades and Persephone characteristics already existing in the great unfortunately forgotten myth of Eros and Psyche. in this essay I will-

[hastalavistabyebye]

Canon mandalorian art and the Murals of Sundari

There's a very interesting thing about canon mandalorian art. Outside of Sabine's graffitis and armor paint, the only canon mando figurative art (that I have found) are the statue of Tarre Vizla -which go perfectly in star wars' long tradition of dead historical figures' statues, especially for Jedi- and the three murals of Mandalore. I said figurative because there is also the Memorial Shrine on Sundari that was bombed by death watch during the clone wars that is definitely not figurative. But that's another subject.

Of those two exemples of mandalorian sculptures that we know of, we have an old, historical, imposing rendition of a past Mand'alor (and in both medium and subject, what I personally headcanon as the favored type of art by Mandalorians) and a series of murals depicting one of the victories of the Mandalorians over the Jedi, during one of their war. And that mural is the only major art we see in Sundari, the New Mandalorians' Capital.

And that's what I'm going to talk about.

Those three murals have obviously been inspired by Picasso's Guernica. I'm absolutely not a Picasso specialist nor do I wish to be (he was an asshole first category, thank you very much but ew). But. What I do know is that Guernica was commanded to Picasso to illustrate the city Guernica's bombing and denounce fascism, and later on was a symbol of the horror of the war (especially the world war 2 which started two years after the realisation of this imposing painting). The blatant difference with Guernica in those murals is that the violence isn't denounced at all. It's highlighted. The Mandalorians Crusaders have halos, they're bigger, standing, orderly, majestic. Opposed to that are the Jedi, distorted, chaotic, small, at the feet of the Mandalorians. This is obvious propaganda in favor of the victors of the battle. (Of the battle only because it's the Jedi who won that war.)

Using Guernica was an interesting and easy way to show "A War" even if the soul of it is completely reversed (which is really interesting too) but yeah, that's a smart and quick way to send a mood to the person watching those episodes of clone war, without needing to focus on the art. You see the style, you understand roughly what's the meaning of it. End of the parenthesis.

What is interesting is that this is the only figurative art I've found for the New Mandalorians. More than that, that last mural was right under the speaking balcony, above the royal platform of Sundari's palace. Satine Kryze talked about her ideals just over the graphic depiction of Jedi being decapitated. This, added to the cultural genocide the New Mandalorians were making, paint one hell of a picture.

For that last part on the New Mandalorians, @/fox-trot made an amazing explanation of it, in some of their tags once but I can't find the post again :( roughly, they were highlighting how, notably in Legends, the Mandalorians used to be a vastly diverse people, different colors of skin, different species.... But with the arrival of the New Mandalorians, not only we can't see any art but those ones, not only do they want to erase entire parts of their traditions and culture (armor doesn't mean war, you could change the warrior and blood culture without taking the armor out, cue Jedi and their weapons lightsaber), but they also are all human, white and rich. Boba and Jango Fett aren't seen as Mandalorians at all. The Wren are Death Watch so traitors and terrorists. The New Mandalorians are good and safe and refuse any way of protection, are more passive than neutral in that regard, and are a white, human elite.

That elite have hid/erased/we-can't-even-know-because-it-can-only-be-seen-in-it's-obvious-absence all of their traditional art but those murals, depicting the massacre that was one of their victorious battles in a war they ultimately lost. This is one hell of a propaganda and rewriting of History.

You can read it in many ways, two I can think of are :

-the New Mandalorians Government want to send the message "See how bloody and terrible and not-good mandalorian culture is. We need to be pacifists to not-be-like-that"

-but what it can look like is the symbolic reality of what they're doing : a cultural genocide painted in glorious light.

Anyway you want to look at it, with such a critical light of the new mandalorians or not, that those murals are the only art display in Sundari's palace still send one hell of a message.

[cryinginthedeep]

matthew tkachuk - all your life, did you know, you'd be picked like a rose?

something..something...tying your skates like your dad used to but also, outgrowing the shoes you're expected to fill

[genericpuff]

The Mishandling of LO’s S3 Mi(n)season Hiatus - Part 3 2/2

ALRIGHT. THIS IS THE LAST PART. I MEAN IT THIS TIME.

I had completely forgotten how long the mi(n)season finale for S3 was, but I suppose it makes sense considering it was operating as the true cliffhanger before the 4 month break.

If you haven't read the first 3 parts of this episodic breakdown, please go check these ones out first:

Part 1

Part 2

Part 3 1/2

Alright, let's get this show on the road!

CAUTION: THIS IS PART 2 OF THE THIRD PART OF A 3 + 1 PART SERIES IN WHICH I WILL BE SPOILING MUCH OF EPISODES 251-253. THIS EPISODE CONTAINS TOPICS SURROUNDING SEXUAL ASSAULT. THIS WILL BE A LONG POST. BRACE YOURSELF.

We've gotten delusional Leuce. We've gotten erasure of the SA. We've gotten a complete bastardization of the original myths that this story got its claim to fame on. The dread has set in, and all I want to do is get off Mr Bones' Wild Ride. But we have one more stretch of mind-numbing track to go, because the reveal of Persephone starting winter was not the end, oh no. The true cliffhanger of this episode - upon which the fans and critics alike have sat on for 4 months - proves that when we think Rachel has gotten crazy enough in this circus she calls a "retelling", she manages to prove that yes, she can make things even crazier, and no, you will not have a good time.

Ironically, despite that opening, I actually have a lot less to say about this last part of Episode 253 than I did about the first part. Obviously there's no feasible way to top "Persephone causes winter", but this episode does come rather close in its absurdity. Ultimately, if these essays have proven anything, it's just how much Rachel retcons things, to such an extent now that she seems to be retconning or outright forgetting information that she established just a handful of episodes prior. You'll see what I mean here as we go along in this.

As soon as it's hinted at that Persephone has started winter, we cut away to Apollo. Because, as per LO tradition, we can't spend longer than 10-15 panels on a single scene.

Already this seems like... really odd framing.

This is Apollo. A character who has been a villain since basically the beginning of the comic, when he sexually assaulted Persephone. This is not something that's up for debate. This is not something that can be refuted, as much as the comic may try to erase it or twist it into something else.

And yet, the vibe I get from this is, "Misled but good-deep-down character being taken advantage of by a sinister being." This isn't the type of framing we should be seeing around a character like Apollo.

I mentioned it ages ago in my post about the SA erasure that it really feels like Rachel is slyly trying to make Apollo empathetic, from giving us an entire episode in his perspective to adding extra panels into the books to making Persephone weirdly reminiscent of feelings for Apollo that she never had.

One thing I also touch on in that post is how Apollo is framed against Zeus. Zeus is also a villain character for much of the series, and even after he's "redeemed", the fanbase still considers him largely to be an antagonistic force. So to have Apollo be trying to take down Zeus comes across as very "the enemy of my enemy is my friend" and I really don't like seeing that framing when it's regarding a rapist.

And this scene largely feels the same. It feels like Rachel's trying to sway the audience into believing Apollo is like Draco Malfoy - a misled boy who "didn't know any better" and was being manipulated by a greater evil. If you haven't guessed by now, that "greater evil" is Ouranos.

Why is it Ouranos? In my opinion (so take this with grains of salt) this is because they need to somehow "one up" Kronos and give Persephone and Hades a tangible force to fight against, to draw a clean line in the sand between "good" and "evil" so that we, the audience, will be forced to categorize Persephone and Hades as "good" and someone else as "evil".

But really, why Ouranos? We're told that he manipulated Gaia to use her powers in an attempt to create "hierarchy" (whatever the FUCK that means, I don't think Rachel really understands how societal hierarchies are created) but there's NOTHING to imply that he was tyrannical or "evil" in the same way that Kronos has been depicted. Rachel's basically submitting this whole plotline to "well it's in the prophecy" but there was NOTHING dictating that she had to try and write a "prophecy" storyline to begin with. So as a result, it feels very tacked on and it's hard to tell what the point is, it really just seems like Rachel watched too much Marvel one week and decided that Lore Olympus - a fantasy romance - needed a big bad.

And by extension it feels like Apollo is being used as a pawn in this dynamic. By making him subservient to an "evil" force, it means he can labelled as definitively "evil", and thus it gives Rachel a vehicle to have Apollo taken down - or even perhaps empathized with much like in the Draco Malfoy sense - without having to touch the SA plot that she set up and never resolved.

He was evil before, but he wasn't the kind of evil that Rachel could write around. Because she doesn't know how to write SA or give her female characters any sense of retribution or agency. We've seen that already with her robbing Demeter of winter and Persephone of her feelings regarding the SA. There was never going to be a chance in hell she was going to be able to write herself out of a plotline she's been procrastinating for 4+ years.

That said, this is just a vibe I get, so I'm not gonna speak on it much more. This is one of those "we're really not gonna know until the comic returns" situations.

Once again, Rachel's trying to make Apollo seem like a "master manipulator", but she's also trying to make him seem like he's the one being manipulated, but she's ALSO trying to write him as a big dumb idiot who literally can't grasp consent. Apollo has to be one of the most inconsistently written characters in the entire comic, and yes, that includes Persephone. Again, it just goes to show she hasn't been able to fully commit to the SA plotline because Apollo's motivations and intelligence levels change with each passing episode. Sometimes he's being nefarious and plotting to overthrow the King, other times he's literally asking a nymph if she'd be willing to cut her hair to look like Persephone. The comic can't choose and so we, the audience, can't tell why Apollo is even still here.

Again, this is SUCH bizarre framing. If we're to believe that Persephone has been "cursed" by no longer being able to create Spring, only Winter, then does that make Ouranos and Apollo the heroes here? Because Ouranos is right, if Persephone is causing winter, that's going to kill the mortals, which is the complete OPPOSITE of what she's trying to do. So what are we left with? A plotline where Apollo and Ouranos might actually have a point about how she rushed into a marriage with the King of the Underworld and sacrificed everything that gave her agency and power - both metaphorically and literally - in the process?

Again, this is why Rachel fundamentally misunderstands the original purpose of The Hymn to Demeter and how she's, by and large, made her retelling worse in an attempt to be "subversive". It puts the plot and character motivations in a place where it's hard to tell what the story is trying to say, I can understand if maybe Rachel's trying to write a conflict where Apollo uses this information to manipulate her, but it doesn't help that knowing EVERYTHING we know about the H x P relationship within the context of this comic, Ouranos has a point that Persephone's union with the King of the Dead is problematic. It might not be the same "problematic" that we're all thinking of, but it really just reinforces the criticisms of this relationship. Is the comic really asking us to say "fuck the human race, they're in love" ??? Because that's NOT what the point of the original myth was in the slightest and it's just a really weird place to put your audience in.

It's 4:45 AM right now as I'm typing this so my thoughts are a little scattered, but all this really feels like is an attempt on Rachel's part to create a new "big bad" for her to use as a distraction from the SA plot and to give Persephone a "flaw", but that "flaw" really only takes away the strength of another character.

Oh, and by the way? This whole "you need the fertility goddess" thing? THE COMIC HAS ALREADY TOLD US THIS WON'T WORK BECAUSE SHE HAS TO BE IN LOVE WITH APOLLO FOR HIM TO BE ABLE TO USE HER POWERS. SO RACHEL'S ALREADY WRITTEN HERSELF INTO A CORNER THAT SHE'LL EITHER HAVE TO SOLVE OR RETCON ENTIRELY. DO YOU SEE WHY THIS IS SO ABSURD???

This line is kind of jarring because we had the Kassandra prophecy at the beginning that talked about the herb, but the prophecy Ouranos is talking about is the one about the sons of kings overthrowing their fathers. I definitely forgot about that one for a hot second reading this, I didn't get how this sequence related to the poisonous plant thing because they're framed as completely separate prophecies. It's not like Kassandra said in her initial prophecy that this plant would be used to overthrow a King again, she just said that the plant still existed and Psyche figured it out on her own that Apollo was gonna use it on Zeus. IDK that's just something that bugged me (also again, why are they believing her prophecies when we literally just had it established an episode ago that no one believes her prophecies LMAO)

Because if it wasn't enough for LO to have one Evil Robot Jeff Bridges villain, it had to throw in another one for good measure. It's just a line of dads and grandpas going back centuries waiting for their turn in the ring with Persephone.

lmao I love this 'hint' at Apollo being the one to write the note from Hebe and leave the cupcake for Zeus. Like... duh? We already put that together as SOON as Psyche said gasp "Zeus!" and then it showed Zeus eating the cupcake while Psyche called him on the phone telling him Apollo was gonna try and harm him. This sequence of 'revealing what really happened' doesn't work here because we've already been told what happened.

Except we know he won't. There's no tension to this whatsoever.

That's Hebe by the way.

It's odd that Apollo is embracing this prophecy when he has a kid himself. He literally has a fully grown son in this comic. I guess Apollo forgot about that, just like Rachel.

And that's it. That's the midseason finale. Ouranos is the new twist villain and Apollo is... whatever the fuck Rachel plans on doing with him.

Now, this leads me to my original motivation to create this series of reviews. It spawned from a conversation we were having in the Discord, discussing what it must be like to be a free reader who hasn't paid for the FP episodes that are still behind a paywall. This is not standard for LO, it hasn't kept FP episodes behind paywalls in the past during long hiatuses like this. I can even prove this with screenshots from the Wayback Machine, during the last midseason hiatus:

(whoof, that rating has dropped. I know it doesn't seem like much but for a series with millions of readers, by law of averages it takes a LOT of poor ratings to pull that number down compared to a series that only has a few readers)

Point is, this is the first time Rachel/WT have done this. Now, I will make this perfectly clear, I don't think this was a decision that was purely on Rachel. WT controls much of the backend like paywall costs, release dates, etc. so I'm not gonna go pinning this on her.

However, I do think this is a completely bungled attempt at trying to get people to pay up. LO has been dropping in views steadily but surely since the midseason break for S2. It's not pulling in the peak numbers that it used to, while it does still pull in a lot more views and money than other series on the platform, it's nowhere near the juggernaut that it once was in terms of record-breaking numbers, and I think WT knows that. So this really comes across as a stunt to get readers to FP, assuming that people will HAVE to pay if they're left waiting for 4 months.

But here's the flaw in that logic - people are still going to have to wait 4 months anyways. Reading those 3 locked episodes, especially all at once, will still leave you in the same place as you were beforehand.

And it shows in the numbers that people aren't falling for the bait.

Again, 17k likes still isn't anything to sneeze at for a FP episode, but it's still just barely above the new average that LO has gained over the past two years. I remember a time when those like counts would be 30k+. And now, despite being on break 4 months with these episodes still locked behind a wall, it's barely able to scrap by its new average of roughly 14-15k, and that average is when episodes are actually updating.

Obviously like counts = / = viewcounts but when they fluctuate, we know that the views have to be as well by extension, at least to some extent, and that's still engagement that's dropped of in and of itself. And we can also see a rough look at how the views have dropped off through the comic's landing page. Now, it's hard to compare data because there was a time when WT actually didn't give follower/view counts on the landing page (this was also when the like count capped at 99k) but we can still see a downslide in growth very visibly in the view count, sub count, and most of all, the rating, which has been steadily dropping for years now.

August 2020:

May 2021:

November 2021:

March 2022 (don't get confused by the 995 million, this is where view count comes in):

September 2022:

March 2023:

Today (October 24th, 2023):

Again, there's no way to get a true clear picture of LO's stats beyond this surface level data, but it does show that LO is just not getting the rapid growth it used to. People are moving on from it. And while its view and sub count are steadily increasing (albeit slowly for a webtoon that gets as much marketing as it does) the average rating is going down. It's clear that the majority of LO's growth happened between 2018 and 2020, which would make sense as the series was still relatively new compared to how it's become old news today, and Webtoons experienced a boom in 2020 due to the COVID-19 lockdowns - a boom that they think still applies in the year 2023, judging by their attempts to import as many series onto the platform as possible and capitalize on an audience that just isn't there anymore.

All of this leads me to wonder - what's in it for free readers after all this? Because if you recall from where we started, the cliffhanger they started on was Hades - possessed by Kronos - attempting to strangle Persephone, a cliffhanger that was resolved within seconds for FastPass readers. If they don't FastPass after that, they'll be met with numerous reveals that don't even make sense for the plot as a whole (such as Leuce making up the text messages).

Again, I don't want to claim that this was a decision on Rachel's part, but it really seems like either she didn't plan this hiatus, or her inability to write naturally without the need for addictive-style formatting as a crutch made it so that the free readers would be given the worst midseason premiere ever.

And what are we, the FastPass readers, going to return to? There are still so many plot threads that have been left unresolved, multiple villains being setup, and as far as Webtoons and Rachel have revealed during NYCC, LO is supposed to end by the spring. That's 20-30 weeks TOPS, which isn't exactly a whole lot of wiggle room for a writer like Rachel who's chronically bad at pacing and getting to the point of the plots she's established.

I know there are so many readers right now anticipating the return of this comic, some of whom genuinely believe this comic is "better than ever" and others who are critical of it but hope that the comic will come back in a better state after the hiatus. But right now there's so much evidence to support the contrary - that LO is about to come back in as bad, if not worse, condition than it was in when it left.

And through all this, for a comic that's finally ending after 5 years, I have to ask - where is the hype? Why are Webtoons and Rachel keeping the finale of this comic behind closed doors? Where's the promotional art, the hinting at what's to come, the attempts to generate any semblance of excitement for the readers who are still left after clinging onto this ride for 5 years? Why were the fans themselves barred out of their own communities during the majority of the hiatus?

And that just leads me to an even more discouraging thought. This is not meant to accuse Rachel or make assumptions. It's simply a thought that I had while thinking about what the series could possibly pull upon its return, so please, take this with MOUNTAINS of salt. It's one thing I hadn't considered with the knowledge that LO will be returning with 3 episodes still behind a paywall, a 'buffer' in and of itself for Rachel to work off of.

Rachel only technically needs one episode ready for the release. Not three as she normally would if the episodes had been unlocked like in previous hiatuses. That's not including whatever buffer episodes she would need beyond the upload schedule, but she's proven to be chronically bad at maintaining a buffer as well since day one.

We haven't seen any promotional art. No hinting. No hyping beyond what's been seen for her "Rachel Smythe Presents" series.

With all that in mind, I have one question to leave this on:

Has Rachel even started working on Episode 254 yet?

[drkcatt]

my minfilia alts chocobo, celsettia

[bleue-flora]

Okay I know I said I wasn’t going to talk about discduo anymore, and I meant it. I did. But then I saw the clip of cc!Tommy [post] talking about them and a few people saying how clingy duo didn’t know that they hurt c!Dream, and how c!Dream was just this unreasonable psychopath who drove c!Tommy to want to kill himself… and well I just feel like I can’t stand by while Dream gets slandered after I was being nice to c!Tommy.

So... that brings us here, where to the best of my memory and ability, I’d like to look at c!Tommy as being part of the Antisocial Personality Disorder spectrum. Because here’s the thing, I’ve seen people refer to him as some golden boy, who’s caring and has a good heart, but I’m gonna just be honest, I just don’t see it. From what I can tell, we accuse c!Dream of having no empathy, but I don’t think I’ve really seen c!Tommy show any.

Now granted, I’m definitely no psychologist or whatever, and in the real world diagnosing these disorders is a very intense and extensive process. Especially because there is no true way to know whether an individual has empathy or not since we can’t exactly read their minds or feelings. So we really only have their behavior to study. Having said all that though, here’s why I actually think c!Tommy is perhaps the “psychopath” or since that term is no longer medically used, has Antisocial Personality Disorder (ASPD) in which psychopathy is sometimes considered a subtype of.

And yes, while I am more than aware that I clearly have dsmp favorites and therefore am biased, I have to say when I was rewatching lore I didn’t expect to come to this conclusion, but something about this scene specifically in the finale bothered me.

[clip] Dream: “Why are you–why are you trying to—ruin everything all the time?” Tommy: “Cuz that was just me having fun with my friends, Dream, but I didn’t–I didn’t…” Dream: “Ah-you just stealing my shit and a—griefing my friends’ houses and breaking shit?” Tommy: “I just didn’t realize how much that hurt you.”

Because c!Tommy essentially just straight up admits to enjoying harming others. In fact, is so clueless he doesn’t grasp that killing and breaking and stealing and griefing hurts people. And like how can you possibly tell me that someone at the age of 18 years old can be so oblivious to other people’s suffering. Because he sure didn’t like it when people griefed or trapped his house, stole from him, and killed him, but somehow didn’t know that other people also didn’t like that. I mean, there’s just no way someone can be that clueless, I don’t care how old they are, even children know better than to just push their friend down the stairs because it’s funny. 

Like I don't think this is just the behavior of some flawed teenager, but of someone with a lack of empathy or ASPD, which the National Library of Medicine says this about, “Antisocial personality disorder is characterized by a pervasive and enduring pattern of disregarding and violating the rights of others, typically emerging in childhood or early adolescence and persisting throughout an individual's life. This disorder significantly impacts interpersonal and occupational functioning, often leading to profound impairments in overall quality of life. Individuals with antisocial personality disorder frequently engage in criminal behavior and struggle to learn from the negative consequences of their actions” [source], And I don’t know about you, but doesn’t that sound like c!Tommy? Even further the Millon Theory has this to say about Antisocial (ADAntis) individuals, “Prone to lessened emotional resonance and a marked lack of empathy, those individuals evidencing ADAntis patterns actively seek out what they feel is their entitlement. ADAntis individuals often feel slighted by their circumstances and believe they must take in order to receive. They are impulsive by nature and uncaring about any damage they may inflict on others or themselves” [source].

In other words, someone who does and takes without thinking of others as if they are entitled to it. A great example of this is c!Tommy just up and killing c!Purpled for no reason and stealing c!Tubbo’s resources before they battle c!Dream again for the discs, where c!Tubbo notes that c!Tommy has a ‘shit moral compass’ [clip]. There is also the stream I love to bring up of c!Tommy stealing from c!Tubbo, killing his bee and then burning his house, and not giving anything but a half assed apology of 'I didn’t mean to burn your house down that much’ and ‘I didn’t mean to kill your bee I was just giving him a high five’ [post] and that’s how he treats his best friend, one he drags into war after war. c!Tommy more than once highlights how pain is real in the dsmp whether a non-canonical death or a punch and yet shows no regard for holding back hurting others, whether that's burning c!Techno [clip] or throwing a harming potion at him when he’s found in the basement [clip], lighting c!Dream on fire with a bucket of lava on the first day of Exile [clip & clip], killing c!Alyssa just cuz she’s there and a woman [clip], stabbing c!Dream as he fills in a creeper hole in c!Tommy's yard no less [clip], how bout just dragging c!Tubbo into wars to risk his life and experience pain over some replaceable discs… etc just as some examples off the top of my head I've have seen recently. 

I mean he doesn’t seem to care about others. When c!Tubbo needs help, where’s c!Tommy, like when he goes after c!Sam after he killed his husband and kidnapped his son he teams up with all the people who have killed him. Where the freak is c!Tommy - the one he fought so many wars with. Heck in the finale, c!Tubbo charges into what might be certain death, even after disagreeing with c!Tommy and reasoning that maybe they shouldn’t kill c!Dream [clip]. Oh and then of course, I've talked about his behavior towards c!Punz in the beginning too, of him helping clingy duo and then c!Tommy plotting to stab him the next minute [post]. 

And he struggles so hard to separate the value of items over the living [clip], seen no clearer than his struggle multiple times with putting the discs over c!Tubbo. And as I talked about when looking at c!Quackity at some point, people without empathy can love but it’s more like loving chocolate where they can enjoy it but there is no consideration for a candy bar’s well-being or feelings - people are more so just there to be used than cared about, and isn’t that what he does with c!Tubbo? With c!Techno? With c!Dream? Using them as a weapon and for their resources and then tossing them aside. Certainly not having their back when they need it, something c!Techno highlights pretty well in his speech about being a person [clip].

Perhaps our biggest clue should be how revolved his character arc is about understanding the value of items and how people are more important, as he finally in the finale gives up his discs for Tubbo’s life…

I don’t know maybe I’m wrong, but all I’m saying is I have yet to see a scene that really shows c!Tommy as caring or empathic, instead I see more so the telltale signs and behavior of someone with Antisocial Personality Disorder… who’s the psychopath now? *mic drop*

[eosofspades]

okay i meant to make this post forever ago but my personal opinion on why so many people were so dissatisfied with lightfalll (disclaimer: i am not one of these people, i love lightfall SO much), is that lightfall was kind of subjected to a really aggressive marketing campaign.

like, stick with me here, i feel like almost all the lightfall release content (the trailers especially) were so focused on battling the witness, how this battle has been centuries in the making and this is the Second Collapse Finally Finding Us, only for there to be,,, no real resolution. the end was left on such a severe cliffhanger, but not only that, there was NO battle with the witness. the witness didn't even seem to be having a hard time at all with what we WERE throwing at it.

and for narrative reasons *i* am obsessed with this ending; in terms of storytelling i adore practically every creative decision that was made in lightfall, but i think the reason that so many people were so upset about it is because lightfall had such intense marketing and was rooted in the implication that this was the End of Days, only for us to get almost no closure, and instead so many more questions.

(there's also something to be said, i think, about the fact that the people who ARE most upset about this are like, the youtube gamer dudebros who's content is very very often rooted in the aggressive, violence-and-warfare, pvp-centric, no-interest-in-lore approach to destiny, and that the people i've seen primarily ENJOYING the narrative decisions (or at least being understanding about it) are the artists and writers and loremasters of the fandom, but i'm not quite sure,,, how to expand on that point.)

[oopsallmabari]

....why are the youtube comments so mad lol don't y'all like to have fun. don't we like to have fun here

[ask-zerotrio]

Clavell and cyrano angstttttt. My mind has conjured some messy idea of Clavell's complicated personal relations with everyone. From unresolved pining/mourning/anger for the profs, to broken friendships with Cyrano.

[danwhobrowses]

Since it's being brought up a bit again - at least from what I've seen - in the Critical Role fandom I'm just gonna vent some stuff about C3 mainly regarding the indecision of the god stuff. I will point out beforehand however that I still really enjoy C3, I love the characters, I like getting lore even from the gods and there's been a lot of great moments, but there are of course frustrations as there has likely been with every campaign

Spoilers just in case, up to 109 and a small 10th Oct 4SD mention

Okay so, the whole god stuff has been done a lot this campaign. I understand why Matt pushed it because it is a grand scale situation where a 'right answer' can differ from person to person, and I'm fine with the fact that there are members of the Hells who don't like the gods, because it's realistic that people who grew up differently would feel differently about these kinds of topics. But with us nearing 110 episodes, I am frustrated with how we're continually entertaining the idea of just doing Ludinus' plan after killing him, mainly in order to chase the pantheon away whether they want to leave or not, we've done the 'Is Ludinus right?' 'No he should be stopped' loop a lot of times now, to me this is just another flavour of that and while we have seen the gods do some shady stuff, I still don't buy the idea that them leaving will fix anything, let alone using a god eater entity to do it.

What frustrates me currently about this is that the Hells seem quite in unison that Ludinus should be stopped, they won't sacrifice one another, and that the gods shouldn't die, but for some reason these three valid points don't get focused on when deliberating the presented options of releasing Predathos. On 4SD Robbie got struck by a moment of clarity when asked how Dorian - notably on the anti-God side of things - feels about potentially sacrificing his friends Fearne and/or Imogen in an effort to make them - despite their preference to not be - a vessel of Predathos, and while it's perfectly fine that they suddenly realised this it does show that the majority of the Hells are experiencing a bit of tunnel vision and focusing on their ideal outcome rather than a compromise they can all unite on. It's not that it's bad to try and unearth more information about the unknown factors, but his reaction makes it apparent that the right questions still aren't being asked to the group;

"Are you willing to sacrifice Fearne and/or Imogen?"

"Are you okay with being just as bad as Ludinus and Zathuda by doing what they plan(ned) to do?"

"Is this what FCG sacrificed himself for?"

If any of the Hells - minus Braius since he doesn't know the group so well - would answer Yes to these I'd be shocked and honestly feel a little betrayed, because it's not in any of their established characters to do that. Believing that they'd answer No to all however bodes the question of why we're even considering releasing Predathos?

The whole plan has so many reasons it should've been shut down already, which is why I personally don't enjoy them talking about it as an option; not just because of the many unknown factors regarding vessels and Predathos, or the fact that Orym and Imogen know just how all-consuming Predathos' pull is, or because it'd mean betraying their allies in the Accords, or because it means risking one or two of their own, or because there's no plan for what comes after by any party, or because we've seen how at the mercy of Predathos' power all Ruidusborns have been both at the Key and on Ruidus itself, or even that the Matron's suggestion that Love - which while unlimited in individual willpower is not omnipotent - will allow the Vessel to subdue Predathos is a limp argument because unlike the previous Death God who allowed the Matron to usurp them Predathos very clearly doesn't want to be contained. All those reasons should've killed the idea anyway but one of the big and more personal reasons the Hells shouldn't be doing it is because releasing Predathos would vindicate Ludinus. All the horrible things he's done and all the people who he has let die all for the plan, the very things the Hells have tried to hold him responsible for would be justified by completing his plan, regardless of whether he lives to see it. Plus the encounter with the Matron once again reiterates that there will be gods who won't run, that some will choose oblivion fighting for this world over abandoning it. Since the Hells don't want the gods to die - including Ashton and Dorian, who want them to leave or at the least be accountable for their actions - releasing Predathos should be nixed here too. As a last resort it is valid but only as a last resort, when all better options - and that is a long list - have failed.

I understand that the table enjoy tough decisions and conflict, and that the majority of them are not in the same mind as the characters they are playing when it comes to the gods, and to reiterate the God lore has been juicy - I loved Downfall - but we are over two thirds through the usual lifespan of a campaign now and the group isn't even locked in on what they should do! I know others want it but I don't believe that a big PVP or an argumentative shouting contest is needed so close to the final arc either, it'd only risk breaking the group apart at a key moment, but at the same time it does need to be addressed to find a point of unison again, and discuss what outcome the characters can live with - what can be abided and compromised on and what cannot.

Matt has been vague with a lot of things this campaign and while in some cases that provides wiggle room for autonomy, exploration and creativity, it also means that when the god topic comes about we tend to go in circles, because everything is still vague and unclear. It doesn't help either that the way Matt has crafted god encounters so far have the ones who want to fight for Exandria either not contacting the Hells - seriously the Stormlord must be frothing to speak with Imogen right? How much more fighting does she need to do? - or in the Wildmother's case are only speaking to people they know won't argue or debate with them. It's kinda apparent that no god so far is truly humbling themselves right now; even the Matron and Arch Heart felt the need to test the Hells before presenting their stance on the situation to them, which is equally frustrating given that they need their help - plus given how the two are conspiring against the others, and Asmodeus is trying to deceive Braius, not even the gods are in unison about an end goal...but still have the audacity to let Lolth rip through Opal's memories and personality and kill Cyrus for the sake of maintaining their truce.

It is easy to point fingers from this side of the fence though, Matt is but one man and he has taken on a massive social and theological argument upon his shoulders which hits very close to home for many communities, but while there is intrigue on what the solution could be it does at times feel like we're pushing only the bad options. For instance, before the Arch Heart visit the plan seemed to be set that we stop Predathos from being unleashed, the Hells were content with it and we got all parties present in Vassalheim to agree to it too. This felt like and still feels like the best course of action because it achieves all 3 united points the Hells have while also preventing more needless bloodshed and establishing diplomatic relations with the now liberated people of Ruidus, it's not easy but it's the path of least unknowns, so why doesn't it feel like it's the prioritized plan anymore? Gods like the Arch Heart don't need Predathos to leave, it's just an excuse they're weaponizing to force the others to be as cowardly as them while also avoiding accountability as Predathos and whoever releases them are left with the blame. But, providing that Predathos remains sealed and new measures are put in place to perhaps further confine and banish it so a repeat doesn't occur, there's no stopping them from just stepping down, passing on their domain to another or simply releasing it back to where it initially came from, while also just chilling in a place close to their family - that still feels like it's possible. But at the same time, their followers are owed an explanation, whether the gods want to stay or leave they should be held accountable for their position and current stance, as well as their absence and/or selfishness, and they can't expect to just run or hide away from criticism for making such a call. Whatever the outcome Exandria cannot go back to how it was, the events of C3 has shaken Exandria to its very core and a new paradigm and direction will need to be taken to create a better tomorrow both mortals and gods alike envision for it, but you can't rebuild or improve things by being absent or by holding a gun to someone else's head, and it can't do either if nobody can agree on anything. Indecision and division has allowed Ludinus to get this far, even when that was spelled out everyone still seems to be falling for that same trap, which is why it taking so long to reach a decision grows more concerning the closer we get to having to fight him on Ruidus one last time.

On top of all this, the indecision isn't the be all and end all to the plot as a whole, deciding on a path doesn't mean the path will not have obstacles or go exactly to plan (when has it ever?) it just means you know where your A to B is, if the Hells decide on what path they take there is still an absolute wealth of things outside of Ruidus still needing to be done too; amassing allies not currently at Vassalheim, saving Ryn wherever they are, getting some more relics, dealing with all the magical items we have to see what to use/sell/absorb, getting to the bottom of the people who were trying to capture Chetney, PopCon, telling FRIDA, Dancer, D, Milo and Joe about FCG's death, laying FCG's remains to rest since most of him is still in the bag of holding, Ashton lore in general (they passed their last Path feature level wise so we'd need a new avenue for them to get Luxon/Dunamancy lore, also can they and Fearne talk to their titan shards for Titan lore? They helped seal Predathos too, is there more to tell about their family or the Hishari? Ashton feels like a gold mine or lore that often stays untapped), Chetney/Orym paternity test, Orym owning up to what his deal with Nana was, potential follow-up stuff with the Kryn or the Unseelie (or just Yu, if we can pry them from Ghosting in Yotei), plus all the previously imprisoned criminals and monsters let loose unto the world by the solstice's undoing of magical seals.

I trust Matt and the players, and I acknowledge that their entertainment is the priority over mine as a spectator, but I'd be lying if pretended I wasn't irritated by this stuff, especially with so much exciting and creative things left that we can do that isn't going back to the 'Is Ludinus right?' argument for the umpteenth time.

[agentc0rn]

ok so I found my old XY playthrough bookguide and damn.. am I happy and miffed. Long list of thoughts ahead.

As someone who enjoys lore especially now with a resurfaced interest in xy (hyper fixated on az + legends z-a), I’m bummed about the way the story turned out in later years after I played XY.

Three details I've noted: no concept art, early and first planned out ideas, lore implications of aging immortality with regards to AZ

Wished this man had concept art!! :( The book even inquires about what he could have looked like 3000 years ago (though the cutscene has shown his younger self + the painting in the museum in Lumiose city).

Second, as the images of translated statement based on the interview with Masuda suggests, the story of AZ was planned out first apparently. Wonder what happened during the development cause he only became sidelined…

Thirdly, the last image shows a side info about why AZ looks old. Now, this may have been already addressed at some point, so I may be just repeating something that was said long ago. Nevertheless, it basically states how Floette remains the same for eternity due to being fully subjected to the ample life force energy from the pre-ultimate weapon, whereas for AZ, he received the effect partially; while becoming immortal, he still aged in a natural process but at a slower rate - still not sure if this is because of his close exposure during the revival event or the aftermath of the ultimate weapon beam? Though from what I recall, he was "bathed in the ultimate weapon's light and doomed to wander forever" and not from the pre-ultimate weapon, so but I feel like it could have been from the first time the machine was used too.

last thoughts: character arc -

I really wish we interacted more with him throughout the story - as travellers then eventually friends towards the end (we need adult companions!!). Maybe we could have helped him by fighting a team flare grunt or that he turns himself in to protect us from team flare at some point hence him being in jail. Alternatively, I feel like if he had been freed before and was there to witness the legendary battle and/or lysandre, THAT would have given him a reason to try to understand the bonds between people and pokemon, what a trainer is, therefore broadening his view on the world that he had been long oblivious to, etc - all leading up to his request to battle with us. He wants to know the world better and to coexist with pokemon, thus reverting to his “old self”.

I also think that him telling the story should have been a big shift in his character because of being helplessly stuck physically & mentally and witnessing someone young and small (protagonist = floette) bearing the burden of duty in solving the big crisis and all that.

Anyhow, thank you for reading my rambles lol

[thedeadthree]

thinking thoughts thinking thoughts thinking thoughts th—

what if irulanne was from the same clan as m*erril but raised a city elf since she was found in that crypt

what if she’s from the al*erion on her moms side and a l*avellan on her dads

what if lhysas father (an assassin just like his daughter lhysaa <33) had allies in his days as an assassin a pariah of his family

what if he wasn’t the only one that was betrayed when a thing went topsy turvy (will be getting to how that went down eventually !!!!!)

what if lhysas father moved on from lúthien the mother of the inky and her brother (she sort of went *poof* for reasons of her own that golly i need to write all of this down jdnxgcg i mean tungle post is a good place to start dnbxgxg)

what if unbeknownst to irulanne her and lhys and feanorian are half sibs what if her mother gave birth to iru and hid her in the crypt what if they found her and thought her to not have magic at first so she was raised by the elder of the alienage. (her mother was likely to have passed on as well poor iru 🥀🥲)

what if they kept an eye anyway knowing the bloodline she hailed from (lonans line lhysa and feanorians line has a STORY if there ever was one i will yell about it soon prommy !!!!!) and low and behold none too long later her magic manifested what if they waited a while more until she built her network of little creatures she reanimated that relayed her things and gaggle of friends what if she had a kingdom of her own and she refused

what if she was thrown under a bloody ritual to wipe her memories so that all she knew was the sisters a sort of sect of necromancers within the mourners that had their own ideas and machinations and saw her as their heir of sorts??

what if it was like she was to be some sort of lich queen…thing(?) ruling the living and the dead from the necropolis and that it went topsy turvy (to irulannes benefit ubeknownst to her at the time!!) when the thing happened and that whole her having a mage heir to rule was merely a side thing that if it happened cool but the main goal was the lich queen thing.

what if feanorian was in the area for a reason or another (maybe i can think of that with emms episode !!) he’s looking for the rook on behalf of lhysa who has her ex to thwart/save and a demigod daughter to raise etc etc (things i am planning to yell about later oo there’s so much to yell about with lhysa but this is a iru lore essay <3)

what if the prodigy to gifted kid burnout between lucanne (heir to bloodline etc etc luca and child of nothing destined to inherit everything irulanne) made me insane <3

[summertimemusician]

Linktober Shadow Day 7

Gloom Hands

This goes out to the way I cackled hysterically once seeing these things in TOTK, well done Zelda Team. They're a terrifying concept and I really feel exploring that could be fun, even if this prompt gave me a headache and a half.

Bit late today because we've been pelted by way too many storms/lightning and writing on mobile with lightning shaking your house is generally a bad idea, so I spent most of the time writing this and the Linktober prompt by hand, then transcribing it back onto mobile as soon as I could touch eletronics without the major risk of being zapped and picking a god and praying that my internet wouldn't be too funky so I could get it out on time. Short one again though because I still need to finish the Linktober prompt so it should come out later today or fully tomorrow, sorry folks.

Anyway, as always can be read as romantic or platonic, also Sage is here both because of the prompt and because the mental image of Wild Reader and Sage trauma bonding over the extremely twisted nature Gloom/the Malice have compared to just dark magic in general in LoZ was too funny to resist, if Nintendo won't talk about the many variations of Dark Magic in LOZ and how it affects any who come in contact with it then lord darn it I guess I'll just have to do it myself (or as much as I can without breaking out the companion essay to the Realm of Darkness and Realm of Light essay which I'm already having trouble digging out).

TW:

Technically graphic descriptions of decay, gore and eldritch horror, and Reader just not having a good day in general, don't recommend reading I'd you're highly squeamish.

When you’ve first met Sage, as the Chain temporarily dubbed him, you and Wild didn’t miss the way he looked so, so haunted. Emotions warring like a storm as he looked Wild over in a mix of disbelief and the weariness of a wounded fox getting ready to bite just to escape, at the Chain with such longing ache that made one’s heart break, the way the first time he met Wolfie he didn’t hesitate to throw himself atop the canine and hug him so close like he was trying to melt into the fur, and looking at you like he didn’t know wether to cry, scream or to shut down before he buried it under the mask you knew your resident Champion could use when trying so desperately to keep it together, hands shaky as he signed in a way that set your teeth on edge and felt like you had taken a dozen of ice arrows to the back, urgent, 'It’s not safe. None of you should be here. You need to leave. Now.'

Needless to say it was alarming, even as you all knew just how ferociously untamed his and Wild’s Hyrule could be, with being overrun with so, so many types of divinity through each crack, root, drop and flesh of it’s beings. From Hylia’s cold calculating care, the Three Goddesses blood, tears and breath of life, to the Malice’s howling self sustaining fury, The Lost Woods ever overgrowing freedom and even the remnants of the Fierce Deity’s hunt in Satori’s and Malaniya's savage display of cyclic eternity, it wasn’t any surprised that apart from the Traveler’s Hyrule it was the most aggressive one with the smorgasbord of energy so thick it made even you choke on it everytime you stepped foot in it. Beautiful and free in an echo of it’s once untamed state in the age of myth even before Sky.

Over time, you and the Chain learned how to adapt to it. To listen to the warnings Wild gave about the Guardians and about the remains of Malice in his monsters, of how the moon had been forever tainted with it and how, until Sheikah tech was fully repurposed it would be best to avoid the castle all together it was difficult but manageable, and even if Sage’s reaction was alarming (and he seemed even more troubled once Wild passed onto him from Sky that, while he wasn’t to come with them yet due to how things were apparently ‘fated’ to happen, there was no way you all could leave quite yet, distantly sticking by Wild and Twilight when possible and checking on everyone’s health when not doing so), you’d though it would be much the same for his own, and in parts you were right as the Chain had taken to the new environment like fishes to water even if it took some adjustments.

Though you were quickly proven wrong, and you could have laughed at your past self’s naivety.

It was meant to be a quick run to clear a black blooded monster camp, and while decently challenging, it was over quickly between the Chain getting more apt at fighting the enemy, Sage’s addition as the man fought as ruthlessly and ferociously as Wild, switching between deadly marksmanship and feral combat on a dime and the absence of the unnaturally inteligent black scales lizalfos, you’d rest and be on your way quickly. Or so you all thought.

Twilight had been the first to smell it, the bubbling of dark but distinctively twisted magic, even more so than Zant’s brand of madness. Wild the one to spot it, the rot black and blood crimson building up at the edges of camp from his vantage point but it was Sage who had tensed, eyes snapping to the faint glow the Master Sword emmited just as the sky darkned before his frantic, alarmed howl swept over the Chain, the sheer desperate, protective panic making all of your boys still, because Sage never used his voice unless he absolutely had to, “IT'S NOT OVER! MOVE!”

It was all the warning any of you got before reality twisted, straining, and then finally screaming, the heavens staining with crimson as if gutted open, the eyes of a sin against nature itself cutting through your relief and infecting your veins with terror. It shakes you to the core, freezing with indecisive flight or fight as you spotted the tide. Heart in your throat as you tried to comprehend what you saw.

“WHAT THE-“, Legend cursed, looking ashen as his grip on his fire rod tightened. Really, all of your heroes look disturbed and you can’t blame them.

“Get to high ground if you want to live! We can’t fight these things.”, snapped Sage, much more composed, but no less frenzied.

None of you hesitate to listen.

(There were some unspoken rules, when in Wild’s Hyrule the first time around. If there is something the Champion, the most reckless of all Links, wasn’t willing to fight head on or said wasn’t worth it, the best course of action was to listen, specially if the group was vulnerable.)

The hands screech, the tide rolling over the land with an reality splitting clamoring, a sound so filled with fury and so, so twisted it made your Hylian’s ears friends bleed and you lift a hand to your head in pain as Wild pulled you along, Sage leading the charge for the nearest cliff face as Warrior’s threw Wind over his shoulders and Twilight didn’t hesitate before doing the same to Four, the frost from Legend and bomb arrows from Time and Sky barely doing nothing to slow it’s relentless charge, merely taking from it a distorted, pitched crescendoing belt of pure rage and the overlaying of many tortured souls screaming all at once, of Hyrule rejecting this existence from the world but wounded at being unable to vanquish it, the sound it makes as it spreads and drags itself across the ground with uncanny speed with it’s many, many arms like something in between sludge and smacking, wet, rotten flesh.

Sage switches between shooting arrows to helping the other Links up the cliff and shooting at it’s eyes with the strongest bow he has,making as many arrow fusions on the spot as he dares. The others quickly taking as many ranged weapons from their sides to do the same. You help Hyrule up the clifface, while Wild swipes Cryonis over the field, climbing up himself, being hauled to Sage’s side.

You are almost there when one of the hands latch onto your ankle, and you go down with a scream, Sage all but dropping the bow in his hand in favor to latching onto your hand with snarl. And

It.

Is.

Agony.

(It burns through you like your very atoms have been set on fire,bthe hands take the opportunity to sink into you, long long unnatural fingers sinking into your flesh in a unhurried blanket of darkness, the Demon King’s will is roaring, growling with abyssal rage, if it cannot rule Hyrule, it would kill everything in it instead. Gloom sinks into your cells, raptures the membranes and makes the skin slip, frantically invading, you taste rotten flesh on the back of your throat and the scent of wither and ash choke you as it sinks into your flesh, marrow, breaks down your bones bit by bit, cracking and infecting and breaking down your very essence with the fury of a dead deity which refused die, decay on an accelerated rate all over where the hands clutched like a vice as the Links trunfo pull you out or attack it and it is painful and it’s excruciatingly wretched and make it STOPCEASEITHURTS-)

A well aimed Skyward Strike severs the connection, the pain stops and you fall into Sage, breathing hard and unevenly, grasping at him like a lifeline, clawing and counting at Wild’s arm on your other side like a wounded animal, your taste blood on your throat from the screams that were ripped from it, Hyrule falling to his knees on your side as healing magic washes over you like a shroud, trying to get you to respond.

Reality howls along with you, before all is silent.

It barely took a second.

“... Just what were those things?”, rasps Sky, horrified, a sentiment echoed through the Chain, though you can’t focus on it, trying not to choke on your own blood and to pull yourself together, Wild’s hand unconsciously settling on your pulse, shaking, and Sage’s tense tone cuts through the air as he scans the area. Still tense, tone hoarse.

“... The reason why I wanted you to leave.”

Later, much, much later, before you all leave, you learn they are called Gloom Hands.

It’s unanimously agreed that all you hold loathing for those abominations, even long after you’re forced to leave Sage.

He whispers something to Wild on the way out, hugging him close, trembling. Your Champion nods, you can’t make out the words, but you make sure to hold him as close as you can before you go, indulge him in checking for your pulse even long after you’re healed.

You hope he’ll be safe, he hopes that the next time you all see each other again, it’ll be under better circumstances.