#i cannot NOT put the parallels of them losing last year to winning this year oughhh

[cryinginthedeep]

matthew tkachuk - all your life, did you know, you'd be picked like a rose?

something..something...tying your skates like your dad used to but also, outgrowing the shoes you're expected to fill

[magustiel]

God. Priorities man.

All of this, my ass out here on some international countermagic multi-Anonymous counteroffensive against the goddamn Nazi-USSR resurrection.

That's what I've put my magic, work over decades, and spiritualized personality manifest to. Ripping the wickedness out at the root, since January and really years before, but January in particular, when She Refused To Fucking Control Herself And Stop Being A Rapey Cult Weirdo Against My Motherfucking Consent.

And that's it. That's what she's fighting for. Just like MAGA and QAnon. Any excuse, any argument to maintain her behavior. It doesn't matter if it makes sense. It doesn't matter if it's even cohesive with her last blame or excuse or page turn for a motivational meme telling her things are okay without context. She cannot bear the reality that her world is fake, she cannot address her lies and illusions, what she has groomed others into and permitted, and what she has ultimately done to herself, so she's just gonna hide and refuse to cease the toxic, controlling behavior, or even take the step of deleting or extracting things from her life that made this mess. Absolutely fucking refuse, against all fucking ongoing real world events. Just like fucking them. Because she cannot stand to "lose" or "be wrong".

Just like Them.

I told her, I knew her fucking empty evilness and fucking desperation to be a controlling piece of shit too well, and built a trap so ultimate it's turning into the garbage disposal for all of MAGA and, shortly, half of the USSR. Because they're literally the fucking same fucking picture. They will so desperately reach for control they will jump off a cliff for it.

It's easier to shave herself bald than ask herself why she started clawing herself bald after I left. It's easier to choke down her bottles of pills since I left, to numb, blind and deny herself, to flatten herself out until she doesn't even care how fucking vile she's being, as long as someone tells her to continue her behavior while refusing to address the monster behind the curtain with her therapist: Herself. She is the monster, but does not want to accept it. She needs some way to win, to have control, to have victory here, to prove she could never have fucked up this badly.

Just like Them.

Holy fuck woman you are Literally The Problem With This Planet. No wonder he decided to eat your waste of space ass unalive.

Do you understand how fucked up it was to realize the goddess arranged me to meet this toxic piece of useless, regressive, abusive Hitlerian genetic-ed piece of garbage disposal trash so we could use it to rip out an equally irredeemable nazi root with just as much intent to change (none.) Bitch you are literally a negative karmic. You are so irredeemable you were lined up to be a sacrifice before you were born because you refuse to stop tripling down on your shit and we all see it.

I fuckin told her. Like a motherfucking singularity of her own stupidity leading her here in Every Fucking Timeline somehow to get this dumped on me, BECAUSE THERE IS NO TIMELINE SHE WILL CONTROL HERSELF IN OR LOOK AT THE TRUTH. Go figure, this sacrificial singularity overlaps to pre-empt the Technological One. Wonder how that retroactive horse shit happened OH WAIT.

Bitch thought I was playing when I said "bitch you have NO EARTHLY COMPREHENSION OF THE LEVEL OF MAGIC THAT HAS BEEN DONE TO YOU"

One collapsing united states by Qanon and Anonymous invasion and AI bro twitter corruption to head off the USSR and WWIII threat and destroy late stage capitalism later, and all the parallels in the world she refuses, you guys running the numbers to attempt to Comprehend fucking yet?

NGL I'm half wondering if her continued enshrinement, or just the fact that she's still alive, is why Trump is even still alive.

The infested blue waffle would rather pretend I'd Pretend Or Do All This Work for A Fucking Year Just To Make Her Narcissistic Useless Go Nowhere Fat Ass Feel Bad.

THIS IS AN INTERNATIONAL, INTERNAL, EXTERNAL, GLOBAL, UNIVERSAL DIVORCE, BITCH, AND WE'RE NOT DOING THIS AGAIN.

So if remembering the greater good long term result isn't enough for you to make it through the next years, grab a hunting vest and find a cocaine bear, because I'm DONE. File complaints to one whale of a cocaine bear, c/o her cult that doesn't want to face they've been bobbing on my dick for years.

And the sacks that enable this take me drawing this ultimate boundary upon her and them all year will just cry about it, and tell me to shut up, because all they know how to do is try to enforce control they don't really have, which is why they, and now all of goddamn you, are in this fucking mess. No. It's fine if I'm the motherfucking villain in your fucking story. I send light and I send fucking darkness and bitch, you chose.

[lucile-frenchfornerds]

Black sails is telling us that sometimes, love isn't enough. It's a story about loneliness too

Let’s start with the most obvious example : Silver. Silver loves Flint, and he loves Madi. ANd both of them love him. Yet he knows he is not enough for any of them. Neither Flint nor Madi would stop the war for him and they would not be satisfied with just him. He knows that. That’s why he forces their hands by ending the war, because even though he knows he’s not enough for them to be fully happy, he cannot stand the idea of them being destroyed by that war. And on Skeleton Island, when he tells Flint that he’ll wait a day, a month, a year until Flint accepts the outcome and they can leave together, it’s Flint’s last chance of telling him he is enough. But Flint can’t, because he cannot give up on the war. So Silver has to go with the other option, the one he did not want (and that is NOT killing Flint, because he could never even consider it, it’s sending Flint to Savannah and to Thomas, it’s losing him because he would rather lose him but know he’s safe than having the war take him and Madi from him).

And here, as Flint refuses to go with Silver, he tells him that one day Madi will not be enough for Silver either, that one day he will regret it.

And that is part of Silver’s tragedy. He was not enough for the people he loved, but in the end the people he loved weren’t enough for him either. There just was no winning.

Now, when Flint found Thomas again, of course he was happy and it was great. Yet I wonder if Thomas was ever enough for him in the end. Flint has gone through so much, the war and rage and anger is now part of him, it’s tough to know where flint ends and when james starts. And Thomas, for all his love and all that, never knew Flint. He only knew James. Even if he tells him, shares what happened, it will always be different. But Silver knew him whole. Loved him whole. And so, sometimes in the dead of the night, Flint misses him, misses the piracy years and what could have been. And on those days, his love for Thomas and Thomas’ love are not enough to keep him happy.

MOVING ON to how self love also isn’t enough. Cue Eleanor. Eleanor is a selfish character, she puts herself first and will do anything to protect herself. Her self love and will to survive is stronger than her love for anyone else. She rejects leaving with Max because she thought she would be more powerful and safer by staying in Nassau. Max’s love was not enough to overpower that. She betrays anyone she needs to. And when sent to England, she even betrays herself and becomes whoever she needs to be to survive. She follows Rogers. And turning on her beliefs and on who she used to be (besides being incredibly privileged) is wrong. It’s wrong and the show tells us that with the parallel made between the scene where she’s in the cell and agrees to work with Rogers, and the scene where Charles is in the cell and refuses to sign the plea. Eleanor was completely in the dark when she did a 180 on herself, while when Vane decides to die for what he believes in, there is a ray of light coming through the window and onto him.

But Eleanor doing what she thought she had to do to protect herself eventually gets her killed anyway. And not only that, it gets her killed the exact same way her mother died. Eleanor loved herself, prioritized her survival over anything else, and it still wasn’t enough. She lost herself, changed her clothes, married a man who never knew her (her ghost was knitting, like really??) and in the end it did not even save her.

MOVING ON AGAIN. To Miranda. Miranda loved Thomas, and she loved James, and James loved her. But in Nassau, she and James were not enough. She was unhappy there, she craved more, she needed more, she needed to fit, but James couldn’t see it. And James wasn’t happy either, obviously. Miranda’s story is tragic too, because she cared so much, she loved so much and no one gave her back. No one was there to listen to her ranting, to her feelings, to how not being able to fit was killing her. And the one time she finally spoke out, when she finally let her feelings out, she was brutally killed before she could even finish her fucking line. Miranda tried to shut her feelings down to prioritize others, to help Thomas, to help Flint, because she loved them, but it wasn’t enough to make her not feel empty; and how could it?

BILLY also loved his war, his beliefs and his story too much. He believed in the legend he was creating, he believed in the cause, it all started because he loved piracy and wanted to fight for it. But in the end he lost himself, lost parts of his sanity, lost everything.

Even blackbeard was defeated by his love. He loved Charles like a son, came back for him. Yet it wasn't enough for Charles to choose to stay with him. And after his death, Teach once again chose love and chose to fight in Charles' name but it wasn't enough to win.

So yeah, Black Sails is a show about love, but it’s also about how sometimes, love isn’t enough. Just because people love each other, or themselves, it doesn’t mean they’ll make it and get a happy ending. Love wasn’t enough to save Silver, or Flint, or Eleanor, or Miranda. They all ended up half empty, before they died.

[crow-in-a-teapot]

tower of nero spoilers

i have just finished the tower of nero. and before i go searching for other people’s thoughts and art and more of the characters i love so much, i want to write down some of my own thoughts because i know as soon as i delve into that ‘ton spoilers’ hashtag there are going to be complaints and criticisms and so much that i don’t want to hear, or essays that’ll make me upset, or things that’ll change my perception on the book (because on this website people really love to hate the trials of apollo).

i want to start with: i loved it. it didn’t feel earth-shattering or huge and momentous like some of my favourite riordanverse books (house of hades, the blood of olympus, the last olympian and maybe some of the magnus chase books take those pedestals for me) but it was satisfying. and i think it was satisfying because it in no way felt like an ending. whether because eventually rick will write that will-and-nico-go-through-tartarus-and-save-bob novella, or because we (or at least i) will continue writing and imagining and creating for this world i don’t know. he didn’t wrap up the story in a perfect little bow like ‘nineteen years later’, he simply put it on pause. gave us a glimpse of where every character was at at the end.

the only thing that makes me so angry and upset is that i did manage to get some spoilers for moments that i know would have been so good to experience for the first time if i hadn’t been spoiled for them. the moment where rachel mentions penguins in a mansion near her house, nico getting mental health advice from mr d, the fact that will and nico were going to be in the book for so much of the story, but the big thing was literally spoiled for me two days ago, it was the reason i sat down to read it as fast as possible because i was terrified of getting more spoiled and not being able to experience the moments for myself, was that piper had a girlfriend. i know that reading that for the first time would have been so cool and surprising, and the fact that when it came up for a moment in the last couple pages all i felt was disappointment because it was spoiled for me and because it was now tinged with whatever that person was saying about her having a girlfriend.

but i still had some warm fuzzy moments, the two parts where apollo thinks he’s going to die but nico comes up behind him - so good. impeccable. 

Leader Guy spat. ‘Now, I kill you.’

He raised his sword... and froze. His face turned pale. His skin began to shrivel. His beard fell out whisker by whisker like dead pine needles. Finally, his skin crumbled away, along with his clothes and flesh, until Leader Guy was nothing but a bleached-white skeleton, holding a sword in his bony hands. 

Standing behind him, his hand on the skeleton’s shoulder, was Nico di Angelo.

and

Nero raised his hand, ready to give the kill command, when behind me a mighty BOOM! shook the chamber. Half our enemies were thrown off their feet. Cracks sprouted in the windowsand the marble columns. Ceiling tiles broke, raining dust like split bags of flour. 

I turned to see the impenetrable blast doors lying twisted and broken, a strangely emaciated red bull standing in the breach. Behind it stood Nico di Angelo.

gods. poetic brilliance. i can’t believe i’m still a nico di angelo stannie in the year 2021. in five years i have not changed (ever since the tv show announcement last summer i have managed to morph into myself from 2017)

from here i’m not sure where to go next i kind of want to go through everything, except it’ll be more difficult than my tyrant’s tomb reaction because i wasn’t reading on a kindle and thus can’t just do funny little reactions to screenshots of quotes, so i’ll just skim through the book page by page and see what i can comment on (i’m not planning on doing analysis today, no thank you, just enjoying the end of my childhood and trying to squeeze as much out of it as possible)

i have an emotional attachment to mr. snake from the very first chapter, and am very upset that he’ll never get off on his baltimore stop and get to see his wife, lu had no reason to shoot and kill him like that.

that brings me to lu, i liked her, it was interesting to see how rick kind of brought in not only the overarching theme of abuse, but also people who let the abuse happen, i have more i could say on this i’m too lazy to right now, and i promised no analysis - or the fact that Lu had conspired to make the show non-lethal to spare Meg’s feelings rather than - oh, I don’t know - refusing to do Nero’s dirty work in the first place and getting Meg out of that house of horrors. 

And are you any better? taunted a small voice in my brain. How many times have you stood up to Zeus?

Okay, small voice. Fair point. Tyrants are not easy to opppose or walk away from, especially when you depend on them for everything.

the parallels to meg and lester heading to percy’s apartment, and then to camp half blood to the hidden oracle was so cool to read, every callback to the hidden oracle just there to remind us readers exactly how far apollo has come and how he’s changed; the entire chapter with sally, paul and estelle just felt sickly sweet, it just didn’t seem real how wholesome and good that family is, like i get why apollo broke down and just sobbed in that shower.

also rick really saying acab again in toa, i thought he was done after that elf cop chapter in magnus chase (the magnus chase series is a masterpiece) but apparently not, with A ‘good cop’ is still a cop... still a part of the mind game.

the grey sisters, i forgot about them completely but this threw me back into was it the sea of monsters when annabeth summoned them? i’m not sure, it could have been the lightning thief either, they really remind me of the disney hercules movie. the whole ganymede paragraph was gold, i love gods being canonically confirmed lgbt in the riordanverse. i also love the whole eye-tossing part - 

‘He will crush our eye,’ Anger cried, ‘if we don’t recite our verses!’

‘I will not!’

‘We will all die!’ Wasp said. ‘He is crazy!’

‘I AM NOT!’

‘Fine, you win!’ Tempest howled.

also, the explanation for why dionysus chooses to look the way he does was perfect, because it was something i often wondered about and wasn’t expecting to get an explanation for, and i imagine the whole mythological dionysus to look like.. well like a more feminine apollo i guess, beautiful in a gender non-comforming way.

Other Olympians could never comprehend why Dionysus chose this form when he could look like anything he wanted. In ancient times, he’d been famous for his youthful beauty that defied gender.

... 

In retaliation, Dionysus had decided to look and act as ungodly as possible. He was like a child refusing to tuck in his shirt, comb his hair or brush his teeth, just to show his parents how little he cared.

every scene with nico at camp just BREAKS ME, i would throw in screenshots of every damn quote but unfortunately, as said above, cannot and would rather not type every one; we’ll start with, obviously apollo confirming to him that jason is dead. 

He didn’t look angry exactly. He looked as if he’d been hit in the gut not just once but so many times over the course of so many years that he was beginning to lose perspective on what it meant to be in pain. He swayed on his feet. He blinked. Then he flinched, jerking his hands away from Meg’s as if he’d just remembered his own touch was poison.

ugh then will talking about how nico’s doing, confirming that he’s suffering with ptsd, mr d giving him advice, helping him sort though what voices in his head are real and which ones aren’t, then the paragraph that just recounts every horrific thing poor nico has been through, how will has to reassure him that he’s okay and ‘with friends’ when he wakes up after shadow travel

will’s kindness to apollo, buying him clothes, and apollo finding seymour the leopard’s head in his bed, put there by mr d aaaa AAAA A A A A A THE ORDINARY, EVERYDAY CAMP HALF BLOOD THINGS..

i could go on for years and years about how much i appreciate rachel having a big role in this book, and the visit to her apartment, everything, her art, the fact that she got what she wanted, she’s going to PARIS to study ART, she isn’t forced to be someone she’s not by her dad, and gets to be a big part of a demigod mission and not stand on the sidelines for once.

i love that her landscapes are still visions, that she still paints the quests demigods go on - the burning maze, jason’s funeral pyre, caligula’s ships; and how nico ~appreciates art~

‘And, hey, di Angelo -’ she pushed him playfully away from the canvas he’d been ogling - ‘don’t brush against the art! I don’t care about the paintings, but if you get any colour on you, you’ll ruin that whole black-and-white aesthetic you’ve got going.’

i. love. rachel.

WILL GLOWS!! THE HEADCANONS FROM LIKE FIVE YEARS AGO THAT YOU’D SEE FLOATING AROUND ABOUT HIM MANIPULATING LIGHT!! CONFIRMED!! CANON!! AMAZING

I AM  OBSESSED WITH THE TROGS, I LOVE THEM, THEY ARE GREAT, not gonna lie, i was expecting something more dramatic and spooky with how worried will was and how dionysus was going.. visiting the cavern-runners isn’t ♫ good for your mental health  ♫ but the little hat frog gremlins were a good addition. i like them very much and their funky little soup shenanigans. quoting the ghost king himself: trogs good. nice hats. (IM SORRY I KEEP MENTIONING HIM BUT I JUST) also how apollo starts wishing for breadsticks a s ajoke and theY STRAIGHT UP HAVE BREADSTICKS? HUH? WHERE DID THEY GET THE BREADSTICKS FROM??

yeah, i’m also still very much upset by every mention of jason grace, it’s funny how ever since his death in the burning maze i have grown to love him more and more and that’s not fun for me, for that boy to become one of my main comfort character’s and have his death and sacrifice and nobility mentioned every few chapters. i’m pretty sure i cried when he appeared to talk in apollo’s dreams, and this time the tears weren’t from the effort of keeping my eyes open and working for hours straight reading this book (i remember staying up until 2am to finish the sequel to beautiful, broken things, it was very much worth it)

‘All right, Jason. We miss you, though.’

ALSO. THE FACT THAT THIS KID. THIS CHILD. HAD TO THINK ‘BUT IF A HERO ISN’T READY TO LOSE EVERYTHING FOR A GREATER CAUSE, IS THAT PERSON REALLY A HERO?’ A KID ISN’T SUPPOSED TO THINK ABOUT THAT AND BE READY TO SACRIFICE THEMSELVES FOR THE GREATER GOOD,, i,, ugh,, he’s supposed to be finishing school and designing temples not being the perfect hero and soldier,, spain without the s,,

as @couldnt-think-of-a-funny-name said: ‘thinking about how ghost! Jason didn’t seem to understand why Apollo was so upset about his death because he’s been raised to believe a hero’s sacrifice is noble and his life doesn’t matter in the grand scheme and also if he doesn’t understand why the person who watched him get horrifically killed is so torn up over his death he probably doesn’t even realize his other friends are grieving him..’

IM SO UPSET THE ARROW OF DODONA IS DEAD D: IT WAS ONE OF MY FAVOURITE CHARACTERS ALL THE FUNNIEST MOMENTS WERE BECAUSE OF THAT ARROW AND IT'S DEATH WAS SO SAD WTH LIKE WE FIND OUT HOW USELESS THE ARROW FELT AND HOW THE GROVE OF DODONA ALL THOUGHT IT WOULD BE CRAP AND WOULD FAIL APOLLO AND THEN ONCE WE FEEL BAD FOR IT, IT DIES??

the entire python battle was pretty grim, there is a part of me that's like because this is the last book series i would have loved say the magnus chase and kane chronicles gang in a giant battle with everyone like the battle of manhattan but even more dramatic, but even so, i did appreciate that python battle and the whole almost-falling-into-the-depths-of-tartarus thing.

him talking to artemis was cool, but JESUS: 'I turned and strode out of my room, trying to recall how the god Apollo walked.' like that HURTS. it was such a huge culture shock for apollo to go throught this huge character arc and be so human and understand the pain of others, to be around gods again who are so.. apathetic. also, zeus. 'Interesting how he put that: I had done him proud. I had been useful in making him look good. My heart did not melt. I did not feel that this was a warm-and-fuzzy reconciliation with my father. Let's be honest: some fathers don't deserve that. Some aren't capable of it.'

OKAY OKAY SO THE END?? CHIRON TALKING TO A CAT (BAST) AND A SEVERED HEAD (MIMIR) ABOUT SHARED PROBLEMS WITHIN THE PANTHEONS!! WILL AND NICO RECEIVING A PROPHECY FROM RACHEL TO GO TO TARTARUS AND SAVE BOB!! THE HUNTERS OF ARTEMIS, INCLUDING THALIA AND REYNA BEING BEST FRIENDS (qpr.. qpr..) HUNTING THE TEUMESSIAN FOX!! PERCY, ANNABETH AND GROVER, THE ORIGINAL TRIO, GOING ON A CHAOTIC ROAD TRIP TOGETHER!! - SO MANY STAND-ALONE SET -UPS PFSJSJSJ

okay quick word on the reunions at the end: funny little elephant visitation program with livia and hannibal. love that for them. calypso and leo's relationship seems rocky and complicated, but that's to be expected, i think even if they do get properly back together again it might not last long, because it does pretty much feel like a teenage relationship where the two aren't very compatible, but we'll see. hazel and frank are so funny with their gold plated necklaces. lavinia - tap-dance icon. almost cried at the mention of jason's temple-extension plan again. percy not being sure about what he wants to do in college is accurate and i like that that's left to be up-for-interpretation (rick does THE MOST for the fanfic writers pfsjsj). i am OBSESSED with aeithales, like i hate deserts so the burning maze setting is not my favourite but GOD that HOUSE, the vibes are off-the-charts. i'd love a house made of living trees that's also a greenhouse filled with dryads. meg gets a unicorn. that is so great.

i kind of wish the book hadn't ended with 'Call on me. I will be there for you.' because every time I imagine the friends theme song and i don't think that's the vibe he was going for, BUT i do love him talking to meg, that was genuinely emotional - 'You'll come back?' she asked. 'Always,' I promised. 'The sun always comes back.' ; i really wish it had ended with that, but i guess apollo does tend to break fourth walls and talk to the readers, like a lot of the protagonists of riordanverse books.

[ugh-againwiththenames]

A Musical Social Experiment...Destiel.

Alright, so I thought to myself, while playing along with @thenightwemetnatural​‘s Destiel song picks, that despite my musical tastes, and them tending typically (although not exclusively) towards the Metal genres, that EVERY song can in some way, be paralleled to Destiel. This is such a ridiculous experiment, and I apologize, but I’m at the cottage, and it’s fucking pouring with rain, so let’s play…

Here are the rules: take your Music library and throw it on Shuffle – every song that comes on for an hour(ish), connect it to Destiel...(below the cut for my results).

You can access the playlist here (if you have any interest in listening along!). I am not going to necessarily describe every possible connection - I think that a lot of them are SUPER obvious...like *eyes rolling out of my head* obvious...

In the End – Black Veil Brides – Well we’re off to a hell of a start, as this song from start to finish screams Destiel and sacrifice. In the end As my soul's laid to rest What is left of my body Or am I just a shell? And I have fought And with flesh and blood I commanded an army Through it all I have given my heart for a moment of glory Who will remember this last goodbye 'Cause it's the end and I'm not afraid I'm not afraid to die A Modern Way - The Exies – only on song 2, and it’s once again, really hard to cut out any of this song, as the repeating “I’m bound by my insecurities” SCREAMS Dean at me.

I’m Bound by my insecurities

Open your eyes and Throw your arms around me I need the right not to fight To breathe

Swallow the lies I'm the one to blame Having no voice left to choose Am i so blind, feeling justified When i'm alone and confused

Brother – NEEDTOBREATHE – I have to laugh…as I added this after watching Jensen sing this at a Con (for J*red), and no lie, I’m in LOVE with it, but it’s somehow now determinably connected to the brothers for me but I can/WILL draw the lines here…EASY.

Everybody needs someone beside em’ shining like a lighthouse from the sea Face down in the desert now there’s a cage locked around my heart I found a way to drop the keys where my failures were Now my hands can’t reach that far I ain’t made for a rivalry I could never take the world alone I know that in my weakness I am strong, but It’s your love that brings me home Summoners Rift – Dangerkids – Um. Well. The first line of this song just made me laugh out loud.

There's no room for martyrs in a dying scene Well I'm not quite dead I'm something in between

And if I had another chance I would tell you

I guess I'm not afraid of what comes after We are the only ones We stand alone in the dark

Question everything you blindly follow Truth's a bitter pill, it's hard to swallow You think you're winning but your time is borrowed We are the only ones We stand alone in the dark

Royal Beggars - Architects - I mean…the repetition of my sentiments is going to get a bit silly…so i will not. read on...

All hope is dead, but we're coping

Somebody save our souls

Like a bird in a cage, trying to fly away Is this the price that we have to pay? Overflowing with rage, yet we still obey 'Cause we're asleep in a hurricane

We sit on a throne, waiting for God to bend the knee But we're nothing more than royal beggars

Edge of your Bed - Thousand Below - “why’d you have to go and keep calling out my name” Calling out my name” pure purgatory “where’s the ANGEL” “I prayed to you Cas, Every night” The rest of the next verse is also poignant, very Dean again “where I can only feel peace when the wave hits”, “and I’ve become what I thought was wrong, I love the feeling when it feels too strong”.  

Why'd you have to go and keep calling out my name? Calling out my name

I found sorrow at the edge of your bed

Is it now a bad habit? Where I can only feel peace when the wave hits And I've become what I thought was wrong I love the feeling when it feels too strong

Animals – Siamese - “It takes a killer that thinks he’s a saint, it takes believing to be this insane” – well. yes. ok. 

Shattered not broken We stand our feet Houses rebuild on These bloody streets I fill my lungs into this beat With closed eyes we're hoping for remedy

It takes a killer That thinks he's a saint It takes believing To be this insane

Spineless Crow - Hands Like Houses

We were young together but I've grown ancient Cracked and weathered and filled with regret Waiting to sink, rushing to sink in my sleep

The realization sinks in through the skin Like a disease, a blight inside of me Missing your touch, your weight on my fingers

My Underworld - Tonight Alive

Now we sail into deep blue storm clouds Overhead now, strangely I feel at peace as I dive into My underworld, world I dive into my underworld, world Down in these depths I'm adding up the numbers Of all I've suffered in past lives, tied down in the darkness Finally I begin to learn what I've returned tonight Time has come to begin again, leave something else behind

Ever After - Marianas Trench - All this talk of being someone’s disaster – Welp! Hello!

Don't you move Can't you stay where you are, just for now I could be your perfect disaster You could be my ever after

Apologies, I'm not myself but I can guarantee That when I get back, you won't believe That you knew me well Don't want to think about it

I'm fuckin' tired of getting sick about it Now stand back up and be a man about it And fight for something, fight for something, fight for something Nobody told ya this is gonna fold ya We go marching in like toy soldiers To have and hold ya over sold ya They’re marching like toy soldiers I'll be your disaster, ever after So fire away Goodbye

Room 138 - Asking Alexandria - While this song is clearly actually about an overdose of some kind, it’s parallels shockingly well to the post confession scene.   So these are the walls that have to hold this moment Somebody hear me, someone open up the door Get me up off of this floor and stop the shaking, the shaking Through the haze I saw a face A second chance, another life to live How did you forgive me? Held my head against your chest Told me everything's alright, don't be afraid Close your eyes and rest

Witness – Daughtry

Does it feel like you're just wasting time Here without a reason or a rhyme The answer you've been looking for Is standing right before your weary eyes And if the weight of the world is on you now But you know you can turn it all around again How Many Walls - Rise Against  - Guys, seriously, I’m not even going there...How many years have we wasted….how many walls can you put up? How many guns til you feel safe? This is a song about war – this is Rise Against, this is purely political and somehow can STILL be pulled together with Destiel.

 How many walls can you put up?

How many guns 'til you feel safe? How many times can we watch this story Over and over and over again? And how many years have we wasted Counting the lies that we've been fed? For something to change we have waited Over and over and over again Pray – Picturesque - Nope. Don’t even need a description here. Once again this is FAR TOO OBVIOUS!

I should pray a little more and think a little less The devils in my head and he won't let me rest Everyday just like the last since you up and left I should pray a little more, I shouldn't pray for death I Knew You Were Trouble – We Came as Romans (Swift Cover) - SwiftNatural is a thing for a reason… 

It's like a kaleidoscope of memories. It just all comes back. But he never does. I knew his world moved too fast and burned too bright. But I just thought, how can the devil be pulling you toward someone who looks so much like an angel

I think that the worst part of it all wasn't losing him. It was losing me. Once upon a time, a few mistakes ago I was in your sights, you got me alone You found me

I knew you were trouble when you walked in (you were right there, you were right there) So shame on me now Flew me to places I'd never been Now I'm lying on the cold hard ground Texas Is Forever - Pierce the Veil – lack of communication anyone? I don’t know, do we know anyone like that? If anything should happen to me I want you to know, I’ve loved you since ever…

Here we are If anything should happen to me I want you to know I've loved you since ever since then Don't dance around me I know what it means No communication, cannot be received But I'm such a sucker for the rain, yeah Oh, here we are Butterfly - Wearing Scars – the Butterfly/Angel parallel alone…go with it.

Seems we're alone We're fixated Just waiting for something As time goes by And when we're way up high We'll look back down with different eyes Let's take our time Awake this life So spread your wings And take my hand Tonight will be the end

With Grace - The Weight of Atlas

This place looks like hell to me I cast myself into the sea Picked up my conscience and left my disease I don't know, I don't know if I can make it through this storm Keep your eyes shut it will be okay. Will we make it out alive? Will we make it out alive. When all you have is hope I will be your anchor I know that I can let you down But I swear I'll pick up the pieces. And be reborn again I Always Wanted to Leave - The Plot In You

I guess it's a shame I'm so damn destructive And you're so reluctant to mean what you say The way you act so abused The things you confuse You know I always wanted to leave "Hello... You can sing, I'm here And I love you more than anyone or anything With all my heart."

Unsteady - X Ambassadors – just a stay parallel. Don’t leave, don’t let go. If you love me. Don’t let go. #I haz the sads.

Hold on to me 'Cause I'm a little unsteady If you love me Don't let go Bury Me Alive - Normandie – pick a line – ANY LINE!!! 

I guess I'm not going to heaven now I got caught in the chase Now I'm falling from grace But I never stood a chance Could've given me a sign I'd be giving you blind obedience Mantra – Bring Me The Horizon Before the truth will set you free, it will piss you off Before you find a place to be, you're gonna lose the plot Too late to tell you now, one ear and right out the other one 'Cause all you ever do is chant the same old mantra Could I have your attention, please? It's time to tap into your tragedy Think you could use a new abuser Close your eyes and listen carefully Imagine you're stood on a beach Water gently lapping at your feet And now you're sinking, what were you thinking? That's all the time we have this week

Oh Lord - In This Moment – cutting any of this out was actually hard. Cas, my love, are you there?

Oh Lord won't you save me Save me from my soul Oh Lord won't you forgive me For I have lost control Oh Lord won't you tell me Am I the righteous or the damned? Oh Lord won't you please hear me Do I obey or do I command? Oh Lord please forgive me For what I'm about to do Oh Lord won't you believe me I'll burn in hell for you Oh Lord won't you teach me Teach me how to see Oh Lord tell me you love me Am I Lillith or am I Eve?

Bleeding is a Luxury - Atreyu

I’ve talked the talk, I've walked the walk, It's taken ten fucking years, For them to see I don't need their approval. I've paid the piper, I've stayed my course, Lived chomping at the bit. With only blood, sweat, and tears to adhere to- Take it for granted, Forsake the costs, Wear a big, shit-eating grin (with only blood, sweat, and tears to adhere to) Now bear the burden to chase your fate Grind your teeth 'til it fucking hurts So they can see I don't need their approval. Seize the day, Take your beatings, Lead the way, Or decay as you fall down... You fall down.

Would you Still be There - Of Mice & Men – wow, this song in full. All of it. I can’t.

If I could find the words, if I could shake the world, If I could turn back time would you still be there? I can't stop thinking about the way I left you sinking with no escape. Now there's no lifeline, no way to save. But maybe next time I won't throw it all away. Dislocated, I lie awake Suffocating in my mistakes. I lost my halo when I fell from grace, But maybe next time I won't throw it all away. I ask myself everyday... If I could find the words, if I could shake the world, If I could turn back time would you still be there? If I could find the words to say, If I could shake the world to break you down, Then would you still be there?

The Broken - 3 Doors Down 

This is the call to the broken, the broken Take it from me. They don't care if you're lonely. As you can see, They don't care if you're scared. Your heart Is the only friend you have in this whole world. Don't start, Think you can do this yourself. I know what you're thinking. You say you're tired of keeping score, keeping score. Trust me, You're not the only one going through this. You see, I've been through this before, this before.

Wow, I Hate This Song - The Used – this one took a little imagination – hardest one so far – because it really is just about hating a song! So we’re HC’ing the Zepp track that reminds Dean most of Cas, post Empty.

Every time I hear the key I see you in the melody It never was a part of me Heart feels like it's being stabbed Kills me emotionally Dirty Little Secret - Bullet For My Valentine – let’s take this back to – take your pick…Leviathan!Cas, Godstiel, Casifer, any of the times that Cas did the wrong thing for the right reasons…and did not tell his boy. 

There once was a time Where everything was just so perfect Now everything has changed And you've become a total stranger I've seen another side to you I never even knew existed Dirty little secrets, dirty little secrets Giving in to your primal instincts There once was a time When anything I do is for you But everything has changed And I've become a lonely prisoner I'd kill, even die for you You never even tried resisting

Kill Plan - Parabelle

I'm sitting stunned just like a lesson I never learned Made of emotions and mistakes And what you say Leaves me lost and in the way And that's the place you stay Remember silence Now we're painted into corners So we can watch the world get sold out Hold me closer don't let the sun in Hold me closer don't let the sun in Cuz the setting sun feels like a cage Don't let me defend the kill plan

Roman Sky – Avenged Sevenfold – This song only has a few lyrics, but we can definitely make them work.

As the embers rose through the Roman Sky Tell me, were you calm when they took your life? Just before you go, tell us how the heavens flow Weightless evermore, as you walk beyond that door Shine forever true To Those Left Behind – blessthefall – these boys might be my favourite band ever, but these are ANGRY lyrics – these are about betrayal.  This is a relationship gone wrong. I feel these best work with the divorce arc, the Angry Dean that we see, or Dean’s mood after any of the “Cas fucked up again” moments. You found me at my worst When I was far too weak to grow In spite of all my fears And how I may have lost my way Only now I know the truth

Awake and coming clean

If you can't sleep It's your conscience That's eating away At the mess you made So let's end this Sew this last stitch Lift this weight off my chest I'll put you to rest The past should stay dead

How did we find ourselves here? Haunted by our own design With everything that's come to pass Makes it harder to confine

[incoherentbabblings]

Why TimSteph is nice

Because I honest to goodness think they are. Prompted by @tsukiakari1203 who needed cheering up but also just because it’s that kind of evening you know?

I also have a TimSteph meta tag if you want to go through four years of me moaning about them. I am going to be repeating myself from some of those posts. Sorry. These are just little things which I love to infer more meaning out of then what was (probably) intended. 

This is long. As always.

Pre-New 52 there are a lot parallels with each other. Their Batgirl and Red Robin runs copy each other thematically. Their characters over their thirty years of publication flip on the cynicism and idealism scale. Tim is initially good at making and keeping friends. Steph is initially not. Tim comes from a relatively stable home, albeit it with distant at best or neglectful at worst parents. Steph comes from an unstable home, with neglectful at best and abusive at worst parents. Tim pushes his way into the inner circle of the batfam and is successful at doing so on like his second or third try. Stephanie pushes her way into the inner circle of the batfam, but it takes approximately 20 tries plus (nearly) dying to get people to take her heroics seriously. Both form close familial relationships with the originator of the mantle they hold.

Tim starts helping because he believes no-one else can step up to the plate and help Bruce, and he continues to help people because it is simply the right thing to do. After multiple tragedies he loses any desire to exist as his genuine self outside his superhero mask, and the reader is left with the idea that there isn’t really a Tim Drake left at the end of his solo run anymore, only different factors of Red Robin. Stephanie starts helping because she believes no-one else is capable of stepping up to the plate and stopping her father, and over time her spite and anger turns to genuine altruism and compassion, which makes it impossible for her to willingly hang up her costume. After multiple tragedies, the line between her Stephanie self and Batgirl self is practically non-existent. She is never not genuinely herself, and is on the path to get her degree, repair her relationship with her mother, work alongside the new friends she has made and pursue everything that may have been denied to her when she was fourteen years old.

One of Tim’s first major missions as Robin had him face Scarecrow. One of Stephanie’s first missions as Batgirl was to face Scarecrow. As @our-happygirl500-fan once pointed out - Stephanie’s super heroics started with her trying to kill her father. Tim’s super heroics ended with him trying to kill his father’s killer. Stephanie gains Bruce’s unequivocal trust, Tim loses it. The future Tim sees for himself ten years down the line is lonely, dead or in a position he does not want to take (Batman). The future Stephanie sees for herself ten years down the line is being a parent, mentoring younger heroes, living in a nice house, and running around in a beloved mantle (Nightwing).

Both of their biggest fears are simply not being good enough at what they need and want to be.

Onto fluffier things below the cut...

Absolute favourite thing is how they are often drawn holding each other’s cheeks. Hands are a big them for them (for me) so look out for their interactions. Even when they aren’t a couple, their hands are resting on the other or reaching out for the other. It’s not uncommon for Tim to put his right arm around Steph when they are sitting together and press her into his chest.

Tim’s the only person to call Stephanie Stephie aside from her father and Dean, and therefore is the only one to mean it as a genuine endearment. He is also the only person aside from her parents to call her sweetie, though again, unlike her father but like her mother, Tim means it as a genuine endearment. 

One of the side purposes of Stephanie’s pregnancy arc was to give Tim and Steph a reason to get to know each other outside of the costume. Early on, even before they got together, Stephanie pushed against there being a distinction between the mask and the person wearing it. She continually both pre and post new 52 decries Tim claiming there is any kind of separation. Stephanie had a crush on Robin, but she fell in love with the boy who kissed her in the cinema, took her to the highest point in Gotham because he thought the views were romantic, and took her to birthing classes with a fake beard on. She loved Tim. There is no distinction. For about a year in universe she was the only person who had a reason to exist in both Tim and Robin’s lives. Giving up one would not necessitate giving up Steph. Though she would insist on dragging Tim back to the surface. Therefore, I think, if the Pre-New 52 universe had been allowed to continue, Steph would have been important in getting Tim back to the surface over Red Robin. Look what she managed to do in their crossover. The mere threat that she doesn’t recognize Tim anymore helps get him back on track. It’s also a thing in Rebirth. Tim is Tim is Robin is Red Robin is Drake is Tim. No difference.

I cannot find exact proof of this right now but there’s a panel where Tim’s on a date with Ari, and he can’t focus on her, as he’s too worried about a case. Tim can’t flipping focus ever with Zo because at that point his mind is just too full of trauma by then. 

Steph takes him to the cinema, he relaxes. Steph makes out with him; his mind goes blank. I dunno where I’m going with this. Steph makes Tim feel safe, I guess. He lets his guard down bad with her. 

When they’re younger they’re both kind of jealous over the other. Tim (playfully) threatens to shoot a guy who has a crush on Steph, and she does the very logical thing when seeing Tim being kissed and decides to make a Robin costume and force her way into the Batcave. Love was conditional for the both of them growing up, so the concept that they love each other for realsies doesn’t really compute. The other will leave. Eventually. Tim has better prospects and Steph will get bored of Mr Goody-Two-Shoes. Spoiler: They don’t. 

Steph trusts Tim with the stories of her assault. She says her favourite things about him are his gentle nature, the fact that he’s not afraid to show her he’s frightened, and his empathy. Tim loves how warm Stephanie is and he loves how consistent her affection for him is. He knows that she only has his best interests at heart, even when she listens to the wrong people for what that is (coughBrucecough). They often can be found bolstering and comforting the other against Bruce’s actions as much as they can be seen supporting him, which makes for some juicy conflict.

In Rebirth Tim only sets the drones to target himself when Steph calls him thinking she’s going to die. In Rebirth the last person Tim chooses to speak to is Steph. In Rebirth the thought of Steph is one of the things that keeps his will to go home alive and his sanity after spending months alone intact. In Rebirth his renewed relationship with Steph was partially unravelling Dr Manhattan’s reboot of the earth (the power of adolescence crushes). In Rebirth Stephanie wins over the bad guys by assuring her boyfriend that a) he is a good person who b) she trusts to do the right thing. She saves the day with the Power of Love. In the bad Batman of Tomorrow future, Tim is looking for Steph, implied that he still has feelings for her even though she says he is essentially dead to her, he goes to see young Stephanie and begs forgiveness from her, then uses her - referring to her as something to possess in one interpretation - to throw young Tim off in a fight. Again, in Young Justice, the thought of Stephanie is one of Tim’s biggest motivators to go home. She is his home. He is her cornerstone.

And that is why I think they are a neat couple.

[firebunnylover]

LoSH S2 discussion

I love Legion of Superheroes. And i love season 2, but that doesn’t mean I don’t think about how it could have been improved. In terms of quality, it varies more than season 1. Some parts are top tier while others… eh.

Season 2 is darker than season 1. And there’s the inherent stigmatism that darker means better. But it’s not true.

A horror schlock film is not inherently better than an animated film.

I don’t blame the staff on all its shortcomings. Kids WB was on its deathbed, so they probably had less time to work and iron out ideas. And executive meddling.

The second season had a lot of good elements, but there are things that weighed it down. I am here to discuss how to improve said things.

Heads up: ended up editing part of this post after rewatching the episodes.

This first bit is more of a personal preference, but instead of the 41st century, maybe move the original source of conflict to a farther region of space, one that the UP doesn’t interact with, and has been growing in terms of turmoil until they finally resort to bringing the Legion over. In other words, it has just been put aside by everyone else to the last minute.

Parallel to Brainy’s relationship to Brainiac. He doesn’t want to deal with it. He never brings it up. But maybe if he did, he wouldn’t have gotten corrupted.

This place still has plenty of old documentation of the original age of superman, so Kell is disillusioned with the ideal glory days. Keep Kell Edgy.

Kell’s home and K3NT still gets destroyed - reflects Krypton’s own destruction.

SPEAKING OF KELL:

Make his story more apparent that it’s one realizing that kindness is not an inherent weakness. And neither is being soft. He was raised for fighting and killing Imperiex, and was taught to think that they were weaknesses. Have him realize his identity can be beyond the Clone of Superman made to kill Imperiex. Or rather, have him react more to realizing that he’s moving beyond his given identity.

To clarify; they do address his development in the show a few times, but I want more continuous development instead of the rapid nods we get. Have him try to interact in a more humane way with others. Especially with other members of the Legion. Where they have to take a double take in seeing him acting not that edgy. Maybe offer more flashback of him fighting Imperiex in comparison, and how he treated allies then.

Also put K3NT’s story under the microscope. I doubt Imperiex just came out of nowhere with his attacks. Plus the fact they went far enough to send a hitman after a fucking child? That screams yikes and maybe we need to double check the story.

And an overall issue to be addressed is what rights do robots have and what conditions need to be met? Because let’s face it, we make robots to do complex work for us. But Colu is a culture where the main people ARE robots. Like in Transformers. What line do we draw between non-sentient robots vs the sentient ones in the 31st century? And what about cyborgs/people who give up their original bodies for robotic ones?

Plus Imperiex himself came to be because of the perfected combination of organic tissue and robotics. This topic of robots and individuality/personhood could have been a fun topic to explore.

Don’t sideline the girls. Leave TG alone. 

Don’t put SG in a coma for nearly the whole season - seriously it’s the reason why the guys make one bad decision after the other. Although with that said, it’s because she’s not around we got the majority of s2 plots. She’s the goddamn mom of the squad. Just make her busier and unable to keep an eye on her idiot boys for the plots based on bad decisions to happen. 

Or have her deal with after-effects of what Esper did to her. Maybe after a whole season of being the emotional support character, have her be the one in need of emotional support or not being able to help directly, especially when the group needs emotional support. Emotional support paradox.

Maybe don’t make Cosmic Boy appear as much as a dick in the episodes where he does show up. He’s trying to hold this goddamn team together, and there’s a goddamn tyrant trying to conquer the galaxy. HE’S FUCKING TIRED AND STRESSED. AND IM SURE THERE ARE A BUNCH OF JERKS WHO WANT TO TAKE ADVANTAGE OF THAT TO DISSOLVE THE LEGION. Better yet, throw in some more backstory with him and his little brother Pol!

And in regards to Imperiex… The dude has a lot of potential. I like his voice actor, Phil Morris. The guy voiced Dr. Sweets from Atlantis.

But his writing needs help.

In the original DC comics, he’s the embodiment of Entropy. Anyone who’s seen Madoka is probably familiar with what that is. But if you're not, here’s a definition: “ the measure of a system’s thermal energy per unit temperature that is unavailable for doing useful work...” He’s the embodiment of that energy that cannot be used for anything. And Entropy grows over time.

Another definition of what Entropy is “lack of order or predictability; gradual decline into disorder.”

In the comics, he’s more of a cosmic being as a result of him being an embodiment of unusable energy. He’s been in existence since, well, the beginning. He had destroyed the universe and recreated it multiple times. Okay, so that lines up with how the show portrays him. And technically, he does get the universe to reset itself in the 41st century when he alters the 31st century enough.

But I personally feel that making him a cosmic being is kinda… meh?

I personally prefer more personal villains most of the time. Don’t get me wrong, an Eldritch being done right makes a great character, but I can’t see Imperiex as one. At least not LoSH’s version.

Plus I like it when the protagonist sees the villain has a point and has changed as a result for the better.

You know, over a year ago, I used to think that it was impossible to make a tyrannical villain who’s presented as real evil seem complex.

And then… I was introduced to TFP Megatron.

Now for you LoSH fans who haven’t watched Transformers Prime, Megatron was once Megatronus. A low caste member who worked in the mines and Gladiator games. He wanted to fix the growing corruption of Cybertron. To make things better.

But his worse personality traits took over, and he lost that good motivation. Now he’s just fighting to win and defeat Optimus Prime. 

But despite the change of goals and ideals, he doesn’t want to simply abandon his relationship with Optimus. He and Optimus, or as he used to be called, Orion, were fighting for the betterment of society. And they meant something to each other. Megatron doesn’t want to just get it over with. He wants fanfare for his victory over Optimus. And he doesn’t want anyone else to rob him off that. But he isn’t opposed to getting Optimus/Orion back on his side. It’s because of this you can still argue that there is a remaining shred of good in him.

They were the best young lovers anD NO I AM NOT CRYING OVER THEM!

Also, the fact we know he was part of a minority group in the form of the lower cast  that was enslaved can make us sympathize with Megatronus of the past, as well as understand how he came to be.

It doesn’t mean we forgive him for his actions - and he has done a lot of shitty things. And I mean a lot.

But his history is more understandable. TFP Megatron’s a fall from grace.

OK I’m done dissecting TFP Meg’s writing.

We know Imperiex was a slave, and was originally organic, who’s from a society where his purpose is literally just to fight, and was gradually stripped of his original body. He was originally stripped of any agency before then though.

But he says this was a good thing. Calling his original body a weakness. And refers to his old self as a pathetic slave.

He gave up whatever softness he had.

Also, this is where K3NT’s story needs to be reexamined. Imperiex was made during what K3NT described as “A Time of Extended Prosperity”. That time had freaking slaves. And K3NT says that when Imperiex did rise up, they were unprepared. So… they were prosperous, but lacked defense to prevent anything like that happening? Or perhaps those who were in charge were that unpopular that it was easy for Imperiex to start the war.

What made him decide conquering the galaxy was the next thing to do after he had every bit of his original self stripped away? Why go as far as destroy it?

What I’m trying to say is that they could borrow a few pages from the Megatron book. Maybe he was once trying to better the society he was part of, but he decides to play the violent card at some point. And somewhere along that strategy, he starts to lose sight of the initial goal. With that, being the victor and in control becomes the main one.

Or perhaps he has grown cynical of the galaxy as it is and decides it just needs to go all together, and then start from scratch.

Like the second definition of Entropy, he gradually declines in predictability and descends into disorder.

Maybe to juxtaposition the fact that Brainiac became the main threat at the end, make him the opposite or foil to him. Rationality or logic do not serve as first-or-second influences to decisions under pressure. Emotions and his own perceived ideas do.

Speaking of Brainiac, maybe offer more of the OG Brainiac. Give us more of that smooth-voiced Corey Burton. 

Or TFA Megatron.

Seductive Bastard.

I’m sorry I have fallen for the shady-business-mafia-boss-but-morally-grey robot.

Also, the members of the legion that only get one episode focus? Give them more screen time. You can’t just introduce superman’s new adopted son Karate Kid and just not bring him for another speaking role again!

Actually, that brings me to another point.

As @spandexinspace​ pointed out, his episode is not the best, and is arguably the worst written of the whole series. Things that are issues do get brushed off to the side.

So a proposal on potential rewrite:

First, have the legion look over its current rules and what exceptions/changes they need to make.

Explore the subject of kids having to participate in these fights.

To clarify, kid shows are meant to be escapism for kids.

Shocking, I know.

So it makes sense that some characters would be the same age as the viewers. 

But while this is good representation, as you get older, you find yourself going “WHY WOULD THE ADULTS LET THEM ENDANGER THEMSELVES?!”

Kids having to fight at that age does have consequences. Batman Beyond certainly addressed it. So did Steven Universe Future.

Steven ended up being responsible for so much, that when he no longer needed to take care of things, he was unsure of who he was. And then there’s the fact he ended up with PTSD because of him having to fight so much. Then you have the fact that Greg and Rose never intended to raise him like their caretakers did... but as good as their intentions were, they still caused damage. Rose for… all the gem stuff. And look, Greg is a great dad, but not enforcing anything for Steven when he’s growing up still has it’s cost.

With Batman, he’s obviously going to do his damn best to keep kids safe, including the Robins. But sometimes, it’s not enough. He wasn’t able to keep Tim safe in the event with the Joker in Batman Beyond. Where he was held captive and tortured.

But the Batkids are never expected to resolve this stuff by themselves. Because Batman knows how much you can get screwed up as a kid. He fucking cares.

And to be fair, in most continuities I’m aware of, the other sidekicks came out pretty okay overall.

Except Jason Todd.

So my proposal?

Have Val originally with Grimbor, as a sort of Protege. But have the legion capture him, only to go “uhhh this is a child with no powers”. And Superman, being the good, wholesome paragon we all love, takes him under his wing.

In all honesty, I want Superman pulling a batdad for Karate Kid in his intro episode the whole time. That was the best part of the episode for me.

Plus after the events of “Cry Wolf”, the Legion should examine the no-killing rule. Because they do need to kill Imperiex to save the universe. But that goes against the code. But they can argue it’s a necessity. But Mar Londo is also a monster. He’s the everyday monster some of us have grown up with.

When do you need to make exceptions to kill someone?

And my final main suggestion:

Add more Mekt.

What the heck were you guys expecting? You all KNOW me by now. I LOVE MY GARBAGE BOY.

Joking aside, here’s what I would do.

Have the Chained Lightning episode pushed back, but have Mekt with Imperiex earlier. Most of us would yell “Why the heck would you join the guy whose main goal is to destroy the galaxy?!” But this is one of the easiest things to address.

Explore more of his past. Use the comic sources with him being outcast for being a solo on Winath. With that in mind, him deciding to side with Imperiex can make sense.

Why try protecting something that has done nothing but hurt you?

There’s actually a pretty good reason why he would side with Imperiex, as seen in Champions and Lightning Storm. Remember, Mekt was willing to cheat to get ahead of the sports competition he was introduced in. And also was thrilled when fighting Garth and was beating him on his own. He likes being in power.

Imperiex offers him that.

As for why Imperiex would bother with Mekt? That’s a little harder to answer. He knows that Mekt has a soft spot for his brother, and in turn sister, which proves to be the reason why the Tachyon Cannon fails. You’d think Imperiex would remove a huge fatality.

But he doesn’t.

Maybe he could hold another type of value for Mekt. Perhaps... nostalgia?

I’m still sold on the idea that they were sleeping together.

Also, give us a conclusive answer on where Mekt stands with the LSV. In the comics, he was the leader, but that role was given to Tyr in the cartoon more or less.

OK I think this has been polished enough for me to post now. What you guys think? Feel free to add on!

[fremedon]

Brickclub I.5.13, “Resolving Some Questions of Municipal Policing”

“Curiosity is a form of gluttony," Hugo says, of the onlookers trying to peer through the station house door. "To see is to devour."

This is the most direct statement of a theme Hugo comes back to over and over--the destructive power of gossip and idle curiosity. It's a theme that pulls a lot of weight, but starting on this reread so soon after my last one, one thing I'm wondering is how much that theme is supposed to be setting us up to excuse Marius's lack of inquiry into the version of his history Valjean shares.

Observations on Fantine:

--Fantine, a panther during the fight, now cowers "like a frightened dog" in the station. I think the panther line might be the only feline metaphor Fantine gets. 

--"She would have softened a heart of granite, but you cannot soften a heart of wood." Fantine has been turning herself to stone for the last few chapters, but there are worse things to be.

--And one of those is to become even stonier. In her last monologue, right before she attempts to leave: "Oh! I won't do it again, Monsieur Javert! Whatever anyone does to me now, I won't react in any way." 

--Fantine's two long monologues keep coming back to two points: The injustice of prison wages, both to the prisoners and their competitors, and her ability to be respectable when given the means to support herself. She used to have so many changes of underwear, and now she just has one silk dress for the evenings. She still owes 100 francs to the Thenardiers, but she's up to date on her rent now, just ask her landlord. And at the end, Madeleine agrees with this: "I will give you all the money you need. You shall again become honest in again becoming happy." 

We've seen, and will continue to see, how the lack of means bars access to 'honesty'/respectability, but the reverse of that statement is surprisingly hopeful: only provide the means to live honestly, and a person will be honest. 

--Madeleine and Javert's battle for Fantine's liberty is framed almost exactly like the battle for Valjean's soul between his convict self and the bishop in "Petit-Gervais," and Fantine's heart softening back to trust is a much more direct parallel of Valjean's change of heart than I had realized. Valjean never manages to reach Javert this way, but he does pull Fantine back to humanity for her final weeks.

There is one major difference, though, and it’s not actually in the level of their transgressions. Fantine has spit in the face of the mayor in the place of his power; Valjean has stolen a sentimental treasure from his host, in the home where he was given shelter. Both insults are a thing that can be absorbed or shrugged off, practically, but with immense symbolic weight behind them. 

But Valjean’s reverie ends with him obliterating the convict within him and letting the bishop take full possession of his soul. Fantine keeps hers. She doesn’t have to go through any of Valjean’s extreme self-abnegation to get her humanity back. 

And speaking of extreme self-abnegation, there’s Javert. This got long. 

Javert, despite being wood and not stone, is the one who gets the statue imagery in this scene. From the moment right before he stops Fantine from leaving, after Madeleine instructs that she be freed: "Up to that moment Javert had stood stock still, staring at the ground, out of place in the midst of this scene like some statue left in the way, waiting to be put somewhere." I am reminded of the cart in Montfermeil--the broken cart that is a metaphor for outmoded institutions, left in the way to finish decaying. Javert, the automaton of the law, is left in the way, waiting for a purpose.  

Twice in this scene, we see him imagine himself an empty vessel for the law. It’s the only kind of grandiosity he ever has--humbleness to the point of self-obliteration, so he can embody The Law. 

The first is while he is first handing down Fantine’s sentence, and I’m going to quote at length: 

"It was one of those moments in which he exercised without restraint, but with all the scruples of a strict conscience, his formidable discretionary power. At this moment he felt that his policeman's stool was a bench of justice. He was conducting a trial. He was trying and condemning. He called all the ideas of which his mind was capable around the grand thing that he was doing. The more he examined the conduct of this girl, the more he revolted at it. It was clear that he had seen a crime committed. He had seen, there in the street, society, represented by a property holder and an elector, insulted and attacked by a creature who was an outlaw and an outcast. A prostitute had assaulted a citizen. He, Javert, had seen that himself. He wrote in silence." (Wilbour)

And the second is after Madeleine intervenes to demand Fantine’s liberty a second time: 

"It was obvious that Javert must have been 'thrown out of kilter,' as they say, to allow himself to address the sergeant the way he did after the mayor's request that Fantine should be set free. Could he have forgotten monsieur le maire's presence? Had he in the end convinced himself it was impossible that any authority could have given such an order, and that surely monsieur le maire must have said one thing instead of another without meaning to? Or in view of the outrages he had witnessed over the past two hours, did he tell himself it was necessary to act with the utmost resolve, that the humble must assume greatness, the sleuth must turn himself into a judge, the police agent must become an agent of justice, and that in this exceptional extremity he, Javert, was the personification of law, order, morality, government, the whole of society?" (Donougher)

Hoooo boy. There is just so much to unpack here, and I’m glad we have another year and change of brickclub to keep unpacking it. 

Just on the surface: Law, order, morality, government, and society are all the same thing to Javert. The purpose of law is to uphold the social order. It is a contradiction in terms that authority should seek to undermine itself: 

"Javert felt he was about to go mad. At that moment he underwent in rapid succession and almost all at once the most violent emotions he had ever experienced in his life. To see a common prostitute spit in the face of a mayor--this was something so monstrous that in his most dreadful imaginings he would have regarded it as sacrilege to believe it were possible. On the other hand, obscurely, at the back of his mind, he made a hideous comparison between what this woman was and what this mayor might be, and then he had an inkling of something very simple about this extraordinary attack that appalled him. But when he saw this mayor, this magistrate, calmly wipe his face and say, 'Set this woman free,' he was stunned, thoughts and words failed him equally. His capacity for astonishment was exceeded. He remained speechless." (Donougher)

Refusing to punish this transgression against established hierarchies undercuts Madeleine’s legitimacy in his head so much that he takes it upon himself to contradict the mayor, to argue with him, to put forward his abstract embodied Authority as more valid than the mayor’s actual authority. Madeleine only wins by literally citing the legal code, in a scene that reads almost like a battle between wizards. 

Going back to Fantine’s attempted departure--"The sound of the latch roused him. He raised his head with an expression of supreme authority, an expression that is always the more frightening the lower the level at which power is invested, ferocious in the wild beast, atrocious in the man of no account." Wilbour says "in the undeveloped man"; I prefer Donougher here, because it gets the ambiguity in "the lower the level at which power is invested"--both that power is frightening in the hands of beings who cannot, personally, wield it well,  but also that small concentrations of unaccountable power create petty tyrannies. 

Javert knows he is a small man who, on his own merits, neither possesses nor deserves power over others. But he is a small man channeling the whole of social authority, and that makes him terrifying. 

If what he were channeling was actually Justice, it would also make him--well, it would make him Enjolras. But it’s not. I talked a couple of chapters ago about the themes I’m starting to think of as Hugo’s major arcana, and one of the big ones is Fatalite. He brings it up in the very first sentence of the prologue: 

“So long as there shall exists, by reason of law and custom, a social condemnation which, in the face of civilization, artificially creates hells on earth, and complicates with human fatalite a destiny that is divine...”  

The divine destiny--the intention of Providence--seems to be whatever humanity is capable of achieving. Fatalite is whatever human-made factors interfere with that achievement: Social condemnation. Custom. And Law. It’s all fatalite.  

The more Javert imagines himself an empty vessel for the law, the more self-abnegating he is in his duty, the worse he is, because what he is channeling is the force that creates hells on earth. 

He has lost this purity in Paris, and to some extent that accompanies real tolerance of corruption--this Javert would have resigned rather than serve with men he knows are taking bribes and enabling double agents like Le Cabuc. But this Javert would also never have casually granted Bigrenaille's request for tobacco in solitary. And I’m not sure this Javert would have noticed the grievances in his suicide memo--certainly, he doesn’t respond at all to Fantine’s repeated refrain about the prison wages. 

I really like @everyonewasabird's idea that Javert, in frightening Fantine to death--in taking an innocent life, one he has no claim over--Javert will break a geas. He loses the ability to be this empty vessel, and is muddling through on his own instincts and prejudices after that--and his own instincts and prejudices are terrible, make no mistake. But they’re malleable, in a way that the whole force of abstract social condemnation isn’t.

And also, god, now I’m thinking about Valjean standing there listening to Fantine talk about the unfairness of prison wages. What must be going through his head.  

[disasterbialert]

So, I finished The Untamed and ok ok I think I have collected most of my thoughts about it. (I’m late, so I guess these thoughts don’t really matter, but I wanted to put them somewhere and here seemed like the place.) SO here’s a post absolutely NO ONE WANTS and imma do it anyway cool cool.

Firstly: love. This entire show is about love. Obviously other things too ok I’m simplifying for the sake of my point. But importantly it is about love. The love for our families, found, made and blood. The love of soulmates, romantic and platonic. The love of humanity, of the people known and unknown, love for them purely because they are human and are therefore deserving of love. The love inherent in honour and duty, the sacrifices made for that love. Loving someone—bravely, in the face of every adversity, despite being told it’s wrong. Learning to be true to that love, learning to love faithfully, learning to love, to show love, to be loved.

Bless the tireless translators. Y’all. The work you do is often thankless but y’all are so valued. Thank you.

The music. I actually don’t have the words for this, I can only thank the composers and musicians for the gifts they have blessed us with. My heart my heart my heart.

The costumes, set, props and cinematography are all so exquisite. I’m not an expert in any of these fields but I can see the care and detail paid to each facet of this show. What an absolute visual joy. Stunning.

And now, the characters.

I’ll start with the ladies. They deserved so much more. We deserved to have more than just one by the end, but I understand this wasn’t their story (still hurts tho).

Jiang Yanli. Proof that kindness is powerful. Her heart holds entire worlds. She is not weak (don’t even try me I swear to the gods). She holds her family together. She takes care of her siblings. She feeds their bodies and their souls. WWX is right—JZX does not deserve her but that’s because nobody does. But Jiang Yanli deserves to be happy, therefore her marriage to the Flower Peacock is valid purely bc it makes her happy. She stands up for what’s right, she will not compromise her morals, she will defend her family to her last breath (and so she does💔). She does not harden herself, she does not have to. Her patience and kindness, her softness, her gentleness—things that are seen as weaknesses or inferiorities—are what put her above all around her. She is gracious, she is strong, she is loving, she is determined, she is brave. She deserved better.

Wen Qing. A queen. A powerhouse. The most brilliant mind. A lightning-quick and sharp-bladed tongue. She loves Wen Ning so much and her love is powerful, just as Jiang Yanli’s. Her dedication and devotion to her people, her true family, not just a name, is incredible, inspiring. Why? Because she’s not perfect. So she learns. She grows. She becomes herself. When she’s at the Burial Mounds, she essentially adopts WWX as another younger brother, caring for him because she knows he won’t care for himself, and she does so out of love and respect. But she never replaces Jiang Yanli. She is keenly aware of all she perceives WWX loses because he aids them. Hence the pivotal, crucial: I’m sorry and thank you. She walks to what she knows is her own death with her head held high and her hand in her brother’s, offering love and support and what protection she can to the end. She does not flinch. She does not bow. She fights with all of her and surrenders with grace not reflected by those she surrenders to. Honestly I could write an entire thesis on Wen Qing but I’ll cry too hard so I’ll just leave it here that she deserved better, she deserved to live, she deserved to be free.

Mian Mian. Mian motherfucking Mian. Here is a woman who stares injustice full in the face and says no fucking way, says over my dead body, says you and what army old man. Strips the robes of the hypocritical off her own damn body, throws them at the feet of a false god and walks out, back straight, head held high. She makes her own way in the world, carves out her own life, finds love and happiness and lives. She does not compromise. She does not bow. She fights and she wins and she is glorious. And she lives she lives she lives.

Yu ZiYuan. I may be in the minority here but that’s ok. No I don’t approve of her abuse, just gonna nip that one in the bud right out of the gate. Was she fair? No. Was she cruel? Yes. Was she an incredible fighter who fought for her family, for her home? Who showed raw courage and furious strength in the face of insurmountable odds? Who loved a man with her whole bitter heart, loved her children with that same fractured heart? Was clearly the subject of spiteful rumour and vicious gossip and did not let it defeat her? Refused to bow to anyone? I do not like her, do not like how her bitterness made her cruel. But seeing her wield her blade, take wound after wound, witness the death of her love, then take her own blade and rob the monsters invading her home of the satisfaction of taking her life, took her own life with her own hands because that’s how she did everything in her life so why the fuck wouldn’t she do it in death too, who crawled her way to the man she loved, laced their fingers together so he wouldn’t die alone, so they could both die held? How can I not respect her.

Ok. The lads.

Jiang Cheng is a man-child idiot with the emotional expression range of a loquat, an inferiority complex the size of the moon and self-worth issues going back farther than the Big Bang, and I love him, ok? He loves so hard and so much and it is heartwrenching that he cannot communicate that. Some of his best moments are actually in the background, which is both funny and terribly sad. His rage is at times ridiculous, at times frustrating, at times all he has left, his joy is bright but brief, his grief is devastating. Watching JY greet WWX after the 3 months in the Burial Mounds. The entire temple scene. Crying on his knees. We were to be the Heroes of Yunmeng. Take care. Fuck me right in my feelings ok.

Wen Ning is so fucking precious and I would die for him for all eternity. What an absolute gift his character is. I honestly can’t write much more about him because I’ll cry. But special mentions to his interactions with A-Yuan/Lan SiZhui and the incredible scene where he reveals to Jiang Cheng the truth about his/WWX’s golden core. Unparalleled emotional intensity. The equal parts tenderness and fierceness of his love is breathtaking.

And the loves.

Song Lan and Xiao Xingchen. There is a lot of tragedy in The Untamed. There is great sadness in the main plot line and even in the small side plots. The Ballad of Song Lan and Xian Xingchen (as it’s come to be known in my head) is for me the most devastating and poignant. They just wanted to do good, to wander the world together and do their part to make it a better and safer place. It’s noble, yes, but it’s also so human, so close to home. Because we all want that, to know that we can do some good before we leave this world. They do not want to be involved in the petty squabbles, the undignified and cruel vying for power and dominance. They simply want to live and be. The fact that both of their deaths are pointless, could have been avoided, are the faults of poor timing and terrible terrible luck and cruel turns fate is almost what makes it sadder. Xue Yang screams that XXC is not better than him, that his righteousness and the righteous way he has attempted to live his life is all for naught. And then he is immediately proven wrong—XXC’s heartbreak means he can’t become XY’s puppet. SL is free from XY’s control and avenges himself and XXC. Which is also somehow just as devastating. That XXC and SL were so close, so very close to being together, to living, to making it, but didn’t. Nothing grand or heroic about their deaths—just the unknown and unpredictable nature of life. There is no rhyme or reason, no big important plan, no fate or destiny. They both simply die as we all one day will. And it is their potential cut short, the love and life they could’ve had, that hurts the most. They are not Lan Zhan and Wei Ying: they do not get their second chance, their reunion, their happily ever after. The look shared between SL and LWJ—the shared grief, the recognition, the understanding—and LWJ’s brief and unelaborated-on comment to WWX ‘how fortunate’ speaks volumes. How fortunate you came back/I found you/that’s not us when it could’ve been. That final shot of SL walking away and the brief out-of-focus moment of XXC walking beside him—particularly when it’s echoed with the parallel of WWX and LWJ—chokes me every time.

Wei Ying and Lan Zhan. Soulmates in every sense of the word. Their song. Their bunnies. Their child. The years they were robbed of. The yearning. The pining. The loyalty. The growth. The love the love the love. The loss the loss the loss. Every Lan Zhan. Every Wei Ying. Every glance. Every soft breath. Every gentle touch. The tenderness. The intimacy. The quiet acceptance. Their love story is one of the ages and, on a personal note as a queer person, what a gift it is to see a queer love story like this. (even when censored as a bromance, which like I mean, they tried but the glances alone are +9000 gay pining but whatever and yes I am making a joke because I’m crying don’t look at me)

TL;DR: I am so thankful The Untamed/CQL/MDZS and all of its adaptations (the source material included obvs) exists. I am so thankful to the writers, translators, casts, crews, creators. I am thankful for the community of fans that exist that love it as I do, who share that love and passion—whether through passionate discussion, rich fanfic or mind-blowing fanart. I am thankful I live in a time where content like this exists and can be shared. I learned a whole lot and I’m so grateful there aren’t even words. Love y’all. I’m gonna go be soft now. 💙

[musical-chick-13]

And Theon bc I love him

WHAT A COINCIDENCE I LOVE HIM TOO (this answer is gonna be a combination of books and show)

Send me a character and I’ll tell you the following:

• Did they live up to their potential? / In what ways was their potential unachieved?

-I would say yes. The only negative I have about his general arc is his death (which, see below). But Theon from the very beginning was, though not a particularly nice person, still relatable. Feeling othered, wanting to be accepted by an immediate environment that doesn’t accept you, isolated from and ostracized by your family, and the tension that comes between serving the different types of familial relationships in your life. Theon has no idea who he is, tossed aside by his blood family for not growing up with them and being “soft,” aka sort-of moral and having emotions that aren’t selfish rage or smugness (which, yep, that second part is a mood, see: my entire childhood and how no one wanted to be around an “emotional” “soft” child). And from there, he spirals out of control in a way that, while certainly not admirable by any stretch of the imagination, is still understandable in the context of the narrative and his characterization. And from there, after going through hell and quite literally losing himself (even to the point of straight-up denying rescue), he builds himself back up gradually, to the point where he expressed extreme regret for what he’s done, helps an innocent woman escape a truly horrifying situation, acknowledges that his family is generally garbage, and (in-show b/c again books aren’t finished), helping to restore his sister to power, rescuing her after his PTSD relapses while confronting Euron, and ultimately opting to protect the Starks come hell or high water in order to genuinely atone for what he’s done. He is no longer conflicted because he wants to do the right thing, and that right thing is defending the kingdom from the White Walkers and making sure Sansa and Bran are safe. And it’s no longer about fulfilling a duty or finding a family to fill the void. Because now he has found himself. I will contend that Theon has one of the best, most nuanced, most organic redemption arcs of all time. I will forever be grateful that I got to see that piece of storytelling unfold.

Although, I would love to know what he thought of Dany. A missed opportunity, that.

• How they negatively and positively affected the story.

-Positive: His arc of identity and finding where your loyalties lie ties into the overall theme of “How do you find yourself in a world where goodness, authenticity, and honesty are often punished and increasingly rare?” And it proves that governmental politics aren’t the only defining factors in decisions: familial politics can be just as difficult and dangerous, which adds yet another rich, complicated layer to the overall story. He has a genuine, honest-to-Drowned-God redemption arc, which is...not really present anywhere else in the story (no, Jaime is not on a Redemption Quest, I will die on this hill). But I think the biggest draw of Theon’s presence is that it deconstructs the whole “Character Revenge Fantasy” idea. He does bad things. We want him to be punished. But not like that. No one deserves that. How far is too far? What does retribution really look like? Given how easily that idea can be abused and go off the rails, is retribution even something to strive for? What is the point of using extreme violence/torture/mutilation/breaking someone’s psyche when it doesn’t really accomplish anything? Isn’t atonement and genuine justice a better option? It certainly was for Theon. He could only piece himself back together and do anything meaningful once he was out of his abusive environment. All of these are imporant questions that are posed by his existence in the narrative.

-Negative: Idk if I have much to say here. My biggest problem is his death (see below), but that’s not really a negative story effect so much as...being disappointing and narratively irrelevant. I gotta say, his introduction via his sister was...really weird. I genuinely have no idea why GRRM wrote that. It never came up again or had any kind of narrative ramifications and kind of cast a strange, uncomfortable light on his relationship with Asha/Yara for the remainder of the story. I can ignore and enjoy their later relationship it if I don’t think about it too hard, though, so I guess I’ll chalk it up to GRRM having a Bad Idea.

• What my favorite arc for them is.

-All of it?? Theon’s journey is kind of...one big arc, which is why I think it works so well. He has this overarching redemption plot which spans the entire series and informs every decision he makes (for good or for bad, depending on where in the aforementioned journey he is). The redemption arc isn’t bogged down with side plots or other pieces of narrative clutter, meaning it has time to grow and, thus, be gradual and realistic. If I had to choose a specific point, it’s probably when he tries to reintegrate back into society via supporting Yara. Gaining the Iron Islands’ support for her ruling, spiriting away with Euron’s fleet, and ultimately rescuing his sister after her capture. He can’t just go back into society. He’s scared. He has really bad PTSD. But he recognizes that putting his home in good hands is something bigger than just him because it’s Yara’s home, too. I just...I really love family relationships, y’all.

• What I think of their ending.

-I’m not really sure how I feel about this one. I get that the series is GrimDark™ and that people who make the right choice and fight for good die all the time, but Theon dying just felt...wrong. To me.

And, like...I get it. It makes sense to parallel his original descent into villainy (cemented by executing those two boys and pretending they were Bran and Rickon) with him dying to protect Bran himself. It ties into the whole very common trope of completing a full redemption arc by committing a completely selfless act at great personal cost. It’s kind of like the whole Missy thing in Doctor Who (which...hoo boy, that post is coming, make no mistake), where selfishness is directly opposed by making the ultimate sacrifice with no motivation for personal gain. And the fact that the last words he ever heard were “You’re a good man?” I cannot even begin to describe how much that makes me sob. But...honestly, I’m really tired of this idea that redemption has to end in death in order to be achieved or “complete.” I think it’s much more poignant to have a redeemed character live to help build a better world. Because what’s the point of telling people to be better if the “reward” is death? No one’s going to want to reform themselves if they think that’ll be the result.

I think the thing that Bugs Me™ the most is that Theon never really got to have a moment of peace when he was alive. Sansa gained the North’s love and at least had a secure childhood. Ned and Cat were happily married for years. Arya had parents who loved her and a good relationship with Jon. Jon fell in love with Ygritte and found his Night Watch Bros, and Robb (in show verse) had some very happy moments with Talisa. Davos put great stock in what he considered fulfilling friendships with Stannis and Shireen; Brienne was treated respectfully by Renly, Catelyn, and Sansa; Missandei and Grey Worm had each other and their friendship with Dany, who herself had many personal successes in her quest for the Iron Throne and saw the death of her abusive brother. Cersei even had moments with Jaime (who himself had several notable military victories and at least some time with Myrcella, as well as being gladly and deeply in love, however dysfunctional that love was), times when she successfully fought off enemies (including her dad), and some sweet moments with Tommen, as well as a huge victory via blown-up sept at the end of season 6. Theon was treated as a second-class family member by the Starks his whole life by being “traded” to them as a condition of war resolution AS A BABY, is immediately disparaged and mistreated by his immediate family when he tries to return to them, makes terrible decisions that almost cost him his conscience completely, is brutally tortured by Ramsay, is on the run with his sister from Euron almost immediately after, and has a PTSD attack that ultimatly results in him having to launch a rescue mission. And then he fights ice zombies. And then he dies. He never really...got to be happy at all? There was never any kind of “win” for him. Not even survival. The narrative couldn’t even give him that.

TLDR: Theon’s death seemed less shock-value-y than others (like, for example, Shireen or Missandei or, heck, Melisandre even), and it isn’t the worst thing I’ve ever seen. It’s narratively-informed and it makes sense as an emotional through-line, but, ultimately, Redemption Cemented By Selfless Death is a tired trope, and I honestly thought this story (which...you know...serves as a deconstruction of common fantasy tropes/book tropes in general) was better than that.

• When I wish they had died. / If I think they should’ve died.

-So here’s where we get personal™ kids.

So, it’s no secret that I am...severely mentally ill. I’ve talked about expression/presentation of mental illness in regard to Cersei a lot on this blog, and how that (as paradoxical as it may seem) helped bring a sense of comfort and emotional resonance to me. Theon, post-Ramsay, has, I think, a very clear case of PTSD. Theon is one of the few characters I’ve seen where his mental illness isn’t the cause of the bad, violent, dangerous choices he makes. It only takes root after he has made the decision and conscious effort to better himself, and it, rather than demonizing him, serve to humanize him. His trauma didn’t define him. And although a PTSD attack led to him unintentionally losing Yara to Euron’s capture, he makes every effort to rescue her, a goal he does end up achieving. It is so rare I get to see a character who goes through these things, successfully fight them and come out with positive qualities at the end. Like...switching topics a bit here, Jaime going back to King’s Landing to (try to) escape and ultimately die with Cersei made sense to me because, as Jaime says, he is a hateful man. He never made much of an honest effort to be anything else. And he never truly wanted to be good; he just wanted to be liked. He wanted to adopt some personality that would make him feel less disconnected from the rest of the world. But Theon...genuinely feels remorse for everything he’s done. He makes a concerted effort to do everything in his power to improve the lives of people he believes are good and deserve to be safe. So, just...killing him off in a Completely Selfless Sacrifice (like...you know how a lot of mentally ill people put themselves through suffering-like OCD rituals, bottling feelings, self-harm, even suicide-in a misplaced attempt to “help” or “protect other people”) seemed antithetical to everything we saw of his arc.

Ultimately, with such a humanizing, empathetic portrayal of trauma and mental health struggles, seeing Theon be killed off just...pissed me off. I am so tired of seeing mentally ill characters die. I really want to believe that I can live through and thrive in spite of the things that afflict me, and I get example after example of characters not being allowed to do that. It feels awful, quite frankly. And it makes hope that much harder. 

I also just feel like...there was nothing the story gained from his death? I get the thematic parallels as mentioned earlier, but it didn’t really move the story forward in any significant way. It didn’t motivate other characters to do anything, it had no political ramifications, it didn’t serve to contribute to any kind of happy ending or commentary on society, it just...was sad. Again, I thought this story was better than that.

[linkspooky]

See You Later, Eren

With all the time travel shenanigans lately we still have not got an explanation for the first scene in the manga, despite these chapters having already been connected to the present day (to you, 2000 years from now, from you, 2000 years ago). Due to the structure of the final arc paralelling the first arc, I believe that the meaning of Mikasa’s words will be revealed in either the final chapter, or the penultimate chapters leading up to the final. In other words these are Mikasa’s first words to Eren in the manga, and they will also be her last. Because these are the words she’ll say to him right after she kills him. 

EXPLANATION UNDER THE CUT.

1. Mikasa and Eren

There’s a reason that I believe it will be Mikasa to deal the final blow that stops Eren, that puts him down before he destroys the world and not Armin even though Armin is the “hero” of the story. The reason is Mikasa’s arc has always centered around Eren in a way that Armin’s hasn’t. Armin will always care more about the world then Eren, because he has things he believes in besides fighting the titans and survivings, he has dreams and the ability to see the greater picture. 

Armin’s role also isn’t to grow into someone like Eren or Mikasa who can take the big titan down all by themselves. In fact, him acting like this with Bertolt is something that while it won them the battle almost got himself killed.

It’s actually not that much of a change to his core character for Armin to sacrifice himself and fight head on with his own hands. In fact, he’s even willing to do this around people he considered his past friends. He was the one to expose Annie and suspect her first. The only real significant change is that Armin will have to break his denial over who Eren is, but if the choice was between Eren and the whole world from the start Armin would have always chosen the world over Eren. Armin’s not supposed to grow into a hero in the same sense that Eren and Mikasa want to be, by fighting things head on himself. He’s always been set up to become a demon like Erwin, that is make choices that will get other people killed and have confidence and live with those choices rather than constantly waffling and second guessing his chioces. 

Armin has regressed to his worst traits, that is letting his low self esteem constantly make him question his own decisions. At his worst he’s afraid to choose anything, because he doesn’t even want to decide, because deciding makes him responsible for the people he lost as a result of his decision. Armin killing Eren in a physical fight won’t really fix any of that. What he needs to do is lead, not attempt to do everything himself, or sacrifice himself so he’ll be the only one hurt. He’s the hero of the story, but he also needs to grow into a demon in a sense. 

Whereas, Mikasa’s arc has always centered around Eren for better or worse. Armin would choose the world over Eren, Mikasa would choose Eren over the world. 

To phrase this in terms of “Wants and Needs” which is one of the most basic ways to express the central tenets of a characters arc. Usually a character starts the story wanting something, only to get denied what they want and realize instead what it is they need. Or sometimes a character is given what they want, only to have it cause them to regress because it’s not what they need. 

Eren wants to stop being a person and exist for the idea of freedom. What he needs is to learn to be a person and accept the love of the people around him and see them as their own individual people too. In that sense, Eren is given what he wants after the timeskip, he’s powerful and cunning enough that he finally can win almost every fight he enters, takes other people’s agency rather than having his own taken, and powerful enough to stand up on his own and he becomes the major mover of the world rather than being moved by it, however that also means he severely regresses as a person and loses what he needs, his friends who used to surround him. 

What Mikasa wants is to always be close to Eren and never be separated from him. What she needs is to be her own person. This is set up as early as the Trost arc, and no Mikasa is not being slow in her character development because literally every single character is regressing to the major problem set up in the Trost arc, Eren wants to fight alone, Armin has no confidence in himself, Mikasa has to learn how to live even without Eren. 

Mikasa wants to live for the sake of Eren, to live vicariously through Eren as he was the one who showed her that the world was beautiful but that’s not living. Mikasa’s want has been denied to her again and again throughout the story.

Ironically the reason Mikasa is so capable, the reason she is strong and confident in ways Eren just couldn’t be at the start of the manga was because she never made any decisions for herself, and therefore never struggled with her choices or her decisions. It’s easy to do things if you say you’re doing them for the sake of others and therefore never have to hesitate. Mikasa believes the person who gives her a place to live in the world is Eren, and therefore she cannot survive without him. All of the beauty of the world and all of its ugliness are all tied up in Eren.

Eren and Mikasa’s relationship is beautifully complex. It’s not just onesided on Mikasa’s part, they are both codependent to each other in a way. The current Mikasa and Eren would not exist without one another because they have always relied on each other to survive. The thing is, while Eren always runs off, he’s always subconsciously relied on Mikasa to follow him and cover his back. He rebuffs her and pushes her away, but Eren also knows that she’ll chase him. From eren picking fights with bullies only to have Mikasa cover his back, to Eren ambushing Marley and knowing Mikasa would show up and save him and trusting her to do that when he started losing the battle fighting on his own. 

Eren loves and needs Mikasa to see himself as a person. She has always been the relationship that connects himself to his own humanity. Mikasa not only humanizes him, but she’s also the only one that can make him second guess his actions and what becoming the enemy of the world means he can’t be a human or by Mikasa’s side anymore. Mikasa makes him realize his own desires to be loved and accepted for the weak coward that he is, rather than having to be someone strong who always fights alone. However, at the same time Eren also resents Mikasa for making him feel this way, for making him feel so human. He hates that he always has to rely on someone, that he always has to be around her because it makes him feel inferior. I would say the resentment is mutual too on Mikasa’s part, as much as she loves him there’s a lot of negative emotions built up. She resents him for always running away from her, for not giving her what she wants. 

At the same time Eren is the person who first showed Mikasa there was warmth in the world, and treated her like a human when she was about to be sold by slavers. Mikasa wraps up all her personhood in Eren, but at the same time that makes her see Eren less and less as a person and more as a symbol. Which is why she can’t ever come to term with her feelings, she’s so afraid of losing their current relationship she can’t risk any change at all, even if it would be a positive one with her feelings being returned. It’s almost like Mikasa doesn’t want Eren to love her back in the same sense, because she doesn’t need it in her own mind, not really, she’s always been content loving him at a distance. Loving the idea of Eren has been enough to motivate her up until now.

But if Mikasa does not live on as a person, for her own sake and not Eren’s she can’t love him properly. She can’t really love him as a person separate from her unless she first takes that step back and realizes. Mikasa is so confused about her own feelings because she doesn’t want to think about them, doesn’t want to experience them, she just wants to feel for Eren, not herself. But that stands in the way of what she wants to do which is love Eren and be loved. What she’s wanted ever since the day he wrapped that scarf around her was the genuine human connection that that scarf represents.

It’s something that she realized all the way back in Trost, that she has to find a way to live without Eren. That’s what she needs. However, Mikasa doesn’t want to. Which becomes the source of her regression. 

Which is why the decision to kill Eren is so central to the development that she needs to go through. It’s even been set up by several different foreshadowing. One, Eren calls MIkasa a slave and the only way for slave to be liberated is by killing their masters, the people who seek to control them. Which is what Eren is doing right now, robbing her of her own agency and not letting her make decisions in the name of protecting her.

Eren is the one who called her a slave. Eren is the one who will die, freeing her. The breaking of their relationship is so necessary for Mikasa as a character that she’s already completely reevaluated the way she views things just from being separated from Eren. Mikasa, the one who wanted to believe in Eren the most is the also the first one to realize how misplaced her feelings for Eren were. 

This is exactly where her arc is taking her, realizing Eren is not the person he thought she was. Mikasa is coming the closest to realizing that Eren’s true form and that she has been seeing a different side of him all along. 

Which is why Mikasa has been reevaluating and remembering the first scene where they met. Their relationship is written so the begnnings and ends parallel one another. 

Eren showed her two things, the first being his violent murder of the two men attempting to enslave her, and the second being the beautiful connection. The world is ugly, and yet beautiful. This time Mikasa is having her agency stolen again, but not by slavers, but rather by the boy who once rescued her. This time Eren has taken the place of the slavers, trying to steal away from freedom of others for his own goals.

Therefore, to free herself Mikasa needs to do what Eren encouraged her to do in the scene. To take the knife, and fight back, fight for her own freedom by killing the enemy in front of her. Even if this time the enemy is the person she loves. No, because she loves him she must be his enemy. The scene is a reversal of their first meeting, instead of being the helpless girl Mikasa must take knife in hand and show Eren the cruelty of the world and also it’s beauty. 

2. An Ugly, yet Beautiful Relationship

The story has always framed Mikasa’s love for Eren as a complex thing. Despite it being the source of her strength, it is also, something that denies her from accomplishing what she needs to. Mikasa always fails in critical moments with consequences because of how she rushes after Eren. She cannot stop Annie from kidnapping him and it results in Levi getting hurt, she fails to stop Reiner and Bertolt from taking him. Mikasa’s desire to put Eren before everything else in the world is something the story consistently denies her and that leads to her failure. Her codependency with Eren, has never been a good thing and always is framed as a flaw. As beautiful as the connection between them is, it’s also ugly. It’s a metaphor for the pain, but also the comfort of all human connection itself. Mikasa’s desire is to connect, Armin’s is the world, Eren’s is freedom from everything. 

The same way what Eren wants is naive, a freedom that means he’s allowed to do absolutely everything and he’s so strong he has total control over everything and therefore never has to lose another person again, Mikasa is just as naive. What she wants is a connection that will never hurt her, and never fray or break. The reason the red scarf represents the red string is because it’s just as naive, it’s a fantasy about being destined to be with another person and always be by their side, and always following them no matter where they go or how you are separated. Mikasa’s desire is to be always tied to another person, but that comes at the cost of being her own person. 

That’s why the idea that her love for Eren is not her own, but rather a product of being an Acerkman shakes her so much. Because Mikasa deep down knows she needs to love Eren as a person, and also needs her feelings to be her real, and owned by her alone. Even when she was on the brink of death she realized that if she died, the memory of Eren would not be able to live on with her. 

Which is why Mikasa parallels Levi so heavily, because Levi also had to make this choice as well. He had to be confronted with who Erwin was as a person, the good and the bad and choose to let him die instead of continuing to be by his side. 

The only way Levi could ever understand Erwin such an important person to him was not by forever being by his side, but instead telling him to die and continue to live on in Levi’s memory. 

Levi lost the person most important to him, but he also gained understanding for who that person truly was. He was finally able to reconcile his feelings for him. Levi finally saw Erwin as a person, and not just a demon he had to rely on. He also realized that everyone was actively making him into a demon and denying him as a person, and Erwin himself was responding by diminishing his own personhood. 

Erwin is given solace and allowed to die as his own person, rather than having to continue to be the devil. Which also, parallels Eren’s own situation greatly because Eren WANTS to become the devil because at this point he believes it’s the only way for him to protect his friends. He no longer allows himself to be his own person the same way Erwin did, and no longer lets himself be loved as a person. 

The reason the only deaths in the series that are shown to be freeing are Erwin and Kenny’s is because they literally spent their entire lives NOT BEING PEOPLE, the same way that Eren is trying so hard to deny himself as a person right now. The only choice they get really is the choice of death, because they made all their other choices for the sake of other people. 

Which is where we return to Eren once more. Eren denies himself as a person and wants to become a devil, a special existence that can hold the fate of the world in his hands, but at the same time he needs, craves, to be loved as a person. To be accepted for the weak person he is rather than the strong person he pretends to be. Which is why Mikasa sees this moment as so cirtical. 

It’s entirely possible that Eren had made up his own mind at this point, that he was already going to commit to the plan, but the reason Mikasa believes this to be the critical juncture where the path split off is because what Eren is asking here. He’s asking her specifically, do you love me as a person? or do you love me out of obligation? The one person who loves him as a person, Eren is having doubts and is trying to reconfirm his humanity in the face of everything he is about to throw away to become a devil.

The same way Mikasa bases her entire personhood around Eren, Eren’s humanity and his connection to the beauty of the world has always been in Mikasa’s hands. She has always represented the connections he needs, but the one he denies himself.

Which is why Mikasa sees this as the critical point, regardless of whether or not what she had said would have made a different. Because Mikasa realizes now, all along she wasn’t seeing Eren as a person. Wasn’t loving him as a person. Which prevented her from truly loving him or acting on his feelings. 

The only way Mikasa can love Eren as a person is to be his enemy, to confront him for what he is now, and what she realizes he’s been all along. She has to confront the ugliest side of Eren, instead of only looking at the beauty of their bond. 

Both Eren and Mikasa are blind now. Eren has forgotten about the beauty of the world that Mikasa represents, and Mikasa has forgotten until just now about the ugly and violence of the world that Eren represents by only focusing on the beauty, which is why they need a confrontation with each other to be able to see both. 

Mikasa needs to remember Eren violently murdering those slavers like they were not even human beings and the fact he went out of his way to kill people. Eren needs to rembmer the action of himself wrapping the scarf around Mikasa and how that connection did more to save her than his violence for her sake ever did. 

3. See You Later Eren

This is going to be a short conclusion to my post, and also offer a prediction. Why do I think “See you later” is going to be said after Mikasa kills Eren. For two reasons, one Mikasa has been the one to deal the final blow on two of Eren’s biggest foils, Annie and Reiner, and this is also exactly how she says goodbye to them before killing them.

Mikasa fights two Eren foils. Armin takes down Bertolt. Armin’s enemy is himself. Mikasa’s enemy has always been Eren, which is why choosing to oppose him, and therefore choosing her own personhood is so central to her arc. 

As established by Eren, the Ackerman’s are connected to and can open the paths in the same way that the royal family, and those connected to the control coordinate are. Which is why I believe, in conjunction with Mikasa’s literally directly stating that she could have chosen to take a different path that after killing Eren, the two of them will be dragged into the paths the same way Zeke was with Eren after Eren lost his head.

That by killing him first Mikasa will show Eren the ugliness of the world, it’s violence, but at the same time she will be the one to comfort him and give himself peace and reassurance that while he was alive he was loved as a human. Which is what she needs to do to become her own person, because all along she has asserted that her strength is not hers alone, but Eren, her decisions are not hers alone but done for the sake of Eren.

Mikasa has to tell Eren once again that there is a kind boy still inside of him, he’s still the one who promised to wrap the scarf around her, and helped her out when she was cold. But the only way for her to do that is by finally confronting his ugliness and letting go of him. 

Mikasa will kill Eren, but then in the paths remind him of the beauty of the world he tried so hard to destroy. Allowing Eren to die as himself, as a person who was loved instead of the enemy of the world. Allowing Mikasa to finally love Eren as a person like she’s always wanted to rather than loving the idea of him. Eren will die but Mikasa will finally be able to live on as her own person. 

Which is what Eren should truly desire ultimately. The freedom of the ones he loves. Their happiness. Even if he can’t be around in their lives. Mikasa’s last words for him are “See you Later” not “Goodbye” because even if Eren is no longer in her life, she’ll be able to see him again, her love for him, her memories for him will not disappear but rather continue on in the world even after his death. 

[ultfreakme]

Some To Veer the Tides notes

Yes I know no one cares about this kinda shit but I worked hard on creating this fic and need to get this out of my system because it’s literally only in my brain and echoing in there and disrupting my life. This is just word vomit. If, for some reason, you actually got through all the currently 50k + words of my akafuri fic and want some more, here’s some notes-

Overarching themes:

1.       Sun and Moon

When it comes to AkaFuri, I use a lot of comparisons to sun, the sunlight, and metaphors regarding the sun. It plays a huge role, at least in my fics, in defining their relationship. Akashi seems to be influenced by the sun a lot. In his manga introduction, he was standing right in front of it, the light hiding his face(as far as I remember), and it stayed in my mind. He’s unreachable, and even if you manage to get close you get burnt. It can be cruel and kind, and it colours the sky in so many different colours and the one I most often remember when thinking of Akashi is the setting sun when the sky is red but the sun is this blazing ball of orange. (something like this)

Furihata’s always been filtered sun rays, the ones that peek through clouds, coming down like rain through leaves of trees. He’s Komorebi. His aesthetic and presence are meant to be gentle in the manga and he looks it. He looks sorta wispy and soft, the most beautiful and gentle form of sunlight to me. But it’s not something too many people think about because you get caught up in the grand colours of the sun.

(the pictures are here to make this less tedious. Also, nature’s cool.)

But they’re the one and the same. In the end they’re of the sun, from the sun.

In To Veer the Tides, a lot of the hard-hitting and emotional scenes happen based on the sun.

-          Their first conversation was in the dead of the night which is neither of their domain. They haven’t met eye to eye it’s a dodgy interaction where both of them are hesitant. Their first kiss was in the night too. A kiss may seem like progress but it was the worst possible decision to have been made then.

-          The time at the field was in full sunlight and it was the first time they met eye to eye.

-          One thing I was giddy writing, was Furihata’s birthday. It starts at night, they aren’t meeting eye to eye, Furihata’s not having a good time and everything sucks. But as the night goes on and it gets close to sunlight, they slowly start to understand something with each other. Furihata was so averse to Akashi until the gift moment and suddenly he’s like. “Okay fuck what is happening I was planning on avoiding you forever.”

Was it annoying trying to line up events to time of days? Yes. Did I do it? Abso-fucking-lutely because I’m horny for symbolism in stories.

Now the MOON. In this fic, Nijimura is the moon. Sun and Moon parallels are the bread and butter of romantic analogies and the “we’re totally bros” (a no-homo cannot fix this) build-up in queerbaiting anime targeted at boys which are enjoyed better by people who aren’t cishet men.

Akashi and Nijimura are like that. One can’t live without the other, they depend on each other. They are seemingly different but of equal importance. I straight up said it in chapter one. In this fic, NijiAka are the soulmates. But the fic is called ‘To Veer the Tides” right? It’s about defying fate and what’s supposedly set in stone. It’s about Akashi learning that just because you are always winning doesn’t mean you can’t lose, and that just because you hit rock bottom doesn’t mean you can’t get back up.

Also, I do love the idea of two people being made for each other, fitting perfectly, but I love the idea of two people loving each other enough to say “fuck it!” to fate just to be together more.

Had the siege at Rakuzan not happened, NijiAka would’ve been satisfied and happy together, it would’ve been perfect. For Akashi and Furihata to be anything real, I feel like something radical would have to happen because, as we all know, it’s a crack pair.

(Even MayuAka falls into the Sun & Moon, Light & Shadow analogy. No hate to both ships, y’all actually have canon backing ;_; which is always fun.)

We as shippers and artists are what made it something legit. You could hypothetically ship Kawahara and Kagami but literally no one does and just the idea of it sounds a little ridiculous right? Well AkaFuri is like that for people who don’t get it. But then we made it into something plausible (and the cute art and fics dragged me in, man akafuri creators are convincing).

ANYWAYS- something stupid and impossible needs to happen for AkaFuri to have a chance- and where did our beloved ship originate? When the blessed Chihuahua-Lion thing happened and Akashi, THE AKASHI SEIJUUROU, miscalculated. Something that shouldn’t be happening, happened. And Akashi fell so hard. It was a ripple effect from Furihata standing up against Akashi, the making that basket, Seirin getting pumped up again, etc(I’m not saying “uwaaaah Furihata caused that” cuz he didn’t, Kuroko’s responsible for pushing Akashi to change but shipper brainrot dictates that I mention it).

So something like that needed to happen. Thus, Akashi fell.

2.       Flowers

I started it for the aesthetics. Pretty boys in flowy clothes surrounded by flower symbolism. That’s how it began and then I accidentally put plot in it. It’s not as heavy as the Sun and Moon comparisons, but they do have a level of significance. Chrysanthemums are symbols of royalty and prestige in Japan, so obviously the Akashis get that. Camellias are for faithfulness. Zinnias, are for loyalty and perseverance. The flowers define the House, the state they’re in and the clans.

The biggest moment was with the Kiku and Niko story in chapter 12.

3.       The concept of  being truthful

The story, to one extent, is about how hypocritical and broken some of the land’s ideologies. If you look at it past the romance, it’s about how literally no one is sticking to the virtues of the land, or the basic decencies of being a human being. In canon, Akashi’s the ‘villain’.

I disagree.

The true villain of KNB are the adults. Teikou pushed middle school children into hierarchies in a basketball club just to keep up the prestige of their name. The coaches never approached the kids when they were emotionally broken and needed someone to ground them. Akashi’s dad pushed him so far that he developed a mental disorder.

We never see the actual villains and they’re never defeated. This is because in reality, the children are powerless. KNB lasts just one school year. What about when they get out? What happens when they face the real villains?

That’s what happens in this fic. They’re all more aged up, but Akashi suffered his worst defeat as a child in the conflict of adults. Now that he’s grown up, he stands a chance. The entire fic is, to an extent, the cruelty of the adults and the powerful.

People go on and on about honesty, truthfulness and being honourable but no one is, and no one should try to be so rigidly perfect. These phrases or virtues according to which people are supposed to live are taken to be used whenever it’s convenient for them.

Seirin is the biggest example of this because that’s where a lot of the story takes place. “Honesty Above”, but they’re always gossiping and rumours keep spreading like wildfire there. False and romanticized rumours. It’s what Akashi depends on to brush up on his reputation and it works.

Akashi didn’t really do much good in the grand scheme of things but his closeness to Furihata, Kawahara and Fukuda along with ratting out on Yuito and Toshi was enough to sort of sway their opinions on him. People used to be terrified of him in the main house but after a while he gets respect (though imposing and kinda scary).

Yes I’m trying to be a pretentious fuck but I’m no….idk insert awesome writer who actually can handle these kinda things. Writing like this is difficult ngl and I accidentally create analogies I don’t intend because of the already existing stuff.

Eg: To Veer the Tides- Nijimura’s the moon. What can ACTUALLY veer the tides and is associated with it? The moon. But Nijimura doesn’t have that big of a part in the story.

 Anyways, here’s my word vomit. You can use these analogies for your fics to and jump off these ideas cause’ I need more fics dang it ;_;

[kalyan-gullapalli]

Post 151

The "Penthouse" wager :-)

Who doesn't know Stephen Hawking, the most eminent scientist to have walked this planet, after Einstein, the 25th greatest Briton of all time, as per a BBC poll, the author of A brief history of time - a book on science that became a cult of its own and sold more than 10 million copies, and finally a man who at the age of 20 was told by his doctors that he had a degenerative motor neurone disorder (he would sequentially lose his ability to walk, stand or speak) and had only two more years to live, but lived on till he was 76.

Meet Kip Thorne, an American theoretical physicist, a professor of the California Institute of Technology (Caltech), a Nobel prize winner in 2017 and a long time friend and colleague of Stephen Hawking.

In 1974, Stephen Hawking made a bet with Kip Thorne. The wager was - If Hawking won, Kip Thorne would buy him a four-year subscription of the gossip magazine - Private Eye. But if Kip Thorne won, then Stephen Hawking would buy him a one-year subscription of the soft porn magazine - Penthouse.

I mean, for Christ's sake, men will be men! Even theoretical physicists, even Nobel laureates!

And what was the bet about? It was about Black Holes - the cutting edge concept of science at that time. ROFL!

Therein lies a tale.

The tale begins in 1964 with the discovery of Cygnus X1, a strong (very strong) source of X-rays from a cluster of stars (constellation) called Cygus. This source has since then been identified as a Black Hole and has become one of the most studied astronomical objects. Naturally, both Stephen Hawking and Kip Thorne were interested.

Before we go ahead, lets briefly understand what a Black Hole is.

A star is a gigantic ball of hot gasses, predominantly hydrogen. The hydrogen molecules in a star keep colliding with each other, pulled by their own gravity. Such collisions generate intense heat and pressure. Under these conditions, hydrogen molecules fuse and get chemically converted to helium molecules. This is called a nuclear fusion reaction and releases tons of heat and light. That's why a star glows. The best example is our very own Sun.

This continuous thermonuclear reaction inside a star means that its fuel - hydrogen - is exhausted over time. So eventually (after billions of years), a star dies, just like people do. Our Sun will die too - in a hundred billions years.

Before a star dies, it expands because of all the explosions happening within itself, but after a point, contracts, because the reactions get weaker (fuel is getting exhausted) and inter-molecular gravity becomes stronger.

Not all stars die alike. Relatively smaller stars first expand into Red Giants, then contract into White Dwarfs. However, stars larger than a threshold limit, called Chandrashekhar limit, expand into Red Supergiants, but contract to become Black Holes. This threshold size was determined by an Indian-American, Nobel prize winning scientist called Subhramanyam Chandrashekar.

A Black Hole is nothing but a super dense, super small (almost a dot in space), super hot, super old, star, where gravity is so high that even light cannot escape it. So it is practically invisible. More importantly, all laws of physics, Newtonian or Einsteinian, fail at a Black hole. So, a Black hole became the ultimate enigma of theoretical physicists.

Coming back to Cygnus X1, the X ray radiation seemed to be coming from the vicinity of a identifyable star, named HDE 226868. But apparently, HDE 226868 was a supergiant star, incapable of emitting such high quanities of X rays. So, it was surmised that this star must have an invisible companion that could heat gasses to the millions of degrees needed to produce the radiation source for Cygnus X1. This surmise was very likely, but not conclusive.

In this backdrop, Stephen Hawking met his buddy Kip Thorne, probably over a beer. They discussed Cygnus X1 and decided to have a bet. The bet was recorded in a handwritten note scrawled on a piece of card. It read:

Whereas Stephen Hawking has a large investment in general relativity and black holes and desires an insurance policy, and whereas Kip Thorne likes to live dangerously without an insurance policy, therefore be it resolved that Stephen Hawking bets 1 year's subscription to 'Penthouse' as against Kip Thorne's wager of a 4-year subscription to 'Private Eye,' that Cygnus X-1 does not contain a black hole of mass above the Chandrasekhar limit.

How cool was that!

Interestingly, Stephen Hawking was a pioneering brain in the study of Black Holes. But he bet against the source of Cygnus X1 being a Black Hole. The insurance logic was crazy!

Did you also wonder about the difference in the subscription periods of the two magazines? No, Penthouse is not four times as expensive as The Private Eye. Infact, in their estimate, the chances of the source of Cygnus X1 being a Black Hole was higher (probably four times higher). So the differential subscription periods! Whatever! These two buddies sure must have a great time that evening.

A couple of decades later, by the early 1990s, it was becoming very clear that Cygnus X1 was infact a Black Hole. Stephen Hawking gave Kip Thorne a one-year subscription to the Penthouse, "much to the disgust of Kip's wife", says a naughty Hawking later.

Actually, man has been wondering about the sky, stars and the universe, ever since he learned to think. Many thousand years ago, in this part of the world, some scientists, who were called Rishis, also asked similar and more questions. Their methodology, though, was different. They retreated to the forest or to a cave, closed their eyes, and found all answers within, not without! They didn't have billion dollar budgets, nor hi-fi instruments. They just put in time. And they knew the techniques to touch those dimensions of intelligence within themselves which could download all the secrets of the cosmos. They knew that the human body is a microcosm of the entire universe!

Yatha pinde, Tatha Brahmande!

A lot of their answers are lost today. The remaining ones are encoded as unintelligible mythology. Take just a couple of examples.

It is said that just before it dies, as well as, just as soon as it takes birth, a star takes the form of an ellipsoid. An ellipsoid is a three dimensional ellipse. This ellipsoidal form is also the form of a Linga.

In many books I have read but not understood well, a Shiva Linga is considered to be the equivalent of the concept of Black Hole. Shiva literally means "that which is not physical". A Linga is the first physical manifestation of the universe post-creation, as well as the last physical form just before dissolution. Accessing the energies of the Linga supposedly give the Sadhaka (the practitioner) access to the non-physical dimensions of the universe. See the uncanny similarity with modern concepts of warpholes and multiverses (parallel universes).

Another example - One of Shiva's forms is Rudra - One who roars. This concept has a parallel in the Big Bang theory of creation of the universe. The Bang is supposed to be a roar. I have read or heard somewhere that Rudra has roared 84 times so far. Meaning, the ancient Rishis had deciphered 84 creation-dissolution cycles of the universe. Modern science is struggling to grapple with one.

I am convinced these Rishis knew more than we know today. And they have left clues. And like with the Grail quest in Da Vinci Code, only the worthy can find them!

[xianglingslesbian]

oh I'll give u a character alright: Izuki, Kiyoshi, Riko and Aomine <333 technically that's four, but what goes around comes around (I'll keep this circle of love goin forever buddy)

VICCCC ily my man <33 thank u!!! aight putting this under a cut bc it got long

Izuki

Why I like them: izuki’s just overall so amazing! he inspires me to give my best in the stuff i do, and although it sounds a bit silly i try to be a person that he’d be proud of. his puns are hilarious and well-thought-out (as a person who loves words and word jokes, i’m naturally drawn to him lol). they’re also a way to take the heat off the team, he’s so hardworking and never views obstacles as obstacles, rather as hills he must climb to find newer skies. he’s also rather clever and employs his brains to great effect when his body fails him! izuki embodies the meaning of ‘eagle’ in the truest sense - waiting to strike when the time is right and not failing when it is.

Why I don’t: *sweats* can’t really think of a reason i don’t like izuki, at all??? i guess he can overwork himself a lot and tends to keep his true emotions hidden which could lead to misunderstandings between friends (although this is totally headcanon territory lol)... i also didn’t like the ableist comment he passed on hayama (“i’m just glad you weren’t smarter than me”). but i think he can (and will!) grow from that kind of stuff, he is that kind of person so yeah no particular reason for me to dislike him at all

Favorite episode (scene if movie): how dare you make me pick s3 e8 izuki vs kasamatsu, hands down. i know its like cliche or whatever but that moment just told me so much about izuki as a character? he’s willing to do what it takes to win, he’s adaptable and dependable and he doesn’t let shit get him down ever. it’s gorgeous

Favorite season/movie: s3, he got some fantastic moments in there!! although i will say i loved the spotlighting he got in s1 in the seihō match

Favorite line: “Fear isn't a bad thing. There are some things that can only be done by cowards.” this is first of all such a nice thing to say. ‘fear is not bad’ is just... so fucking wise? keep in mind that this boy is 17, i’ve met 30 year olds who are less mature. secondly it feels like izu’s speaking from experience?? like he has a lot to be scared of, i’m sure. particularly of falling behind and being a burden to his teammates. but it’s that ‘cowardice’ that drives him to practice so so hard. that visceral terror of weighing on seirin is what pushes izuki beyond his limits - which is why here he can empathise with furi’s fear, and knows how best to employ it.

Favorite outfit: look i hate last game w/ a passion but that lil tie/shirt/hoodie thing he had going? that was literally so cute. izuki in general has a p great fashion sense but his last game outfit takes the cake <3

OTP: hyuuizu oh my god i could talk for years about them but since this post is gonna be very long i’ll refrain. just. they are perfect they are fucking perfect

Brotp: kiyoizu!! kiyoshi is izuki’s biggest enabler and i love that for him <3

Head Canon: izuki can be very very passive aggressive when he’s angry at someone/sad and gets cold and withdrawn. it’s not fun to experience but tbh if you upset him you probably deserve it

Unpopular opinion: izuki should’ve been naturally better in canon. it’s not fair to shaft him and give the ‘trier’ thing off to himuro. that being said i am p happy with who he is as a person

A wish: i want to know how izuki felt after middle school! izuki’s and riko’s backstory focuses so much on hyuuga its dumb >:( he also would’ve been demoralised but he didn’t quit bball and i would like to know his thought process!

An oh-god-please-dont-ever-happen: i. uh. i guess izu quitting basketball. because i genuinely cannot see that happening. it brings him so much joy, he should never stop cold turkey. i can imagine old man izuki hobbling about a court giving little kids pointers and making them laugh T-T

5 words to best describe them: “big brain caffeine-powered clown baby” 

My nickname for them: babyzuki/izu/shunshun

Kiyoshi

Why I like them: lots of reasons! kiyoshi is an admirable person. he’s strong, yet friendly and gentle, and he loves his team above all else, which i just find beautiful. i find his manipulative side also pretty cool, bc it shows off how multifaceted he is.

Why I don’t: this is more of a fandom reason but i really dislike how kiyoshi is always said to have had the greatest impact in hyuuga’s story. he badgered and manipulated hyuuga, and while some may argue hyuuga needed that push, it only worked bc hyuuga had had time to think about shit. he’d also been given space by riko and izuki (two integral parts of his life whom the fandom looooves to sideline for uwu kiyo//hyuu). 

Favorite episode (scene if movie): yousen match (can’t pick the episodes)! i loved the backstory we got for kiyo vs mura and i loved how kiyoshi was willing to smile and play but also refused to lose. he truly stole the show despite kagami being the one to finally take down murasakibara, it was gorgeous <3

Favorite season/movie: s2 for sure. kiyoshi wasn’t allowed to shine much after yousen imo - all the focus was on hyuuga kagami and kuroko, and to a lesser extent izuki. not complaining, but yeah

Favorite line: “Let’s go have some fun.” i know it’s kinda cliche but i do love how kiyoshi’s always thinking about playing a good game and enjoying basketball. he wants to play because he loves it and as someone who loves a sport as much as kiyoshi loves b-ball, that love is so poignant and tender

Favorite outfit: practice clothes! kiyoshi looks great in pink <3

OTP: kiyohana. hateshipping amirite ;)

Brotp: kiyohyuu! i love them as friends so so much <3

Head Canon: kiyoshi is half-iranian on his mother’s side and is muslim. i won’t say too much because i am not muslim myself, i need to do more research into this but i’ve had this headcanon for quite a while now!

Unpopular opinion: he should be bullied more for the fact that his canon power is having yaoi hands

A wish: kiyo finds something he loves as much as b-ball. he can’t canonically play at this level again, so if he found another sport/competition/anything, it’d be amazing

An oh-god-please-dont-ever-happen: he should never become demoralised. kiyoshi at heart is a dreamer, so let him dream, let him look towards tomorrow with a smile always

5 words to best describe them: “useless dreamy dumbass cheerleader clown”

My nickname for them: kiyoyo, bc my feelings about him have yo-yoed a lot lmao

Riko

Why I like them: im a lesbian, next. /j i love her because she’s so tenacious and driven. yet she’s also kind and gentle, and never loses her humanity. she cares, and she cares hard. she’s so fucking smart too like... coaching a hs basketball team at 17 against players of NBA calibre and making them win? i could never. seirin without riko is nothing.

Why I don’t: i dont like the constant slapstick of her beating up her boys. also, i dislike how the narrative forces her to act ‘feminine’ and then has the boys think of it as nothing. like first of all if someone like her offered me a kiss i would so take 100, and secondly... why is a girl’s worth so tied to her femininity? it’s awful

Favorite episode (scene if movie): her sending in furi vs kaijō, early in s3. it was an exceedingly smart move that could have only come from her knowing her players’ strengths and weaknesses intimately, and being a brilliant coach. just amazing <3

Favorite season/movie: all of them! riko has some amazing moments each season, so i can’t really pick

Favorite line: “Humans grow. Don't act like you understand when you don't even realize that!” here, riko knows and knows well that she is in her element. momoi might have the data, but riko understands adaptability and knows how to predict stuff. in that way, one can draw parallels between takao vs izuki and momoi vs riko: takao and momoi are recon experts, whereas riko and izuki are strategists. momoi uses raw data; riko manipulates the data to her advantage

Favorite outfit: idk if this is exactly an outfit but her glasses are so cute oh my gosh. (i’d kill to see her in a leather jacket tho)

OTP: rikomomo!!! i’m 100% sure that momoi’s fixation w/riko’s boobs is just... repressed lesbian sentiments. also sports girlfriends gimme

Brotp: hyuuizuriko. i hc that hyuuizu were tgt since elementary school and riko joined them in middle school so... childhood friends feels!

Head Canon: riko knows how to shoot a gun. her father owns one so it makes sense

Unpopular opinion: riko does not need to have bigger boobs in fanart. please stop sexualising a 17 year old girl

A wish: white suit riko please

An oh-god-please-dont-ever-happen: her ever leaving behind sports in any way shape or form. it’s her thing. in the same vein, she should never have to change herself or become more traditionally feminine to be ‘appealing’

5 words to best describe them: perfect perfect perfect perfect perfect

My nickname for them: ai/riri

Aomine

Why I like them: aomine is just a pure, hurting young man that deserves help. he’s passionate, and his fire died down out of no fault of his own. that fire’s reignition through kagami is one of my favorite scenes <3

Why I don’t: he’s perverted as hell and i dislike that. it plays into the ‘brutish dark-skinned pervert’ stereotype which is yikes. also i thought we were done with pervs in anime

Favorite episode (scene if movie): s2 seirin v touou when kagami enters the zone!! aomine’s finally happy and it’s so amazing to watch <3

Favorite season/movie: s2, he finally got happiness and peace of mind

Favorite line: “You’re the best!” there’s just so much of pure joy in this line. he’s so so beside himself that he finally has someone he won’t destroy. kagami sees aomine the person, and that person is so happy, it’s beautiful

Favorite outfit: the leather jacket from the finale lmaooo he looked so cute

OTP: AOKAGA BABY i could write an essay tbh

Brotp: aomomo!! theyre such good friends and bi/lesbian solidarity too!

Head Canon: aomine cannot dance. he has stepped on kagami’s feet multiple times. he has also attempted to twerk when drunk. kuroko recorded the whole thing and uses it as blackmail in case the puppy eyes and “but aomine-kun you didn’t fist bump me back” don’t work

Unpopular opinion: more a fandom thing, but you all need to stop making aomine the aggressive/possessive top/‘seme’. it’s racist as fuck

A wish: aomine goes pro. it’ll be amazing for him, a huge challenge and kagami will be there too so its a win-win ;)

An oh-god-please-dont-ever-happen: he quits again/b-ball loses its allure. aomine at heart is someone who needs passion to drive him so i just want that passion to always burn bright within him

5 words to best describe them: “bastard baby needs a hug”

My nickname for them: dai-chan, momoi rubbed off on me

[like-twilight]

The Last of Us 2 thoughts eyyy longgg and spoilers

This is my opinion before hearing anybody else’s opinion about it.

I only want to discuss the story as it is the only thing I can really speak of since I didn’t play it for myself. All I can say is I wish I could’ve and I’ll always regret not being able to because I really wish that could’ve been my experience as it was with the first game that I could play myself. It’s also probably noteworthy that the first game was the first video game I’ve played in my life so I’m probably biased.

So I’ll go all over the place because why not.

The false advertisement is extremely scummy and I don’t really know what to do with it, I blame it all on the No Spoilers Culture we currently have going. I don’t think anybody would’ve watched any of the promotional stuff a better marketing team could’ve put together and said “ah you can’t see old Joel in action, I bet he dies early in the game, I won’t fucking play this”. There was plenty of buzz around the game and there was no reason whatsoever to falsely market it. That part’s bullshit and I condemn the company for this.

From the story side though, Joel dying was honestly not that huge of a surprise or shock to me. TLOU is a game that has you watch a kid die in the first section of it then does more than enough to establish itself as a game without taboos. Now whether that’s something you like or not is not important, what cannot be said about the game is that it didn’t establish itself as a game that would do this.

I also think arguments like “Joel wouldn’t go out like a bitch” are silly. The beginning told me Joel, the badass and smart survivor he is, was very quick to adjust back to a small town life with a now pretty much surrogate daughter. I’m not saying that excuses the unceremonious death but to me Joel is not a gun-blazing badass hero, not even an anti-hero. He’s just a dude. He got overpowered and then he died.

See this is where the game could never win. If you leave Joel alive and he’s in the story then it’s just a repetition of the first game. If you leave him alive but he’s not in the game much then you underutilise him and people miss him. Also if you leave him alive then people will just say you’re a little bitch because it’s fanservice that Joel is technically invincible because he’s the face of the game. But if he dies, people riot. The creators couldn’t win either way and so I’m glad they made up their mind and stuck to it. It’s also very useful to get people talking.

Before I tie that into the rest of the story, I also have to mention that one of the few things I heard about the game was the expression “torture porn” and maybe I’m just desansitised but I didn’t feel like it was that overwhelming or unjustified. I didn’t watch too much of the promotional material but I saw what I think was the gameplay reveal where the devs said in this game enemies would call each other by name when you kill someone or they find someone dead. And I think that’s a neat detail but I think it also has a lot to do with what the game is... about.

That the hundreds of faceless people you slaughter during the game all have a video game or more worth of story behind them. They are people with their own twenty plus years of survival in a world gone to hell whose story ends the way Joel’s did. By meeting a person who just... wins the fight over them.

So that the deaths are really personal and intimate in that way feels justified. You also have this crazy technology that allows them to animate people very realistically. This is the last big game for the PS4 and they really just brought the technology to its limits, I feel. For them to then say “oh a sledgehammer to the face doesn’t look that bad” or “we just won’t add more types of weapons and have one type of death animation just cause we don’t want to overdo it” is just. It’s not gonna happen.

I never felt like those were glorified, I think they all added to that feeling that bubbled to the surface towards the end of Ellie’s first stretch of the story where I just couldn’t stop shaking my head, going Ellie... Ellie, what are you doing, look at yourself... look at what you’re doing. So to me that wasn’t really an issue.

I can imagine some people, maybe even most people would play the first stretch of the game in revenge mode. You know, let’s get this bitch. But in the same time, I also couldn’t really deny that Abby was like... kinda right to want revenge. I’m not saying I’m glad she killed Joel I’m just saying she had a reason to. (On that sidenote, Abby being that surgeon’s daughter did nothing to enhance this feeling. I could’ve imagined Abby in a settlement much like Jacksonville where they’re all hopeful because they found a surgeon who’s leading research about the cordyceps, maybe he’s a super good leader, inspires the Fireflies to keep up their spirits, all that. Maybe Abby’s group could’ve been his super close-knit group of soldiers taking care of him and running errands for him, even then the rage would’ve been justified.

I get they wanted to draw the parallel between Joel-Ellie, surgeon-Abby, dad-daughter relationships but that added nothing to the story for me. It didn’t take anything away either, I just kinda rolled my eyes like okay, whatever.)

So when Ellie was on her revenge quest, I liked that she and Dina were in Tommy’s footsteps, I thought that was a nice touch and kinda foreshadowed another section of the story where we would meet up with Tommy eventually. 

Now, Dina and Jesse, I found nothing wrong with Dina or her being pregnant (except that it reminded me of Aniara and I hate that movie with my whole being). I thought it was a good enough source of conflict and I really liked Jesse being around. When he shows up and they’re just saying they’ll get Tommy and then get the fuck outta there you can already tell Ellie is obsessed but you’re still holding out hope that Dina will be enough to get her mind off of it but she’s just too far gone.

So the shift to Abby and the scars.

Jacksepticeye said it while he was playing that Abby’s part should’ve been like a DLC or something but I honestly don’t agree. I mean I don’t disagree but I think it worked the way it was. I definitely think most problems people have with this switch that doesn’t stem from the fact that people disliked Abby or that they can’t admit to themselves that they were caught off guard by the changed narrative style, could’ve been solved with different pacing. Now I don’t know if they would’ve had to constantly switch between Ellie and Abby for it to work or figure some other way out because I’m no expert but still. 

I liked the beginning when it switched to Abby, the whole atmosphere was so eerie like you could tell they were on a collision course and it was going to get ugly. Maybe something like that could’ve worked but it could’ve just been either too suspenseful and tense the whole way through that it draws the attention from the gameplay or it would’ve been even more on the nose than it already was with the parallels between Abby’s group and Ellie’s group.

Now I honestly really liked that Abby’s story was so different because when she returns to the stadium, the part of her story that involved Joel is over. She got her revenge then she goes on with her life. She had a life before Joel entered it, she has one after she killed him. And it just so happens to be a good opportunity for the game to showcase some of the shit that goes on outside of what we’ve known so far and what Ellie knows.

I didn’t mind the religious aspect, I think it makes sense, like enough time passed since the apocalypse that the then grown up generation is distant enough from their old lives, and the generations after them are growing up in the ruins of the old society, that a messiah figure like that lady could emerge. That it just had to be transphobic and shit sucks of course and I do understand the frustration with it. I can imagine better writers coming up with a way to make the Scars despicable without them having our current society’s problems. They could still have the trans and the Asian characters still of course, but without them having to face the struggles trans characters do in our current world.

So that Abby only realises Ellie’s just one step behind her when she still has the climax of her individual story to get through was just. To me it worked so well. Like here we play as Ellie for half the game, this girl is consumed with rage and then Abby’s just fucking off and doing something entirely different because that’s... how little... it affected her. Or at least she personally got her closure and is ready to move on.

I personally liked the conflicts she had in her group, it was believable, it felt reasonable for the kind of life they lived. Of course we already spent one full game with Ellie so Abby was never going to catch up, but if you’re thinking like me then by less than half of Abby’s story you already don’t want Ellie to kill her.

The confrontation in the theatre was messy but since it’s not the end of the story I sort of don’t mind. I know some people don’t like how Jesse died or how little time we have to process certain deaths and story beats and of course it can just be bad pacing but that was again something that to me just brought the player’s world on the same level as an NPC’s world. That for one enhanced the experience for me.

Okay. Let’s talk about the last part that starts with Dina almost dying at Abby’s hands, especially after she says “good” when Ellie tells her she’s pregnant. Of course there’s the callback to dead Mel. But I liked that Lev was there and his presence sort of switched Abby’s role. Up to that point Abby had been Ellie. But then when she has Lev, and she acknowledges him as “her people”, she becomes Joel. And then she becomes a better version of him. Or at least a version of Joel that has mercy.

And you’d think being this close to losing Dina is where Ellie would snap back to it. And she does, for a while.

Here’s when I admit the pacing definitely needed some work regardless of anything. Up until that point we go through three days, albeit twice, but three days. Then suddenly we’re nine plus months later and the setting is different and we don’t get enough time here before Tommy shows up with the end of the story...rope... we got cut in half in the theatre.

I’ll take some time here to genuinely express my what the fuck at Tommy here.

My memory is a little fuzzy here but wasn’t Tommy on board with returning to Jacksonville when they return to the theatre? I actually just checked, Tommy says “they got what they deserved” to which Ellie says “but she (Abby) gets to live” and Tommy says “yeah”. And then when he visits Ellie and Dina suddenly he’s a dick about it saying Ellie made a promise? Is that something that was supposed to happen off-screen or a plot hole? Did that conversation in the theatre have more versions they went through and the wrong reaction got included? Maybe I just didn’t pay enough attention but it felt out of the blue for me and I can safely say that’s the character moment I’m disappointed in the most, especially because we never see Tommy again.

One could argue that the choppiness of time is supposed to symbolise the dissociation and out-of-body experience you can have when you’re living with trauma but I truly just have it down to bad pacing here. I get that they wanted to show the baby but I truly believe with enough polishing they could’ve come up with a scenario that works better and flows better.

I truly could’ve had Ellie maybe leave with Dina and Tommy and then have her turn back before they leave Seattle and then they have the conversation with Dina and then Ellie starts tracking Abby. Here we could’ve had more of what was in the beginning of the story, sort of switching between the two, maybe slightly altered gameplay, etc. Even though the last level as Ellie was really cool and once again I liked how we just barely got a glimpse of how other people live, you know. Those prisoners in those cells have a hell of a 25 years behind them and being freed by this stranger might be the best thing that will have ever happened to them, but to Ellie they’re just a background noise to her mission.

I truly liked those parts.

I could imagine Ellie being kidnapped similarly to Abby but they are treated differently and somehow still end up escaping together, maybe even helping each other the way Ellie almost did with cutting Abby down and letting her get Lev to the boat. And then you’d have Ellie still be consumed by her rage.

The whole time I wanted her so much to just scream everything at Abby. Because look, life for these people is a whole ass trauma. Some people like Dina might handle it differently, or it’s easier with a community around you, but Ellie’s life has been very strange, with her immunity, with the realisation that Joel killed and lied for her, all that. She would need a fucking good therapist. I wanted that catharsis, for her to scream at Abby, to sob until she can’t even breathe, for Abby to do the same, except she realises she got her closure while Ellie never did, and then maybe for Abby to give some sort of... forgiveness to Ellie. For her life not having meant anything in the end.

I don’t know, I wanted that for her.

If there never is a last fight, if Ellie never so much as punches Abby, that would’ve been fine for me.

Two more things that I liked were that Ellie actually started down a path of forgiveness before Joel died. You know, when we see the scene where Ellie tells Joel off you’re like “oh that’s the last thing she said to him, no wonder she feels so guilty” and then you realise, oh no wait, they were actually eventually going to be alright. They just never got the time. To me that hit so much, that was a good scene.

The other thing I liked is Dina leaving. Once again this could’ve been something like, Ellie goes back to Jacksonville and there they tell her Dina left or sum shit idk how that could’ve worked, I’m just saying that losing that farm life didn’t really make me feel anything because we didn’t get the time to grow attached to it.

So Dina leaves, and suddenly you’re back in the room with Sam in the first game when this bitten boy asks Ellie what she’s most afraid of, and she says she’s scared of ending up alone. And this immune girl Joel killed and lied and died for, eventually ends up alone.

So I understand that a lot of TLOU’s fanbase that belongs to a marginalised group, especially those part of the LGBT+ community would be hurt by this ending. By this interpretation. The LGBT+ community, as far as I know, at least a huge part of it, seeks to heal. We use fiction as escapism in a way people who don’t know, who can’t know our struggles will never be able to sympathise with. And as such, we as a community in a large part, have moved on from stories of pain. Not necessarily in that we turn a blind eye on it or anything, but I think it’s a mostly universally agreed thing that after so much suffering we’re ready to see ourselves, and people like us end up happy. And as such the demand from this community towards creators have shifted to not necessarily fully happy endings, but some sort of relief. And as such, this ending is cruel.

It is heartbreaking. My heart breaks for Ellie because I can practically feel the weight in my chest that she carries around when she walks away. She lost everything and she never got the closure. She never got that relief and neither did we.

Once again, if you personally have a problem with this ending and it ruined the game for you, I understand it completely. That’s your own experience with the story, and even though I feel much of the same things, I’m once again left here thinking this is the way the creators wanted to do this and that they did it like this makes sense. It makes sense for the story, the characters, it just does. If it had happened differently in a way that also makes sense, I would not think “oh this should’ve had a heartbreaking ending, this is bullshit” but I do think the ending makes sense.

Overall, I’m pretty much pleased with most everything, except fuck false advertising, fuck Tommy, and fuck uhhh, I’m pretty sure I mentioned something else too. Oh yeah, pacing. Jack actually offered a really great alternative to the beginning, where the museum scene of Ellie’s birthday should’ve been the first scene, and then you could’ve had Ellie wake up four years later at the end of the countdown. That Joel told Tommy about the hospital could’ve been implied through dialogue and interactions.

I also don’t think Joseph Anderson’s theory is hurt by this, he said personal decisions and morality aside, the Fireflies were fucking idiots and they couldn’t have come up with a cure even if they had given Ellie the chance to say yes, because of how unprofessional they’d been and how much they rushed into the surgery. Just because Abby’s dad was a good dude and a good surgeon doesn’t mean shit when you’re dealing with something you’ve not seen before, such as Ellie’s immunity. And I think knowing that wouldn’t have mattered to Ellie either to change her mind about forgiving Joel. And this is what I’ve always said. Like the Fireflies or not, believe in them or not, taking a choice like this away from Ellie because you can’t stand losing your daughter again (and that is why Joel kills the Fireflies, not because he shares Joseph’s opinion) is objectively wrong and borders on the same obsession we see consume Ellie. Joel is just as unhinged by that point as Ellie is, he’s just more... mature about it, I guess.

That could’ve been even more painful, sort of, to not have Abby be the surgeon’s daughter but just for her and her group believe in this doctor that might just be talking out of his ass so much that them avenging his death sets off this terrible cycle of vengeance. I think that could’Ve been very “gritty” and shit, that would’ve hurt because it’s even more pointless. People killing over lost hope.

So, pacing, Tommy, false advertising, bad points, everything else, yeah alright. 7/10 sounds good to me. I will play this one day >)

[efrmellifer]

Acta Diurna

“Deep breath for me,” the midwife cooed. “Now hold it.”

Etien held her breath, biting her lip to keep air stilled in her lungs.

“Good,” came the soothing voice. “Excellent. And let the breath out.”

Now Etien exhaled, settling back against her pillows again. “Did it sound good?”

“It did! I heard multiple heartbeats, but they were so closely synchronized that I couldn’t count how many exactly. However, if you were having triplets or more, I think you’d be more overtly carrying at this point.”

“So twins?” Aymeric asked, finding his voice and looking up at the midwife from where he was sitting.

“That would be my best guess, though be ready for a surprise when the delivery day comes.”

Etien cleared her throat softly. “And am I still free to travel for some time?”

“For now,” the midwife replied, the way she dragged it out signaling that there was a caveat coming. “Though anything risky should be probably be cut out now, rather than any later.”

“So no Diadem,” Aymeric murmured, coming to Etien’s side and taking her hand. “I’m sorry, dearest.”

Though her expression betrayed that she was put out, she just shrugged. “It was bound to happen eventually.”

“Speaking of eventualities…” The midwife looked between the two of them. “I’d say you have about a moon left before you’ll need to be on bed rest. Light bed rest, to begin with. Walking around the forums occasionally would be good for you, I think. But staying close to home and seated or lying down primarily is the goal. As you progress, we’ll see how things settle and if you’ll need to be under stricter rules, but you’re strong and you seem healthy. So I think you should be all right.”

Etien smiled, her nose crinkling a little bit with the gesture.

Aymeric watched tiredness starting to seep into Etien’s expression, and hurried to get things wrapped up. “Thank you very much, I’rixa,” he said, hoping he didn’t sound like he was trying to usher her out. “Is there anything else we need to keep in mind at the present moment?”

“You both need to get enough sleep. You look tired, ser. She may be undergoing the physical process, but you’re experiencing a lot of change, too. Moreover, you can’t take care of her if you’re exhausted.”

“True,” he conceded. “Wonderful, thank you again. I can show you out.”

“I’ll be back in another moon and a half,” she reminded them both, then followed Aymeric out the door and down the hall.

When he returned, he sighed, leaning against the door frame.

Etien was rubbing her temple.

“Have you a headache again?”

As she turned her head, she dropped her hand back to the covers on the bed. “No. I don’t, fortunately.” She shook her head. Then she sighed. “We need to tell the Scions.” It came out in the same tone as any other groan she’d offer up when she had to do something she didn’t want to.

“Ah. That we do. I must admit, I’m surprised they didn’t find out from the Alliance.”

Etien had gone back to rubbing her head in a vain attempt to self-soothe, but she stopped abruptly. “Gods, you don’t think they did, do you? It is odd that they haven’t asked after me—”

“I have never taken Merlwyb for a blabbermouth, nor Raubahn and the Sultana. Kan-E-Senna, I would imagine, has only told the leadership of the Adders, since you cannot do Serpent errands either.”

“I would never speak ill of the Alliance leaders, but that certainly is a lot of trust to place in them.”

Aymeric looked at Etien and remained silent for perhaps a beat too long as he thought. “Etien. The same as you wouldn’t speak against the Alliance, I won’t speak against the Scions. That being said, I do think that if they had caught even a whiff of what’s been going on, they would have marched right into the manor and been interrogating you as if you had returned from Garlemald.”

Etien coughed.

“Well. You know what I mean,” Aymeric corrected, looking away. “Fury help me, the midwife was right. I do need more sleep.”

With a silent grin, Etien patted the open side of the mattress next to her.

“I slept the day away last time I had a day off. And you were much more capable of taking care of yourself back then.”

“I’m still capable of taking care of myself!” She couldn’t help but sound just a touch indignant. Though if pressed, even she wouldn’t have been able to explain why. It wasn’t like she wanted to force herself into not relying on Aymeric, especially when he was offering himself to be relied upon.

“I—that was a poor choice of words, and not what I meant.” He admitted. “What I had been trying to say was, the last time I had a day off like this, where Lucia took over for me so I could be with you and do with the hours what I willed, I was entirely selfish and slept. But now, it would be better if I were to give you the attention you may require, and for that, I would need to stay awake.”

“All right, darling, but I am asking you to get into bed with me. You don’t need to do anything but lie down.”

“And how many times have I heard that?”

Etien clicked her tongue. “This, and I still invite you into bed.”

He settled under the covers when she lifted them for him, and curled himself around her immediately, head near her belly and arms around her hips.

“I find it strange how slow the change is, and yet one day, it will all be unmissable.”

“And it’s not even your body,” she replied. “It certainly is weird.” She blinked slowly, her drowsiness becoming apparent again. “What are we going to tell the Scions?”

“Perhaps the same words we gave Estinien.”

“Hardly seems fair to Estinien,” Etien mused, letting her arm settle around Aymeric’s shoulders. “We’ve taken him for a lover. He should have something so momentous to himself, don’t you think?”

“I do; you raise an excellent point.”Aymeric thought. “As of this moment, what do you want to say to them?”

“Well. Something to the tune of ‘While the road does go ever onward, and I know I cannot—and so I will not—refuse to walk it, I have taken a detour. I am to be a mother, and so I’ll need time, while the kits develop and after they’re born, to hang up the mantle of Warrior of Light. I can’t bear the weight of the star on my back and the weight of my children on my hips.’”

“Well said. How do you propose to tell them this, o will-worker of the star?”

She huffed. “Sounds too much like Minfilia. And I do not want to be compared to her. Though maybe that’s harsh.” She shook her head to clear it. “Regardless. A letter is all wrong. And using the linkpearl is laughable. Nothing for it. I’ll have to go to the Rising Stones and speak to them in person.”

“Dear-heart, please don’t go to Mor Dhona. Think of it—the gloom. The wildlife. Everyone and their brother seeking an adventurer. It’s too dangerous for you right now.”

“What else can I do?” she asked, sounding resigned but genuinely pleading for his guidance.

Aymeric sighed. “I’ll write a letter. In it, I will ask for one of them. They can choose whom to send.”

“Oh Aymeric, do you think that will go well?”

“How could it go poorly? They know and admire you.”

“If they send Alphinaud, he’ll lose his head, Alisaie might just get angry that I’m letting her win, Urianger will load me down with tomes about pregnancy and cross-bred infants, Y’shtola will laugh me all the way out to Falcon’s Nest, and Thancred will be Thancred.”

“What about Tataru?”

“Oh. She’d tut and pat my hand and start sending food over. Maybe shed a tear about how it was only yesterday she made my bridal gown and now she’ll need to make baby clothing.”

“Do you want me send for Tataru specifically?”

Etien was silent for a long time. “No, but I will write her a personal letter about all this.”

When they received word that one of the Scions was on their way, they’d held their breath waiting.

But when the Scion envoy arrived on the Borel doorstep, Etien realized they had forgotten one important variable.

G’raha Tia.

_

G’raha couldn’t deny that he was a little hesitant as he followed the servant down the hall to the sitting room. He’d seen Etien seated here once or twice when he’d peeked in on the Source before (and once, caught her in a nap), but it was odd to now be sitting there with her.

Fighting alongside his hero when she needed his help was one thing. Resting himself in a chair in her sitting room was a whole different matter. It was like he was seated on a live wire, not quite comfortable, even in a plush, well-built chair.

But the room wasn’t really the issue—it could have been part of any Ishgardian noble’s house. It was the still shockingly young woman seated within it opposite that was unsettling him slightly.

He had never noticed how young Etien still looked. But then, it made sense, didn’t it? She was only 25 now, her 26th nameday coming up in the next moon of Halone. Just after Starlight and Heavensturn.

He knew all this by rote, of course. The Tale of Etien: Left home at 19, adventured in the three city-states for nearly three years, ended the Dragonsong War in Ishgard, liberated Ala Mhigo and Doma, and then… well,  he knew all about what came after that. He’d lived through the last year with her.

He hadn’t gotten to properly celebrate her nameday when he would have had the chance, while she was on the First. Because she hadn’t been. She’d slipped home for Starlight, and then stayed. A little hiccup in the time running parallel had her only gone for a week on the First, though she’d spent three on the Source. But G’raha couldn’t then and couldn’t now find it in himself to be upset that she’d gone home to celebrate.

But all that was in the past now. Marked indelibly on time’s surface, and immutable. They’d all come home, and he was in hers, completely too quiet as she looked at him.

“Hello, G’raha?”

She looked well, and he commented as much.

“Thank you. I suppose I should be grateful I still have my appearance, when it’s been a rough last handful of years.” She laughed. “Anyroad. Do you know why you’re here?”

“The Lord Commander—er, Lord Speaker?—Ser Aymeric sent a letter saying that you and he required the attendance of one Scion of the Seventh Dawn to receive and bear a message back to the others at the Rising Stones. Etien, is everything all right with you?”

“I am healthy and happy. But whether the message you take back following that is good news, well, that is where our opinions may diverge about all things being well.”

G’raha tipped his head, ears bobbing with the motion. “How could any news be bad news, if you’re doing well? I don’t think any of us could blame you for wanting a break. Even the most devoted of the rest of us have had days we put our feet up and called for tea to be brought.”

As he said that, a pot of tea was indeed brought, placed next to Etien alongside a dish laden down with a croissant split down the middle, one half smeared with a nut paste and the other with fruit preserves.

“A bit late and light for a lunch, isn’t it?” he asked.

She laughed. “Oh, I had my lunch. This is so I can keep my energy up. And the tea—rooibos tea, if you were wondering—is for the soothing sensation of the warmth. Not to mention, it’s a habit I would be hard-pressed to kick, so we modify it that I may still indulge safely.”

G’raha laughed at the formality of her diction. “You sound like you’ve become quite the noblewoman in the, I’d say, close to four moons you’ve spent here again?”

She snorted. “In my defense, I was quoting Whitecape.”

“A capable chirurgeon.”

“Very much so.” Etien sighed, crossing her legs at the ankles in front of her. “But we didn’t call you here to talk about the head chirurgeon, or to pick apart my changing speech patterns.”

“I didn’t mean to--”

“Shh, put it out of your mind. I was only teasing. In any case, this break will be longer than just a day spent reading in bed. I’m about to be under medical supervision while I stay in Ishgard. I don’t need a vacation; I’m taking maternity leave.”

“But you’re the Warrior of Light!”

He watched something darken in her expression, looking much the way clouds passing in front of the sun did.

“G’raha, I ask this with all the love in my heart. Are you aware that I’m a real person?”

“I—what? Aye, I do. My referencing the stories was not because I thought they were in any way made up—”

“No, that’s the problem. You heard the stories, all that time ago, before we met and all that. You read Edmont’s memoirs, didn’t you?”

“I did!”

“So you knew, the day you met me outside the Sentinels, what was waiting for me. Knew already how I was going to bleed and spit and cry, and—I don’t think I wanted you to warn me, that’s not what I’m saying. You know that for all I’ve done on Hydaelyn’s pillar with the star on my shoulders that I’m just a scared little girl?”

“You never seemed that way to me. You’ve always been able to rise to the occasion, always been a hero. My hero.”

“I’m not asking you. I’m telling you you had me afraid that I was about to be very much alone, my companions frozen in a sleeping deathlessness, you dragged me away from my husband mere weeks after our wedding, and you almost got me killed by Zenos so you could have me help the First. Not to mention edging on a Lightwarden when I got there.”

“Oh,” G’raha murmured, seeing the way Etien clutched her handkerchief, the way her tail flicked on the seat, next to her leg.

“I can’t imagine how you managed to do that,” she said, quiet suddenly. “How you never—” her jaw clenched, then relaxed, “—never asked any questions. No, that makes sense now.”

He reached out, and she let him lay his hand on hers.

But she ignored it, and kept talking. “Mine has never been to question, unfortunately. Which you know, having heard the tales of me. You’ve always known me, always been one step ahead of me even as you threw yourself to the foreign country of the past. Knew everything about me before I got to discover it about myself. So you didn’t need to ask anything. Not even if I was willing to help you.” She looked up at him, blinking placidly. It was eerie, how she was usually so animated—had always been—but now she was quiet, movements and voice understated as she explicated. “It’s disappointing. That and painful, that your respect for me would go deeper than the average Eorzean’s, because you knew the whole story root to leaf, and yet you couldn’t help acting just like them. Making me your first and last idea to solve any problem, because I would never fail, not when it all hung in the balance. I had to transcend this body—its pain, its hunger, its exhaustion—because Hydaelyn entrusted me with this curse of a blessing.”

G’raha’s ears had long past gone flat, now utterly downturned. “I’m sorry.”

“Sorry isn’t going to give me the ages of nineteen to twenty-five back.” She sighed. “That’s cruel, I apologize. Do the books—not Edmont’s, he was busy telling everyone of the Etien he knew and was living with—do they tell of my grief? That I had finally grasped freedom from my life in the Shroud, to be beholden to the needs of the city-states and the agenda of the Scions? That when I was coming into my own as a woman and a weapon, I was accused of crimes far beyond my most sinister thoughts? That I was shuffled from ushering in fragile peace to being the wedge of war for liberation so quickly I— no, they wouldn’t, would they? They tell of my actions, not my feelings.” She laughed. “Or there would be tomes solely dedicated to me and Aymeric.”

G’raha resolved to show her such tomes—they did exist—another time. But for now, she seemed to be running out of steam.

“I wish you’d asked, G’raha. Asked me what being me was like, when we gathered Aethersand. Asked me if I would join you on the First. I would have told you anything you wanted to know. I would have said yes. Instead, you commanded me because you’d made a giant of a terrified girl who hadn’t been living for herself for six years.”

“And I can only offer my deepest apologies,” he responded, trying to abandon the tone he’d always struck as the Exarch. He realized now that he would never fully divorce himself from that position, to her mind. The damage had been done, the bridge burned. They could only step across the charred remains together.

Etien sighed, closing her eyes, then gave him a smile as she opened them. “I can’t say ‘it’s all right,’ but I accept your apology. Someone needed to do the things I had to do, and I choose not to fault you for ensuring I did them.”

“You… choose not to?”

“If I resented everyone who had ever put pressure on me to be The Warrior of Light and not a living, feeling being, I would be holding a grudge against at least half of Eorzea.”

“Fair enough,” he mumbled, ears drooping again.

“Now, I digressed very far afield from my point. I asked you that not to question your belief in me or the stories you heard. The heart of it is that I’d like to have a family, and frankly, every chance I didn’t take before now was risking never being able to. Whether that was because I died or was rendered incapable of having children. Unfit to parent, I mean, above all.”

“Right.”

“So, do you think you and the others can make like the residents of the First and be Warriors of Light for a while, until I can come back? I’m not turning my back on Eorzea. I’m just doing what I haven’t in six years—living my life.”

“I can tell the Scions. You’re in a delicate state and can’t leave Ishgard.”

“Do you think they’ll deduce your meaning?”

“What kind of delicate state could someone like you be in, other than that?”

Etien laughed. “A fair point. Come, I can walk you out.”

_

The flood of letters from everyone came soon after that.

Tataru’s, full of the well wishes Etien had known were coming (had really hoped for, and kept returning to, between all the other letters that had much more flustered tones).

Alphinaud’s and Alisaie’s, jammed into one envelope, where Alphinaud started fretting from afar and Alisaie demanded to be an aunt.

Urianger’s, packed to the gills with advice—as Etien had expected—though a good amount of it was much more useful than anticipated. Y’shtola’s, Thancred’s, F’lhaminn’s, Mother Miounne’s, for the gods’ sake, all were just as she’d thought they would be, though there was one surprise, delivered by falcon, apparently.

“Congratulations and wishes of continued good health to mother, father, and baby (babies?). Hopefully the parcel of clothing arrives equally safely to this letter. We did not want to burden the falcon unnecessarily with both deliveries at once.  We hope to hear from you soon! With love from Doma, Rin and Hien.”

Etien smiled wide as she read that one. Though as she folded it back up, she was startled by a shout in the streets, a darkening of the sky, and the low thud and rumble of a landing dragon.

She glanced out the window just in time to see a red eye peering in.

Etien stepped outside, eager to greet her Dravanian visitor.

“Vidofnir!”

“Ah, my friend, how long it hath been since I have gotten to speak with thee. A Scion did come unto me bearing news of thy return, and thy subsequent confinement to the city?”

She nodded. “For my health, and the health of my children,” she gestured vaguely toward her abdomen, “I have to stay close to home. The Forelands might be a bit too risky for me, even.”

“A shame. I would have liked to celebrate with thee, had the chance arisen.”

Etien smiled, tilting her head back to meet Vidofnir’s eyes. “And we will! After the kits are born. Then, we can celebrate twice as many occasions.”

“Ah. ‘Tis good to see thee in such high spirits about the matter. I feared the worst when I received word.”

“I appreciate your concern.”

“I know not what succor I can offer thee in these times, but know that if thou hast need of me, thy call is all I require.”

Etien bowed without thinking. “I will certainly keep you in my mind and heart.”

“Then I wish thee well until we meet again, Warrior of Warriors.”

She waved as Vidofnir took to the skies again, the dragon miraculously lifting off the stones even with so little room between one building and another to flap.

And then she returned inside, neither dressed for the cold wind blowing down the street, nor prepared in any other way to remain outdoors.

It had been a long few days. She was going to nap, and get back to the letters later. If, Fury willing, Aymeric would help her sort through them and formulate appropriate responses, that was.

And while she had the time, early though it may have been, she wanted to think of names.