#her feelings wont be hurt

[jokeson-u]

NOT someone blocking me because i called juliette lewis ugly 😭😭😭

[thechy-fychannel]

y'all ever think abt how it was julie having the affair and it is even said multiple times that she was the one who left him, yet wilson was still the one who left their home and moved in with house. like. he couldn't bear to stay in their home alone. he immediately ran to house and stayed on his couch for weeks. suffered through his pranks and his laziness and his manipulation. telling him he wants him gone while sabotaging his attempts to leave. and he only left once he got a girlfriend again.

[cripplepunkbarbarian]

I am so glad that the kid spectrals have such normal and caring spirits who will definitely not physically endanger and/or cruelly betray them in the midst of their lives already being destroyed by cults, monsters, and interpersonal drama. It’s so cool and nice 👍

[a-dauntless-daffodil]

@val-the-bun hits me with a padded sledge hammer in the feels with the wereharpy vaggie au thanks for that once again i inflict this ask on others as a coping mechanism >:C

val-the-bun asked:

Charlie can see the claw marks on Vaggie's side, golden blood, *angel* blood, dripping onto the floor... Her grip on the spear is shaking.

'Did you ever believe in me, Vaggie?'

Another shriek, weak and *crackling* is her only answer. Vaggie's talons fall, and she almost *leans* into the point of the spear. She can see the tears streaming down Vaggie's face.

The spear slips out of charlie's fingers. Her hands are shaking too much. She grabs Vaggie by the feathers, glaring up at her.

'Do you?'

Vaggie is *shaking*, taloned hands curling around Charlie with a *whimper*.

Charlie is clinging to Vaggie as the monster *buckles* around her. She lets out another whimper, nuzzling against her face. She cant keep her tail from curling around Vaggie, burying her face in those feathers she knows so well.

'Oh Vaggie...'

I am picturing a lot of comfort after this

Like just

Vaggie all bandaged up

And just curled up with Charlie in the lobby. And she's just gently brushing Vaggie's feathers.

'So uh, does anybody wanna explain why Vaggie Tales is doin' a heavenly werebird in hell?'

'I... I dont know. Maybe this is just... Maybe this is what happens if an exorcist stays down here?'

Eventually Vaggie starts changing back. Which, ya know, yay!

Aaaand also oh shit. Because uh. *She kind of shredded her outfit in her transformation*. And her spare one is back in what's left of the room she was holed up in.

'Oh, fuck. Uh. Blanket? Quick? PLEASE???'

Queue a very embarrassed and kind of ashamed Vaggie curled up in a *huge* blanket. But...Charlie's holding her. Vaggie may not think she deserves it, but she is.

'Please tell me I didnt try to eat anybody...'

'Oh, no my dear. Shreading on the other hand!'

Charlie gives Alastor a glare that surprisingly shuts him up. Meanwhile Vaggie has basically disappeared into the blanket, save the barest hint of white hair.

'Dont worry about it Vags, your aim was pretty shit.'

Queue a jab in the side from Husk.

'What! It's true! She missed!'

(Aaand that's all i got for this for now. Might do more in the future. Might write a fic. Who knows!)

[illya-roma]

DC X DP

https://www.tumblr.com/autumnmercy/714761304587550720/alexunlawful-what-if-each-yamask-had-a-unique?source=share

This gave me the best angst idea ever.

So what if people who died painfully and became ghosts would carry with them a palm sized emblem that showed how they died and give the same feelings of whatever caused them death for however long it took in a blink of an eye with its trauma when it's touched.

And the only reason they have that is to tell older ghosts and only the living touched by death that this is a TRAUMATISED newborn/ baby.

Practically, it's telling the surrounding ghost to play nicely and to let the baby win. Because see how they died? Oh you don't think that was painful? Will how about you come and touch it then? Go on, see how that is not painful at all.

Aka don't be a dick to the baby ghost

And older ghosts aren't allowed to tell them why they have it not because of an oath but to make sure that the baby gets better at ghost communicating, ghost emotional bonds, and stronger abilities while making it their idea to keep them getting better.

Because ghosts specifically children ( or teenagers) will not do something with enough care unless it's their idea. And will just say that it shows how you died and that it disappears after getting somewhat comfortable with the fact that you died ( when you become comfortable as a ghost/ become old enough to take care of yourself while dealing with other old ghosts but they won't say that)

Enter Danny going on a month school field trip/ family trip/ vacation by himself visiting a measum with Wonder Woman feeling a shit ton of death energy and "innocently" asking what this emblem is cause she never seen something like this before.

Danny just says that his friend is interested in occult and goth things (true, Sam) bought it (not true, but the thing attaches itself to what ever he's currently wearing so Sam took the fall for the team) because the seller said that it shows the wearer what they will die from (half truth) but for some reason it worked with only him and attached itself to him. And that they could not find the seller to ask them about it.

He says that death by a five lightning bolts doesn't sound too bad in jest.

Daina believes him and wonders what happened to the occultist that just had an item of future death telling and why it only worked with him.

She asks to inspect it.

Daina Prince a being who is touched by death/ related to death itself.

Wonder Woman, who can handle getting thrown through 12 building and stand up like it's nothing.

The amazon warrior, who repeatedly fought powerful entities that almost destroyed the entire universe and came out victorious.

...

Daina, the strong amazon warrior, experiences what it feels like to be a human, a small human child filled with so much curiosity and so much hope for the future, getting electrocuted for forty five minutes.

(And being ripped apart molecule by molecule and put together into something new but they focus more on the pain that will be given to a small teenager.)

Danny blinks, holds her steady and asks if she's okay?

She says she's fine, just didn't take her medicine. (Daina doesn't take medication, Daina doesn'tget sick, Daina doesn't get sick Diana doesnt get sick Dianadoesn'tgetsickDianad)

Danny tells a joke to make her feel better, brings her water to help her and asks if he should bring her anything while holding her hair up.

Daina vomits in the trashcan but tells him it's just the consequences of not taking her medication and thanks him.

Danny stays with her, comforting her,distracting her by talking about the beautiful constellation in the night sky, telling her that she'll be okay and help is on the way until her coworkers come with a mid kit.

Daina thanks him.

Danny wishes her health and safety with his large hopeful eyes and leaves.

Danny forgets about the interaction.

Daina did not.

___________________

[reeama-the-mage]

The difference between the tragedy of Edwin's and Charles' lives and deaths and what makes Charles' much more compelling to me is that Edwin never had anyone he could trust: he grew up with distant parents who i imagine he saw rarely and could not confide in, then he went to school and was immediately recognized as other in a way he had not fully realized of himself yet and was killed for it, and then comes hell and well who can u trust in hell? Certainly not the things that chase you until your legs ache, and even if your compatriots in the whole ordeal are as innocent as you, trapped in the same technicality, what is the good of trusting them, when they are just as helpless as you?

But Charles? Everyone Charles was supposed to trust betrayed him. His parents were close to him, atleast somewhat, atleast his father was around enough to get sick of hearing owner of a lonely heart, and his mother was around enough to watch his father beat him and be silently horrified and ultimately not do anything about it, maybe she stepped in once and we just never saw it, but I wouldn't bet on it, Charles' mom is 'quiet' that's her defining feature to Charles not protective or gentle just 'quiet', then Charles gets to school and he is popular he has friends! He has people who care for him (or should maybe, as long as he's good at sports like he's needed to be) and then he stands up for one person, because he has always wanted to be good and maybe he trusts himself to do it just this once and his friends kill him and his own actions signed the death warrant and he cannot even trust himself to do the right thing properly (it never got better and then you died)

And maybe, maybe Edwin does it too, with less intention to hurt, and with less knowledge but Charles and Edwin trust eachother maybe more than anything (maybe Charles would sooner slip away from earth's gravity than stop putting his trust in Edwin who he thinks is good and smart and brills and aces) and maybe Edwin still looks at Charles trying to protect him after Charles has had maybe the worst week of his existence and says "that was a bit...... extreme" and Edwin still promises Charles can tell him anything while hiding himself in a way that makes Charles feel untrustworthy

So yeah I'll never stop thinking about the tragedy of Charles Rowland actually 👍 think about him with me

[rebellum]

I feel like... Perhaps... Arguing that transphobia is defined by murder and that anything other than murder doesn't even matter... May NOT be conducive to fighting for trans rights.

Like... people want the right to exist as they are. They want to have access to hrt and surgeries and prosthetics. People want access to clothes that fit them and reflect how they want to be seen. People want access to medical care (eg. Getting screened and treated for sex-based forms of cancer can be impossible if you have the "wrong" sex listed to receive those tests). People want to be respected and treated well. People want to not be sexually assaulted and beaten and abused. People want to have access to housing and jobs, and the protection to not lose those things for being trans. People want access to shelters for homeless people or survivors of domestic abuse. People want name changes.

Acting like all of those things don't matter because at least they weren't murderered by an individual (and instead die of suicide or state violence, or survive and suffer) isn't okay.

[wexhappyxfew]

and then i breathed

(a/n): AND SO I JUST STARTED TYPING (enter danny devito meme). basically, i started with an idea for this and couldn't help but keep writing so please enjoy!! serving up a nice view of kennedy x bucky in the stalag because that's where we really see the most development from them, more than anything. and to say the least, i am majorly misty-eyed over this and especially kennedy's character. when first developing her character, i didn't realize how much she'd develop up until this point and i am absolutely loving every bit of her in this angsty, hurt/comfort perspective. and of course, bucky makes the perfect person to put opposite her in so many ways. someone who equals her in humor and dialogue. i sincerely hope you all enjoy - this is almost a love letter to the kennedy x bucky girlies. thank you!! :D

The sound of the plane breaking in half had hit her like a slap in the face.

She remembered the sound so vividly that when the silence consumed her, her mind became overwhelmed by that very sound - the intrepid ripping of metal straight in half as she launched herself out of the belly of the plane, pulling the cord on her parachute, swinging through the war-torn sky alive with flak, enemy fighters and bullets, dangling out in the air, half-hoping something killed her right then and there.

She could hardly remember the feeling - landing in the middle of Germany, mind an absolute wreck, looking around for signs of Lieutenant Bradshaw or Lieutenant Carlisle or even some of the boys who'd been deposited into Silver Bullets after the 100th had run thin and they'd split the girls up.

Jenkins, their co-pilot, Hefner, their bombardier, Thillburn, their radio ops, or their turret ball gunner, Stalinker, their other waist gunner, Klinger, and tail gunner, Gronkowski.

None of them had shown.

She was half-hoping Margie was somewhere nearby, but had come up empty-handed.

She remembered the words that had come through the comms when Lieutenant Bradshaw had said they needed to bail out.

The ringing of that fucking bell.

The sound still wrung around in her head when she wasn't doing something to keep her mind distracted. She remembered it like a stop-motion picture. Flashes of moments that she wasn't sure were even real, but were true enough that her body reacted in ways she couldn't explain.

She watched herself stand in the belly of the plane, pulling the wounded Thillburn over, and attempting to wrap his crooked arm that was knocked into the worst possible position, the blood coating his shoulder and chest, soaking through his coat and covering her hands in a sticky mess.

She remembered him yelling, his words clouded by fear, nothing but a blank thought in her mind - what had he been yelling? What had he been trying to tell her? Were those his last moments of human contact before she helped to plunge him out of the plane? Was he alive? She'd known the kid for a few weeks, with only a few missions run alongside him, but had he been dropped out of that plane and lived? He had family back home, he had a life, a girlfriend he'd been writing to. Was he alive?

The look in his eyes sometimes came back to her a night, when she settled into her bunk and stared up at the wooden ceiling; it came back like a bad dream each night. His eyes boring into hers, begging to keep him alive. The thought made her skin crawl, it made her heart race, it made her want to lose it, trapped in this stupid excuse of a camp.

"You gotta stay with me, Thillburn!" Kennedy had yelled, her throat hoarse practically, her hands slick with blood as Thillburn writhed there on the ground, the whole plane creaking and screaming through the air, parts flying off and exploding off behind them, the yelling in her comms enough to make her vomit, the bell ringing overhead, the entire plane contorting and spinning through the air like the nightmare it had been. Over and over. Thillburn screaming.

Jenkins yelling to bail out, his form appearing in front of Kennedy, as he pointed and yelled to the opening. Her wide eyes filled with terror as she watched Jenkins pull Stalinker up from the ball turret, half-dead on his feet, blood dripping down his face, a giant piece of flak hanging out from his chest.

Kennedy remembered looking up and seeing Lieutenant Bradshaw dropping down from the cockpit, landing with such precision and calculated gusto, that Kennedy was sure that only force on the plane that had kept her level-headed in that moment was seeing Lieutenant Bradshaw come towards the group and calmly manage the situation.

Moving the frantic Jenkins towards the opening and telling him to go, hastily removing tags from Stalinker, and helping Kennedy to guide the flailing Thillburn to the belly of the plane to drop out.

Kennedy remembered the look in Annie's eyes; fear bathed in absolute horror and uncertainty - yet shoving it aside for the crew. To uphold command pilot the best she could. Kennedy remembered hearing Thillburn screaming for her as he went flying out of the plane, like a rag doll in his parachute begging for mercy.

"Kennedy!" he had screamed out into the open air, "Kennedy!"

And that's when she shot awake, her whole body in a damn-near paralysis, as her eyes locked on the wooden bunk above her, the sudden realization of the silence succumbing around her and where she was, along with the pounding of the blood in her ears, racing - over and over.

Slowly, she shifted her gaze away from the top of the bunk and towards the tiny room, all the members of the 100th that were there, completely and entirely asleep. It brought her a slice of comfort to see Lieutenant Bradshaw curled up on the bunk beside Captain Brady, her tiny bit of dirty-blonde hair hardly visible with the current hold Brady had on her there.

Annie put out so much for Silver Bullets that having her safe there in the arms of someone who would lay down his life for her, was a comfort. She could see the laden forms of Major Cleven, Bessie, Crank, Murphy, and Hambone around the place, along with Benny who was in the bunk above Margie, who nearly lay on death's doorstep on a bad day. Days of her current state had left her barely alive, but she was slowly improving.

Slowly, Kennedy brought her gaze towards the window and felt her heart nearly launch out of her chest. Bucky Egan was stood there by the window, his form unmoving, and his head slightly hung downward, his hair looking as if he had tried to get it into some sort of conformed place, but had failed. He looked so much more….quiet, in this light. Where he looked as if he was the only person awake in the room, trying to come to terms with whatever the hell they were currently in. His broad shoulders were still pronounced and held high, but there was something distant and withdrawn about his form that she was sure if she kept staring, he'd fade to black.

"You okay?" Kennedy locked her eyes on his form by the window and swallowed, "I know you're awake, Farley." Kennedy slowly reached her hand up to her chest, attempting to calm her racing heart and keep quiet. She felt if she tried to talk to him now, her heart would pound out of her chest fully and her words would get clogged in her throat enough to make her physically sick. And Bucky would see right through her like she was glass. In the cover of night, she let her walls down for herself and she didn't want another soul to have to see her like that. Broken and vulnerable and cracked all over. Bucky didn't need that. None of them did.

"You were mumbling in your sleep." Bucky whispered quietly again from the window and she heard him shift a bit, like he was moving his weight from one side to the next by the window, his voice still muffled - he wasn't looking at her. Kennedy swallowed.

"Bad dream." she whispered out, her voice unsteady, "I'm fine." She heard Bucky let out a quiet puff of air that sounded a bit like a breathy laugh, but she didn't bother. It seemed by this point, despite all efforts, Bucky could read her like an open book whenever he pleased.

"You sure?"

"Positive." Kennedy answered back, softly and quickly, an uncontrollable pinprick of a smile on her lips, "You get that sorta stuff in your mind with the shit we've all been through." She was playing it off, she was trying to make it seem like it wasn't a big deal - even if she could still hear the bail-out bell ringing in her mind. Over and over. Again and again.

"What was in it?" Bucky asked her, a genuine softness to his voice that made her heart give a dull pound, "Your dream?"

"Nothing." Kennedy said quickly, louder than she wanted - she heard someone shift on a bunk across the room a bit. She blinked a few times as her heart began to race.

For a moment, lying in that bunk, with the only person awake in that room being Bucky, she wanted nothing more than to be standing beside him, reveling in his presence and his body heat and his tall form, telling him everything in that dream and letting him tell her they were fine, that things would be okay, that in a way, it wasn't real. Even though it was. But she felt glued to that bunk. Frozen.

"Nothing?" Bucky said, a hint of a smile on his lips - she could always tell when he was smiling through his words and she couldn't see him. His voice became a bit deeper, and a bit lighter all at once, with a slight hint of surprise and hidden joy he didn't want you seeing. But she heard it every time. "Nothing at all, huh?"

"Serious." Kennedy offered back, "I'd tell you if it was bad. I'm fine." Bucky let out a soft laugh as she continued staring at the top bunk, her mind slowly crumbling into shambles. She wanted to be there beside him, she wanted some form of comfort that wasn't a wooden bunk and the bitter cold. She wanted him.

"C'mere, Farley." Kennedy slowly turned her head and found Bucky, for the first time, looking right towards her bunk, his eyes glowing a bit more in the darkness, reminding her, surprisingly, of Frank, Marianne's cat back on base. Watching her with that look in his gaze that drew her in enough to want to get up from the bunk.

Kennedy slowly shifted, and pulled her long legs over the edge of the bunk, before letting her feet slide to the ground. She stood there for a moment before turning to him and taking quiet steps towards his figure there against the window.

As she approached him, in this sudden quiet atmosphere, where it was just the two of them for once, not another soul awake, she felt every inch of his gaze on her. The moonlight outside reflected the side of his shadowed face enough for her to see that sad, far-off look in his eyes, and the hint of a hollow smile on his lips.

"What?" she asked him, regretting that she could get nothing better to come to mind when she was suddenly stood by his side. She watched Bucky grin at her in the darkness, from right there beside her and looked out the small window again and nodded.

"First time you see the stars out here?" She followed his line of sight and looked out the dusty window pane and, for the first time, just as he had stated, saw the stars. Glowing, twinkling there above them, ever-present and shining just as brightly as they had when she was a small child back home in Boston, staring up at them at night, praying for the future. For a moment, the world went still and she was that young girl again looking at the stars.

"Yeah, actually." she whispered back to him, looking up at the dark sky, before slowly glancing over at him, his full face illuminated in moonlight. For the first time, up-close, she got a good look at the scars on his face, underneath his eyes, the bruising (which was finally, slowly fading) and the way his eyes seemed more sunken in than she remembered. She swallowed.

"How long have you been awake?" she asked him quietly, watching as the corner of his lip curled upwards at her voice.

"Long enough." he whispered, and then shrugged, "Happens nightly. Don't get as much sleep as I want. Half the time, I stay awake because I don't need one of those German fuckers coming in here and pulling some shit." Kennedy stared at him, her heart pounding at the way his jaw had clenched and his eyes had gone dark.

"Nightly?" she asked him, resisting the urge to reach out and tenderly touch that face of his and tuck him into bed. These boys pushed themselves to the edge, it was no wonder all the girls were acting the way they were with these boys out here. They had no one but each other and youth brought a sense of maternal instinct to them all half the time.

"Yeah," Bucky said quietly, before glancing over at her, his eyes big like a puppy-dogs, "it's why I knew you were awake. You stopped breathing heavy - you hear that sorta stuff when you can't sleep at night." Kennedy watched him, her eyes flicking between his eyes and those scars on his face and she suddenly wanted nothing more than to wrap him in her arms and tell him in some way the world would be okay again.

"You've been up every night since you got here?" Kennedy asked him softly, "Bucky…." Bucky let out a soft chuckle and shook his head before looking at her.

"Kenny, it's fine." he said quietly as he leaned towards her slowly, that little nickname Judy usually called her rolling off his tongue with ease - it was always Farley, always, always Farley, what was this? "Never been better. Hey, I'd tell you if it was getting bad, alright?" Kennedy watched him sling her words right back at her and sighed slightly, her worry rising to levels she wasn't sure had been possible.

"So," Bucky said, glancing back out the window they were leaned up against, smiling slightly, "what was going on in that dream of yours?" Kennedy sighed and she heard Bucky laugh quietly.

"Are you seriously going to keep asking me that?" she managed out back to him, as quiet as she could.

"Maybe." he said with a humorous tone to his voice, "You get all passionate when I piss you off, so, maybe."

"I really wonder what goes through your head sometimes." Kennedy whispered back, with a slight bit of teasing in her voice, before she felt reality wash over her and she couldn't help but look to him again, regaining that feeling of wanting some sort of comfort. She couldn't work out the feeling of her nightmares, or that feeling of being alone in that bunk and trying to fight off her mind - it was making her go crazy.

"You wanna know?" Bucky asked her, gently nudging her shoulder, his voice suddenly more serious than she'd heard it ever before, sending her a quiet smile, "I'll tell ya." She watched him, her eyes unable to turn from his in a way that made her eyes glued to his.

"I'm really fucking scared of the way this place'll change me." he told her quietly, that smile on his face fighting to stay on his lips, like a part of him was trying to convince himself that he wasn't scared, that this wasn't what he was feeling, that this wasn't the reality, "That I won't ever get back to the person I was before getting dropped in here like a sack of potatoes." He let out a weak laugh and leaned against the window pane again, "Fuck." Kennedy watched him slightly from her tilted head and watched as he struggled to keep that smile on his face.

"Keeps me up at night. All this shit." Bucky said again, trying to do some more, further, convincing for himself, to make it all plausible. Kennedy felt so quiet beside him that she was sure she felt like a nuisance because of the fact she was saying nothing. But it felt like Bucky was saying things that he'd bottled up and was now forcing out because of the fact it was spilling over at this point. And he was trying to pull it all back in, but failing.

"You're still Bucky Egan to me." Kennedy said, her voice, for the first time in weeks, firm and confident. She looked over at him, with a nod. "You always will be." Bucky smiled at her, tender and gentle, and nudged her shoulder affectionately.

"Thanks, Kenny." he said quietly and she smiled at him with a nod. Then, both their gazes were set out the window pane again. But Kennedy was itching to say something, to get her voice to work. She felt like she needed to say something else. Almost awkwardly, she reached up to rub behind her neck before glancing at Bucky again.

"I was reliving when the plane got hit." Kennedy said quietly, causing Bucky to look towards her with a mixture of surprise and worry written all over his face, "The dream. It was like I was on the plane again as it went down. As Annie told us to bail. It happens all the time. At night, even when I nap. It's always in my mind. Those final moments." His eyes worriedly washed over her face as she stood beside him, suddenly any sort of stars or moonlight seemingly forgotten about and his focus solely on her.

"Every night?"

"Mostly." she offered, with a nod, "You get used to it. The bail out bell. The plane snapping in half like a toothpick. The screaming." Kennedy shivered, with a nervous smile on her lips.

"You could've woken me up." he offered to her and she shook her head.

"I usually just count back from 100 and then I'm asleep again," she told him quietly, "my mind's usually blank the second time I get myself to sleep anyway." Bucky stood frozen beside her, his body ridged and his eyes hard and narrowed. He slowly nodded, like taking in what she was saying was physically hurting him.

"Thillburn?" he asked her. She must've been mumbling his name on her lips at night. He must be dead.

"Radio ops." she said quietly, "He was half-dead when Annie and I got his parachute on him and got him out. Haven't seen him since."

"What happened to him?" Bucky asked, his voice distant.

"Flak got him…..I think. Came right through the side of the plane." Kennedy managed, as her eyes became misty, "He was begging for me to save him, ya know?" She looked over at Bucky and that moonlight bathing his face and sniffled slightly, before shrugging and looking back down at her fingers, knotted into one another, her thumb rubbing in that same spot over and over when she was worried. She let out a shuddering breath.

"Kennedy, Kennedy, he yelled, over and over. Don't know if I even did anything to save him." Kennedy managed out, "I just hope he landed somewhere…..and if he went, it was peaceful. Ya know?" She looked to Bucky and watched him nod firmly at her - even just seeing him acknowledge her was enough to know in a way that she wasn't crazy deep down. That someone was listening to her and she didn't sound like she was talking out of her ass to him.

"Stalinker. Ball turret gunner," Kennedy offered looking over at Bucky, "must've died on impact. Flak got him." What if that had been Judy, Kennedy thought quietly, feeling her stomach turn.

"Jenkins, our co-pilot. He disappeared somewhere in the clouds." Kennedy said softly, "They were shooting at us after we jumped out. The Germans." Bucky's grip on the window pane made his knuckle turn white and she saw him glance over at her with a stern look in his gaze.

"It just…it lives in my mind. That moment, those 15 minutes of hell," Kennedy said softly, "it's so stupid, but I just can't get it out of mind. Thank God for Annie, hell she was the only stable one of us up there. She's the only reason I'm probably alive."

"Bradshaw's pretty good for that, huh?" Bucky said, his voice more strained than it had been and she nodded as she looked over at him, "She keeps us all going more often than not." Kennedy managed a shaky smile and nodded to him as her eyes welled with tears. He slowly looked towards her and noticed that look in her eyes, nearly quicker than herself and offered her a weak smile.

Bucky didn't take another second though to reach out to her shoulder, closing that small distance between them, rubbing his hand against her shoulder, in circles, over and over, allowing her to catch her breath for a moment, knowing he was right there beside her.

"It's not stupid, Kenny," Bucky said quietly, his thumb brushing against the bare skin on the back of her neck, "you know that. The shit we went through, how we all got here. It was all fucking hell. Thought I was gonna die out there. I'm half-surprised I'm even standing here talking to you now."

"I'm glad you are."

"Thanks, Kenny." She managed a watery smile his way as he smiled weakly back. They watched each other in the quietness for a moment, and she watched as Bucky smiled wider at her, which made her feel safer in that moment more than anything else.

"C'mere, Kenny." he said quietly, pulling with that arm on her shoulder to him. And with how weak and broken she felt, she took that small step between them, and let him pull her into his arms, collapsing into his warm embrace, her face breaking against his chest, as his arms wrapped around her, holding her up against his form.

Kennedy had become pretty good at crying without making a noise, but with each tremor that came from her body, she could hear her silent whimper in the back of her throat that was enough to make her fracture more.

The sound made her think of when she was younger, racing after her brothers on Main Street, unable to catch up to them because she was the youngest sibling and the shortest with the smallest legs. And she'd usually trip and split open her knee and be sobbing her heart out. And then her brothers would come back and coddle her and wrap up her knee with some fabric from one of their shirts and help her back home for her Ma to fuss over.

And soon enough, it happened all the time, and she was able to mask it all. She'd brush off her brothers and her Ma and she toughened up, so she could keep playing.

Eventually it became her way to hide everything from everyone.

But with the way Bucky was holding her, she knew he was looking through her like glass, like he always did.

Kennedy could feel his warm breath from his slow-moving breathing, washing down on top of her as his one hand stayed steady on her lower back and the other lingered between the back of her head and her neck, her unruly hair mused in his fingers as he continued to hold her there. A part of her told her to stand up, move away from his embrace and his arms and him; she was strong enough on her own, she could handle this. But her other half told her to stay there, let him hold her, in the cover of darkness, in the middle of the night - someone was willing to hold her there and not let go. No one had ever been like that towards her, no previous person in her life had been such a way around her.

Holding her in the cover of darkness to try to chase away any sort of nightmare like the ones she always had.

Slowly, she turned her cheek against his chest and listened to the soft pound of his heart in his chest. Her cheeks wet with fresh tears, her eyes itchy and no doubt beet red, she couldn't help but relish the feel of his arms around her - he was so warm, so present, just standing there. It was like the ocean waves had crashed over her, pummeling her down onto the sand, and were finally, slowly receding again, letting her breathe. Kennedy slowly pulled her face from his chest and looked up to search for his eyes again and found him already watching her with that quiet look of his; she attempted to smile.

"I'm sorry if the front of your shirt is wet. It's cold enough as it is," she whispered quietly, her voice sounding like she had been yelling for hours, "thank you, Bucky." Bucky quirked out that lopsided grin of his.

"I don't mind. Honored to have a woman like you wrapped in my arms," he whispered back to her quietly, a small laugh following, "I think we should do this more often." Kennedy sniffled out a small laugh, reaching her hand up to flick his shoulder in her weak attempt at protest that she always did with him. But with the way he was looking at her and holding her, she couldn't keep up their usual banter it seemed and just let him hold her.

"You think?" she whispered back, and then sniffled, smiling slightly, "You tell anyone about this and it's on-sight, alright, Major?"

"Yes, ma'am." he said, his voice low as she let out a small laugh and rolled her eyes at him, not entirely minding the feeling of his gaze on her and hands pressed onto her back. She watched him for a moment, before he cleared his throat.

"Hop in my bunk," he said quietly, "you'll sleep better. I'll be your knight-in-shining-armor or some shit. Fight off the nightmares." Kennedy watched him, her cheeks blazing, her eyebrows rising in surprise.

"Uh…really-"

"Yeah, yeah, seriously," Bucky said, "anyone's got questions, I'll give 'em their answers, alright?" Kennedy watched him.

"And to think you were heckling Annie and Brady because they were doing the same thing-"

"Kenny." Bucky said giving her a look and she couldn't help but chuckle softly.

"I punch sometimes in my sleep." she muttered.

"You can punch me whenever you need."

"Bucky." He let out a small chuckle.

"C'mon." he said softly, nodding his head towards his bunk. It was at least 10 degrees colder when she pulled from his embrace and they slowly trekked over to his bunk. She glanced at him and his tall form beside her and he nodded her on encouragingly. She pulled herself up into the bunk and rolled to the wall-side before shifting a bit and turning her head towards him, watching as he sat down and settled down inside the bunk beside her. He made a quick move of laying the blanket over them, keeping the few inches between them, very much a present and existing thing.

"Get some sleep, Kenny." Bucky whispered softly this time. She was staring up at the wooden ceiling of the bunk above her again and could feel her heart beginning to race. His body heat next to her was a help - with the wall on her other side. She felt comfortably cocooned in for the first time, knowing if the Germans were to come in, Bucky was right there.

Kennedy slowly shifted her head to the right and looked towards Bucky again and found him wide-awake, staring at the ceiling of the bunk above them, too. She couldn't help it. She rolled onto her side and then shifted closer towards him, causing his eyes to meet hers again.

That silent stare down lasted for a solid minute, before she pressed her body up against his side and wrapped her arms around herself before pressing her face against his arm and letting out a sigh, his warmth infiltrating her body and making her feel at peace for once.

And to say it didn't take long for his own arm to lift up and pull her closer, as she quickly snuggled in at his presence wrapped around her body, his touch firm, but gentle, was an understatement.

"Someone likes to cuddle." he whispered to her. She grinned against his ribcage, before sniffling.

"Shut up." she whispered back. He chuckled back.

She could finally breathe.

[hayaku14]

kuroba toichi you need to stay dead or im going to fucking kill you myself

[bunnihearted]

regardless of the "learn how to be alone" dravel, being lonely actually is really bad for your mental health and can be very painful :p

[spotaus]

Thinking about Orchid and her connection to my take on Gender (because this was meant to be about her and the Crew but it just devolved into a character analysis kinda??? More trauma-dumping maybe???) This is very much an oc/personal rant so feel free to ignore it 🫡

So, Orchid started off as a character I didn't really think much of (hear me out this is going to be relevant) because I wanted to add a 'girl' character but didn't know what to *do* with her, y'know? She was always going to be the strongest one there, she had the odds stacked in her favor with her parents. She was always going to be the gloomy side-character to match Reset's energy. But I think she's gone through every stage of Generic Woman I could possibly find.

At first she was angry and abrasive (think Fell!Sans) where every other word was a curse and she was likely to throw the first punch then laugh as she kicks her enemy while they're down. This was when Reset was a cartoonishly self-centered villain whose goal was simply to prove others wrong. Then Orchid became a sort of sisterly figure. This was short-lived, but she was the one comforting people who Reset would torment, but would ultimately follow his orders, because at this point he was actually a danger and sadistic. And then there was the phase where the story mellowed out and she became the token Goth Girl who, yes she was strong, but was heavy on the 'whatever' energy. Then there was her Era of deep self-loathing and anxiety about her worth that held her back and made her a much more timid and meek character who would only lash out on occasion.

Now, Orchid is the best of those iterations I've written yet. She's calm, level-headed, and a natural leader. Her father raised those traits into her. But she's very reactive, and can be silly, and when she's comfortable it's likely that air of importance transforms into something more comfortable and familiar. She laughs loudly and grins wide, she likes loud video-games but loves to read in the quiet. She's extremely disciplined, and normally no one can get through her tough exterior besides her best friend, Reset. She does what she does for her own enjoyment, sure, but she's thought of every angle and makes her choice to help Reset and control the others with her whole chest. She still worries she won't live up to her invisible expectations, and that and her loyalty are her two driving forces.

I know that Orchid is important to me because she's the longest-running female oc I've had. I have a rough relationship with womanhood/girlhood and I know looking back that Orchid recieved every ounce of my distaste for being a woman that I could shovel into her. That never made her less of a character, she was actually always one of my favorites, and rarely was she a 'punching bag oc'. I just... projected onto her a lot. And she's a good sign of how I've learned who I am. I've decided that my own femininity is something I could live without. I'd rather not associate myself with it, and I'd like to leave it in my past, focusing on a future where I'm not tied down with any gender roles or expectations. That won't happen, but I've come to terms with it myself. Orchid though? I figured out through her that I don't have to hate women characters. My own distaste for my circumstances doesn't mean I have to push it onto my characters (on God I've never expressed anything rude to actual people, that'd be rude as hell and uncalled for, but I have a bad habit of disliking fictional women in media). So, Orchid is a well-roubded character finally. She has motivations abd goals and a *lot* more depth than I ever expected her to. She's happy with being a woman, she's content. She's not treated differently for it in unfair ways by those she cares about, so she doesn't mind it. She likes to wear pretty outfits and lets Reset add bows to her ribbons. She doesn't let being a woman hold her back in the slightest.

So, yeah. Orchid is one of my babies. If I ever leave this Fandom behind for good, she's one that's coming with (Ichor, Orchid, and Pretender all have human designs I can use elsewhere lol-) but in the meantime I'll just rotate her around in my brain for a while longer.

If I'm right, she's been with me for nearly 5-6 years and I went through a *lot* with her as an outlet. So, she's kinda just like an old stuffed animal. A lil ripped, matted fur, maybe a stain or two, but there's a story there and that makes it important beyond belief.

[dukeofthomas]

"He hurts you because he loves you" classic excuse for abuse, not an interesting angle to go at a story with, boring, annoying, makes me hate anyone who says this shit. "He loves you but he still hurt you" beautiful, amazing, empowering. Love is not a pure, good, flawless emotion, actions matter more than intent, and caring for someone doesn't mean you can't or won't hurt them, and in my opinion, it makes hurting them worse.

[carnivalcarriondiscarded]

i love having cats. there's just a Little Guy in my house that i can go annoy when i'm bored

[sparring-spirals]

oh. so. this dream and this vision and this exchange after and everything that has been building to here.

All that rage, all that desperation, Imogen's knowledge that Liliana's judgement is flawed and searching for any reason to understand, searching for a way to bring her out of it. Bring her back.

"Show me" and she does and.

Its- beautiful, its wonderful. Its the unmaking of the world and of history and it feels- so good. For a moment Imogen feels something she hasn't for YEARS. A life and a possibility and a future full of peace she hasnt had for ages, hasnt even bothered hoping for. For a moment, Imogen sees it, but more importantly- she feels it- the freedom, the peace, the dream. Stronger than any vision. She sees it. She feels it.

And she wakes up, and she- unknowingly, perfectly, mirrors her own mothers words, looks around, asks- did you see it? Did you all see that? (I wish you all could see what I could see-)

They didn't- of course they didn't. They saw Liliana, too far gone, spouting nonsense, they saw her reach out, they saw the refusal to listen to reason. They did not see the vision. (They couldn't have. Even if they'd seen it- would they have understood? How could they? No beautiful vision would have captured the thing that left the awe in Imogen's lungs- the peace. The freedom. The finality of, finally, finally, being free of this gift that has only been a curse.)

They didn't see the vision. They saw their friend, tapped on the forehead after hopeless pleas. They've been seeing their friend make further and further excuses for someone they know is a danger, someone siding with people they are working so hard against. That has hurt them. They've seen the way she can't quite denounce Liliana. They've hedged around it: If she's not on our side, will you be okay- You know if she's not on our side, we'll have to-

They've been watching. They're seeing plenty. They did not see the vision. They couldn't have.

They saw a fruitless conversation. They saw their friend rebuffed by someone she loves. They saw her wake up with a strange kind of light in her eyes and- say.

What if its not so bad? (The world ending. Half of the world being eaten. Innocent lives lost. Our loved ones cut down for a fever dream and delusions of power and grandeur. Us, cut down, for some stupid plot for a moon and petty revenge against the gods and a desire to end the world.) They've been watching her, make halfhearted arguments, sidle away. Make increasingly desperate excuses. Ask: What if.

(Its so easy to ask, what if. Its so dangerous. Sometimes the if is used to hide away lives and lives of collateral, of blood red loss. Sometimes the if has already been answered and paid for, and the act of asking is its own form of violence, all over again.)

"Well Imogen, I wish my family didn't have to die for her brighter tomorrow."

And the way Imogen collapses, a little- presses her face into her hands and crumples under the weight of the reminder, like voices piling in after weeks of being in blissful quiet in a forest. Like reality breaking in after a beautiful dream. "You're right. I'm sorry. You're right."

"I swear, I wanna see this through, I do."

"She just presented this vision of- it didn't seem so bad."

And the Bells try to help, to be kind. They say: We understand why this must be hard for you. She's someone you love, its hard to deal with them thinking a different way. What did you see?

They are trying so hard, to reason through it, to balance their own hurt with kindness and sound arguments to lead her back. They want so badly, to lead her back. Have her back.

The problem however, is not the soundness of the argument, is not the reason or the logic- but the overwhelming allure of that sensation- of that promise- of the hope- of the ideal. Of a mirage that already drew Liliana in. That is pulling Imogen's gaze, despite. Despite, despite, despite.

Hope is such a tricky thing to kill.

[a-dauntless-daffodil]

*grabs the Vanguard Vaggie idea and scuttles back under her goblin rug*

OKAY BUT

Imagine, like after they retreat back to heaven, the other exorcists...start talking. They start talking *behind Lute's back*.

At first it's pain and bitterness and betrayal at Vaggie fighting them. 'How could she do this? How could she hurt us?!'

Then, maybe during some hit and run nonsense that Lute has them doing, the conversation shifts. They start noticing that Vaggie doesnt go for the kill unless she has to. Doesn't maim. She always gives them the chance to run, to go home... And they start talking. They talk about those better times with the Vanguard. They wonder aloud why she fights for hell. And maybe, just maybe, they talk about how they miss her. They miss Vaggie. They miss having that feeling of her looking out for them.

I wonder how long it might take for one of them to linger. To lower their weapon. To take off their mask.

Even then, it takes a long time for the first exorcist to *stay* after they should have retreated. For them to ask for a place to stay. But as more and more start to come to Vaggie, to the *Vanguard*, and ask for a home...charlie cant help but be grinning as she holds Vaggie's hand.

ayyyyeeeeeee!!!!

what if there was that slooooow realization that when Vaggie was around, their vanguard, they all felt more like a team together. she liked things done Right and done Well- wasn't bothered with competing- took training and exterminations Seriously- kept them all sharp sure but also turned something that was just Adam's shits and giggles, just a GAME, into a purpose and a duty again. something to be proud of and do their BEST at (while still having fun)

so yeah when Adam and Lute come back with her halo saying she's sided with hell, betrayed them all, damned herself and gets to rot there with them- there's that anger. oh they HATE her for doing that-

because they miss her

and things were better, they all felt better, when she'd been around, and that's gone now and it's her fault

or adam and lute say so anyway

can you IMAGINE in this au, the shift when Lute 1v1s Vaggie... and doesn't come back to heaven with her head?? DOESN't beat her? and Adam's DEAD?

and so are so many of them actually- dead exorcists that vaggie helped kill, that vaggie helped fight off

why?

three years her being in hell and she'd never fought any of them or hurt any of her sisters when they came flying down- (and she COULD have) (used to be one of the BEST after all) it's only when they're sent after her HOME that she fights, almost as if-

as if killing isn't what she wants to do anymore, if she can help it

thats. not the same as turning against them. not the same as her siding with hell- even so lute and adam still wanted her dead, and even then, she'd let lute LIVE...

is that weakness and betrayal?

but she's not weak, if lute couldn't kill her. and she never killed any of them until they came after her. is that still betrayal?

or is it something else

is there anything kind of betrayal here. are they on the wrong side of it...

im not sure, if any of them would take off a mask willingly- risk hell-

i KNOW that even ONE moment of hesitation would get lute turning on them, just like she did with vaggie- worse maybe, now very aware of the danger of letting fallen angels live- HER mistake, not killing vaggie when she had the chance all those years ago

and if a wounded and abandoned exorcist staggered to the gate's of the hazbin hotel? if some of her other sisters went looking for her- KNOWING this time what the supposed 'betrayal' and 'sin' had been?

(a moment of hesitation)

(before one of them drops her weapon to knock on the hotel door)

yeah. they'd find charlie running to help them inside. probably already pulling out bandages- a demon with first aid gear in her pockets, always carried just in case, nothing like they were expecting-

they'd find their Vangaurd waiting there too, having gone ahead and made things safe for them to follow, just like always

that'd be pretty sweet

[michinekot]

i felt like drawing Maru but I really don't have the energy to even color this sketch.