#he's as bad as the rest of them

[desertfangs]

Daniel Molloy at the end of his 32 mortal years, half-drunk and half-mad with blood-induced dreams, is the biggest disaster of all time:

He'd been sitting on a bench in the little park near the Water Tower Place. A newspaper had been left there, and when he opened it he saw the advertisement: "Tomorrow Night: The Vampire Lestat Live on Stage in San Francisco." The cable would broadcast the concert at ten o'clock Chicago time. How nice for those who still lived indoors, could pay their rent, and had electricity. He had wanted to laugh at the whole thing, delight in it, revel in it, Lestat surprising them all.

How nice for those who could pay their rent?! My boy, you own an island! You have a rich vampire boyfriend. I know he's playing life and death chicken with Armand at this point buy goodness, you lost your wallet, you're not homeless. Just phone home!

I love him so much, he's such a wreck!

[starry-bi-sky]

don't you want to be a cult leader? - danyal al ghul au

this is mostly a joke post but i thought it was funny and had to share so--

his first mistake was, obviously, inheriting his father's inability to see an injustice and stand still. -- actually, danyal's first mistake was his lair being so big. a mountainous island with a large temple in the center resembling his old home in Nanda Parbat? With sprawling foliage and rivers and streams and waterfalls galore? What was he going to do with all that space? Let it go to waste? He had plants there! Native trees of the ghost zone growing from the soil! He couldn't let it all be left unchecked!

So naturally after helping a fellow teenage assassin ghost -- who he later learns is named Akihiko, -- from Walker of all people, he sent them over to hang low at his lair until it was safe enough for them to wander around the Zone. Walker couldn't get through Danyal's astrofield if his life depended on it, and trust him -- he's tried. Danny was clearing out debris from his stupid transport vans for weeks.

Honestly it wasn't so bad, he and Aki really quickly became fast friends and Danny loves having a sparring partner close to his level again -- he hasn't had this much fun fighting since he left the League. Aki was very dedicated and levelheaded, the both of them clicked really well because of it.

Nonono, the real trouble began after Danyal met some long-passed League members and allowed them to come join his island as well. Apparently they had made a few enemies of the zone, and maybe Danyal still felt some loyalty to the League. He couldn't just let them be left to rot. Their zealotry could be overlooked so long as they kept it contained and helped him take care of his island.

And it.. snowballs from there? He meets a teen squire aptly calling himself Ambroise -- whether that was his living name or not is yet to be seen -- who died during feudal france, who is just about as dramatic and passionate as every french stereotype makes them out to be. He calls Danyal "my moon and great muse" -- which is both flattering and little uncomfortable, but Danyal's grown up in the League as the Grandson of the Demon Head, he is used to mild worship. he passes it off as nothing more, nothing less. -- and while his energy is overwhelming on the worst of days, he helps Danny draw out of his shell more in ways that Sam and Tucker still struggle with.

Him and Aki butt heads a lot, but the two seem to hold the other in at least some positive regard, so Danny doesn't worry too much about them fighting while he's gone. It only becomes a mild issue when Aki also begins calling Danny "my moon". It's a little sweet, so Danyal brushes it off.

Then he takes in a troupe of ghosts some time after he defeats Pariah Dark and they begin calling him "great one" just as the yetis do in the far frozen. This is where he meets the twins -- a pair of sibling ghosts who call themselves Trixie and Missy (short for Trick and Mislead) -- who aren't quite as passionate as Ambroise but more energetic than Aki. Eventually they also start calling Danyal "my moon" and attach themselves to his hip, even within the living. They like to hide in his shadow and cause trouble for the rest of the students. He makes sure they don't hurt anyone.

He's pretty sure Aki is jealous, same with Ambroise, but he can't be too certain other than the fact that they become much more lingering (re: clingy) whenever he visits the island.. Something he's trying to do much more often these days due to the increasing amount of people living there now. Since when did he become so popular?

Then there's Pēnelópeia from the Greater Athens, who ran away from home and joined his Island after he ran into her while she was being chased by Skulker -- and he's pretty sure the reason was because of her chimeric appearance. Her strange eyes and mismatched wings and lion's tail and talons. She assimilates into his friend group very easily, she gets along well with Ambroise and Trixie and Danny usually finds the three of them climbing the trees to pluck the most fruit from the top. They can fly and he knows it, but they prefer to climb.

Then finally there's silent poet Akkara who comes from ancient mesopotamia, who gets along most with Aki -- which is no surprise there considering their similar personality dispositions. he watches Aki and Danyal fight each other and leaves comments on this or that that he notices. He writes Danyal poems on clay tablets and leaves them by his room.

They're one big mismatched group of outcasts, and Danny's got the other ghosts on his island to tend to, because they're living on his island and he wants to be hospitable even if he struggles with that. But he spends the most of his time with them.

Sam and Tucker are making fun of him. Tucker jokingly tells him 'careful Danny, at this rate you're gonna start a cult'. Danny really wishes he had taken that joke more seriously.

He just. keeps. collecting people. Wayward souls lost in the zone, looking for shelter or refuge from something or other -- whether that be another hostile ghost, or a past afterlife, or just a purpose. Danyal finds them, he takes them in, offers them a place on his island until they are ready to leave. Many seldom do. He's not complaining -- he has the space, and it feels like it's only ever growing.

His close friends, his "inner circle" as he's heard the others call them, keep insistently calling him "my moon". He starts calling them his stars, because then it only feels fair. They're his stars, this is his constellation. It becomes a thing; little star halos begin forming behind their heads, picking them out from the rest. He loves them so much, it's hard to place. Sam and Tucker are also his stars, but they reside in the living realm, they're his tie to Life. Meanwhile, his friends here know what it's like to be dead, and sometimes its nice to relate.

Those living on his island keep calling him "Great One" and he's beginning to notice zealotry in their care for his island. He really, deeply appreciates it. His close friends gain nicknames -- as his stars, it's only natural for him to pick them out from the cluster in the skies. Akihiko, his Sirius and bright star. Trix and Missy, Castor and Pollux, the twins and troublemakers. Ambroise, his zealous Antares and close friend. Penelopeia, chimeric and loyal Vega. And Akkara, his Arcturus and strength.

It's ridiculous how long it takes for him to notice; he is, of course, a deadly trained assassin. He is meant to be observant -- and normally he is! But somehow this becomes a blind spot. One that becomes too big to be dealt with by the time he realizes it.

He should've noticed when Aki, his Sirius, stood beside him one day while Danyal looked over his island and saw the sprawling spirits carrying on about their afterlife and bowing to him as they saw him, and said: "I looked down into the depths when I met you; I couldn't measure it." They aren't one for flowing prose, it took him so off guard he was silent for over a minute before he finally spoke.

Danyal should've recognized devotion for what it is, and yet he didn't. He should've recognized it when Antares began spouting praises about him, crowing about his radiance and resplendence to the heavens. He just brushed it off as Ambroise being Ambroise. He should've recognized it when Trix and Missy nearly broke Dash's leg after he knocked Danyal's books out of his hands, he excused it as them being protective. Of them coming from times where such violence may have been customary -- after all, that's what he used to be like. What he was still like, sometimes, when his emotions nearly got the better of him.

He should've noticed it when the people living on his island followed his word like gospel, looked at him like he hung the stars in the sky. When his friends gifted him a shawl with the moon phases delicately embroidered into it, with silver, shimmering thread and moving stars lovingly stitched into it. Their constellations seen clear as day in the dark fabric. When he found small shrines dedicated to him -- but they lacked any image of him beyond stones carved to look like moons, so he ignored it. When the religious imagery began popping up.

He really, really should've noticed it when a bunch of cultists accidentally summoned Antares, and Antares had turned to him when he arrived and called them heretics. But he was so centered on the fact that they had kidnapped one of his stars, that he hadn't paid much attention to what Ambroise had said.

Sages say that faith is blind, they should also say faith in you is even blinder.

It really only hits him one afternoon while he's sitting in Sam's room studying with Tucker, Missy and Trixie lounging at his feet, Aki sat on his right, Penelopeia braiding his hair, Ambroise draped against him, and Akkara lurking over him. Its one of the rare few times they're all in one room together.

It hits him like a bolt of lightning. He looks up from his textbook. "Oh Ancients," he says in no amounting shock. Everyone looks up to him.

"I've become my grandfather."

[agnes-come-back-challenge]

I love that everyone in TMA is just. Unremarkable. Jon isnt a heroic character; he's self-loathing and depressed and he exhibits the same self-pity as I do when I'm self-loathing and depressed. He doesn't stand out for his strength of will or quick-thinking or virtue. He's a good person but he stops trying to stay human when it gets uncomfortable. He's everything that a regular person is when theyre trapped in a horrible situation and it's ugly and insufferable and Real.

[emo-batboy]

Battinson and the JL ft. His Eventual Identity Reveal

(If you’re just here for the cutesy bits, skip to Attempt #2. Otherwise, STRAP IN CUZ IT’S A LOT)

Bruce Wayne of Matt Reeves’ The Batman is not the founder type.

He wouldn’t voluntarily join a book club, much less join a league of super powered vigilantes whom he does not know personally.

So in this universe, you probably wouldn’t call him one of the three Founding members.

But he’s still integral to the formation of the Justice League

It starts out with a friendly visit :)

Bruce is patrolling on a random night in Gotham when he notices a weird thing in the sky. It’s floating just far enough behind him that a less vigilant person wouldn’t have noticed, but Bruce is always watching his own back, and he takes it as a threat.

He strays from his usual path and then heads to a warehouse roof before turning to face the threat.

It’s Superman. All smiley and dressed in primary colors. The strongest, most powerful being on Earth just floating over like he wasn’t stalking Batman a second ago. Bruce does not like that.

“What do you want with Gotham?” He asks. “I don’t,” Superman says. “I wanted to talk to The Batman.” So this is some kind of fight? An intervention? A warning? Then Superman frowns. “You…are The Batman, right?”

Bruce only nods as he considers his options, but he can’t really do that when Superman has super speed, super sight, super strength, super breath, super lots-of-things-that-Batman-probably-doesn’t-know-of.

Then Superman surprises him by landing on the roof and giving him this pitch about a superhero group.

Superman and a few other vigilantes have been bouncing around the idea of teaming up together so they can help one another protect their cities. And The Batman was a “perfect candidate.”

“I’m not joining your club.” “It’s not a club. It’s a league.” “What’s your mission statement, then?” “A what?” Bruce fights the urge to roll his eyes. He still doesn’t trust this guy. “Take your league idea back to the drawing board then we can talk.” He does not intend on talking.

But two months later, Superman is back. This time, he brings another super powered vigilante named Wonder Woman.

She smiles, politely approaches him, and says “Superman tells me you want to learn more about our league.” That is not what he said, but he doesn’t bite.

Bruce can’t decide which they remind him of more: college recruiters or cult leaders. But because Wonder Woman genuinely seems to care about seeing this project through, and the roster she has of current like-minded vigilantes is impressive, he lets her talk.

And to give her credit, she definitely thought out the logistics more. It almost makes up for the time they’re wasting.

Okay, fine. They’re still way behind on concept, and it’s pitiful. He actually feels bad.

They obviously care! They just have no idea how to run a business like he does. Is it a bit cynical to think of this league of Justice as a business? Yes, but that’s the only way he can even conceive this happening and working.

Bruce asks about their organization’s leadership structure, and that’s when Wonder Woman falters a bit. “We want to work with each other, not for.” Bruce bites his tongue on that subject.

He asks about their scope of work. “We want to help as many people as we can, but that can be ironed out later.” Bruce bites his tongue on that subject.

He asks “Who’s funding this?” She answers, “We have a few members willing to pitch in, but the majority will have to come from generous citizens.” And that’s when he just stops asking questions. Because what?

If he could cry the grease paint off, he would.

They can’t just think every super-powered vigilante is going to sing Kumbaya and braid each other’s hair. There needs to be checks and balances within the organization to avoid tyranny and corruption. They need a reliable source of donations (that doesn’t immediately out Bruce.) They need a proper chain of command. They need to map out their area of responsibility. They need to design a VERY strict vetting process. It’s not sunshine and rainbows. It’s hard work!

So he says he’ll think about it again and complains to Alfred about the weird super stalkers.

But for SOME reason, Alfred doesn’t see the problem

Alfred encourages him to join so he can “make some friends.” But how can he trust these people if they can’t even make a half-decent pitch? It’s like a bad episode of Shark Tank.

And “make friends?” They’re all masked

But after a week of gentle nudging (read: very firm lectures), Bruce agrees. ONLY to keep tabs on the rest of the vigilante world and possible threats to Gotham

(And without his help, they’ll probably butt-dial Lex Luthor the nuclear codes or something)

And he is damn well going to figure out who these people really are before he helps them make a Super Organization.

Alfred figures out about half of their secret identities purely as a brain exercise while Bruce is out fighting crime and collecting head injuries like Pokémon cards. They figure out the rest together.

They also develop contingency plans for every single member. Just in case.

And after months of Batman being visited by random vigilantes, whom he has several choice words for about personal space—“This is my city. Go away.”—he accepts. On several conditions.

Not all of them are appreciated.

Attempt #1: “Making Friends”

After several scheduling conflicts, a lot of prep work, and a really good hype session in front of the mirror, Bruce heads on over to the first official meeting.

Batman arrives with a long list of things they need to do before going public. The first thing on the list?

Write A Mission Statement

What the fuck are they actually trying to do? Bruce thinks this is a great starting point.

And you’d think (you’d think) this Justice League thing would be easier to tolerate than the drawn-out exec meetings he has to sit through with boring, old businessmen who keep delaying things so they can hash out every little detail.

To Bruce’s absolute horror, he BECOMES the boring businessman who’s delaying things so they can hash out every little detail. He misses the boring, old businessmen. At least they knew what they were doing.

Every turn, he is argued with.

“Why do we need a mission statement?” “‘Power Structure’ feels authoritarian. Can’t we just share leadership duties?” “Do we really need this much paperwork?”

Bruce has the audacity to say, “We need to develop some sort of protocol that helps us analyze any possible threat.” But no. “Why can’t I just jump in? I have eyes.” “Jumping in without studying an opponent’s behavior could cause more harm than good,” he insists. “So what? I’m going to watch an alien monster go on a rampage through my city instead of fighting it?” “Yes. You don’t know what it’s capable of.”

Bruce already regrets joining.

All he hears is the others gossiping. “Is this guy really telling us how to be heroes?” “He’s got a major stick up his ass.” “I knew we shouldn’t have let him join.” And if that doesn’t dissuade him, he doesn’t know what will.

“How was the first meeting?” Alfred asks. Bruce scowls. “I’m not making friends.”

Nonetheless, Bruce sticks it out for weeks until they have some semblance of an organization. And, to his shock and amazement, it…kind of works.

The Justice League makes its debut, and Wayne Enterprises generously donates some money “out of spite” after Lex Luthor publicly denounces the league. (Honestly, Bruce would too if he hadn’t personally duct-taped it together himself.)

But the league starts small, just like he told them, they respond to natural disasters and public safety threats first (as per the outreach initiative) and focus on protecting communities in need (as per the mission statement.)

Yes, they still think Batman has a stick up his ass because he’s a stickler for writing incident reports, but no one else reads them so he has the right to be pissed.

He’s almost kind of sort of content with how it’s going. Even his reputation as a vigilante is improving.

That’s when another glaring difference between him and the other members appears.

Despite looking the same age as the rest of the team, Bruce is actually much younger?? Even excluding the aliens, gods, etc.

Most of his teammates are in their late 30’s, early 40’s. Meanwhile, Bruce is at the ripe age of 29 and a half.

He is the youngest by ten years.

Everyone kind of just assumes he’s the same age, though, so they make references to 80’s kids stuff that he only vaguely understands through Alfred and his business partners. He just sits there in silence like a child who snuck over to the adult table and is waiting to get caught.

So on top of the rift he (accidentally) created when they started the organization, it’s even harder to connect through similar interests. Other than punching people together.

And Bruce Wayne has a bad case of imposter syndrome when it comes to their superpowers.

He’s always in the corner brooding, and everyone’s like ummm antisocial much?

But 50% of the time, it’s because he’s thinking “I’ll never amount to the incredible heroic feats everyone else has accomplished. How can I possibly make a difference to the world if I’m already struggling to save Gotham?” Like a little emo freak 🖤

(Meanwhile, you couldn’t pay those mf’s to step foot in Gotham. This Bat guy’s crazy and he’s human apparently?! No way. Nuh uh.)

The OTHER 50% of his “brooding” is Bruce standing to the side with a mixture of concern and judgment because his teammates’ competency in certain areas is…alarmingly low sometimes.

One week, he finds himself thinking, “How do these grown-ass adults not know their way around a digital map? They’re 40, not geriatric.”

Then like a week later, it’s “These fucking war fossils don’t even know Morse code. I gotta do everything around here.”

One of the final straws is when he says, “Did they just break another fucking Keurig? Who does that, Alfred? It’s the fifth one.”

Suffice it to say, he’s not very personable. But is it his fault? Well yeah, a little bit. Like……..65% his fault.

(The remaining 35% is their moaning and groaning whenever Batman calls a meeting.)

Bruce’s irritation is totally justified.

God, he just wants to go home.

Why is he doing this again?

Attempt #2: Actually Making Friends

The first JL member to break through his cold, black exterior is Wonder Woman. She needs help with search and rescue after a sinkhole opens up near an elementary school, but no one’s available until Batman responds to her call.

He’s on the scene in less than an hour and makes quick work in securing the area. Thankfully, she catches him once it’s over. (He always runs off without saying goodbye.)

“Thanks for helping. Everyone else was just so busy. I’m glad you could fly over.” Batman mumbles something that she can’t quite hear. “What was that?” she asks. “I was busy too,” he repeats. She gives him a weird look, and he freezes up for a second as he realizes that probably wasn’t appropriate to say. “I mean…this was more important. There were kids in danger so it didn’t…matter if I was busy.”

Wonder Woman considers how awkward The Batman looks for a moment then smiles. So he really is human. “Well, thank you. The help was very much appreciated.”

Since then, several small acts of kindness and solidarity earn Batman some respect from the rest of the team.

One day, Flash complains about how boring their meetings are so Batman brings a massive bin of fidget toys. After placing them in front of the Flash, he mumbles, “These are for ADHD. They’re useful.” Flash almost cries with relief. He is very touched.

Another day, Green Arrow is severely injured in battle. Without a word, Batman leaves the fight, takes him to a safe location, stops the bleeding, and does it all while repeatedly making sure he’s awake and asking permission to remove certain pieces of clothing.

In another fight, Plastic Man’s mask is thrown off, and Batman sees his face. In a second, Batman tosses a smoke bomb, picks up the mask, and hands it back before anyone else can look. It costs them time and the element of surprise, and Plastic Man knows it, but Batman did it anyway.

A JL member’s stomach grumbles during one too many meetings. Suddenly, their little break room becomes a fully stocked kitchen with shelf-stable meal items and all the basic necessities. There’s a nut-free section, a gluten-free section, everything. The only reason they know it’s him is because anyone else would have admitted to it.

(He renovated the whole fucking thing. In one night. By himself.)

And they all see how gentle he is with children. Countless times, The Batman is spotted prioritizing young civilians at any given moment.

He has lollipops in his belt. And Bluey bandaids too.

It’s the little things that make them feel closer to him :)

And okay maybe his goddamn Mission Statement lecture wasn’t so bad

So they stop moaning and groaning

Okay, now it’s bonding time WOOHOO!!

Attempt #3: Kinda? Friends??

One day, Superman says he isn’t too fond of billionaires (because of Lex, obviously) and goes on a rant about capitalism. Bruce doesn’t dare contribute because 1) he’s the richest man in the world and 2) every other billionaire he’s met is insufferable.

(Including Oliver Queen who Bruce refuses to look at while Green Arrow “defends his city’s billionaire.”)

(And while we’re on the topic of Green Arrow, Bruce cannot forget the disappointing almost-fling two summers ago. He still holds a grudge.)

Green Arrow: “You’re all fashion nightmares. Who wears a cape in the 21st century?” Batman: “At least my facial hair isn’t longer than my dick.” GA: “What was that, Batman?” B: “What?”

Also Bruce is very attracted to Superman.

(He likes older men.)

(Yes, I am referring to Henry Cavill’s Superman.)

(Sue me.)

(But don’t get your hopes up. He does literally nothing about it.)

(Coward.)

One of the JL members complains about how sore they are after a few missions so Bruce cashes in his Monthly Attempt to Socialize and says, “Try yoga. It helps me.” “…Batman, you do yoga?” “Yes. My son got me into it….It’s good for you.” “You have a son?!” He is never socializing again.

They also learn that Batman has the smallest frame on the team. (Like yeah, he’s tall, but he’s also lanky, and everyone else is either an alien or a human dorito.)

One night, they need to sneak through the vents of some building so Bruce offers to do it. Someone says, “It’s a tight squeeze. Are you sure you can fit?” Then he just takes his cape and pauldrons and shoulder pads off and is suddenly like a foot skinnier

“Wait…is this why you’re so good at hiding in the shadows?” Bruce just glares at the Flash for a second before climbing into the vents.

(The answer is yes.)

A betting pool is started over whether or not Batman is part Bat.

In fact, several betting pools begin because no one knows anything about the guy??

Aquaman and Plastic Man go to great lengths to figure out what his hair color is.

They lose their shit once Bruce tells them he’s vegetarian.

Green Lantern: “Every time he opens his mouth, we learn something new. Next, he’s going to tell me he speaks Swahili!” Batman: “I do.” GL: “Oh, come on!”

Superman: “We need someone on the inside for this international operation to work, but that’ll take at least three months undercover.” Batman: “Don’t worry. I have connections.” S: “…In Shanghai?” B: “Yes.”

The Flash adds SHANGHAI?? to his conspiracy board

Bruce needs to stop trying to socialize. It’s better for everyone’s cardiovascular health.

A year or two in, they’re all introduced to Captain Marvel. Bruce is the first and only person to learn his true identity (kid Billy Batson) because Bruce is the only one with a kid. That way, he understands the weird Gen-Alpha humor and references.

Millennia-old deities don’t use the term Flop Era.

And, of course, they play FMK at some point.

(I mean, come on. There are like TWO mature adults on this team, but Martian Manhunter doesn’t know what’s going on until it’s too late, and Wonder Woman is busy at her day job.)

During that particular round, the celebrities are Bruce Wayne, Lex Luthor, and Kylie Jenner. Bruce does, in fact, want to kill himself, but he chooses Fuck instead because of this exact conversation:

Green Lantern: Come on, Bats. It’s just a game! Choose already. Batman: No. I’m against killing. GL: Oh, go fuck yourself. This situation is completely hypothetical, and you know it. B: Fine! Fuck Bruce, Marry Kylie, Kill Lex. GL: See? That wasn’t so hard :) Bruce:

He tried

Attempt #4: Ah shit, FRIEND?

The identity reveal comes about three years after he joins. He’s 32, has three kids, he’s been on hundreds of missions with them, the team’s over twice its original size, and there are domestic terrorists overtaking Manhattan.

Superman, Wonder Woman, The Flash, Green Lantern, Martian Manhunter, and The Batman try to extract as many civilians as possible, but now they’re being hunted. After hiding in a warehouse and considering their options, MM finally suggests that they pose as civilians, which immediately creates uproar.

Bruce, however, realizes this is the only way out.

But it’s not dramatic or badass like that one JL episode. No, instead, he thinks about it, swallows the regret, and just—

Takes off his cowl.

And the whole room falls dead fucking quiet.

Then, “Oh fuck.”

(That was Green Lantern.)

Bruce just shrugs and mumbles, “Martian is right. It’s the only way.” And really fucking hopes the grease paint hides his red face because he is not having a good time right now.

He would rather die, actually, but they need to get somewhere safe and Fast.

The others look him up and down then nod slowly. “Uh yeah.” “Okay, sure.” “This is fine.” “We’ll do that.”

The others begin slowly taking off their suits and changing into something more casual. Bruce takes his off, revealing the skin-tight compression suit underneath, and stuffs his armor in the roll-up duffel bag that’s kept in his belt.

He changes into his drifter outfit, wipes his face clean, and suddenly, The Batman’s just a normal guy. (A very pretty normal guy, mind you. His teammates have eyes.)

“We can head to my place,” Bruce says. “It’s closer, and I know the train system pretty well.” And yes, he’s pretty soft-spoken outside of the suit, but now it feels even more obvious.

Meanwhile, the others are like—

Oh. My. God.

Oh my god, he’s fucking shy. Batman is acting shy in front of us. Dear fucking god. Batman is Bruce Wayne. And Bruce is shy so Batman is fucking shy?? Bruce is pretty too. Holy fuck. He is very pretty.

And he’s so young?? Oh my god, he’s a BABY wtf?! He’s like four inches shorter. Four inches tall! They’re all towering over him without his massive boots and armor, and he just hunches over with the big duffel bag like he wants to sink into the floor, and he’s so small.

Wonder Woman wants to put him in her pocket.

Sue her.

They end up taking the train back. Bruce has on the mask and cap that hides his face (poor Superman, he really likes his jawline) and they all follow Bruce as he gets off and on several trains at seemingly random stops. THEN when they’re finally in Gotham, they head into an abandoned-looking subway station that leads them into a…cave?? WTF

And in the middle of the cave is an elderly man with a cane and a three-piece suit just lounging on a recliner. (WHAT THE ACTUAL FUCK—)

He looks up from his crossword puzzle and says, “Ah! You’ve finally made friends, I see?” Bruce rolls his eyes. “This is not a sleepover,” he gripes. “Shame. I was about to grab your footie pajamas for you.”

The man smiles at them. “A pleasure to meet Master Wayne’s work friends in person. Would you like some coffee? Tea? If you’re like him, this is going to be a long night.”

No one dares to question why this man recognizes them in their civvies

They also can’t tell if the footie pajamas line was a joke or not. After tonight, nothing is off the table.

(This is a minefield of information. Barry is having flashbacks to his conspiracy board. No one is going to fucking believe him.)

They all settle into one corner of the cave. Bruce leaves to change and comes back looking like this:

(Goddamnit, Clark is having a meltdown. His hair looks so good wet.)

At one point while they’re plotting, Wonder Woman glances over his shoulder to see Bruce checking some sort of security camera. A boy, maybe nine or ten, is sleeping in bed. “Is that your son?” Bruce clearly doesn’t want to answer, but Alfred gives him a look, and Bruce sighs. “One of them. Yes.”

Later, they have to analyze some explosive samples in the cave, and Barry, forensic scientist extraordinaire, has some choice words about the non-sterile environment.

Barry: This doesn’t look safe. Bruce: My lab is perfectly clean and functional. *bat screeches* Don’t worry about that.

For the rest of the night, they use the evidence they have to track down the organization while the rest of the JL suits up and saves NYC.

After a few hours, they’re safe to return to NYC for damage control. But Alfred refuses to let Bruce go with them. “Your sons are worried. Drive them to school, then you’re coming home and sleeping.”

Bruce clearly wants to argue, but the mention of his kids stops him. He sighs and turns to the others who are already changed. “Let me know if you need anything. I can be there in ten minutes.”

They all nod, knowing full well they will not be doing that. The guy clearly needs rest.

(Also, he is a single father of three and still goes out every night to punch robbers and crime bosses? Is he doing okay?)

Then they head back to NYC with so many questions.

But a lot of it makes sense too, actually. Maybe they just weren’t thinking about the man behind the mask enough to see it.

They learned a lot about their friend that night.

And they have a lot of bets to cash in.

FIN

Okay :D that was a lot! If you enjoyed it, please let me know. This has been simmering in the back of my head for months <3 Have a great day and drink some water :)

Hey bestie @bruciemilf

[xulips]

he wants you to look at his teammates

[tanglepelt]

Dc x dp idea 123

Danny is haunting the watchtower. No regrets. He was just so fed up with the lack of action.

Seriously they had a whole bs site claiming they were pro meta and basic rights. Like it had links on where to “report” breaches. All utter bs.

Nothing about the anti ecto acts. He personally called in and reported it many times. And nothing happened. As the king. He had a duty to his ppl. Now he didn’t want to hurt anyone or declare war.

But he will absolutely in the middle of their meeting change the screens of the computer to the site to report breaches. Mayhaps add bloody green text seemingly dripping in all cap LIARS and maybe YOU IgNORED US.

Was it a tad much to leave a stabbed article about the anti ecto acts in the middle of the meeting room ozzing ectoplasm. Or maybe the whispering in the ears of anyone who slept here.

He certainly didn’t think so.

So now the screens occasionally flickered the failed experiments of the GIW. Sure no one’s been killed yet. But the justice league didn’t know that. Danny is great at breaking them out.

[perpetuallyboo]

The posts ive seen about "I really hope the bad kids dont hurt the rat grinders :(" is giving the same energy as the hangman to fabian going "we should be nice to her cause if we just keep being nice to her then she'll stop being so mean!!"

[here-comes-the-moose]

Echo during his time with the 501st: doing body shots, dancing on tables, blowing things up in the barracks with Fives, creating chaos with Fives, doing keg stands, complaining about them leaving the club “too early” even though it’s four in the morning, being the reason that new rules were added to the reg manuals, generally being an absolute terror

Echo during most of his time with the Bad Batch: tucking kids in, telling bedtime stories, always carrying healthy snacks, in bed by nine, putting people in time-out, telling “kids” to behave, tending to sick “kids”, being the only one to put their foot down and shut down any shenanigans, generally being a mom and an absolute angel (of course this is when he isn’t being the absolute badass that he is and always had been since let’s not forget that he’s an ARC Trooper)

[cherrirui-official]

"You know... You didn't have to take that with you."

"But I promised him I'd take him out to see the ocean one day."

[everysongineverykey]

as part of the getting-worse-before-it-gets-better portion of aziraphale and crowley's season 3 relationship arc we NEED a desperate "i love you" from aziraphale met with a hissed, spiteful, and quickly regretted "i forgive you" from crowley

[solidwater05]

Obsessed with Joel telling everyone that they made a mistake by voting him. Not because they were wrong, but because they finally gave him a reason to kill. He's been barely holding back.

He's so violent but so scared of doing harm. He's not supposed to do that here! That would be very bad! But there's nothing he wants more than seeing the world burn to ashes even if he burns with it.

[beaulesbian]

ONE PIECE EP. 254 || Luffy finds out that Zoro was stuck in the chimney, while he was stuck in between two houses

bonus - Chopper clinging to Zoro

chapter 364

[pjs-everyday]

friends keep us warm ❤️

[eyrieofsynapses]

why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

[kinos-fortress-2]

i am aware that this looks nothing like them and i made them ugly af i just dont care anymore. and yes this is still tf2

[bacchuschucklefuck]

species medley ft. gorgug and riz