#god i love these girls btw

[lestink]

is it just me or do the women who start off as villains lose their lipstick/makeup

[churroach]

Full of Desires

[lupiinist]

i like the idea that lily is one of the smartest people in hogwarts but she's also just like

very clumsy. she drops things, she trips on air, and she's very unlucky too, gum sticks randomly on her hair (mary or marlene always cuts the tips of her hair every month or so because of that), and everytime something like that happens, she makes an odd sound as she snorts and laughs.

because yes, she's clumsy and unlucky, but she's surprisingly positive about it, she finds everything to be very funny, and mary and marlene are so used to it by now that they're always ready to hold her before she falls, take her out of the way of something that's being thrown, or just hold something she dropped before it breaks.

i like lily being a bit of a mess, let her be a bit of a failgirl as a treat, she's adorable, and she's a genius!!!!

(also, mary can't help but look so, so fond and in love with her whenever lily laughs when she trips on the hem of her robes, like she makes the entire day brighter just by smiling)

[haunted-xander]

Sometimes I think about Urianger's role in and feelings on the Thancred-Ryne dynamic and I think watching it kills him a bit inside. For several reasons.

Like, to begin with there's the guilt he's been carrying with him since he ushered Minfilia to the first, how he effectively killed the person Thancred cared about the most in the world and who's "death" ended up causing Ryne's entire Situation. He looks at what's happening between them and can only think "I caused this" even though that's not really true. No one person is responsible for this outcome, it's a culmination of several circumstances and the consequences of them. Logically, Urianger knows this. But it doesn't matter, because his guilt is overpowering his logic.

And also, like. What Thancred is doing here, the way he's knowingly letting Ryne be and stay hurt because he literally cannot bring himself to tell her his feelings, is the exact same mistake Urianger made with Moenbryda. Of course, the circumstances are vastly different, and the potential consequences to Thancred telling Ryne the wrong things or her misinterperating it is far greater (being a matter of literal life or death), it's still the same sort of paralysis they are trapped in.

And he knows it. He sees it. But he can't say or do anything about it, he doesn't have the right to. He acknowledges the mistake, but he hasn't really improved upon it yet. He still doesn't voice his thoughts and feelings as he should. He's also non-confrontational by nature, he doesn't argue or try to change peoples minds, he probably doesn't think he has any place to.

So, he tries to help in what little ways he can. Because he doesn't want it to become Monebryda again, he doesn't want to know he stole not one but two people from Thancred. So he does what he can. He tells Ryne little tidbits about Thancred, things that help her understand him but are safe to share. Nothing too deep, nothing too personal. Just small things, things that are purely factual, because he can't afford to give her a false image of who Thancred is. He teacher her fun and interesting things, because Thancred isn't in the mindset to provide her with non-essential skills.

I like to think Urianger has brought it up with Thancred at least once, during one of his stays. But nothing would've come of it. Not really. Unlike Y'shtola, Urianger isn't pushy, he'll bring it up once or twice and when he sees this won't go anywhere, he gives up. He wants to help, but he knows that persistance only does do much, and he is not the person who has the resiliance needed to push and push until Thancred finally budges (because he won't budge, it won't help anything but to sour things further by adding aditional stress to an already strained dynamic).

And like. Urianger gets it. He gets it because he's been the same way- not saying what he should to someone he loves more than anything else because she was meant to figure her life out herself, and 'steering' her in any direction by telling her his feelings (regardless of if the 'steering' is intention or not) will go against that. He gets it. He gets it and it's all the more painful for it. He knows it can't just be fixed by acknowledging it or with encouragement, something needs to happen to break the stasis.

I think this is probably why he stayed behind while they went off to Nabaath Areng. This is the very last chance they have to say what they want to, and he can't afford to be the anchor anymore. This is about them, not him, he can't let their resolution be buffed by his presence, so he stays behind. Which was probably for the best. Ryne got nervous when Urianger said he's staying behind, probably not too excited about being alone with Thancred (well, not alone, but WoL doesn't count) so soon after she had ran away crying. But she needs to be nervous. For anything positive to come out of this Thancred and Ryne both can't afford to be too relaxed. As sad as it is, the stress is necessary for anything to happen. He knows it. Does he like it? Absolutely not, but nor does he like his other plots. At least no one dies this time if it goes right.

[deepseagraveyard]

ba dum tss 🥁❄️

[valtsv]

prommy i'll stop talking about her after this but the fact that carson's contingency measures to stop VAL from doing anything that isn't part of his plan to win the war involve bringing her abusive parent into the plan to put her down is making me sick to my stomach. i realise that the implication is probably that they're going to use her mother as bait to draw her out, but the fact remains that it draws an uncomfortably close comparison to telling someone's abuser about their transgressions with the knowledge that it will lead to punishment. he's literally Going To Tell Her Fucking Mom. the cycle repeats the poison drips through and all you do is change hands to one that holds a longer leash.

[chalkscrub]

random STUFF - in order, we have oap infighting, donk faces (hardest thing in the world to draw), and yet another lineup of morally dubious individuals

[mobius-m-mobius]

#ghost host with the most 🥰

[halfdeadwallfly]

[g3othermal3scapism]

the kind of thing that makes you proud that nothing else had ever worked out

[butterflysonnets]

yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.

to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!

i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.

also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.

they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.

they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.

i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.

[atomicengineerdetective]

I've been watching Hazbin Hotel in prime. Just watched episode 5 and I gotta ask

Why, oh, WHY DON'T I SEE MORE PEOPLE TALKING ABOUT "MORE THAN ANYTHING" WHEN TALKING ABOUT THE HAZBIN HOTEL MUSIC???

Like I get it, the song before it "Hell's Greatest Dad" Is a bop reminiscent of other music from the era its parodying. I loved it.

BUT why are you only putting clips of that song when this MASTERPIECE comes a few minutes after

I honestly don't even know where to begin with this song. The visuals are beautiful, especially when we get moments like this where you can just see the absolute LOVE this man has for her daughter is so sweet and Heartwarming I just-

The voices are fenomenal but what else can you expect from the broadway talents of Erika Henningsen and Jeremy Jordan.

There is also the whole Symbolism with passing the baton to the next generation and stuff. I- I can't even get into the specifics right now Im too emotional.

But above all else THE LYRICS

ESPECIALLY THAT LAST ONE

"I'M GRATEFUL YOU ARE MY DAUGHTER/FATHER MORE THAN ANYTHING"

DO YOU WANT ME TO CRY?? CAUSE I AM. I AM BAWLING MY EYES OUT RIGHT NOW.

It's just so fucking beautiful man. Probably the best song I will hear all year. Obviously my favorite from Hazbin.

[skitskatdacat63]

Roleswap anyone??

Tell me Fernando wouldn't make a fantastic general/emperor, and that Napoleon wouldn't make a fanastic driver/tp!!

[geodebiome]

oh btw, that character you like, the red one yknow? the one with the signature weapon and daddy issues? the one who hates the feelings he acquired from his violent upbringing? that guy who got emotionally closed off in a toxic masculinity way because his dad was abusive? you know the one? yeah i transed her gender. youre welcome

[disregardcanon]

thinking about that interview with jasmin savoy where she talks about how tai losing her sense of fashion as the wilderness story line progresses shows a loss of her sense of self, and like. if we assume that's an intentional costuming choice, that is soooo interesting with adult! tai.

before the crash, tai dressed in a way that was bright and bold and stylish. like it was feminine, but it was very bold. child! tai had brightly colored ponytail holders. she didn't dress in a way that made her... smaller, even though it was also more "feminine".

adult tai in season 1 when she's really in her I Am Going to be a State Senator and I Have This Figured Out, Yeah! it's feminine and professional and most of all unimposing. i think it's a great way of showing how much she's melted into simone in trying to shape what the adult tai she might have been would look like.

in later season 2, when she's back with van, we see her in all of van's clothes: 90s butch aesthetic. which is just another indication of that loss of identity. tai had a solid idea of who she was and who she was going to keep being before the crash, but she's spent so much time repressing everything that now she doesn't have a clue, it's just modeling herself off the women in her life. like ann perkins from parks and rec but with way more lesbian trauma

[godslayyer69]

When you meet a man ✨SO PERFECT ✨ with beauty and brains and a heart of gold that you ended up being jealous of him instead of falling in love