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i-hate-accidents · 7 months ago

Text

i hate accidents: the beginning

femme!reader x benedict bridgerton, femme!reader & the bridgerton family, femme!reader & penelope featherington

summary: the adventures of a working class femme who befriends a fellow writer, a boisterous family, and a bewitching second eldest son

sections: I. the beginning / II. the between / III. the ball

y/n: bipoc, she/her, afab, nonbinary femme, queer, working class, of immigrant parents

content warnings: classism, mentions of financial survival, microaggressive sexism, microaggressive gender assumption, positive/supportive families, allusions to alcohol abuse in [I.viii]

word count: 13.9k (of 38.8k)

story context: everything in s1 and s2 of the tv series is canon for this story except for the s2 epilogue with the bridgertons. this story takes place leading up to and into the 1815 season.

additional notes: this story is incomplete. scenes that are not written are described in chevrons <> with third person pov or are delineated by isolated ellipses. additionally, the author has only watched s2! she has not watched any of s1 aside from clips, and they have not read the books aside from quotes used in edits. they have not yet watched queen charlotte. the author kinda knows the gist of an offer from a gentleman; they are familiar with sophie beckett (and are excited to meet her/them in the tv series!).

author’s note: this is the first time the author has written fanfic in 13-15 years. :) it is her hope that they have made some progress since her pre/teens. additionally, this fanfic has been written, on and off, over the course of two years. the author sincerely hopes you find some sort of joy in it, especially the readers who maybe hope to see themself a little more specifically in the world we so love.

reading tip: whilst the author is proud of it, she understands the intro to the first section is long. if you wish to get more straight to y/n and benedict's story, the author suggests jumping to [I.ii]. they won't be offended that you did heh.

𝄆 ⚘ ✸ I.i ✸ ⚘ 𝄇

you do not know how you got here.

well, that is not true; you quite literally walked from the markets and followed the directions that penelope had given you, but you did not think those directions would lead you here.

this is a mistake. i must have taken a wrong turn, gone up instead of down, made a left when i should’ve taken a right.

or perhaps this is a dream? yes! that has to be it! a dream! i must have lulled off and dreamt myself here, for whatever reason. once i close my eyes and open them again, surely i will be at home, or the markets, or the workshop even. surely!

so, you close your eyes shut.

you had been walking about the markets on your non-work day, some weeks ago, browsing the wares you wouldn’t (and couldn’t) buy, eavesdropping on any conversation of intrigue, observing the bustle of the crowd going about their day, mindlessly thinking of the next thing to write, daydreaming—when you had collided with someone. they had let out a squeak, their materials flying out of their hands, as you had fallen on your back, thankfully not hitting your head. in your periphery, you had seen how the person had crawled to your side and looked at you with urgency and concern.

“i am so sorry!” their voice was pretty. sweet and lovely. you lifted yourself up a bit to see the person you had collided with. they were also pretty— beautiful, red-haired, and hooded in blue.

their eyes widened.

“er, i meant,” they spoke again, but this time with an— irish accent? their voice was still sweet and lovely but very distinctly irish and distinctly different from their voice mere moments before. “are you hurt?”

“i am all right, thank you.”

“very well,” they said, still in their irish accent, “then i must be going—” and they shot themself up and turned, you assumed, to run away.

“wait! you’re a writer, yes?”

as you had hoped, the person in blue froze. they slowly turned to you again, apprehension and intrigue in their eyes.

“how do you know?” their voice was mangled between their two accents.

“unless you pluck birds for fun,” you stated as you collected the scattered materials they had dropped in the collision, “these are quills.”

you stood up, approached them, and held out their quills to take, offering a smile. the stranger took the quills and put them in their bag. they returned their eyes to you and returned your smile.

“thank you,” they responded in their english accent.

“i know how precious those are, so i am very glad to see they won’t go to waste. well, they wouldn’t have gone to waste either way; i would’ve taken them if you hadn’t turned around.”

that caused the person in blue to laugh.

“i assume you are a writer?” they inquired.

you don’t know what had overcome you; you don’t know why you had been so trusting of this stranger, especially with something such as your writing, but you had been. you reached for your then most recent, folded up quarto, kept between your bosom and your blouse, and offered it to the stranger to read. they took it, shifted their eyes from line to line, turned it to read the crossed lines, and then looked up at you, beaming.

“this is brilliant!— oh, forgive me; i did not even ask for your name.”

“y/n,” you extended your hand. “and you?”

the stranger seemed to stiffen but quickly relaxed themself, taking your hand in theirs and shaking them. they beamed still, but something of their smile had grown quietly mischievous.

“can you keep a secret?”

when you open your eyes, you huff out a breath in a poor attempt to assuage yourself from the reality of your situation: you are not dreaming. here you are—you—at grosvenor square.

you knew of your friend’s circumstances as she had shared it: she is a noble lady, a third sister of the featherington family, who has been writing scandal sheets of high society’s romps and happenings since her ‘debut,’ as she had put it (you hadn’t understood how she had used that word and became further confused upon her explanation of it), under a pseudonym called lady whistledown. penelope has been kind enough to let you read her sheets, and you find it ridiculous what these high society persons do for their lives and utterly brilliant with what wit, snark, and compassion even penelope commentates on that world.

but you did not ever, ever think that she would bring you to it, let alone into it. when penelope had said that you were to meet her most beloved friend, you had thought it would be in an obscure alley or a room hidden behind a bookcase in an unassuming shop—not the literal neighborhood in which she, and presumably her friend, lives! by your posture, by your clothes, by your very existence, it is blatant how much you do not belong here.

i should run. i am going to run.

and so you turn and start—

“y/n!”

—when you hear the sweet voice of your friend. you scrunch your eyes closed, inhaling and exhaling through your nose, and turn around and see penelope in a picturesque green dress, lifting up her skirt with gloved hands, scurrying down the pavement of her neighborhood towards you, beaming. despite the anxiety that rages within you at this very moment, your heart swells upon seeing your friend in such enthusiastic spirits, and you smile despite yourself.

“good day, pen.”

she takes hold of your bare hands in her gloved ones and gives them a squeeze. perhaps she can discern your nerves because you start to feel yourself calm ever so slightly by her gesture.

“i am so glad you are here,” she says.

“i am—— glad to see you,” you then lower your voice. you do not know why; it is not as if your lowered voice will help conceal your existence in this place. “are you certain i am permitted to be here?”

letting go of your hands, penelope swats at the question.

“the bridgertons and i care not about such things.”

“the— bridgertons?”

“yes!” she turns and gestures to the grand brick house with wisterias. “it is at their home, after all, in which we will be spending our time together.”

your jaw drops.

“we are staying inside the house? not simply meeting outside the house?”

this is not a dream. this is a nightmare.

penelope returns her eyes to yours, and it startles you with what tenderness she gazes at you.

“i understand that you are fearful, y/n. i had presumed you would not have come if you had known we would be here. but i would not have led you to bridgerton house if i did not think you would be safe here. the bridgertons are the most inviting, kindly family of the ton— of high society,” she amends upon seeing your confusion at the word ‘ton.’ their name for their world, it seems. “eloise has assured me that we shall be in her bedchamber for the entirety of our time together. and if you wish to leave, for any reason, at any point, i shall accompany you, and we shall leave together.”

with closed eyes you heave a sigh through your nose. you flutter your eyes open and offer penelope a weak, but sincere, smile.

“very well.”

penelope squeaks in excitement, taking hold of your hand once more, giving it another squeeze of encouragement, and leads you towards this bridgerton house as she so called it. she raps at the stately door thrice with great eagerness, seeming to knock in perfect tandem with your beating-too-quickly heart.

an elderly man opens the door, about to greet penelope and her guest, when a young femme shoves herself through the opening.

“thank you, giles!” she calls out as if the man is across the road and then looks at you, ferocity in her eyes. it ought to unnerve you, the whirlwind force of this stranger, but it doesn’t. you just return her gaze with a large, albeit a bit bemused, smile.

“penelope has shared so much about you,” the stranger states and takes hold of your hand. “let us get inside!” and yanks you into the house. she turns, looking straight ahead, and barrels forward, pulling you with her.

as the fiery femme seems to soliloquize excitedly to herself, you look back at penelope who merely wears an amused smile at her friend’s antics as she follows behind.

“oh!” the femme exclaims suddenly. she halts you both and sharply turns to you, still gripping your hand, grinning. “my name is eloise. eloise bridgerton.”

“y/n y/l/n.”

“excellent. now! with introductions all sorted—”

and she turns and barrels you both right, rather than heading straight ahead to the grand staircase as you had presumed she would.

“eloise—” eloise’s fervency had provided a reprieve to your anxiety, but the confusion in penelope’s voice puts you back ill at ease, “where are you—”

“it’ll take just a moment, worry not, pen!”

eloise leads you down a hall, noises and voices of all sorts coming from an entrance to a room, growing louder and louder as you approach until they reach the peaks of their volume as eloise halts you both once more, to your mortification, at the entrance of that very room.

“family, penelope, y/n, and i shall be in my bedchamber. we have much to discuss. please do not bother us,” eloise proudly announces to the entirety of the room.

silence falls. all eyes—and there are many eyes—are on you.

oh, my god.

you turn to penelope. her overall manner is calm and composed, but you can see the disquiet in her eyes. she peers into you, the apologetic look conveying, i did not know this would happen.

you turn back to the family.

a lady. a lady of older age. two gentlemen with a difference in age. a boy. a girl, the youngest amongst them.

how is it with a house this massive in the middle of the city that the entire family is present in this one room? well, the room is the size of the two floors of your home combined, if not larger, so in that sense it is sound—but your question still stands.

this has to be the entire family. surely. there are so many of them. this has to be the entire family. yes?

“no talking, no music playing, no fighting?” inquires a droll voice walking into the room, “has someone—”

you turn your head to follow the source of the voice and make contact with dumbfounded ocean eyes.

butterflies flutter in your stomach.

oh.

shit.

“y/n, this is my second eldest brother, benedict bridgerton,” eloise states. “benedict, this is my friend, y/n y/l/n. do not bother us once we are in my bedchamber.”

he stares and blinks at you but then assumes a gentlemanly posture and bows his head.

“it is a pleasure to make your acquaintance, miss y/l/n.”

without any forethought you start to extend a hand to benedict until you hear penelope give a slight cough only you, she, eloise, and he can hear. receiving the hint, you retract your hand and pretend to swat at your skirt.

“err— yes. likewise.”

another cough.

“mis, ter?— brid… ger?—ton,” you articulate with complete and utter uncertainty of how this world’s introductions function.

he cocks his head and furrows his eyebrows at you, something like amusement playing at his features. he wears a lopsided smile that he is barely attempting to conceal. his expression should be infuriating. and it is. but, it is... charming, too. and welcomed.

you have never felt more embarrassed or more pleased in your life.

shit.

“before the three of you retreat to eloise’s bedchamber,” declares an authoritative voice, breaking your reverie. you turn away from ocean eyes and see the lady of the room approaching you. much to your surprise, she smiles. to an even greater surprise, her smile seems sincere. “i must insist that i introduce myself and the rest of the family to our guest.

“i am viscountess kathani sharma bridgerton, the lady of this house,” she curtsies with perfect elegance. “it is a delight to welcome you to our home, miss y/l/n.”

“thank you for having me— lady bridgerton. and you may call me ‘y/n.’ you need not use such, uh, formalities with me.”

“very well; then you may call me ‘kate.’”

you furrow your eyebrows. she had introduced herself as ‘kathani’ but now asks you to call her ‘kate.’ it makes you think of mama and papa; they shared with you once how they had chosen to go by different names upon emigrating to england. when you had asked why, they simply replied that it would be easier for others in this country to address them.

“may i call you ‘kathani’ instead?”

surprise flashes over the dignified demeanor of the viscountess. she regards you with softness in her eyes.

“yes. yes, you may.”

resuming her full composure, kathani guides you to the eldest of the gentlemen and introduces him as her husband, viscount anthony bridgerton, the lord of the house. he offers you a small smile with a bow of his head and greets you ‘good day.’ you try not to wince at his decorous use of ‘miss’ with your first name, but you suppose it is merely in these people’s natures.

kathani continues and leads you to the lady of older age, introducing her as dowager viscountess violet bridgerton. she dips into a lovely curtsy and, on her rise, gazes upon you with a gentle smile. you feel compelled to respond in kind, but it would certainly not be as graceful as hers, and worse, she may interpret your slovenly attempt as a lark. so, you refrain.

the viscountess next introduces you to mister colin bridgerton (you summon all your self-restraint to keep your countenance neutral—this is the boy who hurt penelope); then to mister gregory bridgerton (he bows so ceremoniously towards you, you cannot help but be endeared by his resolve); and lastly to miss hyacinth bridgerton.

“why are you dressed like that?” she inquires.

“hyacinth!” the dowager viscountess reprimands. she must be her mother. she sounds like a mother. it reminds you of how your mama reprimanded you and your siblings as little ones; the memory and the exchange make you hold back a laugh.

“what! what did i say wrong?”

you ought to feel self-conscious, your lower standing brought into further display to everyone in the room, but you detect neither malice nor judgment in the young girl’s voice. just genuine curiosity. so, you smile.

“my family and i have different means to clothes, amongst other things. i wear these when i work or go about my day. though,” you regard your attire and then— hyacinth?, feeling the glimmer in your eye, “it makes for running around and playing make-believe quite easy.”

“make-believe! gregory, do you hear that! miss!— miss—“ she turns to you with a cocked head.

“y/n.”

her eyes shine once again.

“miss y/n plays make-believe! we must play!” hyacinth latches onto your hand and, with remarkable strength for a child who cannot be older than two and ten, pulls and drags you towards the entrance of the room. “come along, gregory! wouldn’t want to be the last one there!”

“no fair! you cheated!” the second youngest shouts back, dropping all previous ceremonies, and scrambles towards the entrance.

“hyacinth! y/n is not your playmate! she is here with me and penelope!”

“plans do change, dear sister,” hyacinth retorts. eloise’s jaw drops, and the rest of the family bursts into laughter. the entire exchange warms your heart. in so many ways, they are so proper, so wealthy, and yet they are not all so different from your own family. they seem to really care for one another.

“when did you get so smug!” eloise shoots back.

“small wonder where she could’ve learned that from,” you hear colin, the traitor, murmur. turning your head, you see him give amused, pointed looks to eloise and kathani. the latter grins wickedly, and her husband beams at her with pride.

“there are only so many hours in a day!” hyacinth complains. you face her once more, still holding her hand.

“what about this? i will play with you and your brother for an hour, and then i will be with your sister and penelope for my remaining time here. i want to honor the wishes of each of my new friends.”

hyacinth considers this with much theatricality to her expression. she then grins.

“that is an excellent plan,” she remarks, looking to eloise for her thoughts. you follow her line of sight. eloise rolls her eyes and sighs, but a smile rests on her lips.

“very well, then.”

feeling peace restored, you smile in return and, in doing so, in your periphery, catch the ocean eyes of the second eldest brother. benedict. he is looking at you. why is that? you feel your cheeks flush and the tips of your ears heat. his gaze is somehow gentle and intense and indecipherable all at once, and the flutterings in the pit of your stomach grow, and intensify, and start to overwhelm you—

when you are tugged back to reality with a tug forward.

–

< hyacinth leads y/n through the house to the gardens with gregory by her side. y/n is both uneasy and in awe of the things she sees. eventually, they arrive in the gardens. y/n notices two swings hanging off of a large branch of an old tree and is utterly endeared by the sight; it confirms what she has been thinking: though the bridgertons are wealthy, they are warm and welcoming.

< just as hyacinth declares that she has found a suitable spot for make-believe, two male voices ask if they may join. hyacinth, gregory, and y/n turn and see benedict and colin approaching. colin shares that though y/n seems lovely, it would be unwise of the family to leave the two youngest with a stranger; though y/n agrees with his family’s caution, she refrains from wanting to strangle the person who hurt her friend.

< gregory whines and asks if they can begin before eloise complains. hyacinth agrees and says that they need to assign characters. y/n suggests that hyacinth should be a sorceress and gregory should be a knight; these proposals delight the youngest bridgertons. y/n volunteers herself as the villain and decides to be a banshee; she turns to the elder bridgertons and asks what they wish to be.

< before they have a chance to respond, hyacinth proposes that benedict should be the princess who has been captured. benedict indignantly asks why, and hyacinth simply states because he is the most sensitive of the family. sensing how the sibling argument is about to evolve, y/n intervenes and suggests that, like a sensitive princess, perhaps benedict is merely in tuned with his emotions, even amidst adversity; it is, in its own way, a compliment. benedict’s eyes become indecipherable upon the comment, but he wears a small sincere smile. gregory then proposes that colin is y/n’s changeling henchman.

< make-believe ensues, and it is very sweet and very silly. eventually, gregory is called in for latin tutoring and thanks y/n for the fun with a deep bow; hyacinth is called in for pianoforte lessons. >

hyacinth launches herself at you with a hug. pulling back from the embrace, she beams.

“we must continue when you return next!”

before you can even start to reply, she turns and skips off towards the house. you hear how gregory makes a comment about coming in first, and suddenly the youngest bridgertons are in a race against one another, shouting taunts and insults. you can’t help but smile.

“they seem to quite like you.”

your smile falls. you turn and face towards the two elder bridgertons, the traitor being the one to have spoken.

“colin bridgerton,” you begin, “yes?”

he smiles and nods. you surge forward and shove your finger into his face, his smile now wiped.

“if you ever hurt penelope again, i shall make certain that it is the last time you ever do. do i make myself clear?”

when he does not respond, you repeat yourself, and he slowly then quickly nods. satisfied, you turn towards ocean eyes and point your finger at him.

“and you look after him.”

“what did i do?”

“be a proper elder brother and serve as an example for your misguided sibling. understood?”

“i— yes. of course. understood.”

you smile again.

“wonderful. i am glad we three are in agreement. it was good speaking with you, gentlemen. good day.”

you turn away and start to walk towards the house.

“i quite like her too,” and you hear the restored smile in the third bridgerton’s voice. “what about you, brother?”

you hasten your steps towards the house. though mere moments before you had felt emboldened and brave, you fear hearing benedict’s response. you do not why.

–

< eloise, penelope, and y/n extensively discuss literature and writing; upon talking about women writers, y/n shares how she does not fully see herself as just a woman. >

“so, what are you?”

you wince. you have kept good on your promise and joined eloise and penelope in the former’s bedchamber, but you are swiftly wishing you had been able to stay with hyacinth, gregory, colin even, and benedict. you had attempted to explain an aspect of yourself to eloise but not to very much fruit, it seems. you want to hide and escape and run from this place—

“eloise.”

—when penelope comes to your defense.

“what? what is it?”

“perhaps you could have phrased your question with more tact and thoughtfulness.”

eloise looks between the two of you, concern flooding her eyes.

“did i— did i not?”

penelope turns to you.

“are you comfortable to answer?”

“i would prefer that i didn’t.”

you hope that your eyes are sufficient enough to convey the immensity of gratitude that you feel towards penelope in this very moment.

“y/n,” begins eloise, “i did not realize—”

“and what are you three gossiping about?”

you jump, penelope squeaks, and eloise growls a noise of exasperation. turning towards the voice in the doorway, you are visited, once again, by the third and second bridgerton siblings.

“and what makes you think we are gossiping?” demands eloise, “because we are w— people?”

you feel the corners of your mouth tug upward. at least she is trying. wanting to keep the attention on benedict and colin rather than yourself, however, and with genuine curiosity, you cock your head at the two gentlemen.

“do you two always come in a pair?”

“not always,” replies benedict. and he smiles at you, “today is merely a special occasion.”

stupid butterflies.

“speaking of such,” colin proceeds. “kate has requested that the three of you join the family in the drawing room.”

< the five of them make their way to the drawing room. kate shares that, on behalf of the family, she would like to invite both y/n and penelope to dinner. though at first honored to have been invited, upon hearing “dinner,” y/n realizes how late it has become and looks out the window: the sun is halfway set. she apologizes and says that she cannot stay because she resumes work the next day. her latter statement renders some of the people in the room confused, but kathani states how she understands and that y/n is welcomed to join dinner whenever she visits.

< seeing how confused y/n is, anthony shares that y/n is welcomed to visit their home whenever she is able and whenever she would like, and the rest of the family pipes in with how delighted they would be if she does. not knowing how she deserved such kindness from people who were mere strangers at the start of the day, y/n thanks the bridgertons and says that she would love to. penelope chooses to stay for dinner and says that she will see y/n next week. y/n affirms that she, and the bridgertons, will.

< kathani and benedict offer to escort y/n to the entrance. y/n walks down the steps and passes the gate but, before she goes, takes one last look at number five until next week and sees benedict still in the doorway. y/n notices, but reprimands herself for perhaps imagining it, that his smile grows when his eyes lock with hers. with flutterings in her stomach, y/n offers a wave. he gives a small wave back. she turns and goes, smiling all the way home. >

𝄆 ⚘ ✸ I.ii ✸ ⚘ 𝄇

“benedict has been making more appearances as of late,” penelope remarks.

the three of you all look up—you and pen from your writing, eloise from her reading—to see benedict entering through the doors and heading towards the other side of the drawing room. he looks over at you— at you all and offers a smile before he plops himself down onto a chaise and begins to draw.

“yes, it is strange,” eloise considers to the two of you. “for so long he had been moping about, locked away in his bedchamber aside from mealtime or the occasional visit to the drawing room. he’s even picked up his charcoal again.”

“again?” you inquire, averting your gaze from the artist to your friend. “had he stopped prior?”

“he had entirely put it down after—” eloise sighs. whatever memory she has recounted, it does not seem to be a pleasant one. you look to penelope; you sense that she shares a similar sentiment by the sad look in her eyes. you are curious but you choose not to press.

“it has been quite some time since he’s last drawn. but now, whenever i see him, whether in his bedchamber or the billiards room or some other room in the house, he’s drawing. he frequently arrives to mealtime with charcoal stained fingers—much to the chagrin of mama and anthony.”

you all laugh. benedict looks up at you three, and from here you can tell he wears a curious expression, no doubt wondering what you are laughing about. when he exaggeratedly arches an eyebrow, eloise just makes a face at him. benedict rolls his eyes, smiling, and for the briefest moment, you feel as though he is looking at you. but you’ve always had an active imagination. when you blink, he has returned to his drawing, a smile still on his lips.

“i wonder what has changed?” eloise softly says, still looking at benedict. for all her fire and spirit, you see how deeply she cares for her second eldest brother.

“perhaps he has found a muse,” penelope poses rather than queries. you shift your gaze from eloise to penelope, and you’re curious about her expression. she seems... delighted? benedict finding his passion for art again does sound delightful; you know firsthand how difficult it is to pick yourself up from a slump. but that’s not what she seems delighted by. she just looks at you. with a soft smile. why? what does benedict have anything to do with you?

you feel your cheeks and the tips of your ears flood with warmth. you don’t know why, but penelope’s expression unnerves you, in a pleasant sensational way.

you clear your throat.

“i am happy for him,” you say, returning to your quill and folded quarto, haphazardly writing down whatever words come to your mind.

ocean. charcoal. smile. flutters.

shit.

it is not until what feels like an uncharacteristically long moment later that you hear penelope resume her writing and eloise resume her reading. you try not to imagine what they could have silently exchanged with your gaze averted.

𝄆 ⚘ ✸ I.iii ✸ ⚘ 𝄇

you suck in a sharp breath and shoot out of your seat.

“you do not!” you shriek, hastening towards kathani, eloise, and the stack of books they have just settled onto the table. you had arrived early to the bridgertons’ home, at the invitation of kathani, so early that the rest of the family seems not yet to be awake.

(which is strange, you find, as it is nearing 8 o’clock. most mornings, at this time, you are already well into the bustle of work.)

kathani had prefaced, rather enigmatically, that she and eloise had a surprise they wished to share with you. you had your suspicions as to what it could be related to, and with each passing moment, you are suspecting, very excitingly!, that you are very correct.

“indeed, we do,” kathani grins and gestures to the stacks.

taking no hesitation to the offer, you grab from the top of a stack and open to the title page.

the dramatic works of william shakespeare. vol. 2: a midsummer night’s dream / the merry wives of windsor / much ado about nothing.

you shriek again, this time accompanied with hops of excitement, flipping to the final third of the book.

“much ado! this is the one i’ve read!”

dorothea, a fruit seller, had offered a copy of it to you (at a lowered price, she had emphasized) when she had learned of your liking to stories. she grandly stated that she had started to write down the dialogue during low-attendance performances at the theater and then brought her handiwork to be typed and printed at a not-to-be-named press. but if the pages’ handwritten annotations alluded to anything, you suspected that she had managed to purloin a performer’s copy of the script. you felt a bit of pity for the poor performer who misplaced it, but you respected, and still respect!, dorothea’s moonlighting.

you shoot your head up from the book and are greeted by the grins of your two friends. “which one has romeo and juliet?”

this past autumn you had overheard several candlemakers at the markets animatedly discussing the ‘incandescent’ portrayal of the titular character by an actress from ireland. a performance, described as ‘incandescent’ by candlemakers! embodied by a storyteller who has emigrated here! hearing all those wondrous things made you insatiably curious to one day read the text that made such wondrous things happen.

“i believe,” eloise says, pulling the second from the bottom of a stack, “it is this one.”

you twitch your fingers; you have to refrain yourself from snatching the book from your friend’s hand. when it is in yours, you open to the title page and feel your eyes, along with your smile, widen.

“it is, it is! oh, this is extraordinary!” you flip furiously to your desired page and, once you find it, start to read,

prologue. two households—

—when you hear kathani say, “we had thought of starting with that one.”

that makes you rip your eyes away from the words and look up at the two ladies.

“‘starting with’?”

“when eloise, penelope, and i learned of your eagerness to read shakespeare,” elaborates kathani. her saying that makes you flush; you had not realized with what apparent enthusiasm you had spoken of the poet. “the three of us had discussed that the four of us could read his plays together. if you would like, of course.”

your jaw drops. you cannot help the squeal that emits from your mouth. hopping once again in your excitement, you throw yourself at your friends and wrap your arms around them both.

“if i would like! i would be delighted!”

you pull back from your hug with the two ladies and are greeted by gleaming eyes and wide grins. you feel how your expression matches theirs. it has only been a little over a month of your friendship with eloise and kathani, and the rest of the bridgertons at number five, but they each have somehow found a way to carve themselves out in your heart. and if this most recent kindness by eloise and kathani indicates anything, perhaps you have found a way to carve yourself out in each of theirs.

(and you promptly ignore the thought of what that could possibly mean for ocean eyes and charcoal-stained hands, flutterings within you be damned.)

“how shall we allocate the book?” you say aloud out of genuine inquiry and a deep desire to revert your heart, mind elsewhere. “shall we read passages aloud and then pass it on to the next reader?”

< eloise makes a remark that indicates her confusion at y/n’s question. kathani, who is more privy to the situation, shares how she has her own copy as do eloise and penelope. the stack that they’ve brought is an extra set that the bridgerton house has that y/n can use. this perplexes y/n. she cannot understand how a household can have multiple copies of a book, let alone copies of a whole anthology of many books. before y/n can doom-spiral into thinking, penelope arrives at the entrance of the drawing room. reading of romeo and juliet commences.

< just as y/n finishes reading the scene in which romeo and juliet meet for the first time at the capulet ball and then kiss, y/n notices in her periphery benedict approaching the four. kathani remarks how unusually early he is to be awake and ready for the day; y/n notes to herself how there seems to be some sort of mischief in the viscountess’s smile. >

𝄆 ⚘ ✸ I.iv ✸ ⚘ 𝄇

“i shall be y/n’s teacher,” the viscount declares.

“you were adamant on her not fencing, and now you are insistent on being her teacher?”

“it would be hardly appropriate, colin, for two young unmarried men to be in such close proximity to a young unmarried lady, as proximity of teacher and student in fencing would require.”

“are you always this— antiquated?” you inquire.

that earns a snort from kathani. anthony, looking betrayed, turns to his wife; she merely shrugs in reply, mirth shining in her eyes. he turns back to you, eyebrows deeply furrowed and mouth fully frowning.

“and what do you insinuate by that!”

“are you so distrustful of your own brothers, the ones for whom you have served, and still serve, as a model, that you think they would take advantage of me in such a situation—”

you sense how the eldest bridgerton is about to retaliate and arch a severe eyebrow at him in response; you refuse to be interrupted.

“or are you so unbelieving in persons of feminine dispositions that you think i shall be compromised by the mere closeness of a body different from my own sex?”

there is a silence, and though you cannot see them as you stare down the viscount, you can feel how the others exchange delighted glances with one another and hold back their laughter.

“you have two choices, my lord,” you offer.

“neither of them are suitable! and do not call me ‘my lord’!”

“is that not the proper way to address you?”

“it is, but you—!” he huffs out air through his nostrils, like an indignant dragon in a fairytale; it is a very silly, very amusing sight. “we have not even begun the lesson and you are already the most exasperating student i’ve ever had!”

you turn to colin and benedict, grinning.

“you two must have been saints then.”

“would you expect any less?” colin grins back.

your wide smile remains intact until your eyes fall on the expression of benedict. you are entirely uncertain of what emotion he could be possibly feeling until he seems to realize where he is, and how you are looking at him, and breaks out into a brilliant smile with matching brilliant ocean eyes. you quickly snap your head away from him, ignoring the fluttering of butterflies summoned within you upon the shift in benedict’s expression, and turn to anthony.

“shall we begin, then?”

–

it turns out that you are quite the quick learner when it comes to fencing. after putting on a fencing vest that had previously belonged to benedict—

“because you are the shortest of the three of us, brother,” remarked colin after the second son inquired why it had to be his former vest that you were to wear. benedict scrunched his nose and eyebrows in displeasure. (perhaps you should have taken offense to his opposition, but it was truly of no personal consequence to you and the reaction it created in him was truly adorable.)

“i am not!”

“you are, indeed,” anthony deadpanned.

“prove it!”

and the three eldest sons of the esteemed bridgerton family stood next to one another, comparing their heights. you turned to kathani, eloise, and penelope.

“are they always like this?”

“idiotic?” eloise deadpanned, sounding remarkably like her eldest brother.

“indeed, they are,” grinned kathani.

—over your blouse, you are immediately put to lessons. anthony explains the basic concepts of fencing and then demonstrates elementary strikes and parries, occasionally adjusting your stances to the proper forms. noting how quickly you took to the lessons, he calls for a match between the two of you to observe how you would apply your skills in combat.

“you are retaining information exceptionally well, as well as executing the techniques rather impressively,” states your teacher as you deflect his strike. you try to hide your gladness in his praise as you smirk and push his blade away with the terzo of yours.

“ah, so my sex is not a detriment to my abilities; that is good to know.”

you hear snickers and snorts from around you.

“i said nothing of the sort!”

“did you think it?”

your opponent frowns further, slightly turning his head away from you to steal a glance at his wife. he turns back to you.

“i did,” he admits defeatedly.

“it takes a true man of honor to rise up to his folly,” you remark honestly, as you strike anthony’s arm with the tip of your sabre. loud cheers burst from the onlookers and an aghast but proud look emerges on the countenance of your teacher; you grin, “and a fool to leave his defenses so easily open.”

impressed by your display of sport, and seemingly overcoming his antiquation, at least for the moment, anthony decides that you will match against colin and then benedict.

“how are you to improve if you are to face the same opponent?” claims your teacher with his usual air of annoyance, but you detect his pride in your accomplishment.

it is also decided that the matches will end when one scores a point.

and so, you face colin. it is easy to keep pace with him, not due to lack of skill on his part but complete and utter determination on yours. you tried to convince yourself, in the beginning of your match, that the remnants of your anger towards the third bridgerton brother, and how he treated your friend, did not fuel your determination to score the point— but it did and does. and successfully so, as you strike colin in his left shoulder. perhaps you do it with too much force as the strike reels him off balance (and perhaps you are delighted that it has done so), but he quickly resumes composure and flashes you a grin.

“i see more and more everyday why you and pen are friends.”

that softens your heart. you should be dubious of his charming remark, but you aren’t; it is too sincere, as is he, and you begin to see, even if minutely, why penelope cares for him.

“she has good taste in the company she keeps, i’m learning.”

that makes him laugh, as it does the others, and you look over and see how pen’s countenance shines with joy. that is enough to put your anger towards colin at ease, and turning towards your defeated foe once more, you return his smile and bow your head. bowing his head in kind, colin leaves, and in his place arrives your next and final opponent; he is smiling like a boy.

“best for last?” he remarks as he prepares his starting position. you roll your eyes, ignoring the warmth that starts to fill the center of your chest.

“this shall determine that,” and settled in your starting position, you and benedict begin your duel.

you have observed something of the eldest bridgerton brothers in your matches against them. anthony struck like fire, bombastic and ferocious. colin stood his ground like earth, his guards resolute. and benedict—

benedict moves like water. free. fluid.

as if he is dancing while dueling.

both you and he have reached a stalemate. you have managed to parry every one of his strikes, and he has managed to deflect every one of yours. you can feel how those watching are holding their breaths, waiting for someone to land the point.

you try not to startle when you hear benedict’s voice as you guard against his strike.

“it takes quite an astonishing person to earn the praise of anthony bridgerton.”

“are you so surprised that i am such a person?”

“quite the opposite, y/n,” he catches one of your strikes and grins at you. “i think you are entirely perfect in that regard.”

you roll your eyes once again but cannot help the blush that you feel spread across your cheeks as you push back his sabre with yours.

“do you honestly think charm will win you the point?”

“do you find me charming?” you ignore the heat that creeps up your neck and the voice in your head that has already answered his question far too quickly for your liking. “no, i do not think so lowly of such a formidable foe.”

and he winks at you.

and somehow, without you realizing how you got there, benedict strikes the center of your chest.

“but a little distraction does help.”

his point earns a round of groans and bleats from the crowd. instead of looking offended, benedict just laughs and approaches you, gloved hand outstretched, a boyish smile once again on his face. despite your loss, you cannot help but smile too. you place your gloved hand in his.

“it was a pleasure to duel with you.”

“yes. likewise.”

perhaps you imagine it, but you feel his thumb swipe against the side of your hand. it is featherlight, hardly felt with both your and his hands gloved, but felt nevertheless. before you can process the sensation any further, he lets go of your hand. with another smile, he bows his head at you as the crowd of people approach you both, penelope raving about your matches, eloise expressing her wish to fence now, anthony already commenting on what you could do better in your next match.

and without you realizing it, you gently swipe against the side of your gloved hand.

𝄆 ⚘ ✸ I.v ✸ ⚘ 𝄇

"mama? papa?"

it is a rare occasion when you, mama, papa, and your sibling eat together, and an even rarer occasion to do so for a second meal, but this night was such a night. the three of them halt their conversation and look over to you.

"how did you know you were in love with one another?"

there is a small silence, but then, without looking at one another, they smile in tandem.

"it was at first sight, really, for me,” your papa says as he offers his hand to mama. “as trite as that sounds."

mama takes his hand into hers.

"i as well."

"when i looked into your mama’s eyes, i knew that something was different. that my life had changed."

"for the better, dearest?"

papa laughs heartily.

"no, actually. it has been misery ever since."

you and your family laugh as mama playfully slaps at papa’s hand. it warms your soul every time they do this, when they tease one another and are light because of the other. it makes you believe in love each time.

mama and papa lace their fingers together again, smiling, still gazing at one another. as if it is just the two of them in their own world. mama, turning her smile from papa to you, speaks again.

"the flutterings in my stomach wouldn’t quiet, and they only intensified as we approached closer to one another that day and grew closer to one another with time."

she looks nostalgic until something mischievous quickly overcedes her countenance.

"why do you ask, my dear? has someone captured your eye?"

"or, better yet, your heart?" papa tags along.

ocean eyes and charcoal-stained hands flash by in your mind.

"no!" you say too hastily. "no, of course not. it’s— for one of my writings, is all."

you repeatedly poke at your bit of boiled chicken to avoid any further inquisition from your parents’ gazes.

–

sat by your window, you stare up at the night sky when the voice of your sibling infiltrates your dreaming.

“it’s one of the brothers, isn’t it?”

you whip your head over to them. they don’t even look at you; they are preparing for bed.

“pardon me?”

“is it the artist brother?”

“what!”

fluffing their pillow, they smile.

“so i am correct.”

“i didn’t even say anything!”

“that is not true. you said ‘what.’”

“that reveals nothing!”

pleased with the setting of their bed, they ruin their work by plopping their bottom onto it as they finally face you in what you realize now is a confrontation.

“of course it doesn’t, the word on its own. your reaction, however? could not be more transparent of your feelings.”

“i have no feelings!”

“is that why you asked mama and papa about being in love? because you have no feelings and you need to be told what they are?”

“i!—— i am going to bed!” you lift yourself up from your seat at the window sill, turning away from the peace of the night sky, and crash onto your bed. you lay on your side, faced towards the wall, refusing to make eye contact with your sibling. you lift up your sheet with too much force and lay it over your body and head. “good! night!”

after some silence, you hear the creak of your sibling’s bed and, a moment later, feel a featherlight touch on your upper arm. you give it a thought, and perhaps against your better judgment, you lift off your sheet, turn, and are greeted by the gentlest of expressions from your sibling.

“i think it is wonderful, y/n. whoever it is, they are very blessed to have your affections.”

your heart swells. you love your sibling.

“how did you know it was the artist brother?”

“so i am correct!” they smile with a shrug. “i deduced based on how much you’ve been writing about paint and charcoal as of late.”

you almost shoot upright from your bed.

“you’ve been reading my writing?”

“well, if they weren’t to be read, why do you leave them spread out on the table?”

“because there is no other place to store them!”

“and how good that is, or else i wouldn’t be able to read your fantastical stories or have been able to discover who your beloved is.”

“you are impossible!”

they kneel next to your bed and place their head on your shoulder.

“i love you too.”

you exhale the last of your frustrations, adjusting yourself a bit so that your sibling can rest their head more comfortably. without realizing, you stroke their hair, just as you always have.

“i quite like the story about the mushroom family,” they state after some time. “i’m happy that the middle mushroom child befriends the peony and then the hyacinths. i am happy they are happy.”

you feel your eyes start to drift.

“his name is benedict, by the way.”

you hear your sibling’s need for sleep in their reply.

“that’s a lovely name.”

“he is,” you murmur as the peace of the night falls over you.

𝄆 ⚘ ✸ I.vi ✸ ⚘ 𝄇

“good day!— robert?”

“good day, y/n!” and robert holds the door of bridgerton house open for you to pass.

“pardon the confusion in my greetings—”

“no offense taken on my part!” the late adolescence beams. you grin back. with how utterly enthusiastic robert is all the time, one would think it is part of some ruse. but it is not; he is just that genuinely delighted by life, you’ve observed.

“i am grateful. i had expected to be greeted by giles, is all.”

robert frowns. you feel the corners of your mouth tug downward in response, concern starting to swell your heart.

“he is ill at the moment.”

“ill! with what?”

“i know not. i had admitted the doctor perhaps not even a quarter of an hour ago. but worry not too much, y/n! from what the viscountess has shared with the servants earlier this day, giles shall make a quick recovery. and lady bridgerton has yet to be wrong in anything!”

relief floods your body. giles is of elderly age, so it calms you to hear that his ailment seems not to be too severe. and you can’t help but smile not only by robert’s sunny temperament but also by his rightful faith in kathani.

“that is all good to hear.”

“shall i announce you to the drawing room?”

“oh god no. i am quite all right, but thank you.”

“understood! then i must pardon myself; i must retrieve miss bridgerton and miss featherington.”

“‘retrieve’? are they not in the drawing room?”

“i was informed by dowager lady bridgerton, who was accompanied by miss bridgerton and miss featherington themselves at the time, that they would be in the gardens until your arrival and to retrieve the young misses upon your arrival.”

“i see. well, i shall be in the drawing room then. thank you again, robert.”

“it is my pleasure, y/n!” he beams once more and takes off to complete his task.

how odd, you think to yourself. this day seems rather unusual to the ones you’ve had thus far at bridgerton home. and it is hardly even noon! you become lost in your thoughts as you approach the entrance to the drawing room—

when you are greeted by benedict, and benedict alone, lounging with his legs thrown over the arm of a chair, staring sternly at the page he draws on.

“oh,” is all you say.

benedict snaps his focus from his book to you, his countenance transforming from deep concentration to frustration to genuine surprise in a mere moment. he scrambles up from his seat, book in one hand and charcoal in the other, posture now proper, and he bows his head.

“miss y/l/n.”

never before have you been alone in a room with a man. a gentleman. a gentleman with a handsome face, charcoal-stained hands, and beautiful ocean eyes.

you roll your eyes.

“blimey, it is just me. there is no need to bow. and why are you calling me miss y/l/n?”

benedict smiles.

“all right. y/n.”

shit.

perhaps that was a mistake.

“where has your family gone?” you inquire as you go to sit in the chair parallel to his, ignoring the flutterings within your stomach. “it is uncommon to enter the drawing room of bridgerton house and not be greeted by talking, or music playing, or fighting.”

smiling, benedict falls back into his seat and resumes his drawing.

“hyacinth is with her reading tutor; gregory is with his fencing instructor; colin is eating some sort of pastry, i am certain, in town; anthony and kate are likely— preoccupied—”

you snort; benedict’s smile grows broader as he smudges charcoal with his thumb, a small furrow in his eyebrows now forming.

“and mother has managed to rope eloise into learning about the flowers of the gardens, and eloise, being eloise, has roped penelope into doing the same.”

“and what of you?”

“and what of me?”

“why have you chosen the drawing room as your whereabouts?”

benedict cocks his head towards his drawing.

“it’s in the name of the room, is it not?”

“ah, a man of wit, i see.”

“i am a man of many attributes, y/n.”

ignore the butterflies.

“such as?”

“what attributes would win your favor?”

“so that you may lie to me and say you possess them?”

“of course not; the list is merely too long and i shan’t bore you with a soliloquy.”

“so, a man of thoughtfulness.”

“oh yes, a myriad of thoughts.”

“name one.”

“how much i am enjoying our conversation.”

and benedict shifts his ocean eyes from his drawing to you, a smile on his lips. he is being playful, but you detect no deceit in his expression. it infuriates you, really. how charming he is. how endearing. how sincere.

you return his smile.

“as am i, benedict.”

you sit in comfortable silence a moment more until benedict breaks the gaze, returning his oceans eyes and smile back to his drawing. his smile, however, does not last for very long.

“this sketch, on the contrary—”

and he rips out the paper from his book, crumples it in his hand, and throws it onto the carpet of the floor, giving his deed not another moment’s notice. he puts his charcoal to a new page in the moment next.

your smile falls.

“do you know how much paper costs?” you demand.

benedict looks back up at you with scrunched eyebrows and a smile having returned to his lips. he tilts his head.

“why? should i?” he inquires. nonchalantly. delight in his ocean eyes.

as if you are making a jest.

as if this is amusing. as if this is nothing.

it reminds you of a recent memory.

eloise had generously given you sheets of paper. hitting a stride in your writing and wanting to continue, you had asked, after much internal deliberation, if you could have a ripped half of a quarto upon running out of all negative space on your current one.

“have a foolscap. have a whole lot of them, actually,” she said easily, taking a good chunk of her stack and handing it off to you.

“eloise, are you certain?”

“of course. it is just paper, after all.”

“right. yes— of course. thank you.”

eloise hummed affirmatively in response, returning to her passage, as you stared at the small stack of foolscap in your hand. that amount of paper would have been eight months’ wage, perhaps even more.

a gentle touch of a hand on yours brought you out of your clouding thoughts. you looked over and saw penelope looking at you softly. understanding her unspoken thoughts, you held her hand and gave it a squeeze.

thank you, you mouthed.

"i must be going,” you say aloud. “goodbye, mr. bridgerton.”

you stand, turn, and quickly exit the drawing room.

“y/n. y/n!”

you hear him scuffling up from his lounge and start to follow you. you hasten your steps towards the entrance.

moments before you can open the doors of bridgerton house to the respite of the outside world, you feel benedict take hold of your wrist, stopping you in your steps, and it infuriates you how gently he does it. how you can pull away from his touch if you want to, how you can just go if you choose to. but you do not.

it infuriates you how much you want him to hold you.

you turn to face him.

“please— wait,” he breathes. “what did i do wrong? what have i done to upset you?”

you look at him incredulously. then it dawns on you.

“please. tell me,” benedict practically begs. with such softness in his voice.

it infuriates you.

“i know money is of no concern to you, or your family, or fair ladies and pretty gentlemen. but it is for the rest of us. for the rest of us who have to work to keep the ones we love fed, clothed, warmed, sheltered. that is a fact with which i have been concerned since the very moment i could think for myself. and for you—of the male sex, of pale skin, of inherited riches—it is something to discard onto the carpet of one of your family’s many houses. the paper you threw to the ground would have paid for a month’s worth of warmth for the entirety of my family’s home. and you ask me what you have done to upset me?”

he says nothing. he just looks at you, damned ocean eyes and all. gentle. attentive. like he could care; like he does care.

you feel your nostrils flaring, your blood pounding in every vein of your body. you finally rip your wrist away from his loose hold, already missing his touch.

“i shall take my leave. please give my regards as well as my apologies to eloise and penelope. goodbye, benedict.”

you turn away from him, yank the door open by its handle, and step outside, walking composedly at first, then quickly, then sprinting, then running. to be as far away from number five of grosvenor square as you possibly can be. to be far away from crumpled up paper, charcoal-stained hands, gentle touches, and ocean eyes.

you rub your wrists against your eyes.

stupid bloody tears.

stupid fucking heart.

why am i so afflicted by this? why am i crying? why do i hurt?

because i love—

no.

you cannot fall for him. he is someone you cannot have, cannot want, cannot— cannot…

it cannot happen, the two of you.

and most likely of all, you are not someone he wants. not someone who he would love. not the way you—

you are a fool for getting this far. but these feelings, they will pass. somehow. you will forget them. you will forget him. this is not the fairytales you read, not the fairytales you write. daydreams, hopes, love for a gentleman— there is a reason you are a writer.

you write the things you can never have, the things that will never happen.

you and benedict will never happen.

this is the prayer you tell yourself that evening before sleep takes you. you pretend not to be affected by the tears that afflict you as you do so.

𝄆 ⚘ ✸ I.vii ✸ ⚘ 𝄇

< y/n does not go to number five the next week on her non-work day as she had grown accustomed to. she had tried to write at her table in her home to preoccupy herself, but her teardrops were ruining what she had already written. she considers going to work to distract herself, but y/n knows her unexpected presence would be a detriment to her fellow workers’ established flow of day. she decides to go to the markets to try and get fresh air and a change of scenery and to do anything to interrupt her spiral of thoughts and emotions.

< while at the markets, y/n hears her name called and turns to see penelope in her blue cloak. y/n asks what penelope is doing here, and penelope gently replies that she can ask y/n the same thing. she shares with y/n how, the week prior, after she received news that y/n had left bridgerton house, she left to find y/n in the markets and at her workplace but to no avail.

< their conversation continues. penelope shares how y/n was missed last week; by her, by the family, by benedict. y/n tries to dismiss her words and how the past few months have been a mistake and that she shouldn’t be there with pen or the bridgertons, that she’s not meant to be in their world.

< with patience and empathy and grace, penelope gently encourages y/n to return to bridgerton house next week, and y/n, though her heart aching and reluctant, agrees because she misses them. >

𝄆 ⚘ ✸ I.viii ✸ ⚘ 𝄇

you sigh deeply.

have courage, y/n.

and you rap your knuckles twice against the stately door of number five. a moment later, the door opens, and you are greeted by a beloved grin.

“miss y/n! i have not seen you in weeks!”

you cannot help but smile back.

“good day, giles.”

“oh, where are my manners!” and the elderly doorman bows at you. you huff out a laugh, feeling how your face contorts with distaste.

“blimey, please don’t. i am not a lady, giles.”

“you could’ve fooled me, miss y/n.”

you shoot him a severe look; he merely continues to grin.

“you know of my feelings towards being called ‘miss.’”

“i am getting older; my memory frequently fails me, miss y/n.”

“and yet you’ve recalled how we haven’t seen each other in two weeks.”

“three.”

you grin.

“precisely.”

“well, it was quite the surprise when I fell ill the following week!” then giles frowns. “and it was an even greater surprise to have not seen you when i had returned the week following that.”

you look at the ground, unable to face the inquisition in his sad, kindly look, but when you bring your head back up, you manage a smile.

“it is no matter. i am here now. that is most important, yes?”

the elderly man smiles.

“yes, i suppose you are right, y/n,” and he holds the door open for you to pass.

“aside from bouts with ailment, how have you been, giles?”

“still standing upright, still opening and closing doors,” he beams without a bit of sarcasm. “and what of you? how have you been?”

“i’ve been—— well. and the family?” you say quickly, wanting to move the conversation away from you and your feelings.

“the same as is to be expected. though—”

concern starts to swell in your heart. what has happened in the fortnight you have not been present?

“mister benedict has been absolutely despondent.”

“oh,” is all you say. giles’ gentle joviality transforms into solemnity, and it makes your heart ache even further.

“on the rare occasions i do see him now, he is leaving for the gentleman’s club in the bright light of day and coming home at an ungodly hour, drunk as a wheelbarrow, wreaking of what smells like every available spirit in london. he had stopped dipping rather deep sometime ago, much to my relief, so it was an utter shock to return to my station and to see him back on the cut, and deeply at that,” the elderly man sighs. “i wonder what has happened for him to be so…” he unexpectedly turns to you, his countenance sanguine, “do you happen to know?”

you swallow as you ignore the sensation pooling in the pit of your stomach.

“no, i— i do not.”

“i see. well, whatever it might be, it is clear how much it deeply afflicts him,” and giles offers you a small, sad smile. “you know mister benedict; he has always been the most sensitive of the family.”

i do.

i do know benedict.

you clear your throat.

“do you happen to know where eloise and penelope are at this moment?”

giles cocks his head at you but is kind enough (you thank the heavens) not to press your change of topic.

“the last i had seen them, they had spoken of viewing the art gallery. do you know the way?”

“i am unfamiliar.”

he smiles again, and it makes you smile in return.

“then i am most glad to escort you there.”

–

giles opens the doors to the gallery, and ahead, in front of a portrait, you see the turnings of penelope, eloise, and—

“y/n,” he utters.

“benedict,” you breathe.

and he looks just as surprised as you are.

you look to giles, his eyes wide and mouth agape, and then to eloise and penelope. upon seeing their expressions, you feel your eyes narrow.

“ah, penelope!” shouts eloise. everyone else turns to stare at her. “with y/n’s arrival, i must change out of my, my art gallery viewing dress! and— and, into my... drawing room! sitting— dress...”

eloise scrunches her entire face in displeasure, confused by her own poorly concocted excuse. that does nothing to deter her, however, from clamping onto penelope’s wrist and barreling forward towards the doors of the gallery.

“come along, pen!” she calls out to the friend she is pulling right behind her. as they pass you, eloise gives you a strange and strained smile bearing all teeth, and penelope offers apologetic eyes and an encouraging smile.

giles looks to you, to benedict, and to the two escaping ladies. mouth still agape, all he manages is,

“i suppose— i shall see to that— miss bridgerton and miss featherington arrive to miss bridgerton’s bedchamber... safe—ly…?”

he mouths, i’m sorry!, at you before quickly bowing his head at benedict, fleeing the scene with remarkable speed for an elderly man who has recently recovered from illness, and leaving you at the entrance of the art gallery.

closing your eyes, you deeply inhale through your nostrils as you place your hand to the space between your eye and your temple. on your exhale, you wipe your hand hard against the side of your face and open your eyes, whipping your head to look at the second eldest bridgerton brother. it seems that he has been staring at you this entire time, stupid (stunning) ocean eyes and all.

“would you like to paint a picture?” you snark. “you are the artist in the room, and it would certainly last longer. or perhaps you have run out of paper?”

he does not respond, indecipherable expression unchanging, and it unnerves you how guilty you feel at goading him, at taunting him, and he merely takes it. you sigh again and cross the gallery to where he stands. resisting the urge to look at him again, as you feel his gaze still on you, you instead look at the painting ahead of you.

it is a portrait of a gentleman. with dark chestnut hair and mutton chops. he wears a blue jacket, a darker blue vest, a cream cravat, green breeches, and brown boots. a watch on a ribbon hangs from his vest; it looks familiar. he looks familiar. a benevolent smile rests on his lips.

you look at the plaque at the bottom of the gilded frame.

edmund bridgerton, the 8th viscount bridgerton.

you look back up at the painting, captured by a particular feature.

“you have his eyes.”

“his are gray; mine are blue.”

you roll your eyes but smile despite yourself. (you try to ignore the flutterings that bloom upon hearing his voice again.)

“yes, but that’s not what i was referring to. they peer into you— not with scrutiny, nor judgment, but with kindness, curiosity, compassion. an eagerness to learn about you. pools of welcoming. cool tones that radiate warmth.”

you cough, ripping your eyes away from the portrait to inspect the scuffs of your boots. you feel embarrassment spread throughout your entire body as heat creeps up your neck.

“the painter is excellent at their craft. it is as if i know him, your father.”

silence falls in the expansive gallery, the calm and kind eyes of viscount bridgerton looking down upon you and his second eldest.

“i’ve missed you.”

you snap your head up to look at benedict, your eyes making contact with his ocean ones. welcoming and warm. honest and... hopeful?

i’ve missed you, too.

“benedict, it has only been a fortnight since we saw each other last,” you respond aloud, your voice coming out so much softer than you had intended. you offer him a small smile, an olive branch of sorts. something of relief starts to fill his ocean eyes, but his demeanor does not change.

“i behaved arrogantly, and you did not deserve to be the recipient of such behavior. no one does, and i am so— i am so sorry, y/n.”

and you know he is. you resist the urge to touch his cheek, to comfort him with your caress, to selfishly have your skin touch his. instead, you look on at him.

“i do not ask you to grant me your forgiveness; i know i am unworthy of it. i just— i just wanted you to know how i felt, and feel still. and how i shall work on myself to be better, to do better.”

the butterflies in your stomach flutter maddeningly. you emit an exhale from your nostrils. the urge to touch him intensifies, and you feel yourself flex your hand to let go of the sensation. you huff out another breath, and smile brightly, sincerely, at benedict.

“well,” you begin, “with our friendship renewed, care to show me what other paintings you love in this gallery?”

benedict’s ocean eyes beam with relief and joy, a brilliant smile lighting up his face, and it takes all your self-control not to drop all discretion and wrap your arms around him in a crushing embrace.

“i would love nothing more, y/n,” he declares.

you try not to flutter your eyes closed at the words ‘i,’ ‘love,’ and your name in the same breath from benedict’s lips. at the pleasantness and home you feel in them. you smile on.

“where shall we begin, then?”

you and benedict walk together as he approaches a miniature in a wooden frame ornately carved with floral motifs. he admits that he has not the slightest clue which bridgerton ancestor this is, and that makes you snort. grinning, he points out how adeptly the artist portrayed the translucency and fluidity of the lady’s veil and how particularly impressive it must have been to accomplish such effects in paints during the early 1600s, if the remnant dating of the artist’s signature is correct. you remark how particularly impressive it is that a painting has endured two hundred years of existence, details still intact, and benedict responds simply that rich people have a way. that makes you snort again, and that makes benedict grin again.

he then leads you to a portrait of kathani and anthony, the viscountess sat in a chair with the viscount stood behind. you marvel at the painting—how much it looks like them, how much it captures kathani’s confidence, how much it captures anthony’s conviction, how much it captures their love. excitement coloring his voice, benedict imparts to you how he was given the opportunity to observe and assist the painter on the days the latter was commissioned to portray the viscountess and the viscount. he also shares with you how impossibly difficult they were as models, always giggling and kissing and looking away from the painter and talking to one another, being overall sickeningly saccharine. you chortle and share with him how that does not surprise you in the least bit. despite his annoyance upon recalling the memory, an incredibly fond smile rests on benedict’s lips. turning from his lips back to the painting, you remark how in love they are, and he remarks that, indeed, they very much are—and turns his fond smile from the painting to you.

coughing, you walk over and ask about the landscape of an enormous building. benedict names it as aubrey hall, the ancestral home of the bridgertons. you recall how you had heard of it early on in your friendship with the bridgertons; you had been unable to see them one week as they were preparing for kathani’s first ball as viscountess at the home. you also recall how the usually collected and confident kathani was anxious and uncertain during that time. benedict, beaming with pride, says how, of course, she absolutely excelled and how all of the ton—he rolls his eyes then and you guffaw—enjoyed themselves at the event. while kathani had done an unsurprisingly resplendent job, the ball was not very entertaining to benedict. he much more enjoyed the annual bridgerton game of pall mall leading up to the event. after announcing how kathani had won—much to the contradictory disappointment and delight of her husband—and answering your questions about what sounds, to you, like a very silly, very fun game, benedict suggests that you join them next year. you laugh, finding it impossible to imagine yourself at a home such as aubrey hall, particularly for the entirety of three days, but your heart swells at the invitation and the sincerity in his voice, and you say aloud how you would love nothing more.

your spontaneous tour eventually comes to an end, and the two of you make your way towards the entrance, still discussing the various art you had seen. as you and benedict walk out of the gallery, a thought crosses your mind.

“none of your work is on display.”

you notice how benedict stiffens. you feel your smile tug into a frown.

“ah, yes. i do not think my work is— up to snuff— with the work on display here.”

“horse shit.”

benedict’s jaw drops, his face aghast and regaled in reaction to what you assume is your choice of language. you merely shrug.

“you have not even seen my work!”

“i do not need to see your work when i can already see how harsh you are being.”

he scoffs, and it aggravates you.

“fine— i will show you, then, and prove to you my point.”

“fine, then! show me, and i will prove to you my point!”

–

“you are full of horse shit!”

you and benedict are in his bedchamber, where all his works are hidden away. he has shown you canvas after canvas, sketch after sketch, charcoal drawing after charcoal drawing, his palette of color ideas— and he still has the audacity to say that his work is not “up to snuff” for the bridgerton gallery.

benedict looks aghast again, perhaps by your language, perhaps by what you are (very rightly, very correctly) insisting. he shakes the canvas that he holds in his hand in your face.

“look at the proportions, y/n! they are entirely off!”

you roll your eyes, swatting his arm away, and begin to rummage through his other work. you pull a sheet and hold it up to benedict’s face.

“look at this sketch, then look at the canvas. there is a very clear, marked improvement, and with only a—” you look at the dates at the bottom right corners for confirmation, “—a difference of two days!”

“what does ‘improvement’ mean if the improvement is not even good!”

“it is good! and! improvement is everything, benedict! it is progress!”

“what—”

you and benedict jump back from one another by the sudden new voice. you had not realized how close the two of you were as you were shouting at one another, how close your faces were to one another, how close your lips were to—

a blazing heat creeps up your neck, at the tip of your ears, and across your cheeks as you turn from benedict’s flustered face to the scowl of the eldest bridgerton sibling in the doorway.

“—are the two of you doing?”

“brother! i— i was merely showing y/n my work.”

you vigorously nod your head. anthony’s glare remains unaffected.

“alone? together? in your bedchamber?”

your heart almost leaps out of your chest, your eyes about to bulge out of their sockets as you look around the room, suddenly aware of where you are. you are in benedict’s bedchamber. alone. together.

“i—” you start, very pathetically. “i—— we—”

anthony curtly bows his head at you.

“y/n, i would like to have a word with my brother. in private. please.”

“of— of course, right— of course!”

you hastily put the sketch on a nearby table and walk towards the door, pass anthony as he steps in, and are about to run down the hall and away from the scene when—

you turn and steal a glance at benedict, mustering up all the apologies you can convey through your eyes. despite the peril of his current predicament, his ocean eyes soften immediately, and a thousand butterflies erupt in your stomach and flutter around viciously. he offers you a slight smile, one that is sincere and unregretful. you offer one back, just as sincere, just as unregretful, before anthony gives you another bow of his head and closes the door.

–

“are you pleased by the results of your consorted trickery?” you state blandly upon seeing the young ladies that you thought were your friends sitting in the drawing room.

eloise looks up from her pamphlet, beaming at you, as penelope wears a wide and proud smile. well, at least they have answered your question.

“trickery?” eloise feigns. you roll your eyes; their expressions answer honestly, but their words continue their game. “i have no idea what you are referring to. pen and i were merely keen on viewing the art gallery today, and i thought, my blue-deviled of an elder brother ought to stop moping about; what better to get him to leave his bedchamber than by way of his favorite topic?”

“and his other favorite topic,” penelope adds. eloise chortles, and you feel the tips of your ears heat.

“what is that supposed to mean!”

eloise waves a dismissive hand at you.

“benedict knew nothing of your arrival, as i am sure you deduced by his surprise,” but the second eldest daughter grins wickedly. “though, from the sheer amount of time you have spent together thus far today, i am also sure the surprise was very welcomed, indeed.”

“by both parties, it seems.”

you promptly ignore the flush you feel on the apples of your cheeks. your friends are lucifer incarnate split into two.

“well, then you must be delighted to know that your shared plot has led to punitive action against him.”

that surprises them. (good. you are relieved to finally have some sort of an upperhand in this conversation.)

“‘punitive action’? by whom? for what?”

“by—”

the three of you hear a set of footsteps. you look to where the sounds are heard and see the two eldest bridgerton siblings enter the drawing room, the elder approaching you with conviction and the younger trailing behind him like a pet that has just been reprimanded. the sight would make you laugh, if you weren’t the one to have instigated the current conflict between the two brothers.

anthony stands before you, posture perfect and chin held up high.

“y/n, thank you for your patience. please allow me to apologize most ardently on behalf of my brother for his complete and utter lack of propriety. it will not happen again as i shall be more vigilant in tracking his every deed. i do hope this incident of my brother’s disrespect does not taint the beloved friendship between you and our family.”

and he deeply bows his head at you.

your jaw drops. benedict shuts his eyes tight and scrunches his face. penelope bops her gaze amongst the three of you. and eloise just howls, causing anthony to break the gravitas of his decorum and shoot a glare at her.

“it is no laughing matter, eloise!”

“it is harmless fun, brother! a pursuit of intellect exchanged between two creatives, who also happened to be by themselves. i have never heard of a baby being conceived from sharing some art.”

“ELOISE BRIDGERTON!”

you have now entirely hidden your face behind your hands; no one needs to witness the deep crimson that you are certain is spreading very rapidly across your countenance. an absurd hope also blooms in you that if you cannot see the others, then the others cannot see you.

“what ever is the matter in here?”

your eyes shoot open upon hearing the much needed voice of reason. removing your hands from your face, you see kathani enter the drawing room, a confused expression worn on her face.

“my dearest,” anthony begins, “i have offered my deepest apologies to y/n for benedict’s disgrace.”

“disgrace,” scoffs eloise, crossing her arms.

“disgrace!” reiterates anthony with increased fervor. kathani’s confusion does not lighten. she looks to benedict, whose eyes are scrunched closed again (his nose looks adorable this way), and then to you.

“are you all right, y/n?” she inquires gently.

“i—” you had intended to say, am well, but that would be a lie. you are utterly mortified. so, instead, you state the truth.

“benedict has been a gentleman. he has treated me with the utmost respect, and when he has done wrong by me— which! which has nothing to do with our being in his bedchamber!— he—” you steady your voice, determined to say this right, as you know and feel it with and in your heart, “he has corrected himself and bettered his words and thoughts and deeds.”

“you hear that, brother? no harm has been done.”

“eloise, you were not even there!”

“i believe what eloise means, anbe, is that you are being dramatic.”

“dramat— they were in his bedchamber, kathani! together! alone!��

kathani rolls her eyes, her attempt at diplomacy entirely gone.

“speak louder, anthony; just a bit more and the entire country shall hear you.”

the viscount pouts grumpily at his beloved, emitting a huff of air through his nostrils.

“you must trust y/n by her word,” the viscountess states.

“or do you not trust someone of feminine disposition to speak for herself?” eloise inquires.

“pen!”

you all snap your gazes to the entrance of the drawing room and see colin making his way to your friend in blue, followed by—

“y/n!” shouts gregory and hyacinth as they run towards you.

“y/n, penelope!” remarks violet and approaches you both. “how delightful it is to see you! you—” she says, reaching out for your hand, gently taking it in hers, and smiling kindly at you, “—in particular. it has been a moment, y/n.”

it melts your heart, really. the sincerity of affection that flows so easily from violet bridgerton. you recall the kind eyes and benevolent smile of her late husband. it is no wonder you so easily fell in love with this family; true, real love is woven into the very fabrics of each of their beings.

you look at them. hyacinth and gregory cling onto your slides, holding you tight. kathani and anthony are engrossed in debate, affection in their eyes despite the heat in their words. colin and penelope speak with and blush around one another as eloise, unknowingly (and, in your opinion, frustratingly, endearingly), butts into their conversation. and benedict. who, with the gaze of the entire room no longer on his so-called indiscretion, is looking at you. softly. with those damned, wondrous, bewitching ocean eyes. a smile on his lips that makes the flutterings in your stomach unbearingly, wonderfully unyielding.

you truly, really love this family.

you love the bridgertons.

“though,” the dowager viscountess starts.

shaking yourself out of your thoughts, you see how violet looks at the others in the room as half of them now pointedly avoid eye contact with the matriarch and the other half share a similar sentiment to her.

“is everything all right?” she turns to you, peering curiously into your eyes. “has something happened?”

you cannot help the laugh that bubbles out of you. violet seems taken aback by your reaction, as are the others in your periphery, but her eyes, as well as theirs, shine on.

“i think,” you say, smiling, “it is just another day with the bridgertons.”

599 notes · View notes

sanguineterrain · 2 years ago

Text

i'll put us back together at heart - s.h.

Summary: It's 1987. You haven't spoken to Steve Harrington in nearly five years. Then Dustin Henderson tells you about a sweet deal he has at Family Video, where he can rent any movie he wants.

Pairing: ex-best friend!Steve Harrington x fem!reader

Word count: 8.8k

Warnings/tags: friends to strangers to lovers. the reader is twenty in 1987 and i technically made steve twenty-one/about to turn twenty-one. s4 happened but eddie's alive and vecna's dead. no earthquakes or anything like that; reader has no idea about what really happened. lots of angst, mentions of billy hargrove (yuck) and steve's s1 asshole friends.

A/N: oh my lord. i don't know where this eighteen-wheeler of a fic came from but here it is. there is a happy ending, not to worry. i'd never do that to y'all <3 feedback and reblogs are always always appreciated!

divider by firefly-graphics

August 1981

"I wish we could stay eighth graders forever."

You lift your head from your orange pool floaty. Steve drifts on the surface of the water. His hair is longer, way longer than you've seen it in the three years you've been friends. He says it's better for styling that way; he's even bought a gel and cream for his hair. You don't understand why he wants to change something that doesn't need changing.

"Why?" you ask. "I thought you were excited for high school."

He hums. The sound echoes in his backyard.

"It's bigger than middle school. More kids, more teachers, more work. I like eighth grade."

"I'll help you with your work," you say.

Steve turns his head and smiles at you. Part of his face is in the water, the image distorted.

"You'll do great," he replies. "You're so smart."

Steve doesn't say those things to get you to help him like other kids do. Steve means it.

"You'll do great too," you say. "You're funny and nice and my best friend. People will like you."

"You think?"

You nod. Steve turns his head and closes his eyes again.

"We'll stay friends, right?" he asks.

The floaty squeaks as you move to sit up. You paddle to Steve so you can look at his face.

"Why wouldn't we?"

"I dunno." His eyes are still closed. "You might make super smart friends. And I'll just be a dumbass holding you back."

You shove Steve's shoulder lightly.

"You are not dumb, Steve."

One muggy June night had had Steve admit he wasn't thirteen, like you and all the kids in your class, but fourteen. He had been held back in third grade after his parents moved from Illinois. It's why my brain's mush, he'd said. I was born dumb.

He had made you swear not to tell anyone.

"You're not dumb," you say again. "Say it, Steve. Say you're not dumb."

His frown deepens, but he still won't look at you.

"Tommy says I am."

"Tommy Hagan is a shithead," you shoot back with so much venom, Steve's eyes fly open. "It's not true, whatever he tells you."

You hate that they've been hanging out more this summer. You can't tell Steve that, because it's not like you own him. He can be friends with whoever he wants. But you can't help that your skin crawls when Tommy and his stupid girlfriend, Carol, drops by and pulls Steve away from you.

“Promise?” he asks.

“Yes, Steve. I promise.”

“‘Kay.” Steve smiles a little. “Thanks.”

You nod and lay back on the floaty.

“Wanna get ice cream after this?” he asks.

“Just us?”

“Just us.”

Now. (January, 1987)

You slam the phone back onto the receiver. A girl playing Pac-Man carefully glances at you.

Whoops. Right. You're still at work.

You smile and give a thumbs-up. She turns around. You return to your wallowing.

You’ve called three different video rentals. Jewel Films, which is about to go out of business; More Movies, whose attendant hung up on you before you could say Molly Ringwald; and finally, Blockbuster, which is thirty minutes outside of Hawkins. None of them have a copy of Pretty in Pink.

And okay. You could just watch another movie. You don't need that specific one. But this year has been shit. You'd thought after starting college, you'd finally break out of the Hawkins forcefield that had limited your social life. You'd thought you'd make friends and not be so terribly lonely. Life is supposed to get better after high school, isn’t it?

Obviously, whoever said that is a big, fat liar.

“Dude!” you hear a familiar voice exclaim. “Stop hogging the game!”

Tawny curls peek from under a green and yellow hat. The hat hovers over an older boy who’s glued to the Tempest booth. You go to them. Dustin Henderson lights up when he sees you. You can read his hat now; it says Camp Know Where ‘85.

“Hey, Y/N!” he greets brightly. “This guy has been here for a half hour. I left to get nachos and when I came back, he was still here.”

“I’m this close to beating my score!” the kid insists.

“Come on, guy," you say, one arm on the machine. "You gotta give other people a turn."

The kid, evidently demon incarnate, sneers at you.

“Who’s gonna make me? You?”

You lean against the side of the game, considering.

“How old are you?”

“Sixteen,” he says.

You snort.

“Sixteen? And you’re still on Tempest?”

He glances at you.

“So?”

“Everybody your age is playing Rampage, that’s all.”

You wink at Dustin. He beams.

“And, uh, I saw a couple girls hanging around Rampage,” you add.

The kid turns to you. You tilt your head innocently.

“Seriously?” he asks.

“Seriously. People always flock to the new games.”

Which is true. The girls part is not, but he doesn’t need to know that. With that attitude, he won't be getting many phone numbers anyway.

You drum your fingers on the game like you have all the time in the world. And sure enough, the kid takes his quarters and heads towards Rampage. Dustin jumps in delight.

“You’re awesome, Y/N!"

You grin. “I try. Where are the others?”

Dustin sours.

“They ditched me. To hang out with their girlfriends! Can you believe that shit?”

“No way!"

He shakes his head.

“I know, right? My friend told me that that’s what happens in high school. People change, y’know? And he’d know, I guess. He’s old like you.”

You scoff. “You make me sound like some kind of ancient. I’m not that old, Henderson.”

“It’s okay, Y/N.” He pats your arm. “In many cultures, the elderly are wise. Now in my experience, this hasn’t been the case. But I think you’re wise.”

“Gee, thanks.”

Dustin smiles like the little shit he is and puts his change in the slot.

“Well, contrary to what this other friend says, I’m sure it’ll pass,” you say. “You guys will hang out again."

You swallow your acidic truth. Dustin's a good kid, and so are his friends. You don't want him to turn cynical like you have. He's too young.

Dustin shrugs, starting the game.

“I guess so. I got a copy of The Lost Boys for us to watch on Friday. They said they’ll be there.”

“Whoa, seriously? That one just came out, how’d you get a copy?”

“My friend,” he says. “The one I mentioned. He works at Family Video and reserves stuff for me.”

“Huh. I thought Family Video was closed."

You'd applied to work there last year and never got a call back. You'd gone by once and it had looked abandoned. Hence why you now work at the arcade across town.

"It almost did, but Keith took over so now it's barely scraping by."

"Ah. Sweet deal on the movies."

“Yeah,” Dustin agrees, eyes crinkling. “My friend's pretty cool. You'd like him."

"Would I now?"

"Absolutely," he gushes. "He's a total badass too. He won his first fight last year. He used to be a jock but he's recovered."

"Wow. Impressive."

"Mmhm. I could ask him to hold stuff for you too, if you wanted.”

“You would?”

The game makes a sad game over noise. Dustin sighs and takes a gulp of his slushie.

“Yeah, totally,” he says through a mouthful of blue raspberry ice. “Which one do you want?”

“Pretty in Pink? I missed it in theaters."

“Sure. I’ll tell him to hold it tonight and tomorrow you can pick it up.”

“Cool. Thanks, Dustin.”

Dustin gives you an apple-cheeked grin.

“Gotta stay in good graces with the arcade attendant who lets me play Tempest as long as I want.”

"I don't know what you're talking about," you say, walking away. "Don't get slushie on the game."

"'Kay!"

Dustin only gets a little bit of slushie on the game, but he cleans it up with about a million of the cheap snack bar napkins. When he leaves, he tells you to mention his name at Family.

"Who do I ask for?"

"You can talk to either of them," Dustin says. "Doesn't matter. Except Keith. You know Keith, right?"

"Unfortunately.” Keith used to terrorize the arcade before he blessedly moved on. “He works there?"

"Barely." Dustin scoffs. "He's almost never there, so don't worry. And feel free to ask for more movies. They owe me one."

Your sole interactions are with professors and a gaggle of high school freshmen. But now you get to watch any movie you want. Maybe this year won't totally suck.

The bell rings pleasantly as you step inside. There's a few people on line, so you take your time walking in. There's a movie display with about thirty copies of RoboCop. A cardboard cutout of RoboCop stares back behind his red helmet.

"Can I help who's next?"

You go to the counter. A girl about your age with a choppy haircut smiles at you but it's sort of strained. She has a pin on her green work vest that says Ask me!

"Please don't ask for Adventures in Babysitting," she says.

"Oh. No, I'm, uh, Dustin's friend?"

You can't believe you're name-dropping a high schooler.

She nods in realization.

"Oh, yeah. God, I keep telling that dweeb not to promise holds."

You wince.

"Sorry. If it's going to get you in trouble…"

Her brows raise. She smiles a bit.

"No, it's okay. Usually my coworker deals with it but, well. He's taking an extra long break today. So, what movie was it?"

"Pretty in Pink," you say.

"Classic," she replies. "John Hughes fan?"

"Somewhat. I didn't get to see it in theaters. I like Molly Ringwald."

She grins.

"Me too. She's pretty."

"Super pretty," you agree.

The girl considers you, then sticks out her hand.

"I'm Robin," she says. "Nice to meet you."

You take her hand. "Y/N.”

"Did you go to Hawkins High?"

"I did. Graduated last year."

"Oh, cool. Are you in college?"

You nod.

"Hawkins State. Twenty minutes from here."

"Sweet! I'm taking a gap year, but afterwards, I’m gonna apply there. It's cheap. College is college, right?"

"College is college," you agree. "But I wish I'd gone away for school."

You don't know why you're telling her this. You've known Robin for all of two minutes. But she seems friendly. And her sense of style is cool. She wears a blue blazer and tie underneath her vest.

"How come?" she asks.

"Everybody from Hawkins is there," you say. "And I… I just want a new start."

Robin smiles sympathetically.

"They're jerks," she says.

You huff. "Yeah."

You'd turned yourself into a social recluse a million years ago. It's your own damn fault you can't befriend anybody in this town. At least, not anymore.

Robin types into the computer, then smacks the monitor. She groans.

"Ugh. Gimme a second," she says. "Stupid technology."

"No problem," you say, smiling. You like her. Maybe you can integrate Family Video into your regular routine, become friends. You can see Robin becoming a good friend. One you wouldn't grow apart from.

She disappears into the back room. You browse the old releases and stop at Die Hard. This one you saw in theaters. John McClane is a badass.

You think of Dustin, and his supposedly badass new friend. It's too bad you didn't meet today. Dustin has a good sense about people. If he says so, it's possible you and this friend really would get on.

The bell rings again. You're slow to look up. The entrance is empty when you do. You keep reading about John McClane's adventures.

"Have you been waiting long?"

You turn at the new voice. The video slips out of your hand and clatters onto the counter.

Steve’s hair has grown since you last saw it. He looks different too, though he has yet to break out of his signature church boy polos. There's a smattering of stubble on his jaw. His arms are lean with muscle. He wears a matching work vest like Robin's, name tag printed Steve in blocky font.

He looks at where you've dropped Die Hard and smiles.

"This is a good one," he says. "John McClane is a total badass."

You blink.

"Did you want to rent that one?" he continues, meeting your eye.

"No," you manage.

"Okay, no problem. Just browsing?"

He doesn't remember you.

You stare and stare. Steve leans in, concerned. He's changed, but he hasn't. He's still handsome with his swoopy hair and big, dark eyes, but the Steve you knew wouldn't have been caught dead working at a video store.

And he doesn't remember you.

"Are you okay?" he asks, sounding genuine.

You take a step back from the counter. The blood roars in your ears. Robin comes back in, Pretty in Pink in hand. She looks at you, then at Steve.

"Got it!" she tells you. "Computer should work now."

"I have to go," you say.

You don't look at Steve again, instead focusing on Robin.

Her brows rise.

"Oh. Is everything—"

"I forgot my wallet," you blurt. "I can't pay for the movie. Sorry."

"That's okay, we can just—"

You run. The bell chimes over her words. You keep running until you get to the bus stop, three blocks away.

Only there do you stop to catch your breath.

And then you cry.

February 1982

"What do you think about Marie?"

You look up from your textbook. Steve is doodling in the margins of his notes. You gently prod his arm. He returns to reading but his leg starts to bounce under the table.

"Marie Iverson?" you ask.

"Yeah."

Steve glances at you. He pushes his hair back. It had taken him freshman year to get his bearings with all the gels and creams, but now, his hair is a point of pride, always perfectly coiffed. Seniors call him "The Hair" and high-five him in the hallway. You hate it.

"I don't know. I don't know her that well."

"She's cute."

"I guess so," you say.

It's harder to get Steve to focus on homework these days. Last year, he happily made flashcards with you and even bought fancy gel pens to share for your notes. Now, he prefers to talk about girls or—

"I was thinking of asking her out."

The tip of your pencil breaks. You really ought to start using pens, but you don't like being unable to erase.

"Shit, here. Take mine."

Steve offers his still perfectly sharpened pencil. You stare at it.

"Y/N?"

"Yeah." You take the pencil. "Thanks."

"Sure. So what do you think?"

"I don't know, Steve. I thought you talked about this stuff with Tommy."

"I would, it's just…" Steve shifts uncomfortably. "He can be rude about it sometimes. He doesn't even get why we're friends, y'know? Doesn't understand why I don't just date you."

Tommy is a moron, but you've said that since last year, and Steve's never listened before.

"Some people don't get it," you say mildly, because you have an upcoming French test and there's no use in getting upset over Tommy Hagan right now.

"But you do. And you know about this stuff better than me. Girls and all."

"Just because I'm a girl doesn't mean I know what girls are best for you to date, Steve. It's weird to talk about."

Steve deflates.

"Oh. Yeah, I guess so. Sorry."

You sigh and rub your temple.

"I thought you knew all about that," you say, extending an olive branch. "Asking girls out and stuff."

"Well, I mean, I've kissed girls but I've never… you're, like, the only girl I really know."

Something like pride swells in your chest. Selfishly, you want to keep Steve. You don't want to help him if it means losing him. Oh, you're so greedy, aren't you? You watch Steve run off with Tommy and Carol and nameless seniors and seethe, because Steve was yours first. Steve is yours.

"Y/N?"

"Yeah." You give him back his pencil and fish for another one in your bag. "Did you ever think about writing how you feel?"

"Writing?"

"Yeah, like a poem or a letter."

"I'm terrible at writing," Steve laments. "The letters get all jumbled and I never spell a damn thing right."

He'd told his mom once how letters melt into each other, how b's become d's. She'd taken him to get his eyes checked, and when the doctor said Steve was fine, Deborah Harrington had told her son to stop begging for attention.

"Someone who really likes you won't care about spelling mistakes, Steve," you tell him. "As long as you write from the heart. Don't do that cheesy shit and quote Romeo and Juliet. They're young, impulsive, and they die at the end, and that's not romantic."

Steve laughs, nose scrunched.

"What!" you demand. "What's so funny?"

"Nothing, 's just—of course you'd have something to say about quoting Shakespeare."

"It's overdone," you say, crinkling your nose. "And girls would much rather read your own words."

"So you think I should write Marie a letter?"

"If you really like her," you say. "Only write letters for girls you really like. Otherwise they lose their meaning."

Steve frowns. "I don't know if I should write her a letter, then."

Don't, you want to say. Don't write any of them letters.

You shuffle your papers into a stack.

"Can we study now?" you ask.

"Oh, sure, yes. Sorry."

"You don't have to keep apologizing, Steve."

He shifts closer to you. His leg has stopped bouncing.

"Lemme take you out," he says.

You nearly swallow your tongue.

"Wh–what?"

"For ice cream," Steve clarifies. "Like we used to. Dairy Queen."

"Oh. Okay, sure. But after we study."

Steve beams. "I'll drive you."

Steve's dad had bought him the BMW as a birthday present this year—not that Richard Harrington actually knows when his own son's birthday is, considering the gift was three months early. Still, it's another point of pride for Steve and about all anybody talks about whenever his name comes up. Steve is the only person in your grade with a car. Junior girls hit him up for rides. You make yourself scarce when they do.

You don't care. You liked Steve before the car. And the clothes. And the hair.

Your throat feels tight. You want your best friend back.

"Just us?" you check.

You can't tell these days. Steve seems to hang out with everybody but you. You're shocked he'd even asked to study together.

"Oh, sure," Steve says. "I just have to drop off Tommy and Carol first, okay?"

You check your watch and close your book.

"I have class," you lie. "I'll see you later."

Steve catches your wrist. He looks at you and you're struck by how sweet his face is. It's not like you didn't understand why girls want him but it's Steve. Your Steve, who still sleeps with a nightlight and who framed a picture of a sports car he cut out from a magazine because he'd thought it would make him cooler (it didn't. You still tease him about it.)

"Please," he says. "For helping me."

Your eyes slit. "I didn't help you to get stuff, Steve. I helped you because you're my friend."

Steve blinks like he's forgotten what it's like to be friends with someone just for the sake of being friends.

"You're right," he agrees. "You're not like that. I'll tell Tommy and Carol to find another ride. It'll be just us. I promise."

You perk up at that. "Really?"

"Really. You can sit in the front with me and we'll play Bruce Springsteen, like we used to. Please?"

"Okay, Steve." You ache. You’ve never been very good at telling him no. "I'll meet you in the parking lot."

And maybe… maybe your best friend is still in there after all.

Now

You ask your shift manager if you can work at the snack bar today. It's in the back and you won't have to deal with any game hogs.

"You didn't put enough syrup in my slushie."

You might have overshot the perks, though.

Slushie Girl's hair is bleach blonde and hairsprayed to God. You want to tell her that all that hairspray doesn't keep friends. Or brain synapses.

"I don't make the slushie," you say for the third time. "That's how it comes out of the machine."

She shoots you a mean look.

"I'm complaining to the manager."

You paste on a smile.

"You do that. Have a nice day."

She finally walks away, probably on the hunt for your manager, who's definitely smoking a joint outside to avoid this exact situation.

Dustin comes around the corner and this time, he's with the rest of his party. You smile.

"Hey, Y/N!" Dustin greets.

Lucas waves at you. Max and Mike are arguing and therefore are in their own world. And there's their newest addition, El, whose story you're still not clear on, as well as Will, quiet as always.

You lean your elbows on the countertop.

"What'll it be, gang?"

"Six nachos and six slushies, please. One blue raspberry, three cherry, and two Coke."

You fill up the slushies first. Dustin dances on his toes.

"So did you pick up the movie?" he asks.

"Oh." You try to smile. "I went there but I couldn't. I forgot my money. Pretty dumb of me."

Dustin accepts this with no argument.

"Well, you can go back. They'll hold it for a few days."

You're never setting foot in there again, but you don't tell Dustin that.

He takes his slushie and immediately starts drinking.

"Slow down, dude. You'll get a brain freeze," you say.

"You sound like Steve," Dustin informs you. "Doesn't Y/N sound like Steve?"

Lucas nods.

"Yup. They're both parents."

You feel queasy. You focus on making the nachos, the cheese pouring out thick and gooey.

"Did you meet Steve?" Dustin asks. "You probably know him from high school, but he's different now."

"Yes," you say quietly. "I knew him."

"I promise he's different. Even Mike likes him, and Mike hated his guts. Right, Mike?"

Mike pauses in his animated discussion with Max and looks at you.

"What?"

"I'm telling Y/N about how Steve is cool now," Dustin explains.

"Oh." Mike shrugs. "He's fine. Much better now that he's not dating my sister."

"He's not?" you ask. "But they were in love. I–I mean, that's what I heard, at least."

"She dumped his ass," El says, and it sounds a little ridiculous in her soft monotone.

Max scoffs, taking her Coke slushie.

"Did you live under a rock? It was a huge thing."

"Now Steve is lame," Mike says with a snort.

"Getting dumped doesn't make somebody lame," you say with an old ferocity you'd thought had disappeared.

"Okay, jeez." Mike holds up his hands. "Steve's alright. He's different, that's for sure."

"He's our paladin," Lucas says. "A protector."

Dustin nods eagerly.

You blink. "He protects you guys?"

Max elbows Lucas. You have no idea what that's about. El steps forward and smiles softly.

"Yes," she says. "He's our babysitter."

"Aren't you guys freshmen? I thought you were too old for babysitters."

"Oh no, Steve doesn't get paid for it or anything," says Mike. "He just does it 'cause he has nothing else to do."

"That's not true!" Dustin argues. Then he shrugs. "Well, it's a little true. But he does like us. He's a good guy. He cares about his friends."

You bite your tongue, not wanting to reply to that.

"That's great, guys. The girl, Robin? She seems pretty cool too."

"That's Steve's best friend," says Dustin. "She's great."

"Oh." You wince. "Best friend?"

Dustin huffs. “Yeah. They don’t date. He won’t say why."

"Platonic with a capital P," Max confirms. “It’s obviously because he’s in love with somebody else.”

“Not Nancy!” Lucas protests.

“There are other girls besides Nancy, Sinclair.”

You busy yourself with serving the last set of nachos. The kids pull out crumpled bills and coins in return. You count the money and stack it directly into the register; you know there won't be any change.

When you turn, they're still there. Dustin has his signature grin on, eyes squinty.

"Yeees," you drag out. "Can I help you?"

"We need a favor," Lucas says. "Please."

"Hmm." You lean over the counter. "What's up?"

"They're showing Prince of Darkness on Friday," Dustin explains. "But it's rated R."

"So just sneak in. Isn't that what you guys did at Starcourt?" you ask.

"We had an inside man then. They're a lot stricter at the new one," Lucas frowns. "They ask for IDs 'cause some mom complained after her kid snuck in to watch Risky Business."

"And why can't your babysitter take you?"

You sneer at the thought. Steve spending his Friday nights herding a bunch of adolescent teens into a movie theater. There's a reason you consider Dustin affectionately delusional.

"He has a stupid date," Dustin groans. "He's a serial dater, Y/N. It's terrible. He gets lucky once and totally ditches us."

Now that sounds like the Steve you knew.

"I see. I don't really like horror stuff."

"You don't have to stay!" Dustin insists. "You can watch whatever you want after we’re in. I'll pay you back for the ticket."

“This would be so much easier if Steve still worked at Scoops,” Mike grumbles.

You blank for a moment, the image of Steve in a sailor’s hat and those ridiculous shorts whiting your brain.

“Um,” you begin. “You know I don’t have a fancy BMW to cart you guys around in, right?”

“It’s cool. We’ll get there,” Max says.

“So?” Dustin bounces on his toes. “Sooo?”

You sigh. It’d been nice of Dustin to get you the movie, even though you’d chickened out and ran. And it’s not like you have anything better to do.

“Okay,” you say. “I’ll get you guys in.”

Dustin pumps his fist. “Thanks, Y/N! You’re my favorite old person.”

You roll your eyes. “Funny. Any funnier, and I might rescind my help, Henderson.”

“Byeeee!”

They all disperse to the arcade. You wonder how on earth Steve got involved with them.

March 1983

“Okay, but if you had to choose.”

“Pass. I would literally rather swallow pennies than kiss Principal Coleman’s bald-ass head, Steve.”

Steve takes a triumphant swig of beer. “So you’re saying you’ve got the hots for Benny the janitor.”

“No!” you insist through giggles. “I don’t. God, you’re gross. Can’t believe I’m being treated like this on your birthday.”

“Exactly! My birthday.”

He rolls onto his side in his deck chair and nearly faceplants on the cement. You reach out, reaction time delayed.

“Steve!” you yell. “Careful.”

“I am, I am,” he mumbles, and rights himself on the chair. “Jus’ wanna see you better.”

“I keep telling you you need glasses.”

“I do not,” he whines. “My vision’s ten outta ten. Could a guy who needs glasses do this?”

He crumples up a Twinkies wrapper and throws it towards the garbage. The wind picks up and sends the wrapped into the pool.

“Shit,” he says.

You belly laugh in delight.

“Wait, wait, redo. Go fish it outta there.”

“Oh, as if. I’m not going in there. I told you you need glasses. Even Mother Nature agrees.”

"She does not. Mother Nature thinks I'm a doll."

You hum and close your eyes. Alcohol always makes you sleepy.

The chair scrapes against the concrete. You hear a crinkle of a chip bag. Those are your only warning before you’re crushed by two hundred pounds of drunk boy.

“Steve!” You wheeze, squirming as his hair tickles your face. “Get off!”

"’M sleepy,” he mumbles.

“Well, don't sleep on me, weirdo.”

“‘S cold.”

“You run, like, a hundred degrees, don’t lie.”

He lifts his head. “So you’re saying I’m hot?”

“I’m saying all that booze cooked your brain,” you reply sweetly.

“I’ve been wounded,” he moans and plops onto your shoulder.

“Ugh.” You resign to your fate and lean back. Steve’s not actually that heavy; even drunk, he has a lot of control over his weight and he’s situated himself so he isn’t crushing anything important. No, you squirm underneath him for a very different reason.

“Steeeeve,” you whine. “You’re gonna squish me into a pancake.”

“Can’t believe no one else came.”

You still. Steve’s face remains buried in your shoulder. His body is beside yours, and he has an arm slung over your belly.

“I didn’t—didn’t want a party,” he continues. “I always throw parties. I thought I’d do somethin’ different. An’ none of them even wished me a happy birthday. ‘Cept you.”

You rest your hand on the back of his hair. It’s wind-blown and messy from the drinks, free of his heady hair gel. You’ve never loved it more.

“Did you tell them your birthday is today?” you ask gently, even though you know he did.

“Yeah,” he says. “Told all of ‘em. Guess they weren’t listening.”

“I listen.”

Steve looks up at you. His eyes are glassy.

“God, I miss you,” he says.

You feel the wall you’ve built this year crumble, just a little.

“I’m right here, Steve.”

“I know but—been a jerk lately. I know I have. You’re my best friend, okay? Nothing’ll change that. I–I love you so much.”

Your breath hitches. Steve barrels on, not noticing.

“And I’ll be better. We’ll hang out more. Not–not here, drunk. But for real. We’ll go to the movies. Y’wanna see a movie?”

“Yeah,” you whisper. “I wanna see a movie.”

“‘Kay, what movie? Anything you want. We’ll get popcorn and Raisinets.”

“You hate Raisinets,” you choke through a watery laugh.

“I’d eat Raisinets anytime with you.”

You lay there, in the dark, the only sound being the pool filter.

“Let’s watch the new James Bond.”

“Hmm, okay. But you’ll have to say the name eventually.”

Your nose crinkles. “I am not calling it by its name.”

His laugh is warm in your neck.

You don’t tell Steve to get up again. He snuggles into you, leg over yours. You fall asleep like that, curled underneath him.

Now

“Wait.” Max stops. “Shouldn’t we have, like, a game plan?”

“Game plan?” El asks quietly.

“Yeah. Some of us aren’t so great at playing it cool.”

She stares at Lucas.

“I play it cool!” he squawks. “I am so cool!”

“Right.”

“Just let Y/N do the talking,” Will says. “She’s technically the adult so she should act like this is a conscious choice.”

You shrug. “Makes sense to me.”

Dustin beams. “This is gonna be great!”

“Or a total disaster,” Max says.

You go to the counter, the kids trailing behind like ducklings.

“Six tickets for Prince of Darkness, please,” you say. “And uh, one for Dirty Dancing.”

The attendant looks at you, then at the kids.

“Don’t you mean seven tickets for Prince of Darkness?” she asks. “It’s rated R.”

Shit. “Right, yes. Sorry. Seven tickets. And one for Dirty Dancing. We have another friend who’s late.”

“Uh-huh.”

The attendant, whose bored expression you’ve recognized on your own face after long days in the arcade, hands you your tickets without any questioning.

“I think we’re in the clear,” Lucas whispers when you enter the concession area.

You wait for them to buy their snacks. Max persuades Lucas to let her mix M&Ms into their bucket of popcorn. He agrees and shuffles closer so they’re pressed shoulder to shoulder while they share.

“Okay, last stretch,” Mike says, shoveling a frighteningly large handful of sour worms into his mouth. “We just have to get past the ticket guy.”

Said ticket guy is a kid who can’t be much older than you. You think you might’ve gone to school together, but you’ve made it a point to eviscerate everything about high school from your mind.

“Hey,” you say, trying to act cool. Maybe you’re the one Max should’ve been worried about, instead of Lucas. “Uh, here are our tickets.”

He takes the tickets, then looks behind you.

“Prince of Darkness is only for people seventeen and older,” he says.

“I’m an adult, so I’m with them,” you explain. “I’m, like, their guardian?”

“Yeah, uh—” He hands you your tickets. “No can do. There needs to be an adult for each person under seventeen.”

“Come on,” you cajole. “They’re high schoolers. It’s not like they’re gonna be scarred for life watching some zombies, or whatever.”

He shrugs. “Rules are rules.”

“She’s an adult!” Dustin argues.

“Look, if you’re gonna hold up the line, I’m gonna have to—”

“Yo, Gillespie! That you?”

Dustin turns and lights up. The seven of you part for Steve Harrington and his date, a pretty strawberry blonde you think you had biology with.

“Harrington, man, what’s up!”

Ticket Prick gets up to slam Steve into a bear hug. You barely resist an eye roll.

“Shit, I haven’t seen you in a year! Where’ve you been all this time? Hey, did you hear about that shit with Munson?”

Steve flinches. It’s a tiny movement, indiscernible to the trained eye. But it’s there all the same.

“Gillespie, c’mon. Don’t bring the party down with that,” Steve says, all sweet charm.

“Sorry, sorry. Daisy,” he greets the girl attached to Steve’s arm.

“Gil,” she replies with a giggle. “You smell like popcorn butter.”

America’s future taxpayers. Terrifying.

“Are you gonna let us in or not?” Max interrupts, arms folded.

You feel a burst of pride.

Gil shoots her a dirty glare and puffs up, ready to fight a fourteen year old. Steve cuts in smoothly.

“Gillespie, listen. I know her.” He points to you. You bristle. “I can personally vouch that she’s just trying to do right by these kids. They wanted to see Prince of Darkness, y’know? Get away from the parents.”

“It’s a sick film,” Gil agrees. “You seen it?”

No, of course Steve hadn’t seen it. He hates horror.

“Planning on it,” Steve says, the ultimate image of playing it cool. “Look, you remember sneaking into the movies. Fast Times? Ring any bells?”

Max rolls her eyes. You’re inclined to do the same.

Gil laughs dopily, and nudges Steve. “Hell yeah, I do. That was a crazy night, Harrington.”

Steve smiles thinly. “Sure was. So whaddya say? For old times’ sake?”

Gil considers your little troupe. Then he shrugs.

“Why not. Manager’s not here anyway.”

He takes the tickets and tears them to stubs, then gives them back.

“Theater six. On your left. Enjoy.”

The kids stampede into the left theater wing. You hang back with your own ticket.

“Appreciate it, man,” Steve says, all smiles. “Take care, alright?”

“Hey, you too, Harrington! We gotta catch up!”

Steve and Daisy go in. You expect them to walk right past you, and Daisy does, predictably. But Steve stops.

“I’ll catch up, okay?” he tells her. “Find us some good seats?”

She paws at him a little, then goes, sodas in hand. You stiffen as Steve walks and stops three feet away from you.

“Hey,” he says. “Sorry about that. Gil’s an asshole.”

“I know. He yawned during my poetry reading sophomore year. And then you guys went to the movies together.”

Steve shrinks. “Your poems were great.”

You’re suddenly exhausted.

“What do you want, Steve?”

“I just… I wanted to see you. Say hi.”

“Okay.” You cross your arms. “Hi.”

“You forgot your movie,” he says. “The other day.”

“I didn’t want it that much.”

“Dustin said you looked everywhere for it.”

“Well, in the end, it didn’t really matter,” you say. “Not enough to stay.”

“Y/N—”

“I think your date’s waiting for you,” you interrupt. “Better get back to her. Wouldn’t want to taint your reputation.”

Steve makes a noise like he’s been wounded. You turn on your heel before you can think better of it.

“Wait.” He catches your wrist. Steve’s grip is light, like you’re something precious to hold. You wrench your arm away. “Y/N, I want to apologize. I’m sorry.”

“For what?” you ask. “For forgetting me? I didn’t expect you to remember, Steve.”

“I didn’t forget you,” he insists. “I could never forget you. I wasn’t—please, can I just explain?”

“I don’t need your explanations,” you snap. The hurt corrodes your tongue like acid. “I know what happened. We were both there. You left.”

Steve’s eyes are huge and dark. He looks like you just stabbed him in the heart, and that makes you feel worse. You’d thought telling him how much it hurts would put you back together, but all it did was break you more.

So you run. Again.

You slam through a back exit and rip your ticket into a million pieces. The wind is cold and unforgiving. Your eyes sting.

You call out sick for two days in a row. You kind of expect to get fired, but then again, people have been leaving Hawkins and if you’re not here to serve the masses their slushies, who will be?

So, after lying in bed not thinking about movies and strawberry blonde girls and how sick you are of this town, you get up and put on your arcade vest.

Now it is two in the afternoon. You’d heard it was supposed to snow today.

Robin eyes the snack counter like it holds the next plague outbreak. You don't blame her; you make it a point to wash up to your elbows after work.

"Slushie?"

She looks at you like she’d forgotten you were there. "What?"

You point a thumb at the machine. "Are you here for a slushie?"

"Oh. No, sorry. Red dye makes me insane in the brain. Steve actually—"

Robin stops, grimaces. So he's told her. Probably everything, if the kids had been telling the truth.

You're honestly surprised she's here. Unless it’s to, like, swirlie you in the vat of artificial cheese.

"Are you here to drown me in nacho cheese?" you ask.

Robin's eyes go wide as dinner plates. "What? No!"

"Just checking." You lean against the counter. "What can I do for you, Robin?"

Robin suddenly looks like she's never interacted with a human being before. You like her a lot. Steve probably does too.

"I came to drop off your movie." She holds the tape over the counter like it's a pool of lava.

"But I didn't pay for it." You shove your hand in your jean pocket; you only have a couple dollars on you. "I guess I can get you the money tom—"

"It's on the house. For a fellow Molly fan."

Robin wiggles the tape with two fingers. You take it and wait for a catch. There is none.

"Thank you," you say. "You didn't have to do that."

"Actually, it wasn't me," she confesses. "I'm just the mailman."

You prepare to hand it back but Robin shakes her head.

"He's not going to pop out of the slushie machine, okay? He's just trying to make it up to you."

"He doesn't need to make it up to me," you bite, except those aren’t the words you mean. "Why does he even care? We're not in high school anymore."

Robin smiles a sad smile.

"I know," she says. "We’re not. I know he should've known to fix things earlier. He's received a lot of blows to the head, though, so he's still catching up."

The thought turns your stomach. More? More you weren’t there to protect him from?

"He doesn't owe me anything," you say and wave the tape again. "You can take it back and leave it for somebody else."

"Y/N, I know we don't know each other, like, at all. But it's important to me you know that Steve cares about you, because you’re important to him. And you knew him way before I did, and you probably know a lot of stuff I don't, and that's good because he has a friend like me, but he should also have a friend like you too, Y/N."

"I don't want to be his friend," you mumble.

"Yeah," Robin says. "I figured. But I don't think that's a confession he should hear secondhand."

You look at her, stunned. She's such a clever girl. You hope she treats Steve well.

"If you two are—"

"We're not," she says, like this is a regular explanation she goes through. "Steve and I are friends. Steve has crashed and burned with every single date since his fall from regency. Steve is the best person I've ever met."

"Yeah, I’ve heard. You and Dustin are his biggest fans."

Robin snorts. "Trust me, I'm not proud of it."

You shake your head. Your eyes feel hot.

"This town is so shit," you say.

"Yeah," Robin agrees. "It really fucking is. But I'm not asking you to give this town a second chance. Just him."

"Why are you trying so much?" you ask. "You don't even know me."

Robin shrugs. "No, but you're the one person Steve used to be friends with who's not an asshole, and I think us non-assholes need to band together."

"I can sometimes be an asshole."

"Me too. So are those little dweebs. How about calling ourselves the Semi-Assholes Club?"

You laugh. "We'll get jackets."

"With partially drawn butts on the backs," Robin says with a giggle.

You look at the tape in your hand.

"Does Steve like John Hughes?"

"He does. He's a total sap for those. He thinks he's in his own coming-of-age movie because he's delusional."

He sounds perfect. He sounds like the friend you loved.

"I did want to watch this one," you say.

"It won't hurt you to," Robin promises.

You suppose not.

December 1984

You don't believe the whispers. All week, the rumor mill spins tales of Billy Hargrove finally pushing the King off his throne. There's no way he'll show his face, a girl at the adjacent lunch table astutes. I sure as fuck wouldn't.

Steve Harrington is a loser. Steve Harrington got dumped for Jonathan Byers. Steve Harrington may as well be dead, and on and on.

Every line gets you angrier. A boy who sits behind you in chemistry taps his pencil like he always does. Tap, tap, tap.

Halfway through class, you snap at him to quit it. He does, but not without a tinge of embarrassment. You’re so angry this year. Angry at your loneliness, angry at the unfairness of said loneliness. You might’ve done this to yourself, and that fact only gets you angrier.

You see Nancy Wheeler in the hallways with Jonathan Byers, and the confirmation of that rumor should make you happy. It doesn't.

A week later, most of the excitement has died down. Everybody’s moved onto the next big thing, which is to deduce who fucked in Vice Principal White's office. One look at V.P. White, and it had been decided that it can't have been White himself.

You can't care less. Once upon a time you might’ve laughed about it with a friend, but you don't have any more of those, and high school is bullshit with or without them. So.

Steve walks in twenty five minutes into the period. Mrs. Kaplan gives him a downright beastly glare and demands to know where he had been.

"I'm sorry," is all he says. "If you give me detention, I understand."

There are a few snickers that rub at an old hurt, one that had flared up whenever somebody dared to make fun of your best friend. It doesn't bother me, he'd said, and you'd known it was a lie.

It bothers me, you’d replied, and Steve had hugged you tight.

Mrs. Kaplan seems more stunned Steve hadn't swaggered past her like a peacock escaped from the zoo and lets him go sit down without a fight. He takes the only empty desk, two rows across from you. You stare. You can't not.

Half of his face looks like it was mashed in a garbage disposal. It's purple and a sickly yellow. His eye and lip are still swollen. You stare and stare. You feel queasy.

Billy had done that. You're so angry. You think you might never get past this grief, this loss of a once permanent fixture in your life.

No one wished Steve a happy birthday this year, you realize out of nowhere.

You stare and stare and stare until Steve looks right back. You're blindsided by thick guilt, like blinking through a milkshake. And then the familiar curl of anger returns because why the fuck should you feel guilty? You aren't the one who fucked everything up, who mascerated this good thing. Steve did this to himself. Steve deserves to walk the halls alone. It's Steve's fault.

But when you look at him, at his raw wounds, at his bruised knuckles, you know that he already believes he deserves every punch Billy Hargrove gave him.

You hate Steve Harrington. But you really wish you'd been there to drive him to the hospital.

Now (And Forever)

The tape sits buried in your drawer for three days. You don’t know what Family Video’s return policy is, but you hope you’re not racking up late fees. You doubt name dropping Dustin will work again.

It’s Saturday when you decide to watch Pretty in Pink. You remove the video from its sleeve. An envelope falls out.

The front has your name printed in squished, loopy script. You remember January at Steve’s house, a stack of thank-you cards courtesy of his mother awaiting the Harringtons’ sign-off. Steve’s hand would cramp and you’d take over while he made grilled cheese for the both of you. Love, The Harringtons, and there was no love in that house, but you think maybe Steve loved enough to make up for it.

Hi, the letter begins. I hope you’re good. Robin told me you’re going to Hawkins State.

That’s fucking amazing. I’m so proud of you. Are you still writing poetry? I liked that one you wrote about the birds who shared a branch and kept each other warm. I still have it in my notebook in my room.

I’m sorry for the other night. I’m sorry for every night since freshman year, honestly. I’m kind of a dumbass, but you know that, so it doesn’t really excuse anything. I think I’ve actually lost brain cells since we drifted apart.

You crumple the corner, suddenly hot with anger. Who keeps telling him he’s dumb? You want names.

I didn’t forget you, you know. I got scared and I thought maybe I could ease into it, but then you recognized me and… well. I don’t blame you for running.

Anyway. I’m talking too much about myself, when there’s nothing to say. I’m really sorry about what I did, or, actually, what I didn’t do. Somebody told me I was living on autopilot, and that it wasn’t really living at all. I think it was you.

I’m not living on autopilot anymore. I woke up. And I realized that you’re the best fucking thing that’s ever happened to me. I love Robin and the kids and this little family that has apparently invayd invaded your life too. Sorry about that. They never leave and they eat all your food. Good luck.

But I miss you. I always have.

Shit happened these last few years that I’ll tell you about one day, if you want. I’d rather not, though, because you’ve always been the paranoiac (like that one? Robin said it’s an SAT word) of the two of us and I feel like this would just make you even more of one. But I will tell you, if you want to hear it. I want to tell you everything. I want you to tell me everything too. Like we used to.

I want you to tell me how college is going. Who the annoying jerks in your classes are so I can go beat them up (kidding). I want you to stop by to rent movies so I can lend them for free and you’ll yell at me about taking advantage of fre friendships.

Fuck, I miss you. It’s always been there, bubbling below the surface. I never stopped missing you. I never stopped loving you. I’m sorry I didn’t write this sooner. I know you said writing is how we express things we can’t say. You were right. You always are. Can’t believe I forgot that.

It’s okay if you don’t want to be friends. I mean, it hurts, but I respect it. I understand. Most days, I can’t believe people can bear to be around me. But then I hear your voice in my head, telling me that most people are shitheads and that I’m golden and. Well, I don’t know if I believe that, but you were right that most of the people I surrounded myself with were shitheads. Except you, of course. And then I went ahead and fucked that up.

I’ve been working on finding the non-shitheads of the world. I think I’m doing pretty well. And I wrote this because I realized that while I will probably end up buried in this fucking town, you’re going to do something incredible. And nothing incredible ever happens in Hawkins, so I figure you’ll be far away when you do it.

I didn’t want to miss this chance to write things I never said. So here they are. And you can do whatever you want with them. You’ve always been the best of the two of us. I trust you.

You should watch Dirty Dancing. You’ll like it. I did. I’ll see it again if you want. I’ll watch anything with you.

Did you know there’s another Bond movie coming out in the summer? We could watch that one together too. If you wanted more time to decide.

Sincer

Your friend,

Steve

You don’t bother ejecting the tape. You run all the way to the bus stop, Steve’s letter in hand.

You have to see him. No other thoughts register except that one. You have to know if Steve wrote these words because he can’t say them or because you won’t listen.

It isn’t too late when you get to Loch Nora. The neighborhood is dead, which is weird. Steve’s house looks frozen in time: his parents’ car isn’t in the driveway. You wonder if they’ve ever come back since you’ve been gone. You wouldn't be surprised if the answer is no.

There’s a tarp over the pool. The gate is locked with a chain. You can’t sneak in through the fence like you used to. Not that you would. You don’t think strangers can sneak through pool gates.

You knock on the door three times. And wait.

Steve’s car is in the driveway, a duller burgundy than when he first got it. There are a few scratches in the paint. No longer a prized possession. Maybe well-loved instead.

The door swings open.

Steve says your name like a prayer. You swallow and steel your spine.

“I got your letter,” you say.

“Oh.” He rubs the back of his neck. His hair is damp like he’s just showered. It curls around his ears. Waves of want hit you.

“I don’t want to be friends,” you continue before he can speak. “I don’t—I can’t do that again.”

Steve’s mouth draws into the saddest frown you’ve ever seen.

“Okay,” he says softly. “Thank you for telling me.”

“No.” You shake your head. “No, that’s not—I don’t mean it like that.”

His brows knit. “What?”

“I…” You pull out the letter and wave it. “Did you mean it? Do you love me?”

“Yes,” Steve whispers. It’s like a shout in the quiet street. “I meant it.”

“Like a friend?”

“If that’s what you want.”

“Will you love me like a friend forever?” you ask.

“Always.”

You squeeze your eyes shut.

“I love you as something more,” you blurt, watery. “I have for a long time.”

You hear the door shut. This is it: your heart on the line, all for nothing—

“Then I’ll love you as something more back,” Steve says. “I’ll love you any way you want me to.”

And he holds you the way you’d held him so many times. You inhale and wrap your arms around his neck. You’ve got an iron grip around the letter. Tears slip down your cheeks.

“I missed you,” you confess.

Steve nods against your shoulder.

“Yeah,” he says, and it sounds a little wet. “I missed you too.”

“You were wrong,” you say into his neck.

“Hmm?”

You pull back to look at Steve.

“Incredible things do happen in Hawkins.”

“Oh, yeah?” Steve smiles, cheeks blotchy. “Like what?”

“We found each other again.”

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