Tumgik
#also--- divine femininity??????
halfdeadwallfly · 2 months
Text
Tumblr media Tumblr media
75 notes · View notes
lucabyte · 6 months
Text
Hmmm just gonna spit this headcanon out in text post form since A. I don't think I could exposit it well enough in image form and B. It's not actually textually/thematically substantiated and I don't like actually staking my stuff on just vibes alone*
But anyway. I'd say it's pretty evident that all the islanders forgot their names, right? King obviously. Because why the hell else would he do that, but also Siffrin No Middle Names No Last Name.
They're 'pretty sure' they've 'always' been 'Just Siffrin' 'as long as they can remember'. It's a pretty cruel twist of the knife to say that they don't even get to keep their birth name as a memento, which is why I'm saying as such.
My utterly unsubstantiated claim is I think it'd be cute to say that Sisyphus *is* the name Siffrin initially picked, assuming the myth of King Sisyphus is recontextualised as idk, just a play or something in the setting. But I like the idea of Siffrin going 'oh shit 🫵 he's just like me fr' at a tortured fictional character long before the irony kicks in.
As for how Sisyphus -> Siffrin. I think that chronic mumbler and emotional doormat Sif just did not correct people who misheard the name during their time travelling, and went through enough places with incompatible phonologies (pronounceable sounds in the language) without ever really writing it down that it just got kinda. Changed until it was unrecognisable, and Siffrin just went with it until the earlier pronunciations slipped out of their swiss-cheese brain. And they just kinda don't remember any of that.
Also, something something the horrid realisation that Siffrin also named themselves after a King. Just not as blatantly.
*(though I think there's something here about Siffrin, a guy from a belief system that seems to thoroughly disincentivise autonomy and self-motivated choice continuously having their hand forced to make changes/choices they don't want but have no choice but to... It's not solid enough to really back this up tbh, but it informs it.)
Anyway.
Tumblr media
605 notes · View notes
gertritude · 2 months
Text
Tumblr media
Tweeted this months ago but this is the sort of attitude I take every time I have to see people talk about some mythical feminine girlhood or something similar
297 notes · View notes
d3cayingdolly · 2 months
Text
some people open their mouths and I hear the jaws theme tune
77 notes · View notes
yappingbitch73 · 19 days
Text
Tumblr media
wdym I can't "waste" all the money on makeup clothes and accessories
22 notes · View notes
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
some day soon some day soon
30 notes · View notes
huellitaa · 25 days
Text
its so hard being me (the coolest girl in the world)
20 notes · View notes
gingermintpepper · 29 days
Note
hi I love your tags so so much! they were so sweet and so interesting and creative and the whole Aphrodite type of beauty thing sounds really interesting do you have any articles and recommendations to read further into it??
-hogoflight
Hello my fine feathered (I am assuming possession of feathers if you are, indeed, capable of flight) @hogoflight! I'm always always happy to hear that people appreciate my frenzied rambling in the tags :D! I have a lot of articles and recommendations :D!! Ancient Greek notions of beauty and representations of it in their art and sculptures is a pretty well studied topic! There isn't any way for us now to know definitively what the beauty standard was (it varied widely from region to region and culture to culture after all) but here are a couple of my favourite reads about Aphrodite and what her representations tell us about idealised beauty!
Probably the most empirically extensive one I can list is Krönström's thesis which compares statues of Aphrodite and literary text referring to both the goddess and mortal women to determine physical ideals for women in five specific eras of Grecian antiquity. Including measurements of the statues there are many descriptions of Aphrodite as 'curvy' with a 'voluptuous figure' and with 'ample buttocks and bosom'.
"When the beauty traits are described in the texts, they are never extreme or anything that could not be found in normal people just that they are more beautiful in every aspect. Furthermore, the sculptures’ physical forms look healthy, they are tall and have distinct curves. Great examples of this are the Knida sculpture and de Milo (the Melian) sculpture."
Of course, these images are still idealised, and there was still a concept such as 'too fat' or 'too skinny' found in written records (and this thesis even includes analysis of pornographic writings and descriptions of the fashion and stylings of pubic hair of women from different regions!!) but from an interpretational standpoint? There is absolutely no reason why these can't refer to a fuller figure. Height was also a very important factor after all and over the course of many eras, it seems like being well proportioned in addition to the length and appearance of one's hair were the most important factors (and, like Apollo, greater beauty was given to those with curlier hair)
Mireille M. Lee's 'Other Ways of Seeing' essay which talks about the forgotten female viewers of Knidian Aphrodite which is also extremely illuminating on how Aphroditic sexuality and sensuality was perceived totally differently from the well documented male voyeuristic gaze (which was overly preoccupied with the statue's nakedness and therefore over-sensationalised the statue's physical appearance) vs women's perspective on the statue which is more centered on the beauty of simplicity in Aphrodite's garment and decoration and in her power and ability to captivate both in her finery and without it. I think it's especially useful in exploring the importance of finery, jewellry and adornment in representations of Aphroditic beauty.
"Some of the small-scale copies are heavily jeweled, especially those from the eastern Mediterranean, for example the Hellenistic gilded terracotta statuette in the Çanakkale Museum (Fig. 5) in which the goddess wears, in addition to the armband on her (right) arm, the following: a necklace with multiple pendants; cross-bands extending over both shoulders and hips, with a cascading pendant in the center; a coiled snake armband on the left arm and another snake on her left thigh, and a twisted anklet on her right leg. (The left leg has been restored, and might also have featured an anklet.)"
"Jewelry is especially associated with Aphrodite in Greek literature. As seen above, in the Homeric Hymn to Aphrodite, the goddess adorns herself with gold jewelry, dress-pins, and earrings in the shape of flowers (162–3)..."
Finally, and to me, the most important one in the argument for an interpretation of Hyacinthus as fat, beautiful and fundamentally Aphroditic comes from Brilmayer's brilliant brilliant thesis done on Aphrodite's work and influence in Archaic Greek Poetry which does away with all of that masculine preoccupation with physical proportion, measurement and bodily ideals for a focus on a Sapphic Aphroditic ideal centered in clothing, ornamentation and, most importantly cunning as symbols of Aphrodite and ultimately a feminine idealised form of beauty. This paper also discusses Pandora and Helen in these terms and it is just kind of a wonderful read tbh.
"Combining Homeric and Hesiodic elements with her own ideas, she [Sappho] alters the way female beauty is viewed. For example, the Homeric war chariot – a symbol of male, military prowess - comes to symbolise the totality of Aphrodite’s power uniting in itself male and female qualities. Having addressed the concept of beauty directly, Sappho then concludes that beauty lies in the eye of the beholder. With the help of Helen of Troy and her beloved Anaktoria, Sappho sets out to reinvent the concept of female beauty as a godlike, subjective quality that may be expressed in many ways, yet remains inspired by Aphrodite."
The conclusion to all of this of course is that Aphroditic ideal beauty is much more fluid compared to its stricter Apolline masculine standard. The nuances and understandings of both are of course, constantly being studied, analysed and scrutinised but really, if Dionysus who was both bearded and clean shorn, effeminate, birthed and rebirthed (and twice gestated!) and strongly associated with vegetation can be popularly portrayed as fat and handsome, why can't Hyacinthus?!
#ginger rambles#ginger answers asks#Once again I do not care how it happens or who I have to pay#I don't even care how much research I have to do#All I care about is more unique portrayals of Hyacinthus#Literally that's it#I will go through every academic hoop to make that possible if that's what peeps need TRUST#No because there's a genuine conversation to be had about a Hyacinthus who is split between masculine and feminine qualities#Likewise there's a wonderful conversation to be had wrt Apollo's fluidity in terms of presentation and how it does not reflect on his gende#the way Dionysus' fluidity reflects on his#Apollo is ALWAYS masculine no matter his ornaments garments makeup or action#It doesn't matter that he has the prettiest curls or wears elaborate dresses for his kitharody and dances#or values the deep dyes of the lapis - Apollo is ALWAYS male and that cannot be concealed by any finery or garment#Aphrodite however is an ally in this measure because through her beauty bridges the gap between the mortal and the divine#And we see this constantly in the way mortal beauties are able to attract the eye of many gods and how glory and ultimately immortality#are gained from these things#After all even after their deaths or betrayals or tragedies#We still tell their stories and remember their names#And what is Apollo if not the one who recites all of these beautiful memories - what is Clio if not the one who records these histories#ANYWAY PLEASE DRAW FAT HYACINTHUS#PLEASE PLEASE PLEASE PLEASE#I AM ON MY KNEES I AM BEGGING (no pressure seriously I'm being very lighthearted) BUT ALSO PLEASE PLEASE PLEASEEEEE#TOGETHER WE CAN KILL THE PATROCLES/HYAPOLLO VISUAL PARALLELS WE CAN DO IT I KNOW WE CAN#ANYTHING SO THAT XANTHIAN DEVIL ARISTOS ACHAION DOESN'T GET ANY MORE PARALLELS WITH APOLLO P L E A S E#This is of course entirely because of my own biases and such there's nothing objectively wrong with comparing and paralleling#Hyapollo and Patrocles - however and I cannot stress this enough#P l e a s e#Thank you for the ask <33 Always a pleasure to provide more relatively obscure references mmhm#Hope this helps!#oh almost forgot
22 notes · View notes
lolapath · 1 year
Text
Tumblr media Tumblr media Tumblr media Tumblr media
American Horror Story ♱ The Countess
78 notes · View notes
portokali · 28 days
Text
also im literally always saying this but my blog will never be a good place for terfs or radfems or ppl who kinda see the point of "male exclusion" and "female-only places" and shit like that. trans women and girls i love you i will always blog for you <3
11 notes · View notes
skcfrontpage · 2 months
Text
The Curses
will plot their own kind of revenge.
Prepare: for they too, have teeth.
˚₊‧꒰ა ☆ ໒꒱ ‧₊˚
11 notes · View notes
mossspond · 1 year
Text
Tumblr media Tumblr media Tumblr media Tumblr media
Okay after scouring through countless “divine feminine” decks here are the finalists. I think. Kinda love them all tho so…
106 notes · View notes
wintvies · 20 days
Text
i have had my cooking blog for multiple weeks and i just realised i forgot to link it in my intro post 😭😭😭
18 notes · View notes
babiedeer · 3 months
Text
Tumblr media
15 notes · View notes
huellitaa · 6 months
Text
since when did so many pretty girls follow me like relax i can't kiss you all
16 notes · View notes
heavenly-angell · 11 months
Text
saw the jennifer's body cheerleader costume, and i neeedd.
25 notes · View notes