#fuck dude give me a fucking break

[starstyff]

Duuuuuude brooooo

>Be me

>Have an intermittent ED that corresponds with manic episodes

>Repeatedly lose a lot of weight in a short period of time

>Eventually stabilize and give up on maintaining a low weight

>Gain a bunch of weight

>Reluctantly make peace with body as is

>Decide that finding a psych medication that works well is most important

>Find one that works well after two years of trial and error :^)

>Get blood test per psychiatrist order

>Discover I am pre-diabetic :(

>Medication is known to do this but has genetic and lifestyle elements

>Now have to rigorously examine diet and begin exercise routine :^)

>(I am incapable of having a good relationship with food while also tracking any type of nutritional metric)

>Recognizes that doing this right nutritionally and mentally would require a lot of work

>Brain immediately supplies that just not eating would probably fix it

It’s always something huh

[pigeonneaux]

Let him have a fucking break or whatever

[stardust-moth]

In order to fully understand why it was so hard for Mike to express how deeply he loves El, and why his speech at the end of season 4 was one of the biggest, most important moments for his entire character, we need to look at not just who Mike is as a person, but also everything that has happened since he met her.

Every single time he opens up his heart to her, something horrible happens to her or she's taken away from him almost immediately afterwards.

1x08; he's an awkward little ball of feelings that are way too big for a boy so young. He makes a nervous attempt at confessing and asking her out on a date; when he can't find words that she'll understand, swoops in for a kiss instead. She lights up immediately and smiles. It's a brief moment of hope and pure happiness. Maybe they can have some semblance of a normal life and be normal kids after this is all over.

Minutes later, all hell breaks loose-- they're almost shot, El pushes herself too far until she can barely move, she's almost taken away by the Bad Men, the Demogorgon appears, and she uses the very last of her strength to sacrifice herself to save him and their friends.

He has to watch helplessly as she disappears.

He spends a year caught between believing she's dead and hoping she's still out there somewhere (but if she is alive then why won't she talk to him anymore...?). Kept silent under threat by the lab, he can't confide in anyone or even acknowledge her existence, not with anyone except those involved... but everyone else is keen on moving on and pretending it never happened. He can find some solidarity in Will, at least, who is in a similar kind of emotional turmoil... but it's not the same and it's not enough.

2x9; he is finally reunited with El, and she runs into his arms like she missed him too. She tells him that all those nights he called out to her, she heard him; she was there reciprocating his feelings the whole time.

In a burst of emotions that he's been forced to suppress for an entire year, he lashes out at the reason they've been kept apart (Hopper), screaming and sobbing. It's a massive catharsis for him, and for once an adult is understanding enough to hold him and not punish him for it.

Minutes later, she is going to go headfirst into a pit of monsters, the place where Mike had just firsthand witnessed dozens of people (if not more) get ripped to shreds only hours earlier, and she is going to attempt to close the Gate-- a feat that he knows may take every ounce of her power, just like last time. He cries. He can't lose her again. She promises he won't, and before she can seal that promise with a kiss, they're pulled apart again.

He has to watch helplessly as she drives away.

3x1; all seems to be okay now. He and El are happily together, and he feels comfortable enough to be playful, romantic, and intimate with her. It's the most emotionally open we've ever seen Mike thus far.

For reasons he can't understand (bc there's no way Hopper explained himself beyond "I'm in charge so do as I say or else"), Hopper is angry about it and threatens to never allow him to see her again: the one thing he fears most.

He panics big time and fucks it up in the process by lying to her. During a frantic attempt to apologize while also abiding by Hopper's rules, he runs into her at the mall. He panics again-- if anyone finds her here, and knows that he was here too, it's all over, and Hopper surely won't hear reason. El dumps him cold on the spot, spurred on by Max and her rebellious attitude (and without any context of course). He isn't given much opportunity to respond. He knows he's in the wrong for lying to her, so what could he even say...?

He has to watch helplessly as she drives away.

It's a hard blow, and he retreats back into himself, unable to get any joy out of playing D&D (which he clearly hasn't lost interest in), back to the deadpan sarcasm and accidentally snapping a little too harshly at anyone whom he feels would take El's place.

3x6; no one seems to understand the danger El is putting herself in. Everyone is berating him for worrying about her safety. He's seen firsthand what these monsters do to people, he's seen firsthand how El pushes her abilities too far. No one is listening.

The words "I love her and I can't lose her again" burst out in his desperation, perhaps before he's even had a chance to realize how deep those feelings run, despite whatever protective walls he's tried to build around his heart to keep it from getting broken again.

Soon after, all hell breaks loose. El is nearly killed several times over, her leg is ripped open, she pushes herself so hard that she breaks herself and loses her powers completely. Her father is taken from her. She's shattered by all of this, and there's absolutely nothing he could do or say to make it better.

She tells him that when he admitted he loves her, she heard him, and indeed she loves him, too... But now she's leaving.

He has to watch helplessly as she drives away.

4x1; they've been apart for a few months, and write letters back and forth to each other. El's letters paint a picture of an ideal new life: she and the Byers family are doing well; she's starting school and it's going well; she's made new friends, she likes her new home, everything is going well. She seems to be thriving. She sounds happy, maybe even happier than she had been living in Hawkins. Maybe Max was right, maybe she's better off being her own person without him, and maybe the respectful thing to do is step back... It's a small insecurity that creeps up subconsciously. In his replies he holds back, afraid of clinging too hard.

Though there's little logic in it, he's afraid that if he tells her he loves her again, another disaster might strike and this lovely happy life she's finally found might get taken from her. After all, that's what always seems to happen when he does.

4x2; after months of waiting, they can finally see each other again. He wears her favorite colors, picks a handful of flowers for her, and falls happily back into step with how they used to be. Soon that same day, however, reality becomes clear and the facade crumbles. People he was told were her friends show up to torment and publicly humiliate her. She had been lying. She isn't happy here, she hasn't healed, she is right at the edge of a breaking point that he doesn't see coming at all. He can't believe she would lie to him, she's not the kind of person to lie... especially not about something like bullying, something that she was always so understanding about with him.

On that logicless subconscious level, he wonders if it's all his fault-- he should have known somehow, he should have been there for her. She protected him from his bullies, he should have protected her from hers. He tries to come to her rescue. She runs away from him.

He's helpless to save her, again.

4x3; after a night to process everything that happened-- and deciding that the betrayal he feels from her lying to him is nothing compared to the turmoil she must be going through right now-- Mike approaches her in the gentlest way possible, wanting to listen and trying to understand. El, however, isn't receptive at all to his attempts at reassurance. She is at an all-time low, she's given up. She believes she is unlovable, irredeemable, a monster, just a thing that doesn't even have those superhuman abilities to compensate anymore. Mike can't believe what he's hearing-- doesn't she know that she's always been so much more than her powers? She's always been so much more than what she lacks in quote-unquote "normalcy"... None of those things matter, they have absolutely no bearing on whether she's worthy of being loved, because he loves her, completely regardless of any of these things. He always has...

El starts flinging his restrained words back at him, the products of his insecurity and trauma-induced fear. That fear takes hold yet again, and he stumbles, afraid of saying too much or not enough, because surely both could result in pushing her away-- she's retreating, hearing none of it; nothing he tries to say consoles her.

Moments later, local police come knocking. She's taken away in cuffs, and she's so broken inside that she won't even look at him when he chases the police car down the street and promises he'll get her out somehow...

Once again, he has to watch helplessly as she drives away.

4x8/4x9; after days of driving through the heat and dryness of southwest desert, having narrowly escaped being shot at with military-grade assault rifles, witnessing the death of and burying a man whose last words were that El is in danger... After watching dozens of people get mowed down by a sniper in a helicopter, and watching that same helicopter be smashed into the ground in a ball of flames...

There she is. Just as powerful and beautiful and alive as she's ever been. When he runs to her and embraces her, she looks at him like she can't believe he's real. She's beaming a smile right from her soul and it's like all the insecurity and self-doubt that have plagued them both just vanish from existence now that they're in each other's arms again.

Like always, however, the universe comes crashing down soon after. Max is marked for a gruesome death and all of Hawkins is in danger. They're miles away and helpless, and the only possible way for El to save everyone is if she goes in alone. She's stronger than ever, but so is her foe. Once again, she descends to face all the demons of hell on her own, and Mike can't do anything.

She's losing. She's choking. She's dying. He's helpless.

He must be cursed. He must be. Being with her, loving her, allowing himself to admit he loves her, it always brings only pain and suffering and loss. His heart is so full that it's aching, it's bursting out of his chest, and he can't contain it any longer.

She's going to die and it's going to be all his fault, because he fell in love, and it's cursed her.

Just before it all crumbles into utter despair, the earnest support from his oldest and dearest friend-- one who's always shared and understood his feelings of helplessness-- sparks a light of hope in him: "You're the Heart." You're not helpless. You can save her.

The words that come spilling out of Mike's mouth are truer than any he's ever dared to speak before, and it's the most terrified he's ever been, but he has enough courage for this moment. Despite all of the fears that have been building, stifling, choking him to death for years-- fears that the light of his life will inevitably disappear again, and there's nothing he can do to stop it-- despite it all, he pours out his heart to her.

He loves her. He's always loved her. He loves everything she ever was, is, and could be. He can't imagine a world without her in it. She saved him, in every way a person can be saved. And he needs her to live. He believes in her.

And it works. It's music to her ears.

[triglycercule]

it must get boring as hell doing continuous repetitive genos like dust does. he probably constantly questions how his human can keep on going and like not get bored (me too tho ngl because what type of person is out there that's trying to minmax every single undertale geno route interaction???) so i say he changes things up during his own process for a variety of reasons

sometimes when he's feeling REALLY apathetic he might just view everyone as stats and precoded scripts and lines and he just goes about the geno as if he was a player playing a video game (this is incredibly hypocritical because he's acting like the player but also this is dust sans we're talking about. pinnacle of hypocrisy. he'd deny any sort of human like actions because he's not the human and what he's doing is for the greater good). also its kinda fucked because it just means that there's been so many resets that he doesn't view his friends and family as simply people that he's taking the lives of but more as just npcs and numbers. but yk of course he moves on from that episode (and refuses to acknowledge the fact that he was acting very much so like the human. nope nope nope)

or maybe whenever he feels really really really shitty about himself he just lets the human kill him sometimes. he purposely interacts with other monsters before he kills them so he has to hear them beg for mercy. he just lets himself wallow in as much guilt and pain and misery as possible because its really really addicting to be sad and upset and feel bad. and dust is never like "hey i should stop doing this because its getting in the way of be killing the human" because he knows damn well it ISNT. he's still gonna be on that him vs. human grind no matter what even if he spends a few resets fucking around and being miserable and the humans always gonna reset anyways. ALWAYS

even if he's not at lvl 20 or something but still above the human in lv then maybe he'd kill them. but then that also means that there'd still be some monsters left because he nor the human maxed out their stats. so then that's just more suffering for dust (because i really think he'd like to make himself suffer because he feels so much guilt for what he did. his suffering is self inflicted and he knows that and still does it. good for him) because he has to walk around the underground knowing that there are some people hiding in corner or something watching him and scared that he's gonna kill them because thats what he did to everyone else. some nicer monsters might go up to him and try to talk to him but dust doesn't have the chill welcoming friendly vibe sans does anymore so it's just creepy and awkward. angrier monsters might try and yell or fight him and dust just sits there and takes it because theyr totally right. to them it might just look like he killed monsters just for shits and giggles one day and theres no way for him to explain the resets without people just forgetting it in the first place so theres not much he can do except accept the suffering. what in the mental masochism

[shentheauthor]

I love starting something new and just KNOWING that the story is going to destroy me, even though I’m going in blind

So anyway I started in stars and time today—

[goldiipond]

isabella tpn is such an insane character because the way she treats the main kids in the escape arc and ray just in general is infuriating but on the other hand if i spent months singing my dead best friend's original song for comfort while carrying a child i did not want and a few years later heard that same song being sung by one of the livestock children i have to care for despite never singing it around any of them i think my brain would have factory reset

[musashi]

.

[outfoxt]

Would love to hear about potential parallel stories/lore in judaism 👁👁👁👁💞

i realized that i actually havent thought very in depth about parallels and themes in the bible in a LONG time but let me think...

one that jumped to the forefront of my mind is something that idk if its a theme/parallel or not, but it has to do with moses. in the torah (really in the talmud i think which is a bunch of rabbi's headcanons about the torah that were then accepted as canon later on), when moses was taken in by pharaoh a test was performed to see whether moses would overthrow him, and by extension whether he was safe to keep and raise. that test was to show baby moses two pots: one of gold and riches and one of hot coals, and whichever he grabbed would be indicative as to what kind of son he'd be. so obviously, being a baby, moses starts to go for the shiny stuff. but (so the story goes) since moses has plot armor an angel (of death [?]) reached out and moved his hand to the hot coals. this is important because not only did it secure his safety to grow up under pharaoh's watch, but it burned his hand, which he then put in his mouth which permanantly burned his tongue and gave him a lisp. now the lisp isnt really talked about much more until later on, and its kind of minor so i get why its often left out, but it changes the whole feeling of the story! because of the lisp, moses gets nervous to speak in front of pharaoh's mages, and so it's aaron who does the talking when they turn their staffs into snakes. it's aaron (iirc) who speaks to the hebrews and tells them the word of god. moses is the one who speaks directly to god and does his bidding in the stories, but aaron is the one who conveys the information. and AND i just remembered this continues!! it continues to be true that moses doesnt always tell his own story!! in the scientific world it is generally accepted that there are a few different authors/compilers of the torah, but in judaism there is one main accepted truth of how it was written with two endings: moses wrote the whole thing up until the last chapter when he was on mount sinai, writing down word for word what god told him to. the ending, though, changes because at the end of the bible moses dies there is a debate over whether moses wrote his own death before it happened (since god is omnipresent blah blah blah) or whether joshua took over for him after he died. if the latter is true, that would be the second time someone tells moses' story for him!! first aaron tells the mages and the hebrews who moses is and why he was sent to save them, and then joshua tells the story of his death and his exile from the holy land! there are THEMES and MOTIFS i can SEE THEM

i have no idea if this is what you were asking for but thank you for inviting me to infodump XD <3

[atigrado]

class of 09 the flipside

[boopboops22]

I started The Summer Hikaru Died and I think it's going to break me. It's not helping that I've been listening to the Silent Hill ost while reading

[carnivalcarriondiscarded]

SOMEONE MADE A TIKTOK EDIT WITH YOUR ART!!!!

I was watching a Welcome Home tiktok compilation [cause I don't have tiktok] and I just seen your art and was so surprised-

Here's the tiktok comp it was in! The tiktok with the edit of your art starts at 2:45!

IM LAUGHING SO HARD WHAT THE FUCK

i don't know how to feel beyond Way Too Perceived and also Wheezing

[trans-estinien]

i love being autistic cause sometimes i get a glimpse into how regular people perceive things and its like. what the fuck. what the fuck is that? you live like this? and its normal?? i think YOURE the weird one actually. im fine. thanks though.

[cuddles-with-dragons]

If I had a nickel for every one of my blorbos who has family-induced PTSD, I'd have three nickels, which isn't much, but it's weird that it happened three times.

[i-ran-into-a-lampost]

Icl season 1 ep 8 of Ultimate Alien makes me feel so bad for Ben bc this mf really pulled 4 all nighters and when Gwen and Kevin finally convince him to sleep he got fucking jumped by Ra'ad, had some weird body sharing situation with him and then got his ass beat by Aggregor, jesus christ man

[alstroemerian-dragon]

chiaki is such a good and interesting character. wish she was in a better game

[vamptones]

giving your characters a kink and an aspect of their life that contradicts said kink is so important for character building And everyone should do it