#fic: would that i
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suguwu · 2 months ago
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WOULD THAT I: PROLOGUE
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The Gojo boy doesn't have a soulmate.
When you're both children, you overhear him being referred to as inhuman, between his power and his lack of a mark. The next time you see him, you use a marker to write your name on his skin, too young to understand what it means.
You forget, but Gojo—
Gojo never does.
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MINORS AND AGELESS BLOGS DO NOT INTERACT.
masterlist
pairing: gn!reader x gojo
wc: 2.6k
notes: thank you to my beta, as always! especially for putting up with my bratty ass and reading this early so i could post it earlier. this has been a fun fic to get started and i hope you enjoy the prologue!
content warnings: none. see masterlist for series content warnings.
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The Gojo boy doesn’t have a soulmate.
You don’t think you’re supposed to know; it’s only ever talked about in hushed voices. The clans all speak like that, sometimes, each word a butterfly’s wing as it flutters from their mouths.
The servants, however, are louder.
One of them has a voice like a lark, a sweet, trilling song. It carries. You learn to hear her coming, to recognize her shadow against the shoji. You know the edges of her by heart. Sometimes she spreads her arms out as she makes her way through the hallway; her kimono sleeves flare out behind her like wings. 
“There’s something wrong with the Gojo heir,” she sings one afternoon, her fluting voice half-muffled by the shoji. “Those eyes of his—it’s like he can see right through you. And Fujioka says he doesn’t have a soulmark.” 
Another servant hushes her. “Don’t gossip,” she chides. 
“It’s true, though!”
“That doesn’t mean you should repeat it.” 
She huffs, grumbling something too soft for you to hear anything aside from the melody of it. The other servant laughs quietly before chivvying her forward. You watch until their shadows disappear, leaving only the hallway light to filter golden through the shoji. 
You return to your coloring book.
The Gojo boy doesn’t have a soulmate, but that doesn’t mean anything to you.
Not yet. 
There’s a boy in the courtyard.
He’s hopping from stone to stone in the koi pond, his snow-white hair glittering under the morning sun. He moves like a dancer, each step sure and swift, never once slipping on the wet rock. When he gets to the biggest rock in the pond, he crouches down, his back to you, and drags his fingers over the surface of the water. The koi rise to meet him, firework scales flashing in the sun. 
You watch him from the engawa, peeking out at him from behind one of the columns. You’ve never seen him before, and you’d remember him, with his starlight hair. 
“Who’re you?” he asks, not turning around.
You stay quiet.
“I know you’re there,” he says. “You can’t hide from me.”
He glances over his shoulder and the world goes blue.
It’s the cold burn of a comet’s tail streaking through the velvet night. It’s oceantide, relentless and unyielding. It’s a slice of the sky brought down to earth, heaven devoured.
Then he blinks, and he’s just a boy again. 
“Who’re you?” you ask, stepping to the edge of the engawa. 
He lifts his chin. “I asked you first.”
You introduce yourself the way your mother taught you, bowing to him shallowly. 
He scoffs. “You’re not even from the main clan.”
“Are you?”
“I’m not part of your stupid clan.”
“Oh.”
He stares at you, his crystalline eyes sharp-edged, all prismatic ice. “You don’t know who I am?”
“Nope.”
He rises to his full height, unfolding like an elegant crane. “I’m Gojo Satoru.” 
You tilt your head. The servants’ humming gossip made the Gojo heir sound ethereal, a fallen star that had burned away into human form as it plummeted through the heavens. His eyes are otherworldly, and you can feel the power rippling out from his lean form, as unstoppable as the tides, but—
“You’re just a boy,” you say. 
He scowls. “Am not.”
“Are too.” 
“I’m Gojo Satoru,” he says again, deeper this time, an intonation, a promise, a curse. His eyes flash, St. Elmo’s fire, a lightning strike of blue. “I have the Limitless and the Six Eyes. I’m not just a boy.”
You would believe him, but the last bit sounded more sulky than anything else. You’re about to tell him so when someone calls your name. You glance over your shoulder, but there are no shadows against the shoji yet.
When you turn back around, there are wet patches shining on the stones in the koi pond, an imprint of the past, but nothing else.
The Gojo boy is gone.
Your mother is hovering. 
She smooths down your yukata, chasing creases from the thin cotton with trembling hands. There hadn’t been time to change; she’d pulled you out of your lessons and hurried you down the hallways of the estate. 
“Bow low when you meet him,” she tells you, though she hasn’t bothered to tell you who ‘he’ is. “Understand?”
You nod. 
There’s a fine layer of sweat gleaming at your mother’s nape as she kneels before the shoji. She reaches out to open it; her kimono sleeve slips down, revealing the elegant curve of her wrist. You focus there instead of the opening shoji, the slow slide of it a hissing snake, coiled to bite.
The shoji clicks, a chime of teeth, its maw wide open. You take in a deep breath and step through, your gaze on the tatami mats. Someone shifts.
“Oh, it’s you.”
You glance up, directly into the gaze of Gojo Satoru. His eyes are as otherworldly as you remember, a crisp, clear blue framed in long lashes, like a snowy-edged mountain lake. He tilts his head as you gape, his hair gleaming bone-white in the sun streaming through the open shoji. 
You blink. “What’re you doing here?” you ask, and next to you, your mother hisses in a low, sharp breath. 
Gojo shrugs. “Dunno. The clan said I had to come and they caught me when I snuck out.”
The woman behind Gojo clears her throat. “Gojo-sama,” she says, her voice like the shivering leaves when the summer breeze stirs to life, “they’re a candidate for you to train with.” 
He eyes you. “Why?” he asks. “They’re not very strong.”
“Hey!” 
“You aren’t, though,” he says. “I can tell.”
You throw yourself at him.
His eyes widen, a devouring sea, and he grunts as you make impact. He’s sturdier than you thought; he’s slight, but it’s all lean muscle, even though he can’t be much older than you are. Your mother calls out your name, horrified, but Gojo is already recovering, grappling with you for control. 
By the time the adults pull you apart, Gojo is nursing a rapidly-purpling mark high on his cheekbone. Your split lip aches; you tongue at it and wince. You can taste blood, sour and metallic. You glare at Gojo even as your mother bows deeply to the woman.
“My deepest apologies,” she says, tightening her grip on the sleeve of your yukata and forcing you to bow with her. “I don’t know what came over them.”
The woman clicks her tongue. “The child should be punished,” she says, and your mother stiffens. “I would suggest—”
“No.” 
Everyone looks at Gojo. He thumbs at a rip in his kimono, grinning widely. It bares his teeth. 
“I’ll train with them,” he says.
“Gojo-sama—”
“I said I’d train with them. Now can we go? I want a popsicle.” 
The woman sighs. “Yes, Gojo-sama.” 
Gojo sweeps by you and your mother. He pauses right next to you. “You’re weak,” he tells you, ignoring the way you bristle, “but at least you’re fun.”  
He’s out the shoji before you can respond.
Summer settles over Kyoto, a wet lick of heat. Even the wind seems to feel it; it ripples honey-slow through the trees, barely strong enough to stir the air. Frogs move into the koi pond in the courtyard; they sing along with the cicadas’ sawing choir. 
“Catch it!” Gojo shouts as your hands spear through the murky pond water. It gushes free from between your fingers as you come up empty-handed, the frog you were aiming for frantically disappearing further below the surface. “You’re so slow.”
“Am not!”
“Are too,” he counters, holding out his cupped hands. A plaintive ribbit sounds out from between them. “I already caught one. It was easy.”
“You’re annoying.”
He stares at you, his blue eyes icy. “You’re annoying.”  
“You’re the one who came over.”
He rolls his eyes. “We train at your estate.”
“How come?”
“How come what?”
“How come we train here? Your estate is probably better.”
He shrugs, opening his hands enough to peer down at the frog. It glistens in the sunlight, the same deep green as the lush courtyard. It makes a break for freedom; he closes his hands again, his long fingers sewing the gap shut. “I like it better here.”
You wrinkle your nose. “Why?”
“I just do,” he says, voice flat.
You don’t ask again.
“Why are we here?”
Gojo blinks, his long white lashes sweeping over the sweet curve of his cheek. “Why are you whispering?”
Your cheeks heat. The Gojo estate is a sprawling, massive maw; you’ve felt devoured ever since you set foot in it. Even the golden light that slants through the shoji feels cold. There are ikebana arrangements lining the halls, the leggy, deep purple irises sculptural as they rise proudly from the vases, but it still feels like a mausoleum. 
“We’ve just never trained here before,” you say, taking care to use your regular voice. “So why are we here now?”
He shrugs. “They insisted.”
“Who?”
He dismisses the question with a wave of his hand, his long pianist’s fingers cutting through the air. You roll your eyes, long used to his occasionally imperious ways. The two of you continue along the hallways, you trailing after him closely, as if caught in his gravity, an orbiting moon. 
You almost run into him when he comes to a sudden halt. You peek around him—in the last few months, he’s gone through a growth spurt, one that your mother says will come when you’re his age, and he’s too tall to peer over his shoulder—and see a servant bowing low, her ebony hair glinting.
“Gojo-sama,” she says. “Please follow me. The elders are waiting.”
He sighs, a dramatic heave of his chest. “What do they want?”
“They didn’t specify.”
“Ugh.”
“Gojo-sama—”
“I’m coming, I’m coming,” he says. “Go tell those geezers I’ll be there soon.” 
You wince right along with the servant. Gojo’s disdain for the elders is not new, but it still unnerves you every time, as if they will come along and smite you down. 
“C’mon,” Gojo says to you. “Let’s get it over with.”
The servant clears her throat. “Only you, Gojo-sama.”
He glares, his blue eyes burning, a comet streaking through the sky. “No,” he says. “They’re coming.”
“They cannot.”
“I said they’re coming.” 
“It’s okay,” you tell him, eyes wide. “Really.” 
Gojo looks back at you. For a second, his mouth is a wound, tender and pink, but in the next breath, it’s gone, frozen under a layer of ice.
“Fine.” 
You bite your lip, but he’s already walking away. You catch yourself before you reach for him. He disappears down the hallway, his hair glinting like exposed bone.
The servant turns to you. “This way,” she says, her voice perfectly neutral.
You follow her to an empty room; she slides the shoji shut behind herself as you settle onto the cushion at the chabudai. You gaze around the room. There’s not much to take in; it’s wealthy in a subdued way. You fidget with the hem of your sleeve and then get to your feet.
You slide open the shoji leading out to the engawa; it opens onto a huge, lush courtyard. The plush flowers are weighted down by their own blooms, their stems curving like a dancer’s back. A shishi-odoshi rings out with a hollow thud; a few songbirds scatter, their wings rustling like leaves as they soar towards the sky. 
You step out onto the engawa. It’s still early enough that the sun slants onto the wood, warming it. You sit down and bask in it, tilting your face up for the sun’s sweet kiss. You lay back, your eyes fluttering shut.
A voice wakes you.
“He’s an insolent brat!” a man hisses. “He needs to be taken in hand!”
“He’s too powerful,” another man answers. His voice is calm, but you can sense the ripples in it, the thing lurking underneath. “We can only do what we’re already doing.”
You go still. They can only be talking about Gojo. Their footsteps echo; they’re drawing closer and closer.
“It’s not enough.” 
“He’s still young. Maybe we can mold him.” 
The first man snorts. “You don’t believe that.”
“No, I don’t.” 
“There’s something wrong with that boy,” the first man says. “Those eyes—that power—and not even a hint of a mark. He’s barely human.”
Their footsteps are starting to fade; their voices become murmurs. But you still hear it when the second man says:
“I don’t think he’s human at all.”
Then they’re gone, fading from your world like malevolent spirits, dissipating on the wind. You unclench your fists and find that your nails have bitten into your skin, little half-moon curves cutting through the leylines of your palms. 
Gojo shows up a mere minute later. He slides open the shoji with a bang; his eyes find you immediately. 
“C’mon,” he says, stepping out into the courtyard. His eyes are shadowed; his lips are pulled tight, an unstitched wound. He’s heard them, you realize. You’ve never seen him bothered by other people’s opinions; your chest aches, a pressed bruise. You open your mouth to say something, but you can’t find the words. 
He grabs your hand as he passes by you, tugging you along behind him, ignoring your surprised yelp. “Let’s go before those stupid geezers find me again.” 
“Where are we going?”
“Away from here.”
“But my shoes—”
He glances back at you and you drown in blue. 
“Okay,” you say quietly. “Let’s go.” 
He doesn’t answer; he just tugs you along. You stare at the back of his head for a moment, trying to make sense of the expression you’d seen flash across his face before he’d turned around again. You can’t understand it, but you know one thing.
He’s never looked more human to you.
The next time you see him, you’re prepared.
You uncap the marker with your teeth. You reach out for Gojo’s arm; he pulls away before you can grab hold, as quick as a darting fish. 
“What are you doing?” he asks.
“Give me your arm.” 
“Why?”
“You’ll see.” 
He eyes you for a moment, but gives you his arm.
You push up his yukata sleeve to expose the tender underbelly of his wrist. You start to write, laboring over each stroke of the marker, keeping it as neat as you can. The silver ink covers the rivers of his blue-green veins as it sinks into his skin, a childish tattoo. 
“There,” you say, finishing with a somewhat-shaky flourish. “Now you have a mark.”
Gojo stares at you, his cerulean gaze lit from within, the sea beneath the sun. He covers the katakana of your name with his free hand, careful not to smudge the still-drying characters. Under the shadow, they fade to gray, but they still glint and glimmer the same way real soulmarks do. 
You hum, pleased with yourself, cap the marker, and toss it to the side so you can start training. 
You don’t know it yet, but it’s your last session with him. He disappears into the dawn like a fading star, spirited off to Tokyo to continue his training. You’ve only spent six months with him. Still, it aches, a pressed bruise, but you’ve always known he would outgrow you; his power is a black hole, always devouring. 
Life, ever unmoved, continues on. 
The boy you knew fades from your memories, though you never forget him. It’s impossible, with the stories that come out of Tokyo, how he completes missions that no one his age should be able to handle. 
Still, you forget things. The tilt of his mouth; the cadence of his voice. He becomes a shadow of himself, a shade with burning blue eyes. 
You forget that you once wrote your name on the delicate inside of his wrist. 
Gojo, though—
Gojo never does.
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frownyalfred · 4 months ago
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thinking about the expert masseuse Alfred hired for the family that is paid a small fortune annually to provide massage services and ignore so, so many things. No questions, no remarks, just quality service and an ironclad NDA that, if broken, would probably topple said masseuse’s entire family line.
Things Alfred is paying them to ignore, in no specific order:
Bruce’s spinal hardware courtesy of Bane :)
weird amounts of muscle on everyone, even the kids (despite them allegedly not working physical jobs)
scars
FRESH scars
the fact that every joint in Bruce’s body clicks when moved/manipulated at the tender age of 42
Olympic athlete level physiques
rotator cuff injuries across the whole family
scars that are definitely from bullets and/or acid splashes
old signs of what looks like torture (Bruce)
Dick’s entire left arm is basically screws and plates (he “fell really bad” once)
every single family member takes deep tissue massage with max pressure with 0 complaints
calluses
no really, the weirdest fucking calluses
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allskywalkerswhine · 1 year ago
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in fics where luke gets plopped into the prequels i want every jedi within ten metres of him to think hes the weirdest jedi theyve ever seen. he has negative lightsaber form. he doesnt know what a kata is. he handstands when he meditates. his solution to sith is to try and have a chat. hes a political radical who keeps suggesting revolution. you ask him what the jedi code is and he says "kindness and compassion and helping those in need :) ". you ask how he used the force like that and he says some shit about how you are a luminous being limited only by your mind. the councils authority is just a suggestion. he is somehow the new favourite of both qui gon and yoda
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valtsv · 11 months ago
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are we still doing this because i have a late submission
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saixria · 20 days ago
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Somewhere in Apollo’s hospital on Olympus
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forsworned · 10 days ago
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Being the only female on TF141 is like Simon constantly scolding you for getting into sheningans with Johnny and Kyle while Price sits on his arm chair with a good book, whiskey in hand and him puffing out smoke like a chimney from his cigar like the daddy he is.
"Delete it."
"Why?"
"Cos I fockin' said so."
You cock an amused brow at him as you look up from the embarrassingly cute photo of the skull-masked behemoth fast sleep and cuddling your Hello Kitty plushie. "Cos y'fockin' said so?" You mock his gravelly Manchester accent and it sends Johnny and Kyle into a fit of giggles. And even Price is chuffed by it. It's contagious really.
It lets your guard down enough for him to yank your phone out of your hand deleting the picture with a swiftness that made your eyes ream and your heart jump. You all groan and jeer at him for being a poor sport but he's quite satisfied with himself. Little does he know, you have a few copies of it in your desktop.
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johnconstantinesdick · 4 months ago
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The most popular fic in the Steel Samurai fandom had an unexplained seven year hiatus only to update at like 3 am on December 21st, 2027. The author explains that they couldn’t update fic while in prison (huh?) but now that they’re off death row (WHAT??) they’ve transcribed seven years worth of writing (Jesus Christ). The update is 130k words long. Edgeworth and Maya don’t sleep that night.
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catgrandpa · 5 months ago
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Tim Drake has been kidnapped 235 times in his life so far.
The first time was when he was 4. He was held in warehouse for 6 days before the thugs who took him realized that they wouldn’t be able to get ahold of his parents no matter how many times they called. They wouldn’t pick up calls even from the kids own phone. They fed him a nice warm meal, and dropped him back off at his door with several full Tupperware containers, and new contacts in his phone.
At least once every few weeks since that day, Tim would find himself being picked up in an unmarked van and taken to an undisclosed location, and upon arrival, he would be seated at a large table where he would eat his fill of home cooked meals with a large family of thugs and goons.
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magnusbae · 1 year ago
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To illustrate this post by @mayahawkse I would like to visualize to you the difference:
A post in 2023:
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A post in 2014:
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A zoom out of the same post:
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This is what a community looks like.
See how in 2023 almost all of the reblogs come from the OP, from their few hours/days in the tag search. Meanwhile in 2014 the % of reblogs from OP is insignificant, because most of the reblogs come from the reblogs within the fandom, within the micro-communities formed there. You didn't need to rely on tags, or search, or being featured. Because the community took care of you, made sure to pass the work between themselves and onto their blog and exposed their followers to it. It kept works alive for years.
It's not JUST the reblog/like ratio that causing this issue, it's the type of interaction people have. They're content with scrolling and liking the search engine, instead of actually having a reblogging relationship with other blogs in their community.
Anyways, if you want to see more content you like, the only true way to make it happen is to reblog it. Likes do not forward content in no way but making OP feel nice. Reblogs on the other hand make content eternal. They make it relevant, they make it exist outside of a fickle tumblr search that hardly works on the best of days.
If you want more of something, reblog it.
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eskildit · 1 year ago
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In a better kinder world. Gideon nav would have been at the club.
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Why do writers apologize for long fics? why aRE YOU SORRY FOR FEEDING US POOR, SORRY SOULS THE MOST BEAUTIFUL ARTWORK WE COULD EVER DREAM OF READING?? DO MICHELIN STAR CHEFS APOLOGIZE FOR COOKING THE MOST DIVINE FOOD EVER MADE??? DO THEY APOLOGIZE FOR NOURISHING OUR BODY AND SOULS????
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suguwu · 2 months ago
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WOULD THAT I
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The Gojo boy doesn't have a soulmate.
When you're both children, you overhear him being referred to as inhuman, between his power and his lack of a mark. The next time you see him, you use a marker to write your name on his skin, too young to understand what it means.
You forget, but Gojo—
Gojo never does.
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MINORS AND AGELESS BLOGS DO NOT INTERACT.
status: in progress
pairing: gn!reader x gojo
notes: this has been haunting me ever since i first posted the concept. hopefully it lives up to the idea! title is from hozier.
content: soulmate au (names written on skin), possessive gojo, more warnings to be added. warnings subject to change.
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read on ao3
prologue
part one - tbd
part two - tbd
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frownyalfred · 1 year ago
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want your favorite author to update but don’t want to be too pushy in their comment section?
here’s 5 things you can do to encourage them:
Reblog their fic link on tumblr (bonus if it’s with tags)
Bookmark the fic with a note about what you’re excited about/love in the fic
Recommend the fic to your friends or local discord channel
Draw art or create other media for the fic (as indicated by the author’s comfort level)
Leave them a comment when re-reading about the parts of the chapter/story that stood out to you the second time
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hollis-art · 6 months ago
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fem hilson is attacking my brain like they're seagulls and i happened to bring food to the beach,,,
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and in regard to my original fem hilson post where i mentioned that wilson for sure had an impulsive pixie cut that she very much regretted:
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women,,,,
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lauravian · 1 year ago
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“Don’t let it get to that big head of yours, Merlin.
I just… thought you were dead.”
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retellingthehobbit · 1 year ago
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Retelling The Hobbit Chapter 16: The Song of the Lonely Mountain First chapter / Previous / Next
To view full comic: Webtoon/A03 / Tumblr post with links to all chapters
Other blogs: TikTok/Instagram/Tumblr Sideblog
*crumbles into dust after finishing this* Thank you for reading! This The Hobbit webcomic adaptation thing takes a lot of effort to put together and I can’t tell you how much I appreciate every comment. I also really appreciate the people who’ve spread the word of this comic to their friends! <3
And finally, we’re at the Song of the Lonely Mountain! Within Tolkien’s canon, The Hobbit is an in-universe book that was “written” by Bilbo Baggins, who occasionally lies/embellishes/exaggerates things. The tonal differences between The Hobbit and Lord of the Rings are explained by Bilbo and Frodo/Sam being different kinds of storytellers, with different relationships to “the truth.” This idea is the core of how I’m adapting the novel!  Bilbo is an unreliable narrator who is literally ‘drawing’ from his own limited experiences;  the different art styles reflect the different perspectives of other characters.   The “dwarf art style” in this chapter is inspired by stonework/metalwork in general— but especially by a mix of art deco, Celtic art, and European folk art. 
The central tension of the comic is between Bilbo and Thorin, who each have wildly different ideas about what kind of  story they’re in. Thorin is in a grand fantasy epic, while Bilbo is in a lighthearted children’s book adventure.  The tragedy is, obviously, that only one side of the story ever gets to be fully told.
On a sillier note, a few years ago I had my first gay crush on a lesbian who sang while playing the piano. This chapter is dedicated to the piano lesbian. I hope they’re doing well, wherever they are. XD
I think I might need a bit of a break but I’m hoping for the next chapter, titled “Dawn,” to arrive on January 13th. And your comments/support really do help motivate me to get more done! ^_^
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