#feminism in media
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The nickname âSnivellusâ derives from the word âsnivel,â which means crybaby. So, Snivellus was basically a way of mocking the fact that Severus might show his emotionsâthat instead of toughing it out like a stereotypical, macho, strong, hairy-chested man, he cried. I donât think I need to explain why this nickname is problematicâany nickname used to bully someone is problematicâbut a nickname that also references a supposed weakness, stemming from the expectations of a patriarchal society for men to display âunmanlyâ behavior typical of âweakâ men, is not just problematic due to the bullying itself but also because of the misogynistic implications it carries. Because yes, misogyny and hegemonic gender roles also affect men by demanding certain traits from them to validate them socially. And I know the Marauders lived in the 1970s, and that Rowling is one of the worst when it comes to gender issues. But I find it quite ironic how Marauders Stans or Slytherin Skittles, who have built their trash fandom and constant Snape-bashing around the topic of LGBTQ+ themes, have the audacity to mock Snape using a nickname that directly attacks gender nonconformity and justifies a toxic, traditional masculinity that shames men who cry or show emotions, labeling them as less valid.
The Marauders werenât social justice warriors, and James and Sirius, in particular, embodied the classic values of male success through the performance of stereotypical âmachoâ characteristics: as leaders, as âalphasâ of the pack. Both are violent; both are cocky men who try to stand out and mark their territory. Both exhibit behaviors that have typically been excused in men just because they are men, such as abusive and reckless behavior. Their nickname for Severus stems from the idea that showing emotionsâespecially cryingâif you are a man, is a reason for ridicule and mockery because men donât cry. Men are supposed to be strong, puff out their chests, and keep going because thatâs what men do. Itâs a misogynistic and archaic mindset that continues to be perpetuated in social models and relationships to this day. And I find it incredibly hypocritical that certain people who claim to hate J.K. Rowling for being a transphobe then go on to appropriate the horribly sexist nicknames she created for a group of heterosexual men embodying toxic masculinity to bully another man for not performing the traditional masculine model expected of someone like him.
Because Severus wasnât a âmachoâ. Severus was a studious introvert with a more passive character who didnât fit into the masculine vision of the time. Everything about him, including his appearance, demeanor, and interests, is unmasculine from a hegemonic perspective given the historical context. But these people donât care. Theyâre so limited, so ignorant, and so cynical that they not only ignore these kinds of nuances but even find it funny to reproduce insults that any real-life James Potter would probably have used against them.
Make no mistake: James Potter and Sirius Black wouldnât have been your friends. They would have tortured you as much, if not more, than Snape. And thatâs the most pathetic part of their fandom, unfortunately.
#severus snape#pro severus snape#pro snape#severus snape defense#severus snape fandom#james potter#sirius black#the marauders#the marauders fandom#anti marauders fandom#dead gay wizards from the 70s#slytherin skittles#the marauders meta#severus snape meta#snapedom#feminism takes#feminist analysis#feminism in media#fandom meta#snivellus#dead name#snaters#anti snaters
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ËËË feminism in Wicked ÂŽËË
!! i want to preface this by saying i'm not a professional critic, and this is not a 100% guide to anything either. do not take anything i type online to absolute heart, this is simply my personal interpretation of this piece of media !! (i also want to mention that i did not read the Wicked novel/series by Gregory Maguire)
! CONTAINS SPOILERS FOR ACT 2 IF YOU HAVE NOT WATCHED THE WHOLE MUSICAL !
Wicked is a deeply feminist narrative that centers on the lives, agency, and growth of its female characters in a world dominated by patriarchal systems and expectations. Through the journeys of Elphaba and Glinda, the musical critiques traditional gender roles, explores the power of female solidarity, and challenges the societal constraints placed on women. The feminist themes in Wicked resonate strongly, offering a nuanced exploration of women navigating oppressive structures while forging their own identities and paths.
Wicked is a piece of media which challenges traditional gender roles. Elphaba and Glinda are presented as multifaceted characters who defy conventional archetypes of women in media.
Elphaba:
Elphaba is an unconventional heroine. Her physical appearanceâher green skinâsets her apart from society's standards of beauty, and her intelligence, ambition, and assertiveness mark her as an outsider. She resists the expectations placed upon her, refusing to conform to a world that demands compliance and superficiality.
Her defiance of the Wizard and her commitment to justice make her a feminist icon, embodying the refusal to accept systemic oppression. Elphabaâs journey represents the struggle of women who challenge patriarchal structures and are subsequently vilified for their resistance.
Glinda:
At first glance, Glinda appears to embody the archetype of the "perfect woman" in a patriarchal societyâbeautiful, charming, and eager to please. However, her journey reveals a deeper complexity. Glinda learns to question the value of her societal approval and embraces personal growth over external validation.
Her evolution from a self-centered individual to a leader who prioritizes empathy and justice showcases her feminist awakening, as she moves beyond the constraints of traditional femininity to assert her agency.
Wicked is as well a beautifully written representation of female solidarity and rivalry. The relationship between Elphaba and Glinda is central to the narrative and serves as a feminist counterpoint to the trope of women as adversaries. While their initial dynamic includes elements of rivalryâlargely rooted in societal expectations and misunderstandingsâthey ultimately form a bond based on mutual respect and love. Their relationship highlights the power of female solidarity. Elphaba inspires Glinda to think critically and challenge the status quo, while Glinda supports Elphaba in moments of vulnerability, such as during âDefying Gravity.â Their bond transcends their differences, emphasizing the importance of women lifting each other up in the face of shared struggles. The love triangle with Fiyero, while present, does not define their relationship. Instead of becoming bitter rivals, Glinda and Elphaba prioritize their friendship and growth over romantic competition, subverting a common narrative trope (finally escaping the trope where bffs fight over a guy).
Wicked as well challenges and critiques the patriarchal systems (patriarchy). The oppressive systems in Ozâembodied by the Wizard, Madame Morrible, and the societal discrimination against Animalsâserve as allegories for patriarchal power structures. Elphaba and Glinda's struggles within these systems highlight feminist themes. The Wizard represents patriarchal authority, using charm and deceit to maintain control. He manipulates both women, attempting to co-opt Elphabaâs power and using Glinda as a figurehead to perpetuate his rule. Their eventual resistance to his influence underscores their feminist rejection of patriarchal control.Although a woman, Madame Morrible serves as a tool of the Wizardâs regime, perpetuating oppression rather than resisting it. Her character reflects how women can internalize and enforce patriarchal values, contrasting sharply with Elphaba and Glindaâs journeys toward liberation.
Equally importantly, Wicked has themes of female agency and voice. Both Elphaba and Glinda grapple with finding and asserting their voices in a world that seeks to silence or commodify them. Elphabaâs refusal to be controlled or silenced is a powerful assertion of agency. Her iconic song, âDefying Gravity,â is a feminist anthem of self-empowerment, as she embraces her identity and takes control of her destiny, regardless of the consequences. Glindaâs journey from superficiality to activism reflects her growing recognition of her own agency. By the end of the musical, she asserts herself as a leader, using her platform to work toward justice.
On a more complex note, Wicked also has the intersection of feminism and intersectionality. Elphabaâs green skin serves as a metaphor for discrimination, highlighting the intersection of feminism with broader struggles against racism and other forms of marginalization. Her experience of being ostracized for her appearance parallels the experiences of women of color and other marginalized groups, underscoring the need for an inclusive feminism that addresses intersecting systems of oppression.
OH AND NOT TO EVEN MENTION THE AWESOME RECLAIMING OF VILLIANY AND POWER?? A feminist reading of Wicked also involves reclaiming the concept of the âwitch,â historically a term used to vilify and suppress powerful women. Elphabaâs transformation into the "Wicked Witch of the West" reflects how women who challenge societal norms are demonized, yet she reclaims this label as a badge of empowerment. Her story critiques the societal tendency to villainize ambitious, outspoken, and unconventional women.
Wicked is a profoundly feminist work, celebrating the complexity, agency, and resilience of its female characters. Through Elphaba and Glinda, the musical critiques patriarchal systems, challenges traditional gender roles, and highlights the transformative power of female solidarity. By centering womenâs voices and experiences, Wicked offers a timeless message about the importance of resistance, empowerment, and redefining what it means to be a strong and âgoodâ woman.
thank you Wicked for giving us well written women.
#wicked#elphaba thropp#elphaba x glinda#glinda upland#media#media analysis#wicked 2024#media art#wicked movie#elphaba analysis#analysis#meta#theory#character analysis#theories#feminism#fuck the patriarchy#intersectional feminism#womens rights#gender roles#sexism#feminism in media
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If youâre fighting the patriarchy but live in a country with free speech, property rights, and zero forced marriages⊠congrats, youâre not oppressed, youâre bored.

#feminism#egalitarian#egalitarianism#liberal feminism#radical feminism#equality#radical feminist safe#radical feminst#feminsim#equal rights#fuck the patriarchy#smash the patriarchy#modern feminism#radical feminists do interact#radical feminist community#radical feminists do touch#feminism is cancer#feminism is for everyone#feminism memes#4b movement#intersectional feminism#sexism#gender roles#feminism art#feminism in media
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A table
I go up to that table
and yell with what remains of my voice
"My body, my fucking choice"
(It was never about the fetus)
#poetry#poem#original poem#poems and poetry#poems on tumblr#artists on tumblr#words#writers on tumblr#literature#quotes#feminism is for everyone#feminism quotes#feminism in media#feminist poetry#feminist theory#feminism#my body my choice
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It's crazy to think that Ozai...
...might be the first (proto-?) feminist of the Fire Nation.
Now wait, hold on. Hear me out.
Ozai IN-SHOW (and in written media):
Favors his second-born daughter over his first-born son.
Does not care enough about having a first-born son to succeed him to keep that son with him in the Fire Nation or create another son to succeed him.
Allows that second-born daughter, for a time, to be his new heir/successor.
Allows that daughter to be in charge of very important , gender non-conforming duties, including controlling her own personal army on her journey.
Allows said daughter to be in charge of capturing the first-born son and his first-born uncle (Ozai's brother and rightful heir). An uncle who, mind you, is more well-renowned than her due to past accomplishments and likely in part due to gender, because of the "hyper-masculine" expectations of their culture.
Allows other females besides his daughter to join his military. Sees no issue with allowing women to fight for what is also their homeland (in other words, no issue with female warriors here, Pakku).
Doesn't baby or coddle his first-born son AT ALL and is at least somewhat likely to not be responsible for any sense of entitlement that the son grew to have.
Believes in power, ability and prestige above all else when it comes to judging others. Thinks these traits are what rulers truly need to possess to be able to rule. Everything else is of lesser or no importance, including gender. This does not contradict the tenants of most brands of feminism, and actually mostly or fully supports them.
Keeps his daughter at his right (or left)-hand side when they are actually together.
Clearly greatly respects his daughters skills and insight as both a fighter and heir to the throne.
(Although he still kept a higher position) Gives his daughter his title, throne and crowning headpiece so that she may now rule in his place.
Is implied to have given his wife a lot of agency in raising and disciplining their two children, as opposed to doing it all himself with the help of docile servants and refusing her any say in that regard.
Knowing that all this happens, it's very telling in my view, that the show goes on to make both him and his daughter the "pure evil" super villains of the show. No acknowledgment of feelings, understanding (giving or getting), military/personal rights or sympathy are allowed to either by the narrative, even at times when we see the opposite on screen.
Makes me wonder what message the creators/writers were really trying to send to young viewers. Maybe it was "You should always be the bigger person by being at one with yourself, kind and considerate AND pro-traditional roles and anti-gender apathy! (Unless it leads to a man on your side getting laid by his ex! Then you can bend the gender/tradition rules a bit for your and especially his sake!)
#ATLA#Ozai#Azula#Zuko#character analysis#feminism#possible feminism#possible feminist character(s)#feminism in media#feminism in cartoon#slight shitpost
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Watching a Russian comedy show âFemale Stand-upâ. I shouldâve known it wouldnât be feministic!
âAll women prefer to be called beautiful, not smartâ â am I the only one woman in the world who doesnât believe cheap compliments to my appearance, esp when I know Iâm not beautiful? I believe lots of women want to be seen as personalities, not âprettyâ which is poised as the greatest and the most important achievement for a female. In fucking 2020s!
âWeâre not feministsâ â says one of the comedians, probably to cater for male audience. âWeâre normal womenâ â implied. Honeybun, thanks to feminists you have an opportunity to perform at all, nevermind wear jeans and talk freely about your sexual life. Vaguely paraphrasing Don Corleone, âYou use feministsâ achievements, but you use them without respectâ.
âWe wear make-up, beautiful clothes and lose weight only for menâ â speak for yourself, sweetie. I consider myself beautiful wearing a Star Wars T-shirt with a Jedi Order pendant. And pray tell me, how many women lose weight when they get rid of a man?
A transvestite also made an appearance, claiming to be more feminine than women. You know, these absolutely non-feminine women, born women, with XX-chromosomes and vaginas. Unlike a man, who in the end of the day takes off his wig and fake boobs and goes to his wife and kids. Apparently, femininity is reduced to wearing heels, short tight dresses and bright exaggerated make-up.
Female misogyny is blooming! Slutshaming is thriving. Calling women (esp friends) âwhoresâ â every one of these comedians does it. Am I the only woman who never calls her friends âwhoresâ, even as a joke?
The show happily reinforces stereotypes that women are dominated by hormones. As if men are not. Again, 2020s! And of course, if a woman is angry/aggressive, she is just not fucked enough.
A specific moment grossed me out in one more way. The comedian talked about the âViva la vulvaâ commercial and said: âWomen should love their sex organs like men love theirs. The video is very useful and good. But I canât eat all these fruit anymoreâ. And immediately after this â a short sketch of this comedian walking along the shop aisle, cringing at cut in half avocados, peaches, etc, and then choosing a bunch of bananas. Mmm, so much about âwomen should love their sex organsâ⊠I suppose it was â again â playing to male audience. And itâs gross from âFemale Stand-upâ, whose target audience is supposed to be women.
âWho dislikes men more than patriarchal women?â â a good and very true rhetoric question from feminists. All the men from comediansâ stories drink a lot, drunkenly piss into lamps, and when sober, discuss how they shat, comparing the turds. Either I donât know men, or this is a very particular type of men the showâs comedians are talking about. Iâm repulsed by this image of men this show paints â baboons, no more. Probably even less than baboons. Where do you find such men??? The show makes it seem all men are like this. And then âfeminists donât like menâ. Seriously? :/
Can anyone suggest any feminist comedy shows?
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Janeway in THIS fit
#star trek voyager#star trek#captain kathryn janeway#kathryn janeway#feminism in media#fashion in film
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actually all four kinds of can be considered feminist characters, look I even made a chart

#feminism in media#feminism in fandom#feminism memes#fandom things#fandom memes#female character#female characters#fandoms#fictional characters#fandom critical#fandom crit
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I think about the creator of Naruto. I don't know for sure, but I heard that he had an arc for her and threw it away. He listened to his fans (I don't remember what they wanted exactly) and gave less time on Sakuraâor something decremented Sakura's character in some wayâand it resulted in Sakura being hated.
I seen a video talking about Naruto with this exact premise as well. No wonder people shipped Naruto and Sasuke over Sasuke and Sakura.
It just kills me when writers create franchises where like 95% of the speaking roles are male, then get morally offended that all of the popular ships are gay. Itâs like, what did they expect?
#writing sexuality#shipping#logistics#literature logistics#feminism in media#female characters#female characterization#m/m shipping#bl shipping#male vs female characters#m v f in media#feminism in the workplace#feminism in the writing room#writing room#forced romance#romance is oversaturated#not every piece of media has to be a romance#I'm still salty about Toy Story ending in a romance storyline when its about friendship#this is why I would like more aro/ace storylines
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Lilyâs not selfless because she didnât want her baby to die. Anyone who isnât a psychopath doesnât want their baby to die! Defenceless Petunia also throws herself in front of a wand for her baby! Narcissa lies to Voldemortâs face and goes behind his back to Snape for her baby! Both of these women are selfish creatures! By book 6, JKR has firmly made the point that Lilyâs actions were admirable but unexceptional in this universe. Joining the Order out of school is arguably her most selfless act (yeah, sheâs personally affected, but she couldâve run to Australia).
Lilyâs attraction to James is pure ego. Sheâs flattered the hot rich elite publicly validates her by desiring her. An actually selfless person would think of Jamesâ victims (and Iâm not just talking Severus here). Her condescension to Severus is ego (she enjoys having a worshipful puppy who wonât call her out on anything until he finally snaps and bites back - neither of them see each other as a person). We know a lot more about her than âshe was selflessâ through her relationships, and not all we know is flattering. Which is good! Because the angelic figure the fandom makes her into - when JKR gave us more than that even in the little page time she has - is so fucking boring.
Absolutely, I couldnât agree more. What I find especially interesting is how so many Lily fans insist that pointing out her flaws is misogynistic, when in reality, theyâre the ones preventing her from being a fully realized, three-dimensional character. By reducing her to nothing more than a morally flawless young woman and a sacrificial mother, theyâre stripping her of the very things that make characters compellingânuance, contradictions, and the ability to make mistakes.
Itâs ironic because these same people will often argue that female characters should be treated with the same depth and complexity as male characters. But if weâre unwilling to analyze and critique female characters the way we do male ones, then weâre falling into the same trap we claim to oppose. Whatâs the point of demanding better female representation if weâre just going to infantilize female characters and refuse to engage with them critically? If we want true narrative equality, we have to be comfortable with the idea that women in fictionâjust like in real lifeâcan be selfish, can make questionable choices, and can sometimes just be plain unlikable. And thatâs not a bad thing. Thatâs a good thing.
Lily is an interesting character because she isnât just a saintly martyr. She clearly had an ego, she was flattered by Jamesâs attention, she tolerated Severusâs bigotry for far too long, and when she finally did cut him off, it wasnât out of some grand moral reckoning but because it affected her personally. Thatâs not a bad thingâit makes her human. And as you said, her sacrifice, while undeniably tragic and moving, is not some uniquely selfless act in this universe. Plenty of characters put their children before their own survival, and many of themâPetunia and Narcissa includedâdonât get the same moral pedestal that Lily does. The difference? Lily is framed by the narrative as an untouchable paragon of goodness, and fans have followed that lead uncritically.
The reality is, if we actually want better-written female characters, we need to stop being afraid of giving them flaws. Otherwise, weâre just trading one kind of misogyny (women as lesser) for another (women as perfect). And neither of those is real progress.
#lily evans#lily evans potter#lily potter#jk rowling#harry potter#harry potter women#female characters#female characters in media#feminism#feminism in media#feminist media studies#feminist analysis#harry potter meta
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Character appreciation post: Rose DeWitt Bukater đ„
It bothers me when people criticise Rose as being "selfish" and "Whiny". Donât get me wrong everyoneâs entitled to their opinion but I just have to disagree with this. Whatever you think of the movie, you canât deny that Rose does some pretty badass things; for instance, she goes to the bottom of a sinking ship to save Jack by axing his handcuffs in one go (which is doubly impressive considering sheâd never used an ax before) even though A) itâs freezing đ„¶ B) nobody will help her and C) the lights keep flickering on and off. Keep in mind that this is the same woman who had nothing but the (wet and cold) clothes on her back but still made it on her own before starting a family she was able to provide for during the Great Depression, two world wars and the Vietnam War! You go girlfriendđ«žđ«·đčđâ
#rose titanic#character appreciation#rose dewitt bukater#you go girl#titanic#sisters are doing it for themselves#feminist character#feminism in media
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I'm getting so sick of major female characters in historical media being incredibly feisty, outspoken and public defenders of women's rights with little to no realistic repercussions. Yes it feels like pandering, yes it's unrealistic and takes me out of the story, yes the dialogue almost always rings false - but beyond all that I think it does such a disservice to the women who lived during those periods. I'm not embarrassed of the women in history who didn't use every chance they had to Stick It To The Man. I'm not ashamed of women who were resigned to or enjoyed their lot in life. They weren't letting the side down by not having and representing modern gender ideals. It says a lot about how you view average ordinary women if the idea of one of your main characters behaving like one makes them seem lame and uninteresting to you.
#feminism#media criticism#this doesn't apply to media with large casts of female characters where one or the other is uncommonly outspoken or ahead of her time#and it is dealt with realistically in the setting#im not saying women in the past couldnt be wild and headtsrong and revolutionary#i just think treating it as an essential whenever a female love interest gets added to a historical story about some man is wearing
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"I can do this all day." -Captain Carter
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Barbie literally changed me as a person
#barbie#barbie movie#margot robbie#margot robbie barbie#womanhood#adulthood#feminism#feminism in media#and not even about feminism more like womanhood and adulthood
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"I miss when movies weren't political-"
ALIEN is about a megacorporation coercing some salvagers into transporting a dangerous creature without telling them what it is, all because the creature could be a great bioweapon for them. When a survivor of this failed transport mission wants reparations, they screw her over to avoid a scandal.
ROBOCOP is about another mega-corporation experimenting with a cop's body and declaring him their property, trying to reduce him to an obedient killing machine who can maintain the status quo for them.
JURASSIC PARK is about a rich billionaire going all out to make a dinosaur-themed amusement park, not caring about the real-world implications of resurrecting giant lizards. He also underpays ONE guy to maintain the entire park's security systems so predictably, that one guy betrays him at a crucial moment.
The best movies weave their politics with plot & character, so you can enjoy them as entertainment but can also notice the themes. Movies without themes wind up being all spectacle and no substance, just noise and color like Michael Bay's Transformers franchise. Yeah, they make money, but they'll be forgotten in 2 generations.
#transformers#anti capitalism#barbie movie#barbie the movie#robocop#alien#aliens#alien 1979#jurassic park#dinosaurs#socialism#capitalism#politics#wokeness#antiwoke#horror#feminism#themes#media literacy#mad max#mad max fury road#ceo#megacorporation#megacorporations#underwater 2019#eat the rich#the hunger games#stockton rush#andrew ryan#i am legend
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if rowling disapproves of gender dissidence then surely she'd disapprove of masculinity in women and only value feminine women? what you said is self-contradictory
Incorrect. What she actually likes are women who fit into male fantasies. Her favorite teenage female characters embody classic stereotypes that appeal to the male gaze: Ginny, the pick me girl; Luna, the manic pixie dream girl; and Hermione, the ever-loyal friend who doesnât have time for âgirlyâ frivolities. Beyond that, the adult women who are treated positively by the narrative are either self-sacrificing mothers or have to become self-sacrificing wives and mothers in order to escape Rowlingâs relentless bashing. Even young, single women eventually get reduced to being someoneâs wife rather than remaining independent characters (Fleur becomes the devoted wife to Bill, Tonks pathetically chases after Lupin).
Thereâs a huge difference between gender nonconformity and the male gaze. The male gaze can make a female character seem nonconforming at first glance, but if you look closer, you realize that all that supposed nonconformity is just part of the male fantasy about what makes a woman desirable and acceptable. Itâs a way of turning female characters into the perfect embodiment of the average geeky hetero guyâs erotic fantasy.
#JK Rowling#mysoginy#male gaze#feminist analysis#feminism in media#female characters#fleur delacour#hermione greanger#ginny weasly#luna lovegood#nymphadora tonks#Harry potter women
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