#female portrayal
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diemelusine · 2 months ago
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Portrait of Helen Beatrice Myfanwy Hughes, daughter of Billy Hughes, Prime-Minister of Australia (1931) by Philip de LĂĄszlĂł. Private collection.
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datadrivendelights62blog · 5 months ago
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starry-bi-sky · 3 months ago
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my martha knight au in a nutshell:
Danny/Martha: see up here?
Danny/Martha: *taps skull*
Danny/Martha: intense psychological damage
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Danny/Martha: *upon finding out she's pregnant*
Danny/Martha: oh my god i cant be a mom, I'm fifteen and homeless--
Danny/Martha: im going to be a terrible mother--
Danny/Martha: i live in a cAR--
Danny/Martha: what if the baby inherits my powers? Oh no--
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Danny/Martha post giving birth: i've only had Bruce for a minute and a half but if anything were to happen to him i won't even need to fuse with Vlad, I'm razing this goddamn planet to the ground myself
Danny, to Baby Bruce: you are the last remaining thread of my sanity. I'm going to give you the world :)
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Danny/Martha prior to getting pregnant: Fuck it, if everything in my life has led to this moment, i'm allowed to make one stupid decision. I'm getting drunk and getting laid
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Danny/Martha while Bruce was a toddler: i swear to fucking god i am going to kill the next person who talks to me--
Bruce: hi mommy!! i brought you something!!!
Danny/Martha, immediately flipping on a dime: hi baby!! what do you have?
Bruce, a weird child like his mother: a spider :)
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Danny/Martha, talking to Falcone after he made an unsavory comment at her and Bruce: If you ever come near me or my son again, I will dig up your shithead father's corpse and make you eat his skin.
Danny/Martha: do you understand me
Falcone:... crystal, ma'am
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Danny/Martha new in Gotham: *getting mugged*
Danny/Martha: *grabs man's arm*
Danny/Martha: I AM GOING TO BREAK YOU IN HALF LIKE A TWIG, FUCK BOY, DO YOU HEAR THE WORDS COMING OUT OF MY MOUTH--
(she then proceeds to terrorize Gotham's night life for the next extended period of time, mostly unintentionally)
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Danny/Martha: Danny Fenton?? No. you must be mistaken, my name is Martha Knight.
Danny/Martha: this here is my littlest knight, Bruce.
Danny/Martha: I made him all by myself :]
#if martha could become the joker in one timeline if bruce died then she had to have SOMETHIGN going on up there mentally. im all for it#im a 'martha wayne may have been secretly batshit' truther. subscribing to bruciemilf's portrayal of the wayne parents#danny fenton is not the ghost king#dpxdc#fem danny fenton#female danny fenton#martha knight au#dp x dc crossover#dpxdc crossover#dpxdc au#dp x dc au#dp x dc#giving danny fenton psychological issues since 2022 folks#points at marthadanny: she's a hot mess with unprocessed trauma and psychological prblems. she's hanging on by a thread#LISTEN TO AFTER ALL BY CHRISTINE EBERSOLE THAT SUMS UP MARTHADANNY ENTIRELY#bruce your mom is even crazier than you. how is that possible. her trauma has trauma.#marthadanny: i dont wanna talk about my feelings OR my trauma i want to raise my son. go away#martha: who knew that being a child hero without any support would result in deeply rooted psychological issues and paranoia in spades#marthadanny: im fine (<- experienced liar. is not fine. please god someone restrain her before she claws someone's eyes out)#she has eyebags the size of the savanna and wields red lipstick like a weapon. she's going to rob a rich man blind. she has a baby to feed#what would a mother not do for her child? what heights would a mother not climb.#and you're shaken to your soul with an ache that you cant erase. like the tears you never cried but still keep scrubbing off your face.#there's a pain you cant imagine. the little talk that keeps you wide awake that somehow turns to bold determination that you wont ever make#the same mistake. so you've got to feed your little future and ensure her talent poise and charm might just grow up and save you after all#fun fact bruce and danny's birthdays are exactly one week apart. danny is Feb.12 and Bruce is Feb.19. take that as you will :)
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gentle-hero-blog · 5 months ago
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Actually wait ok i'm not done. i'm actually so serious abt this. I think that a large part of the reason i got attached to metroid when i was younger is because it was the first media i discovered where the main female character was allowed to look like this:
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and like. people thought she was cool. BOYS thought she was cool and I had never seen boys think a female character was cool before, much less want to be like one. she had all these interesting traits that I had only ever seen in male characters (person of few words, calm and ruthless bounty hunter persona, highly respected for skill, her appearance isn't mentioned Ever, etc etc). and that was formative for me and my relationship to gender i think
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ocaledonia · 1 month ago
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i find it frustrating when people conflate criticism of drag and its culture with intolerance for gender nonconformity. men putting on exaggerated facsimiles of women's bodies and acting out the most offensive and regressive stereotypes about us for entertainment is very different to a guy who just likes wearing skirts or women who shop in the mens section
i was a very nerdy teen and went to a lot of conventions, where crossplay (dressing up as a character of the opposite sex) was common, so i know men can dress up as women and perform in character without being offensive. i also have no issue at all with guys who want to dress up as barbara streissand or whoever and sing and dance, it's the caricaturing of women's bodies and minds that offends me and other feminists
the hatred of women is a feature of drag culture that can and should stop
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welcometogrouchland · 9 months ago
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I love Steph's origin as told in the Secret Origins 80 page giant- I just overall think it strengthens her character by giving her a lot of pathos and adding to her heroism (which isn't something writers were focused on in her actual intro in detective comics #647 since she was just meant to act as a plot device back then) BUT there is one tiny detail in it i will begrudge, and that is the portrayal of her having a minor love at first sight moment for tim
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Secret origins 80 page giant, ID in alt
(or well, technically this was their second meeting in that story (the brick was the first) so...love at second sight?)
Mostly because Stephanie showed no interest in her introduction and only showed romantic feelings towards Tim AFTER this moment here:
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Robin (1993) #4, ID in alt
Straight up the progression here goes:
The adventure in 'tec where they first meet -> Tim investigating the same crime scene as Steph -> she beats him up not knowing it's him at first, apologizes but says he shouldn't have scared her -> he remembers her/the moniker she goes by -> they talk about plot for a few pages -> Stephanie starts flirting
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Robin (1993) #4, ID in alt
Which...is so fascinating to me and says so much about Stephanie. She highlights the fact that Tim "remembered" her. Like. Steph. Girl. This is our bar? It's sweet but kind of speaks to how much Stephanie is ignored at home/how little and sporadically she's shown interacting with her peers (and rarely ever the same kids twice). Her idea of peak romance is just...being on someone's mind even when you're not there.
Kind of also adds layers to Steph's proclivity towards jealousy later on, a manifestation of her insecurity and loneliness (though don't get it twisted, she's not written this way bc Dixon and co think it's an interesting character flaw, they wrote it bc they think it's an inherent character flaw of (particularly young) women/girls, which is very apparent in how he approaches Ariana's character as well from what I've read)
Also the fact that Steph becomes so smitten for Tim almost immediately after this is (a few issues later she aggressively flirts with him during AN ACTIVE HOSTAGE SITUATION. WHERE SHE'S THE HOSTAGE) again is kind of a mixture of kind of funny and sad. One boy is nice to her once and she's fully ready to wife him. Girl you are deranged (affectionate) (concerned)
#ramblings of a lunatic#dc comics#stephanie brown#tim drake#timsteph#meta#< ??? ig#robin 1993#made this post and forgot to finish. saved it in drafts. saw posts that annoyed me. proceeded to finish it#the subset of fans who think they're doing a righteous feminism by giving steph more flaws than she has in canon...headaches#yes flawed female characters are important representation no i dont think you projecting chuck dixons conservative values onto her-#-is doing her character a great favour. if so you need to commit to the bit and make tim a stone cold nark /j#sorry okay im done vaguing. there's real things going on in the world that matter. the bad take is the mind killer etc etc#anyway the zero to 100 progression of early timsteph is fascinating. on the one hand i know it's mostly a product of its time#both in terms of portrayals of romance (esp teen romance) and partially of women and girls by dixon (not extremely boy obsessed-#-but there's a. dark shadow of the boy crazy trope. a gentle whiff of it in the air. just a little)#but bc this aspect isn't blatantly/egregiously author bias i choose to analyse it#i could also analyse how steph in general is portrayed as liking guys she can't/shouldn't have a little#(her crush on the much older detective in bg2009 and also tim a little bit w/ the secret identity thing)#(but that's a whole other discussion. also that aspect of the romance in bg2009 is. also a little sexistly motivated-#-and also dropped part way through to an extent so like..not exactly ripe for analysis)#ANYWHO i love you Steph <3 you're unwell and yet so adorable and compelling Steph <3
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maxdibert · 8 days ago
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Lily Evans and the Tragedy of Poor Character Writing: How She Could Have Been Interesting but Was Reduced to the Moral Compass for the Men in Her Life
The way Lily is used as a moral instrument for the male characters prevents her from standing on her own as a character with individual depth, aspirations, and personal struggles. While we see hints that she has agency and a personality beyond her relationships, these moments are fleeting and sacrificed in favor of reinforcing the men’s journeys. This lack of consistent development reduces her to what feminist criticism calls the “moral arbiter” or the “redeeming woman” trope, where a female character exists mainly to define or “purify” a male character’s storyline. This phenomenon is particularly evident with Lily, whose interactions serve to validate or critique the men in her orbit but rarely to explore her own motivations, desires, or struggles.
Lily’s relationships with Severus, James, and Sirius reveal moral contradictions that could have added complexity if they were properly addressed. For example, her friendship with Severus is cut off for reasons that appear, on the surface, morally justified—but she doesn’t seem to apply this same standard to James or Sirius, despite their bullying and violence toward others. Her reaction to Mulciber’s behavior is harsh and unforgiving, yet her forgiveness of Sirius’ behavior (he comites attending to murder) as they get older suggests a double standard that’s never examined. These decisions could have made her a compelling, morally gray character; instead, they’re brushed aside to uphold her as a “good person,” an infallible figure who’s somehow always in the right. This sanitizing approach dismisses her potential for growth, change, and inner conflict, flattening her character to fit the role of a flawless moral validator.
Her relationship with James, too, suffers from this one-dimensional portrayal. The narrative pushes the idea that James becomes a better person because of Lily’s acceptance, implying that he is redeemed not through personal introspection or growth but by “winning” her approval. This reinforcement of the idea that men can be “fixed” or redeemed by a woman’s acceptance or love is problematic because it perpetuates the notion that women exist to reform men, placing responsibility on women to serve as emotional caretakers or moral rehabilitators. This is a trope rooted in misogyny, as it frames female characters as moral tools rather than individuals with their own agency.
Feminist theory critiques this kind of portrayal, arguing that it reduces women’s roles to secondary functions in the narrative. Lily becomes a kind of “reward” for James’s perceived growth, not a fully realized partner with her own arc. This approach reflects Rowling’s broader struggle with female characterization, where women often lack agency beyond their relationships with men and are rarely allowed the depth, autonomy, or moral ambiguity afforded to male characters. By framing Lily as a moral gauge for Severus, James, and even Harry, Rowling removes her complexity and potential flaws, opting instead to present her as an idealized figure who serves primarily to validate the men around her.
The inconsistencies in Lily’s portrayal have led to her being a divisive character for many fans. She’s often disliked not necessarily for her actions but for the incoherent, contradictory ways she’s written, and this is ultimately a failure of Rowling’s character development. Instead of being an empowered, nuanced figure with her own voice and flaws, Lily is molded to fit the needs of the male characters’ narratives, leaving her motivations unclear and her personality inconsistent. This reflects Rowling’s problematic handling of female characters throughout the series, where women are often defined by their relationships and reduced to supporting roles. Lily, as one of the most significant female figures in the story, suffers from this treatment, and it’s a major reason why her character often comes across as both underdeveloped and unrelatable. The narrative’s inconsistent treatment of her is not a flaw of the character but a symptom of Rowling’s broader issues with writing female characters, who frequently lack the autonomy, depth, and agency that would make them compelling and relatable in their own right.
And yes, I’ll admit it—Lily Evans really annoys me, but it’s precisely because of everything I’ve discussed here. She’s been reduced to this saintly figure, this ultimate epitome of “good” motherhood and femininity in the narrative, and it’s frustrating because her complexities and contradictions are glossed over or ignored. Lily isn’t allowed to be fully human; instead, she’s turned into a symbol, an idealized version of what a woman should be, stripped of the depth and nuances that would make her an interesting character.
Instead of exploring her flaws, her contradictions, or the ways she fails to live up to the moral standards she seemingly sets for others, Rowling chose to simplify her into a narrative tool. Lily’s personal contradictions—her selective morality, her double standards, her often unquestioned choices—are brushed aside because they don’t serve the image of “perfect womanhood” the story wants to project. Rather than treating her as a fully realized person with her own journey, she’s treated like an object, a measure of how “good” or “redeemed” the men around her are.
It’s this reduction that bothers me the most. In focusing on Lily’s role as the moral benchmark for others, especially the men she interacts with, Rowling denies her the chance to be anything more than a tool for measuring their worth. She doesn’t get to make mistakes and grow; instead, she’s held up as an unattainable ideal, and that’s not just boring—it’s damaging. It perpetuates the idea that women are there to serve as moral compasses for men, to help shape their actions and destinies, while never being given the chance to explore their own complexities or motivations.
This lack of depth doesn’t just harm Lily as a character; it harms the story as a whole. The other characters’ arcs are all defined by how they relate to her, which only highlights how little she’s allowed to define herself outside of them. Lily could have been so much more than just the woman who inspires James to be better or the woman whose approval validates their actions. She could have been a flawed, messy, deeply human character. But instead, she’s been turned into a one-dimensional ideal, and that’s why I find her so frustrating—not because of who she is, but because of how the narrative chose to treat her.
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namtanlovesfilm · 17 days ago
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I'm gonna be honest, one thing where thai straight dramas & lakorns have bl & gl shows beat every time is that they're not afraid to mix their top actors in ALL the pairings. by having them not stuck in only one ship, it really builds up excitement about who they'll next be paired up with. like right now we're really getting yaya & tor and mai & film in two iconic historical lakorns and I'm LIVING for it. they collect all the co-stars in a way fixed queer ships absolutely cannot & for that, they deserve recognition!
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diemelusine · 4 months ago
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A classical beauty by John William Godward (1861-1922). Collection of Fred and Sherry Ross.
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kacievvbbbb · 4 months ago
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Maybe it's just me and I just don't understand the arc. Or maybe this arc will get some grand conclusion I'm really starting to doubt. But like I'm sick and tired of Tashigi being used as Zoro's misogyny proxy. Like the "a woman swordsman could never beat a man" belief and trauma made sense for both Kuina and Tashigi and was a very valid fear way back in the East Blue when they were still fighting relatively normal people and had no scope of how big the world is
but at this point where there are literally 20 feet tall dudes and people can blow up a whole city with just Haki the only reason Tashigi is still weak is because she is being written that way. Which is really hard to understand because it seems now more than ever One Piece has been getting more and more strong female characters so I don't know why every time Tashigi is on screen with Zoro we have to rehash this. It's even worse cause all she does in the scene is prove Zoro right by getting in a fight that she can't handle and needing saving. It's such a confusing message and honestly doesn't really apply or come up anywhere but with Tashigi and Zoro (outside of that one time where Zoro yells at enel for blasting Robin because she's a woman which was weird because Robin's been in a lot of fights before but seemed there just so enel could point out just how ruthless it is.)
Hell with the exception of the G5 all being in love with her. She is treated like a regular character and not just "the woman"
It honestly feels like both Tashigi and Smoker got lost in the narrative and Oda just doesn't know where to put their arcs. It feels like she was being written to help Zoro overcome whatever mental block Kuina's death instilled in him about facing female opponents with his sword. But she is just sooooo far behind him it renders the point moot and strengthens his convictions (it's weird that he will literally crush a woman's face rather than use his sword and is the only reason I won't say he doesn't fight women he does he just seems to have a mental block about cutting them down especially if they fight with anything blade like) but also we've only ever seen him face female character he knows can't challenge him it would have been interesting to see what he'd do in a fight against someone like big mom, tsuru or smoothie doubt that will happen though. But here's to hoping for Tashigi to have an actual arc.
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queeringclassiclit · 2 months ago
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Irene Adler
from the Sherlock Holmes series (A Scandal in Bohemia) by Arthur Conan Doyle
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aroaessidhe · 6 months ago
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2024 reads / storygraph
The Sword of Kaigen
standalone fantasy set in a rural mountain village at the edge of an empire that still holds traditional values, with families of powerful water/ice magic warriors
follows a powerful young heir who begins to question his beliefs about the empire when a new boy comes to his village from the city
and his mother, a housewife who has tried to forget her youth as a warrior and vigilante in the city since she moved back home to a loveless marriage
when there’s a violent attack on their village that they’re unprepared for, everything changes, and she has to embrace her old skills to protect her family and people
#The Sword of Kaigen#aroaessidhe 2024 reads#I’ve been meaning to read this for years and I finally got around to it! a really unique fantasy novel#I had always assumed this was ur average pre-industrial high fantasy and then was immediately hit with video games/tv in the first chapter#lmao. But overall (aside from the broader worldbuilding/politics) it is closer to the average ‘historical’ fantasy narrative -#so I can see why I got that impression#Some really compelling characters and interesting narrative structure that went in some unexpected directions.#It really focuses in on one village and how devastating a single battle in a war can be to their people - and how much work the recovery is#I feel like most sff is more concerned with a single person and/or the whole war so this felt unique. did also mean that the pacing was odd#- it's a slow start; then there’s a battle that must be hundreds of pages. The last section of the book feels a little too drawn out#and brings up random hanging plot elements that don’t really go anywhere. But I think overall this works for the story.#also one thing I didn’t love - cool complex interesting female character MC sure but also there’s weird moments like:#the first scene we see her is all the housewives comparing their attractiveness; she keeps referring to herself as an old woman (when she’s#and oh so meek and useless etc. And some of this feels like it’s part of the broader portrayal of the misogynist society#but some of it felt clunky or unintentional?#And then especially the end - when she and her shitty husband finally confront each other as equals and he apologises#she basically immediately forgives him and is like oh I was equally at fault because I am a meek woman who didn’t try either#like him realising he was wrong (and her realising he had a reason for being the way he was) doesn’t negate the fact that he treated her li#she acts like it was her fault for not trying too - when we have numerous examples of him berating her if she spoke up about anything?#like im glad he’s learning. but also that doesn’t mean she needs to suddenly forgive and love him wtf#that's the only real thing that annoyed me though.#also btw that 5yo seems kinda fucked up. are you guys gonna do anything about that
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deldeldel90 · 2 months ago
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when i say "she's just a girl" i'm 100% talking about devi vishwakumar, rory glimore, princess aurelia, rashta, sumin, hermione granger + ginny weasley, and susie campbell
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paxny · 11 months ago
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Currently on the hunt for some more Bones-centric fics, if anybody has some to recommend I’d owe you a bazillion marsh-melons <3 please and thank you :D
(For this round, I would prefer aos, but would still happily take tos. McSpirk or /OC or /reader would be best, but I’ll explore any pairing rn.)
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botanikos · 1 month ago
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AND BEFORE ANYONE ASKS - YES, ONE VERSE OFFERS THE CLOACA AND IT'S LITERALLY JUST THE MAIN CANON.
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chemileen · 2 months ago
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It’s me 🩅
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