Woman with Animals (La dame aux bêtes) (1914) by Albert Gleizes. Peggy Guggenheim Collection.
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I am a girl who likes billiards.
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my martha knight au in a nutshell:
Danny/Martha: see up here?
Danny/Martha: *taps skull*
Danny/Martha: intense psychological damage
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Danny/Martha: *upon finding out she's pregnant*
Danny/Martha: oh my god i cant be a mom, I'm fifteen and homeless--
Danny/Martha: im going to be a terrible mother--
Danny/Martha: i live in a cAR--
Danny/Martha: what if the baby inherits my powers? Oh no--
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Danny/Martha post giving birth: i've only had Bruce for a minute and a half but if anything were to happen to him i won't even need to fuse with Vlad, I'm razing this goddamn planet to the ground myself
Danny, to Baby Bruce: you are the last remaining thread of my sanity. I'm going to give you the world :)
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Danny/Martha prior to getting pregnant: Fuck it, if everything in my life has led to this moment, i'm allowed to make one stupid decision. I'm getting drunk and getting laid
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Danny/Martha while Bruce was a toddler: i swear to fucking god i am going to kill the next person who talks to me--
Bruce: hi mommy!! i brought you something!!!
Danny/Martha, immediately flipping on a dime: hi baby!! what do you have?
Bruce, a weird child like his mother: a spider :)
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Danny/Martha, talking to Falcone after he made an unsavory comment at her and Bruce: If you ever come near me or my son again, I will dig up your shithead father's corpse and make you eat his skin.
Danny/Martha: do you understand me
Falcone:... crystal, ma'am
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Danny/Martha new in Gotham: *getting mugged*
Danny/Martha: *grabs man's arm*
Danny/Martha: I AM GOING TO BREAK YOU IN HALF LIKE A TWIG, FUCK BOY, DO YOU HEAR THE WORDS COMING OUT OF MY MOUTH--
(she then proceeds to terrorize Gotham's night life for the next extended period of time, mostly unintentionally)
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Danny/Martha: Danny Fenton?? No. you must be mistaken, my name is Martha Knight.
Danny/Martha: this here is my littlest knight, Bruce.
Danny/Martha: I made him all by myself :]
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Actually wait ok i'm not done. i'm actually so serious abt this. I think that a large part of the reason i got attached to metroid when i was younger is because it was the first media i discovered where the main female character was allowed to look like this:
and like. people thought she was cool. BOYS thought she was cool and I had never seen boys think a female character was cool before, much less want to be like one. she had all these interesting traits that I had only ever seen in male characters (person of few words, calm and ruthless bounty hunter persona, highly respected for skill, her appearance isn't mentioned Ever, etc etc). and that was formative for me and my relationship to gender i think
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mary & elizabeth
from a cycle of miniatures, possibly originally preceding a psalter, muri (?), first half of the 12th c.
source: Sarnen, Benediktinerkollegium, Cod. membr. 83, fol. 2r
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I love Steph's origin as told in the Secret Origins 80 page giant- I just overall think it strengthens her character by giving her a lot of pathos and adding to her heroism (which isn't something writers were focused on in her actual intro in detective comics #647 since she was just meant to act as a plot device back then) BUT there is one tiny detail in it i will begrudge, and that is the portrayal of her having a minor love at first sight moment for tim
Secret origins 80 page giant, ID in alt
(or well, technically this was their second meeting in that story (the brick was the first) so...love at second sight?)
Mostly because Stephanie showed no interest in her introduction and only showed romantic feelings towards Tim AFTER this moment here:
Robin (1993) #4, ID in alt
Straight up the progression here goes:
The adventure in 'tec where they first meet -> Tim investigating the same crime scene as Steph -> she beats him up not knowing it's him at first, apologizes but says he shouldn't have scared her -> he remembers her/the moniker she goes by -> they talk about plot for a few pages -> Stephanie starts flirting
Robin (1993) #4, ID in alt
Which...is so fascinating to me and says so much about Stephanie. She highlights the fact that Tim "remembered" her. Like. Steph. Girl. This is our bar? It's sweet but kind of speaks to how much Stephanie is ignored at home/how little and sporadically she's shown interacting with her peers (and rarely ever the same kids twice). Her idea of peak romance is just...being on someone's mind even when you're not there.
Kind of also adds layers to Steph's proclivity towards jealousy later on, a manifestation of her insecurity and loneliness (though don't get it twisted, she's not written this way bc Dixon and co think it's an interesting character flaw, they wrote it bc they think it's an inherent character flaw of (particularly young) women/girls, which is very apparent in how he approaches Ariana's character as well from what I've read)
Also the fact that Steph becomes so smitten for Tim almost immediately after this is (a few issues later she aggressively flirts with him during AN ACTIVE HOSTAGE SITUATION. WHERE SHE'S THE HOSTAGE) again is kind of a mixture of kind of funny and sad. One boy is nice to her once and she's fully ready to wife him. Girl you are deranged (affectionate) (concerned)
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Maybe it's just me and I just don't understand the arc. Or maybe this arc will get some grand conclusion I'm really starting to doubt.
But like I'm sick and tired of Tashigi being used as Zoro's misogyny proxy. Like the "a woman swordsman could never beat a man" belief and trauma made sense for both Kuina and Tashigi and was a very valid fear way back in the East Blue when they were still fighting relatively normal people and had no scope of how big the world is
but at this point where there are literally 20 feet tall dudes and people can blow up a whole city with just Haki the only reason Tashigi is still weak is because she is being written that way. Which is really hard to understand because it seems now more than ever One Piece has been getting more and more strong female characters so I don't know why every time Tashigi is on screen with Zoro we have to rehash this. It's even worse cause all she does in the scene is prove Zoro right by getting in a fight that she can't handle and needing saving. It's such a confusing message and honestly doesn't really apply or come up anywhere but with Tashigi and Zoro (outside of that one time where Zoro yells at enel for blasting Robin because she's a woman which was weird because Robin's been in a lot of fights before but seemed there just so enel could point out just how ruthless it is.)
Hell with the exception of the G5 all being in love with her. She is treated like a regular character and not just "the woman"
It honestly feels like both Tashigi and Smoker got lost in the narrative and Oda just doesn't know where to put their arcs. It feels like she was being written to help Zoro overcome whatever mental block Kuina's death instilled in him about facing female opponents with his sword. But she is just sooooo far behind him it renders the point moot and strengthens his convictions (it's weird that he will literally crush a woman's face rather than use his sword and is the only reason I won't say he doesn't fight women he does he just seems to have a mental block about cutting them down especially if they fight with anything blade like) but also we've only ever seen him face female character he knows can't challenge him it would have been interesting to see what he'd do in a fight against someone like big mom, tsuru or smoothie doubt that will happen though. But here's to hoping for Tashigi to have an actual arc.
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Irene Adler
from the Sherlock Holmes series (A Scandal in Bohemia) by Arthur Conan Doyle
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2024 reads / storygraph
The Sword of Kaigen
standalone fantasy set in a rural mountain village at the edge of an empire that still holds traditional values, with families of powerful water/ice magic warriors
follows a powerful young heir who begins to question his beliefs about the empire when a new boy comes to his village from the city
and his mother, a housewife who has tried to forget her youth as a warrior and vigilante in the city since she moved back home to a loveless marriage
when there’s a violent attack on their village that they’re unprepared for, everything changes, and she has to embrace her old skills to protect her family and people
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Boulevard in Paris (1885) by Akseli Gallen-Kallela. Turku Art Museum.
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Currently on the hunt for some more Bones-centric fics, if anybody has some to recommend I’d owe you a bazillion marsh-melons <3 please and thank you :D
(For this round, I would prefer aos, but would still happily take tos. McSpirk or /OC or /reader would be best, but I’ll explore any pairing rn.)
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Luisa and Isabela should have swapped body types
Something I did not like about Encanto was the underdeveloped characters. Like Isabela and Luisa. To me, all the character development happened in their songs and that rushed ending.
But I think the circumstances would have been way more fascinating if Luisa and Isabela swapped body types.
Just think about it!
I know that having a female with Luisa's body type on screen is admirable. But it was so cliche that the muscular girl had to get super strength as her gift. How lame and predictable!!!
What if Isabela was kept the same as the perfect golden grandchild, super feminine and the one with the betrothal...but she was huge and muscular? Showing girls that they don't have to be slim and small to be desirable (to men).
What if Luisa was petite like Isabela but she could crack a man in half? Showing that women can be strong without being masculine. I think Luisa's sympathy level would go through the roof even more if we saw this small woman being treated like a workmule by the village men. She has the strength but people overlook her feminity and treat her like a man to be worked to the bone.
Sigh. All that wasted potential so Encanto could just play into boring stereotypes.
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So I’m thinking of writing a story and in it there will be a Muslim character, as I started planning specifics I realized I don’t know all that much about the religion/culture and I want to know everything that anyone can tell me!
The character herself is in her twenties, living in the states. She does wear a hijab, for herself though, not because she oppressed/forced to in any way. The character works as a waitress at a family restaurant. She’s a genuinely kind hearted and sweet person even if she’s not always given the same treatment in return.
Please help me in any way you can, I want to know about holidays, dietary restrictions, dress, culture, hijabs and other coverings, and about any resources you might have to find this kind of information.
Thank you!
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