#education modernization

[townpostin]

Computers Distributed to 10 Madrasas in Mango, Jamshedpur

Event at Bag-e-Ahmed Marriage Hall sees computer distribution A significant computer distribution event took place in Mango on Sunday. JAMSHEDPUR – Computers were distributed to ten institutions in a program organized by Ekta Welfare Society at Bag-e-Ahmed Marriage Hall near Hussaini Mosque on Road No. 17. The event, held under the banner of Ekta Welfare Society, saw the presence of the society’s…

[martyrbat]

ok sure you don't believe in god or the church anymore but what are you doing to unlearn the propaganda you wre taught? what are you doing to educate yourself about marginalized groups that the church attacked and that you absorbed subconsciously? how are you challenging your viewpoints on things such as addiction, sexuality, poverty, other religions, disabilities, illness, race, and more without it being through a christian lens? are you careful to not spread propaganda or harmful ideologies? youre ‘reclaiming’ shit for your poetry and healing and thats great i guess, i wish you the best, but what have you actually renounced?

[alwaysbewoke]

[perpetual-fng]

he don't get it either

[sothasil]

Two blokes slacking off at work :p

Cretan diplomats based on a painting of the tomb of Rekhmire, Luxor. I was intruigued by the leopard skirt thingy one of them is wearing and drew a more or less realistic interpretation of it! The other guy's there so he can have a buddy.

While i usually draw people looking as average as possible, it's not the case here. It's fair to assume that within the "PR" context of the painting (representing their people in front of a foreign king) these would be the ancient aegean's hottest boytoys, so I kept them snatched and smooth shaved.

Originals under the cut!

Mural with my chosen duo highlighted

Cropped closeup, leopard skirt guy on the left (and the two arms of jugs guy!)

[historicity-was-already-taken]

"The end of liberalization in Poland, like its beginning, was accompanied by anti-Semitism. During March of 1968, an organ­ized “anti-Zionist” (a euphemism for anti-Jewish) campaign was launched against those self-defined Poles whom Polish society as a whole tended to regard as nothing but Jews. It turned into one of the most extensive witch hunts in the history of that country. The harassment began with an attack on and purge of a few people in top positions in the party, in the government, in the army, and in public life, but soon it broadened to include individuals of Jewish origin in all walks of life. They were pressured to provide proof of loyalty to the state and party, proof which, when given, failed to exonerate them. Anti-Semitic insults were hurled at individuals of Jewish descent. The students protesting peacefully against the end of liberalization and the tightening of controls in Poland were alleged to be misled into insurrection and counter-revolution by clever, traitorous Zionist plotters. They were mercilessly sup­pressed. When interrogated by the police, arrested students of Jew­ish or mixed parentage were repeatedly asked to state their nation­ality, and their response 'Polish' was rejected as not true. Others who were 'real Poles' were asked, 'why did you tie yourself to these filthy Jews?' or, 'why did you allow yourself to be used by these kikes?' Their 'Zionist' leaders were arrested and put on trial. The parents of these stu­dents—sometimes prominent Communists—were removed from their jobs, as were other individuals of Jewish origin. All of these were urged to leave Poland, but permission to do so was given to them only if they renounced Polish citizenship and applied for exit to Israel."

Celia Heller, On the Edge of Destruction: Jews of Poland Between the Two World Wars, pg 299.

[kolajmag]

COLLAGE ON VIEW

The Woods Women & Other Works

Saya Woolfalk at Leslie Tonkonow Artwork + Projects in New York, New York, USA through 23 November 2022. Saya Woolfalk creates works of art that combine elements of her African American, Japanese, and European heritage, with allusions to anthropology, feminist theory, science fiction, and Eastern religions. In this exhibition, Woolfalk introduces “The Woods Women”, a secret society that predates her Empathic Universe. The exhibition includes the artist’s newest works on paper, inspired by her study of the renowned Hudson River School and herbarium collections at The Newark Museum of Art where she was the Artist-in-Residence in 2019. MORE

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Kolaj Magazine, a full color, print magazine, exists to show how the world of collage is rich, layered, and thick with complexity. By remixing history and culture, collage artists forge new thinking. To understand collage is to reshape one's thinking of art history and redefine the canon of visual culture that informs the present.

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[aelinfireheartgalathynius]

Just finished listening to the Scholomance series audiobooks yet again and I simply cannot express how fucking perfect these books are please read them they are criminally underrated!!!!

You get:

angry character who grudgingly does good/nice things while complaining the entire time because they were raised in a fucking yurt in a commune in Wales

a sunshine character who just has no idea what is happening but they're sooo happy to be here

a sentient school that may or may not be trying to kill some of the students

the narrator matter-of-factly and often snarkily telling you lore as if you should already know it, which makes the already extremely good lore drops even better

bonus: a really cool magic system!

Plus the way the plot all comes together and the characters grow together is just so fucking chefs kiss like I NEED y'all to read this series I BEG

[arc-hus]

Study Pavilion, Braunschweig, Germany - Gustav Düsing + Max Hacke

[toyastales]

I adore the wavy design elements in this modern architectural stunner.

[scavengedluxury]

Lecture hall, SOTE (now Semmelweis University), Nagyvárad square, Budapest, 1980. From the Budapest Municipal Photography Company archive.

[canisalbus]

I just recently started following you so i don't have the full lore of your murderous gay religiously traumatized doggos, BUT, from my understanding, they are Italian and i don't know what part of Italy they are from, yet i can't help headcanoning Vasco as Tuscan, while Machete is probably from some part of Veneto. And as an Italian who has heard Tuscans and Veneto dialet, well it's an hilarious mental image.

Vasco is indeed Tuscan, Florentine to be specific. He comes from a wealthy and influential noble family that has lived in Florence for centuries. He's proud of his roots, and it's usually easy for strangers to tell where he's from. He's a resonably successful politician and has worked as an ambassador and representative of Florence on numerous occasions.

Machete is originally Sicilian (ironically about as far from Veneto as possible), although he was taken to mainland at young age and has lived in several places since then, before ending up in Rome. The way I see it, he exhibits very little local color, his demeanor and (even though Italian hadn't become a standardized language yet) way of speaking are formal, neutral and scarcely give away any hints about his personal history, at least in the 16th century canon.

[dosesofcommonsense]

Again, when modern society doesn’t read, they’re exceptionally easy to manipulate.

BLM proving just how bad the education system needs to be revamped.

[adventuressclubamericas]

Happy Ada Lovelace Day!

[vesper93]

Notes:

"School" in the question means the educational facility you usually attend between 5-17/18. I'm not including higher education in this definition.

Gens:

Baby Boomer - 1946-1964

Gen X - 1965 - 1981

Millennial - 1982 - 1995

Gen-Z - 1996 - 2011

I'm gonna assume we haven't got any silent generation (pre 1946) or gen alphas (2012+) who have somehow miraculously finished school already, lurking on tumblr.

Reblog for wider sample.

[probablyasocialecologist]

Calls for a ‘return’ to a non-existent past are seductive precisely because it did not exist. In an increasingly hostile world, it is tempting to believe that things were easier before the onset of a nebulous ‘modernity’. These individuals hint that if we simply traded in social changes, such as gender equality, we would be rewarded with more acceptable material conditions. However, such ideas are born more out of a yearning for an imagined idea of the Fordist consensus and that such conditions must project backwards into the pre-modern world. Such yearnings are compounded by the fact that the history that most people are taught is rudimentary and often provides an unproblematised version of our countries’ past. These narratives help to shore up the power of our own governments and obfuscate the very real benefits that we still enjoy as a result of imperial plunder. Trad accounts, meanwhile, are encouraged by the very platforms they appear on. It is common for them to present themselves as ‘tutors’ or accounts promoting ‘classical’ art, architecture or philosophy. The unsuspecting see a picture of a lovely old church, click follow and then are slowly drip-fed pseudo-history. They are also introduced, algorithmically, to the host of other trad accounts, which will feed them the same ahistorical pablum, establishing a consensus that is blissfully free from fact and heavy on nostalgia. Even those, such as myself, who seek to argue against these falsehoods fall prey to the algorithmic churn. Engaging with bad faith actors is still engaging and it can spread the message further, allowing reactionaries to find others in their cohort. This all translates into money for the platforms, which thrive off engagement – positive or negative.