#deeply attached

[the-boy-meets-evil]

this series is just everything. idk if i can appropriately put my thoughts into words but it’s really amazing. the way the stories move and feel so deeply real has me always coming back. i love getting to watch the growth and change as time moves along. i love watching the way the characters evolve through each story. i just love each of the relationships so much 😭 this whole story is perfect.

growing pains : a svt 97 line smau

synopsis : people say that you’ll experience three kinds of love in your lifetime. the first is an idealistic love, the kind that feels straight out of a fairy tale. the second is the hard love, the kind that will leave you with lessons about yourself and the love you want and need to experience. finally, the love you never see coming. this is the story of your three loves.

pairing : svt 97 line x gn!reader 

notes : non-idol au, coming of age, angst, fluff, my attempts at humor

will probably contain : food mentions, suggestive humor / content

taglist : open ! send an ask or reply to this post <3

playlists <3

[ parts + note under the cut ]

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[inkskinned]

today i love the red metal crane in her long neck arching her body over the boston skyline, which means i am okay for a moment. when i am unwell, everything is a little ugly. i always tell myself look for the beauty but when it is bad, i will look at birds and sunsets and little ducklings and feel absolutely nothing.

when my brother got his puppy, i was in a deep depression. what kind of monster isn't affected by a puppy. i was gentle and kind to her - i just didn't have an emotional reaction. she's five now and i feel like i spend all of our interactions apologizing to her - i don't know why. i just didn't feel anything. how embarrassing. i feel like if i admit that, i'll seem cruel and jaded. it comes in waves. like, two months ago when i went out into the world - it was like that. life behind a pane of stormglass. a firework could go off over your head - nothing. like dead skin, no reaction. not to ice cream or rainbows or baby chickens. life foggy and uninteresting.

i love goslings again. i love their little webbed feet splayed over grass. i love good food and live music and long walks. i like puppies. i feel like some kind of my soul has been starved - i keep staring at everything with wide eyes, trying to burrow the sensation into my stomach. it's real. beauty is real. when it's bad again, remember this. i stop and smell the flowers, feeling cliche in the moment. i like the white-to-red ombre of my neighbor's roses. i like colorcoding and yoga and cold drinks. i try to pass my hands over every moment, feeling like i'm squeezing joy out of every instant. remember this. for the love of god, it's real - just remember this.

[anetherealpoetess]

shipping discourse is so crucial because it encourages people to examine and re-examine their perceptions of female characters. when we actively think about why a ship feels comfortable or uncomfortable, we are less likely to be swayed by patriarchal notions of womanhood disguised as progressive ideals within fandoms.

female-dominated spaces, like many fandoms, are growing more conservative in tone, especially around complex female characters, and there is a growing discomfort with heroines attracted to villains. this trend parallels the conservative impulse to judge a person's morality based on their reading preferences. (a bad, bad thing.)

we are seeing a huge shift towards puritanical ideals of female purity (check out the trad-wifers on tiktok), and it is a rot seeping into fandoms. we have to keep shipping discourse alive. we have to keep talking about female characters and their complicated relationships with themselves, but also with other characters, including their attraction to morally-grey or outright villainous characters. keep asking people to examine and re-examine their perceptions of womanhood. keep them thinking.

we cannot let our fandoms reduce complex female characters and their relationships to simple moral statements. this approach creates a pipeline to conservative radicalisation, where the only shipping discourse allowed is through a tiny patriarchal lens. fandoms are spaces were we should explore, brainstorm, and celebrate female complexity, resisting the urge to flatten characters and their relationships into 'good' or 'bad' based on narrow conservative ideas of female purity.

[formulanni]

I’m genuinely getting so angry and upset at the comments and dms I’m receiving on Instagram being like “oh so when musicians and actors endorse Kamala it’s fine but when the president of the Fia endorses Trump it’s a problem?”

Like wow. It’s almost as if all art is a reflection of current events and culture as well as the feeling regarding them and can in fact be used as an act of protest. It’s crazy that any artist would express opinions about a current world shifting political event!

Like the thing you have to consider here is that Muhammad Ben Sulayem has consistently made a point to highlight that “politics have no place in this sport.” He has gone far enough to threaten to punish Lewis Hamilton for speaking out about BLM and also threatened Seb for speaking out about Pride. It’s also worth noting that the artists who endorsed Kamala are separate from the corporate entities and are speaking as individuals. MBS is speaking while he is the acting president of the FIA, an organization that represents ever y race creed and religion of the drivers. By endorsing Donald Trump, a rapist fascist and war criminal, and by posting a photo of them shaking hands in front of the McLaren Logo he has isolated his drivers! He has acted out in representation of the fia! He cannot separate himself from his role as FIA president because as long as he is on track or in the paddock he must be that.

Obviously this is a deeply complicated issue but acting as if MBS suddenly bring politics into the sport he has time and time again insisted “has no place in politics” isn’t deeply selfish, irresponsible and as if it hasn’t spit on everything some of the drivers, namely Lewis Hamilton and Sebastian Vettel have taken stands for. It’s very clear that politics are only allowed when it benefits his agenda but it’s very, very disappointing.

[broodingheroine]

im watching stargate atlantis for the first time without watching sg1 or having literally any background knowledge and all I can think about is how john sheppard is definitely a gay man very deep in the closet due to like...... being in the military in the early 2000s. I'm sorry but he only has any kind of tension with the men in this show (rodney and ronon specifically) and anytime he interacts with a woman it's so painfully platonic.

I also have some thoughts about how most of the atlantis crew is probably some kind of outcast with little to no ties to earth and now they're in the literal Mythical City of Atlantis. impossible things are happening. new bonds under new circumstances are forming. very queer to me idk.

also comparing john to kirk IN the text is interesting considering james t kirk was shipped so strongly with his chief science officer (aka his rodney equivalent 👀) that the pairing pretty much created fandom as we know it.

idk ive been at work all day and I'm tired so I feel like I could articulate my point there a lot better but that's what I've got rn

[brainrot-jikan]

im not the biggest alhaitham/kaveh shipper (because im a rare pair ho) but it seems to me that in alhaitham/kaveh getting-together fics tend to be... unequal.

the beautiful thing about alhaitham and kaveh is that they're both equally right and equally wrong and equally dicks about it. but the writers for alhaitham/kaveh much more frequently seem to give alhaitham the burden change (the burden of the character flaw) instead of kaveh.

in any good character arc, the main character has a fatal flaw or misconception, and by the end of that arc they have addressed that flaw in some definitive way. scrooge was a scrooge and learned that being that way was detrimental; merlin from finding nemo was overprotective to a fault and had to learn that he couldn't (and shouldn't) control everything and to let go; the wolf from little red riding hood learns that you should stop while you're ahead.

stories centering around romance tend to lean heavily on character arcs, which makes sense. and since romance generally requires two individuals to be vulnerable and open and emotional with each other, it makes double sense that alhaitham/kaveh authors zoom straight into alhaitham's lack of emotional vulnerability.

this bothers me.

in society, individuals are expected to experience and present emotions in a specific way. if someone dies, you cry. if someone smiles at you, you smile back. if you're at a party, you're supposed to be having fun. if you don't do these things, you're seen as impolite at best and a inhuman freak at worst. when these behaviors are frequent it's often viewed as emotional immaturity, or a lack of ability to feel at all. the inability or lack of willingness to conform to societies emotional expectations of you is seen as a flaw and a reason for exclusion.

alhaitham is canonically disliked and avoided for being the way he is. he prefers it this way, but that doesn't mean the people perpetuating this avoidance are in the right. they are the societal pressure to conform that alhaitham blows off. alhaitham could be the way he is for a lot of reasons: avoidant attachment style, trauma, following someone else's example (eg. his grandmother), or just his base personality. it doesn't MATTER. he is the way he is. kaveh having to accept that should be part of the story.

putting the burden of the fatal flaw on alhaitham, making the way alhaitham treats kaveh and the people around him the problem, feels invalidating. it implies heavily that alhaitham's way of interfacing with the world, alhaitham's very SELF, is incorrect. my suggestion is to flip a larger portion of that burden onto kaveh. kaveh 👏 character 👏 arcs 👏

some examples/recommendations:

- make kaveh project his insecurities onto other people but especially onto alhaitham; he's overly reliant on other people for his own self worth, and he perceives alhaitham's lack of positive feedback as a direct reflection of how alhaitham feels about him. but learns along the way that alhaitham doesn't hate him, kaveh's actual struggle is with hating himself and being unable to his own self as worthy of love. maybe throw in how you are responsible for your own recovery, other people can help but you can't rely on them to carry you through self actualization.

- or, kaveh tries to make alhaitham behave more like a "normal" person, to be more pleasant and emotive and forthcoming, and then realizes he's in the wrong for trying to make alhaitham into something he's not, possibly for all the wrong reasons (not because he likes alhaitham better like that, but bc society says that's healthier and a better/more conforming way to be)

- or you could go ahead make alhaitham's issues the main problem but they're too complicated to overcome in a short period of time, so kaveh has to accept alhaitham is doing his best in his own way and not push for unrealistic and unhealthy changes. he could alter his own behavior to give alhaitham space and time and a safe place to land.

that got sappy so it's past time for me to dip out. go forth and ship things; but maybe consider letting alhaitham be a rude stone-faced bastard if he wants to be.

[thatsocialmoth]

I will never stop this

Every season I have to make a post about how indescribable D20 related grief is.

There is such a wildness to it where I feel my heart like sinking as I process it all. And like you find these beautiful stories about cycles, about loss and love and the things we do for secrets and for the things we love and the things we want. The sacrifices we're willing to make. The way war and death and grief takes people apart piece by piece and never rebuilds them. The way we are changed when we're left behind in a world without someone we thought we'd have forever. The feeling of finally having something to want, something that's yours, that's solid and something that's beginning only to have it ripped out from beneath you. The people we turn into when there is nothing to do but to run. The way fear and trauma and torment can make a person do things they wouldn't otherwise, how they influence decisions and desires and how freedom becomes a blessed commodity. The way we find that people need each other but sometimes they just can't. The way ambition blinds and ruins. The way the people who are gone leave ripples in their wake, something new as they die, something blooming from their decaying.

Like there's this deep story about the cyclical nature of the world and the way it's all so unforgiving. A narrative about how life finds a way, among the struggles of a girl who should be dead growing up too quick in a war and learning to want instead of just need. A plot about a man who loses everything trying to find something to prove that there is a purpose to his torment, that he can be saved.

And it's beautiful

And then you have to explain to your friends that you're crying because the radish grandpa and the chili pepper satanist died.

Like how the fuck am I meant to explain the profound grief of a mango? Or the way that ambition has absolutely crushed a pastrami sandwich who, even more than greatness, seemed to want love. The way greasy provolone cheese tells a story of regret and atoning for one's mistakes.

[mourn-and-watch]

no but essek's abnormal behaviours in the last arc and especially in episode 140 are my roman empire. which is ironic because aeor is something of a roman empire itself. but in all seriousness, it was the episode that made me realise i love essek and his development so much and it kinda summarised it even before caleb's epilogue.

and i mean the "it's not fair" scene specifically. it's like, an epitome of his whole character progression from a person who put An Objectively Important Goal above all else without hesitation to someone who can't help but care for people around even more than his goal, no matter how big and relevant it is.

the mighty nein - and he alongside them - pretty much saved the world and freed an ancient city from thousand-year-long suffering. they defeated nine extremely powerful menacing entities who managed to stay out of everyone's sight for years and were so close to achieving their goal and dooming exandria in the process. they did the impossible and became heroes and somehow, they survived, even though they had bidden farewells a couple of hours ago because they had already understood what they had been facing. and nevertheless. they made it.

and none of them was celebrating.

mighty nein are basically essek's only friends. he knew them to be very unusual people, to put it lightly, loud and stubborn and completely inescapable once they consider you to be one of their own. and they showed him so much kindness and put so much faith in him, they were here playing the most atrocious music ever and digging clay in his backyard for a spell they invented just to help one of theirs and asking him if he could bring them pastries the day after they found out he was lying to them and had started a war. they were chaotic and weird and sometimes unbearable but most importantly they were carrying so much hope with them all this time - a hope they could end the war, a hope they could stop the angel of irons cult, a hope they could get better, a hope he could get better, and now, finally, that they could save their lost friend.

and that hope shattered, just like that, the moments after they'd already made the impossible. they saved so many souls - and then could not get back just that one.

for essek "my intentions were never good they were important" thelyss it just. shouldn't have mattered. they won. it could have been worse. people die and when they die they rarely come back. they should've been happy everyone else barely made it alive.

but for some reason, mighty nein being so defeated after they saved the world exposed him to that overwhelming feeling of injustice and unfairness. and i mean, there were many things essek considered to be unfair, but when i watched his first appearance and his interactions with mighty nein later on til their reunion in aeor arc, i wouldn't dare to guess that one of the things on that list would be something that personal. and personal not even to him.

the thing is, essek didn't even know who that guy was. why mighty nein cared about him so much. he had an idea, i guess, that he was their friend once, or someone in that body was. it was also a person who wanted to unleash a terrifying horrific aberration onto the material plane. it was a person very dedicated to killing essek and his friends - and they still didn't take any pleasure in fighting him. essek didn't feel strongly about lucien or molly, because he never knew them.

i don't think he mourned his death and failed resurrection. he mourned mighty nein's hope, the one they put in him when they had no reason to, the one they offered yasha in the cathedral and the one they kept after the spell for veth failed and the one they carried til the very end because they wanted it to reach molly. they had saved people with this hope. they had saved nations. they had saved the world. but they ended up feeling like it hadn't even been worth anything.

how desperate would it feel, witnessing people who for some reason always saw good in you when they absolutely shouldn't, who made literal miracles out of nothing, who ended wars and fought gods and tricked the hags and freed cities from horrors beyond anyone's comprehension purely because they thought it was the right thing to do and also loved their friends this much, silently crying over a dead body they couldn't bring back to life? how desperate would it feel to realise that with all your knowledge about time you dedicated your life to and threw away any principles for, you can't undo this? no one can. some things are left to fate alone and this time it wasn't kind to them. no matter how much good they did, they still got slapped in the face.

and it was, i think, such a genuine moment of empathy. like, essek is the character who prefers to put up a facade and act distant and self-composed but this time he just. walked away unable to watch this. the could only say to fjord that it wasn't fair. even when he was caught off guard in nicodranas he was able to explain himself and his motives to an extent even though he was a nervous wreck whose extra important plan went to hell the second the only people he cared about appeared. this time he had nothing to elaborate on. it just wasn't fair. it wasn't fair his friends didn't get what they wanted the most. it wasn't fair he couldn't do anything to make it right.

it is such a sad and beautiful and even cathartic scene because it is about person who started a war that destroyed so many lives - and then met this ragtag group of weirdos who saw a lonely stand-offish guy and said "hey, let's be friends!" and didn't even wait for him to answer. he saw them being serious and calculated and he saw them being ridiculous and extremely stupid, he saw their mistrust to outsiders and their loyalty to each other, he made spells with them and paid a visit to their hot tub, he ate their stale pastries and drank their hot chocolate mixed with whiskey, he was welcomed amongst them and in their wonderful home, both in xhorhas before they even found out what he had done and in the tower when they already knew - and then, he saw them mourning their loss, defeated and helpless, and he, a person who believed there were things more important than whole nations, let alone just one life, couldn't help but share the pain they felt. a pure display of compassion from someone who detached himself from it, who didn't believe he could grow into a better person capable of it again, but became one nonetheless without even realising it

[faeyuh]

[petitesmafia]

my villain origin story

[poppiesforthirteen]

i don't get people who don't like looms because "when two time lords love each other very much they send a formal application to the council to use a machine that is in their house" is so much funnier than a nuclear family

[cleverlittlegoddess]

So,,, @howlidae 's KGI AU had me both depressed and excited at the same time- I love it so much yall don't understand-

INCLUDES MY DESIGN FOR PEARLS CAUSE,,, I LOVE DRAWING HER 😭

[biblicalhorror]

Aroace Riz real but also Fabian is SO clearly in love with him and Riz has no idea

[sidesteppostinghours]

ok. question.

ortega ended up hallucinating sidestep after they "died", but sidestep doesnt know about that. they know it got bad, but never the full extent of how their death affected them. so if your sidestep Did learn, if they found out ortega looked for them in every little piece they could, would that change anything for your sidesteps? would their relationship with ortega be any different?

[peachykneesjellybees]

horror sapphics you mean everything to me

[torbek]

also i think if doug meat’s not allowed out of the tape that him and beef should be allowed to kiss and maybe get married. just a thought