#death traps in my opinion

[summertimevibes]

How would aliens react to humans having theme parks?

Like, would they think that it’s a temple of sorts, since we have so many Disney ones? And how would they react to rollercoasters?

Would they think that it’s some kind of torture? How would they react when they hear us say we pay to go on those, that we enjoy it?

Personally I hate rollercoasters so I’m wondering how an alien would look at it.

[healpimp]

saw somebody claim the stickybomb launcher was too ugly for demoman and he should use the half zatoichi instead. disgraceful thoughts like this should be punishable by death, perhaps by tying them to a rocket going into space

[official-l]

Do you consider yourself to be ethical?

No. I’ve never claimed to be. Soichiro doesn’t like it, but I don’t care much, I only alter any plans in that regard if it would cause serious fall out within the task force.

[chibishortdeath]

Great googley moogley it’s all going to shit! Every day becomes exponentially more terrifying!

And all perfectly timed to just right at the start of what’s supposed to be my adult life where I get my shit together and be useful and productive!

[thydungeongal]

So there is a pretty clear shift in playstyle between TSR D&D and WotC D&D: for better and for worse, D&D 3e introduced the idea of encounter balance, de-emphasized mechanics that had previously encouraged the GM to think of the monsters as real living creatures (reaction rolls, morale, etc.), and it had the effect of making D&D a much more combat-focused game. D&D has always been a game that's opinionated about combat, it's basically the most expressive and detailed form of play regardless of edition, but combat in the TSR editions was not exactly zoomed in and tactical. The WotC editions purposefully made combat zoomed in, granular, and tactical.

And this has had an effect on playstyle: since combat is now the main form of player expression what players actually want is for their characters to get into combat. Because combat is the most fun part of the game. But the game has also changed from the largely amoral dungeon-crawling game into a game of fantasy heroics (even though a lot of the trappings of the amoral dungeon-crawling still remain, which contributes to the dissonance), so you can't just have the player characters going into combat for the sake of it. That would frame the player characters as kind of Fucked Up, and we can't have that in our supposedly heroic fantasy.

What you end up with is a variety of contrivances like "they're bandits," "they're cultists," or, my all-time favorite, "they attacked first" to make the action seem morally justifiable, even though gameplay is still motivated by a desire to fight. The monsters fight to the death and, importantly, can often not be reasoned and negotiated with, partly because combat is supposed to be the fun, engaging part everyone is here to do, but also because if they actually acted like reasonable people it could cause dissonance with the whole "the player characters are the goodest heroes."

As my friend @tenleaguesbeneath once called it: what is actually going on is that the player characters are hunting people and monsters who have been programmed to fight to the death and never negotiate for sport, while justifying it as self-defence.

It's a simple power fantasy, and I don't think there's anything wrong with it. Sometimes you want to play a morally uncomplicated game about killing guys with cool magic swords. But I think it's also fun to think about what the specific types of monsters players end up fighting reveals about Society the invisible, unexamined ideology lying under the surface that the designers of even modern D&D have failed to examine. And to me it often reads like a frontier justice fantasy. None of that is to detract from anyone's joy of the game, and for me it's just fun to think about and post about this stuff while Still Enjoying the Game, but if someone expressing that opinion makes you feel uncomfortable, why? That's pretty silly imo.

[hyperfixatinator]

Where is the line?

In the comics, Tim Drake's moral code is an enigma to me, particularly his stance on the Batclan's no-kill rule. For all the fans who say he's always one step away from full blown villainy, there are even more saying he's a strict goody two-shoes who could never stoop that low.

Then there's the different takes on where Tim draws the line between these two extremes. Personally, I find that line hard to pinpoint. Digging for canon demonstrations of his morals has lead me to more questions than answers. My biggest question right now is:

What counts as breaking the no-kill rule in Tim's eyes?

Luckily, the Robins 2021 comics shed some light on this. In issue #3, "Tim", or rather an imposter of him, said that choosing not to save someone isn't the same as killing them, and that letting a villain die can be a way to get justice. Normally, this point would be moot since it's not Tim himself who said it. However, at the end of issue #6, the real Tim clarified that what the imposter said WAS his real opinion on the matter.

Not only that, but Tim has shown this belief through his thoughts and actions before. Twice.

The first time goes all the way back to Robin 1991 #5. During the fight against King Snake, Tim kicked him through a nearby window, fifty stories above the ground. As King Snake's life hung in the balance, Shiva appeared and commanded Tim to kill him.

Tim refused. He walked away, leaving King Snake entirely at Shiva's mercy.

What gets me is that Tim made no move to save King Snake from falling. And he made no effort to stop Shiva from committing the murder, either. His only thought as he heard the man's scream was "Fifty stories is a long way to fall."

The second time was in Red Robin 2009 #26. Tim orchestrated a whole plan to manipulate Captain Boomerang into getting killed by Mr. Freeze. The whole time, Tim blamed Captain Boomerang for making all those bad choices, despite Tim being the one raising the chances of them being made. Tim believed he was innocent because he wasn't directly participating.

Tim then stopped that plan, but not for any noble reason. He decided that he couldn't let anyone else kill Captain Boomerang but himself.

Tim couldn't bring himself to do that, either. So he had to spare his father's killer in the end.

This seems pretty cut and dry so far, right? Tim believing that letting villains die is alright as long he doesn't do the deed himself? I'd think so too, if there weren't other moments contradicting this.

In Robin #35, Steph insisted on leaving an enemy who got buried under the snow to die. Tim chastised her for it.

Neither of them were responsible for the snow, or for the enemy getting trapped in it. Plus, that guy tried to kill them with a chainsaw moments prior, so he's not exactly an innocent damsel in distress.

Maybe it was because this enemy wasn't a big enough fish to fry. We didn't really get confirmation that this guy has actually killed before, and he's around goon status at best.

But then in Robin #46, Tim chose to save another enemy who got himself into a deadly situation. That enemy was a murderer known as Young El. This time, Tim wasn't telling anyone else why they should save a murderer's life out loud. These were his private thoughts.

Notice how Tim's inner monologue sounded kind of on-the-fence. He contemplated justice finally catching up with Young El as the floorboards gave way, bringing a support beam down on him in the process.

However, Tim immediately switched gears to rescue Young El from under that beam before the water rose too high.

But Tim, as he told Young El the reasons he's saving him, asked himself "Do I even believe what I'm saying?" He could be asking this about two different things he said here. A) "Maybe it's not too late for you to learn something, Young El.", or B) "Death's easier for you when it's the other guy. Death's never been easy for me."

For Tim to doubt his belief in either of these statements is very interesting. He could be questioning if Young El is already too far gone for redemption, or he could be questioning if seeing someone die has never been easy for himself. For all we know, it could be both.

Unfortunately, Tim never got to see if his choice to save him would pay off. Tim wasn't strong enough to lift that beam, and Young El drowned.

There's a question on my mind as I read these pages. What makes this murderer's death different from when Tim let King Snake fall to his "death"? Sure, King Snake didn't actually die, but Tim didn't know that until later when the man came looking for revenge in Gotham.

Tim was once able to simply walk away from what he was certain would be a killer's demise. But then he's consumed by guilt over not being able to prevent a different killer's death down the line, to the point of hallucinating.

On top of that, what changed Tim's mind later? Red Robin #26 and Robins 2021 #3-6 still happened in the future. The only significant difference I can tell is that these two comics involved the killer's of Tim's parents, making it personal. But if the Imposter from Robins 2021 got his beliefs from his profile before his mother's killer got involved, then does that still hold up?

Maybe we should put a pin on it for now. There are other things Tim's done that brings the details of his no-kill rule into question.

Such as that one time Tim actually killed someone with his bare hands.

In Robin issues #51-52, Tim accidentally killed Lady Shiva while drugged on amarilla, a plant that enhances the user's speed beyond human limitations.

It may be argued if the amarilla altered Tim's mind enough to excuse him of fault or not. However, I want to focus on what happened after Shiva was revived. Here's another question to go with the first one:

Does Tim believe the kill still counts if the victim was revived afterwards?

From what I've gathered, yes and no. It's kind of complicated.

After Tim killed Shiva, he was understandably distressed about it, about how he can never take it back.

But after Shiva came back to life? Nothing. He didn't dwell on the fact he broke the vow to never kill. For something that devastating to happen in his life, it's odd that Tim didn't bring it up ever again, privately or otherwise. Especially considering what happened later in Robin #123, when Tim thought he killed Johnny Warlock.

Tim was utterly inconsolable. He lost all faith in his abilities as Robin, and in himself as a whole. It also contributed to his decision to quit being Robin after his dad found out. In general, he seriously dwelled on that "kill" for a much longer time than he had after killing Shiva. The difference being that he knew Shiva was resuscitated immediately afterwards, while Tim didn't know Johnny survived until issue #141.

But there's the fact that Shiva really did die. Her heart and breathing both stopped. So are we to believe Tim moved on from that so easily because she's alive now? What happened to never getting that back?

Come to think of it, not long after Tim killed and revived Shiva, there was someone else who landed in that same boat. Dick.

In Joker: The Last Laugh #6, Dick brutally attacked the Joker after believing he killed Tim. Dick ended up accidentally killing Joker instead, before the clown was resuscitated.

Here's the thing. While Tim was trying to comfort Dick, saying that it's ok because Joker's alive now, Dick didn't believe so. He was still distraught that he killed someone. The fact Joker came back to life afterwards didn't matter to him. To Dick, it still counted. So what does that say about Tim?

Before we move on, there's another person Tim knows who also died and came back from the grave. Jason.

Tim openly acknowledged Jason was killed before coming back, too. Multiple times. For example, when they met up in Red Hood and the Outlaws 2011 #8.

Tim hadn't shown any signs that he thinks Jason's murder doesn't count anywhere, except for maybe once.

In Knight Terrors: Robin #2, Tim and Jason had a heart-to-heart, and Tim said something strange.

"You survived."

Except Jason didn't survive. He died. To say Jason survived that night would've meant he never died to begin with. Him being alive now doesn't change that. Was this Tim telling a white lie to make Jason feel better? Or does Tim see being revived after death as "surviving"?

Ok, now we can move onto the next question. Or rather, bear with me as we go back to the first question. It's a broad topic with plenty more to talk about.

What does Tim count as breaking the no-kill rule?

We already asked how Tim feels about bringing villains back from the dead after killing them. And we asked how Tim feels about leaving a villain to die without getting directly involved. However, we still don't know how much involvement Tim needs to have in an enemy's death before he'll take responsibility for it.

We can confirm he won't mercy kill in Red Robin #21, even if it means giving someone a fate worse than death. No exceptions.

Tim also doesn't allow anyone he's actively teaming up with to kill, especially if he's the one in command. He's been amicable with known killers before (Huntress and Pru, for example), but only when they remain non-lethal while working alongside him.

Apart from that, though, it becomes less clear. However, I think this is a good place to expand on when Tim blew up a lot of League of Assassins bases in Red Robin #8.

I'm not going into whether or not those explosions actually killed anyone. I've seen evidence supporting both sides of this debate, so I'm just going to say it's up to interpretation. What I AM talking about is whether or not Tim would've felt responsible if they had killed someone.

Before overloading every generator in the LOA database, Tim gave a warning to the Wanderer. He told her that he couldn't be held responsible for what would happen to her if she didn't leave.

After initiating the explosions, Tim warned the White Ghost that they had fifteen seconds to leave before it was too late.

Fifteen seconds. That explanation on the mistake of letting him in might've taken roughly another fifteen to twenty seconds. Did the other bases even get a full minute head start? The way some of the people were already running away could imply they at least got a warning, but it's possible they might not have.

Even if everyone in every base received a warning, would that be enough for Tim to avoid holding himself accountable if they didn't make it out in time? Tim's the one who rigged the bases to explode, but I guess giving someone a warning means it's now their fault for not heeding it?

We can't be sure he even considered the possibility of those explosions killing anyone. Tim knew they were dangerous enough to bring the whole Cradle down, and the other ones we saw looked pretty powerful (except the ones in Ra's hideout). But Tim also called Ra's a murderer right after that happened, which would've been very hypocritical if Tim himself thought he committed murder.

So, my guess is either A) Tim relied on sheer luck for those explosions not causing any casualties and chose to believe they hadn't, or B) Tim didn't believe the deaths of anyone caught in them would be his fault.

Again, this isn't about whether or not blowing up the LOA bases killed anyone. It's about how willing Tim was to take that risk, and if he would've blamed himself for anyone getting killed from it.

Either way, it's canon that Tim had no guilt for the explosions he caused, or for anything he did before Red Robin #22. Just ask the Sword of Sin.

This is an exerpt I got from the Fandom DC Database on the Sword of Sin:

"The Sword of Sin can be ignited with the mind of the wielder, if the person is powerful enough. The sword has the ability to conjure in the mind its victims all of the sins for which they are guilty or have not atoned for."

When Tim was stabbed with this sword, he was immune. The Sword of Sin decided he was innocent. Although, I have to ask how reliable this sword was in making that judgement. If the sword is judging others based on its own set principles, then something's not right here.

The Sword of Sin was also used on Dick, and he wasn't immune. It dug into Dicks subconscious and unearthed memories he'd long since repressed. Memories of himself watching a boy get beaten to near death, and then doing nothing. He just walked away.

Now, tell me why the sword brought this to light, but not the time Tim left King Snake to die!

It wasn't an accident. Tim deliberately chose to leave instead of trying to save this man from the murderous Lady Shiva. Sure, Tim was no match for Shiva and he might've not been able to stop her, but the same could be said for an eight year old Dick not stopping a group of much older kids. Neither of them tried to stop the attackers.

Tim didn't atone for it, either. When King Snake returned in Batman #469, Bruce told King Snake that it wasn't Tim who left him to die. We know that's a lie, but Tim never corrected this. He let Shiva take all the blame.

We have two instances of a boy choosing not to prevent someone from having a near death experience. One guilty, and one innocent.

Did the Sword of Sin think Tim was justified because King Snake was corrupt? That doesn't sound holy to me.

Was it because Tim didn't feel any guilt over it, while Dick did? Can the sword's judgement be thrown off by the victim not feeling any shred of guilt over their actions, even subconsciously?

That could make sense given what we know Tim did in the past: King Snake falling, the vandalism (explosions), and ALL the lying over the years (Tim reviving Shiva might count as atonement, so I'm not including that). If the sword based its judgement on God's will alone, then odds are high it would've picked up on one of these.

Even so, I'm not going to sit here and say this is definitely the case. I'm not familiar enough with how the sword effects other characters to make that call.

If this is indeed false, then did the DC universe's version of God decide to pardon Tim of his sins when he prayed earlier that same issue, despite him not believing he had any? I mean, who knows, right?

You can probably see why there's more questions than answers. The point is Tim didn't have any guilt for the things he did before Red Robin #22. Tim was canonically convinced he had nothing to atone for.

So then why did he say the opposite later in Knight Terrors: Robin #2?!

In the heart-to-heart between Tim and Jason, Tim tells him this:

"You have a lot to atone for...We all do..."

Tim knows that the words "we all" include him, right? By saying this, Tim admitted to also having things he needs to atone for, right?

Is this another white lie to make Jason feel better? Is it one of those slight changes the New 52 made to the canon? If not, then why did he change his mind? Did his no-kill rule change and make him feel guilty for some past actions? Is it not the no-kill rule, but something else?

What changed?!

Where does Tim draw the line?

I don't know. We've narrowed it down to a general area, but it's kinda hard to see a line when it's so blurred it could be a gradient.

Tim baffles me. He acts as a steady moral compass for others when he can't even seem to stay consistent with his own. You're free to call it poor writing (and honestly, fair), but I find his hypocrisy fascinating.

That's what it is, isn't it? Tim's a hypocrite who's completely oblivious to being one. And it's not like this was never mentioned in the comics before. Damian called him out on it!

In Batman & Robin 2011 #10, Damian confronted Tim about his near-murderous reaction when Fist Point killed Artemis (Teen Titans Vol 4 annual #1). Damian then accused Tim of constantly rejecting him because they have more in common than Tim's willing to admit.

It's debatable how accurate that accusation was, but Tim had a pretty volatile reaction to it.

"I believe in every choice I make!"

Does he? I don't think someone who's so sure of what he believes in would contradict himself to this extent. Especially if he wasn't doing it on purpose.

He wouldn't vehemently push Bruce's no-kill rule onto others and berate them for bending that rule, only to go and bend that same rule himself when the Batclan isn't around. He also wouldn't exploit what he thinks are loopholes, decide later that those loopholes broke the no-kill rule, and then earnestly claim he never broke it.

Why is he like this?! He's had arguably the most normal childhood out of the whole Batclan before becoming Robin! What could've made him so fickle about this?!

Where does he draw the line? And how will he know when he's crossed it?

[zhelin-thames]

The Chaos Escalates

Read the prev parts Masterpost (Wrong Number)

A few days after Danny was reluctantly inducted into the Bat-family’s group chat, things began spiraling into pure chaos.

It started with a random text from the group chat late at night.

Dick: Hey, Danny, are you busy?

Danny: It’s midnight. What do you think?

Dick: So not busy. Cool. What’s your opinion on capes?

Danny: ...Capes?

Jason: Don’t answer that. It’s a trap.

Danny: Too late. I hate capes. They’re impractical and get caught on things.

Dick: Blasphemy.

Jason: Told you it was a trap.

Tim: This is why I don’t wear one. Functionality > fashion.

Dick: You’re all ungrateful. Capes are iconic.

Danny: They’re also death traps. I’ve literally watched a ghost get sucked into a portal because their cape got caught.

Jason: See? Ghost Boy gets it.

Dick: This conversation isn’t over.

The next morning, Danny woke up to find at least fifteen memes about capes, all courtesy of Dick. Most were dramatic pictures of heroes with billowing capes, accompanied by captions like, “Behold, the majesty you’ll never achieve.”

Danny sighed, grabbing his phone to text.

Danny: You need a hobby that isn’t bothering me.

Dick: You’re my new hobby.

Danny: Fantastic. I’m deleting this group chat.

Tim: You’ll just get added back. Trust me, I’ve tried.

As if that wasn’t bad enough, later that day, Danny got a private text from Damian.

Damian: You are the half-ghost Jason speaks of?

Danny sighed.

Danny: Yep. And you are…?

Damian: Damian Wayne. The Blood son and The most competent member of this family. Do you also possess combat skills?

Danny: Uh, yeah? I’ve fought plenty of ghosts and a few humans.

Damian: Acceptable. Spar with me.

Danny: What?

Damian: You fly, yes? I wish to test my skills against aerial opponents.

Danny stared at his phone, dumbfounded. Who are these people?

Later, Danny complained to the group chat.

Danny: Who’s the kid who just demanded to fight me?

Jason: Ah, you’ve met Demon Spawn.

Tim: Be nice, Jason.

Dick: That’s Damian. He’s... intense. But he means well.

Danny: He literally challenged me to a fight.

Jason: Yeah, that’s him “being nice.”

Damian: Do not speak ill of me, Todd. Danny, I expect a proper duel soon.

Danny: Not happening.

Damian: Coward.

Over the next week, Danny received a steady stream of texts from various members of the Bat-family. From Jason’s snarky commentary to Tim’s endless ghost-related questions, and even Dick’s unsolicited advice on acrobatics, Danny felt like he’d accidentally adopted a whole new chaotic family.

It all came to a head when Danny got a message from none other than Lady Gotham herself.

Lady Gotham: I see you’ve met my knights, little ghost.

Danny nearly dropped his phone. "How tf is a spirit texting me."

Danny: Wait. You’re Lady Gotham?

Lady Gotham: Indeed. And you’ve done well to entertain my champions. I am most amused.

Danny: Amused? They’re insane.

Lady Gotham: And yet, you fit among them so perfectly.

Danny groaned. He was doomed.

Masterpost

[vamptizm]

PHOTOBOOTH — p. bueckers

summary — you tell paige that you love her for the first time, inside a photobooth (inspired by that tiktok trend)

pairing — paige bueckers x reader

genre — fluff fluff fluff

warnings — paige has a motorcycle lol. shitty writing.

note — this was written ages ago abt no one in particular tbh so don’t be surprised if it doesn’t live up to my usual writing i just feel like publishing this for whoever might wanna read it after the game lol

it was an unusually calm and comfortable day at uconn. for once you didn’t have to deal with the usual mountain of problems on your shoulders or unbearably long practice hours. it was just perfect, in your opinion.

“can we go to the mall?”, you asked a relaxed paige who was sitting next to you on the sofa, with your legs thrown over her lap. paige’s thumb had been drawing shapes onto the exposed skin of your thighs while scrolling through her phone, as the side of your head leaned against the backrest, silently admiring her beautifully sculpted side profile, as if memorizing each angle and curve.

paige wasn’t exactly the biggest fan of crowded malls and going out on days off, — she preferred shopping online — so it only came to your surprise when the blonde nodded her head at your suggestion. “sure, baby.”

not wanting to ruin it for yourself with any questions, you smiled brightly and lifted yourself from off of her and the couch. standing straight in front of her, you held onto both of his hands to ‘pull’ her up. paige pretended to struggle in lifting herself up without your help.

“damn, ma. when did you get so strong?”, she teased you with a grin on her lips once she was standing on her own two feet.

you simply rolled your eyes in faux annoyance and proceeded to drag her out of the apartment and towards her motorcycle. back then, you had been deathly afraid of the vehicle that you liked to call a ‘death trap’, but after countless times of riding in the back of it with paige, you learned to trust the girl and her beloved motorcycle. you were her little backpack, as she liked to call it. you knew she would never let anything happen to you, especially since she insisted that you wear the helmet at all times, despite voicing your wishes of letting the wind blow through your hair and feeling it on your face.

after visiting countless of stores and with multiple bags held by your girlfriend, you gasped once you saw an empty photobooth. you happily dragged her towards it by the hand that was less full. paige hadn’t complained a single time, the smile on your face and the way your eyes sparkled whenever you bought something that you liked was like a reward to her, especially when she was the one buying it for you. it’s as if your constant protests of not wanting her to spend money on you, went in one ear and out the other.

the chair of the booth was small, so naturally you found yourself sitting on top of the girl’s lap as you faced the camera and waited for the countdown. what paige didnt know, is that you had something very important to tell her.

“don’t make ugly faces”, you jokingly warned her.

once the countdown had reached zero, the first pose you and paige did was a normal one. two cute and happy smiles for the camera, with the sides of your faces softly pressed up against each other and your arms wrapped around her neck, while her’s draped over your waist.

in the second photo, you turned your face towards paige and pressed a soft kiss on her cheek, causing the girl to smile wider than she had before.

before the click for the third picture went off, you leaned a bit closer towards paige’s ear. “i love you so much. did you know that?”, you softly whispered.

paige turned to you in disbelief, a look of genuine surprise on her face as she stared at you with a soft gaze and hearts in her eyes.

before the last click went off, paige gently wrapped his hand around your throat and pulled you in for a deep kiss, just in time for the camera to capture it.

“i love you more”.

[frudoo]

reader convincing slasher 141 to let her help when they kidnap and torture someone. she wants to be the victim that escaped or found a why to escape but in reality she's leading the other victim(s) into a trap to be caught. its all to see the look on their face and get praise from the 141 I love all your writing and hope you stay safe.

You are so sweet! I'm glad you're enjoying the series!! <3

Warnings: Dark!Fic/DDDNE. Suggestive content. Mentions of bad people. MDNI.

“No. Absolutely not,” John crosses his arms, stern voice booming throughout the dining room.

     “Why not?” You huff, setting down your fork to focus your full attention on the guys.

     “Jus’ cuz y’live with it doesn’t mean we want y’involved,” Simon grunts, unimpressed.

     “Ah dunno, hen,” Johnny frowns, crystal blue eyes boring into yours. “Wha’ if one of us mistakes ye fer one o’them?”

     “Do you really think that would happen?” You challenge, cocking an eyebrow.

     None of them seem sold on the idea, but you’re not giving up. There’s a need for vengeance hidden deep inside of you that’s just begging to burst out, and although you can’t stomach anything the boys actually do, just knowing that you’ll be helping them scrape the scum off the face of the earth is enough. There’s only one of your husbands that hasn’t voiced his opinion—the very one who can’t resist your charms.

     “Kyle,” you puff your lips out into a pout, batting your eyelashes at him. “Please, baby, just let me help you all out?”

     His eyes widen and he throws his hands up in surrender, shaking his head vigorously.

     “Uh-uh, don’t put tha’ on me, dove.”

     You groan dramatically, standing from your place at the table. 

     “I’m thinking about practicing abstinence.”

     Long story short, they took a chance, and now you’re covered in blood and dirt, wearing nothing but an old nightgown and leading a group of horrified victims into the barn with the promise of hidden escape routes just inside. It surprises you how gullible each of them are, and you almost feel bad for leading them straight to their death. You have to remind yourself that these are rapists, abusers, and cons getting what they deserve. You have to remind yourself that your lovers would never do this to someone undeserving of only the worst fates.

     “No, it’s okay! I-I’m just- hey, you’re fine,” you coo to the sobbing woman who refuses to let go of your arm.

     Eventually you just have to shove her down and slam the barn doors shut, locking her along with every other piece of walking garbage inside. You pass John on his way towards the very building you’re leaving, yelping when he pulls you right into his burly arms.

     “Clever girl. Shoulda never doubted you,” he murmurs, lifting his mask to press a hot, lingering kiss to your lips.

     “Get it over with. I need to wash the fucking bitch’s germs off of my skin.”

     John laughs, giving your ass a tight squeeze before replacing his mask over his face. 

     “Hope you were jokin’ about that whole ‘abstinence’ thing,” he hums, pointing his pinky finger up to a window on the second floor of the barnhouse, where your remaining three lovers have been watching the whole thing play out, hands down their trousers. 

     “They look hungry.”

[theother-victoria]

all hearts as one beneath the sun

SYNOPSIS: before kakavasha dissolves into the nihility, there is one hope he has to let go of. may you meet again in a kinder world and under a warm sun.

CHARACTERS: kakavasha, aventurine, dr ratio, aventurine's family, sunday

TAGS: angst, no comfort, established relationship, mentions of suicide, 4k+ wc

TAGLIST: @mitsvriii, @harque, @hazyue, @gabile18, @khoncore, @moineauz

NOTES: sobbed to "had I not seen the sun" the entire time I was writing this I love making myself cry w my own work

special thanks to @akutasoda, @tragedy-of-commons, and @https-sourlimes for proofreading this! love u all <33

link to the playlist

Aventurine was mildly surprised when he received word that he would be handling the Penacony mission. Why him, of all the Ten Stonehearts? Surely someone more capable such as Opal would be trusted with a mission of this caliber. 

He only realized why when he pried further into the details. 

Penacony was a death trap. With so many powerful and important people gathered in one place, one wrong move on his part would spell his end.

He chuckles sardonically. Figures. They’re sending their most suicidal employee out for a suicide mission.

As if to rub the situation into his face, he finds out they’re pairing him with Dr. Ratio. What purpose is he supposed to serve, suicide prevention? Too little, too late, in his opinion. 

The doctor doesn’t look too thrilled about the fact either. It makes Aventurine feel somewhat better about this whole situation. 

“You’d best get your affairs settled before we leave, gambler. The odds that you make it back alive from this mission aren’t as high as you’d hope they’d be.”

“Ooh, well I do like the sound of that.”

A glare sent his way makes Aventurine roll his eyes, but he shuts up anyway. Plans are made and discussed for what role each of them will be playing before it’s time to leave. 

“Well then, I look forward to working with you in Penacony, Doctor.”

“Just don’t act like a complete idiot and we’ll be fine.”

The two men head their separate ways. Ratio’s advice to settle his affairs lingers in his mind, though. That means there’s a will he has to sign, assets he has to distribute, funeral arrangements to be made, and more. Of course, most, if not all of it, will be going toward you. You’d be set for the rest of your life, never having to work a day again if you so chose. 

He heaves a sigh. Ah, it’s all so tedious. It was all so much easier before you came along. He had no will to worry about. He’d toss caution to the wind every mission and wind up sorely disappointed when he returned, still alive. If he did end up dying, his assets would end up being pawned off and most likely make their way back to the IPC somehow. So what even was the point then?

With all that being said, he didn’t mind putting in all that extra work for your peace of mind and so you’d continue to benefit, even after his death. 

Still, the stakes this time around are higher, and he has you to consider now before placing his bets. One wrong move and you’d be left without someone to welcome home. And then there’s the consideration of whether he’d be willing to die when the moment came. Sure, he’d attempted several times before but they’d all failed. Would he be able to take the plunge this time, should the opportunity present itself? 

“Hey, Doc?”

Ratio is about to leave, but the uncharacteristic hint of hesitation in his voice makes him stop and look over his shoulder.

“... How can you tell if you’ve lived a life worth living?”

Ratio stares at the blonde in silence in disbelief over what he’s hearing. Aventurine chuckles, trying to dispel the awkwardness that’s settled in the air.

“No answer? Never mind-”

“That answer will vary from person to person. However, if you were to ask me personally…”

The doctor’s ruby eyes flit over Aventurine’s frame, narrowing in contemplation- and perhaps a hint of resignation. 

“Ask yourself this question: can you die today without any regrets?”

“Can I die today without any regrets?” Doctor, what were you thinking when you posed that rhetorical question on me? Obviously the answer would be no!

Expensive leather shoes click against stone as Aventurine hurriedly makes his way through the Dreamscape. The weight of having mere hours left to live looms above his head like an anvil, leaving him scrambling to figure out how to cheat death- not for the hope of living to see another day, but so he can carry out his mission. 

When confronted with death, even a suicidal man will cling to the urge to live for one reason or another. 

He’s hardly paying attention to where he’s going, muttering out half-hearted apologies to those he bumps into as he stumbles through the Dreamscape before he ends up in a secluded area. The kaleidoscopic iridescence in the corners of his vision makes him stumble and he audibly groans when a searing pain flashes through his temples, the Harmony’s brand on his mind assailing him again. 

Dammit… am I really at the end of the line now? And before I could do anything meaningful either…

He hears the sound of a… child humming some distance away? That’s strange, there’s no one else here. 

“Mister, are you lost too?”

That voice. 

He turns around slowly, as if that would change anything. Aventurine’s eyes dart across the boy standing before him, with rags for clothes and scraped knees. The child in front of him is everything he is not- or rather, what he was, but is no longer. Optimistic, with bright shining eyes. Hope still exists for him. 

Those eyes. Oh, it’s himself. 

Aventurine thinks he’s about to be sick. 

“Woah, you have such pretty eyes! Can I call you Mr. Pretty Eyes?”

Aventurine stiffly nods. 

“Sure. Call me whatever you want, kid. What’s your name?”

“It’s Kakavasha. Nice to meet you!”

And that’s the final nail in the coffin confirming his suspicions. 

Kakavasha looks around nervously.

“I was searching for my family, but I got lost. This place is so much bigger than home… Mister, do you think you could help me find them?”

Aventurine shakily extends a trembling hand out.

“Of course. Lead the way. How about you hold onto my hand so you don’t get lost anymore?

Kakavasha latches onto it and begins wandering around, calling out for his parents and big sister. Every unanswered call feels like a punch to the gut but he has a faint flickering of hope that he’ll be able to see them.

“You really love your family, kid,” remarks Aventurine in an attempt to keep some conversation going. 

“Of course! I do!”

Kakavasha pauses in his steps and thinks for a bit, eyes wandering skyward and free hand resting on his chin.

“… Do you have anyone you love, Mr. Pretty Eyes?”

“Yes, I do. Their name is (Name).”

The boy’s eyes light up, sparkling in curiosity.

“Woah, really? What’re they like?”

A light chuckle escapes Aventurine’s lips as he crouches down to Kakavasha’s eye level and ruffles his hair. 

“They’re the best thing to have ever happened to me.”

“Wow, they must be a really amazing person for you to say that…”

“They are. They're incredible.”

I don’t deserve them.

He chuckles and stands back up again, hand reaching for Kakavasha’s. The little boy continues to lead the way, until he suddenly stops and turns. 

“Would you like to meet my family? They’ve been gone for so long I think they went back home. You can introduce (Name) to them as well!”

Panic wells up inside him. Seeing his family? In this state? After all he’s done? No, he can’t. He can’t, he can’t, he can’t. Not under these circumstances!

“Kid, I don’t think-”

“It’s ok if (Name) shows up late. They’re nice people and they’ll understand.”

“No, I-”

“Come on, let’s go! They’re already waiting for us!”

Aventurine feels himself being forcefully pulled under and he instinctively closes his eyes. A blast of hot, sandy air hits him, making him shield himself. When it settles down, he opens his eyes to a familiar sight. Sand stretches as far as the eye can see. There’s minimal vegetation and he can feel the sun beating down on his back already.

Sigonia-IV. He’s returned home. 

Kakavasha eagerly tugs on his sleeve. 

“This is my home! I know it’s not much, but everyone I know and love is here. I think you’ll like it too.”

Still holding onto Aventurine’s hand, Kakvasha begins running toward the horizon. Aventurine, meanwhile, feels numb all over. 

There’s no way this is happening. Is this some sort of cruel prank? What did that chicken-wing boy do this time? But if this is just a cruel prank…

He looks around at the yellow sand stretching as far as the eye can see and the mountains in the distance.

… Then it’s far too realistic. How is this happening? If I filter out the memories of the massacre, then everything is the same as I remembered it. 

“We’re almost there!” calls out Kakavasha. “Just a little longer now!”

Three familiar figures stand in front of a tent some distance away and Aventurine feels his heart seize up in his chest. He’s long forgotten their faces, but he instinctively recognizes them.

Mom. Dad. Big Sis. 

Kakavasha lets go of his hand and sprints toward his family. He leaps into the arms of his big sister, who spins him around giddily while his mother plants kisses over his face and his father holds his tiny hands. 

As he approaches, he realizes they have no faces. Where there are supposed to be eyes, a nose, and a mouth, there is nothing. A blank canvas with dents and ridges where the features are supposed to be greets him and he feels the hairs on the back of his neck rise up in warning. 

The only exception to this is his sister, with her grinning mouth and her long blonde hair billowing in the wind- the only feature he remembers clearly about her. She takes notice of him and tilts her head curiously to the side. 

“Kakavasha, did you br▇ng a f▇▇▇d of ▇urs?”

Her voice comes out scratchy and distorted with only a few syllables recognizable. There’s a sinking feeling in his stomach when he realizes why.

He can’t remember her voice anymore. Or the voices of his parents, for that matter. He’s forgotten what they look like, and now what they sound like. What’s been forgotten can’t be restored. 

“Yeah!” exclaims Kakavasha nestled safely into his sister’s arms now. “Everybody, meet Mr. Pretty Eyes!”

They greet him with friendly waves and scratchy sounds that he thinks are supposed to be words of greeting. He almost chokes on the guilt and regret building up in his throat

“▇▇ look just like ▇▇ Kakavasha over here! ▇▇ ▇▇ ▇▇ ▇▇ his long-lost b▇▇▇▇r or something?” 

Aventurine forces out a laugh as the others join in. 

If only they knew…  

The sun is going down now, and the solar winds that blanket the planet grow harsher. They quickly usher him into the tent, telling him to make himself at home and inviting him to stay for dinner. There’s no way out as far as he can tell, so he obliges.

 It’s smaller than he remembers, he thinks as he ducks to avoid hitting his head. There’s a rudimentary kitchen setup in the back that Kakavasha’s mother is tending to as she begins preparing dinner. Kakavasha hops into his sister’s lap and shakes the sand out of his hair and gets it everywhere, to which she lightly scolds him with a tug on his cheek. 

He takes a seat on the fraying rug in the center and rubs a brightly-colored teal tassel between his fingers. The sand is already starting to seep into his clothes. He feels grains of it in his shoes and it pools onto his pristine white dress pants. Grains of it are nestled deep into the fur collar of his coat from the harsh solar winds outside that even vigorous shaking won’t dislodge.

Kakavasha’s sister smiles at him. It’s a bit unnerving, just seeing a smiling mouth with no other features.

“So, Mr. ▇▇▇ Eyes, w▇at 's your ▇▇▇ ? At least, I’m a▇▇▇ ming Mr. ▇▇▇ Eyes isn’t yo▇▇ r▇l name.”

“It’s Kaka-”

He swallows hard and kicks himself. He’s not Kakavasha. Not anymore.

“It’s… Aventurine.”

The very act of saying that name makes him feel like he’s betraying his family, stabbing them in the back. 

“A▇▇▇▇▇ , huh? What an in▇▇▇ing and pretty name!” remarks his sister. He feels the air rush out his lungs and almost coughs up a sardonic laugh from the sheer irony of it all. First his family, then his language, then his body, and now even his name? Is there anything left that he can truly call his from his culture? 

Thunder distantly rumbles overhead. Kakavasha and his sister peek their heads out curiously of the tent. She gasps excitedly and points to the darkening clouds overhead. 

“Hear that? ▇▇ sign ▇▇ your birthday is ▇▇▇ ▇!” she exclaims as she holds Kakavasha’s hands in hers.“▇▇▇ ▇▇ excited?”

… His birthday? 

Thunder rumbles overhead again and he hears the pitter-patter of raindrops hitting the tent. 

His birthday. The Kakava Festival. 

His heart sinks into his stomach as his family chatters around him. They talk about birthday celebrations and what they’ll do that day, but it’s a muffled mess in his ears. Is it really almost his birthday already? Sigonia-IV followed many beliefs that were independent from the rest of the universe, namely the Aeon belief system, and that also extended to the calendar system. Truth be told, he wasn’t exactly sure what day his birthday was in the Interastral Standard calendar system. He usually just flipped a coin and that was if he even bothered to celebrate, which he hadn’t done in many years. 

Aventurine does some quick estimating and realizes that yes, it’s almost his birthday. But how would he celebrate his birthday in this world, where all was good and he still remembered their faces and voices? 

Aventurine closes his eyes and thinks. His mother would be overjoyed to know that her beloved son finally has a lover now. She’d make him clean the tent from top to bottom in preparation for your arrival, even though the sand would find its way back inside again within a matter of a few hours. His parents would cook up a feast for your arrival while his sister would pester him to tell more stories about you- as if there were any left that he hadn’t. When the time would come and you’d nervously step through the tent flap with one hand holding his tightly and another clutching some gifts, his mother would rush forward and greet you with a kiss to the cheek, having already accepted you as family. His sister would steal you away from him to dote on you, much to his half-hearted chagrin. His father would tell corny jokes that you’d cringe at, and his mother would teach you recipes that had been passed down for generations, her warm, weathered hands resting atop yours and lovingly guiding your movements in the kitchen. 

The five of you, safe, warm, and alive under the sun. 

Hours after the rest of his family had gone to sleep, you’d lie side by side outside, watching the stars drift on by. Sigonia-IV is nothing like Pier Point. Free from light and industrial pollution, you’d have a stunning view of the cosmos every night. Twinkling stars shine overhead, so close you could practically pluck them out of the sky. Multicolored clouds of gas and stardust bathe the sky in their shifting hues as he tells you stories that have been passed down from generation to generation with the occasional shooting star passing by. You’d stay like that for hours on end, content to just listen and watch, until you were lulled to sleep by his voice. 

It would be cold, as all desert climates are at night, but it was nothing he couldn’t bear with your warmth nestled into his side. 

In the spring, or around now, he’d take you to celebrate the Kakava festival under the stars with a roaring bonfire. The festival itself would be a solemn and silent celebration with people murmuring prayers to the Mother Goddess and tossing sacrificial vessels into the fires, but the celebration of his birthday afterward would be loud and joyful. Bonfire sparks would rise up into the sky, carried by the hot solar winds and the rich sounds of his people’s songs. His mother would drape you in turquoise jewelry and gift you traditional clothes that she would’ve spent hours beforehand making by hand, every stitch a labor of love. He’d teach you to dance to the cheers of his family and the familiar tunes he’d hum under his breath. His movements would be fluid and graceful as he spins and twirls you around, while you stumble and flail along. He’d enjoy every second of it- even if you step on his feet the whole time. 

He would be kinder in this world, he thinks. He’d still be Kakavasha. Aventurine would be an unknown man to him. He’d wear his heart on his sleeve and his eyes would still have life to them. He’d never have to hide his left hand. 

And you’d be happier too. You wouldn’t have to sift through the layers to find the true self underneath the act he puts up. He wouldn’t be so hot and cold- practically love-bombing you one moment and then disappearing without a word for weeks the next. He wouldn’t be a dirty gambler, a two-faced businessman, a disinterested womanizer, cheating scum, an IPC mutt, a corporate bootlicker, a worthless Sigonian slut or who knows what else you’ve heard about him–

In this world, there are no Katicans. The Avigins and his family are still intact. His neck is unmarred and he speaks the Avigin dialect fluently, instead of the halting and choppy cadence that's even worse than that of a child’s. Syrupy, honeyed words spill from his mouth as he teaches you common words and phrases in his mother tongue. Have you eaten yet? How did you sleep? How was your day? I missed you. Mother. Sister. Father. Lover. Goddess. I made you something. I saw this today and thought of you. Be safe. Sweet dreams. Goodnight. I love you. He chuckles when you parrot them back to him haltingly, with your accent mixed in. The notebook you keep with various phrases, their meanings, and their phonetics grows every day. The most worn out page was the one crammed full of declarations of love that sound more akin to poetry as your mastery over the dialect grows. The ink is smeared from how often you’ve run your fingers over them, murmuring them under your breath until you’d committed them to memory. In your arms is the safest I’ll ever be. I’m lucky to call you my lover. I sleep better when I’m with you. I secretly name stars and constellations after you. I’ll kiss the weariness away from your face every night. I pray to Mama Fenge every night for your safety. I imagine her hands and embrace to be as warm as yours, and it reassures me somehow. I’ll miss your warm hands when that day finally comes. Goodnight, I love you.  

We’ll be together even in Kakava’s next aurora. 

Aventurine jolts forward with a start. His eyes search around frantically, instinctively searching for his family and you, only to be greeted with a familiar sight that isn’t his home. Bright flashing lights, the sound of cars honking and speeding by, muffled pop music playing in the distance, and the sugary scent of SoulGlad greet his senses instead of arid hot wind that howls in his ears and endless seas of sand. You and his family are nowhere to be seen either. 

Oh. Right.

The Dreamscape.

His clothes stick to his skin drenched in a cold sweat and his glasses are resting lopsidedly on his face. His whole body is shivering uncontrollably, as if he’s been plunged into ice-cold water without warning. The world is going white before his eyes and all he can hear is the loud thump of his pulse in his ears that suddenly drops. He thinks he’s about to pass out again. This is the end, he thinks. Aventurine leans against the side of a wall again, taking deep, heaving breaths to steady himself and quell the nausea swirling around in his stomach. 

When it subsides and he doesn’t feel like he’s on the verge of death (sadly), he sits back up and forces out a laugh in place of a sob. First forcing a religious consecration onto him, then dangling his family in front of his face? How much crueler could the head of the Oak Family get? 

His heart sinks and an overwhelmingly bitter feeling engulfs him. It was just a dream all along. A dream within a dream, really. Was he really that desperate for something familiar again?

(And just like that, the mask known as Aventurine is back in place.)

(But he couldn’t even say goodbye or apologize to his family one last time, even if it wasn’t them.)

It was a pleasant dream, he’ll admit. How nice it would be to live in that world forever. But he knew it was a dream because it could never happen, as much as it pained him. 

Aventurine hears the voice of Kakavasha drifting along from further up ahead and knows he’s nearing the final leg of his plan. With what little time he has left, he takes pictures with the boy for posterity and buys the child all the treats his eyes rest on for more than a second. Aventurine delights in the way his eyes light up at the first taste before he eagerly digs in for more. 

It’s cathartic, in a way. 

Before stepping on stage, he looks up at the sky. It’s perpetually nighttime in Clock Studios Theme Park, but he knows the sun is shining elsewhere in the Dreamscape. Is the sun shining where you are back at home? He thinks it’s morning for you. You must still be asleep with the cat cakes curled into your sides, blissfully unaware of the news you’ll wake up to. 

Get onstage. Fear not. Never look back. 

One last thing to do.

He sends a final text to you.

Aventurine: I love you.

It stays on delivered when he puts his phone away. It’ll be the first thing you see when you wake up, and that’s more than enough for him. 

It’s time for the curtain call.

The feeling of Kakavasha’s tiny body in his arms won’t be enough to chase away the grief. Nothing ever will be. But this’ll be the closest he can get.

Aventurine hugs the boy close, squeezing as hard as he can without hurting him. He feels how he’s nothing more than skin and bone beneath the oversized rags. No child should have to be this thin, he thinks, and he’s even more glad he treated Kakavasha to his heart’s content earlier. 

This is the end. He gives Kakavasha one last squeeze to imprint this memory into his mind and gets up, waving goodbye over his shoulder all the while. 

He never looks back. 

In a shower of light, Kakavasha dissolves into the Nihility, and with him, Aventurine’s hopes for the ideal future- the one that you deserved. The Horizon of Existence is finally devoid of all color save for himself and the dark sun beckoning him forward toward the event horizon.

He takes a step forward, and then another. The sound of his footsteps against the surface and liquid splashing echo loudly in the empty space. 

The Nihility is beginning to slowly engulf him. He feels it encroaching at the edges of his mind, eating away at his thoughts one by one until nothing remains. A hollow, empty feeling settles into his heart that weighs him down. Aventurine looks down at his hands and realizes the color is beginning to seep from his vision until he, too, would become one with the Nihility. The point of no return beckons to him like a moth to a flame. Nothingness, emptiness, worthlessness. There’s nothing left for him to do. 

“Can you die today without any regrets?”

Aventurine finally has an answer to that question. The past is gone and he’s walking toward no future.

Yes. I finally can.

enjoyed this? my taglist is open!

@ theother-victoria, do not copy, repost, modify, translate, or feed to ai

[dinarosie]

A plant kept in the dark

In my opinion, one of the most beautiful symbolic descriptions of Snape is found in The Deathly Hallows: “A plant kept in the dark.”

It's fascinating to me how such a small metaphor can add such depth to his story. When I reflect on his fate, I see that his entire life, from childhood to his death, can be encapsulated in this single image: he is always, until the moment of his death, that plant trapped in darkness. Deprived of light, his potential for growth and flourishing is wasted, never to be seen.

His childhood passes with the hope that one day he will find the light. He is a small plant, hungry for sunlight, full of potential, believing that Hogwarts might be the sun he so desperately needs. But he doesn’t realize that he is destined to live his life surrounded by darkness.

As an adult, he bargains with the light but remains hidden in the shadows. He is still deprived of brightness, yet he remains loyal to it. He no longer believes in his own salvation, but over time, he learns that despite the years of solitude and darkness, he can nurture love and sacrifice within himself for the sake of saving others.

His death, too, is steeped in this metaphor. He is killed in a derelict, darkened shack—a place filled with secrets and echoes of his shadowed past—without anyone ever truly understanding his nature or his loyalty to the light.

His death marks the final withering of this neglected plant, and there is a profound sense of wasted potential. A life that, had it been given light and warmth, could have blossomed into something so different.

Severus Snape spent his life surrounded by shadows, his true nature buried beneath years of regret and sacrifice until the moment of his death. He remained forever like a plant kept in the dark, never reaching the light.

[zooophagous]

I do understand where you're coming from when it comes to incompetent people just wanting an excuse to kill wild animals and using their neglect of their own animals as their excuse HOWEVER it did kinda sound like you had smth against hobby farmers near the end there. What is your opinion on hobby farmers?

I actually aspire to own a hobby farm some day. There's nothing intrinsically wrong with having goats and chickens because you think they're cool and fun. They ARE cool and fun.

I just don't think your right to have cool and fun pets also gives you the right to kill wildlife around you with no season, no permit and no bag limit because it's threatening what is only your hobby.

If my hobby involved poisoning waterways or felling trees people would rightfully ask me what the fuck I think I'm doing. Especially if there were steps I could take so my hobby wouldn't do that, but I refused to implement those steps because I found them inconvenient.

I'm not even wholly against hunting or trapping in general. I am however of the opinion that wildlife and furbearers such as raccoons and coyotes should be treated like a valuable natural resource and not a pest to be wantonly wasted because it's easier to kill them than to manage your own property better.

If you have a real barn and try your best and an aggressive dog still gets in and mauls your stock and you're forced to shoot it, that's an unfortunate tragedy and the fault of that dogs owner.

However if you decide you want both an unleashed yard dog AND free range unfenced chickens, and your dog, that you are responsible for, is killing your chickens, that you are also responsible for, it's not fair of you to kill the dog when you could easily remedy the situation with a pen or a tie out.

It's the immediate jump to "kill it" as a solution to me. It's never "this isn't working, can I build a better shelter or fence? Can I get creative with what I already have? Is this a good environment for the animal I wanted as a pet?"

And they seem to believe that this approach is just fine because that's how working homesteads did it back in the day. Without realizing they aren't on a working subsistence farm in 1845. They're a yuppie who can order supplies on the internet and have a solution literally dropped off at their front door in a day.

It's sort of like Marie Antoinette play acting at being a shepardess for me. You can take off the costume and go back to normal house life at literally any time, you're doing this because you thought it would be fun, not because you have to; but you refuse to take it seriously enough to prevent death and chaos in any meaningful way.

I might shoot a wolf if I was a poor shepherd on a working farm and my sheep were my entire livelihood. I would not, however, have a cute little herd of pet sheep in a flimsy chicken wire fence with no barn and spend my weekends killing wolves for daring to get too close to them.

I consider it similar to shooting bears over bait barrels full of apples, except it's coyotes over a group of fat poorly bred tractor supply chickens.

[punkitt-is-here]

Read These Frequently Asked Questions Before You Send An Ask!

Patreon | Ko-Fi | Youtube

Heyo! I get a TON of asks each day, so I'm making this post so that folks know what's already been asked so my followers don't have to see the same stuff over and over, haha.

Hi! I'm Punkitt! I'm a game developer, artist, editor, director, and a bunch of other stuff! I'm working on an RPG called Astral Guard, a platformer called Susan Taxpayer, and I have a couple more fun projects in my pocket like Happup and Super Mario Death Row.

Did you know you look like weird al?

YES jesus fucking christ i get told this every day. if u send me a message in my inbox saying i look like weird al im killing you with like wizard spells and shit.

Why do you have so many hats? Do you know you have that many hats?

ye i like hats. :) free tumblr badges for one pea i like one piece and took as many as i could. free.

Where can I find your art/game development/horsecomix?

Great question! Everything I make that's my own and not a reblog is under "my posts", every bit of art I do is under "my art", any game development I do is under "gamedev", you can find all my MLP art under "mlp, my art" or "horsecomix" for the best stuff. I also have an "animations" tag and a "shitposts" tab. I also properly tag all my asks to be asks and write out the asker's name, so if you don't wanna see those just mute the ask tag.

Do you have a Patreon or a Ko-Fi?

I do have a ko-fi here! I also JUST launched a Patreon, which you can find here :)

What do you use for your art?

I use FireAlpaca and Paint.net for misc. effects!

What are you using to make your games?

I use FireAlpaca do make my assets! Astral Guard, Happup, and any other top-down RPG games I make are all made in RPGMaker 2003. Susan Taxpayer is made in SMBX2 Beta 4, a Mario fangame engine with lua support!

Why are you using a 2-decade-plus engine to make games?

It's fun!

Do you have a sideblog or something for your art?

Not right now! What you see is what you get. I do have a sideblog for Astral Guard though, if you want to follow that game specifically! @astral-guard

Can I make an OC based on your work? ABSOLUTELY!!!!!!! THATS THE COOLEST THING EVER!!!! LET ME KNOW IF YOU DO!!!! I WANNA SEE!!!!

Can I do dubs/redraws of your comics? As long as you credit me! I get a ton of notifs each day, so if you wanna show me (and PLEASE i so do wanna see fun dubs and redraws!!!) tag me or DM me!

Can I use your art as a PFP? Sure! Just credit me somewhere. :D

Are you the one who trapped her coworkers in a room and made them listen to TF2 lore?

Yep! Everyone had a blast actually. :]

Did you make that comic where Fluttershy eats the weed brownie/Rainbow Dash has a male living space/someone has a cutie mark that says they'll kill Ronald Reagan?

Yep! That's me.

Where are you in MLP right now?

Currently just finished Season 7! Haven't watched the movie yet.

Have you watched Equestria Girls?

Yep! Thought it was super cute. I watched up to Rainbow Rocks and plan on watching more.

What's your opinion on MLP so far?

I love it! I think it's cute. I really don't agree that there was some sort of huge quality drop after season 2 or whatever.

What do you think of G5?

Not my style! I don't really like either animation types and it just seems like I'm not in the audience anymore. That's totally chill, but it just doesn't grab me!

Have you watched any other MLP stuff from previous generations?

Nope! But I did see a compilation called Minty Being Autistic for Six Minutes Straight that I loved. she's perfect.

Favorite pony?

Don't got one, I love all the Mane Six a LOT, but I'm particularly fond of Fluttershy, Applejack, and Rarity!

Favorite episode/season?

I'm so bad at picking favorites! But any season past Season 1 I have a blast with because I feel like it's just more my style. I don't have a favorite episode, but the most recent one I can remember LOVING is the one where Starlight bottles up her emotions because it was REALLY funny.

Do you like Pony.mov?

Nope! And stop saying my stuff reminds you of it, it's a lil annoying!

Have you watched the Mentally Advanced Series/Friendship is Witchcraft/Other fandom vids?

Probably not! My interaction with the MLP fandom prior to last year was pretty minimal, so I'm making my way through the show first!

What do you think of Fallout: Equestria?

I think it's super weird but really fun because of that. I've never properly read any of it but it's very fascinating to me.

Are you transgender?

Yep! I go by she/her, I'm a trans woman. Have been for many years, but I only recently came out online!

Are you a lesbian?

Nah, I'm bisexual!

Can I commission you?

Yeah! I only have my commissions available on my Ko-Fi at certain times though, so keep an eye out! I usually announce slots being open at least 12 hours beforehand. Slots are usually first come first serve, but we'll see.

Can I use your art as a Discord emote?

Yeah man i'm not scouring every discord on the planet to find stickers of my work. i think it owns if people take my stuff and make it stupid injoke emotes between friends that makes me very happy.

Can I send you an ask inquiring about gender dysphoria?

I feel like this is beyond my capabilities of advice! I'm actually very comfortable with my body and I have been for many years, so I don't know if I can give any good or helpful advice on that front. Apologies, but there are many resources out there where you can ask about those things if you look for them, like Discord channels!

Favorite Color?

I'm a sucker for blue!

Favorite coffee?

Can't drink coffee, my stomach is cringe.

Favorite tea?

I'm lame and can't drink most tea but I love this one orange-flavored tea a lot. I also LOVE ice tea.

Can I say you're horsegender/punkittgender/a little gender goblin void thing?

Well, I can't stop you, but I'm kind of beyond that phase now! I really am a boring ol' plain she/her girl, and I like it that way. It's not much, but it's honest gender.

What's your favorite game series?

Mother, Kingdom Hearts, Mario, and I USED to say Fallout, but I found out I'm really only a big Fallout New Vegas fan.

Favorite game from those?

Mother 3 is one of my fave games of all time! I love KHII, and I'm tied for SMB3 and SMW. Also Fallout New Vegas fucks hard.

Any other favs?

Bug Fables, SLARPG, and TF2!

Favorite Movie?

Everything Everywhere All At Once, no question.

Oh, are you going to college?

Yep! I'm a film/theater major.

Do you have a YouTube channel?

Yeah! Click right here for it, I stream there and upload footage of my games/animations/my film projects + other stuff.

What is that little orange creature I see?

That's bweenop, my little persona that I use when I'm feeling a little scrunkly.

Do you have a ponysona?

Yep! Her name is Star Magnolia, you can search her on the blog to see art of her.

When will Susan Taxpayer/Astral Guard/etc. be out?

No clue! I take things slow, that's just how I am.

How do you work on so many things at once?

I make small, satisfying amounts of progress! I never try to complete one giant thing all at once, I just like doing small bursts of fun stuff. I got ADHD, so I learn to work with it.

Did you know you look like Weird Al?

Im going to run you over with a clown car watch out

WHY do you work on so many things at once?

Fun! I like learning, I like making cool stuff, and I like showing it to people :)

Do you need any help with your projects?

Potentially! I'll probably put out a post asking for help if I need it.

If you could be a horse, would you?

You kidding me? Several ton beasts with the frailty of a sickly Victorian boy; my clumsy ass would never survive.

Are you some sort of...furry?

yeag

Why do you reblog so much?

Brother I LOVE posting. that's just how it is.

Fav music artists?

It changes literally ALL the time but I will recommend ANYTHING by Vylet Pony, its music is incredible and probably the reason I'm a weird niche microcelebrity now.

Why are you like this?

theater kid + having a lot of fun on the internet makes you a bit silly hehe hoo

SUSAN TAXPAYER QUESTIONS

Is it out? Not yet! But hopefully sometime in the next year. I dunno! I take things at my own pace and keep stuff fun. :)

What are you using to make it? SMBX2! It's a free fangame engine for Mario episodes, but it's incredibly versatile and has a wonderful community, so I decided to make Susan Taxpayer in it.

Is there a demo? You betcha! You can find it right here. I'll also probably put it up on my itch.io.

How do I install it? I made a post here about how to run the SAGE '23 demo!

[wishfulsketching]

So. That was Arcane. As a whole.

Best episode of the season was episode 7. I might be a bit biased thanks to Silco and Vander living it up as their older selves but also, Ekko is truly the mvp of the show.

I hmm. Well. Victor. I see what was going on there. I see the vision. I loved lot of it. I had the sudden realizations of "that's Victor, right" before it happened....dude looked more like Jesus than ever before too. But uhh. Hmm. Hmm. There is like a chapter missing between s1 and s2 with Victor. Or more like mid season 2 chapter. Love my boy still. I did not care for his Machine Herald look. I liked the idea of the face being split. It hmm. I feel like they said, instead of showed, a lot with Victor this season.

My controversial opinion: Isha was unnecessary. The black rose mage stuff was unnecessary. Same end result could've been achieved with other means. Vi was just there to experience things and be sad. Jinx can't have shit and should suffer all the time, I guess.

BUT

Nice

My man was a positive voice for Jinx. Uhhh in a way. Kinda made her go suicidal but like, he was trying. He is always trying. Even after death. Maybe after his hallucination talk people will understand that Silco wasn't just a evil dude with evil things to do, he was as trapped as everyone else in Zaun and wanted to break free.

Tho, I doubt it. The main enemy in Arcane is the class divide. In my eyes.

I do love the exploration of Hextech and how using magic in a technological way can be super dangerous and fuck shit up. I wanted to see that. And I did see that in season 1, when Jayce realizes how dangerous the hextech weapons are! Exploring the time loop and how abstract magic is, was great! I just.

I love this show. Very much. Season 1, no notes. It's made for me.

Season 2 seems like a people pleaser. And I am pleased! Yet I also wanted something different.

I am still happy because I got my vindication. Zaundads is canon, fuck yeah! No man looks at another man like that and is not in love with them!

I loved that they kept that Vander still tried to kill Silco. Silco went "yea ok that ass too good to quit. What is little murder between lovers, anyway. Come here bby"

Only thing. Silco should've interacted with Jinx in the alternative timeline. A simple "you look beautiful" when she has her entrance or "hey here's snack have fun building whatever you guys are building. Don't make too much noise, your father and I need to get up early tomorrow ok bye bye my perfect little genius"

[oatlystrawberryicecream]

the way that some people talk about jason and batman and the joker is so jarring to me because it relies on some unspoken assumptions that i will never buy into

1. the assumption that taking a life inevitably always makes the person who did it worse. killing someone isn’t always this earth shattering thing that harms the person who does it and fundamentally changes their outlook on things. i guess if you have never met a veteran or someone who survived an armed robbery or any number of other things you might make that mistake, but like some of the people who fought in wwii came home and were normal members of the community and the times that their bullets hit the mark were not necessarily the parts of the war that kept them up at night. these assumptions that once you kill you are wicked and have to feel bad and do this whole show of repentance are insidious. if you are gonna look at all this through the lens of christian morality you should at least be aware that that is what you are doing but you cant have just one character be wicked and unclean because of his actions when the bible says that everyone is wicked and unclean by our nature and all sins are equal. a lot of people object to that view but if thats how you see it batman and jason and the joker are all sinners and are all as bad as each other so at least be consistant about how you apply that moral framework.

2. the assumption that being robin or being taken in and trained by bruce means full agreement with and acceptance of every part of bruce’s personal philosophy on justice and morality. jason was a homeless child and even if all this was explicitly laid out for him he could not have agreed since he needed bruce as a matter of survival. bruce’s ideology is extremely important to him and he can teach it to his children all he wants but they are not beholden to it above all else the way he thinks they should be. jason has to live according to his own beliefs regardless of how unacceptable bruce finds it and it is unfair and hypocritical of bruce to get bent out of shape about it.

3. the assumption that killing is always bad. maybe i have listened to too many episodes of behind the bastards but some people will do significant and appalling damage to others no matter what unless they are dead. those people can’t be allowed to keep causing harm. it isn’t glorious and there is no honor about it but it is right and just that they be stopped. there is no reason to strive for purity or ideological high ground when you can provide a measure of safety and justice to victims and prevent future harm instead.

4. the assumption that bruce didn’t have to answer to jason. parents have a duty to their children and it is my opinion that that duty does not end when the child dies. bruce adopted jason and made himself responsible and accountable for everything that happened to jason under his care. that responsibility was ignored over many instances. i am not going to detail the things that led to jason’s death here but it was not good or effective parenting. after jason’s death the disrespect starts pretty immediately with bruce compromising evidence of his murder in order to preserve his ability to continue as batman and continues with bruce getting rid of pretty much all traces of jason’s presence in his life. he is only spoken of as a mistake, a lost cause, or a cautionary tale and is assigned blame for his own death, a death that batman never bothered to fully investigate since he was buried next to the woman who led him into the trap. a new kid is endangered and the joker and batman both continue doing whatever they want as if jason’s life only matters for the way it affects them. bruce needs to answer for all of this, as his son jason has a right to expect more from his father. now the extent to which that extends can be debated but it is clear to me that jason deserved better from bruce.

conclusion: killing is accepted in society in certain circumstances, you may or may not agree with this but self defense laws and even things like jury nullification exist because people knew there should be some wiggle room since no one could have the full context of every situation that would ever arise. ending a life is not normal or ideal but it is not an unfathomably rare experience and it does not always weigh on the person who does it. bruce has never to my knowledge killed someone so he has no idea how he would actually respond but that still isn’t even what jason was asking him to do. all he had to do was be present and not move and he would have been the only parental figure who didn’t let jason down.

[qiu-yan]

one topic i've been interested in lately is the idea of moral luck.

let's start somewhere else. i was surprised to learn that the question of "do moral dilemmas exist" is actually debated upon in moral philosophy. broadly speaking, a "moral dilemma" is a situation in which the agent can only choose one of several mutually exclusive options, and yet the agent has moral reasons compelling them towards each option. some philosophers have argued that, given a sufficiently robust moral philosophy, a "genuine" moral dilemma cannot exist: the moral philosophy will organize the differing moral reasons for each course of action into a hierarchy, in which more important moral reasons override the others; thus, the moral philosophy will always be able to identify one or more correct courses of action.

based on my own analysis - if one takes a more moral-pluralistic point of view, though, this is no longer true. moral pluralism indicates the view that multiple different values can all be equally valuable and morally significant, even when they are contradictory. in this case, a moral reason may not be able to override another moral reason. in my opinion (which i am not sure if lines up with official ideas of moral pluralism), this entails the return of the moral dilemma. after all, if the agent can only choose one of several mutually-exclusive courses of action, and the agent has genuine moral reasons for each course of action, and these moral reasons also cannot override each other - then it seems the agent is doomed. no matter what the agent chooses to do, they will be violating some moral reason. they will be committing some moral wrongdoing.

the idea that someone is doomed to commit some moral wrongdoing is referred to as moral tragedy.

this is all kind of abstract, so let us consider a more concrete example. first, let's consider the trolley problem. from a deontological perspective, the perfect duty of not violating the categorical imperative by killing the 1 person comes before the imperfect duty of taking action to save 5 people from death; hence, the correct choice is to not pull the lever. from a utilitarian perspective, the outcome in which 5 people live and 1 person dies involves less harm than the outcome in which 1 person lives and 5 people die, so pulling the lever is the correct choice. however, from a more morally pluralistic point of view, both the choice of pulling the lever and not pulling the lever involve violating some moral duty. people have a moral duty to not kill people, and people also have a moral duty to not allow people to die through inaction. you can only either kill the 1 person to save the 5 people or allow the 5 people to die through inaction. no other choice exists. thus, no matter what choice you make, you will be violating one of those two moral duties; you are trapped in a moral tragedy.

now let's consider another example. suppose you are jiang cheng, and wei wuxian has just busted wen ning's wen remnants out of the jin labor camp at qiongqi pass. from a more morally pluralistic point of view, you are also caught in a moral tragedy: no matter what choice you make, you will be violating some moral duty.

if you choose not to stand by wei wuxian, then you are violating some of your moral duties. wei wuxian is your martial brother; you have a duty towards him. wen ning and wen qing helped you greatly in the past; by the virtue of reciprocity, you owe it to them to help them too. furthermore, as a human being, you have a moral duty to stand against the mistreatment of innocent people. choosing not to stand by wei wuxian entails violating all three of these moral duties.

however, if you choose to stand by wei wuxian, then you are also violating some of your moral duties. you are the leader of the yunmeng jiang sect, which is currently recovering from near-absolute annihilation and thus lacks the resources the other great sects have. as the leader of yunmeng jiang, you are its representative: thus, you standing by wei wuxian when he has alienated lanling jin means that you are making yunmeng jiang stand against lanling jin. and since the jin sect is tied to the other two great sects via the venerated triad, if yunmeng jiang stands against lanling jin, then the situation will become all three of the other great sects against your one weak recovering sect.

you are the leader of the people in yunmeng jiang. those people just fought a war for you. as their leader - or even simply as someone for whom these people bled and suffered - you owe it to them to put them first. as a leader you exist for your people. if you act in violation of what is best for your people's safety and happiness, if you actively choose to put them in danger, then you have broken the social contract by which they gave you authority. then you have failed your duty. and since choosing to stand by wei wuxian puts everyone under your protection in danger, choosing to stand by wei wuxian entails violating your moral duty as a leader.

so. no matter what choice you as jiang cheng make, you will be violating some moral duty. you will be committing some moral transgression. you are caught in a moral tragedy.

from a morally pluralistic point of view, any choice in a moral tragedy entails some moral wrongdoing. so what determines whether you end up in a moral tragedy or not?

luck.

it's commonly said that a person's moral character can be determined from the choices they've made in their life - judge a man by his actions and all that. in other words, we look at what moral violations he has committed, as well as what morally upstanding acts. and yet! if he's ended up in a moral tragedy before - then he had no choice but to commit a moral violation, because all of the available choices were moral violations! does that mean that a person's moral character is subject not just to his own choices, but to luck as well? whether or not you can be called a good person or a bad person is affected also by merely how lucky or unlucky you were?

i do not personally use the framework of "good person" vs "bad person" very often; the utilitarianism i favor cannot be used to judge entire moral characters. however, it certainly is the case that other people will judge an individual's entire moral character by the choices they've made. and yet, it seems that - again and again - the concept of moral luck is not considered.

who did not have moral luck? who ended up in a moral tragedy?

wei wuxian. jiang cheng. lan xichen. jin guangyao. nie mingjue. and many others.

who did have moral luck? who avoided all the moral tragedies?

lan wangji.