#but like also dont read it if you want to live

[saioratral]

salvatore - itoshi sae being a romantic genius cause i said so warning: none + aged up! itoshi sae note: i still cant believe the fishi, the legend might i add, asked ME.. ME for a collab write. am i dreaming? i completely went off topic btw cause that song made me confused

link to goatshi's ver (you better read it) also forgot to tag the goat @fishii-writes

expensive cologne floated through the entire penthouse, filling the air with its rich scent after a perfume bottle shattered. the owner shrugs, it’s like pocket change for him, you laugh at his nonchalant attitude, settling to stand in the balcony until the smell is gone 

the view of the spanish coastline looked almost like a sight straight out of a movie, making the penthouse felt like a castle perched on a hill, its high walls shielding you from the outside world and prying eyes. a velvet sofa rests outside to accompany you both, sae sitting and staring at you 

“cariño”, sae's deep voice brought you back to the present, to turn around and face him. “like the view?”

“i love it”, you lean on the balcony railing, eyes drifting between the view and him

his  teal eyes softened slightly, a faint smile tugging at his lips, but it seemed tinged with sadness. his gaze lingered on you, as though memorizing the moment, taking the time to photograph your beauty as if you were leaving soon 

“people know how to live and forget," sae sighed, setting his glass down with a soft clink. "there are only two options" 

you arched a brow, intrigued. “and what are the two options?”

“you either forget, or you get swallowed by it," he said, voice dropping a little. "it’s everything—the past, the present, and the future” 

“.. i dont understand anything but you look handsome under the moonlight”

your laughter broke the tension, and sae raised an eyebrow, surprised by your light-hearted comment. here he was, getting sentimental, and you were busy admiring him? he watched you walk closer, your hands brushing over the soft fabric of his silk shirt. he let you feel it before you both sat down together

“i know,” you continued, resting your head on his shoulder, “everyone wants something from you. but i want you to be you. not the ‘japan golden boy,’ just… be you”

sae relaxed at your words, letting down his guard. your hand found his, fingers lacing together, and the ocean waves becoming a little lullaby for you both 

“me gusta cómo te ves esta noche”, he murmured, searching for your gaze

“oooo, spanish,” you teased, tilting your head to look up at him

“eres... como un sueño”, he said, his voice softening as he saw your bright smile 

the night continued with the both of you laughing over silly jokes and guessing what sae was speaking in spanish. you got up, changing the song to something more slow before pulling him up with you 

“what are we doing?”, sae asks, curiously watching you 

“you’ll see” 

you took his hands in yours, and as the song played, the two of you began to slow dance. the ocean seemed to quiet down, as if wanting you both to take the spotlight and the moon’s light giving the perfect photo moment

“lana del rey?” sae asked, recognizing the artist of the song

“the one and only,” you replied, resting your hand gently on his neck

at that moment, the world seemed to pause. sae leaned closer, his warm breath fanning your already flushed face. the smell of his cologne making you enter a new world, his words falling out like music, as if you understood 

“sometimes it’s better to not know all the words”, sae said softly, his eyes locked on yours 

“alright, prodigy”, you giggled. “you still sound hot” 

his gaze flickered to your lips before he leaned in even closer. his lips ghosting yours, teasing you to take the bait. the bait he had set up all along afterall, everything goes with his plan, no matter what 

“mi vida… may i?” 

you nod, feeling his lips finally meet yours, the faint taste of wine still lingering on them. the kiss begins softly, slow and teasing, just as before. sae liked taking his time, he wanted to build up the moment with you but even he could lose his patience once in a while 

the pent up desire took the best of him. with a quiet murmur, he pulled back from the kiss, his breath warm against your skin before gently guiding you toward the sofa. you follow the pull of his touch, your back sinking into the softness of the velvet cushions

he hovers above you, his finger moving to unbutton his shirt a little bit before leaning down. his lips finds your neck, kissing you slow and deliberately, the heat radiating from his touches gave you goosebumps 

“you’ll get the rest later”, he mumbles before crashing his lips back to yours  

© saioratral 2024-25 -- do not repost, translate, alter, etc on any platform without permission. Any characters used in my work do not belong to me, they are created by their original creator. all images used are from pinterest

[messyoungie]

HABITS TO DROP WHEN GETTING YOUR LIFE TOGETHER

➝ CREATING UNAUTHENTIC & UNINTENTIONAL GOALS

the biggest mistakes you can make when creating goals is making goals that aren’t true to you and making goals for the sake of making goals.

it can be so exciting when you decide to get your life together. I mean, of course it is! there are so many possibilities! but when you start planning, don’t just write down the goals you see circulating on social media. what works for someone else may not be what works for you. don’t make your goals and habits based on what’s trending or popular in the self improvement community.

think about what you actually need for a minute. what is actually necessary? your goals and habits aren’t here to be glamorous, they’re here to help regardless of how simple or small they are. the point of thinking up new habits is to improve your life, so be intentional with your goals. what will practicing this habit or achieving this goal give you?

when you’re first starting out, your goals don’t have to be anything too crazy or intense. for example, let’s say you want to become a pink pilates girl and get into fitness. you shouldn’t jump right into it and say your goal is to work out for 2 hours 5 times a week. let’s consider some factors first. have you been living a completely sedentary kind of lifestyle? then try looking for exercises that’ll wake up dormant muscles. your goal should then be to repeat those exercises for how ever many times a week. then you’ll work your way up from there. (it’s important we don’t harm the body, so be mindful with your fitness goals.) what about your schedule? how much time can you actually give to working out? can your body even endure working out for that long?

anyways, hopefully you see what I mean. when creating goals, it’s not about having the “aesthetic” habits and goals that you may see on tiktok or tumblr. it’s about doing what is actually good for you and what’ll help you the most with where you are now in your journey. so please put some thought into your goals and where they’ll take you. creating unauthentic and unintentional habits will also mean you’ll be less likely to keep practicing them after a few times. at the end of the day, that doesn’t help you achieve anything and you’re left with a broken promise you’ve made to yourself. which leads me to my next point…

➝ NOT KEEPING YOUR WORD WHEN IT COMES TO YOU

let me start off by saying this— if you don’t even listen to yourself, why should anyone else? (harsh, ik)

a HUGE reason as to why people have no self confidence is because they don’t listen to themselves or keep the promises they’ve made to themselves. if you have no self trust, how could you have any self confidence?

now, building discipline can definitely be a challenge so if you want to start somewhere easy, nip your false promises in the bud and stop yourself from making them. that’s what I did when I was first trying to stop this habit. when my addiction to tiktok was at its peak I would always tell myself the usual “ten more minutes and then I’ll stop scrolling.” when I wanted to stop making false promises, I knew I had no control or discipline so the only thing I could do is be real with myself. I’d cut myself off when I heard myself say “five more minutes” because I knew it wasn’t going to happen. if I wasn’t going to quit my bad habit, then the least I could do is be honest with myself.

the things that you are constantly telling yourself, whether they’re mindless or intentional, matter.

so, stop telling yourself seemingly harmless lies. unnecessary false promises that you know are false will only fill you with tension.

➝ SEEING FAILURE AS AN INVITATION TO GIVE UP

this applies to so many things.

you wanted to be consistent with your reading goals but haven’t read a chapter in a week? dont give up. don’t tell yourself that being consistent is too hard for you, that since you missed a week this habit isn’t for you. make your goal a bit easier or give yourself another chance.

you wanted to spend more time doing art but it’s not turning out how you expected? dont give up. dont give yourself the title of a “bad artist” and never pick up a pencil again. move forward, give yourself another chance.

you wanted to quit your Instagram addiction but after a couple days you went back to scrolling for hours on ig reels? Don’t give up. dont tell yourself that this addiction isn’t gonna go away, don’t go back to the bad habit because you slipped up. give yourself another chance.

I think a lot of us (myself included) tend to give up at the first sign of failure, instead of reminding ourselves to keep going. it’d be wonderful if you could get it right on the first try. if you could read ten books a month right away after not reading a book in three years. if you could watch hours worth of tutorials and sketch the perfect portrait on the first attempt. if you could uninstall instagram for good and never feel the urge to go back. that would all be so amazing, but it’s not always the reality. expect the best from yourself and do the best you can, but also give yourself some compassion. keep in mind that you won’t always do things perfectly right away and that’s one thousand percent okay. when you feel yourself slipping up on your brand new goal, don’t end it there at the first failure. allow yourself to move forward, because the only other direction to move is backwards.

[cursedextrovert]

People comparing CaitVi dynamic season 1 and 2, are we watching two different shows or y'all just forgot what happened in the middle. There was literally a war going on, Cait's mom fucking died like are they just gonna be lovey dovey with all these politics going on? And then one moment they leave everything to just be with each other in that jail cell you are also mad like wdyw?

Also people who say their sex scene is not necessary and/or a bad representation.

Firstly, JayceMel also got a sex scene in season 1 so its not like they invented sex just for these two lesbians.

Secondly, they didnt just fuck. Vi was beating herself up thinking she made the wrong decision and fucking things up like always and Cait told her that she actually let the guards go so Vi can do that exact thing she wanted. Ultimately saying a) she trusted Vi when she said Jinx has changed and wanted Vi to let the girl out b) she wanted Vi to be happy more than she wanted revenge even tho just some months ago she was the opposite.

Thirdly, we see the detail, Cait hesitates when she sees the bandage where she used to hit Vi. We see Cait taking off her clothes and showing her all, being vulnerable because Vi deserves that much from her.

Fuck. I get it, ok? This is a rare time we got a wlw relationship where both are main characters, and in a big show like this so you want it to be perfect and deprive of all flaws. But wouldnt you rather have two well-written characters where they relationship is tangled with the core of who they are than just a wlw couple with no conflict, no personal development no nothing? Hows that a good representation? Their relationship doesnt solve the conflict between them and their politics but is the reason why they were intertwined in the first place.

And dont come at me about systematic problems as well like Im a poc myself living in a white country and a sociology graduate. I understand Caitlyn did terrible things and is a war criminal herself with how she stands aside letting Ambessa did the thing she did and for gasing Zaun just to seek revenge. But she, just like everyone is a product of her sociocultural surroundings, shes a human affected by their beliefs and emotions. Isnt that the point of the show?

I dont think she got her happy ending just because she lives, I think being alive is her purnishment. She has her whole life to make up for what she did and I believe she will. What other fate you think she deserves? Her death will not undo her crimes, so is prison, they will also prevent her from actually fixing what she caused and ultimately using her priviledge for good(which shes doing, you can read my post about it). And Im not about to start the whole ethic debate on prison. How does one define a purnishment worthy? How do one define what a person deserves?

Finally, you know who else was a war criminal and walked away with what he wanted? Singed. Reality is like that, not black and white. People dont get what we think they deserve, ever.

[obsob]

Now when the GTN case is closed, can you please write about how much you hate tj klune? 👁👄👁 My reason is that this author just is not talented enough to write good prose, but I want to read what you think about it!

IM SO GLAD U ASKED (and the other like 50 people in my inbox haters unite)

so the first tjk books i read was his green creek series which are very different from his more recent books and honestly way better. now are they good ? no! but they are better and are like mostly tolerable. they were kinda annoying to read, the main reason that first book is like 800 pages is bc th paragraphs are like one three word sentence long, but i might try the audiobook at some point. also the age gap in that first book is like . ...... . . .. a little questionable but we move on

th next book of his i read was house on the cerulean sea which was fine at first but good lord. i think i checked about 3 times reading this if this book was suppose to be YA or even middle grade - that is the level of moral complexity that is in this book - the message of 'oh people are different and thats okay' is forced down your throat soooo many times like girl i GET ITTTTTTTT!!!!!!! i liked the idea - a lot of tjk's books sound rlly good which is what lures me in, but the execution is just dare i say cringe. also i dont know how many of u are aware but tjk himself said that what inspired this book was in fact RESIDENTIAL SCHOOLS???????? HI HELLO??? MAYBE DONT DO THAT!!!!!!

people do not talk how they do in tjk books. its like he writes dialogue and narration specifically for it to be quotes, its all very superficial and just not immersive at all. do not get me STARTEDD on ' on the lives of puppets' . absolutely zero creative thoughts in regards to the world building. tell me why at the beginning of the book we meet a ROBOT who is buried in stuff and the mc immediately is like oh its male :) when all he could hear was th robots voice. girl its a ROBOTTTTTTTTTT RRIRYYGYGAWWWYGYGYRGYGW

i cannot believe people could read that book and think its good and deep. his writing has all the emotional complexity and depth of a marvel movie .

its interesting to me how he did show he could write a more mature and emotional story w the green creek books, and then just completely walked away from that style to write repetitive and superficial stories. loser

tldr: tjk's writing is immature and superficial and repetitive, and only legitimately enjoyable to people who don't have enough variety in their reading life to know a bad book when they read it. and i think hes lame

[ramblingautisticman]

Recently read All New Wolverine #6 and found out Gabby has kids.

And she named them Logan and Wade.

Our boys' legacy will live on forever. She admits that they are huge handfuls and Laura bassically says "what did you expect?"

And I can't stop thinking about how from the day Wade met Gabs, They were quote "Best friends" end quote.

Like this girl is somehow this mans daughter. "Oh because adoption?" Literally no. And this can be taken as "Wade acts childish" OR Iykyk-

Gabby is exactly how Logan would have behaved minus the truama and if he was raised/ accepted with the knowledge of his claws.

Our boy Logan fits with Wade so much because they are so similar it is unreal. So to see Wade so quick to help Gabby and support her through the craziest of ideas (COUGH "dont tell your sister" COUGH) Not because hes "her friend" but because he knows that Logan is stubborn ASF and if someone dosn't go with this little murder munchkin- someones gonna get hurt. And he'll be damned if its her.

This is actually so beautiful too because while they both can heal, you have "Im in pain 24/7 so this is nothing to me." and "I CAN'T feel pain so I need someone to make sure I dont push myself too far"

Everyone says how Laura is copy and paste of Logan (no duh, they were both extremely abused, experimented on, and were raised to be tough) but no one talks about how Gabby literally has Wade's batshit crazy smile. How Wade HANDS her matches and sits to watch the fire with her. How Wade doesn't tattle on her because he wants her to trust him, and he knows he won't let anything happen to her. How Wade GIVES her chloroform(!??) And tells her it would be irresponsible to NOT give her something to knock someone out if she feels introuble?

Logan can have Laura. He can argue with her all he wants. Wade and Gabs are gonna go play paintball and then get ice cream. WITH sprinkles.

This being said, I think Laura struggles to connect with Wade the same way Gabby does. I think Gabby doesn't struggle to connect with Logan, though, because of how instictivly paternal he is and the fact that he can see tiny innocent James inside Gabrielle.

They are all so over protective of Gabby and it makes me feel sorry for when she gets a boyfriend.... can you imagine trying to have a study date with a girl when both her father AND her sister is the fucking Wolverine? And on top of that her other papa is a phycopathic maniac that will infact throw you off a 10 story building if you make his little girl cry, scrape you off the concrete and throw you in a blender, bake you into a pie, and feed you to your parents...

IM SORRY SHE NAMES THEM WADE AND LOGAN!? THATS SO FUCKING ADORABLE!? MY HEART CANT TAKE IT! Also, no idea if they are in the comic or if it shows how they act, but headcannoning that Logan is the batshit crazy one this time and Wade is the more chilled one, purely because that is really funny in my head?

And Wade is like- so good with kids? Noone ever mentions it, but he really is. Yeah, okay, in his own insane Wade Way (that should be a trademark), but Deadpool 2 is literally him helping a kid because he sees this traumatised abused boy that he NEEDS to help. Someone no one else wants to give a chance, and here Wade is, literally taking him under his wing and protecting him every second.

I've seen some of the panels with him and Gabby (I need to actually read the comics but jesus, there are so many?), and he is so so adorable. The fact he just instantly (similar to Russel in the movie, not exactly the same obviously, but ya know) decides "this is my kid now. I will protect them with everything I can. No one will ever hurt them again." is just- so heartwarming and people don't appreciate it enough!!

I think the girls would definitely struggle to connect to Wade alot because I feel like Wade is ALWAYS the funny, happy dad? He wouldn't want his girls to see him hurt or upset or anything else, so he's always making jokes and bring dramatic, while Logan is the more serious one who you can talk to about anything.

Also, Wade being the overly supportive dad is so fitting. He's stood there filming Gabby just doing something EXTREMELY illegal like "you're doing great sweetie!" and after he is getting her any snack she wants to treat her for doing a good job.

[just-some-random-blogger]

weLL FUCK NOW I really HAVE TO READ THIS SERIES OR ELSE IM GOING TO BE FUCKING SAD WHAT THE fuck

a keep reading cos im on pC!

FIRST OF ALL

ME @ YOUR ANON

actually no

ACTUALLY YES

I GET IT OK I GET THAT HUMANS HAVE A KNACK FOR ANGST OR WHATEVER BUT IN A FICTIONAL WORLD WHERE EVERYTHING COULD BE PERFECT AND HAPPY AND SWEET AND PAIN FREE YOU FUCKING RANNNNNNNNNNNNN 🏃‍♀️🏃‍♀️🏃‍♀️🏃‍♀️🏃‍♀️🏃‍♀️🏃‍♀️🏃‍♀️🏃‍♀️🏃‍♀️🏃‍♀️🏃‍♀️💨💨💨💨💨💨💨💨💨💨 YOU RAAAAANNNNN TO GET YOURSELF INJURED YOU

RAAAAANNNNNNNNNN

TO GET HIT BY A FUCKING TRAINNNN

WHYYYYYY

i remember when i got a rec for smth similar ????????????? AND I STILL WROTE IT DUH IM A PEOPLE PLEASER BUT I WAS LIKE ??????????????????????????????????????? WHY DO PEOPLE WANT TO GET HURT i say as a person who LOVES crying over fictional characters WHY ARE WE LIKE THIS???????????????? WHAT THE FUCK

chile anyway so

The sound of sniffling midwives is easy to ignore in the peace of the moment. In the wake of your efforts, all you can see is your babe. Cradling her red-slicked form close to your chest, you marvel at the downy-soft pale of her hair peeking through the viscera, the tiniest fingers and toes, the puckered mouth and the sweet button nose. You made this. She is perfect.

Why is she not breathing?

WHAT THE FUCK

“Sh,” he had soothed, hand on your back as he walked you to the bed. “You’re alright, sweetling. Just… just let it happen.”

NO. NO. ABSOLUTELY NOT. HE TRIED. HE TRIED BUT THIS WAS A REAL MISS FOR ME. YOU CANT SAY THAT TO HER YOU CANT SAY THAT TO ME I DONT KNOW WHAT HE COULD HAVE SAID I REALLY DONT BUT IM SAD AND IM ANGRY AND YOUR A MAN AND I HATE YOU FUCK YOU YOU WILL NEVER UNDERSTAND HOW SHE FEELS THIS IS YOUR FAULT

going in-fucking-sane over this im not even halfway through nah nah nah nah i hate it here

You had not understood what he meant by it. What choice did you have? There had been very little control to wield in the throes of torment, and you were forced to your side on the mattress as you heaved for breath through the strain of it.

wait SHE LIKE ME FOR REAL. YOU GOT STUMPED WRITING THINS DIDNT YOU HAHAHHAHAHAH DAMMIT FUCK SHIT FUCK FUCK FUCK FUCK I HATE IT HERE

“What–” he stops, swallows. He reaches tentatively for the peach fuzz atop her head, fingers trembling through the silver moonshine and down across the velveteen skin of her darling little cheek. “What will we name her?”

controlling myself not to requote everything back but T_T ok ok he's trying we love that for him <3 for her <3 for my mental stability

“It may be best for you to leave, my Prince,” he had murmured to your husband, laying out the instruments from his case as the midwives helped you strip to your shift and pull the sheets back. “This will be a wretched affair, I’m afraid.”

no you jobbernowl lunkhead fucking nincompoop MAN he does not get to fucking absolve himself of this just because the child didnt come out of his penis FUCK YOU HELL JAIL DICKWACKER

“I’m not leaving my wife,” Daemon had replied sternly.

only half correct. you need to kill him now DAEMON WAHT THE FUCK IS STOPPING YOU I DONT CARE

The rest is a blur. Through sweat and tears and the bestial sounds emanating from somewhere so deep inside you that you had not known it existed, the bed had become sticky and rank with the scent of copper and gore and terror. It had made you retreat into yourself, to a place where the increasingly regular paroxysms could not touch you, and you had found a sense of quiet and calm there. 

i see it. this was, i dont want to say beautifully written, but [sigh] beautifully written [jumps off a cliff]

What is her name? Kepa is waiting for an answer. 

You are at peace. All you can feel is love. “Aemma,” you say, cooing it down to your precious, still child.  She is no longer warm in your arms, little body tepid like the air in the chamber around you. You hold her closer, skin to skin, impressing your heat into her.  “Her name is Aemma.”

like the combination of these sentences [wailing crying sobbing so alone so sad so broken so T_T HELP ME]

i read fics like this and wonder what its like for actual mothers who've experienced it T_T i cry about my dead cat so much still even after so long . HE WAS A CAT. IMAGINE CARRYING A CHILD THE BLOOD OF YOUR BLOOD THE BLOOD OF THE BLOOD OF THE MAN YOU LOVED TOO AAWWWWWW FUCK THEN THEY JUST dont

they just

... never make it

ahhh i have school? I have placed to be? why did i read this?

WHY DID YOU WRITE THIS?

WHY DID I THINK AW YIS THIS IS GONNA BE GOOD COS SHE WROTE IT

NO??

I MEAN ITS NOT BAD

ITS HORRIBLE?

HELP ME????

i have to take a shower and cleanse myself and get ready now

[stares into the ocean] what is life

Hey! I love your writing. I was wondering if you'd be willing to write an AU blurb of Babey losing her unborn child? If not, that's okay! Thankyou!

Hey, nonnie! Sorry it's taken so long to get this one out - I PROMISE I keep all my requests and will probably get to them eventually. I was in the right headspace for this one, so I hope you like!

THIS IS AN ALTERNATE UNIVERSE BLURB, DO NOT PANIC!!!

aemma (a 'terms of endearment' au)

GIF by @targaryenlaena

Your daughter is perfect.

Triggers: WARNING - MISCARRIAGE/STILLBIRTH, incest, age gap, purity culture.

She is so small, you think in wonder.

The sound of sniffling midwives is easy to ignore in the peace of the moment. In the wake of your efforts, all you can see is your babe. Cradling her red-slicked form close to your chest, you marvel at the downy-soft pale of her hair peeking through the viscera, the tiniest fingers and toes, the puckered mouth and the sweet button nose. You made this. She is perfect.

Why is she not breathing?

Your pains had started abruptly – too abruptly. You had thought your womb was ripping in two within you, such was the agony of the feeling. All you had done was pull yourself off the chaise to relieve your aching back, and suddenly your smallclothes were wet with dark and your body was turning itself inside out.

“Daemon!” you had squalled, scrabbling at the fabric between your legs.

When he ventured from his desk, you had noticed the curiosity in his expression turn to panic, to anger, to despair, and then blankness in dizzying speed. The hard line of his lips and the set of his brow had been akin to a man carved from stone as he barked for the guards to fetch the Maester, to retrieve the midwives, to seek out your sister.

“Sh,” he had soothed, hand on your back as he walked you to the bed. “You’re alright, sweetling. Just… just let it happen.”

You had not understood what he meant by it. What choice did you have? There had been very little control to wield in the throes of torment, and you were forced to your side on the mattress as you heaved for breath through the strain of it.

Daemon sits beside you, dispelling your absent pondering.

“What–” he stops, swallows. He reaches tentatively for the peach fuzz atop her head, fingers trembling through the silver moonshine and down across the velveteen skin of her darling little cheek. “What will we name her?”

One of the midwives sobs. The Maester drops something, and a loud clatter rings throughout the room. You bring your hand up to shield her delicate ears from the sound.

Gerardys was a great help, you muse. He had been grave-faced and resolute as he strode into your rooms, handily taking command of the gaggle of disconcerted staff milling about as you had moaned and shivered, prone.

“It may be best for you to leave, my Prince,” he had murmured to your husband, laying out the instruments from his case as the midwives helped you strip to your shift and pull the sheets back. “This will be a wretched affair, I’m afraid.”

“I’m not leaving my wife,” Daemon had replied sternly.

You had felt his eyes on you even through the teeth-chattering hurt that ignited like sparks in your bloodstream. Your belly clenched like a fist, forcing a pop and a stream of bloody fluid from between your legs. At your wail, he had looked away with a tense jaw.

“There’s no hope, then?”

Gerardys had paused. “It is too early,” he murmured, a look of such contrition and sorrow on his face that you had been overcome with the urge to reach forth and comfort him through your own pain.

The rest is a blur. Through sweat and tears and the bestial sounds emanating from somewhere so deep inside you that you had not known it existed, the bed had become sticky and rank with the scent of copper and gore and terror. It had made you retreat into yourself, to a place where the increasingly regular paroxysms could not touch you, and you had found a sense of quiet and calm there. 

All at once, her body had slipped from you with a gush, and the protracted silence had lingered for what feels like an age.

What is her name? Kepa is waiting for an answer. 

You lean into him, smiling faintly at the feel of his lips against your temple. He curls around you and the babe, grip a little too tight for comfort, but you do not mind.

You are at peace. All you can feel is love.

“Aemma,” you say, cooing it down to your precious, still child. 

She is no longer warm in your arms, little body tepid like the air in the chamber around you. You hold her closer, skin to skin, impressing your heat into her. 

“Her name is Aemma.”

I am sorry for this. 'TIS AN AU BLURB, NO MORE!

[kagoutiss]

pelican town, ‘72

[dailyloopdeloop]

DAY 71: shy

[hauntingofhouses]

Thinking about the crazy love triangle situation in Blue Eye Samurai and debating heavily with myself on how I'd like to see it conclude. And yeah this discussion can be thought of purely as shipping, headcanons, and fandom fun. But when analysing the show and engaging with it in a more in-depth, almost-literary level, it's impossible to dismiss who Mizu's potential love interests are and how different endgame romances would affect her character arc and the overall story and themes.

So in this post I'd like to look at the love triangle a bit more closely, and speculate on where the story will take this.

DISCLAIMER: It is my personal interpretation of the text that Mizu is non-binary—I use this as an umbrella term denoting any gender that does not adhere to the binary restrictions, norms, and expectations of what it means to be either a man or woman in a particular society; it's not just an androgynous "third gender" that exclusively uses they/them pronouns. Thus, while I personally believe Mizu is not strictly a cis woman, she does still identify with womanhood, despite definitely feeling a level of detachment from it due to living as a man for so long. With that being said, I will be using she/her pronouns for Mizu in this post, but please note that this is purely personal preference. Everyone is free to interpret the text the way they like. That's the fun of fiction. Now, without further ado, let's proceed.

Okay so, thinking about the pairings on a purely surface level, and even before i got into the show, I was pinning my hopes on some lesbianism going on between Mizu and Akemi, and the show does hint at this; in Ep1, during their first encounter in Kyoto, there is the famous slow-mo shot of their eyes meeting, Mizu's lips slightly parted as she is unable to tear her gaze away from Akemi, while sweet string music plays in the background. This is clear romantic framing, and a marker of attraction. If Mizu was a cishet man, there would be no question that this is a potential love interest.

But then, in the same episode, we meet Taigen, who is introduced to us firstly from hearing Akemi's father describe him as "a fierce and undefeated young samurai", the "best swordsman in the best school" and "a fisherman's son from Kohama [...] whose rise reminds [him] of [his] own."

In the next scene, we meet him in person as Akemi's fiance, and he seems sweet enough. He even gives her sweets! In exchange, Akemi gives him gold, and he feels a bit ashamed that he doesn't have anything better to offer her. But Akemi accepts him and his gift wholeheartedly and flirts with him a little, which makes him smile kinda shyly.

When Akemi confirms their engagement, Taigen is in disbelief because he has no status or noble background, but Akemi reassures him.

So from these first few scenes, we're introduced to Taigen as an honourable and strong samurai, but also as a man who is sweet and gentle with the woman he is about to marry, as well as aware of his own inferiority when compared to Akemi's high station.

Our view of him then changes as his true self is revealed: he is an arrogant and smug bastard among his peers, but more importantly, he is the terrible bully from Mizu's childhood.

And it is this side of Taigen--pompous jerk and unrepentant xenophobic bully--that we continue to see as the show goes on, and it's safe to say that this is his real self, sans any pretense of humility and modesty. Around anyone who isn't an outright superior in terms of class and power (ie. Akemi's father, the shogun), Taigen never hesitates to assert his own authority and "greatness."

But as the show goes on, he gets caught by Heiji Shindo's men, and then tortured. And that's when we see, okay, turns out he's not that bad. He's honourable; "honour" is not just meaningless and superficial pedantry for him, but an internalised, guiding principle.

He was a cruel asshat throughout Mizu's childhood, but in a prejudiced and xenophobic society, he was just playing by the rules. As a child, he knew he was at the bottom of society, but when met with someone even lower ranked than him (Mizu), he can project all those prejudices and insecurities onto someone else. This way of thinking--"if you can't beat 'em, join em"--is what allowed him to climb up the ranks despite being some dirt poor kid from an abusive household*.

*Well, that combined with his cismale privilege of course, because this would not be an option for a woman in similar circumstances.

Thus, his upholding of honour also exemplifies how Taigen embodies the ideals and rules of his society. His insistence on duelling Mizu is another more blatant example of this. He doesn't want revenge like Mizu does. He wants to be accepted by society, within the bounds that society has placed, and that means that his only two options following his defeat at the Shindo dojo were to either chase Mizu down and get his damn duel, or kill himself for his humiliating defeat.

Now! Moving on from Taigen, let's go back to the other end of this little love triangle: Akemi.

Mizu and Akemi only properly meet in Ep4. During their first meeting, when Akemi tries to poison Mizu in Madame Kaji's brothel, she compliments Mizu's eyes, calling them "beautiful."

This seems to genuinely take mizu off-guard for a second before she coolly plays along. We know that Mizu recognises Akemi from the get-go, and thus sees through Akemi's ploy from a mile away. It's also safe to assume she'd expected false flattery, because Mizu understands full well that this tactic is how women get what they want: by using their 'feminine wiles' and playing up their naivety and innocence. But even so, it's interesting that Mizu actually seems surprised by Akemi's compliment.

Then, after Mizu subtly taunts Akemi by lying about Taigen's death, she and Akemi have a bit of a scuffle, and then we get to Mizu saying this:

"Women in our world don't have a single good option. Except you, like some magical forest creature. You could have anything you want, but then you beg to eat trash."

(no screenshot because it's quite a long line but you get it)

Here we see Mizu's opinions on the marginalisation of (mostly poor and under-privileged) women stated outright, and underlying her words is also resentment. Because even though she and Akemi have shared experiences of female oppression, Mizu, unlike Akemi, was also poor, from a rural village, and is a racial minority. Mizu is triply oppressed, while Akemi only faces one primary form of oppression, and to someone as embittered by the world as Mizu is, to see Akemi "beg to eat trash" is a slap in the face, practically tone-deaf to the other injustices around her--injustices which Akemi has not shown much, or any, acknowledgement for at this point.

Then, after this scene, Mizu kills Kinuyo, and this unsettles her to a degree we've never seen from her before. She is visibly distraught, and the entire sequence hammers the theme of this episode (and arguably, a large portion of the show) into our heads: women in this world suffer. And even though Mizu is well aware of this fact, to commit this act is so visceral that is shakes her to her core, and it's what ultimately leads to the ambush of the Thousand Fangs.

But before the ambush, Mizu and Akemi talk a little again, and during this time Akemi taunts Mizu some more.

Right now, Mizu is exhausted to the point where (I believe) she even downs some sake, despite not usually drinking. Thus, worn down, she cuts Akemi's ropes and tells her, "Just go." Akemi recovers from her initial fear of Mizu's blade and taunts her some more, accurately seeing through Mizu's facade of coldness, recognising the raw anger there, and says this:

"I thought you had to be something special. Your face isn't even so scary. You're just... angry."

At this, Mizu is amused and compares Akemi to Taigen ("I see why he likes you. You're just like Taigen when we were children. A fucking brat.")

The reveal that Mizu and Taigen knew each other in childhood surprises Akemi, but before either of them can say more, everything goes to shit.

That's when we get to Ep5. This episode focuses primarily on Mizu, the central piece of this love triangle, and does the most out of all the episodes to shed some light on her character and goals, fleshing her out to be more than just the vengeful, highly proficient samurai we've seen thus far (symbolised by The Ronin), but also a person who is capable of love, domesticity and gentleness (symbolised by The Bride). But in the end, Mizu rejects both these ideals, instead becoming an Onryo, who is neither guided by pride/honour, nor love.

By 'reincarnating' into an Onryo, Mizu is able to win the day and save the women in the brothel. However, as she has now fully embraced her status as an Onryo, and is exhausted physically, mentally, and emotionally, she lets the Tokunobu clansmen take Akemi away while Akemi's screams echo in her ear.

Mizu says this choice is for Akemi's own good, that Akemi's better off; because Mizu is jaded and weary, and cannot afford the luxury of idealism, and thus must always be strictly practical and realistic. So of course that's why, in her view, yes, Akemi should not be wasting her time in a brothel where women are exploited and abused, nor should Akemi be so naive to think that her marriage with Taigen is even still possible. However, regardless of Mizu's views, it is not for her to decide, because though Akemi is privileged in some sense, she is still trapped and voiceless, and deserves the right to choose her own destiny.

But as it happens, in the end, though Akemi did not choose who she gets to marry, she DOES get to choose her next move when Edo burns down.

"I want to be great."

This one line is the key to her entire arc, which is only just beginning. We see she quickly has acquired the affection and good graces of the shogun's son after their wedding night and consummation, and with Madame Kaji and the girls now serving her, Akemi will only grow to become a prominent political player.

NOW, only after analysing the characters as they are within this season, only can we speculate how their arcs will continue as the show progresses.

First and foremost, I will reassert the popular opinion that Mizu and Akemi are foils. The climax (pun intended) of Ep7 illustrates this as it parallels the turning points in both Mizu's and Akemi's arcs:

Mizu melts the steel of all her loves and shames, the people she's collected: the broken blade wielded by both Chiaki and Taigen, Akemi's knife, Ringo's bell, Master Eiji's tongs - this symbolises her beginning to accept herself, and in doing so, also accepting the help of others;

Akemi consummates her marriage with Takayoshi Itoh, gains his affection, and cements her position as a woman in the shogun's palace - this symbolises her taking charge of her situation, no longer playing the damsel, but using her position to her advantage, empowering both herself and the underprivileged women around her.

These are thus two directly contrasting, diverging journeys:

Mizu's arc moves inward (yin). It is an internal path of self-love and self-discovery, focused on finding peace and tranquility inside herself, and this involves allowing herself to let others into her life, opening herself up to friendship and empathy once more.

Akemi's arc moves outward (yang), it is an external path of growth, transforming from a naive, caged princess to a powerful woman and a force to be reckoned with.

Akemi is always dressed in red, even her eyes are a bit of a reddish-brown rather than brown-black like most other characters, and in her penultimate scene she stands against a backdrop of flames. She is fire: quick-tempered, passionate, full of energy. Red is powerful, authoritative, and in eastern cultures, it is associated with prosperity.

Mizu is blue: her eyes, her sword, her clothes. She is also named after water; it's where she goes to recover, reflect and meditate. Water is fluid like a brook weaving around a stone in its path, always changing and adapting, it is graceful, it is beautiful and ruthless, tranquil yet swift.

Thus, in the future, I expect we will see plenty of political manoeuvring and intrigue in Akemi's plotline, where she fully embraces control of her life, and begins to take action to help others as well, realising that her own oppression is just one piece in a much larger picture. Her main conflict is with society.

In direct contrast, Mizu's main conflict is with herself. She must realise that her desire for vengeance is a projection of her own deep-rooted self-hatred. Her arc must move towards unpacking her feelings and trauma so she can be at peace with herself and allow space for love in her heart. Because as we saw in Ep5, Mizu had come extremely close to achieving peace and joy, as she had not only loved Mikio, but also had briefly believed that Mikio had loved her (and accepted her for who she is) as well.

Thus, assuming the story is not planned as a tragedy, Mizu will likely end up getting her vengeance, but it will not satisfy her, because it is not what she needs. What she needs is to let go of the Onryo within her and to reconcile both The Ronin and The Bride within herself, as she is both a fighter and a lover, but not a monster.

(Edit: I recommend checking out this post by @stylographic-blue-rhapsody for a much clearer analysis about Mizu'a symbolism as Ronin, Bride and Onryo!)

And now that we've mostly covered each of the characters individually, we can finally get to the main point of this post: the love triangle.

--

Let's talk about Option A: Akemi.

As I covered extensively earlier, Mizu and Akemi are foils, a yin-yang pair. But while they play off each other very well in a thematic sense, I personally believe that a serious romance between them will be more complicated if they become endgame. This is because Akemi's natural resolution is to embrace a position of power and influence, where she has both freedom and control over herself and to make much-needed changes in a prejudiced society. Meanwhile, Mizu's natural resolution is the opposite; her happy ending would to find a peaceful life where she is safe and free from prying eyes, and able to be her true self.

Thus, it would make very little sense for Akemi to forfeit power and run away with Mizu and start a humble life together. Akemi wants to be great, and that is absolutely what she deserves. On the other end of the spectrum, it would also make little sense for Mizu to dedicate her life in service of Akemi, such as acting as a bodyguard or something similar, because a life in a palace full of court intrigue and conspiracies is far from what Mizu needs to be happy.

With that being said, if Mizu/Akemi is endgame, and assuming their overarching character arcs do not shift directions, their love story would likely be either tragic, doomed, or bittersweet. I do absolutely love this type of story because personally I'm a sucker for catharsis, so it would be very interesting if the writers do decide to take this route.

Also, as a note, please do not take this as me dunking on this pairing. This is just my personal opinion and analysis and I completely understand if you disagree!

--

Then, of course, we have Option B: Taigen.

Between Akemi and Mizu, Taigen is a bit of a free-floater here, because Season 1 leaves off at a point where his arc is very ambiguous as to where it's headed. While Akemi climbs for greatness and Mizu goes on a journey across the ocean to (presumably) discover more about her heritage, we have little clues about where Taigen is headed. And if I'm being honest, I'm sure he has no idea either! He still hasn't reclaimed his honour, so he would be unable to rejoin the Shindo Dojo; he's been rejected by Akemi; and while he showed loyalty to the shogun, the shogun is now dead, and all the shogun's men who had witnessed his "humiliating" death were left to die by Lady Itoh, who is now pulling the strings within the palace.

Therefore, Taigen has very few options here.

And when considering his role in the story is as Mizu's begrudging ally, his arc will undoubtedly be focused on unlearning his xenophobia and misogyny, the latter of which we have not seen yet, but is surely present. Now, whether he will do this in Mizu's presence or absence will be unknown until we see Season 2. Following the Season 1 finale, he might return to Kohama and wait for Mizu there as he learns humility and remorse over his past cruelty; or maybe he will follow Mizu to London, and the two of them will continue to butt heads until he finally admits to himself that he cares for Mizu more than he would like to admit. There is no room for doubt that his growing feelings for Mizu are more-than-platonic, because we all saw him get turned on by sparring with her in Ep7 lol. Thus, regardless of the exact choice he makes, I am sure that his overall arc will be focused on redeeming his character.

Now, when it comes go redeeming him, I know there are many who simply don't want him redeemed because he was such a jerk to Mizu, and while yes I agree he was awful, I do believe there is also nuance to his character.

Previously I've discussed in great detail the colour and elemental symbolism with Mizu and Akemi, but have yet to touch on how they relate to Taigen. So, let's talk about that for a second.

While Akemi is red and Mizu is blue, Taigen is green.

Green is a complementary colour to Akemi's red. Complementary colours are directly opposite each other in the colour wheel; when mixed, they neutralise each other, but when put side-by-side, they form a pleasing and impactful contrast that boosts the brightness and prominence of both colours. This mirrors Taigen and Akemi's relationship. They are an "ideal" pair because they complement each other very well, and bring out each other's most prominent traits. Mizu's comment about their similar "brattiness" comes to mind here.

Green is also an analogous colour with Mizu's blue. These colours are sitting right next to each other on the colour wheel; their natural similarity makes it easy for them to form a cohesive overall appearance, but using both in equal amounts will make a design overwhelming and too busy. Thus, the best way to use analogous colours is to make one the dominant colour, while the other will serve as an accent. I feel this also speaks to the dynamic in Taigen and Mizu's relationship. They came from the space place, both from nothing; they're both strong fighters who love the sport, and work well together when fighting side-by-side; however, they butt heads too easily, mirroring how analogous colours can be too overwhelming when used in equal amounts. Thus, to work together in harmony, one has to be the dominant colour, while the other serves as the accent. In this case, the dominant force would be Mizu, as she is the protagonist of the story, while the accent would be Taigen.

By fulfilling this role as an "accent" to Mizu, Taigen's character would easily be slotted in as a the love interest. This is in contrast with a Mizu/Akemi relationship, whereby Akemi is Mizu's foil before she is Mizu's love interest. This is because, by being a love interest, a character usually takes a backseat in the story, serving the plot and the themes by playing a purely supportive role, and this is not possible in Akemi's case because her character exists to parallel and contrast Mizu (red and blue), and not to support her.

It is possible to serve as a supporting love interest in Taigen's case however. And this is because he, unlike the other characters, does not currently have a definitive place within the story. He initially served the plot as an antagonistic force, but now as he is slowly unlearning his prejudices and becoming a better person, he can no longer serve the story by acting purely as a rival.

Instead, he will serve the story by literally supporting Mizu. And this relates to Taigen being earth, which is steady, firm and reliable, unwavering in loyalty and principles, hardworking and rooted in stability, which is seen in Taigen's staunch and inflexible obedience to the traditions and rules of society. These traits are what make him a perfect samurai, but not a good man. However, unlike most people in their world, Taigen is still capable of change and redemption, which is why Mizu says that he has the potential to be great. Not great by way of power or glory, but great in character. Already, he is honourable to a fault, and does not betray Mizu even after she technically robbed him of everything he was striving towards. And when he was shot by an arrow in the chasm, he did not hesitate a second to tell Mizu to use him as a human shield and save herself.

The trigger for his redemption is Mizu. If she had never beat him in that duel, Taigen would live on to become a man like Akemi's father. Cruel, power-hungry, controlling, conservative. But through Mizu, Taigen's sharp edges are ground down, much like water that wears down the stones in a river.

Where Mizu and Akemi's possible love story would be a clash of wills, full of passion and even heartbreak, a possible love story between Mizu and Taigen would be the wearing down of souls. Mizu would make Taigen a better person, and in turn Taigen would dedicate his full respect and support to Mizu as his equal, thus getting her to slowly open up and love herself. Already, Taigen has grown enough to admit (begrudgingly, and in his own Taigen way) that Mizu is better than him; though, clearly, he still has a long way to go, as he still calls Mizu a demon shortly after that.

But basically, Taigen is a very simple man (his main goal now is "to be happy"), and Mizu has great depths that he cannot yet fathom. For this love story to work, it has to begin with Taigen changing for the better. If he succeeds in that, and is able to accept Mizu for all her complexities, I believe that they will make a formidable pair. And though he'd likely still throw a jab or snarky remark at Mizu every now and then, I think he'd come tl wholeheartedly admire Mizu as a brilliant swordsman and a kind soul. Thus, should things work out and this be endgame, Taigen would be able to provide Mizu with what Mikio could not: an idyllic life that is not built on a lie, but mutual trust, respect, admiration, and equality.

Or hey, maybe they could both make their own dojo together! I don't know.

(Edit: This post by @rinandsketches does a great job at delving into Taigen's character and a potential Mizu/Taigen relationship if you'd like to read more about this angle!)

--

Now, as I move on from Taigen, there are a couple more options on how to resolve this love triangle and that includes Option C: Ringo.

In this option, Mizu does not have an endgame romance with either Akemi or Taigen. In this route, she finds peace and love through friendship, solidarity, and a found family between herself, Ringo and Master Eiji—a bunch of outcasts in society who make a strong trifecta of sword-makers.

Also, as an aside while I'm talking about Ringo, I'd like to point out that I believe his element is air and his colour is a neutral grey; he is talkative, easy-going, wise, curious, light on his feet (stealthy) and free-spirited, which are all traits linked to air, and traits that complement Mizu nicely, as he is capable of getting Mizu to open up and trust others again, while Mizu helps him reach his true potential for greatness.

--

And finally, there's Option D: Polyamory.

This is basically an "all of the above" option, in which everyone wins and it's a super duper happy ending. It would also be awesome to get some polyamorous representation, and seeing the dynamic between Akemi/Mizu/Taigen play out would be very entertaining and refreshing. So, you never know, this just might be the true endgame!

--

AAAAND with that, I close my extremely long analysis of what is essentially Mizu's love life. Whatever the final outcome of this love triangle though, I just hope it will be well-written and satisfying to all the characters' respective arcs. (Also I just want Mizu to be HAPPY goddamn it because she deserves the world and her coochie eaten out)

Now, I highly doubt anyone will read any of this (especially not until the end!) but that's fine. I just have so many thoughts and feelings about this show and I just needed to get this out of my system lol! But if by some miracle you did read this far, I wholeheartedly welcome any sharing of thoughts and ideas because man am I obsessed with this show! But of course, if we have an opposing opinions, please be respectful when letting me know; I am very open to friendly discussions.

[i-suc-at-art]

Ummm.. I really love this fic

*hands @basilf1res this gently*

Any ways go read project “GH05T” it’s really good :)

[chimerahyperfix]

You’re looking for something— no, someone, too, aren’t you?

(I can’t comprehend how you understand what’s going on, with your lifeless shell. Craft as you are.)

[plulp]

hey guys. remy design

[ghost-bard]

I've had this theory for a while now, and me n my friend (@nightshadetq ) have talked about it a bit as The Magnus Protocol continues, but I really don't think Alice's indifference to the paranormal/statements/cases ect ect is proof that she like. Has no idea what's going on, or will be in for a rude awakening.

[Note: this post is not free from spoilers up to episode 18]

I think she knows a decent amount of what's actually going on, and is trying to protect Sam (or her uninformed coworkers in general) from getting in too deep.

Other than Lena, who I assume has been the boss since Alice arrived, Alice has worked at the OIAR the longest, "nearly a decade" and has consistently told Sam not to look into anything, to not be curious, and to just do his job, and those moments are when she is the most serious, an odd departure from her typical attitude, very likely a coping or defense mechanism (or survival tactic) on her part.

We also have how she and Colin interact, and her conversation with Teddy in the most recent episode (18 as of writing). While yes, her and Colin's unlikely duo could be in part simply a fun dynamic, grumpy/sunshine, whatever, but we also don't really know what has happened within the last near decade of Alice working at the OIAR. The only person Colin likes is Alice, perhaps because she's the only one he trusts, or maybe they went through something together, that's mostly speculation on my part I'll admit.

What's more interesting is Alice and Teddy's conversation, the weight of Alice calling Teddy a liar, her saying to herself for Teddy to "watch himself" because she's worried. I would point out we have no idea how long Teddy worked at the OIAR, though in episode one there's a mention of "another four years" which implies he's worked there about that amount of time, and so Alice had still worked there the longest.

Honestly it would be weird if Alice hadn't seen weird shit pre-canon given how long she's been there, and that despite the jobs turnover rate hasn't quit despite everything, almost like she's obligated, to the job perhaps not, but maybe to the other people working, given we know that people can and have quit. Of course it could also just be the getting a new job is difficult and she has a younger brother to help out occasionally, but truthfully I find it a bit difficult to believe that being the only reason she wouldn't have quit by now.

Also interesting that the only thing Alice said in response to Gwen talking about Mr. Bonzo, where Sam laughs and thinks she's joking, is after she leaves saying "Curiosity will get you killed, best try and ignore it" wherein Alice clowning on Gwen is what I, at the least, would expect in response. Yes, she questions Gwen interacting with monsters, but she doesn't push her to talk about it, and in fact, gave her an out on what the Externals are.

Considering both Gwen and Sam didn't know about them until 1. Gwen asking Lena to let her "in" and getting work about/for the Externals, and 2. Sam just now being informed. Meanwhile Alice has a fake explanation on what they are, providing Sam with said explanation, therefore shielding him from the truth of the matter, and letting Gwen not have to talk about it, only for Gwen to then say what they actually are. So either Alice already knew what an External was, and lives by the "if you don't know about the real goings on nothing will happen to you" deal and tries to act the part herself, or someone who no longer works at the OIAR AND worked with Externals told her that that was what they were, which I'll admit is also a possibility.

There is also her seeing the drowning victim and her reaction to them. Her primary issue as I remember it was the dead body, given how she implies she hadn't seen a dead body since her parents passed. However, her having a negative reaction to a dead body doesn't mean she hasn't seen other freak shit. There is also the option that she lied about not having seen a dead body since her parents, and she (rightfully) still has an averse reaction to them, though I don't necessarily believe this myself, I am presenting it as an option.

Maybe I'm talking out my ass, but I really don't think Alice has completely avoided everything up until now, especially given how weirdly cagey she is about anyone (mainly Sam, but they have a history so maybe she feels responsible for him in some way) getting curious about what they do, or wanting to look into the cases they receive. If she didn't know anything at all, I don't know why she'd care about someone getting curious about their cases, or at least care as much as she seems to.

[pensivespacepirate]

it feels like the whole purpose of venom 3 is to kill off venom what the fuck

[nerosdayinanime]

wait. random idea. Pathetic(blame candy) muzan & kokushibo are exes from Centuries ago and he has Complaints hed like to talk about w him but all hes getting to now is Nakime. hes so sick of his bullshit and just enduring it and goes to kagaya like 'i have to kill kibutsuji. ill help you kill him & the other upper moons just PLEASE im so sick of this shit. i need to kill him' 'well you arent killing me so ill give you the benefit of doubt-'

since they broke up he's hacked at the curse to the point he can snap it Whenever without muzan noticing, he finally did so & went to kagaya bc he can Feel shit's gonna pick up soon. he has his memories but he Ignores Them bc hes ashamed and kinda projecting it onto muzan. he has to kill muzan to kill his shame kinda fucked up coping mechanism yk?

the hashira try to kill him On Sight together but he calmly deflects everything while explaining hes working with them to kill kibutsuji. reluctant acceptance with the note from kagaya giving him a pass. most of them fully believe its a trap tho.

koku seeing tanjiro & his earrings and starting to approach, giyuu already has his blade lodged in his neck as a warning/threat & tanjiro staring at him in shock like 'HUH?? THE MAN FROM MY DREAMS?? HES A DEMON NOW? WAIT WHATS HE DOING HERE-'

[riiviir]

hey guys so I just started reading Flatland by Edwin A. Abbott and OMG AHSBNSBSBSNSNBSHZHSHDBFHGGHFHGRJ2KSHSBSNSK AAAAAAAAAAAAAAA I LOVE THINKING ABOUT THE RELATIVITY BETWEEN DIMENSIONS!!!!!!