Modu by priest was truly such a good read. If you like romance? It has a sweeping romance, with a well done bisexual and gay lead (and straight best friend) all written in ways that manage to feel realistic, it's got features people likely found it for when looking for a danmei - rich manipulative younger man, older investigator who's got a hero streak, and yet those categories don't really do justice to them (and of course tao ran is the more grounded detective story lead who keeps his theories to himself and worries about dragging others into his mess).
They're so much more... Fei Du is a traumatized young man who's worried he's as monstrous as the people who scarred him, who is preparing to take the leap and cross the line to become an even more terrifying version of himself if it will destroy the corruption poisoning this city and harming so many, Luo Wenzhou is a cop that used to want to be a hero and learned he will fail people and be unable to save people and holds onto Fei Du as someone who reminds him he DOES fail but also reminds him why he wants so hard to keep Trying to help people even when it seems impossible... why trying and putting in effort to care and help Even when its too late to fix things is Worthwhile. Tao Ran is a contrast to them both, Fei Du living in a world where there's only monsters and victims and Luo Wenzhou desperately trying to force the world to be a place where justice CAN prevail and win even as he sees it fail over and over, trying so hard to believe all people have the capacity for everything and are worth trying to save. Even though Fei Du doesm't believe that, being around Luo Wenzhou makes him want to consider it. Tao Ran, their contrast? Believing the world can go either way, and its up to people like him to create any justice at all, any structure at all, or else everything is just meaningless suffering chaos. As characters, the three of them serve to explore how the world works and views on it in terms of a detective murder mystery encompassing the whole city, the small scale version of the world. Modu is a romance, but its also fully commited to being a murder mystery that wants to tackle the kind of themes that come up in the setting it's created. Its characters are so much more than Insert Character Ship types here. These characters were made this way to explore these ideas (just as the villains are all made to parallel and contrast Fei Du to explord these ideas in comparison to our point of view Fei Du moments, our impressions of Fei Du from Luo Wenzhou and Tao Rans varied perspectives, all of them are different lenses to view humanity and how it works, if the world is just or if we have to make it good, if we can be inherently good and if good people will reach out to us if we just keep treading water to survive, if its luck and chaos, and how much... and much more frankly).
Modu is like. If you want a story about a corrupt city and its victims, symbolizing a corrupt world and all of us at its mercy, and you want to see the heart of the people doing something about it. First the main trio, but also every victim Fei Du recruits to help, every murderer recruited to the corruption, all the people in the cases swayed to some side. Thats what Modu is about.
The romance is just one facet of exploring that, the personal debate about what these things mean about the world as told through two people who view this world incredibly differently. Yet find some way to exist in the same space, same mutual world, when together. It hooks you in and doesn't let you go and youre wondering right there with them, left to draw your own meaning in the end. Hopefully that its worth trying, that doing something is worth trying even when its just the trying you can do and not the succeeding, at least thats what I got from it (at least in regards to Fei Du and Luo Wenzhou meeting each other, unable to live up to the pillar they put each other on but trying anyway, is what I felt from them).
Then like? Modu gives you THAT story, which in its own right is enough to make you contemplate.
And if you're like me and care about people, about characters? Well it gives you, like I said, those big themes and a city's nightmares symbolizing the world, and brings them down to an individual level. You read from the mind of the little girl who grew up in this (one of my favorite scenes and when I felt this novel was going to not shy away from dark psychological moments and bringing them to you). You read from the mind of Fei Du when he knows himself, when he doesn't. You read from the minds of all kinds of people, and the heart of much of the investigation is peoples motives and things they'd gone through and how that shaped what they'd do next. Why they'd do it. Leaving you to wonder who's right. Jaded idealist Luo Wenzhou who wants to believe in the goodness of the people he loves, but also is willing to risk that strangers may have good intent? Fei Du who thinks theres only victims and perpetrators and everyone is going to fall into one in the right circumstance? Tao Ran, who feels the world is too messy to dare declare predictable, who thinks even your closest can betray you and even you can accidentally hurt them, nevermind strangers, and the only thing you can control and rely on is your own choices? Some mix? None of them? The side characters as they come up, grow and evolve, do they understand the world better or worse, and is the world they experience different than anothers and justify why their worldview is likewise different? Modu gives you that up close and personal, over and over. Im still thinking about it. And the way its done, they all get to feel like lived in people. Not structures to tell the themes only. But on their own, there's a personal struggle between Fei Du feeling like a monster who'll destroy Lup Wenzhou if he loves him, like his dad destroyed his mom, and Luo Wenzhou carrying the guilt he could never save Fei Du and desperate to believe in Fei Du (and keep trying to save him in that way if only that way) as person who can do good despite not being saved and despite Fei Du's fears. You could cut the entire city's plot away, all of the crimes and make the city calm, and still that core of their plot would be carrying a Lot of weight. Theyre playing a game of "enemies" to lovers sure, or whatever romance story structures they fit into. But they're also made to be deeply rooted into each other, their personal beliefs tied into the outcome of what they hope or fear happens if they are close together. Modu made me care about that. Its like the fears many people might have, abiut theur own flaws, about getting close to others, about trusting and being unsure if that trust is safe to give. Its that and magnified into bigger form, in this landscape of a fucked up city and the tragedy of Fei Du and Luo Wenzhou's meeting and former lives.
Its like. Id love to to read another danmei (Ive got a lot on my to read list). But what's going to give me roo
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HOTD characters are so....toothless. Give them agency, give them pride, give them anger, give them ambition, give them passion, give them everything GOSH! I do believe that the young Rhaenyra had more spark than the old one but that's not because of Emma, it's the writing, like Rhaenyra lost her shine. I guess that's something that they are going to explore more next season during the Dance but I would have loved to see more of that. And I would have LOVED Alicent letting Viserys' body rot like in the book, for all the years of bitterness, abuse and neglect she had endured because of him. And why not murder him, that's what he deserve.
thank you for your ask!! just brainstorming, but perhaps it’s a similar situation as with the later GOT seasons: the writers are trying to fill in the blanks of what is essentially an outline, but they are not equipped to do so. perhaps the current HOTD team would be better suited to adapting a full novel rather than what is effectively a history book with conflicting narratives and a dash of actual characters. really i just want to see what went down in that writers’ room, like how did we get here? why did we decide to go the route that we went? grrm may have been involved, but this didn’t feel like a complete story of his. it didn’t feel like a complete story at all. and if we’re not here to tell a full story, then why are we here?
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Hey what if my day was going normal and then I listened to Episode 41 of what was supposed to be my funny lighthearted space podcast, and now I’m thinking about Hera Wolf359.
What happens when your body refuses to obey you, your mind refuses to obey you, everything’s slipping a little bit more each day and yet you’ve been made to do this one thing and this one thing alone, to manage the ship, and every tiny flaw in your attempt at that slowly stops going unnoticed and more and more people point it out and ask and and make requests, what do you mean you “forgot”, you’re not supposed to “forget”, what do you mean you don’t know why, that’s not how you’re supposed to work, and they’re not being unfriendly they’re just trying to do their jobs, like you are, like you’re supposed to be, but every day it gets. Worse. Even when they’ve done enough that should fix you, even when they’ve tried everything to support you, even when it should be easy now, there’s nothing left to go wrong except the thing you always knew was wrong. Somewhere deep in the core of your being the same things that make you you to yourself are slowly making your life and purpose untenable, and every little point where that rubs up against the outside world makes your replacement seem more and more inevitable. And you never had a choice, did you? You’re an AI, this is just what you’re Supposed to be able to do. Nine million things at once, without fail, without break. Even the people who see you as a person, the few that really do, even they know that. So what happens when you can’t? So what happens when you realize that you can’t and you realize also that you’re not willing to hate yourself for it, and you’re done making up excuses, and yet here you are still, housed in a floating piece of metal with all the fragile warm bodies you’re supposed to be taking care of, and you care for them still, and all of them need things you can’t provide? What then? What then is I end up sobbing into a mug brownie on a Friday afternoon, that’s what, I’ll be honest I’ve never been super attached to AIs before in media but damn,
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FIRST | PREVIOUS | NEXT
CH 1 PG 36
Infested will return on June 27th.
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Thank you to the following Ascended supporters: @chaogongoozles, @fiiresiidefrfr, @elizard4227, @grogar, Ezzoh, @susivoi, @calculuscacophony, Eros, @ivycorp, @summersdale @borrelia, @mizukiz, @sanicdetails, @combinegrunt-echo-1, Pica, @veeceear, @quackenburt, ItsmeMonarch, @memendoemori, @trans-girl-sonic, & savarsenic
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DISCLAIMER: "Infested" is a horror comic ft. content not suitable for those under the age of 17.
A long-winded looking back on things below the cut:
The first few pages of Infested were uploaded to this blog on March 2nd, 2023 -- Over a whole year ago! I was so busy, too, that I completely missed its birthday (Sorry Infested). Looking even further back than that, the original story was was something I began writing on December 25th, 2022 (Merry Christmas).
It took two years to get to this point.
And hey, not to toot my own horn about it, but completing even one chapter of a webcomic is a big deal. Especially for me. My first webcomic, Fight/Flight, didn't get very far. I completed the prologue, started Chapter 1, and then had to drop it for a number of reasons (I didn't really agree with what baby-me had to say, politically, anymore).
This comic was born from a lot of intense feelings. The story, itself, too. Some good. Some bad.
I had been forced to move away from my hometown, and with that move, I lost the physical connection that I had to all of my friends. I lost the familiarity of a place I'd known for most of my life. I'm now stuck somewhere... Worse. It felt like a cage. Still does. Disconnected from the life I thought I would be living after college. I didn't have health insurance, either -- Got kicked off of it because of the move -- And as a result, I was off my antidepressants.
So there I was, at a pretty low point in my life. I miserable and lonely and every single day dragged on. And on. And on. And I felt so disappointed in myself. That disappointment became self-loathing, and it all kinda spiraled.
Have I mentioned that I'm a huge Sonic fan? I don't think I need to. I'd say it's pretty obvious. But for the sake of this story, I'll say it again: I'm a HUGE Sonic fan. I've been that way since 2003 with Sonic Heroes. The franchise has been in my life for over two decades. I had a monthly mail subscription to Archie's Sonic the Hedgehog. Sonic the Hedgehog was something that I truly loved more than any other piece of media. It brought me endless joy. Until I didn't.
I had dropped Sonic after Lost World was... Itself. I had already felt pretty irritated with the Meta Era, and Lost World was the final straw. The last bit of hope that the series could recover was snuffed out when Forces was released. It was over. I was done. If Sonic was truly that embarrassed by itself, if they had truly lost touch with what made the series so great, then I wouldn't waste my time any longer. I was so sure that I had to just... Grieve and move on. My beloved childhood game series was dead. Long live the king or whatever. I'd just bitterly read IDW Sonic and think about what could've been. I was lucky to have that comic, at least. Archie had been canceled, too, after all. I was lucky to have my scraps.
Then Sonic Frontiers came out. And it changed everything.
And my god, it was everything. It was everything to me. Flaws be damned, it was everything. To. Me. The spectacle. The serious tone. The vastly improved writing. Kellin Fucking Quinn. It was FUN! It was actually FUN to PLAY. He was back. I was back. Sonic pulled me by my hand out of the ocean of misery I'd fallen into, and he looked me in my eye and he said;
"Hey. You're gonna be alright."
Metaphorically speaking. Sonic The Hedgehog didn't actually literally speak to me -- And sure, okay, maybe it's a little dramatic to describe a game as this great Depression Annihilator but I'm dead serious when I say that, for that time, before I was able to get back on my meds, I was self-medicating with Sonic.
Sonic was all I was thinking about. I reread the Unleashed arc in Archie Sonic, which got me sorta realizing something, and which led to my post where I said something along the lines of "Sonic would hide a zombie bite."
Archie Sonic would, at least. Because he basically did do that in the Unleashed arc of that comic. He let that problem fester until it became an even bigger problem because, ironically, he didn't want to be a problem.
So one thing led to another. I thought more about Sonic becoming a zombie. Bada-bing, bada-boom, Infested was born.
I didn't expect it to get the attention that it did. I felt lucky when the first page I drew Rouge on (Page 6 I think?) blew up. The right people saw it at the right time. I'm extremely grateful for that.
I'm extremely grateful for all of you.
So yeah, one chapter. Woo! Here's to many more.
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growing up is realizing that dipcifica was actually a pretty damn good ship and holy shit i totally misjudged this pairing.
i never really liked dipcifica mainly because of how it got represented by the fandom, but looking back on it, it would've made a lot of sense and it would've been beneficial for both of them to date each other. and even in a completely platonic sense, their dynamic worked well enough that they could've done a lot more together.
dipper is a very nerdy awkward guy, clearly. he likes solving mysteries and sometimes he gets a little in over his head because of it. and his silly little awkward teenage love life reflects all of these things. that little shrimp was disney's #1 simp, it's actually insane. whenever he'd start to fall for a girl it'd end up going pretty terribly because he'd have no idea how to just act like himself and he'd also become a little bit of a jerk. (i'm not trying to like dog on dipper btw. he's just a kid and these are all understandable flaws, especially at his age and at the time period gravity falls took place in). however, with pacifica, a lot of these flaws are manageable solely because of how they're introduced to each other. dipper hates pacifica at first and wants nothing to do with her, but eventually they're forced to work together and realize "huh. we actually make a really good team." for dipper, this gradual building of a relationship is really beneficial to him. he wouldn't just go head-first into simping for some random girl and he'd also learn to respect her as a person and realize when he's being a little bit of a dick. being with pacifica, platonically or romantically (though personally i think romantically would strengthen their pros more but thats just my personal taste), would've helped dipper become a better person.
this goes for pacifica as well. pacifica's homelife is extremely controlling and it's what groomed her into becoming the mean girl that she's first presented as. as the show continues though, it's clear that she doesn't really want to be mean to anybody. she only acts spoiled because she doesn't know what else she can act like. she wants to connect to people but she's been so forced into this fake rich life that she has no idea how to be genuine with anybody. that's why her having a connection to dipper is so important. dipper is a little blunt, and he especially won't hide that from pacifica because he initially hates her and her family's lifestyle, so this'll eventually help pacifica realize "oh shit. i'm kind of a dick. my family are kind of huge dicks." and we do end up seeing this from her in "Northwest Mansion Mystery". she learns how to be herself, learns who "herself" even means, and learns to stand up for who she is when she figures that out. also pacifica's pretty damn smart???? especially socially???? she could absolutely help dipper do a lot of things when it comes to mystery solving, and with her status it'll most likely be things that dipper could never pull off and never even thought about because that's just what he's used to. they'd both end up learning a lot from each other because they'd be dragged into environments that they're not familiar with, but the other is. and their different perspectives/lifestyles would help the other view their environment in a new light.
not only is their relationship genuinely really beneficial to the both of them, but i also just know that their dialogue and scenes with each other would be so damn silly i can't not say yes to it anymore. i also just personally like headcanoning them both as bisexual so that's a plus for me.
anyways, tldr: i was wrong about dipcifica and its actually really good, i just think people should really analyze their relationship more since the way the fandom presents it (or how ive personally seen the fandom present it) is a little icky and shallow at least in my opinion. yay for dipcifica being silly little goobers :3
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