#NOT obsessing over my own work and flaws it may have

[muletia]

𝐢𝐟 𝐧𝐨𝐭 𝐟𝐨𝐫 𝐲𝐨𝐮 ⋆✴︎˚｡⋆

inspired by 'if not for you' by george harrison

[tfp] obsessed!optimus prime x human!reader

summary: after winning the war, optimus found his safe haven. with you.

cw: fluff, pinch of angst, obsessive thoughts, i may have romanticized his obsession a bit... self-indulgence, canon divergence - optimus gets his happy ending :))

word count: 1200

an: i'm returning to my roots of tormenting down bad optimus. this fic can be treated as the yang to my previous piece about his dream and as the good ending to the whole obsessed!optimus arc.

Once, a fire burned within his body. It consumed every conduit, reached every metallic tissue. The blaze wrought devastation, destroying and leaving behind necrosis until it consumed him entirely, mercilessly incinerating the remnants of optimism, the hope that he might live to see a better tomorrow. He burned out; the flame hollowed him from within and left behind only a shell. Deep within his spark, however, an ember still flickered—a reminder that he could not surrender, that he must endure to the end and serve his own, for that was the role he had chosen those ages ago. He could not capitulate. He would not.

And then, you appeared. A tiny spark that reignited the fire. This one was fiercer and more painful, but within it lay the beauty of caring for someone, loving their flaws and imperfections, lending strength when it was most needed. You gave him enough of it to end the conflict once and for all. Optimus had long lost hope for a better tomorrow for himself. But for yours, he was willing to do absolutely anything. To ensure your well-being, reshape the future so you would no longer have to live in fear for your home. He did not factor himself into it; he knew the sacrifice required to bring an end to a war that had escalated to an interplanetary scale. He could only dream, nourishing his imagination with visions he would never behold.

At least, that was what he once believed.

The wind gently brushes against his armor, and the spring sun envelops him with warmth. Far from civilization, no sounds of haste or petty conflicts reach him. It is only him and your garden—the flora that continously surprises him with something new. Colors, shapes of flowers, bloom schedules. Simple organisms, mundane and primitive, yet he saw beauty in them. Their simplicity fascinated him, as it was the complete opposite of Cybertron and its inhabitants. But what captivated him most was their will to live—their resilience, the extent of suffering they could endure before yielding, before giving up. He drew inspiration from them, for he, too, wished to live. Now, yes. For you.

He knows you will return soon; your weekly schedule is deeply etched into his processor. But until then, he does not know what to do with himself. He always spends his time waiting for you, for the moment your vehicle rolls into the garage, for it is only then that he begins to truly live. In your company, surrounded by conversation, your kindness, and an affection impossible to replicate. Everything he does in your absence is merely to kill time, to hasten your return, to occupy his processor and stave off madness without you. Sometimes, he manages, especially when a former teammate visits. But there are days when all he can do is meditate beneath the tree closest to the driveway, waiting for you. Thinking about what you will do together when you return, what news from work you will share with him, and how he might bring you joy today. Without you, he is lost. The self-sufficiency built over so many years suddenly crumbles, revealing an uncertain, astray being entirely dependent on his conjunx.

Today is no exception to the routine. No one has visited. Optimus remains alone with his thoughts, which, for several years now, have been recalibrated to revolve solely around you. Once, they fed the fire he had to vigilantly tend, for he easily lost control over it, and it burned him alive. Now, it envelops him in a pleasant warmth, more soothing than the sun’s radiance. More comforting and tender. It brings him solace and peace, though it still fuels an unhealthy devotion. No longer destructive, but still imbued with a fiery passion, greater than Primus himself.

Sometimes, he misses Cybertron. Guilt over abandoning the search for a way home gnaws at him when he is not entirely focused on you. He knows the others still strive to find a solution. Occasionally, they invite him on missions—living fossils of his former life—but Optimus ceased aiding them for his own interest long ago. He does not wish to return. He could not bear to leave you, to forsake the life you have painstakingly woven together. He might as well perish if it meant never seeing you again.

A sound pulls him back to reality—the scratch of tires on a gravel road. You are still distant; he will see you in precisely four minutes and twenty-six seconds, but a subtle smile already creeps onto his faceplate. This is the exact moment he has awaited half the day, yet even now, his composure cracks, revealing his excitement. He wishes to greet you. Now. Immediately.

He mass-shifts, preparing for your return. He would prefer to drive you himself, but you insisted on not taking advantage of him—a decision he never fully understood. Had he not made it abundantly clear that he would do anything for you? That he was at your every beck and call, ready to please and serve? Yet, to his misfortune, it was a harmless decision, one you had every right to make, and he was never the confrontational type.

He watches as you park and step out of the car, holding shopping bags, which he immediately takes from you.

"Greetings, my dearest," he says.

"Hello, love!" you reply. You want to add something else, perhaps to start recounting your day, but he must interrupt you.

His servo cradles your face, fitting its contours perfectly, as if you truly were made for one another. He lowers his helm to your face and kisses you. First the edge of your lips, then your cheek and jaw, steadily trailing down to your neck.

Once, he feared touch, terrified of its power, of how quickly and completely it consumed him. How much he craved, and how little he possessed. Each time, he waited for your permission, for you to dictate what he could and could not do, lest he accidentally hurt you. Destroy the relationship that sustained his wretched life, shattering the trust you had placed in him. And though similar moments remain a near-daily occurrence in your relationship, they have migrated to other spaces, to intimate places. In other circumstances, he has relaxed the self-imposed rigor, dictating for himself when he could, when he should, and when he wanted.

“Not wasting any time today, are you?” you laugh.

Even he is unsure of what overcame him. He usually waits until you both calmly return home to prove how much he has missed you. Today, he cannot wait. The sight of you breaks him, making him acutely aware of his yearning, which he must somehow release before it consumes him entirely.

You are addictive.

"Opti, not here," you chide.

He stops immediately, though the taste of your skin lingers on his glossa, teasing him to continue his advances. It unsettles his processor as it invigorates his frame.

"I missed you," he says, syncing his stride with yours.

“I missed you too,” you reply, smiling in a way that infects him with the same expression.

He needed this. Simplicity, a place he could call home. You. For without you, there would be no new day, no spring, and the universe would become empty. Soulless and cold.

[inkykeiji]

>.<

[deathbxnny]

Hi! I really love your fic. Could you write oneshot reader x Viktor that reader has imposter syndrome and they blame themselves for little mistakes. How would Viktor comfort them?

The failed overachiever. | Viktor x Gn!Reader

I'm feeling a little better again healthwise, so I hope this is good, Anon! Thank you for your request and enjoy!<3

Content: Imposter syndrome, pre season 2 viktor, some angst, fluff, hurt/comfort, Reader is a genius, established romantic relationship, sfw

Reader has no set pronouns.

((Not proofread))

"Ah no, no, no! This just won't do!" You hiss out as you toss another paper filled with prototype scribbles in the trash. Working on your latest projects was already a painful drag, but it certainly didn't help that you just couldn't make up your mind. The equations you have come up with also seemed wrong. And the deadline to the showcasing was coming closer and closer!

Sleep was rare to find these days, mainly as you were stuck trying to chase a perfection you just simply never have found yet in your lifetime. An impossible feat you were unwilling to give up on no matter what. The many endless achievements that littered the walls of your laboratory were a clear statement to your deep desperation. You were practically renowned for your genius innovation and philosophies, but they never reached your mind. To you, they felt undeserving as in every one you could only see the flaws and mistakes you've made.

You couldn't escape the cycle of self hate you've trapped yourself in for years now... but that didn't mean that your dear boyfriend Viktor wasn't going to try and help you anyway.

Viktor narrowly dodged an incoming crumbled paper when he entered your laboratory late into the night. You hadn't left it in days now, and whilst it may have very well been hypocritical of him, he had come to bring you to bed. You used to do this often to him as well, way before the obsession for a flawless project had taken over you, but ever since you've been asked to present your latest projects at a inventors gala, things changed for the worst. He was already familiar with your rather self-destructive behaviors and was deeply concerned by them, another form of hypocrisy on his part, he supposed.

Tilting his head at your hunched over form, he carefully approached you, the sound of his cane making you hum weakly in acknowledgment. "Rough night?" He joked, although you found less amusement in it as you shook your head in disappointment. "I am simply enraged by everything! Every draft is worse than the last, and the deadline is in two weeks, and I have yet to finish a thing, and, and-" You let out a frustrated string of curses, before near swiping everything off your work desk. "I'm just... such a failure... nothing I do is good enough. Every mistake is a testament to how little I deserve my position as a scientist and professor."

Viktor frowned gently at your clear defeat, the tears in your eyes making his heart ache. He knew that feeling all too well. And he never wanted you to feel it, too. You were a genius beyond every measure. People followed your inventions like they were religion, always so eager for the latest news. Yet you never saw that part of your success. In fact, not an ounce of you believed you were successful by your own volition either. Every achievement and reward was just dumb luck to you.

"I don't think that's true." He started as he leaned down with great difficulty to grab some papers you had thrown away in rage. "And no one else does either. You're this generations genius. Everyone knows this... but you. And that's sad, my love." His words were soft and warm, the sweetness making you turn to look at him, whilst he sat down in a chair and flipped through your work intently like he always did. Patting his good leg, he invited you to sit in his lap, something that always made you nervous despite him making it clear that it didn't hurt him. Yet you indulged him this time without protest, desperate for some comfort.

He chuckled when you quickly hid your face in his neck, not wanting to embarrass yourself with the tears that were burning in your eyes. Pulling you close with his unoccupied hand, he pressed a kiss to your head and looked over your notes with a prideful glint in his eyes. "Your work moves and inspires thousands. Everyone knows of it and praises it like its gospel. You should be more kind to yourself... which may be hypocritical of me to say, but it's true nonetheless. Your work is perfection." "I don't think it is. The mistakes are so foolish that they are unforgivable." "Hardly." Leaning away, he made enough room to make you see the papers. "This is a flawless equation, and the design is impressive... may I watch you work on it? It would be an honor, my love." The man hummed, making you blink in surprise before you collected your ego and jumped up with a determined, yet flustered look on your face. "Well! If you really think that, then I suppose you can! But don't expect me to slow down for you!" You huffed out, making his smile widen. There you were. The prideful scholar he fell in love with so many years ago.

You began picking and setting things back up, your head turned away from him as you spoke. "... Thank you, by the way. I really needed to hear that." Viktor's eyes glowed with a warm, loving glow as he watched you, his heart full at watching you do what you loved the most.

"No need to thank me. I'll always be there for you."

[myslutwritings]

Hey! I've been reading your blog and I'm really interested in your writing. I would like to ask if you could do the upper moons with a reader with a background like Mitsuri's? As if after rejection the reader became super ashamed of their appearance and their body. Take as much time as you need to write this, I just wanted to send my idea before I forget it <3

-🎀

hey, love! of course i’ll do your request. goodness, this request was in my inbox for a few months so my apologies for responding so late!! (˃̣̣̥⌓˂̣̣̥)

➤ Uppermoons with a partner who has Mitsuri’s backstory

[ not proof read btw ]

➤ summary: reader is insecure

➤ characters included: muzan, kokushibo, douma & akaza!

➤ WARNING: semi-nsfw + violence.

MUZAN KIBUTSUJI

first off.. how dare you-

yeah, okay, he’s GONNA take major offense to say at the very least..

likeeee hellooooo???

i mean, you’re MUZAN’S partner. you somehow pulled the king of demons? like look at you!! (unspoken rizz🤫..)

we all know this man has a crazed obsession with being the perfect being so obviously he is going to view his significant other as the embodiment of perfection itself.

Muzan chose you over anyone else. He views the rest of the human population as insignificant atoms. Because of his determination for perfection he’s going to pick/fall in love with a person who he deems perfect.

let’s be honest, due to him taking offense to finding out you’re insecure over some different face/hair/body features you have that he doesn’t mind/finds them beautiful he’s going to be not very happy!

when i say, “not very happy” that’s just me sugar coating his flaring anger.

However, he’ll try to reassure you in his own way that you’re beautiful the way you are and that you’re perfect in the most passive aggressive way possible.

Listen, he’s not the best at intimacy but he tries for you.

AND OH BOY!! when he finds out if anyone made you feel insecure he would order nakime to locate them so he could kill them. 🤭

As for your exes in the past.. they’re already taken care of! he murdered them awhile ago and didn’t even bother eating them because he was that repulsed by their existence.

Bro didn’t even view them as worth eating.

Btw he didn’t even tell you that he murdered your exes along with the men/women who made you feel insecure about your face/body.. he just causally told you as if it would make you feel better.

“Muzan, what happened to my exes? i saw a missing poster while i was running errands today..”

“There is no need to worry about them anymore, my dear.”

KOKUSHIBO

He’s very saddened over the fact you’re insanely insecure and it devastates him knowing how many people hurt you.

Why is he only hearing this now? he wished you told him sooner.

Like the demon king, he isn’t the most skilled when it comes to intimacy. I mean, he had a wife in the past but he deadass left her and went to go get the milk. 💀

He would never leave you though!

so he’s not going to be the ‘lovey dovey’ reassuring type of boyfriend who coddles you the way you want him to.

He may or may not have forgotten how relationships worked and he’s lowkey awkward!

He’ll reassure you in his own way and of course his demon instincts are provoking him to kill those maggots in the past who dared made you cry.

If you don’t want him to kill your exes he won’t but if you do then congratulations! you have a whole bunch of dead exes!

He’s jealous because he wanted to be with you before any of those people. He figured that if he found you first and asked you out before any of those horrible human beings you wouldn’t be so insecure. :(

Once you communicate more with Koku he’ll begin to understand and attempt to be more intimate and reassuring! He just isn’t used to it.

Kokushibo is honestly excellent at communicating and he’s understanding in his own way.

He won’t understand why you’re so insecure though? You point out your features/habits you’re insecure about that you view as ‘flaws’

He does not view them as flaws in the slightest! That’s just who you are and like muzan he’ll be offended at first you have so much hatred for yourself. 😞

But don’t worry! he won’t get mad like how Muzan did.

If anything you two will just talk it out. He may never will understand why you’re so insecure but he’ll compliment you and reassure you every time he sees you! He’ll do his very best to check up on you whenever he’s able to.

DOUMA

Douma is honestly going to think it’s stupid.

no, you are NOT stupid. he thinks the reason you’re insecure is silly! because why would you be hurt over what someone so insignificant thinks of you?

Douma also thinks it’s stupid because he views you as the most beautiful flower to ever walk this planet!

Yes, douma will find it silly. He may not fully comprehend why it hurts you so much but he’ll reassure you regardless because he loves you!

Douma is canonically great at advice. But usually with his followers he puts on a façade.

But with you it’s very different. Yes, he’ll give you advice but because he loves you and you know him and know what he really is he’ll give you the advice and not sugarcoat it for you.

Downright admits it’s dumb how you feel that way.

Immediately feels bad afterwards though when you break down into tears-

He’s used to seeing miserable people cry. He doesn’t care about their tears.

but when it’s you crying he isn’t a fan, trust me.

This is the part where he’ll reassure you and lend you advice. Instead of being rude, he’ll be genuine with you!

Douma just doesn’t understand. When you point out why you’re insecure he brushes it off because he finds your ‘flaws’ so adorable!

It’s one of the things he loves most about you. Your so-called ‘flaws’ are unique to him.

He gets offended like Muzan because why would you hate those adorable features about yourself?!? 😡😡

Let’s be fr.. Douma will never understand because he doesn’t find you ugly and has zero issues with your habits that you claim to hate about yourself.

But if you need comfort, he’ll of course comfort you and reassure you all you want! After all, he’s known to have a voice that soothes people instantly so he’s incredibly good at helping you. that’s what he does, right?

Anyway, Douma will go out of his way to make you feel less insecure even though he finds it utterly stupid that you are. The little shit still loves you unconditionally and will be genuine with you. He isn’t fake with you like how he is with his followers who suffer from insecurities.

Btw he ate the people who made you feel shitty about your appearance.

AKAZA

he is appalled..

LIKE WHAT???

YOU? INSECURE?

YOU OF ALL MORTALS?!?

High-key freaking out at first because now he feels like he did something wrong

I headcanon him as an overthinker when it comes to those he loves.

You elaborate your darkest feelings to him and he listens like the good boyfriend he is!

This sweet baby is the nicest and most understanding about it though!

Unlike Douma he won’t think it’s stupid. Your feelings are valid!

Akaza detests how insecure you are though. He’ll do anything in his power so you don’t feel that way anymore though!

You reassure him that he’s doing his job right as a demonic boyfriend before revealing that someone else made you feel this way.

Okay, okay.. so it’s not him but some other asshole.

He’ll be really bummed out if he can’t kill them:(

Assumes that’ll make you feel better if he gets rid of that garbage walking the earth.

“Are you sure you don’t want me to kill them for you? I hate how they made you feel insecure about yourself..”

Like, no, akaza it’s fine!!

But if you’re a person who seeks out revenge and WANTS the people who rejected you/made you feel bad about your looks dead this man has zero issue making your desires come true. 💅

After you confess to him about your past rejections and bullying in the past over noticeable features you have he’ll worship you even more that day. He’s the type to bring you flowers and remind you that you’re gorgeous/handsome whenever he gets the chance.

This behavior also comes out in the bedroom but that’s a different story for another day. 😩

[lancermylove]

Dark Side of Dating Him (Dateables)

Fandom: Obey Me

Pairing: Dateables x gn!Reader

Warning: The warning will vary depending on the character, but nothing too serious.

Prompt: This is their dark side, so proceed with caution.

These are just some parts of the HCs. All the HCs, including the brothers and royals, are on my website.

—————��—————————

Simeon

Simeon’s calm and composed nature can be both a blessing and a curse. While he may rarely lose his temper, it also means he tends to avoid confrontation. This avoidance can make resolving conflicts challenging, as Simeon prefers to gloss over issues or downplay their significance rather than addressing them head-on.

As an angel devoted to his duties and the celestial realm, Simeon’s work often precedes his personal life. You may feel like a secondary priority, as he spends more time writing his novels, tending to celestial matters, or guiding others spiritually rather than focusing on your relationship.

Simeon’s perfectionism and high moral standards sometimes make him seem judgmental or unyielding. He holds himself to a high standard and expects the same from his partner, which can lead to feelings of inadequacy if you cannot meet his expectations.

Thirteen

Thirteen’s mischievous and playful nature is a cause of chaos. While her pranks and antics are all in good fun (to her), they might occasionally cross the line and leave you feeling frustrated, embarrassed, or even hurt.

As the Grim Reaper, Thirteen has a close relationship with death and often looks at it in a calm or humorous view. This perspective may be difficult for you to digest if you’re uncomfortable with dark humor or the concept of mortality.

You will have to get used to the concept of death and hearing about death because Thirteen will share all her adventures of soul collecting with you, whether you like it or not. It’s her job, so she doesn’t see anything wrong with talking about it.

Solomon

Solomon’s mischievous and unpredictable nature can make it hard to know where you stand with him. He’s a master of manipulation and charm, and while he doesn’t mean harm, his habit of keeping secrets and playing mind games can leave you unsettled and questioning his true intentions.

As the only human who’s lived for centuries, Solomon’s vast knowledge and experience can create a significant disconnect between the two of you. He may unintentionally patronize you or dismiss your concerns as insignificant compared to the challenges he’s faced in his long life.

Solomon’s obsession with magic can lead to risky experiments and dangerous situations. You might find yourself unwillingly dragged into magical mishaps, such as dealing with curses, unstable potions, or portals gone awry. His tendency to prioritize his magical pursuits over your safety can become frustrating and frightening.

Mephisto

Mephisto’s aristocratic demeanor and superiority complex can be both alluring and frustrating. His belief in his own excellence can come off as arrogance, and he may look down on you without realizing how condescending he’s being.

Mephistopheles can be excessively critical, as he thrives on control and order. He will pick apart even the smallest of flaws. This perfectionism might leave you feeling like you can never meet his high standards, which can create tension in the relationship.

He has a sharp tongue and won’t hesitate to use it in arguments. His words can sometimes sting more than he realizes, especially if you’re feeling vulnerable or emotional.

Raphael

Raphael’s stoic and no-nonsense personality can make him come off as distant and unapproachable, even in a romantic relationship. He struggles to express his feelings, so you might often find yourself guessing how he truly feels about you.

As someone who values discipline and order, Raphael can sometimes be overly strict or critical. He has high expectations for himself and others, and while he means well, his words or actions may come off as harsh or unkind, especially during moments of conflict.

Raphael’s dedication to his duties can overshadow his personal life. He prioritizes his responsibilities as an angel above all else, making you feel like you’re competing for his attention or that you’re not his top priority.

———————————————

➣ All Masterlists

➣ OM Masterlist: [Genre][By Characters]

➣ Tumblr Only ML: Obey Me

[d3athmaskd1v1n3]

Could you write some general headcanons about yan Arkhamverse Riddler? Not focused on the reader, just him really.

General Yandere Riddler headcanons.

(Thanks for the request, anon! I'll do my best.)

I may mostly write yandere fics, but I totally see this man having some of those classic tsundere traits as well. He's the type of guy to deny being in love with somebody all the while he's absolutely obsessed with them.

He definitely would find a way to hack into his darling's phone and computer just so he can see whatever they're doing online. He also would totally stalk their social media if they have any.

He has a notebook filled with notes he's taken about his darling. All their habits and quirks, their schedule, random facts he's learned about them, things they're knowledgeable about as well as things they aren't so well versed in, and much more.

Hell, he'd probably try to get his hands on their medical history, old report cards from their youth, resumes they used to find work, and whatever else may give him even more information on them.

He would try to test his darling's intelligence. He just can't help himself. He wants to know if they are worthy of his love (although, if they fail, he'll still be absolutely obsessed with them.)

He would get insanely envious of anybody his darling was romantically involved with prior to getting with him. He'll think they're too stupid for his darling. So, he gets rid of them by using them as a lab rat for whatever "riddle" or puzzle he's currently working on. As you've probably guessed, they usually die in the process.

He wouldn't be as ruthless towards his darling's friends or family, but he wouldn't like them. They're still stealing his darling's attention away from him. It's no secret that this man loves attention, so he gets pretty pissed that he isn't the most important thing in his darling's life. He isn't above talking shit about these people to his darling's face, and he can get very cruel with it, too. He's kind of a bully.

If his darling tries to leave him, he will break down, asking them over and over why they're leaving him, all the while ignoring everything they say.

He just cannot acknowledge any of his own flaws or mistakes, nor is he willing to acknowledge them. He will, however, do everything in his power to prove to them how great he is in order to win them back.

I also imagine that while all this is happening, he is still also obsessed with trying to prove that he is Batman's intellectual superior, so basically now he is obsessed with two people now, just in two very different ways. Interpret that however you want.

(Again, thank you for the request! I do hope you enjoy these headcanons! Please like and reblog if you liked it!)

[emp-t-man]

eiffel and minkowski are often perceived (either by the other characters of the podcast or its audience, but mostly by each other) as the lazy slacker who sucks at his job and the competent go-getter who’s the best at what she does, and yet neither of these things are true. i think one of my favorites of their parallels is they are both exceptionally good at what they do, and yet they both constantly suffer from doubts about their own abilities. they just have completely different ways of going about this insecurity, and that’s what creates this stigma about them.

eiffel has proven time and time again that he absolutely knows what he’s doing in his field. He’s extremely protective over his equipment, he knows exactly what to do when it doesn’t work ninety nine percent of the time, the man made two way radios from old audio recorders, for christ’s sake, not to mention the way he was able to figure out how to survive for months in the middle of deep space completely by himself. but one of his most fatal flaws is that he doesn’t believe he knows what he’s doing. his self hatred and insecurity run so deep that the moment he believes he’s not cut out for something, he stops trying entirely. he sees people like minkowski doing such a good job in their position, that when people like that tell him he’s incapable of doing the same, he believes it, because he never believed in himself, anyway. i think the most obvious example of this is after the season one finale, when he learns about the decima project. the minute he learns that being an officer of communications wasn’t his only purpose on that mission, he comes to the conclusion that he doesn’t serve that purpose at all. he resolves that he was simply an “experimental meatbag”, chosen for the mission because he had absolutely nothing else going for him. he’s so quick to dismiss his worth and his capabilities, and so he leans into this persona of a good for nothing procrastinator to avoid letting his peers down by never letting them form expectations of him in the first place. of course, he isn’t perfect, he is a bit of a procrastinator and a scatterbrain, but that’s far from all he is.

minkowski on the other hand, she’s constantly praised for all of her achievements and hard work, be it by goddard, by her students, her superiors, lovelace, and especially eiffel in the later seasons. she’s seen as strong, and resilient, and an excellent leader. but the thing is, she also constantly doubts her own ability. this can also be seen during the season one finale, where she apologizes to eiffel because she describes hera’s deactivation and hilbert’s mutiny as her own fault, because she wasn’t a good enough commander to prevent it. but the thing about her is when she starts to doubt her capability, she works overtime to try and prove herself and anyone else who may doubt her wrong, which is also unhealthy! it happens with the plant monster, when she continuously risks her own life just to prove to herself that she can have the slightest bit of control over a situation. it happens during pan-pan, where she attempts to keep the stress fractures in the station a secret and handle them on her own because she wants to be able to protect the lives and morale of her crew the way a “good commander” should! instead of giving up and saving herself the disappointment if ever she should fail, she does the complete opposite, working herself to the bone and obsessing over every detail to make sure she doesn’t fail, no matter what it takes.

now here’s the kicker— after the events of desperate times / desperate measures, eiffel and minkowski completely swap coping mechanisms. when lovelace comes to, minkowski almost immediately asks her to assume the position of commander in her place, because she thinks that the loss of lives means that she completely failed her objective and isn’t fit for the role. her stepping down is essentially giving up in her eyes, because why hold such an important position if you’re no good at it? meanwhile, in episode fifty two, after eiffel gets called out on his, while without malicious intent, inconsiderate and distasteful behavior, he completely withdraws from the rest of the crew in order to work extremely hard on his own tasks, ultimately risking his and the rest of the crew’s life in order to prove he can be useful. sounds familiar, right?

but the thing is, they’ve each already spent so much time reverting to their original way of coping, that attempting the other’s method is immediately clocked as simply being concerning and out of character, rather than establishing them as the opposite archetype of being capable or not. lovelace expects minkowski to always resort to overachieving, but not because its a way to disprove her insecurity, but because it’s just “who she is”. so when she does the opposite, that’s when she realizes something is wrong, and resorts to comforting minkowski instead of simply letting her do what she’s elected to do. hera expects eiffel to laugh off any mistake he makes and go back to goofing off— not because it’s his way of avoiding disappointment from those he cares about, but because it’s just “who he is”. so when he does the opposite, focusing solely and intently on his duties where he was so comfortable neglecting them before, she realizes something is wrong. and when he explains to the rest of the crew that his actions are only to “help the only way he still can”, they realize something is wrong, and choose to comfort him rather than simply rolling their eyes and letting eiffel be eiffel.

it is. so incredibly late at night so i don’t know if this makes the sense i want it to make but i just. cannot get enough of how much they compliment and reflect each other. they seem to have nothing in common on the surface, but they fit together so well in terms of how they operate as people and i’m obsessed with it

[soapoet]

what do you need to heal?

oof, you all deserve a hug.

01.

Shufflemancy: SENSITIVE by MOTHICA

your feelings are really potent. you feel like a pressure cooker, constantly ready to burst open. emotions are both your playground and your graveyard, it seems. you feel everything strongly, but there is almost a sense of it never being enough. you yearn for something more, something bigger and better to latch on to. you've probably been accused of being toxic once or twice, and there may be a trail of broken lines of communication behind you as a result. but you have no ill intent. you have so much to give, and all you want is equal returns for your investments. interpersonal relationships especially feel lackluster to you.

here's a storyline that might resonate: you meet someone, platonic or romantic, and sparks fly. you're so invested, they take interest in you, you're each other's favourite person, two peas in a pod, partners in crime, a dynamic duo. every day you pour your heart and soul into this connection, drop the drawbridge and invite them inside your walls to experience you and your world fully. and with every day that goes by, slowly but surely, the honeymoon phase begins to fade. their efforts lessen, even when they say you're their whole world they never seem to find the time, they stop sharing, and feel intruded upon when you inquire and poke around to see what's up. you step back, thinking yeah, alright, i just need to chill, give them space. but that just makes things worse, doesn't it? you end up feeling abandoned and the grief for what the connection once was is agonising. every time you try to rekindle the flames they lash out. you're overwhelming, nosy, obsessive, they feel cornered. oh my god, you're so toxic! and then you fight. you fight for your feelings and the relationship. they just seem to fight you. you tell them they knew what they were getting themselves into. you showed them everything. shared the deepest, darkest corners of your castle. didn't they say that it's okay, that you're perfect as you are, flaws and all, and that they'd never leave? and then they still do.

you're not a monster. you're not trying to lure people in and make their lives miserable. you simply seek companionship. the kind that seems impossible to find these days. you understand that everyone has a life of their own, things to do, and that it's okay to need time and space. what you do have a problem with is the lack of trust. when you drop your armour you need reassurance that it's not in vain and that you are safe. that your vulnerability won't be taken advantage of. you don't want to worry about whether or not you let wolves inside your castle walls. what you need to do is learn a healthy dose of discrimination. really vet the people you let in. take things slowly, and allow things to happen without having to force it. let people come to you. wield your emotions in a constructive way. if you feel like a fraud trying to fit into the whole love and light spiel, then don't force it! you're incredibly powerful. learn the art of transmutation and try to make your emotions work for you instead of against you. it may be easier said than done, but if anyone can do it, it's you.

02.

Shufflemancy: Bridges by ALIKA

stop fooling yourself. you're really making yourself jump through way too many hoops. things don't have to be an obstacle course. there isn't some long, ever-changing list of things that need to happen before what you want can happen. it's like you're running around in a hamster wheel. chasing after what ifs, looking for signs and clues, and when something doesn't align then oops, there you go, right back to the drawing board. reconfiguring things, going back and forth, fine-tuning, undoing, scrapping everything and starting all over. reading your energy feels like i'm walking into a room with crumpled papers all over the floors. and when i look at them, your plans and ideas are so good! why have you cursed yourself into this space of false starts and stagnation?

because your head is full of doubt. your mind is like the static of an old tv screen. there is so much noise, buzzing around and it's so loud you're unable to think straight. there are so many distractions. you're being pulled in so many directions. everywhere except forward. you are so focused on that first step being absolutely flawless that you'll do anything but actually take the damn step. every time you gather yourself and tell yourself alright, it's go-time my dudes, you just stand there, or notice something that you just gotta fix real quick. and before you know it, you're doing all kinds of busy work. anything to make you feel better about not doing what you want to do and feel like you're at least making some contribution toward your dreams.

you heard there would be signs that you're on the right path or that your manifestations are working, and you took that personally. you see a sign, then look for confirmation that the sign really was a sign. then you tell yourself you need to stop actively looking for signs because then you won't recognise the real signs. but uh-oh, what if you were already doing that? does that mean that the sign you noticed was a false flag and you're just delusional and just out there fooling yourself? please give me a sign that— stop. sit down. cut the noise out and just breathe. you really need to start trusting yourself. you have a vision. a path forward. you got shit to do, things to achieve. stop checking the time, the mirror, the skies... just check yourself. still want what you want? great, you got it. have some faith in yourself. refocus your energy and try to stay present. it's okay to get distracted and it's normal to doubt, just don't let the doubts and distractions rule your present moment. the light has been green this whole time, so just go.

03.

Shufflemancy: Trauma by NF

no. that's two letters, but it feels wrong in your mouth, doesn't it? like it's too big or like it'll break something. when we're drowning there is a period known as 'voluntary apnea'. our instinct to not inhale water is stronger than our need to release the buildup of carbon dioxide that occurs when we hold our breath for too long. the brain can cause us to endure the increasing terror and physical pain because of this survival instinct. and it feels like your ability to say no is behind this kind of mental block too. when you do say no to things it almost feels apologetic, and is riddled with apologies and reassurance. you don't want to do this or that, but it's just today, maybe some other time, you'll check your calendar, assure them it's not like you don't care, you're just busy, you gotta go. you'll find any excuse that sounds reasonable when you don't have one. and for what? you don't need to explain yourself. no is a full sentence.

it really feels like you're on the outside looking in. you have a fear of not just missing out, but being left behind. it's like you've convinced yourself that in order to be worthy and good you need to please everybody. maybe in your past you've been betrayed, experienced neglect or really, truly, felt all alone and without support and guidance. so when you're around people you're on your best behaviour. you listen and you are eager to learn. you adopt people's hobbies or otherwise make an effort to be there for them. people come to you for advice, you're a shoulder to cry on, a problem solver, a good time. but when you get overwhelmed, your nerves get the best of you and you need someone to lean on, you feel like you shouldn't burden people. they have better things to do. maybe they wouldn't be able to help anyway, so why bother?

in many ways you feel like a ghost. not quite sure where the influences of other people and life circumstances end and where you begin. your boundaries are so blurry it's no wonder you've accepted so many concepts of yourself that it feels like the hand of cards you were dealt are masks instead of tools. you may need some time in isolation and solitude for a while. not to say farewell to the world and become lonely, but learn to really be with yourself and figure out who you really are and who you want to be. put yourself on the operating table and start carefully removing things that don't serve your well-being. you are whole all within yourself, and i promise that it's all complete and good and worthy of so much love. you don't need to be patchwork quilt made of concepts forced upon you by the world. you're allowed to be yourself and grow in exactly the direction and at the speed that you want. there's room here under the sun for you too.

[tokoyamisstuff]

Stitches

Mark Hoffman x GN! Reader

A/N: Wtf, I had this basically finished work in my drafts all this time?? Anyways, enjoy.

Summary: After Mark Hoffman's true identity has been revealed, his personal apprentice has to step in.

Warnings: Angst, Blood

Notes: Hurt/Comfort, Takes place in between SAW 6 and 7

Words: 1800

"Almost done..."

You were in the very same warehouse as the participants of the current game, tinkering on some of your mentor's latest inventions.

Mark would never openly admit, but while he was the mastermind behind most traps, it was your finishing touch that made them possible.

Not bad for a basically self-taught engineer, right?

As your eyes wanderes to the timer on the top corner of the livestream, you realized that this test was almost over. To not get distracted you had muted the old TV. However due to the proximity, most of the dampened screams would still dring to your ear.

Gladly, the more you get used to all of this, the more selective your hearing becomes - so you had already fallen deaf to them.

You huffed while trying to lift the heavy tool onto the workbench again, not bothering to wait for Mark to help you. Taking a sip of water, you watched the subject reaching the final part of his test.

Unbelievable that it’s already been one year since you’ve become the next generations Jigsaw’s apprentice, assisting Mark with every game ever since John and Amanda had passed away...

...and in your eyes, the sacrifices you had to make were all worth it.

Grabbing a towel to pat off the sweat from your face and chest, your mind wandered back to the day you had revealed yourself to him. Being a mere admirer of Jigsaw's work and philosophy, having found out Detective Hoffman's double life on your own.

But he was different than John Kramer and Amanda Young. Played by his own rules, which you oddly sympathized with.

Why giving those dangers to society - like Seth Baxter - a second chance? They shouldn't be allowed to roam freely. No, all they deserved was to be put down for good, after experiencing what their victims had.

You remembered Mark's hands on your throat the second you confessed to him. Couldn't blame him, though - last time someone told him "I know who you are", there was a shotgun draped to his neck shortly after.

The mere fact that you had survived this encounter, let alone having been declared his secret accomplice, made your chest swell with pride.

After all, you had gained somewhat trust and respect of basically the most misanthropic person on earth.

After a while of negotiation Mark had been impressed by your skill, both physical and mental. Having figured out his identity when not even the police or FBI couldn't...

...furthermore, your almost obsessively worship of his every action was exactly the kind of ego stroke he just couldn't reject.

And so you ended up his loyal subordinate, working for him from the shadows and taking every wish as your command.

Over time, the two of you had become a lethal combination - complimenting each talents and evening out the other's flaws.

It was pretty obvious that he was a sociopath, unable to sharw any personal bond with anyone. You may have shared a heated fling or a passionate night occasionally, but that was it.

This man was just using you, and you have been equally deranged enough to enjoy this. Addicted to the thrill of adrenaline that came to being associated with him.

You’d follow him blindly - even if it meant your own death.

Speaking of...

You jumped at the sound of a heavy steel door opening, immediately cocking your gun towards the entrance - force of habit...

...yet instead of a threat, something even worse came inside.

"Mark!"

This was certainly not the first time you had seen him covered in that much blood, but this time was different - it was his own, and much to your surprise made you freak out.

The man mutely limped towards your workshop, only a dirty cloth covering his torn cheek. "Shit, you're going to get an infection..."

Rushing to get the first aid kid while he threw the reverse bear trap onto the table, you figured this was not the time to ask about what exactly happened.

Not that he'd be able to answer anyway even if he wanted to, given his current state.

You couldn't help but laugh as he tried to snatch the medical supplies out of your hand. "You know you're allowed to need help sometimes, right?"

He furrowed his brows at you, and while most normal people would be intimidated by his demeanour, you found him almost adoringly stubborn.

"Now come here, would you..." you ordered as he finally let go off of the kit, worry present in your tone.

The man grunted approvingly, making you laugh. “You know, Amanda was right: You really are one of the last cavemen.”

Good thing he wasn’t able to talk right not - otherwise he’d advise you to never take that filthy name into your mouth ever again if you wanted to keep on living.

When he was finally sat, you carefully evaluated the wound - even though on the inside, it was hard to keep it together seeing him that way.

You were amazed at his composure up until now - the pain must be agonizing...

There was no time to lose either, a major blood vessel was torn and he was still actively losing a lot of blood.

Much to his luck, you were prepared for every eventuality. Glad you took those anatomy and first aid lessons back in the day, you just knew with your kind of profession that would pay off someday.

You quickly cleaned both hands from the motor oil, before pouring a whole bottle of your mentor's booze over them and the wound.

Deeply concentrated, you stuck out your tongue as you started patching him up. Hoffman warily eyed your every move, every stitch you so carefully placed to reconstruct his facial features.

This whole time, Mark had one hand firmly placed on your knee, squeezing ever so slightly. You were almost done, admiring his strenght to not even flinch as you patched him back together.

“Too bad for that handsome face, though...” you mumbled to yourself, speaking faster than your mind could catch up on. Not that he’d care about appearance or something like that anyway. “But men with scars are pretty handsome, you know?”

You handed him a mirror, scolding him to not touch the wound as he evaluating your handiwork. "The gentleman is allowed to thank me now” you chuckled as you noticed he wasn’t sure if he could talk again now.

"That bitch is gonna pay for this" he finally spoke, still a little slurred since he'd need to get used to the feeling.

"You're welcome" you rolled your eyes, still cheerful before busying yourself with bandaging his hand as well. “There's not much I can do with a fracture like this, but it'll probably heal itself. Just try not using it too much. Punch with the other hand, maybe? Haha..."

“We need to go” he stated with that gravely voice of his, face contorting in pain as he tried to clench his fist. "Jill tried to kill me. She got away, the police is most likely on their way."

"Ten steps ahead of you." There was enough time to understand the mess Hoffman had gotten himself into later. So for now you quickly threw both your identification papers in the fire barrel that had kept you warm until now, before turning to him.

You softly pushed him down onto the chair again, no words needed to tell him he should rest and let you handle this for a change. Just packing a bag with all the necessities, covering the workshop in gasoline and you were good to go.

“How sad...” you thought, turning around to watch your work go up in flames “I was just done with the tool.”

As if Mark knew what you were thinking, he rubbed some circles on your back before pushing you to walk faster. "We can always make a new one. Let's go."

The future might be uncertain, but one thing you was sure of: Soon, Detective Mark Hoffman would officially be a wanted criminal...

...but as long as you had each other, there was still hope for a good ending to this story.

"It's not over, but I need to stay incognito from now on" he uttered a little out of breath, your old car shaking a little as the heavy man entered the backseat. "You'll need to make the preparations and anything else I can entrust to you."

"Of course" you acknowledged, rummaging in your bag until you found what you were looking for. "Everything you want."

Just when you were getting the srynge into his field of view, Mark would panic, painfully grabbing your wrist to stop you.

"No..." he was so utterly exhausted, yet terrified of the possibility to be forcefully put to sleep like his victims and himself once.

“Mark...calm down” you cooed understandingly, your palm rubbing his cheek. “C’mon, it’s me after all. There's just morphine in there, it's not enough to knock you out. I promise."

Being such a control freak, it was hard for him to be at the mercy of another. Yet he nodded mutely and rolled up his sleeve to inject the pain medication directly into his bloodstream.

After all the fucked up things happening, sometimes he’d forget that there was actually one person he could trust.

"You know" he sighed, sinking deeper into the car seat as the drug showed it's effect, making him slowly but steadily relax. "You're everything I have."

“That’s the morphine speaking” you giggled, trying to keep your eyes on the road and he couldn't think but wonder if you always had such a soothing voice.

...and with you humming so sweetly, the sunset light illuminating your skin like this...have you always been this beautiful, or was he really just high?

“Maybe" he ultimately spoke, deciding he'd have to figure it out after everything was over. "Or it just makes me talk about things I usually keep to myself.”

You cracked a smile at this half-assed answer. Typical - but you admittedly liked even this part about him.

“Only this last game...” he continued stammering, and it was actually cute to see this softer side of this brute of a man. “John Kramer’s work is almost done.”

“And what are you going to do afterwards? Any plans, boss?”

With him being on the backseat, your eyes would only briefly meet through the rearview mirror...

...and what you saw may be the same man you knew for so long already, and yet so different.

Happy, somehow.

Smiling for a change. Genuinely and wholeheartedly, not this fake one he'd put up to fit in with society.

And you knew this one was just for you.

“When this is all over, I want it to be you and me.”

[h-sleepingirl]

Milton Erickson and a Rabbi Walk into a Bar... (Essay)

Finally, I've finished this essay about connections I'm finding between hypnosis, Judaism, magic, and intimacy. It's ~4.5k words, extremely "me," and I'm really thrilled to share it. Enjoy!

--

My weakness is getting deeply invested in very niche topics.

Hypnosis was my first and most lifelong obsession. It was my confusing, shameful sexual fetish that I eventually took by the horns and -- through my desire to learn as much about it as humanly possible -- turned into a job. But not a normal sex work job where I do hypnosis for money -- a weird job where I just teach about it. The kink community, and the further-specific niche where people want to hypnotize each other during intimate experiences, became my home.

But the value of study doesn't really come from the quantity of people I'm able to engage with. It comes from the way it enriches my life. It creates and benefits from the capability to see overlaps between all of my various interests.

On the surface, it may appear that two skills have no relationship. But the deeper you get into each one, a synthesis appears.

At a certain point when you are learning hypnosis, all seemingly-unrelated information seems to fit effortlessly into your hypnotic knowledge. You can listen to a song and suddenly you learn something new about how to hypnotize someone. Maybe it was a lyric that gave you an evocative emotional response; maybe it was a pattern in the music that you thought about replicating with the rhythm of your hypnotic language.

Over a decade into my own hypnosis learning, I got very lucky and found a second passionate home in communities of Jewish text study about a year ago. I started from almost zero there and found myself again to be a greedy novice, obsessed with digging into it.

Of course, as I got further, it became that I read a page of Talmud (a text of rabbinical law and conversation) and suddenly I learned something new about how to hypnotize someone. And as I progress, it is starting to go the other way: I learn about Torah study by reading about hypnosis and intimacy.

There are two directions this essay can be read. “How can intimacy and hypnosis teach us about Jewish text?” And, “How can Jewish text teach us about intimacy and hypnosis?” One half is of each part written by me as an authority, and the other half is by me as an avid novice. The synthesis of these two parts of me -- just like any synthesis between concepts -- may perhaps create something new.

Models

I’m sure most communities have a version of the idiom, “Ask three people a question and get five answers.” For a long time, this was a source of frustration for me in the hypnosis community. Is hypnosis a state of relaxation and suggestibility? Kind of, but also no. Is it more accurate to say it is based on unconscious behaviors and thoughts? Well -- kind of, but also no. 

So what is it? Well, it’s probably somewhere in the overlap of about 20-30 semi-accurate definitions and frameworks for techniques -- what we’d call “models.” Good luck!

Why is hypnosis so impossible to define and teach? How have we not found a model that we can all agree upon yet? I think many people share this confusion, and it's complicated by the fact that most sources for hypnosis education teach their model as the model. It makes sense -- it would be difficult to teach a complete beginner a handful of complex frameworks with which to understand hypnosis when that person is just trying to muddle through learning “how to hypnotize someone” on a practical, basic level.

…Or would it be? By the time I got involved with Jewish study, I had long given up on chasing the white whale of some unified theory of hypnosis. I was firmly happy with the concept that all ways to describe hypnosis are simply models -- and all models are flawed, while some models are useful. I was delighted, when entering Jewish community spaces, to hear the idiom, “Three Jews, five opinions.”

This concept is baked into Jewish text study, in my experience. You can look at any single line in Torah and find innumerable pieces of commentary on it, ancient and modern, with conflicting interpretations. Torah and other texts are studied over and over -- often on a schedule -- with the idea that there is always something new to learn. And this happens partially by the synthesis of multiple people's perspectives adding to and challenging each other, developing new models. My Torah study group teacher always starts us with a famous line from Pirkei Avot, a text of ethical teachings from early rabbis: “If two sit together and share words of Torah, the Shekhinah [feminine presence of God] abides among them.”

The capacity to develop and hold multiple interpretations at once enriches your relationship with the text. So too do I believe that being able to hold multiple interpretations of what hypnosis is and how it works enhances your skill with it. It is not a failure of the system -- it is the best thing about it.

Intimacy

It is intentional to make the distinction of “relationship with the text” -- not “relationship to the text.”

My job on the surface is to teach hypnosis, but the meta goal is to simply teach something that helps people develop profound intimacy with others. I think that hypnosis is a kind of beautiful magic that is well-suited to this, but it’s not the only path to take.

One of my favorite educators, Georg Barkas, describes themselves as an intimacy educator who teaches rope bondage. Their classes and writings are highly philosophical and align closely with my own ideas about intimacy -- as well as my partner’s, MrDream, from whom I’ve learned so much. I frequently cite Barkas when I talk about hypnosis because I feel the underlying ideas they have about rope bondage are extremely applicable to all kink and intimacy -- and I will continue that trend here.

Barkas recently published an excellent essay looking in detail at the concept of intimacy itself. They posit that our first thought of intimacy is usually about a kind of comfort-seeking and familiarity. That’s contained within the etymology of the word, and socially it’s what many of us think of when we define our relationships as “intimate”: settling in to engage with a partner who we love, know, and understand.

But, Barkas asks, what if we place this word into a different context? They talk of how in scientific endeavors, the goal of “becoming familiar with” is unpredictability and discovering things that are surprising and unexpected. This perhaps offers a different view of intimacy: intimacy where you do not engage with your partner as though you know everything about them; intimacy where being surprised by them and learning something new is the goal.

My partner MrDream teaches about this often in hypnosis education: approaching a partner with genuine curiosity and interest -- “curiosity” implying that you don’t know what to expect, with a positive connotation. There is a kind of delicate balance between being able to anticipate some aspects of what is going to happen hypnotically -- to have a general grasp on psychology and hypnosis theory -- versus holding tight to a philosophy that neither you nor the hypnotic subject really knows how they are going to respond. The unexpected is not to be feared, but celebrated and held as core to our practice. Hypnotic “subjects” (those being hypnotized) who can relax their expectations will often have more intense experiences.

Thus we come to the first time in this essay where I mention Milton Erickson, my favorite forefather of modern hypnosis. Erickson was a hypnotherapist active through the 1900s and is famous (among many things) for presenting a model of hypnosis that wasn’t necessarily an authoritative action done to a person, but a collaborative and guiding action done with a person.

In his book “Hypnotic Realities,” he talks about how his view of clinical hypnosis is defined by how the therapist is able to observe each individual client and directly use those observations to continually develop a unique hypnotic approach with them. The client’s history, interests, and modes of thinking are utilized for the trance, as well as any observable responses they have in the moment. For example, a client with chronic pain may have the frustration they express over that pain incorporated into the trance. This is in deep contrast to hypnosis where the therapist comes in with any kind of “script” or formula to recite ahead of time.

It’s important to Erickson’s model that the therapist doesn’t know exactly what to anticipate, and it’s also important hypnotically that the same is true for the client. A common “Ericksonian” suggestion is, “You don’t have to know what is going to happen, and I don’t know either.” In order to develop the most effective approach with each patient, Erickson would enter into a session with some presumed knowledge, but ultimately learning -- not assuming -- how to best hypnotize each individual person.

We circle back to the phrase, “a relationship with Jewish text.” In my opinion, engaging with Torah is exactly this kind of intimacy. Torah is something we come into in order to poke and prod at it, to interact with it and to see how it interacts back at us. The teacher of my study group always cites a model where Torah itself is a participant in our partnered learning and group discussions. We ask it questions, we push its boundaries, we strive to glean something new and yet unseen. A line that may seem simple on the surface can reveal much more when we explore its context or put it into a different context entirely. 

This is easier for me to say as someone who is coming into learning Torah for the first time, but I am able to look ahead to when I will be fully familiar with the text and still be able to take this expanded definition of intimacy with it. Not coming to it without a sense of comfort, but still engaging with curiosity. MrDream teaches a model for hypnosis that is based on the idea of exploration -- exploring your partner no matter how long you have been with them. You are always coming to them as a different person, shaped by your ever-growing experiences and identity, and your partner changes as a human as well. I believe Torah is also dynamic in this way, as the context within which it exists -- and the way we interpret it -- is constantly shifting.

Ritual

I have been engaging with spiritual ritual on and off for as long as I’ve been learning hypnosis. The concept of magic has always been alluring to me -- not from a motivation to meet specific goals, but for something more difficult to pin down. I like that ritual, in an esoteric framework, is about looking at various metaphors between ingredients and actions; a candle representing an element of fire which may in turn represent intensity, or purity, or something else. Drawing meaningful connections between concepts like this is a skill I’ve developed in parallel with hypnosis, as well.

I was recently talking with a friend of mine who is also interested in esotericism -- we were sharing our frustrations with various books on magic and ritual. We wondered why so many sources would go on to teach prescriptivist formulas and associations, and not much else. Do this, and that will happen. This symbol represents that. My friend and I agreed that the ritual value of ingredients comes from how you personally assign meaning to them -- but why was everything always trying to teach us their meaning, as opposed to teaching us how to cultivate our own associations?

A week or so later, I happened to go to an excellent class that explored whether or not there was a place for smudging and smoke use in modern Jewish ritual. The teacher first took a careful, measured approach towards looking at indigenous smudging practices and the concept of appropriation. What followed was 30 minutes of history and text exploring examples of smoke in early Judaism, and then 30 minutes of a handful of interpretations of what “smoke” could mean and represent with relation to Jewish ideas -- directly practical to modern ritual. It was utterly excellent and immediately profound for me, as someone who has been yearning to blend my experience with esoteric ritual with my relationship with Judaism.

Observant readers will note that through this essay I speak passively about Judaism -- I am a patrilineal Jew, which for better or worse means that it is not a simple matter to say, “I am ‘fully’ (or ‘not’) Jewish.” (I am in the beginnings of working with a Conservative rabbi -- who affirms that I’m Jewish -- to make my status halachic [lawful], which is deeply exciting.) Opinions on that aside, a relevant piece of information is that the Jewish holiday we celebrated most consistently when I was growing up was Chanukah. While a lot of Jewish practice has been something I’ve been striving towards as an adult, Chanukah has always been “mine.” It was fast approaching after this class, and I felt motivated to use my newfound knowledge to make more ritual out of lighting the candles.

I was deeply surprised when all I did was light a stick of incense before saying the blessings over lighting the menorah, and my experience transformed into something intense. I smelled the incense and couldn’t help but think about what I’d learned about the Rambam’s commentary that incense in the time of the Temple was about making the Temple smell sweet to pray in after the burning of sacrifices. I thought about what I’d learned about the presence of God being smoke and clouds to the ancient Israelites. I thought about things I’d learned from other places -- hiddur mitzvah (the value of beautifying a practice), and a midrash (parable) about God loving the light and rituals we do in a very personal way simply because they are from us.

Esoteric ritual has often felt to me like exerting effort in making the associations of ingredients work for me. But this was effortless. I was doing something that was entirely my own, solidly founded by the broad and deep study I’d done, by my personal relationship with the concepts, by my identity.

In other words, the power behind this ritual came from knowledge, and the knowledge came from my intimacy with it. And that intimacy was not just with the study I had done -- it was also the process of being surprised in real time by what I was learning through the ritual itself.

Hypnosis gains “power,” in so much as we let ourselves use the term, through these same acts of intimacy towards knowledge. It operates directly based on various ingredients: how much we know about hypnosis theory itself, general psychology, the person we are working with, and ourselves. Hypnosis is a ritual -- it is setting aside special time to do something with a collection of ingredients that you have personal associated meanings with. If you can’t connect to those deeply enough, it won’t reach its full potency.

Knowledge, Perception, and Unconsciousness

One of my favorite concepts to teach in hypnosis is, “A change in perception equates to a change in reality.” This is derived from Erickson by MrDream, and it’s something he and I have had a lot of conversations about to refine. The implication of this is not something as trite as hypnosis having the power to change a person’s perceived reality. It is the concept that if you look at something from a different perspective, you gain various different capabilities.

For example, when you are feeling stuck in a situation and you think about what a close friend of yours would do if they were in your shoes, you gain the capability to see more options, to change your actual view of the reality of the problem and therefore change your actions towards it. In hypnosis, this could be the difference between simply telling someone to relax their legs versus another perspective of telling them to imagine what it would be like if their legs just started relaxing. It could be the idea that when a person does feel relaxation from a simple suggestion, their perception changes on what is happening -- they build more belief in hypnosis, and that belief in turn makes the next suggestions easier to buy into.

Erickson’s model of hypnosis is predicated on the idea that hypnosis itself matters, that hypnosis is a time within which someone’s reality changes. In his ideal hypnotic context, the subject feels like they no longer can expect things to behave as they usually do in their “waking” reality. They are thus opened to many different kinds of new experiences and capabilities. To Erickson, perception matters -- by itself, it’s a primary driving force behind literal change and response.

This ties back to our idea of intimacy -- just as I aim to approach my partners with this profound curiosity, just as I aim to approach Torah, I want to have this intimacy of the unexpected with trance itself. I want to allow myself to be surprised by hypnosis, by the things I don’t yet know about it even after more than a decade and thousands of hours of trance. But more than this, in an Ericksonian sense, simply changing my perspective to this motivation is one of the things that lets me get there.

I went through a guided study class about Shabbat (Judaism’s weekly sabbath of rest) with a partner, and so much of the class was in the abstract that it at times felt difficult for me to latch onto. We were learning all of this background context about a view of Shabbat where instead of spiritually striving and reaching on that day, you come in acting as though your spiritual work -- like your other work -- is “finished.”

In one session, we spent a chunk of time parsing through how we could interpret that as actionable. It felt like it just wasn’t clicking for me -- the midrashic texts weren’t offering enough for me to feel like I could make judgments on questions like, “Does this imply I shouldn’t meditate on Shabbat in this context?”

It wasn’t until I slept on it that I found a very simple piece of the puzzle: putting aside the questions of concrete actions, in an Ericksonian sense, the internal act of shifting my perspective would absolutely change the way I behaved and interacted with the day. It would become more indirect and unconscious -- instead of carefully analyzing my actions as I might with other Shabbat prohibitions on work, I could simply let myself act in ways that fit that perspective of “spiritually resting.”

The abstraction of the class made more sense -- perhaps it wasn’t trying to give us direct answers, but rather create a psychological environment for us that was well-suited to this more unconscious processing. Or rather, in addition to the sort of typical conscious halachic interpretation. If I allow myself an opinion here, I’d say that I care about halacha as actionable, but as always, I tend to care more about feelings and what’s internal.

This also lent credence to ways this class and the class on smoke and ritual changed my experiences. I was not given a set of actions to take, but rather a variety of perspectives that unconsciously made me think and behave differently. The concept of “knowledge is power” is both true and alluring in many different contexts, and yet had often fallen through for me in most ritualistic frameworks. The way that it succeeds, I believe, is when you develop a relationship with knowledge that actually changes your internal perspective and perceptions.

Limitation

With this we return to the concept of models and interpretations. It is serendipitous to be going through these experiences at a time where I am avidly working on my next book -- the thesis of which is that in order for us to progress as hypnotists, we must get comfortable moving fluidly between many differing definitions and frameworks (models) of what hypnosis is and how it works.

It is as the Ericksonian principle would say: If you take a perspective on hypnosis that boils down to “hypnosis is about relaxing the conscious mind,” you will do hypnosis according to that perspective. You will use relaxation-based techniques and make an effort to get someone to think ���less consciously.” If you instead take a perspective that is “hypnosis operates based on activation of the conscious mind,” you may do hypnosis that causes someone to think and process in a more stimulating way.

Both and neither are true, and they can coexist. I believe that most models can be useful -- some more useful than others. But the best thing you can do is to not assume that one model is the most correct one -- instead, it is to develop the capacity to work within many at once even while being aware of their boundaries.

Jewish text, in my experience, provides models -- perspectives that themselves give guidance on how to understand things and act. I think especially about midrash and stories that are explicitly intended to fill in the gaps or give an alternate view on something. The question of, “Is there one correct way to do/see things” is more complicated here, but there are areas -- especially in those subtle shifts of mindset for ritual or interpreting text -- where the answer is still “no.”

My time so far in Jewish study supports this in a different way. There is a human element of collaboration and challenge. Learning as we do with a chevruta (study partner) adds another person to the relationship -- it is no longer just between you and the text. There is another human who you are building something with, and it is “intimate” according to our exploratory definition in an even clearer way.

The purpose of a “scene” inside of kink (a “session” of kink play) is to operate in a semi-limited framework -- limitations exist on who is involved, where it begins and ends, how partners communicate, and what themes/topics/activities are involved. These limitations -- though they may be quite broad -- are partially what allow for intense experiences. A scene needs to exist in a different “space” than our daily lives, and it needs to operate by different rules and involve different ingredients. Here, we also see overlaps with the definition of a “ritual.”

This doesn’t just facilitate intensity (and safety) -- it facilitates learning something new about your partner. By taking your relationship and putting it into a limited context, it allows you to observe it in a more careful way, where novel changes can be more obvious.

Studying with a chevruta is much like this. I have had study sessions where my chevruta and I are meeting for the first time and the only thing we are aware of sharing is our desire to dive into a piece of text. I’ve also had chevrutas where we know each other outside of study, and some of our time is schmoozing and catching up. But in all cases, we are limited in scope, and that limitation creates ease of access towards the common goal of expanding our knowledge and relationship with the text. We are focused; we are motivated. We are creating something that we can only create through who we are as individuals and what we are doing as avid learners.

This has surprised me at times with its tenderness and intensity. Building well-founded interpretations with someone is in and of itself very intimate -- not sensually, but humanly. It has given me something I have always wanted -- an intimacy that is pervasive not just in application of knowledge, but in the development of it. A feeling of sacredness and joy from being able to see so many different perspectives.

I long for this connection, this alchemy. Yes, all models are limited. But within those tight, restricting limits is the potential energy of creation.

“And I Must Learn”

There is an infamous story in the Talmud, in Berakhot 62a, where Rav Kahana hides under the bed of his friend Rav Abba. Rav Kahana hears Abba and his wife giggling and starting to have sex, and remarks out loud that Rav Abba is acting like someone who is famished. Rav Abba, mid-sex, understandably says, “Kahana, why the fuck are you under my bed listening to me fuck my wife?” Rav Kahana replies, “It is Torah, and I must learn.”

There was a version of this essay that began with this tale. I am enamored with the vast overlaps I can derive from its briefness: that intimacy can be studied sacredly both as a general concept and specifically with your partner; that we are obligated to learn ourselves, our partners, and general human desire; that there can be a thread of wholeness in every action of your life if you give every action sacred attention.

Even this, though, is a limited-context interpretation. The rabbis of the Talmud were certainly not sex-positive, especially not as we currently use the term. The surrounding triptych of conversations is similarly humorous but seems to comparatively describe sex as dirty or gross, and this bit of text cannot really exist separately from all of the places where there is halacha derived about sex that is about controlling women’s bodies or preventing queer and trans people from being able to live authentically.

But -- we are allowed to interpret like this. We are allowed to play with context and see what we discover.

For me, this is about finding the connections between my actions and my interests; parts of me that synthesize the whole. It is about developing intimacy with Torah, with my learning partners, with my romantic partners; with the people within the writings, with the authors, and with the readers.

Reading Torah is the same as hypnotizing someone is the same being intimate with someone is the same as doing a ritual. All things on a broad enough scale overlap this closely. There is value in this “zooming out” to a wide enough context to see the connections that exist -- just as there is value in celebrating the limitations that arise, models nestled alongside each other, when you “zoom in.”

We need both to be able to treat our learning -- all forms of it -- as something special.

[bad-as-me]

Morgott for the ask meme!

hell yes my boy!!

favorite thing about them

Honestly, Morgott covers the bases for a lot of things I'm weak for in a character. I love a guy who is so single-mindedly devoted to a cause, especially one driven by a need to be loved, that the rest of the world and their own well-being falls apart in the process. Something about the inherent tragedy of someone choosing to die on a hill that nobody asked them to take on, that would really be in their better interest to let go of and start anew elsewhere, and yet you want so badly for their efforts to be rewarded in some way because you know it's all for love.

It's just so terribly romantic in a gothic sense. He reminds me so much of the description of the creature in Frankenstein: someone that tried so hard to fit himself into the image of what his maker wanted, who speaks beautifully and eloquently in contrast to his rough exterior, who boasts an intelligence and a competency that was likely learned while hidden from society. And yet we know in both situations that effort will never be reciprocated.

Also, he growls and purrs and has a giant fluffy snow leopard tail. How can I not be obsessed with him.

least favorite thing about them

His big beautiful horns are so hard to draw :'(

Honestly, he's one of those characters where even his flaws are incredibly interesting to me. I like that he refuses to give up his position of power! It's something he worked so hard for, and to his mind must be the only way he can stay safe in a world that he knows wants him dead. I like that he can't let go of the status quo! As his Great Rune tells us, Omen or not he is the rightful Lord of Leyndell. By all standards of the world they're in, he has every right to be proud of that title. And given the alternatives he's likely had presented to him (Rykard, Mohg, the Frenzied Flame), why wouldn't he believe that this stagnant existence is the best he could ask for?

He's the immovable object to our unstoppable force. There's a nobility in his commitment to that, however misguided it may be.

favorite line

"We are all forsaken. None may claim the title of Elden Lord. Thy deeds shall be met with failure, just as I..."

I love his monologue in the beginning of his fight, but the fact that this is the last thing he says just tears me apart on so many levels. It really hammers home how much of his targeted spite towards us is him projecting his own sense of failure to his lineage. He crawled all this way through the mud, gave every drop of his accursed blood for the Erdtree, and it still wasn't enough. How could we possibly have a chance when all his efforts were for naught?

No matter how many times I replay it, I always take some time just to sit next to him after he says that, listening to the rain over the capitol and the somber song of Leyndell. The city really feels like it's in mourning at that moment, all for someone they hated too much to truly understand.

brOTP

Mohg and Morgott!!! The gruesome twosome!! The dynamic duo! Every piece of art or fic that depicts them having some brotherly squabbles and shenanigans brings a little bit of life back into my eyes :')

OTP

As far as canon characters go, it's gotta be Morgott/Oleg. We love a good knight/master ship around these parts, and I think he deserved someone as devoted to protecting him as he was devoted to his cause.

Outside of that, well. I am writing an ongoing fic of Morgott and my Night's Cavalry Tarnished (who was never a Tarnished but a secret third option, but you know.) I think about them a normal amount.

nOTP

Mohg/Morgott. I just want them to have one single family relationship in their life that is remotely healthy man 😭

random headcanon

He's good with animals, and prefers the company of them to people. Most of his communication to the Night's Cavalry is through carrier falcon, but if he needs to summon them all for a meeting, he can do so with an instrument that's very similar to an Aztec death whistle.

Also, he recanted his blood through the Church of Vows. Him and Miriel have a good rapport with one another.

unpopular opinion

Respectfully, I disagree with both the "Morgott is basically the Lands Between's evangelical gay republican" take, as well as the "Morgott is a soggy baby virgin who will cry if you give him a cookie" take.

I think he is a living contradiction in a lot of ways. He is simultaneously an accursed Omen, the lowest of the low, while also having tangible evidence that he is the child of a god and of a powerful bloodline. He has held Leyndell together for more than long enough both to be aware of its corruption, and to be in a position to change it, but he can't allow himself to believe any of it needs to be changed.

He is too stuck on the idea that he needs to uphold the way things are - to prove himself "better" than his curse - to change anything. This is directly contrasting his brother Mohg, who has made an entire cult around acknowledging the unjust suffering he went through.

Like the sealing of his blood into a sword, he represses that truth, until he is so broken down that it is released all at once - painfully and without control.

Because of this, I think he would recoil at the idea of being an object of pity. He has done too much to earn a respectable position for anyone to tell him that he deserves better - even if it's true, and he should be told that.

song i associate with them

Oh god I have a whole playlist of them. But if I were to narrow it down:

Sonne by Rammstein

Momma Sed by Puscifer

Romans 10:9 by The Mountain Goats

Helvegen by Wardruna

favorite picture of them

I am not exaggerating when I say this illustration by tendermiasma re-wired my brain on a fundamental level

[real-fire-emblem-takes]

I got a break from work so I’m gonna write this.

Hi, I was the anon that wrote about dimidue and emblaskr (guess that’s the ship name) earlier and the problematic biases underlining both (moreso with Askr and Embla).

Also, I absolutely do not hate Askr, he’s my favorite character, but I did want to hide my identity in that previous take as much as possible since Embla’s a pretty popular character. But it was cowardly of me. The rest of this post is going to elaborate on why Emblaskr is problematic and reflects racist trends in the media.

If Embla truly loved Askr, she would have never tried to hurt him so gravely. Invading his kingdom, trying to kill everyone he holds dear…that isn’t love. That’s obsession, jealousy, selfishness. When he died, I believe it was less that she cared about him, but more that she lost the chance to have someone unfailingly caring about her again. It’s a matter of possession and satisfaction. She can’t have Askr. When she dies she calls out his name, but again that reinforces not her love for him, but her desire to not be alone. It is inherently selfish because even as she dies she thinks only of how she is affected. She laments being alone, not how she cares about Askr. If she cared about him, would she have ever tried to commit such terrible acts of violence and hatred against him? Never in the story do we see her atone, see her feel guilt.

Embla is all about control. Controlling her people, controlling those that go to Askr, controlling Askr even. Because she doesn’t want him to be happier than her. She wants him at her level.

TV Tropes has an article called the Black Best Friend. Askr isn’t confirmed as black, but he is a poc character, and this trope can affect non-black poc as well. The details of this trope are quite similar to how Askr is. For the sake of length I’ll only go through a few.

Askr “is used simply as a means to make the white character look better.“ Without him, Embla would never have received her Freudian excuse. She would have been the equivalent of Surtr without Askr’s existence.

Askr is “flawless to the point of being unreal.“ He is unimaginably perfect. He has no flaws, no deep seated issues to speak of. One can argue he may not have been a good listener to Embla in their flashback, but the problem is that this isn’t an issue that is talked about or delved into. He is also a bit oblivious, but again, this is ignored. It would have been great if Bruno called Askr out for his ignorance and seeming apathy, but it doesn’t happen. What about how he and his sister suffered due to Embla’s bitterness? I would have loved Bruno calling Askr out for trying to paint a sympathetic picture of Embla in front of him, since his life was ruined by and ultimately taken by her later on. And I would have loved if Askr reflected on that, apologized, and realized that he himself does not deserve to be the long-suffering supporter of a woman who hates him and wants to destroy everything and everyone he loves. But this doesn’t happen, and Askr is glossed over to be genetically perfect. We can brush him aside so we can focus on more of Embla. This isn’t good treatment of Askr. Actively ignoring facets of his character to make him bland and generic compared to the “deep” and “complex�� Embla is just a symptom of racism, in trying to make sure he doesn’t overshadow her.

Askr “revolves almost entirely around a white character.” (Found in the laconic tab). As before, he is merely focused on the white Embla. He should have been a prominent character on his own, but he is instead quickly killed off (see another familiar trope on the website, Black Dude Dies First). Askr is the first prominent casualty of the book on top of having less screen time than any of the other ocs. We even see Letizia more than him, alive at least. The following times he shows up is in her memories. He provides even more development and focus for Embla!

Askr only exists to uplift the Embla, to carry her trauma and help her process it, and to no benefit of his own. She belittles him, threatens violence against him, and it’s seen as…romantic? The white female character actively engaging in war viciously attacking him and emotionally abusing him is…romantic? If this was a relationship that existed in real life, Askr would be considered a victim of abuse. And there are relationships like this in real life, sadly enough. Embla is capable of her actions and I’m sick of seeing her woobiefied by parts of the fan base. And it is her own fault that she refuses to see past her flaws. She is long past being a victim. It is not Askr’s job to handle her emotional maturity and make her better. Embla is trying to, once again, COMMIT GENOCIDE. Against HIS people! He absolutely does not need to show her kindness, nor does he need to coddle her when HE is the victim! And the audacity to imply that Askr gaining independence and being strong enough to advocate for his worth and safety is “selfish”? (Speaking to the anon whose take was a response to mine). That is wrong on so many levels.

Most of the time, nonwhite characters in media have to be paragons to be even remotely palatable to the fan base. But white characters (most often men, but sometimes women) are often given more excuses for their actions. They can be war criminals. They can be violent and petty and make mistakes. And it is absolutely problematic to DEMAND Askr be there for Embla at all times at the expense of his own mental health. What about his suffering? His pain of being cast aside? The stress he must feel over having to be perfect because if he makes ONE mistake, she snaps? Because that’s what happened! One little misunderstanding and she was lost to her own wickedness. That is frightening to think about, and shows she really was never good. She just had the privilege of being surrounded by goodness and allowed to hide in its light. It is unbelievably disgusting and unrealistic to expect someone to be unfailingly devoted as they are repeatedly broken down by someone who supposedly “loves” them.

.

[imyourbratzdoll]

Warnings and Reminders - Please do not plagiarise, copy, repost/republish, adapt, or translate any of my work on any social media platforms, apps, or third-party sites. The only platforms I post my work on are: Tumblr and Wattpad. I do not own any character of any franchise (Marvel etc.) All my works are fiction and may be dark or triggering content: READ ALL WARNINGS BEFORE PROCEEDING.

𝐀𝐑𝐈 𝐋𝐄𝐕𝐈𝐍𝐒𝐎𝐍 𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓:

 ♡ 𝒇𝒍𝒖𝒇𝒇 ➳ 𝒂𝒏𝒈𝒔𝒕 ❥ 𝒔𝒎𝒖𝒕 ❦ 𝒅𝒂𝒓𝒌

೫˚🖤❀ *ૢ🥀೫˚🌑

𝐝𝐚𝐫𝐥𝐢𝐧𝐠 ♡➳❥

summary - a broken woman finds love in herself and another, while the one who broke her grows regretful.

warning - trigger warning - miscarriage

𝐛𝐚𝐛𝐲 𝐠𝐢𝐫𝐥 ♡➳❥

summary - you don’t think ari loves you, but he shows you how much he does.

𝐬𝐨𝐟𝐭 𝐚𝐧𝐝 𝐬𝐰𝐞𝐞𝐭 𝐚𝐫𝐢 ♡ 

summary - ari is in love.

𝐣𝐞𝐚𝐥𝐨𝐮𝐬 𝐚𝐫𝐢 𝐚𝐬𝐤 ♡

summary - ari isn’t a man to get jealous, but when it comes to you. god, he’s the king of jealousy.

𝐭𝐡𝐞 𝐝𝐨𝐦𝐞𝐬𝐭𝐢𝐜 𝐥𝐢𝐟𝐞 𝐚𝐬𝐤 ♡

summary - we see the inside of ari and his wife’s life.

𝐩𝐫𝐨𝐮𝐝 𝐡𝐮𝐬𝐛𝐚𝐧𝐝 𝐚𝐫𝐢 𝐚𝐬𝐤 ♡

summary - ari falls in love with his wife again as he watches her take charge.

𝐦𝐢𝐬𝐬𝐢𝐨𝐧 𝐚𝐬𝐤 ❥♡

summary - the reader does something reckless on a mission, and ari isn't happy about it.

𝐜𝐚𝐮𝐠𝐡𝐭 𝐡𝐢𝐬 𝐞𝐲𝐞 ❥❦

summary - ari is separated with his ex-wife, what happens when an innocent woman at the bar catches his eye and ignites his darkest thoughts and desires?

𝐢’𝐦 𝐭𝐞𝐫𝐫𝐢𝐟𝐢𝐞𝐝 𝐚𝐬𝐤 ♡➳

summary - ari is terrified of letting his feelings known.

𝐭𝐡𝐞𝐢𝐫𝐬 𝐚𝐬𝐤 ♡

summary - being the obsession of six men isn’t so bad.

𝐬𝐭𝐚𝐫𝐭𝐢𝐧𝐠 𝐚 𝐟𝐚𝐦𝐢𝐥𝐲 ♡❥

summary - talk of starting a family makes ari want to start right then and there.

𝐭𝐡𝐞 𝐛𝐞𝐚𝐫 𝐚𝐧𝐝 𝐡𝐢𝐬 𝐭𝐮𝐥𝐢𝐩 ♡➳

summary - reader wakes up feeling flawed, seeing everything wrong with their body. ari doesn't catch on as fast and accidentally makes you think he wants someone else. will the issue be resolved after a fight you two have?

𝐲𝐨𝐮𝐫 𝐛𝐞𝐬𝐭 𝐟𝐫𝐢𝐞𝐧𝐝’𝐬 𝐝𝐚𝐝 𝐚𝐧𝐝 𝐡𝐢𝐬 𝐟𝐫𝐢𝐞𝐧𝐝 𝐟𝐭 𝐚𝐧𝐝𝐲 𝐛𝐚𝐫𝐛𝐞𝐫 𝐚𝐬𝐤 ♡❥ 𝐲𝐨𝐮𝐫 𝐛𝐞𝐬𝐭 𝐟𝐫𝐢𝐞𝐧𝐝𝐬 𝐛𝐞𝐝𝐫𝐨𝐨𝐦 𝐚𝐬𝐤 𝐩𝐚𝐫𝐭 2 ♡❥

summary - you've been teasing your best friend's dad and his best friend for months, and they've finally fallen into your small trap.

summary - your best friend's dad and his friend fuck you in your best friend's room.

𝐭𝐡𝐞 𝐞𝐱 𝐟𝐭 𝐬𝐭𝐞𝐯𝐞 𝐫𝐨𝐠𝐞𝐫𝐬 𝐚𝐬𝐤 ♡➳

summary - your ex-husband interrupts your time with your new man, causing a small fight to break out.

𝐡𝐞 𝐦𝐚𝐝𝐞 𝐲𝐨𝐮 𝐟𝐞𝐞𝐥… 𝐬𝐨𝐦𝐞𝐭𝐡𝐢𝐧𝐠 ♡➳

summary - you meet a man who brings security into your life, making the men in your past no longer matter.

𝐡𝐞’𝐬 𝐲𝐨𝐮𝐫 𝐛𝐚𝐛𝐲 𝐝𝐚𝐝𝐝𝐲 𝐚𝐬𝐤 ♡➳

summary - ari wants to be with you and your child, but your fears keep you from letting him in.

𝐡𝐢𝐬 𝐠𝐨𝐨𝐝 𝐥𝐢𝐭𝐭𝐥𝐞 𝐛𝐮𝐧𝐧𝐲 𝐚𝐬𝐤 ♡❥

summary - you get fucked by your large man in the kitchen.

𝐛𝐫𝐨𝐤𝐞𝐧 𝐟𝐚𝐦𝐢𝐥𝐲 ➳

summary - a series that will show you a broken woman, dealing with her broken family, an ex husband that treats her like shit, and a son that would rather be with his father.

𝐬𝐞𝐥𝐟-𝐜𝐨𝐧𝐬𝐜𝐢𝐨𝐮𝐬 𝐚𝐬𝐤 ♡➳

summary - you become self-conscious after your boyfriend does something, causing him to let you know how much he loves you.

𝐡𝐞’𝐬 𝐲𝐨𝐮𝐫 𝐛𝐞𝐬𝐭 𝐟𝐫𝐢𝐞𝐧𝐝 𝐚𝐬𝐤 ♡➳❥

summary - you don't like how your "friend" tries to get with your best friend, so you show her who he belongs to.

𝐩𝐫𝐨𝐟𝐞𝐬𝐬𝐨𝐫 𝐥𝐞𝐯𝐢𝐧𝐬𝐨𝐧 𝐚𝐬𝐤 ♡❥

summary - your professor finally gets to feel your lips around him.

𝐡𝐢𝐬 𝐭𝐮𝐥𝐢𝐩 ♡

summary - bear ari is completely in love with his tulip.

𝐡𝐞𝐫 𝐥𝐢𝐟𝐞𝐠𝐮𝐚𝐫𝐝 𝐚𝐬𝐤 ♡➳❥

summary - you go to surprise your boyfriend and get jealous over the women hanging around him.

𝐬𝐞𝐧𝐬𝐢𝐭𝐢𝐯𝐞 𝐛𝐚𝐛𝐲 𝐚𝐬𝐤 ♡❥

summary - ari ruins you, making you squirt over and over again.

𝐛𝐞 𝐪𝐮𝐢𝐞𝐭 𝐟𝐨𝐫 𝐦𝐞 𝐚𝐬𝐤 ♡❥

summary - you and your dad's best friend ari have been sneaking around, and he decides to fuck you at the family party.

𝐡𝐞𝐫 𝐟𝐚𝐯𝐨𝐮𝐫𝐢𝐭𝐞 𝐭𝐫𝐮𝐜𝐤𝐝𝐫𝐢𝐯𝐞𝐫 𝐚𝐧𝐝 𝐡𝐢𝐬 𝐟𝐚𝐯𝐨𝐮𝐫𝐢𝐭𝐞 𝐜𝐚𝐦𝐠𝐢𝐫𝐥 𝐚𝐬𝐤 ♡❥❦

summary - ari finally meets his favourite camgirl at his regular diner.

𝐬𝐮𝐧𝐛𝐚𝐭𝐡𝐢𝐧𝐠 𝐚𝐬𝐤 ♡❥

summary - you and ari are sunbathing at the beach, and he decides he wants to make love to you right then and there.

𝐚 𝐝𝐚𝐲 𝐢𝐧𝐬𝐢𝐝𝐞 𝐨𝐟 𝐟𝐚𝐢𝐫𝐲 𝐚𝐧𝐝 𝐛𝐞𝐚𝐫’𝐬 𝐜𝐚𝐛𝐢𝐧 ♡❥

summary - it has been a while since meeting ari in the woods, and while he goes out to gather food for you two, you manage to get yourself stuck.

𝐜𝐥𝐨𝐮𝐝𝐲 𝐰𝐢𝐭𝐡 𝐚 𝐜𝐡𝐚𝐧𝐜𝐞 𝐨𝐟… ♡❥

summary - it's your first day working for the famous weatherman ari levinson, it turned out a lot better than you expected.

𝐟𝐮𝐧 𝐝𝐚𝐲 𝐭𝐨 𝐛𝐚𝐤𝐞 𝐛𝐢𝐬𝐜𝐮𝐢𝐭𝐬 𝐚𝐬𝐤 ♡

summary - you spend the day with your husband baking biscuits.

೫˚🖤❀ *ૢ🥀೫˚🌑

[bibibbon]

Hi, 👋 so I saw a post about overhaul from Delaware where it says how overhaul shares paralels with afo...which is interesting as he is doing all he did thanks to his trauma.

Afo creating villains careless seems something he would do, intentionally or not (not sure why he didn't kill overhaul before)

So here my question, all villains in canon are people with some trauma. Izu has a trauma ...how he would be as a villain?

Just fishing thoughts/ideas I do have an idea for a villain Izu that I will write(another wip in the make)

Hi @mikeellee 👋

I understand and actually agree that overhaul and AFO do share parallels with one another especially when it comes to their roles as leaders and how they treat the people they're supposed to be carers of such as tomura and eri.

In reality, MHA presents all of their villains as doing something due to trauma and this also applies to AFO especially his obsession with yoichi.

Now to your question, there are so many outcomes for how villain izuku would be like or how he would act however, I think he would be a character that walks the line of villainy and vigilantism very closely.

Now there are and could be many versions of villain izuku and to be honest my favourite will always be quirkless villain izuku over quirked izuku.

Quirkless villain izuku would be a character that again realises and sees the inequalities in society he sees and realises that not every man is created equal but he chooses to try and help change that. He wants to allow for everyone to have the same opportunities in life and he uses his own trauma as a motive so no one will have to suffer like he did.

This izuku would form connections with various characters like nedzu, Lady nagant, Stain and gentle criminal. He works from the underground and uses his plain qnd forgettable looks as an advantage so he operates everywhere. His plans start from wanting to help everyone to starting to look closer and realise the flaws of hero society, the flaws of the hero heirachy, the flaws of all Might and he sees how these flaws make others suffer turning children into child soldiers under the promise of fames and riches. Izuku acts he sees and he acts and gets into illegal things.

On the other hand, a quirked villain izuku would also do the same thing yet he would use his quirk to uphold a fearful and frightening image. He is kind to the innocent and a villain to the enemy. His quirk would allow him to do many things a lot more quickly but may put him at a higher risk due to various factors whether that be AFO or the commission going after him.

Shigaraki would hear of this new vigilante/villain and choose to investigate out of curiosity realising that they couldn't be more different in how they would like to achieve the same goal. Both want a better society but shigaraki wants and believes that this society can be achieved through destruction whereas izuku believes this society can be achieved through rehabilitation.

They would argue, going back and forth both believing and upholding their ideals. Izuku would say, "you can't build nothing from nothing. If there is nothing then there can't be anything".

Shigaraki would retort saying that, " it is easier to create what's desired when there is a blank slate".

Ultimately, I believe that shigaraki would see and understand izuku's perspective slowly the two would start to gain one another's trust and become partners with izuku being his own independent force in the playing field offering ideas and plans to shigaraki who would be the leader of the MVA.

[doublel27]

That’s so valid about Owen. “I’m gonna go annoy my kids now”

And there was something so squishy about the 3 of them being a lil family unit now 🥹

I'm sure whoever you are, dear sweet nonny, you threw this in here knowing I would likely meta on about it.

And I've been thinking about the end scenes nearly all day.

I'm notoriously interested in Owen as a character. He's a facinating character who, like his son, has had his life scarred by loss. Owen's whole raison d'etre is saving his brother. It's why saving that one little girl from drowning sent him into a life focused on saving others. Then he lost his entire firehouse in 9/11, and slowly lost other survivors of 9/11 to cancer and mental health disorders.

Then, he has to bring his son back from the dead and moves him to Texas in an attempt to save his life and restart, all while diagnosed with cancer. We lose Tim Rosewater which sets Owen into deep levels of depression and guilt, because he'll never be able to keep the promise that everyone who starts a shift goes home at the end of it.

Gwyn is in town, and they're still in love and he's working on making it work. They're gonna have a baby and Owen has a redo. He's got a chance to do it RIGHT this time. Because Owen's fatal flaw is always believing if things had been different, if he had been better, if he'd beena moment sooner: maybe he could have fixed things. He had a whole speech to that effect in last night's episode, where he figured if he'd known about 9/11 ahead of time that he could have prevented his whole team from dying.

Then the baby's not his and Gwyn leaves and whatever Owen managed to cobble together of his mental health for Gwyn and teh baby disipates and there's a lot of very classic PTSD/depressive/anxiety things that come up in Owen.

And then we lose Gwyn which is devestating to everyone but Owen soldiers on for TK, but he's...not doing well, at all. He finally gets his ass to therapy and even though we see him make some progress he's still keeping TK at a distance. Mostly because TK's doing well and Owen CANT be Captain Save a Ho for TK in these moments. He does crop up (usually) when TK's struggling, but only when there's something TO DO.

This episode marked a change.

Owen, in talking with O'Brien, who is giving a speech pretty reminicent of Owen's own speeches, about how he made a promise and he didn't keep it because look at this awful thing that happened, and Owen manages to give solid reasoning to be like "Look, he's alive and his son's alive and that's something."

And then it's like the lightbulb goes off in Owen's brain as O'Brien takes off after his great nephew - that Owen is indeed alive, and his son is also alive, and that's something. He may not have saved everyone but he saved TK.

Then, Owen goes and picks up food (which is really one of Carlos and TK's main love langauges, is feeding people - TK does it with takeout because he shouldn't be in the kitchen) and brings it over. But he doesn't just pick up any take out, he picks up the chinese food that TK introduced Gwyn to that they used to eat as a family.

I take this to be significant in multiple ways:

One, the Gwyneth Morgan of it all. Owen picked something that was a family thing and brought it over. Which is a very significant thing to do.

Two, it's one of the few times that food is involved and Owen doesn't mention the healthy/unhealthy nature of the food. Look, I could probably write a whole disertation on why Owen Strand, who has survived 21 1/2 years post 9/11 is obsessed with his health, but nearly every interaction with food, Owen has a coment about it. He doesn't make a single comment about this round of chinese food. I lied, he doesn't mention it in 3.08 either. But that's in the wake of grief, and maybe here Owen's still living in it.

Three, ordering chinese is very clearly TK's comfort meal. Look, a lot of us who are neurospicy joke about TK being neurospicy. And when you are neurospicy, there are certain foods that are..."safe" or an instant "yes" all the time. And we default to them often. I know when I'm struggling when I'm like "It's a comfort food day." (I have a rotation) but it eliminates decision fatigue and the need to emotionally regulate if it's not exactly what you wanted. Chinese food has a connection to Gwyn, and comfort and it comes up a lot when TK's stressed. (Even in 3.03, when Carlos doesn't come home, TK ordered chinese for them)

And then Owen does something he hasn't done...at all...since TK moved out (maybe they did when they moved into Owen's house and I don't know where they had chinese in 3.08) but Owen shows up at their place to share a meal with them.

And it's significant because TK and Carlos have invited him over for many meals between seasons 2 and 3, and Owen never accepts. Or, in the case of 2.11, Owen accepts and then goes off to catch an arsonist instead, which could be his hero complex but could also be a general avoidance of things that are uncomfortable for Owen, like TK growing up and not needing Owen anymore.

For as much as Owen has been an absent father for various parts of TK's life, because of his PTSD and trauma and general *waves hands* Owenness, Owen is a loving dad who would do just about anything for his son. We know this, we've watched him do it. But Carlos is also a competent control freak who Owen trusts implicitly with TK's life on numerous occasions. I do believe there's a big part of Owen's psyche that doesn't know what to do if he's not NEEDED.

But at the end of 4.06, he shows up, with chinese food, which is not needed because TK and Carlos already made a beautiful dinner and are looking very handsome, but he comes in and tells TK that he's proud of him, again. And you know, not trying to blow people up is a very low bar, but you know, TK clears it. And then they stay and have dinner, and Owen inserts himself in his son's life, not because TK needs him, but because Owen WANTS to be there, and that's such a drastic change for these two.

I love that Carlos and TK bring him in. Look, we could punish Owen for his mistakes and transgressions, but that's never been who TK is and this is his last living biological parent (Enzo forever) and TK loves him. And Carlos loves TK and respects Owen and wants them to have a good relationship.

And I cannot wait for Owen to "do what he does best" (owen's words) and be a pain in their asses about this wedding.

[blackbutlerfandomnerddomain]

SO I WANT TO SAY THIS BEFORE I FORGET!!

I noticed how each chapter of Twisted Wonderland's manga series based off each game and their chapter with each Yuu/MC/the reader and viewer is different in a way of what would help contrast the focus of the story.

Examples being Enma Yuuken is strong and obvious extremally masculine there fore "strong" in looks than Riddle who's "strong" in the sense of brains and magic as he literally bulldoze across any set back to be the top of his school to a degree of being Housewarden a mere weeks since joining as a new student vs. this one guy who has no magic and only seemingly became a student regardless of background or magic history and is able to make plenty of friends when he can't think of anyone outside of Trey and Cater and Chenya to call his friend, maybe even doubt if they even see him as his friend.

Then we have Yuuka Hirasaka who is confident, kind, loyal, and brave as shit, proving her point by risking her safety for a animal in the road. Leona, try as he might, wouldn't even give a chance to prove he can do that because everyone already doesn't expect much from him, or at least that's what he said. He's confident for a different reason, also if you remember how things run back in the Sunset Savannah you'd argue Leona feels extra bitter and more in need to try and prove worth more cause he grew up not only looked down on by his magic and potion in the royal line but also is honestly scared of the women around him. He's more confused with Yuuka especially since she doesn't show much fear to him

Next we have Mito Yuuta who I love the most so far due to what may come. Azul is confident and arrant as a show off little shield cause of his own self insecurities especially his image, specially his body and it's weight. He was relentlessly picked on by everyone besides his mother mainly due to his weight which from that level of trauma he's willing to work hard to become the smartest, the strongest, the most respected, and hottest out of spite not cause he generally feels that he wants to, to him he needed to. And it's obviously still stuck on him enough to not take pictures regardless how much money he would make and even making Yuu(soon Mito) to break into something dangerous and steal the only picture of his childhood he was unable to hide in the mind set of destroying it, regardless if he thought it would work or not. Meanwhile Mito Yuuta is a big guy who's okay and proud of his shape and eating habits and kind of like the ones before he him he actually has people who want to his friend vs. the unknown certainty that Jade and Floyd aren't technically his friends, they openly claim him as entertainment and if he got boring they'd leave him.

In other words there may be a chance other chapters would have a similar method with not just the design choice but personality design of future Yuus to contrast against the "flaws" of the chapter's "bad guys or villains"

I want Chapter 4 to be a girl, maybe make her beautiful in some way or have the personality of Jasmine from Aladdin that way the weird vibes of Chapter 4 being super hella romantic and even more ship baiting in any and all forms feel right, not to mention that scene of Jamil hypnotizing us in the kitchen DISNEY GIVE ME THAT AMAZING ART WORK OF JAMIL JUST LOOKING AT THIS GIRL AND MAKE ME AS CONFUSED IN MY SEXUALITY AND FEELINGS AS YOU DID WITH JASMINE AND ALADDIN WHEN I WAS 10 YEARS OLD!!!

I also think having Chapter 5's Yuu whatever gender (maybe male or masculine based cause there's a pattern it seems) but either make them somehow cuter than the ones before even if it's one trait or maybe give them something like a birthmark or scar of sorts that would somehow deem them "ugly" the their world but Vil would be lowkey obsessive of slowly as that was his character is, he's so obsessed proving he's beautiful and good and smart and strong to the point he obsessed over others and their flaws

Though with Chapter 6 I'm stuck on just cuz I want a sassy Meg type Yuu but also want a tall handsome muscular man who's like Hercules and everything Idia most likely would wish to be including with open mention of having great relationship with their family or maybe even them being an orphan

What are your guys' thoughts and opinions?