#but also hate making choices like this
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#sims 4#poll#my first one!#I've been trying to play a personal save#but ever since the update/new ep#my game will start lagging badly after just playing for a little bit#even though I have way less mods/cc than before :(#so I'm planning to try a brand new save#(not the base save I've been usign for awhile now)#to see if it's any better#and I've been wanting to try this challenge for a long time now!#but also hate making choices like this#so please help!#and ty for reading this far#please have a cookie as a thanks
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"the curtains weren't blue on purpose. why should we care?"
my love! let me ask you this - did you eat breakfast today? this tiny moment in your life. just think about it. did you?
for some of you, the answer is yes and for some of you it is technically and for some of you it is does coffee count. some of you reached for cereal or gmo-free overnight oats or frozen waffles or 3-day-old pizza. sometimes we eat the same thing, every day, for weeks. i get tired of eggs randomly, only to go back to craving them desperately. i'm cuban; i take my coffee like my father showed me, very milky and sweet.
some of us ate in a hurry. some of us hate eating breakfast but if we don't we will get nauseous later. some of us took our meds first or took our meds after. some of us have a kitchen 5 feet wide and sometimes it's the biggest room in the house. some of us are confident there will be food in the pantry and some of us flinch and say well, the paycheck is coming. some of us turn on a podcast while we eat or we scroll our phones or write in our diaries.
some of us are choosing, specifically, not to eat breakfast. some of us are too busy. some of us are pretending we "just forgot," but we are ignoring the warning signs that everything feels too-heavy. some of us are so consumed with anxiety or grief that we can't eat. some of us can't stand up long enough to make our coffee. some of us have no table to sit down and eat.
i cannot tell you what an artist "meant" by their choices. but they did have to make a choice, conscious or otherwise, to give you information. to give you a little bit more light. each of these choices are little stars of data; connecting speckles for you to weave through, drawing a line.
you cannot use a mirror in a dark room. for some of us; we will not care that the curtains are blue, because that will just be a data point and not enough light to see by. for some of us, the blue curtains will be the same as our childhood bedroom. it will make us seasick. for some of us, blue will be the color of frostbite. it might look like a pixel up close; but from a distance, oh! the picture blooms.
i cannot tell you what will stick out for you. what will carry meaning. some of you will read the sentence "i didn't have breakfast today" and say "this means nothing." some of you will read that and say "oh, me neither." some of you will say "this means the character is probably a little grouchy." some of you will say "oh, i wonder if they're okay. why didn't they eat anything?" ... art is a mirror. i am holding hands with you, over space and time, and asking you to feel something with me.
i want you to read my work and find a blue pair of curtains. i want you to read my work and find things in it that i never imagined placing. i have no way of knowing what will resonate with you, that's true. and maybe i just was hungry while i wrote this, and thinking about the eggs in my fridge. but if you found meaning, that meaning is yours. it cannot be erased just because i didn't "intend" it. you created a different world by interpreting my work. it's collaborative! that's beautiful! that's stunning!
just! imagine looking at the night sky and saying - it's stupid to have a favorite constellation or a favorite star. they're just there.
because here's the thing - across centuries and cultures, we look up. we still find meaning in the stars. these beautiful, lovely scattered accidents. are you looking? they call. and we look back and say oh! of course we are!
#this got away from me#but like#u know#reading is a form of creation#and sometimes the choice that the author makes might SEEM random#but it's like. bro that's telling u something.#also hate the vibe where authors/artists mock their audience for finding meaning in something#nahhhh#if u make art u need to be okay with people finding their own reflection in it
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tarpit site.
#personal#delete later#for context a tweet i made in the middle of the night blew the fuck up and brought the attention of anime fans who've been#harassing and hassling me about my big factual blunder for an entire day straight#“ok i'll apologize” “bro it's not that serious.”#“you're right it's not that serious“ ”why won't you just admit that you're wrong and apologize!“#i'm not going crazy right. i feel like i'm getting manipulated into thinking i must've been wrong#it's crazy how twitter hate will trick you into believing saying something someone else disagrees with is a moral failing#sorry i haven't seen frieren i guess but what's it to you. i wasn't making a claim or statement#also because nobody has gotten this in the original post i wasn't talking about the quality of animation i'm talking about solid drawing#which is a very specific principle of animation. dandandan has really good solid drawing wherein all the characters are animated#with realistic and proportional 3d depth. newsflash but trigger doesn't prioritize solid drawing in their animation and that's fine#it's an aesthetic choice and has ties to production limits. none of this is a big deal. this is all so stupid lol#i've dealt with worse and more annoying weebs though it's fine i'll put on my clown nose twitter needs their stupid guy for the day#oh btw at the end of the day this doesn't matter. it'll be over by tomorrow. all that's happening is petty angry emotions.#so please don't involve yourself by jumping into the argument and prolonging this shit#i'm about to go on a date with tulli after being apart for a month this is the furtherest thing from my mind rn
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Cool awesome reminder that you don’t need amazing technical skill to be a good artist/storyteller
#I still compare myself to other people but also like. Damn. What if I don’t need to#That’s literally what working with other people is for . so you can fill in for eachother and make an awesome thing :)#Reminder that Toby Fox is not a skilled visual artist LOL he makes concept art in mspaint#Ik He’s more of a composer / character writer but you know what I mean. He works with other people to bring those ideas to life#You don’t have to be good at everything !!#Txt#art#I say this because rendering pieces of art takes me dozens of hours and it’s literally so much work and I hate it sometimes#Ok then make a simple stylistic choice instead of doing a giant painting !! it will still carry the same or maybe even greater impact#I still want to make awesome giant beautiful pieces of art (illustration) but alas I don’t have infinite energy#I usually only make sketches instead and that doesn’t mean they’re unfinished. Maybe that’s just all they’re meant to be#Until I change my mind at least 🩷#Adhd#Honestly anything that gets your idea across is good enough. Depends on the idea
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perhaps the most important question i’ve ever asked:
does anyone have tips for people trying to stop being chronically late to everything in the world that aren’t weirdly judgmental and aggressive or flat out lies
#when i tell you every single resource i’ve ever found or tried to get through or anyone i’ve ever asked#has been just so. mean about it#not even intentionally#not always at least#but there’s so much inherent shame tied to being late to things or being a person who used to be late to things#that i don’t think people can untie that from their ‘helpful tips’#it’s all ‘i used to also be a lazy uncaring piece of shit! you don’t have to be a horrible wretched loser anymore!’ and it’s like. okay.#you see how that’s not helping. right.#making me feel worse about it is NEVER helpful. i promise you i already have tortured myself over it FARRR more than any ‘on time’ person#ever had#this has been a comic i’ve been stewing on for ages as well but. well there’s of course the shame#idk it’s something that people are always despicably mean about bc fundamentally people who have never struggled with it#see it as a personal choice to be late#and as something one needs to just ‘try harder’ to fix. and that if you don’t#you inherently don’t care about other people’s time or even other people in general#and that feels horrible! it feels really bad!!#i mean i’ve got it from EVERYONE. disability allies. other adhd folks. disability resource offices#it’s something that nobody ever cares to acknowledge or try to accommodate for#bc time blindness and exec dysfunction are NEVER taken seriously as disabilities. they’re always always viewed as a personal failing#and i’m sick and tired of it. bc all this does is make people struggling with this Hate themselves#and worry endlessly that maybe they Are selfish and actually Don’t care about anyone else#there’s a bit too much here to keep in the tags i should really do the comic for adhd awareness month
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I'm sorry I let down my guard.
[First] Prev <–-> Next
#poorly drawn mdzs#mdzs#xue yang#xiao xingchen#God DAMN this scene was brutal. Season 2 episode 2 is almost nothing but misery and anguish#Helena by Nickle Creek does not quite fit the comic's vibe but it is absolutely a Xue Yang song so I linked it.#The change from “Helena don't walk away...(gentle)” to “HELENA. DON'T WALK AWAY (threat)” is fantastic.#And “Don't waste your pretty sympathy - I'll always be just fine”. Xue Yang core.#Okay now for the real meat. Disclaimer first: *I really like XY.* I think he's a great character. I think his actions consistently-#come from a place of deep trauma. While his reactions and actions put him in a villainous role he is still human about his hurt#and what I'm about to say is NOT intended to be a statement of causality or villianize a group of misunderstood people.#So with that said...Man oh man does Xue Yang have a lot of BPD traits. More that just 'character who is chronically manipulative'.#The impulsivity and emotional reactions and seeking stability makes him feel like he needs that control. What other choice is there?#The part that really gets me is how he *wants* to be safe and happy. But his past experiences tell him how thats impossible#He's the kind of person who goes 'if you don't like me then you better hate me for something substantial". All (pos) or All (neg)#''Love me entirely or Hate me. But don't you dare leave me or forget about me.''#Not at all comfortable saying 'BPD coded'. Im not a psychiatrist. Just that he has TRAITS. Feel free to disagree or add your thoughts.#ppl with bpd also are not a monolith and everyone has very different experiences. Xue yang is very complex. People more so.
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Thoughts about Heroes of Olympus and how it could have been better.
Sometimes I think about what would have made HOO a better series. And I'm not talking about the obvious 'too much focus on romantic relationships' and the lack of usage of certain characters or the dumb ending.
I mean the little things that would change so much (mainly character dynamics but also worldbuilding i.e. Camp Jupiter and Gaia's reasoning)
Some of the points are inspired by @crisisreading and their posts. They are the first I saw raise some of my own points so! part 2
Make the ages vary more in the main cast, trust me
Let Percy, Annabeth and Grover get older by 4-5 years. Let them become adults and find themselves outside the godly war. Let them even finish college, I wouldn't get mad. Let them do anything beside being teenagers.
I promise this would make the dynamics more interesting. Percy and Annabeth will be more mentor figures, than fellow comrades. This would create some distance between some of the them, but ultimately create something fun. Piper would come to see some aspiring female figure in Annabeth (I think this would ether be positive or negative, depending how Annabeth changed as a character over the years, but I tend towards negative). Leo would potentially have someone older to exchange ideas with. Jason would possibly feel intimidated by Percy's vastly superior age, prowess and experience, instead of being able to clash heads with him.
Hazel would have not one, but two that people that would play parent to the others' reckless behavior. (go snort your harmful stereotypes up your ass, Riordan.) Frank, when telling Percy and Hazel about his stick, would possibly find in Percy a kind hand (not that he wasn't kind already, let me explain) and Percy would probably share with him this feeling of vulnerability - not dump it on Frank - about having your life tied to a specific thing. I mean his Achilles heel, with which he would have lived for far longer.
And a whole lot more.
2. Add Grover into the series as a perspective character
You have a new trio dynamic introduced in the first book of the series. Let the original trio interact as main characters and let us see how their relationship has changed.
Grover's opinion on the conflict between the gods and Gaia would be important. He is the Lord of the Wild, and Gaia is the literal personification of the Earth. Let us see his struggle between the loyalty he has to the gods and his friends and his powerful feelings towards protecting nature.
Also, he would act as a protector for the demigods. Because while I enjoy Hedge, he is not enough to keep them safe.
3. Throw the bullshit about Gaia getting revenge for Kronos' defeat out of the way
Gaia, as mentioned before, if the personification of the Earth. One of the first gods to emerge from Chaos.
Gaia can, of course, keep her resentment for the gods defeating the son that freed her from her pain (caused by Ouranos initially). But she is a mother goddess. She should want obliterate humanity because humans are slowly killing her. Painfully. She wants to survive and the only way she sees how if by killing all the humans. She wants to save her children, aka animals, insects, nature, and the only way she sees is bloodshed. Gods are not rational in their anger, no one is. So let her be angry and vengeful and out for human blood.
DO NOT MAKE HER A FUCKING VILLAIN, MAN! Make her an antagonist, but someone's whose ideals are worth taking in and adapting. Kinda like Luke about the demigod and minor god recognition. Where have the themes of the original series gone? Remember, an important theme in BOTL was protecting the environment. It was one of the most important moments when Pan faded. Do not let that go to fucking waste. Especially not now, in the world we live in.
4. Show the effects the war had on Camp Half-Blood. Hint it at Camp Jupiter, when Percy does not have the memories to corelate it with
We've had years since the end of the Second Titan War. How did the gods change the course of events ? (the victors write the histories) How much of Luke's reasoning for starting the war was erased. (hint, all of it.) Show us how much the perspectives were shifted and how much the people that fought in it were made into martyrs and villain, basically becoming caricatures.
Let us feel how much this hurts Percy, Grover and Annabeth. How it had impacted and impacts their trauma, grief and utter horror. The younger, newer campers see them as wonderful, all-just and loyal heroes of the gods. The way they hate it.
Good moment to implement the new cabins for the gods and let the new ones forget that it wasn't always this way. Let Percy's demand to the gods be forgotten, shoved under the rug. The tragedy unfolds, use it.
Since in Camp Jupiter none of the main characters have fought, let us see the subtility. Let the older legionnaires be ragged, scarred. Older and weary, with eyes glassy and suspicious. Have younger recruits have this heavy air around them. They know what happened, what killed most of the older people in the legion.
Have Jason, Hazel and Frank see these things in Annabeth, Grover and Percy too. They realise that oh. oh. these three have fought in the war, of course they would. Show them gain respect for the trio. The same kind of respect they have for the veterans back home.
5. Cut one of the Seven from the prophecy.
I know this seems radical, but it is a symbolism thing, which I think would be more interesting in a world based on Greek mythology.
It is established in PJO that three (3) is an important number: 3 Olympian sisters (Hera, Demeter, Hestia), 3 Olympian brothers (Hades, Poseidon, Zeus), 3 Fates, 3 quest members, 3 Furies, 3 godly realms (the Underworld, Olympus + the sky, the seas). Use this.
Give us six (6) prophesized heroes. It is, after all, the second most used number in the series and a multiple of 3.
I suggest Annabeth. Why? because she has her quest from Athena. Let that be her top priority, while hanging out on the Argo II to get to Rome. Let her bond with the younger demigods and have her possible death be always on her mind. Bring her hubris into play and she would think herself the chosen one, the one demigod child of Athena to survive. This would make her falling into Tartarus with Percy not letting her go more taxing on her psyche.
Show us how she hates herself because she took one of the principal quest members to certain death. She feels like she'd jeopardized the whole saving the world thing.
Cut the Seven to Six and let Annabeth die in Tartarus. Show us why a single-man quest is a death sentence. Why three (3) is such a valuable number.
6. CONSEQUENCES!!!
Jumping straight off the last point.
Change why Annabeth would end up in Tartarus. Make her ignore the string around her ankle because she thing that nothing bad can happen to her now. After all, Arachne is gone, right.
Let this be her undoing. I do not care how she dies, but make her choices, her hubris, be her undoing. Do not let her death up to a chance, a mistake or miscalculation. Show how toxic Tartarus is, because we do not see it enough, but make it Annabeth's idea, the plan by which she dies.
Do not make it Percy's fault. Let him try to do everything to keep her alive, but still failing. Attack his sense of loyalty, his self-esteem. Show how the experiences and her death affect him.
Bring the trauma from the last war back in those chapters, in a place where demigods leave something behind.
To less drastic things - let the others get hurt. Permanently. Show how this life affects and damages people physically, too.
Have one lose an eye, another get horrific scars. Lose a limb, a part of themselves. Do not make it seem like any other could have gotten the same wound.
Tailor them to their character, their pride and their skill. Hit them where it hurts most and let us see how it changes them.
Also, about Leo. Kill him too. The fact that he ended up alive is a deux ex machina. He should have suffered the consequences.
Also also, bring back the fatal flaws. They are missing from the series. Play with them, show why they are important parts of their characters. Bring back ancient Greek fatal flaws, and new ones that make sense in a modern world.
Hurt them because what hurts them is part of who they are. Show us why the Greeks invented tragedy.
7. Age up the target age. Go more young/new adult
I understand that PJO was made for middle schoolers. But the target audience had grown up alongside the characters, and as such they have matured.
This is why I said to age Percy, Grover and Annabeth up further. Leave some distance for the old and new readers to get up and personal with the new main characters. Have them find common ground with the new demigods but have their anchor in the old ones.
Make the readers work to understand and refamiliarize themselves wit the older demigods. Because they've changed.
Targeting a more mature audience allows exploring n. 6. The realistic consequences of living with the fear that something will come and eat you. How just a little mishap could change you for life. (or what has been left of it)
Please do not go grim dark. Show that despite this all, their purpose has not stopped existing. A life exists outside of your appearance or disability still exist, and while it would be hard, do not lose hope.
8. Hope, or lack of its importance in the Heroes of Olympus series
Alongside other callbacks and reinforcements of PJO's lore, where is Elpis (hope)? Why doesn't she appear as a larger theme in the books? I don't know.
Elpis is still in the jar, having been used as a threat of defeat. But now Kronos is gone. Have Gaia use it as s symbol for her own cause.
Make hope Gaia's argument. The most important part of why her cause stands. Gaia is waking now because there is no hope for the betterment of the planet while in human - and therefore godly - grasp. She wants to save the planet, but they, the destroyers, are opposing her.
Hope is what she wants to bring back. The hope that death will not be the end of life, but further evolvement and betterment of all species.
This argument is what the counterargument should unravel. All species? Why are humans considered irredeemable, unworthy of becoming something greater?
Why can't they not coexist and why can't humans learn how to care about the world surrounding them.
Make hope for humanity and for the environment not a question of if they are capable to coexist, but how we can manage that. Humanity and nature are not mutually exclusive, but two halves of the same whole that need each other to sustain their longevity. Yes, nature can exist without humans, but humans can't.
This does not mean that the best way forward is to kill all humans.
There is no need for hope in HOO because there are no greater questions being asked about topics that require hope, because otherwise we would descend into nihilism and fatalism.
9. Give the gods reason to act the way they act, or a look at a greater narrative problem in the series
I may be generalizing, but the gods act erratically and make choices convenient for the plot, as it is, to happen.
Hera: how, specifically, does she know that Gaia is rising and what her plans are. Why is she against Gaia, when the older goddess has a track record of helping the Olympians on different occasions in the myths. Why does she decide to act when she does, how she knows that the king of the giants (whatever his name may be) is coming after her right then.
We don't know.
Athena: we understand why she wants the Athena Parthenos back. Why not force the Romans to give it back. After all, she is a goddess, even if the Romans don't respect her as the Greeks did, she has power and sway over them. Why send her children, a supposedly important part of what brings her glory, to a near-certain death. Is it misguided vengeance, an obsession to get the statue back at all cost, or simple cruelty. These reasons could apply very well to sending the Romans, yet she doesn't.
Zeus: why lock down Olympus? Paranoia, which fair, but you are a King, why wouldn't you look after your subjects? (bc Riordan chose to ignore part of his characterization in the myths and part of his godly domain) (I know kings aren't perfect, but after the last war, one would think he would do everything in his power to stop another one before it begins) Why not seek justice for Octavian's lies, that affect their ability to win the war, and kill/imprison him? Justice is part of his domain, as Zeus Nomius.
I know that we wouldn't necessarily need these answers, but without some of them, some choices left hanging seem to be there only to add to the drama and danger of it all.
All in all, I have many problems with the 'Heroes of Olympus' series. Some of them are nitpicks and personal preference as a high fantasy reader in my free time. Some of them would really add to the story and continue the themes of PJO.
Please ask me if something wasn't clear to you. I'll happily explain further.
If you find something you don't agree with, let's discuss. I'm open to changing my opinions.
#percy jackson#jason grace#hoo#annabeth chase#pjo#percy jackon and the olympians#hazel levesque#piper mclean#percy and annabeth#frank zhang#leo valdez#grover underwood#pjo thought experiment#fic ideas#percabeth#cezy's insanities#I don't think that Percy & Annabeth would reach HOO as a couple in this version#might be my wishful thinking#but I really think that they would break up 1-2 years after PJO ended bc trauma bonds are toxic and I don't think any of them need that too#but mainly for Percy's sake bc I like him and relate to him more tan Annabeth - I think she's pretty toxic in PJO and HOO but that's my ...#... opinion and I'm not up to changing my mind about that#also didn't chose Annabeth to die bc I hate her. just thinking that it would explore her relationship with her fatal flaw more and where ..#... it leads her to bc she has the make up of a tragic figure that's destiny is made by their own choices. also dramatic irony#her hubris was barely explored in PJO except for the sphinx scene in BOLT#i may continue this. yk as a threat to everyone that reads this
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My biggest frustrations with the anti-vegan posts that garner thousands of notes on this app are they tend to always be points actively discussed in vegan spaces since their creation.
Veganism varies by circles and isn’t a protected word, so is absolutely used by Instagram dieters and misanthropes who have never considered the oppression of humans, but veganism has also has (and has had for decades) active discussion about the requirement to support human and social liberation alongside that of non-human animals. All leftist vegans I know firmly agree that non-human liberation of the environment and other animals is not going to happen and is futile without just as much focus on all the other injustices in a capitalist society. That includes a holistic boycott whenever possible of products and enterprises that harm humans alongside avoiding animal produce .
Of course like, the tumblr users making these posts probably haven’t seen these vegan circles or discussions because they’re not in them, and the health dieters and non-intersectional single issue focused activists are pretty vocal and infuriating, but still. It’s so infuriating to see people bringing these up as a gotcha towards veganism based off things that vegans have greatly in depth discussions, prioritising the voices of those whom are minorities, for so long.
#vegan#veganism#idk what tags the people on this site use ngl#anyway hi vegans of tumblr read animal liberation and social revolution 🥰#also if this escapes containment: I do not have anything against indigenous sustenance hunting or any survival based hunting#I don’t have anything against disabled people who need animal produce to live due to disability. I also don’t hate poor people who can’t#afford to make choices around avoiding harmful products that hold a financial monopoly 👍 just to get that out the way 😭#(wrt to the last one I’m of the radical opinion we should make it so everyone can use what they like instead of being limited to cheap item#. cheap as in those that are made with harmful labour or damaging to the environment)#cool weekly ramble over
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Can we talk about how Jonathan might've been able to clock Mike simply because of what happened with him and Nancy in season two?
This will be a long post, so you might want to strap in or save it for later.
In Will and Mike's case, it would obviously be much different from Jonathan and Nancy's situation, given that you know, they're gay. But we still have Jonathan arguably going through a similar experience as Will, while Mike is going through a similar experience as Nancy.
In s2, we see Nancy confront Jonathan about how she waited for him before getting back with Steve, which is a revelation to him. Then they're at Murray's and she's struggling to say she loves Steve, after a handful of moments between them that felt like she might return Jonathan’s feelings. And you can clearly see it in his eyes, listening to Murray imply that they have feelings for each other, with him looking back and forth sort of in awe of what's happening, like he's starting to question if she might actually like him back.
Will doesn't have that same affordance as Jonathan to really hope, at least not anymore. Which is why these relationships in s2 and s4 end differently for these two brothers.
Based on all the signs he was seeing that Nancy felt the same, Jonathan decided to take the plunge to admit to Nancy how he felt, and at that same moment Nancy had the courage to show how she felt. In Will and Mike's case, Will wasn't ready to take the plunge to admit to Mike how he felt, at the same moment Mike didn't have the courage to show how he felt.
What's so painfully hilarious to me about all of this though, is that Jonathan arguably starts the season in the same shoes as most of the audience, where from his perspective, it's becoming obvious to him now that Will like's Mike, but that Mike does not feel the same way.
First at Rink-O-Mania, Mike appears a little uncomfortable upon hugging Will. Then as the happy couple continues on their adventure into Rink-O-Mania, he watches Will lagging behind moping. And then unfortunately he's out of commission for the rest of the evening...
But once he's sober and back to being an attentive brother the following morning, we see him watching them at breakfast, with Mike barely sparing Will a glance, all while Will is blatantly staring, almost like he's waiting for Mike to look back, only for Mike to get up and walk away.
All of these instances gotta be SCREAMING unrequited gay love to Jonathan. He's already gotten signs for years that Will is gay, these are now just the signs that are instilling his suspicions that Will has feelings for Mike. He could have easily interpreted their relationship in the early seasons as young best friends, with Will seeming to have a crush on Mike, and with them growing up and that potentially including Will's straight friend distancing himself from him because he doesn't feel the same. It's not the most unexpected thing in the world considering.
But then there's a shift.
Suddenly he's creeping up on them talking in his room. And we know he was listening in on the conversation because he brings up Owens when he sits down. As he's eavesdropping, he's probably thinking something innocent like Aww they're making up! And like, hey! Even if Mike doesn't feel the same, which is okay and entirely expected honestly, at least he still cares about Will enough to make things right after acting so out of character. Still, I'm not gonna lie, that sounded a lot like flirting to me--
Then he's knocking on Will's door like 30 minutes or less later only to find Mike and Will back on their bullshit. Mike suddenly isn't going out of his way to ignore or put Will on the back burner. In fact, he's on his bed and they're talking, again! The door is even closed this time, which is interesting. This has gotta be a good sign in Jon's eyes. Nothing to worry about! Right? Right...?
But then suddenly this shift continues, going in a direction he probably didn't expect.
I mean, this is literally an identical jancy parallel we have here with byler on the hood of the car, with Jonathan right there to witness it. Despite him maybe only now subconsciously picking up on the similarities between Will and Mike to him and Nancy here, he's at least taking note (I mean he's even got his gay map out and everything).
It isn't until the van scene happens, that I think Jonathan starts to genuinely consider his suspicions, which is that Mike might actually like Will back.
EVERY time we get a shot of Jonathan looking back at Will and Mike in the van, followed by a shot of his POV from the rearview mirror, we're faced with Mike looking at Will while Will is looking away.
As Jonathan is hearing Will confirm his suspicions about his feelings for Mike, he's simultaneously witnessing Mike not looking at Will with disgust, but something more akin to reverence. All of those moments in the van that we witnessed, including all the ways Mike looked at Will and everything that was said, Jonathan was right there.
And what's even more insane about this scene, is that it circles back to Jonathan as a character himself.
I remember when people were talking about how odd it was that we never saw Jonathan with a camera in s4. After 3 seasons in a row of making his passion for photography a big part of his identity, that part of him was apparently absent entirely this time around... But was it really?
This is the same guy that said, "Sometimes, people don't really say what they're really thinking. But you capture the right moment, it says more."
Jonathan might not have had his camera in s4, but this was without a doubt one of those moments where he captured something more.
Something that I also think get's highly overlooked about this scene, especially when it comes to Jonathan looking back at them, being followed by a shot of Mike staring at Will, is that he could see both of their reactions the whole time, from beginning to end. Will nor the audience had the affordance of knowing because Will was facing the other way at the end, while we on the other-hand were blurred from even having the chance, despite Mike literally being in the frame. But not Jonathan. He even lets us see what he sees, a few times, but not at the very end, which would have been nice after they didn't let us see Mike's reaction seconds before this.
Let's just stop right there for a second though and circle back to what I consider to be the first time Jonathan really picked up on Will's feelings for Mike, which was at the end of s3, in a sequence that is a little too relevant to the van scene if you ask me, given that they are almost direct parallels.
While these parallels are pretty spot on visually, they are also near spot on narratively when it comes to the evolution each of these characters are experiencing.
For Will in the first scene, it's sadness that he's moving away from his friends in Hawkins and also feeling like he's losing Mike, after what looks like him and El making up, which makes him scared he'll distance himself again. For Jonathan, it's sympathy for his brother who appears to have some very deep feelings for his friend, feelings he can't quite grasp yet but soon enough will.
For Will in the second scene, it's heartbreak that he has to accept that Mike will never feel the same, knowing that supporting his relationship with El (encouraging it honestly) will likely turn out just as it did last time, with him losing Mike all over again, for the last time. For Jonathan it's sympathy for his brother who has now confirmed his suspicions that the feelings he has for Mike are more than just that of a friend.
Given that this parallel reinforces the same feelings Will and Jonathan had in s3 to now, why would this not also reinforce those same feelings that Mike had in s3 to now?
In the first scene, Mike was visibly distraught, with dialogue from Hopper in the background applying a little too perfectly with what he was feeling in that moment, which was scared. He’s apparently back together with El now, despite them doing just fine as friends for the last 3 months, as well as him and Will just having finally gone back to them being on good terms again. But now, it’s like he’s right back where he started at the beginning of s3, feeling obligated to be the perfect boyfriend to El, and as a result, having no choice in his eyes but to distance himself from Will. Mike then walks into his house looking like a zombie, almost emotionless stepping into his mother's embrace.
Now, I say almost emotionless because it looks like Mike was trying to hold back showing how he truly felt in this moment. He's not crying like he did in s1 when he lost Will that first time. Time has passed and things have changed (he doesn't want things to change). And he's trying his best to keep it together. But the in-focus close-ups make it clear that he is definitely not okay.
What's so impactful about these parallels is that it presents the inner struggle both of these characters are having, both queer and experiencing doubts, but in different ways and for different reasons.
Will is the one who covers it all up with lies, hiding the tears in his eyes, because boys don't cry.
Mike is the one who has never cried to them, just to his soul (RUN AWAY! TURN AWAY! RUN AWAY! TURN AWAY! RUN AWAY!!!).
If you actually try to get a gage on Mike's in-focus emotions in that first scene vs. his out-of-focus emotions in that second scene, well they're not that far off from each other.
We go from Mike smiling vibrantly at Will, to him now slowly turning away to look back down at the painting, with whatever the hell emotion this is...
It's near impossible to catch because of how out-of-focus it is, but looking a lot closer, it honestly appears like Mike is feeling something akin to sadness that he's trying to mask. For a moment it even looks like he turns his head to wince emotionally, only to correct himself.
And call me crazy, but these shots also low-key parallel each other. Mike looking down trying to keep his emotions in check and failing miserably, only to look up and meet eyes with someone whose witnessing it.
With each shot before this of Jonathan observing Mike looking at Will, with him showing all the emotions Will never got to see and everything else in between, I wonder what Jon saw this time? Probably another thing he didn't expect.
Can you just try to imagine the silence in this van, accompanied by Will's muffled sobs, and then try to imagine Mike turning to look down at the painting, only to sneak a glance, and then go right back to looking at the painting, IN SILENCE, and then try to tell me how the assumption that Mike didn’t notice Will crying makes any sense, like realistically?
Yeah me and Jonathan are confused too.
Right now, Jonathan's probably wondering why Mike was acting a little fruity and repressed during the painting reveal. And that although he may have a penchant for being able to 'capture the right moment', Mike is sticking with his story (despite all the stalling and doubt). He is 100% straight!
And so maybe this is where Jonathan tries to accept what is being presented to him as the truth, despite the contradictions in front of him. It's likely that despite the way Mike looks at Will and acts around him, in ways he would have assumed coming from Nancy in s2 would've been evidence that she felt the same, it probably doesn't apply to Mike.
Maybe Jonathan's ready to accept that it's a lot more likely Will is experiencing unrequited love as a gay kid growing up in a small town, the most predictable experience a gay kid could go through, and in contrast Mike just feels too bad to let Will down easy.
Or who knows, maybe Mike could still be a little bit gay too...
But it doesn't matter anyways. Mike seems to be adamant about this and so there's really nothing else Jonathan can he do besides tell his brother he'll be there for him no matter what. And so he does just that.
But then Mike just has to surprise him one last time.
For those that don't know, the line Mike gives here in his monologue was in part pulled from Will's monologue in the van. Most don't know this because this line didn't make the final cut for the van scene, but in the official script the writers posted, what we find is an almost a direct parallel.
Which makes the reaction shots of Will and Jonathan directly after Mike says this all the more epic.
From Will's end he was probably hearing Mike say this and just thinking 'Damn. Well, that's what you get for using your feelings to inspire Mike to profess his love to El.'
But from Jonathan's end, I don't think his outside POV of these events overlapping was nearly as naive as his brothers understanding of the events. Because why the fuck would Mike need to use Will's feelings to inspire him to profess his love to El in the first place? Is this what Mike has been struggling with? Really? Why before every moment Mike takes action in this scene, is Will's hand literally pushing him into it? Why is Mike being so dramatic about saying I love you, stuttering and rambling about her being a superhero, not saying nearly as meaningful of things as what Will said in the van?
And then it hits him.
Mike is reminding him a little too much of another Wheeler right now...
Nancy Wheeler, who was afraid of what would happen if she accepted herself for who she really was, leading her to retreat back to the safety of Steve. Because Nancy liked Steve, but she didn't love Steve.
And now here is Mike Wheeler, who has went from being incredibly distant with Will after reuniting with El, something that is very unlike the Mike he knew in previous seasons, to something more himself again after they make up, with him looking at Will with adoration after hearing his words in the van, only to turn away and look heartbroken. Mike who is now struggling to simply tell El he loves her with Will right behind him literally yelling at him to do it.
And now it's like all those little moments are starting to add up to Jonathan.
Suddenly all those signs he picked up on from Will when he was younger are now blending in with moments Will shared with Mike. It was Mike who jumped in after him and his mom's speech to Will in the shed in s2, with tears in his eyes recalling the day that they met (without being asked, let alone pushed to). And it's Mike who is now looking like he's at war with himself as he attempts to give encouragement to El, just like he did with Will in s2, but this time he needs someone to push him to do it, and that person just so happens to be Will. After just finding out about Will's feelings and also while assuming El wants him to love her that way still, Mike is stuck.
I don't think it's takes a genius to consider Jonathan is capable of realizing how fucked they all are in this situation.
As much as Mike isn't ready for a sleuth of reasons, Will isn't ready either.
This provides a huge contrast between the bylers ², because while Jonathan and Nancy went through a similar experience to Will and Mike, them being ready to accept it and act on it didn't involve nearly as many factors and risks. Will and Mike also have the added barrier that is homophobia.
Will's internalized homophobia lies in part with assuming Mike could never feel the same based on some of the words he said in their last two fights, with parts being painfully reminiscent of the things his dad and bullies used to say about him. These are also words that contradict Mike's own words and actions from the previous seasons, things that did once give Will hope. The shame and guilt that comes with falling for your best friend, who you now know will never feel the same after being foolish enough to believe it not too long ago, and who might not even want to be your friend anymore upon finding out the truth, is understandable. He can't have hope like Jonathan can. It's just not the same.
Mike's internalized homophobia lies with assuming El wants him to love her, along with their relationship being expected and socially acceptable from everyone around him. Though unfortunately for her he feels abundantly more in love in the moments he shares with Will. Despite trying to make it work with El as hard as he could, because she's amazing and all any guy could hope for in a girlfriend, he can't ignore the fact that the feelings he has for these two people are different. The shame and guilt that comes with you, a boy, falling for your best friend, who is also a boy, and who is starting to show that he feels the same, all while you can't muster up the courage to break up with your girlfriend, nor can you muster up the courage to tell her that you love her, not when she's begging you, dying or even just simply at the end of a letter, is pretty understandable too. He can't have hope like Nancy can. It's just not the same.
Spoiler: They were not ready.
PS: I'm still not over the fact that they low-key confirmed these events elsewhere in the story...
#byler#st analysis#pocketgate#lettergate#i'm aware this is a hot (big brain) take#but i'm like 76% sure mike understood will in the van scene#also why mike is gonna finally be dealing with some personal business in s5...#just want to add that this makes the scene at Nina hit harder#also#mike trying and failing to tell el he loves her or break up with her at surfer boy and stalling because he just can't fucking do either?#mike's face when will pushes him to profess his love to el right in front of him???#honestly i dont think mike would've gone through with his monologue if he didn't think this is what el wanted in large part#i think he thought that if he did break up with her she wouldn't need him at all anymore#or more specifically if told her the truth she might hate him for it and just not want to be in his life in the aftermath of that#this is why he struggled so much with being honest#it was either lie and suffer but get to keep her in his life most likely or tell her the truth and potentially lose her and still suffer#it's just that now he has literally no choice but to conform and be with her all while knowing it's not what his heart truly wants#the heart not being true to himself jumpstarted the apocalypse#everyone act surprised#byler getting jonathan’d in s5 can be something so personal#no but imagine jon getting even more signals mike feels the same 😭#and he tries to talk to will about it but will just gets upset like pls stop why are you saying this?#or imagine him talking about it subtly with Nancy and her being like no way#only to see it for herself#maybe then Nancy would try to talk to Mike about how he’s feeling#idk I could genuinely see byler just getting byler’d individually#but it’s clear at this point Jonathan is extremely suspicious#honestly all I think it would take is him having intel about their previous fights#if he found out mike defended his behavior by insisting that they’re friends…#jonathan would just be like… oh shit.. the first lie…
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one of my favorite things about pride and prejudice is that in the last third of the book Elizabeth’s internal monologue about Darcy is her admitting that she’s in love with him but also putting all sorts of qualifications around that statement that kind of ...tamp down the level of emotion (the “feelings, if not as tender as Jane’s for Bingley, at least as just” line, even the whole thing about her and Darcy being well-matched objectively speaking) and as soon as she’s engaged you get the unbridled joy in the narrative about her own joy, cc: “I am happier even than Jane; she only smiles, I laugh.”
#pride and prejudice#jane austen#this is very obvious but it's in the narration itself#that she's trying to sort of distance herself from the depths of her own feelings in case this DOESN'T work out#i also think the rational stuff is totally true and she would say that after as well but she would say it in a different way#idk i just love it. it's so subtle and it's so true#also very obvious?? i feel like i'm making a very obvious point#but anyway 'elizabeth's feelings soon rising to playfulness etc. etc.'#also this is why i hated the end of a civil contract actually#i felt like she was tamping it all down and for some reason it just made me SO mad#like no. it's supposed to OVERFLOW NOW#adam being like 'and in the end the rational choice was jenny' sir i will FIGHT YOU IN THE PARKING LOT#idk i was student teaching and very emotional at the time maybe i missed something and read it wrong#but my entire spirit REBELED#like. how honestly DARE#i'm avoiding grading can you tell#yes you can I will go now
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yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.
to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!
i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.
also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.
they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.
they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.
i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.
#eve text#elmike#stranger things#byler#only tagging byler because i feel like yall will like this take lol#tagging tagging tagging WHAT ARE EVERYONE ELSE'S THOUGHTS#god i can't believe i'm making a post about stranger things. this feels like poking a bear#i'm not particularly anti m*leven but like... they'd have to do something pretty special at this point for me to feel like it's viable#i'm seeing the bts of s5 and it's got me Having Thoughts#elmike friendship is something i am so passionate about#even before i ever liked byler (didn't ship at all until s4 even though i knew it was a thing before) i've felt this way about elmike#i always believed they were close friends at heart and needed to break up#the romance part of them felt very distinctly young and very much “he was a boy she was a girl” to me#and it hasn't deepened into anything more mature and i don't see how it could based on the current state of the writing...#the fact that lumax exists — a young relationship that is actively maturing and is healthy — makes that clear to me#and the “love confession” in s4 and how disingenuous and miserable it felt was just the nail in the coffin#also the fact that will (who is IN LOVE with mike) was instrumental in making it happen? ... uh... okay... interesting choice…#fucked up and reductive if they make it another queer unrequited love sacrifice for the sake of pushing the heterosexual agenda YUCK#so i really hope the speculation about a m*leven breakup is real!! i think it just makes sense for their characters but who knows#i don't believe in the notion of love at first sight or one true love and i think the writers don't too???#love to me is an accumulation of experiences and we inevitably choose it at some point rather than fall into it... but idk#tv is so fixated on keeping couples together... sometimes it's just not reality guys especially with young people... LET IT GO...#like i said though i'm not 100% sold that they're going to give up their “golden couple” LMAO#stranger things hasn't historically subverted too many tropes if i'm being honest#anyway i seriously need this season to come out quickly... i'm so bored and getting my master's is crushing my soul#i need frivolity#ALSO btw i won't respond to hateful messages about this so please don't bother. it's not that serious. this is a netflix show
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Why are people always so shocked when South Park handles a topic well?? I’ll see so many articles that are like “wow even SOUTH PARK is calling you guys out” tf you mean? They’ve BEEN doing this??
#I’ve seen fans of the show do this too#like why do people act like this show is nothing but a bunch of hateful nonsense???#I can’t help but wonder at times if some people here even LIKE the show because a lot of what I’ve seen makes me think otherwise#it’s one thing to be critical of the show (and you probably SHOULD be in all honesty)#being a fan of this show doesn’t mean you can’t acknowledge its flaws#there are a lot of things in this series that absolutely could’ve been handled better or aged poorly etc#but DAMN some of y’all I swear (mostly Twitter people)#like I once saw someone complain that the show has antisemitic jokes???#uh hello??? are you new here??#You don’t have to LIKE it I’m just saying#why are we surprised when a show known for being offensive is offensive??#I also just think people need to learn the difference between the show making poor writing choices (as they definitely have) and having#personal preferences#Not EVERY decision made in the show you don’t like means it’s bad writing#sorry I didn’t mean to go off of a tangent lmaooo#people just be getting on my nerves sometimes 😭😭😭
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My name is [BRUTUS] and my name means [HEAVY] so with a [HEAVY] heart I'll guide this dagger Into the heart of my enemy
Something about having absolutely no choice in who you marry. About being literally forced by the law to spill blood - to accept this stranger as your husband over a man you truly care for or accept the fact that the man you love might die because you put him in danger. Something about risking becoming the wife of a man you've never even seen before a few minutes prior because you know anything would be better than putting your beloved in harm's way. Something about the trust inherent in that decision and in the way she speaks of it after. Truthfully, T'Pring doesn't know the captain and she doesn't know Spock. Either one of them could have taken her as their wife but she does know Stonn. She knows that Stonn will remain by her side no matter what. They made a plan together. They have an agreement which T'Pring believes will be upheld even though the plan changed with the arrival of Kirk. Stonn will always be there, always, and Stonn will be hers. Something about the language used around T'Pring: Ownership, subservience, non-personhood. T'Pring is an object that Spock can win. She cannot reject him, she has no say in the matter other than having Stonn 'claim' her instead. Even when Spock leaves after being very clearly rejected by T'Pring he says "Stonn, she is yours." as if despite her clear rejection he still owns her and is must formally 'give' her to Stonn. But the language T'Pring uses around Stonn is a break from that: "There was Stonn who wanted very much to be my consort, and I wanted him." Stonn who wanted very much to be HER consort and she WANTED him. The language here is very particular - It's not, for example: "Stonn wanted me to be his wife" - he is HERS. And she WANTS him. There's a mutual affection there and a strong trust - a trust which seems to be well founded since Stonn (though silent) stands by her side at the end of the episode. <- That might seem small but if Spock would reject her for 'daring to challenge' (again, the language is not 'because I don't want you' but more of an implied disgust at her having the AUDACITY to reject him) then it's not a stretch to assume that it'd be considered an insult in the TOS Vulcan society to NOT choose Stonn as her champion after a prior agreement. Anyway T'Pring was a woman in an impossible situation within a society which saw her as more of an object than a person and she wanted Stonn and Stonn wanted to be hers and she trusted that he would understand if she had to publicly pick someone else to ensure his life would be spared and he did understand.
#amok time#T'Pring i s....T'Pring she....-puts my head through a wall-#PLEASE read under the cut for my rambling about T'Pring in amok time pleasepleaseplease#tired of 'T'Pring is evil/a bitch' and VERY uninterested in 'T'Pring is a girlboss'#T'Pring is a person in a society which doesn't think she has the right to make her own choices who's in [love] with a man who [loves] her#back in what I'd like to think is implied to be a slightly subversive way in its mutual and fervent nature (whether the writers thought#this was a good or bad thing - who knows. We know better RIGHT??)#and yes I will stylize T'Pring's hair differently every single time I draw it HEHEHE#star trek tos#Spock#T'Pring#also of COURSE something something spock/kirk & stonn/t'pring parallels: To keep your beloved safe you have to force someone else to kill#theirs - not BC you hate him (you don't) but you don't love him either and why does HE get to have you even if you don't want him?? Why doe#he get to 'give' you to the person YOU chose?? It's not a hatred on a person level (which I wanted to portray with the 'brothers') portion#but a sort of societal embodying.#I will think about T'Pring not wanting to be 'the consort of a legend' every damn day !!!#They really could have laid it on thick in making her evil guys...T'Pau even makes a comment about Spock's 'vulcan blood is thin'#but all T'Pring says is that Spock is a legend and she doesn't want that for her life. She wants Stonn.#And you're gonna sit there and you're gonna tell her that she's wrong!??? Spock doesn't even want to be with her!! Why is she so hated!?#CAN WE FREE MY GIRL??? She did all that but it's being read in the worst faith possible!!#comix page#bea art tag#star trek art#She literally says the word 'FREE'...she's TRAPPED!!!
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I think the twins had the potential to be the best borderlands antagonists if they were handled properly. Like if gearbox pulled more from reality it could have been a really interesting concept about parasocial relationships, the dangers of blurring the lines between online and reality, and how idolization can turn someone into a faux god
#i also dont think their power should have been draining 'life force' per se#i dont mind the leeching but i think it would have made a more interesting choice if it feed off peoples regular energy you know what i mea#like it wouldn't kill someone but it would steal their abilities still (like with lilith)#like the metaphor still works ig if you are killing people but#like having hoards of emotionless (and really rather pathetic in anything but numbers) husks of bandits?#i think that would have been fun#and have the 'reward' for their most loyal and strongest fans be. giving their power to the twins#in return.. they might look at you#you know like you gotta set that stuff up more. They've gotta be really convincing (yes even to bandits)#anyway am i spouting nonsense yay or nay#borderlands#text#troy calypso#tyreen calypso#this isnt hate to them as they are i just see them in my vision#i could fix them ❤️ (character wise; which would actually make them worse as in eviler)#bl3#borderlands 3
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(x)
(this is a pls stop blaming juliette lewis for nat’s arc and death post <3)
#regardless of whether you loved the death or hated it YOU CAN STOP BLAMING JULIETTE NOW OKAY??#like even people who liked it overall but had qualms the party line is well I’m sure it was juliette leaving early so that’s why xyz#no! it was not! this was the plan <3 and idc if you hate love or nothing it I just think like making these excuses for things is weird#like do I get why some people might have assumed juliette might have left early sure yes but also idk like PEOPLE ARE FALLIBLE#showrunners are fallible! and that’s OKAY! they’re PEOPLE! and you CAN love every choice they make but jumping through hoops#to find *reasons* for the things you didn’t like is so interesting to me cause like…it’s okay!!! they can do a little thing you didn’t love!#you can even SAY you didn’t love it if you want and that’s okay too! or not! but stop blaming juliette lewis for whatever you didn’t like#also the rest of the article is an interesting read!#now I’ll do conjecture and tell you it is CONJECTURE for sure okay disclaimer#but after reading this article I think it is even possible Juliette’s anger with nats arc was partially BECAUSE she knew her death was soon#like maybe! who knows! not us! but I don’t even know how I became this hardcore juliette defender bc honestly I dosagree w her on a lot lol#but like I’ve seen people say oh she’s difficult and she made them do this and she’s a problem and she always does this#HELLO??? stop blaming women for shit baselessly??#(if you casually wondered if maybe she wanted to leave and didn’t say it like it was fact or use it to pin blame on her for stuff…#…this isn’t directed at you)#but some people got VICIOUS#juliette lewis#natalie scatorccio#yellowjackets
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i posted abt this on my tiktok story but i need to rant more so im putting it here 😭😭 the way a lot of mikosai shippers (on tiktok, pinterest, reddit, etc) are is such a big reminder to me of why i hate the strictly romantic soulmates trope with every fiber of my being 😭😭😭 people who interpret soulmates as "that means theyre canonically together" regardless of how the characters actually feel about each other and if they ACTUALLY get together is so fucking gross to me oh my god its so fucking gross i hate forced romance so bad 😭😭 someone cant just say "hey, we're soulmates so you HAVE to date me and its literally weird and impossible for you to like anyone else because i said so!!" and also aiura WOULDNT do that anyway ???? HELLOOO???
you have no idea how many people ive seen call all saiki ships with anyone other than aiura "problematic ships" just because "theyre soulmates"
#SOULMATES DOES NOT MAKE A COUPLE CANON <333#'she SAID theyre soulmates so that means hes HERS now and its gross for u to think he liked anyone else'#hey thats actually... really bad!! hey she actually cant and wouldnt force him to date her!!! hey what the fuck!!!#not a mikosai hate post#only weird forced romance likers hate post <3#if someone doesnt like someone then they dont like them... them being soulmates doesnt change that...#thats actually just not how it works and the idea that that WOULD be how it works is gross#and a lot of the fics ive read of them end up with aiura being all 'ha i told you so! i knew id break u eventually!'#'i knew id get to u if i just kept calling u my boyfriend without permission and saying we're soulmates!'#which like not only would she not do that... its also just really gross#like u really thought 'he doesnt like her so she wears him down and doesnt leave him alone until he relents' and like... u went with that?#oh...#weird...#idk maybe im crazy and also im having a hard time phrasing any of this#but it just brings up so many consent issues and it makes me really uncomfortable#like according to THOSE shippers it wouldnt be by his own will or feelings if he eventually fell in love with her#it would just be because the universe said so and he never had any choice#mikosai is so cute when u think of it in like the totally opposite way#in MY opinion i love mikosai AFTER aiura accepts that soulmates doesnt mean he HAS to date her#that HAS to happen before they date and THEN theyre really cute#saiki k#tdlosk#the disastrous life of saiki k.#meows post
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