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kookooluvr · 3 days ago

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Teach Me How To Love - Part 2

pairing: professor!jungkook x (fem) professor!reader, fwb to lovers

genre: fluff, angst, smut, fwb au, economicsprofessor!jungkook, politicalscienceprofessor!reader, slow burn, some emotional constipation, some sappy moments, lots of sexy moments.

rating: 18+ MINORS DO NOT INTERACT !

warnings: we meet jk's friends and tae makes his first appearance (we'll be seeing a lot more of him in future), oc is sick with a cold, jk is a simp and drops everything to make her feel better, lots of fluff, nothing explicit in this one, we find out some more of oc's rules, SATC mentioned, some marvel talk, talk of jk having a nice ass, mostly just lots of soft feels in this one <3

word count: 2.7k

summary: jeon jungkook, a fellow professor at yonsei university, is your friend, co-worker, and secret bed buddy. you have rules set in place to make sure there are no misunderstandings in your little arrangement. the #1 rule is as clear as day; no catching feelings. simple, right? wrong. let's see how un-simple it gets when a certain economics professor falls for an emotionally unavailable political science professor.

author's note: i'm so happy to see the amount of love part 1 got !!! part 2 is a bit shorter, but i think it's important to see their dynamic outside of the whole fwb thing. i'm aiming for the upcoming parts to be longer, i promise. i hope you enjoy all the feels in this one, and don't be shy to send me your feedback 🫶🏻

find tmhtl masterlist here

Jungkook sits at a table in a rather fancy restaurant, half-listening to his friends as they joke about something over dinner. They've been meaning to get together for a while but they've all been so busy with work and their personal lives that it just never worked out until tonight. Well, it worked out tonight because Taehyung practically forced everyone to come.

"Yo, earth to Jungkook."

He looks over at Jimin with raised eyebrows, realizing he was caught staring at his phone in his lap. He knows he should be paying attention to the conversation happening around him, and he knows that it's rude to be on his phone while he's in company, but he hasn't heard from you all day and usually you would've exchanged words (or funny memes) by now.

It's not that he MUST speak to you all day, every day to survive, but it just happens. If he sees a funny video of a cat on TikTok, he sends it to you. If you forgot how to do something on Excel, you text him and he replies within two minutes to explain how to do it. Sometimes he even goes through the trouble of doing it himself, screen recording it and sending it to you to give you a step-by-step guide. That's just how it goes with the two of you.

"Huh? Sorry, what were you saying?"

"I was just asking if there's a special someone in your life," Jimin says with a little grin, resting his chin in the palm of his hand.

"Actually, what he asked was if you're still on track to die alone," Namjoon quips, Jimin waving him off with a little "eh, same thing".

Jungkook rolls his eyes, flatly denying any romantic relations. It's not like he's lying. He just can't say that he might have started developing feelings for the woman he's casually sleeping with, so he just settles on, "Naah, I'm too busy with work." It's easier.

They know their friend is a terrible liar, but they also know that he would tell them if he really wanted to, so they don't pry. They've heard your name once or twice in passing, a little comment here and there like 'y/n likes that movie' or 'y/n uses this perfume'. As far as they know, you're his work friend. That's it. Even Taehyung doesn't know much about you, and he works at the same university as an English Literature lecturer, which brings us to rule #2.

Rule #2: It stays between us. It's just less complicated if less people know, and Jungkook knows that if his friends knew about it, they'd be pestering him about you all night and he doesn't need that right now, especially when his eyes drift back down to his phone and there's still no text from you.

You're in bed, surrounded by snotty tissues and a sleeping Miso, who really couldn't care less that you just underwent a violent coughing fit. You're about to doze off, when your phone buzzes on the nightstand. You check the notification, and when you see who it's from, you swear you feel your heart rate rise, but maybe it's just from all the coughing.

prof jeon |7:50pm]: hey, you. prof jeon 17:50pm]: haven't heard from you all day... prof jeon [7:51pm]: are you mad at me bc i said sex in the city was boring??? 👀😭😭

You [7:51pm]: first of all, it's sex AND the city 💀 You [7:52pm]: and it's not boring, you're just a nerd who can't watch anything other than marvel

He laughs, knowing he should've expected that response. Your next message comes through shortly after.

You [7:53pm]: sorry for the radio silence You [7:53pm]: i have a nasty cold 😵‍💫 You [7:53pm]: feel like i was hit by a bus You [7:53pm]: took some cough drops and slept for most of the day

He really shouldn't feel the need to immediately rush to your aid, but he does.

prof jeon [7:53pm]: want me to come over?

You [7:54pm]: you don't have to do that, kook You [7:54pm]: i don't wanna get my germs all over you 😕

prof jeon [7:54pm]: don't be silly prof jeon [7:54pm]: i’ve had your bodily fluids on me before, who cares about a little snot 😂😂😂 prof jeon [7:55pm]: i can be there in a little bit

You [7:56pm]: you're gross 🙄 You [7:56pm]: and really nice

prof jeon [7:56pm]: see you in a bit x

He excuses himself from dinner with the excuse of a family emergency and promises his friends to hang out again soon. He grabs his coat and heads out to his car, making a stop at your favourite Thai restaurant for some pho before driving over to your place.

You unlocked the door to your apartment and dragged yourself back to bed as soon as he texted you to let you know he's on his way up. You hear the door open and in walks Jungkook, looking very handsome you might add.

"You're dressed awfully fancy to take care of my cold," you tease with a little smile, your eyes drifting down to the plastic bag in his hand, a bag you know all too well due to countless trips to that specific Thai restaurant. "And you brought food?"

He smiles as he removes his coat and walks over to the side of your bed, placing the pho on your nightstand before sitting down on the edge of the bed, clearly not bothered by the array of tissues scattered around the duvet. Miso sees him and gets up from her spot on the bed, sauntering off to the living room, almost as if she knows her mom is about to get folded like a pretzel again. But Jungkook's not here for that tonight.

"I was actually out at dinner with some friends when I texted you. And I thought you might've been too lazy to get up and actually eat dinner, so I brought soup."

The thought of him dropping his plans with his friends just to come over and take care of you fills you with a warm, fuzzy feeling. Maybe it's just your high temperature. Maybe it's the fact that he's just so kind to you. Whatever the reason may be, you're too sick and weak to fight the soft smile tugging at your lips.

"Thank you, Jungkook."

"Don't thank me. I just didn't want you to drown in your own mucus."

Your laugh makes his heart feel funny, even if it barely managed to escape your sore throat.

He opens the lid of the steaming hot pho and holds a spoonful to your lips. If you were your usual healthy self, you would've told him that you're fully capable of feeding yourself, but you're sick and vulnerable and he has that soft look in his eyes, so you let him feed you the soup. It's warm and a little spicy, and it instantly makes you feel better as it slides down your throat. It's just that good. That, and the fact that he bought it for you and drove all this way to feed it to you.

He makes sure you take any necessary medication and even helps you flip over to lay on your stomach so that he can rub some VapoRub on your back, his hands giving you the comfort you didn't know you so desperately needed.

You aren't used to being taken care of by such a gentle man. He blows on your soup for you so that you don't burn your tongue. He wets a cloth with cold water and lays it on your forehead to bring down your temperature. He touches you like you're some delicate porcelain that could break at any moment. When he lays down with you and runs his fingers through your hair, you don't fight it. When he presses a soft kiss to your cheek, you don't protest like you normally would because rule #3 is no kissing outside of sex but you don't even care right now. You let him take care of you when you normally wouldn't. You allow yourself to be taken care of because it feels too good to overthink.

Jungkook feels a bit selfish for relishing in your current state because it allows him to care for you in your time of need. He would do it for any of his friends because that's the type of person he is, but this is different. This is you, and he would drive for hours and hours to get to you if you ever needed him. He would put everything on hold to be there for you. Hell, he would run into a burning building if you were in there. Because it's you.

He props his head up on his elbow and looks down at you, taking in your fevery flushed cheeks, your heavy-lidded eyes, your stuffy nose, and he thinks that no other woman will ever be as beautiful to him as you. He's not Taehyung. He doesn't teach literature and he doesn't have the best way with words, but he could spend hours writing poetry about the sound of your laugh or how animated you get when you're really passionate about something. He could sit and watch paint dry all day if you sat by his side and did it with him.

Jungkook takes the tv remote from the nightstand to turn on Sex and The City, clicking on a random episode from season 6 and getting comfortable next to you.

"What happened to Sex and The City being boring, hm?" you chuckle, giving him a teasingly pointed look.

"What, you want me to turn it off?"

"No, I just thought you didn't like it."

"But you like it."

You turn your attention back to the tv as a smile threatens to break out on your face, your head turned so that he doesn't see how much that simple response affected you.

He barely remembers the characters' names or much of the plot, but you enjoy the show, so he watches it with you, making comments here and there and even asking questions just so he can listen to your voice as you explain why Carrie Bradshaw does what she does. He mentally pats himself on the back for getting through a good handful of episodes before inevitably getting bored.

When you get up to go to the bathroom, he just can't help himself and turns on one of the Avengers movies, offering you a sheepish grin when you come back and see what's on your tv.

You roll your eyes and get back in bed, watching Iron Man perform a monologue for the millionth time. "Captain America's better."

He gives you a look like you just killed his dog or something, and you already know what's coming.

"Are you insane?! Iron Man is so obviously the best Avenger, y/n."

"He doesn't look like Captain America, though."

"He doesn't have to," he scoffs, looking back at the tv. "He's got that whole rich CEO thing going for him. Plus, he's like, a genius."

"Nerds defending nerds, I guess," you tease with a faint smile.

He grins, a hint of smugness in his expression. "Are you saying I'm like Iron Man? Because if you are, that's a huge compliment."

"Iron Man's a bit more of a bad boy," you chuckle, narrowing your eyes at him as you try to think of who he resembles in the Avengers. "You're more...boy next door, kinda like Spider Man."

"Wha- excuse me, I can be a bad boy too if I want," he quips, trying to sound offended, but when you mention Spider Man it kinda makes up for it. "I guess I'll take Spider Man. I do have a nice ass."

You laugh, giving him a puzzled look. "Who said anything about Spider Man's ass?"

"He's like, known for having a great ass. Have you seen him in his suit?"

"So, that's it? That's why you'd make a good superhero? Because you have a nice ass?"

"Well...not just my ass. I'd make a great superhero because...y'know...great power, great responsibility and all that other stuff."

You scoff, shrugging like you can't argue with that.

He's quiet for a while, a full-blown fight scene playing out on the tv, his mind starting to wander a bit.

"You'd be Black Widow. You've got that badass, independent woman vibe," he murmurs, looking over at you with a soft smile.

"You think so?"

"Oh yeah. You're smart, confident, you don't take crap from anyone. Plus, you'd look really hot in the tight outfit." He just can't help himself.

You roll your eyes, softly swatting his bicep. "Of course that's what you think of."

He chuckles, shrugging his shoulders, feigning innocence. "Hey, what can I say? I'm a man, I like what I like."

And I like you. He can't say it out loud, but acknowledging it is enough for now, and when the cough syrup starts taking effect and your eyes slowly start to droop, he feels content with just having your head on his chest.

His phone buzzes and he pulls it out of his pocket to see a text from Taehyung, and your eyes are barely open when they land on the screen. You didn't even mean to look, it was kinda just an instinctive thing, but you're not interested in his private texts from his friends. What catches your eye is the photo on his lock screen. It's a photo of the two of you from a year ago, both of you making silly faces at the camera. It's a cute photo. If anyone else were to see it, they'd think you're a couple.

“I didn't know that’s your lock screen,” you mumble, your voice a lot sleepier than it was an hour ago.

“Are you snooping?” he teases with a little scoff.

“I didn't mean to look, your phone is kinda in my face from this angle,” you murmur through a soft chuckle, looking down at the photo.

“I like this photo of us.” He smiles when you tap the screen after it goes black, wanting to get another look.

“Coulda used one that I actually look pretty in,” you murmur jokingly, and as the cough syrup drains the last of your consciousness, the last thing you hear is a soft, “But you’re always pretty, y/n.”

The next morning, you wake up feeling a little bit disorientated after taking all that cold medicine, blinking a few times to clear your vision. You slowly sit up in bed and check your phone, seeing that it's 10am. You almost think you overslept for work, but you realize it's Sunday. You think back to the night before, the way Jungkook came over and fed you soup, the way he gently put VapoRub on your back and made sure you were well taken care of. You turn your head to find Miso in the spot that Jungkook was in last night, and you would feel disappointed that he’s not there anymore if Miso weren't so damn cute. It's not like you expected him to still be here this morning. After all, staying the night is another boundary you don't cross, and he respects that, which explains why he left a little while after you fell asleep.

You feel that fuzzy feeling in your chest again when you take a better look at what's on your nightstand. Your water bottle stands tall, which Jungkook filled before he left last night, along with a little note from one of the notebooks on your desk.

The note says, 'Hope you're feeling a bit better. Get lots of rest and drink your fluids. Don't worry about falling asleep, Miso made sure I saw myself out. Hope to see you at work tomorrow xx'

You read the note again, and then again. It's simple but thoughtful. He didn't have to write a note. He didn't have to come over last night to tend to your illness, but he did, and you aren't surprised because he's him. That's just what he does.

You think about last night until you have to consciously stop yourself from smiling so much because your cheeks feel a bit stiff. You grab your phone from the nightstand and scroll to his contact, your fingers quickly sliding across the keyboard.

You [10:23am]: thank you for coming over last night, kook You [10:23am]: i owe you fr

prof jeon [10:25am]: you really don't 🙄 prof jeon [10:25am]: i just wanted to be there for you prof jeon [10:26am]: it's what spider man would've done 👀

You [10:26am]: 👁️👄👁️ You [10:26am]: nerd

#jungkook smut #jungkook angst #jungkook fluff #jungkook x reader #jeon jungkook x reader #jungkook imagines #bts imagines #jungkook scenarios #bts jungkook #bts fluff #bts angst #bts smut #bts x reader #fic: tmhtl #kookooluvr

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fairsweetlonging · 20 hours ago

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new idea: shen yuan transmigrates into a pidw version with abo dynamics, but he doesn't know about it.

he knows what abo is, but it's so far removed from his expectations that it simply doesn't cross his mind at all. with that, cang qiong is a respectable, upstanding sect, so there is no growling, claiming, scent pushing or primal instinct stuff going on. people also don't mention it, as it's simply not relevant most of the time, and is considered rude to discuss unprompted.

shen qingqiu, of course, is an omega (the characters who make the best omegas are the ones who would hate it the most), but he has suppressed it with his qi for most of his life because he doesn't want to be seen as weak. the other peak lords assume he's a beta.

now, i'm not a traditional abo dynamic fan, but, there is something very appealing to me about the nesting and scenting aspect of it.

it starts out slow and painfully oblivious, with shen yuan assuming cultivators must have a really good sense of smell, and it's simply book logic that every character seems to have a signature scent. all those romance novels always mention characters smelling of pine and flowers and scotch and leather, so this isn't a foreign concept. liu qingge, for instance, is the bai zhan war god, girls fall for him left and right, it's only natural he smells of musk and deep woodsy notes, like the earth after it rains. right?

besides that, shen yuan has always been a homebody who loves his creature comforts, so him getting extra blankets and pillows and soft fabrics for his bed to curl up in isn't odd at all. or him collecting soft pretty things. shen qingqiu already has fans and night pearls and hair ribbons and silky clothes, so nothing changes.

then without-a-cure hits.

the poison breaks down the suppressors that the original shen qingqiu put in place, and his body starts restoring the balance. this worsens the cravings, and sets off his omega instincts.

he gathers more blankets, but it doesn't fill the need, like there's something missing. then liu qingge forgets his outer robe in his house after a meridian cleansing to deal with an emergency, and that robe ends up in his bed. he tries to reason it's a comfort thing—he wore his dad's sweater when he was young and had nightmares, and liu qingge does smell very nice, so is it really that strange that he holds it at night and presses his face against the collar where the scent is the strongest to soothe himself?

his own scent starts to develop as well, much stronger than the mild, watery green tea flavor from before, and people notice.

thing is, though, that there are many formalities and rules of conduct around omegas, one of which is not to bring up their status in any improper or unbidden way. so even though the alpha lords now notice a very distinct omega scent coming off their shixiong, they can't mention it out of societal pressure. so, they don't.

shen yuan still doesn't notice a thing.

the first time liu qingge smells it is during their bi-weekly cleansing session, when shen qingqiu leans in and liu qingge gets a mouthful of green tea, bamboo and honeyed jasmine, soft and sweet and pleased and so very content it sets off his alpha brain and he has to rein himself in before he starts releasing his own pheromones like some inexperienced teenager—

he's only just grown used to their amity and their habit of sharing tea and cakes after the cleansing, but now shen qingqiu is sitting there smiling at him and smelling like—like liu qingge is spoiling him and, making him feel safe...

he doesn't bring it up, downs his tea, and leaves.

meanwhile shen qingqiu keeps happily nesting away, filling his bed with all kinds of soft fabrics, some clothes of other people that he's trying really hard not to think about. everything is going well, binghe just turned sixteen and the girls are calling him an 'alpha', so his little bun is growing well into his protagonist charms! yue qingyuan comes by more often, acting a little strange but shen qingqiu is used to that by now. he looks very bashful offering him a ribbon of his, a pretty silver one that smells of incense and ozone, and shen qingqiu happily accepts it.

one time binghe comes back bruised and scuffed from a fight with bai zhan disciples, and shen qingqiu tsks at the strange smells on him, do those brutes ever bathe?? he rubs his hands over binghe's sleeves to try and get some of it off, and his poor bun must still be in shock because he stares wide-eyed at his shizun. he must also be getting forgetful because shen qingqiu finds that same robe still unwashed a week later in binghe's bedroom.

he also loves it when people brush or play with his hair, it's his favorite part of the evening when binghe helps him take down his hair for the night. the combs feel so nice on his scalp, if he could purr he would! (binghe's heart sobs quietly behind him, in complete disbelief his master is purring at him).

his icy, lofty demeanor has all but shattered, because now every time he tries to act aloof, like when yue qingyuan gives him a present or liu qingge shows up on his doorstep, his sweet, pleased scent betrays him.

the opposite is true, as well, when without-a-cure flares up and he's in pain and his scent goes sour and distressed, even when he's waving everyone off saying he's fine. the entire house smells of burnt tea leaves and ash after a nightmare, and shen qingqiu is very confused when liu qingge comes to pick him up for a meeting but then refuses to leave.

anyway he doesn't find out until after the conference when airplane tells him to keep his acrid scent under control, his house is starting to stink.

#yqy finds a robe of his in sqqs bed once and his alpha brain goes !!!!! and he cant stop preening for like. a month #sqq wonders if the original goods had cat genes or smth because he keeps wanting to rub his head against people for some reason #he just deserves to curl up in a nest of blankets and pillows and coziness #preferably with a mate or two or three #cuddling into them all warm and cozy and purring and being held as they call him a good boy and kiss his forehead #also shen yuan being woefully oblivious to societal norms is so delicious to me like getting super intimate bc he doesn't know the formalit #and yes he HAS ended up in someone else's bed before. either lqg or yqy both of whom would never wash that pillow again #alphas betas and omegas have absolutely been mentioned in sqqs vicinity it's just that it flew right over his head #''liu qingge is an alpha? why of course! he's the bai zhan war god! can't get more masculine than that!''#all he can think about is those youtube videos of ''how to be an alpha male to attract high value women''#svsss #abo #omega shen qingqiu #scum villain #svsss abo au #shen qingqiu #liu qingge #liushen #luo binghe #yue qingyuan #shen yuan #bingqiu

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shadyr4m · 2 days ago

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REWATCHING SEASON 2 EPISODE 7 OF ARCANE

+ some of my highlights and notable moments that I enjoyed bc people can’t understand media anymore

This is mostly an infodump of stuff I can fit into a twitter thread/didn't rly want to make into a thread. I'm not great at words so I apologize in advance, I am sure there are many people much better at analysis than I.

I want to start off by saying I am heavily invested in timebomb so this is very much going to be a ship analysis. If you're looking for someone unbiased i am very much not the person for that 😭

FIRST OFF:

The disc on the music box is adorable!!! It features au Powder (who I am going to refer to as just Powder for the duration of my analysis) and au Ekko

Compared to the normal Disc

This is very obviously because it takes place in a different universe, one without Vi or "Jinx".

The first scene starts off with AU Ekko writing in his notebook. (Cute mention is Powder's doodle in his notebook!!) Then we see flashes of the wild rune. This is when AU Ekko switches to canon Ekko.

Also one of my favorite silly images from this episode is this one.. Powder is being so adorable and Ekko is just scared out of his MIND. it's so silly.

In the Last drop, Powder asks Ekko. "What is up with you? You've been out of it all day?". One thing I noticed in my rewatch is that i think Powder is aware this Ekko isn't HER Ekko. This is just one instance of many that makes me think this.

This hideout seems so much more vibrant and loved, similar to Jinx's hideout after Isha. It's colorful. There are guard rails that I like to think was pushed by Vander. We can see Ekko's art scattered around. It just shows how much more support and family Powder has compared to Jinx, which i mention a lot.

Id also like to note Ekko being shocked au him went to powder for help. In his mind at this time he believes Jinx to be all that is left, no more Powder. Through out the episode we see that change.

Notice how Powder gets upset at Ekko in this scene. However, she doesn't react explosively like Jinx would've. She handled it in a way that shows she had support. She told him to leave instead. Again, the main difference between Powder and Jinx isn't only Vi but also the existence of multiple support systems that Jinx simply didn't have.

THIS FLASHBACK! Oh my god this flashback. The fact it happened after he upset Powder? I think it shows just how much he truly cares about Jinx/Powder. He remembers VIVIDLY the day that he thought he killed her. Jinx was his childhood best friend, and I don't think that kind of feeling ever truly goes away. He doesn't want to hurt any version of her, not even the alternate universe her. We see that showcased more later on. Also, random probably insane note. He is interrupted by small children playing, having fun. This isn't a coincidence, it shows he does miss the moments from when they were kids.

While talking with Heimerdinger, we see Ekko look at Powder multiple times. Watching her laugh and be expressive, he smiles. When she doesn't return it we see him get upset. Once more this brings me to my point that he doesn't want to hurt her. Considering he hasn't known this Powder very long you can see where I gather my point that he doesn't want to hurt her in GENERAL. Any version of her.

THIS SCENE!! He is such a bad liar it's adorable. This brings me to my earlier point, Powder knows what's up!! She suspects something 100%. He is talking about this dream her like it was real.

"You aren't the kind of person who helps other people with their projects. Your ideas change the world. I can't shake the feeling that that's who you're supposed to be."

Are you LISTENING TO THIS? He is obviously talking about Jinx. You can tell this by the first sentence because obviously Powder IS that kind of person. He's starting to see that Jinx is just a part of Powder, one that is unavoidable and that he unknowingly appreciates in a sense. Like two sides of one coin he can't see Powder without Jinx and that is good. I think it is here he realizes truly just how much he cares about Jinx.

This whole montage is beautiful but I want to zero in on two things. Powder's reaction to the notebook and how she looks at Ekko after. NOW THIS. This is the nail in the coffin for her. She knows that this is not her Ekko. She has fully gathered that he isn't from this universe.

Also heimerdinger totally knows how Ekko feels you cannot tell me otherwise. Pushing him to go to the party? yeah he knows what you are.

THIS WHOLE SCENE. I AM NOT ANALYZING THE WHOLE THING HERE BUT IT IS GORGEOUS. I saw someone talking about how it was animated on 4's to signify the way Ekko can only go back 4 seconds and I honestly shed a tear. THE SONG TOO? I encourage everyone to look at the lyrics because they're beautiful.

Okay now for my favorite part of this episode so much to dissect and i'm totally going to mansplain but yk..

"I used to dream the undercity could be like this" — That sets the tone for the whole conversation and just what world he is talking about. The canon one.

"But somewhere, I got consumed by all the ways it wasn't. I gave up on it. Gave up on YOU." — Heavy emphasis on this line. Once more he is talking about Jinx. He is talking about how he got so consumed by the way that Jinx wasn't good, and he gave up on her. Believed she was irredeemable. Powder showed him that Jinx is capable of love and happiness, it's just under that tough protective shell. The undercity in the metaphor is Jinx, from my interpretation.

"I promise i'll never forget this." — Now time for my insanity. He doesn't forget this. That's why he saves Jinx from ending her life in the first place. He remembers Powder and knows that with the right support Jinx doesn't have to be the way she is. It's not that she "needs to be fixed" she just needs to be LOVED, like Powder. He sees that now. He sees how in the au the love that everyone shares for one another shaped the undercity beautifully, and made everyone in it much healthier mentally despite going through hardships. That is beautiful. People with mental illness are not unlovable they just need more support, it can't be cured, or fixed just healed. Mental illness is always there it is how you DEAL with it that matters.

Nothing too major to talk about with the kiss. It's sweet I love it, but nothing too notable for me to say about it.

Finally, Ekko leaves the au. I have seen people say that this is a sacrifice, he could've had everything he wanted and he gave it up to save the people at home. But i take insanity to another level. I see this as him appreciating his home. He knows he can never truly love this Powder because she isn't the version he fell in love with. He learned to appreciate Jinx even through her flaws, and that while this world has everything he could want and more he can have that home too.

I am experiencing HEAVY timebomb brainrot if you can’t already tell. I was tired of people taking things in the complete wrong way with this episode, if anyone has different views pls tell me I love hearing how other people took certain scenes. there are a few scenes I love but I would’ve made this post way too long..

#Jinx #powder #arcane #jinx arcane #episode 7 season 2 #arcane season 2 #ekko arcane #timebomb #ekkojinx #jinx and ekko #powder and ekko #analysis #episode analysis #insane ramblings #i’m going crazy #they make me ill #jinx is alive

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profundcherrylady · 1 day ago

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SINGLE DAD!SAE ITOSHI

A/N: This isn't my usual content, but I was thinking about this scenario and I had huge baby fever so I couldn't NOT write it. I love Sae too much y'all. Also sorry for any spelling mistakes english ain't my first language.

Warnings: Mentions of death and grieving, Sae tries forcing his daughter to either eat her vegetables or go to school hungry (he doesn't go through with it)(this is a very brief scene but it could still be triggering to some people). STILL MOSTLY FLUFF I SWEAR.

Contents: Sae being a girl dad fr, y'all can't change my mind on this one, also Rin being an uncle. That's pretty much it. A little ooc (Rin mostly)

"Papaaaa" Mao complained, her voice echoing across the house and making Sae drop the dishes he was washing and walk across the house into her room to see what was going on... this time. Although he had a pretty good idea given her recent tantrums.

"Can't sleep?" he inquired, but he knew the answer as soon as she saw her curling up in her little bed and pouting, her doe teal eyes looking up to him as if to give him pity. "No, Mao, you cannot come sleep in my room."

"Why not?!"

"You've already been sleeping there all week... come on, you're a big girl, you can sleep on your own room."

"But I wanna be with you..." he sighed. It had seemed she had inherited his stubbornness, because sometimes it felt like there was just no way of making her change her mind when she was set on something. He leaned against the door a little, thinking about what to say that may change her mind.

"I know I was away for a while the last couple of weeks and I understand you missed me, but I can't have this conversation with you every single night."

"Why do you go away in the first place..."

"You know why, I have to for work." he countered, "And do not ask me why I can't bring you along, we've talked about this countless of times before. I don't go away for fun. If I bring you with me, you'll want to go everywhere with me and then you'll get fussy and mad because I'll be working all the time, or worse, you'll get bored to death in the hotel. Believe me, staying here is best for you when I go on business trips."

"But I just wanna be with you!!" his eye almost twitched in annoyance at the sight; he knew that tone of voice all too well. It was another tantrum coming his way, but still, he tried to remain calm for her sake.

"You're with me now."

"So can I sleep in your room?"

"No." then she threatened to start crying. He let out a low, defeated huff, holding back the urge to roll his eyes. She just wasn't giving up, was she? Pushing himself off the doorframe, he looked back at her before speaking. "Fine. Come on."

"This is the last time." he knew damn well that was a fat lie, but he still had to at least pretend to be firm. She would grow up to be a spoiled child otherwise, or at least that's what he was used to tell himself.

The little girl beamed, quickly jumping out of bed and running towards her father. She hopped with her arms up towards him asking to be carried, to which he complied. He wrapped his arms around her small frame and lifted her up, watching as she clung onto him as if he just came back from war or something. Could he really blame her, though? She had lost her mother and he was away all the time; it would be strange if she wasn't feeling lonely.

"Papa, sing me a song." Sae reconsidered his life decisions for a moment there, not gonna lie, but how could he honestly say no to those pleading eyes?

"Fine..." he sighed, his voice soft and low as he began humming whatever song he could think of on the top of his head. Still keeping a secure hold on her, Sae began rocking his daughter to further lure her to sleep. He held her with one arm so that he could close the door of her room, the soft click assuring him that everything was in order, and then started walking a few steps towards his.

By this point, little Mao was sound asleep on his arms, and he almost chuckled at the thought of his daughter refusing to sleep until she was with him. He carefully opened the door a few meters away and walked quitely to the bed, trying his best to not wake up the sleeping child on his arms, and set her down to rest. Once tucked in and comfortable, he let out a sigh of relief. Finally, the brat was asleep and he could be at peace. She could be so clingly and energetic sometimes... not that he cared that much, even though her restlessness was exhausting, it showed that she felt safe and loved enough to be her enthusiastic self around him without any regrets.

It was weird to him, like an unfamiliar sense of pride that surged at the sight of her young daughter bouncing around and playing endlessly. He would often look at her and think about how different her personality was from his, and how much it reminded him of her mother. Sae tried not to though, as he despised comparing his daughter to his late wife over and over again, but sometimes he just couldn't help it. From the way she smiled to the color of her hair... they were just so alike each other. He still kept all the memories from her close to his heart, which in a way made him feel guilty. Sae knew just how much his daughter yearned for a maternal figure; someone to talk to and educate her about girly stuff that he may not understand. He would watch her staring at the other kids with their moms and act like it really wasn't a big deal to avoid making him feel like he wasn't enough, but Sae knew better. It was obvious to him that his daughter absolutely adored him, and he was sure she thought he was enough, but he also knew that she missed having a mom. She missed her mom. He missed her mom too.

Normally he would avoid talking about it. It had been hard enough trying to explain to this small child that her mom wasn't coming home that night, or ever, let alone process his own grief at the loss of the only woman he once loved. If he cried, he had to do it when his daughter wasn't looking, because the last thing he needed to add to his worries was worrying his daughter to the point of avoiding everything that may set off a bad mood on him. It wasn't her fault, he just felt his heart break everytime he took her home and she pointed at a framed picture of her mom exclaiming 'Mama!' Or 'Hey mama', 'I'm back, mama', 'Miss you, mama'. He would hold back his tears and take a deep breath whenever she tried asking if she could visit her mom in the place she was at (as he initially had told her it was a place where she couldn't come back), having to explain carefully that she couldn't. She would get mad and ask why a bunch of times, but he didn't have the heart to tell her 'She's dead' straight up. He really tried to just give her an excuse like that she was sleeping forever or something, as if she was in the sleeping beauty, but then she just began asking if a true love kiss from him would wake her up. She was a child, after all, and she hadn't quite grassped the concept of death yet.

He let himself watch her sleep for a few moments, sinking in the stillness of the night. Taking care of a young child made this moments rare, and he treasured whatever rest he could get. He reached out to the nightstand and picked up the heater remote, pressing a couple of buttons to turn it on a bit; just enough to keep the room warm, as he knew nights at that time of the year could become fairly cold and he didn't want his daughter getting sick. And as expected, she got very evidently more comfortable as the room became warmer, falling into a deeper state of sleep. She had only carried her favorite bunny plushie from her room to hold onto and apparently that was all she needed to fall asleep. He plopped himself onto the bed as well and fell asleep almost instantly from the exhaustion of the day, not even caring about closing the door or the half-washed dishes he left on the sink or even the fact that he hadn't even changed his clothes. He was DONE for the day.

Although, the next day he most definitely regretted it.

He had to wake up early and finish cleaning all the mess his daughter had left throughout the day, plus now he had to make breakfast, wake her up and get her to school. Sae was a rather organized person and he would normally not find himself in this type of situation, but it seemed like ever since he became a father he was running short of time for everything no matter how much he tried to plan in advance.

"Morning." Sae greeted his still somewhat sleepy child as she yawned and climbed the chair infront of her to eat. "Slept well?"

"Mhm..." Mao mumbled, rubbing her eyes with one arm while she still clung to her favorite plushie with the other. He placed a plate on the table for her and then one for him, along with his usual morning coffee and the only damned brand of juice that she liked for some reason and that he had to drive for an hour to buy.

"Come on, eat. You have preschool today."

"Can't I skip? It's snowing so muuuuch." the kid dropped her head onto the table and sighed, clearly displeased about going to school.

"Apparently it's not snowing enough to cancel your classes. Now, please, eat."

He watched intently as his daughter took a close look at the food, pouting and feeling now rather down since she wasn't allowed to skip school. She took a couple of bites of her breakfast and she had a few sips of her juice, then she pushed her plate a little to indicate she was done.

"Thanks for the food." she was about to get off the table when she was interrupted by her father's stern voice.

"Not so fast. There is no way you're full with just that."

"Yeah I am..." such an obvious lie.

"Why aren't you eating? And I want the truth."

She pouted, AGAIN, before reluctantly giving an answer.

"It has green peppers on it..." and there you have it; this was the real challenge of Sae's day.

"I told you, they're good for you."

"But they're gross! Can I eat something else please?" this is Sae's life now. Even winning a soccer match was easier than getting his daughter to eat her vegetables.

"Mao, I spent a lot of time making breakfast for you, can you please finish your food? You still need to get ready to go to school. I don't have any time to make you more breakfeast; I have to go work."

"But... I really don't like them... please?" that was the last straw for him. He didn't mean to sound cruel, but he was tired and didn't know what else to say.

"Mao Itoshi, you're staying on this table until the last bite of food on your plate is GONE. If you don't, you'll go to school hungry and I'm not making you anything else after I pick you up. You are eating this one way or another." he almost instantly regretted the harsh tone of voice he had used, as he saw his kid's eyes begin watering. He passed his hands through his face in exasperation, took a deep breath, and walked around the table to pick her up. He exhaled, trying his best to remain calm before speaking to her again, as he could feel Mao's tears on his clothes and the little shudders she made at the effort to hold back tears. Sae patted and passed his fingers through his daughter's hair in a poor attempt to soothe her, but the damage was already done. She was holding thay bunny plush in her arms like a lifeline. "Sorry, okay? I didn't mean to be so hard on you. I woke up early to make your breakfast and you just took a few bites of it... I got frustrated, but that wasn't a reason to force you to eat something you don't like. I'm just saying, green peppers aren't the end of the world; they can be tasty."

"I guess I can eat them..." he sighed.

"No, you'll just be eating them out of guilt. You shouldn't do things you don't want to just because you're afraid of someone's bad mood." he thought for a moment. Mao eating the green peppers wasn't the ideal result now, she was hurt and vulnerable and that would only teach her that she should fear and comply which wouldn't end well on the long run... still, he did spend his time making her breakfast and didn't want it to go to waste. "Tell you what. I'll eat the green peppers for today, if you promise you'll at least try them next time, and I'll find another recipe to try to make them taste better. Sound good?" she nodded, still hiding her face from him by pressing it against his clothes. "Good. Now, I really don't have more time to make you more breakfast, so let's pick out the stuff you don't like just this once, and only this one time. I seriously need you to try to learn to eat your vegetables."

"...'kay."

"Let's hurry then; you still need to get ready for school."

Sae for sure was missing having some help on the raising of his daughter. He would never admit it though, he would try and pretend parenting was the easiest thing in the world when in reality he was fighting for his life everyday trying to shape this little human into a good person, and refraining from helping her while she failed at tying her shoe countless of times before admiting she didn't know how to do it (this is why he only buys her velcro).

He left the tiny sparkling pink shoes on the ground as he heard the doorbell, then looked at the clock hanging from the wall nearby. 8:14am, who in the world was it this early? Sae indicated his daughter to stay still on the couch before walking towards the door, and right after seeing the face on the other side he furrowed his eyebrows in surprise.

"Rin? What are you doing here?" his little brother then proceeded to push him aside and step inside as if it were his own house.

"Move, I didn't come here for you." his eyes traveled the room and eventually fell on the little girl sitting on the couch, and in a blink of an eye he had lifted the little girl up and hugged her tightly. Despite her surprise, she could obviously recognize her only favorite uncle.

To everyone's surprise, Rin absolutely adored his niece. Sure he had problems with his older brother but he didn't have to take it out on an innocent child that had done nothing to him. Besides, she was so adorable and bubbly and so NOT like Sae. Rin sometimes would stare at her in amazement, wondering how it was possible that this was truly Sae's spawn; yet the teal eyes and lower lashes were unmistakable. She was an Itoshi alright.

"Umclw Rwin!" her voice came out muffled, as she was currently being burried on his chest, but the sentiment was there.

"What are you doing here?" Sae was straight to the point, not caring about his cold tone of voice this time. And he says he doesn't have favorites.

"I just came back from my morning run." the younger Itoshi explained, still not looking at him in the eye. "Thought I'd stop by to say hello."

"To her."

"Yes, I didn't want to talk to your pathetic-"

"Language."

"Shut up."

"Don't hug her when you're still sweaty and gross, she just took a bath." he continued scolding Rin, earning a groan of frustration from him.

"Your dad is so annoying." his niece giggled at the obvious beef between his dad and uncle. She didn't really understand it but it was funny from her point of view. "Such lukewarm rules he has."

"Lukewarm!" she repeated.

"Rin, stop teaching her those words. Mao, say bye to your uncle; we have to get you to school."

"Awwwwww, can he come with?"

"Fine, whatever will get you to actually go to school. Rin, let's go."

"Don't boss me around." he complained, walking with his niece on his arms towards the door and setting her down. "Let's put on our shoes, shall we?" he took the shoes Sae had set down earlier and helped the kid put them on with ease. Of course, he had dealt with this countless of times before. Sae had the bad habit of using him as a free nanny for whenever he had to travel, which was often.

"Uncle Rin, how do you go running with all this snow? It's so cold!"

"When you run, you sweat and then it doesn't feel so cold." he finished tying the kid's shoelaces and took her by the hand, then Sae picked up a scarf wrapped it carefully around her neck.

"Don't take it off." he warned, watching as she began squirming to get away from the scratchy scarf. "It's cold out, I don't want you getting sick."

"Okay, papa." he gave her a quick kiss on the forehead before taking her free hand and not so subtly making Rin let go of her as he finally opened the front door. They were quickly hit by the cold winter air, and Mao shuddered a little at the sudden change in temperature.

Stil, Sae made sure his hand was holding hers tight and that she kept herself on his field of vision. There would be someday in the future where she wouldn't need him to hold her hand; he had to treasure these moments and not let her go while he still could.

#blue lock #blue lock fanfiction #blue lock fluff #itoshi sae #sae itoshi #rin itoshi #itoshi rin #blue lock drabbles #sae itoshi fluff #rin itoshi fluff #sae itoshi x reader #blue lock x reader #bllk #bllk x reader #bllk fluff #bllk fanfic #bllk fic #bllk drabbles

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b0njourbeach · 2 days ago

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NRC LGBTQIA+ HCs

Those are only my thoughts and you can agree with them but you don't have to. We are all different and have our own visions. I'm quite willing to discuss or explain my visions - If you're being polite enough, I've got no time for drama. I will use He/Him for everyone - no matter what I have as a HC - because of the canon and it might be confusing for others (I, for one, often have to take a "Wait, why she?"-moment until I realize it's a HC.)

Riddle Rosehearts

He waits for the "right woman" that would "please his mothers wish". After meeting the students in NRC, especially Cater, he is curious and questioning his previous thought about being Cis/Het. Might find interest in all pronouns. I could also see him having to be more feminine because his mother wanted a girl (which could imply him having trouble with gender as a whole).

Ace Trappola

I think it's canon that he's not too fond of romantic love, so I do believe he'd be most comfortable seeing himslf as aromantic. As for the rest: He's your average cis male teenager who makes too many dick jokes for his lack of experience (but would consider himself as allosexual). Will throw hands and sees it as an insult if you call him a girl tho.

Deuce Spade

Like Mother, like son - Both Spades are bisexual in my eyes. Deuce used to be homophobic in his delinquent times but changed for the better (and realized that he disliked the idea of gay people because they "always look so happy"). Had multiple "What if"s regarding his gender (Including asking Mama Spade to treat him like her daughter for a bit, so Deuce could get a feeling for it) but it felt too weird, so he still identifies himself with his assigned gender (male) at birth - But doesn't mind it if people use they/them for him. Would be your average nervous Teenager when it comes to showing affection in any way and will blush brightly at the topic of naughty stuff.

Trey Clover

Didn't give it much thought ("If I like a person, I like them" type of mindset but had no particular romantic feelings before) before entering NRC - Where he had his first guy crush which rocked his world a little. Constantly questioning "Am I gay, bi or pan?", but his first and only crush doesn't really help and is actually the reason for his questioning in the first place. Hasn't come out at all and doesn't plan on it because he grew up that the genders of people in a relationship doesn't matter and his parents would support him as long as he's happy. "I was born as a guy, so I'm a guy, I guess. I don't really care if you use she/her for me. It'll be just a bit confusing for me at first" type of guy. After one of the night talks with Cater, he got curious about poly-relationships.

Cater Diamond

Many thoughts on his guy, many possibilities but this one story I have planned made me like the idea of trans-male Cater a lot (Mainly He/Him but doesn't mind They/Them). Funnily enough, I can also see Cater as genderfluid slaying person - That's what I mean when I say there's a lot of potential. Has too many trust and commitment issues to think of any type of relationship but he's still a bisexual king. If I had to describe a bisexual, it would be him. Wouldn't say no to a potential poly-relationship but is also intimidated by the idea because of his mental issues. Sees a lot of benefits in poly-relationships. I wouldn't be surprised if he had hooked up with someone before. Despite it all, he flirts as if his life depends on it (Which is, at least in jp, somewhat canon).

Leona Kingscholar

"I'm a guy" ahh male (in an unbothered way, not the toxic way. He's surprised if someone asks for his pronouns but respects the person just a tiny bit more for caring enough to ask in the first place). While I do believe it is hard for him to actually love someone to begin with, I'm convinced of Omniromantic and -sexual Leona.

Ruggie Bucchi

"My gender is whatever gets the job done." Based on irl hyenas, it isn't impossible for Ruggie to not be AMAB (The genitalia of a female hyena are very similar to those of a male. It led on multiple occasions to zoos attempting to breed two male hyenas). So if a job requires him to dress in drag and dance the hoola, Ruggie will do so. In theory bisexual but is too busy for actual relationships. Would absolutely come up with the wildest neopronuns to piss off Karens though.

Jack Howl

He definitely questioned himself as a young pup, especially after meeting Vil because he thought he might have a crush on him but he was proven wrong later on. Definitely one of the few straight guys in NRC. The more genderqueer people he meets, the more worried he gets about peoples pronouns because he used to be the type to look at a person and guess based on whatever vibes they give off. Now he doesn't know which pronouns to use, so he often uses they/them unless told otherwise (Has a non-verbal pact with Deuce to let each other know what kind of pronouns people have - if the other person knows).

Azul Ashengrotto

I'm making this based on irl male octopi and their nature of dying after having sex for the first and only time: So with that in mind, I do believe that Azul wouldn't want to be sexually active at all (That and his insecuities aboout his body would probably stop him too). I definitely picture him as a helpless romantic once he does fall for a person, though (demiromantic maybe?). Definitely ne for the males, both his gender and his potential partner. He has absolutely questioned his gender and maybe even secretly owns a floor-length dress he wears in his room when his mind wanders off to question potential genders again.

Jade Leech

I will never not talk about AroAce Jade. I could write an essay about AroAce Jade but I won't. Just yes. Could potentially be bi-gender though. Likes to mess with people "You think I'm a guy? Is this not a little too narrow minded? ... What? Oh no, I'm not a woman."

Floyd Leech

Raging homosexual. His type? "If he can rock my bottom, I'm vibing", but his potential boyfriend needs to be able to keep up with his nature. Only his boyfriend sees a rare soft and sweet side from time to time, trust. (I've seen people have the HC of Floyd being a She/Her lesbian and I personally can only see it if we're talking about genderbend Floyd but I'm not here to comment on other people's HCs. I just wanted to mention my sight on genderbend Floyd too). Is a He/Him guy but wore dresses and skirts before but only very wide ones or the type that have a deep cut in it - For free legs (It's canon that he doesn't like tight clothes, so I'm working this into the HC.)

Kalim Al-Asim

"I'm a guy but I can be your big sister too, if you want to haha!" Would absolutely dress feminine if he feels like it. Likes to dance in very fancy and wide dresses and skirts because they look pretty when you do a twirl. Also very pansexual, just wants to love.

Jamil Viper

Is used to dress up feminine because Najma makes him wear her clothes sometimes, so she can see if it looks any good. Much like Ruggie, doesn't care about gender as long as it gets the job done and has been often enough addressed as a girl (Especially if the person saw Jamil only from behind) to stop caring about pronouns. Has many reasons not to want to be in a relationship but swings both ways in theory.

Vil Schoenheit

Gender? "Yes." Did you expect anything less than all genders for THE Vil Schoenheit? Come on now. Extremely demisexual and -romantic. Clothes have no gender (his canon statement, Book 5), so he has worn all types of clothes with confidence and comfort.

Rook Hunt

Lithromantic (Basically: Attraction exists until the target of your affection likes you back). Gender doesn't matter for a partner or Rook, but "it/its" pronouns are extremely interesting to the Hunter.

Epel Felmier

Homophobic, both internal and external. "I'm a man!" but in the toxic way. I see trans-male Epel HCs (and justify his dislike of "girly" things with that) a lot and I really like them as well but the idea of this toxic cis-het white guy Epel is much more entertaining to me - Let this guy be annoying for the sake of being annoying, not everything needs an emotional reason :> He's a little fruit tho even if he denies it (I mean, he's in Pomefiore for a reason /hj).

Idia Shroud

"I don't do love, I don't do sex, I don't do gender. Do not perceive me." Tbh I dont have any particular HCs for Idia, I just go with whatever I see in media, if it works out with my interpretation of Idia ofc. I don't believe that Idia would be quick to love though (especially after Eliza).

Ortho Shroud

Again, I don't have many HCs on my own but I've seen both trans-male and trans-female Ortho HCs and I like 'em both.

Malleus Draconia

Knows he needs to bring up an heir eventually but hasn't found the right person yet. Isn't exactly sure about his own sexuality but is certain he'll know once he finds "the right person". Is a little confused by "new" genders, so he just settles with the classic He/Him for himself - Tries his best to respect Neopronouns and trans folk. Will ask a lot of questions if you come out to him as anything that is not your assigned gender - Both out of curiosity and because he doesn't want to mess up. Has been raised to be supportive through Lilia.

Lilia Vanrouge

Man, Woman, prefer not to say, Other, Croissant - It's all Lilias. You're a Non-Binary person? Lilia absorbs whatever your assigned gender at birth was. You're trans? Lilia will trade your assigned gender with whatever you identify as. It's also pretty much canon that he's bisexual, so there's that - I'm pretty sure he hesitates about relationships due to his previous experiences with Meleanor and Raverne. Has definitely made out with Baul when they were younger.

Silver

When you ask Silver what he likes, he'll tell you about his sword (the object, not a naughty reference to his genitalia). If you'll correct yourself and mean as in a person, he'll tell you that he doesn't care what the gender of his opponent in a battle is - He just hopes they'll good enough to help him learn how to improve his skills. In short: His duties and interests matter to Silver much more than something like love or sexual intercourse. (Same applies if you ask about his own gender: "I'm.. a guy? But I don't see where this matters right now.")

Sebek Zigvolt

Used to be a raging homophobe until Lilia sat him down and had a looong talk with him. "I'm not queer", proceeds to explain how overrated the concept of love is and how his duties should never be interrupted by something as trivial as romantic relationships (He doesn't get that this mindset has a lot of AroAce weight in it - which means he's queer). He's overall a little confused, but he's got the spirit. Will correct people very loudly if they misgender his friends or close ones. Will also regularly ask Lilia in the morning what kind of pronoun-day is (Lilia has considered to wear different colored bracelets, so Sebek doesn't have to ask every morning.)

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rei-ismyname · 1 day ago

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Uncanny X-Men #6 From The Ashes

We're starting to see Raid on Graymalkin come together with each team having a member in custody, but first we get to know these kids a little better. Spoilers, naturally.

Yeah they're a mystery to us too.

Calico/Becca has been in pretty serious denial about being a mutant and is easily the least worldly of the four. Context clues told us she grew up wealthy, sheltered, and that her mother did a number on her. It's good to make that explicit but I think something is lost by doing it in third person flashback. This is information she doesn't know and considering what happens next it'd be more effective to have her tell her own story. The flashbacks feel jarring to me too, knocking me out of the present. Her having Ember kick Logan was pretty funny though.

And she's cured! 🙄

Calico has a breakthrough after a minute talking to Gambit, completely accepting her mutanthood. I think this would be the place to hear her speak - just a little back and forth instead of Gambit getting through instantly. She basically drops out of the story at this point, repeating that she's a mutant to anyone who'll listen. Yeah, she's been going on about goblins and her mother the entire time, and she was clearly in denial, but the sudden acceptance feels unearned.

We're not done with Harvey X, it seems. He's died at least once on page and said his powers would move on when he did. Does that mean he's not dead or was he just wrong? The thing with fakeouts is that the more you do it the less readers trust what you tell them. Logan brings up the old guy whose death bed he visited in issue #1 and shares the story behind the Tequila. He asks them to drink it with him and Rogue realises he's heartbroken. This feels unearned too, frankly. We'd never seen this army buddy before and while it's sad, there's so much trauma in all these people's very recent history. Krakoa, The School, Chuck, a genocidal war, Beast, hundreds of thousands of slaughtered mutants. The narrative doesn't really need new trauma when so much is already set up.

It sucks to lose an old friend, but the reader doesn't know the guy at all so it comes out of nowhere. A lot of page space was dedicated to the Sarah Gaunt/Chuck relationship and both aren't present in the story right now. Imagine if that space was spent on, say, Sarah/Logan instead. Very little needs to be changed and being blinded/nearly killed by his now monstrous ex would be a payoff that was setup.

I have complex PTSD myself and I would love to see it handled well in this book, but it's off to a weird start that centres Rogue more than Logan. He's in the middle of sharing his trauma and reaching out when she does this. It's really fucking odd, and I have an uncomfortable feeling it's not meant to be. I'll reserve judgement and see how this plays out.

Is the spit take because of what she said or because she's acting strange? You all have PTSD

Uhhm, what? Is this meant to be Harvey X's influence on Rogue? Her narration seems to suggest that, though she's still using her accent. I don't know, but it feels off. It's great to see the letters PTSD in an X-Men comic, because no shit Logan has PTSD. However, once you pathologise it instead of just referring to trauma, you need to pay that off. I'll believe that when I see it. Also, she just cut him off and told him. Logan says she's not qualified to diagnose that and he's right.

The kids are off to school! I think this is an interesting way to keep the education element of X-Men books separate from the mutant part, and naturally the kids run into bullies straight away. We're shown the other kids listening to Jitter though her confidence is attacked by jerks making fun of her stutter. Ransom has her back but Deathdream is really committed to the bit. This scene shows us what class dynamics are at play too. Showing and not telling might seem like faint praise, but I appreciate it when it's done elegantly. It's something this title has struggled with and I'm happy to see Simone lifting her game with the kids. That said, the bullies are extremely generic. Total cutouts that could be from 1950 or 2024. That's probably intentional but high school drama is a trope that's been beaten to death. If you're going to do it you want to do it well.

More bullying happens and Deathdream seems to take Ransom's words to heart, scaring the bullies with Eldritch horrors. Deathdream really doesn't seem bothered he's about to catch hands, but Ransom rolls his sleeves up and lays them out. I think the Olympics business was overegging the pudding, we can tell from his stance and form that he's trained in boxing. Or maybe this could have come up when they fought the X-Men. Everyone would notice an Olympics hopeful boxer. It could have been in Rogue's narration and wouldn't need to be vocalised as the skill is being used. Chekhov's Skill - it's narratively satisfying.

Unfortunately, while this is going down five heavily armoured dudes corner Calico and tase TF out of her. They call it in to Graymalkin and the Raid is set up. I wonder how they got into the school or knew they were here at all. Cerebro explains the latter. Why are they so obsessed with these kids anyway? Dr Ellis was concerned for their lives 2 issues ago and now she's encouraging brutality. Whatever, big ding for the Uncanny team's record of caring for children.

Kurt and Jubilee head to the store to do shopping and Kurt BAMFs away to save a little girl from being hit by a bus. For once he gets some gratitude, though while he's doing this Jubes is being cornered by Siryn, Blob and maybe Wild Child in full Hound mode. She gets snatched up too and Kurt returns to blood and mess everywhere. He calls Rogue and she tells him to get back quickly. The ending leads straight into 2 issues of Raid on Graymalkin (with 2 over in X-Men) and both teams have their motivation. I'm not looking forward to the contrived conflict but maybe we'll get some answers. We saw Siryn and Blob being tortured in earlier issues, but I'm surprised they're here unsupervised. Perhaps those collars are responsible.

Pound for pound I'd say this is the best issue of Uncanny yet. It had some super odd moments but most of them were relics of the first arc. I do wish we got more time to know all the characters, especially the Outliers, before moving into a mini crossover but this is what we have. Still skippable but seems to be getting better. I'm interested to see how the PTSD thing plays out though my expectations are low. I know that sounds quite negative for what was an improvement, but the first arc left a bad taste in my mouth and trust is earned. Also there's NINE main characters which is really not especially sustainable in a book like this. There's just not enough space, and you end up in situations like heading into an event without a solid grasp of where most of the cast is at.

Don't stand behind a horse, Logan. Lucky you have a healing factor.

#x comics #uncanny x men #rogue #gambit #wolverine #jubilee #nightcrawler #the outliers #calico #deathdream #ransom #jitter #x men #marvel #comics #from the ashes

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luckyyyduckyyy · 11 hours ago

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THANKSGIVING MOOTIE APPRECIATION ❤️✨❤️

Happy thanksgiving y'all! And a good time zone to all my non-US/non-Turkey day havers lovelies!

Tis the season of thanks and I'm a very thankful goober this year! I only started getting active on Tumblr about half a year ago and there's already so many people and things I'm grateful for from this site alone! I've enjoyed so much art and events, participated in yap seshes, tag games, and ultimately felt pretty welcomed and at home on this site, and it's thanks to all you! <3<3<3

Special thanks to the DCA fandom in its entirety as well! All the discussions, artists, writers, and shared reposts with all the silly notes are awesome! Y'all inspire me all the time and make me wish I was more outgoing than I am just so I can say hello to each and every one of you!!!!

The list gets long, so for the sake of those scrolling by, I have put it below! Have a lovely day everyone! <3333

@midnight-mourning Your writing is just wonderful. It's everything!!! I adore it so much and your CS boyos have wormed their way into my heart and refuses to leave. Some of my favorite songs even remind me of them! (Don't tell Moon this but I am very attached to CS Sun-)(Honestly gotta be my favorite Sun I've read fr fr) Also! Thank you for just being so supportive, thinking about me in tag games, and giving ALL the tag notes! They're a wonder to read and have me bounce off the walls! I'm always so happy we're mooties! ❤️❤️❤️ (Also, fun fact, you're my first mutual too! It's insane to me HOW DID THIS HAPPEN GUAHPHIAHDKA)

@pointyfruit You! Your art? Muah, wonderful. I don't even care if it's not dca related because it's so good. The shape language, art style, and just unique takes on just anything and everything blows my mind! Let's not forget COLORS. Oml they are so PRETTY. It's like an explosion I never want to end. 💥💥💥 Also! So goofy, so silly, and COTL enjoyer! Let's GOOOOO!!! I don't engage with the fandom much but I DO love the game and honestly I almost beat it, but still have not because I don't wanna do the final boss fight. It can't be over bros... Anyways when I see your posts I always wanna just wave like a neighbor seeing ya blow up 10 boxes of fireworks on a casual Tuesday afternoon. 👋👋👋:D

@divinit3a SPINS YOU!!! 🐶🐕🐶 Heya silly meister! In the midst of reading your work, gotta say? Muwah, Perfecto! The sillies are putting me on a rollercoaster and I'm stuck on the ride! While my ability to yap is a coin flip every hour, you happen to bring the yappening out of me with all the fun notes and posts you do--We've already had so many fun convos! Speaking of posts, the art is peak and will STAY peak! The designs? Muwah. The colors? Muwah. You make even the creepiest of goobers hauntingly beautiful! We've may not have known each other for long, but you're someone I look forward to seeing on my dash/notifications every time I open the app! ❤️❤️❤️

@sinister-sincerely Hi!!!! I'm still sometimes in awe realizing we're mutuals! I really love your work and if I'm in the mood to read something but I don't know what, I tend to turn to Aftersome often, even though I've read both the og and the rewrite! It's like you're the master of writing angst, bitter unrequited feelings, and the strange tenseness but want of confusing relationships. It's gut wrenching and I wish I could write something so evoking! All your stories are amazing and I seriously hope you know that, they're such heavy hitters that they have marked a place in my memory. ❤️ Your art too is wonderful! They don't pop up often but when they do it's a real treat! I love that you use grey scale in a lot of your works and the style is just so pleasing to look at. Whenever I see the DCA in your style I wanna give them the biggest hugs, even if they'd pry me off seconds later! ✨✨✨

@r0b0s-robos / @r0b0-wannabe Waving at you excitedly!!! It's always a pleasure to see your reposts, you always find the good stuff! Plus, you always are trying to help out others and it's amazing to see, your efforts are able to make great impacts. :333 You're also another writer I appreciate immensely, and I'm so invested in your botanist au. The sillies and their botanist who is desperately trying not to fall in love with them!!! ADORE THEM!!! I can't wait to read more! ❤️❤️❤️ The times you post about writing ideas or silly things about the DCA has me nodding my head with a smile. Also, the little notes you leave in tags, despite usually being brief, always makes me so happy! It's like seeing the kind stoic look at you from their seat, let out a small smile, and say "I love this"- and then suddenly it's a blast of blinding white light of endearment straight to my heart. K.O.!

@chickenchirps27 Welcome back!!! I've noticed you've been much more active recently and it's always fun to see what you got goin on! Obligatory art mention, but it would be criminal to NOT mention it. ITS!!! AMAZING!!! THEY LOOK LIKE ROCK CANDY!!! Colors!!! I love it so much, the goobers look delicio- I mean they look adorable and masterfully crafted in each piece of art! And your sona, ugh, she's so gorgeous and alien in the best ways possible. I've never seen anything like her and I am in awe of how you came up with all her little details. Those mantis arms are SICK and I want them!!! (Though drawing may be a little hard if I had em-)✨✨✨

@amarynthian-fortress / @amarynthian-chronicles Hehehe! Boops you! >:D Honestly, thank you for always being the biggest sweetheart around and being so welcoming. You're one of the people that made me feel able to crack my shell more and be more active on here! Your writing is whimsical, your reposts and comments are always so kind and feel-goody, and you just always show you care and the randomest times! Catch me off guard why don't you! I love all the snippets and treats you post, and I'm saving many of your stories to read for rainy days! ❤️❤️❤️

@ping-ski My reaction to us becoming mutuals was- 💥💥💥:OOOOO💥OO💥💥 I think I've followed you right when I started getting active on here and gah, your art is wonderful. So lovely, stylized, and colored so simply yet so appealingly that I can't stop looking. Your aus make me want to read them and their designs are always top tier! Also, I cannot forget to mention you are SILLAY!!! So silly! Your comments on reposts are goofy and I love to read them whenever they come up on my dash! Not to mention your own posts- I will never forget the 3-in-1 solid block of dca encased in ice. I was in awe of seeing them encased and I suddenly wanted my own dca ice cubes to put into a drink and try not to choke on. ✨✨✨

@quilteddreamz Your writing. Oh my GOSH your writing! It's wonderful, beautiful, gah, I can't wait for your advent calender! I wish I could do something for it but I got 3 more weeks of large projects tapped to my back. I am sending much luck your way and know that I am excited to enjoy some daily dca! Don't break yourself over it too! I may adore the goobers but you're most adored first! Take care and keep being such a whimsical person! Muwah! ✨✨✨

@flowysgonemad You are also! Silly!!! You are so fun to see popping around my dash and your doodles just make me go :333 every time! I love your aus and you're a very kind/goofy person! I don't even remember how we became mutuals but garsh diggity dang it, it's awesome to see ya and anything you yap about!

There are MANY more mooties I want to appreciate and show off, but I fear I am currently omw to go to a large thanksgiving dinner and I'm expecting to be there for the rest of the day. SO! If you weren't listed, please know that I AM thinking of you! Have a wonderful time zone, and just know that my heart is so full knowing that you're all there! I can't believe there is that many of you to begin with that I can't fit you all within the time frame! (Would you believe me if I said coming up with all the right words to say here took me 2 1/2 hours?)

So! To all my beloved writers, artists, and sillies alike! From the bottom of my heart, really, thank you! For being here, even reading this, and appreciating the things I do as much as I appreciate you! ❤️❤️❤️❤️❤️❤️✨✨✨✨✨✨

#thanskgiving #mutuals #mutual appreciation #Happy thanksgiving y'all!!!#Y'all are amazing people!!!#Thank you to the community in general for being so kind and welcoming too! ❤️❤️❤️#Y'all should check out the people tagged here if you don't know em! They're all wonderful Fr fr!#dca community #dca fandom #Yapping #Mootie patooties

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anomalymon · 2 days ago

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I did do a bit of research into subpersonalities and I'll admit I'm not an expert, but what's described here seems different to me. What I saw about subpersonalities they don't seem to have that level of identity to actually be different species or fictional characters like I saw. When I looked into genders I couldn't find anything about them being able to be different genders either besides in a sort of metaphorical way.

This seems a lot closer to median systems (other source with some better clarification) from how I've seen it described in polymind resources vs. how I've seen it described in subpersonalities, actually to the point polymind seems to unintentionally have borrowed a term structure from it with -ling. While it might not be, I think that's where I and most other systems see the similarities.

I think active as a parallel to fronting, at least for me, is because of how there's terms in the carrd for active, co-active, and activestuck, which seem like they're meant to parallel front. The same goes for swap and swappy being just switch and switchy.

Also for me at least I was getting my information from the wiki that I saw linked and I assumed the Carrds that kept being cited were either created by the coiner or created with the coiner's feedback. The Carrds aren't reliable, I know this one has straight up misinformation, but I was taking them as something reflective of the community and community terminology since it was cited on the wiki. I understand if that's not the case but that's why I referenced it.

Either way if it's genuinely not plurality, I'd say a good way to beat those allegations would be to write about your experiences. Especially with posts in the tag furthering that misinformation, like calling it a "less harmful alternative to endos" (it's not an alternative if that's not what it is in the first place, since endogenic systems are separate individuals, not personalities and not really anything close to subpersonalities).

I think a lot of people would be interested in reading any essays you'd write on your experiences too. The alterhuman community especially is big into that, and I'd love to read it myself too. A lot of communities got their start with people just writing and sharing their experiences. If you try to make the whole term structure before others know your experiences and vice versa, that's how misunderstandings can happen.

It's worth mentioning too that there are system and plural community resources that might still be applicable to you, and there's nothing wrong with using or reading these if you aren't of these experiences or don't identify as such. I'd highly recommend Healthy Multiplicity as a starting point since it's a long time link collection and has a lot of relevant articles. I'd also recommend learning what plurality and systems actually are, since that might give you more insight into how your experience compares and differs.

(Also re: little, I know it's an age regression term but little and ageling as far as that glossary goes seemed redundant to me, hence why I included it, but admittedly that was done without thinking)

Polymind is a bit fascinating because it ends up unintentionally showing why system terminology ends up not being exclusive to any one specific group.

Like when you try to describe plural experiences in a way that tries not to use an existing plural definitions, it shows a lot more blatantly that at its core we do all have the same experience of being more than one. Any term you make has a high chance of applying to the other group.

Then when you get into the terminology needed to actually describe those experiences, you find you kind of need most of the shared terminology otherwise you need to recreate the whole damn lexicon.

Like the reason terms get shared is more like "We have DID need a fast and easy way to describe fictional alters. Oh, soulbonders have a lot of terminology for this already that fits what we need, we'll start using fictive and source."

Or "We're a non-disordered system and need a way to describe one headmate taking over. Oh, medically there's switching and front, that's a fast and simple way to describe it."

And like a lot of subcultures online are like that and when you try to fight it you end up with complicated and not very practical terms. Especially when there's terms that have been used for over 30 goddamn years that are simpler and easier to use.

Hell even trying not to use any existing plural terminology, Polymind ended taking a lot of them unintentionally (i.e. part, ageling, little, protector).

It also highlights an issue where unless you do deeper introspection, which is not always practical for... obvious reasons, you probably won't know exactly what you fall under. Expecting people to look in depth trauma history to figure out what terminology they're allowed to use is despicable.

Also that the problem is at its core that people don't think we should exist at all and that the terminology stink ends up being more of a way to make harassment and fakeclaiming seem "justified" and also a method of erasing history and separating systems from resources/making them harder to find but eh

#long post

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mysteryanimator · 18 hours ago

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Breaking down Castlevania Nocturne Season 01 - Episode 04 "Bedroom scene" (almost) shot by shot!

Breaking down episode 06 / Breaking down episode 08

(Word count 6.3k I am so sorry HAHAHA)

I was heavily considering not going through episode 04 mostly due to being in the public eye but I like talking about shows I enjoy, regardless if my writing is shitty or not. By the way, the title says almost go through this shot by shot only because there's a 30-image limit. This scene is LONG so I can't catch everything but I can catch most.

By the way, before we start, a massive huge thank you to the Nocturne people, i don't think they'd read this, but if they do, all the scenes are really well crafted and interweave soooo nicely to their next point of interaction. I would love to know everyone who worked on this section, but if not I do hope they hear my utmost thanks and applause from all the way from Australia.

(Actually, just everyone who worked on Nocturne take a standing ovation from me lol, the show actually changed my life lmao, but I digress)

To introduce people who may be reading my analyses for the first time:

I implore you to rewatch Nocturne after reading this and make your own thoughts because while this is an analysis, it also comes through my own lens. These are just my thoughts and by no means end-all-be-all!

These are just observations based on my special interest and study in the field of in media production and analysis (i haven't been in that field for a while but I'm trying to get back into the swing of things HAHAHA)! Despite all of that, this is for fun, which is why I will be writing a lot more casually, so please don't take this too seriously! This not only helps me out as a student to become aware of how stories are put together and, in turn, how to apply them and make my own, but it also allows me to impart that excitement to you! Shot choices matter, especially when you have only 8 episodes, a deadline, a budget, asset restrictions, and so on. It all has to count. Everything matters.

Passionate creatives care and there is more than "the curtain is blue just because." The times when things slip under the radar and are put there just because are mostly due to executive meddling, budget restrictions, and deadlines.

With that said, this is actually a lot more thicker than previous breakdowns, WHOOPS. So please feel free to read this in chunks, and I will warn you that my grammar is not the best so you might have to bear with me here! As a warning, I will be using the words like sex, genitalia, etc. I only mention the actual acts of sex when presented as a joke.

Why am I putting in this last close shot of Tera? It is important because the whole scene beforehand has us mentally prepared for a fight or something a lot more action-like. The walls behind Tera and Olrox's room are REALLY similar, therefore once we see this inn room, we make a split-second assumption we're jumping forward in time with the protagonist. A picture says a thousand words.

Right up until the Olrox and Mizrak scene, our protagonist and antagonists both have very distinct places of associations and visuals, which often give the audience clues about their roles. They're established immediately from episode 01 and don't divert that line, that is until inn room. You can argue the line waivers in the courtyard, but the distinction is made REALLY clear in this episode.

The main cast, aka our protagonists, their places of association are usually amongst nature and people. If they're inside buildings, it is small cramped space, very much lived in and not completely upkept BUT it is what makes them very human. Our antagonists are associated with grand buildings and detailed windows that almost touch the ceiling. Gold trimmings. Vibrant rich colours that could only be afforded by the rich. If not the massive chateau, we have larger-than-life catholic churches, with stone walls higher than the eye can see. Our antagonists are congregations and establishments. Our protagonists are individuals.

I'd love to put some examples but I've used up my image slots, which means I'm making you rewatch (jokingly you don't have to) Nocturne from ep1-ep4 making you really conscious of the backgrounds

We as an audience have already slotted Olrox with with high-class, even though we as an audience know there's more to him. Olrox is designed with visual cues of the antagonists. His clothes literally could be wallpaper for the chateau. Not only that, the way he stands and holds himself very much leans into some of the stereotypes and tropes of the upper class that are often shoved into the media we consume. Then Mizrak, we do not see Mizrak anywhere besides the church, just strictly following the commands of the Abbott. We as an audience already have preconceived notions about religion, especially catholicism in the real world. Also, we have an established view of how Castlevania goes about religious characters from the previous series. Mizrak appears to have no other purpose but to be one of the main antagonist's guards.

This is a subversion.

Subtly this is going to tell us there is so much more with Mizrak and Olrox, and how their values align more with the protagonists rather than the villains and antagonists of the show. However, since they already began as oppositions to Richter and co, they need to earn the trust of the audience first so then they become more likable whenever they do have to earn the trust of Richter and co. This is our first building block. A step towards trust towards us and a step towards trust between Mizrak and Olrox.

(The location of their private conversations is REALLY important because they also tell us a lot about the characters, but I'll save it for the ep 3 breakdown when I get to it)

The sequencing and length of these shots are really important for the first half of the bedroom scene because we have exposition to get through. The scene has to be set out very strong from the start BUT, it also has to ease us in because this is a drastic shift, not only visually with naked characters but also a shift on the audience's expectation of already established characters. This is why we need this window first. We need to ease into this bedroom scene, or else we're going to be way too distracted by what is about to be shown.

Going forward SOME of these will be gifs to help illustrate my point. After all this is an animation! This is really important to show you in motion.

This pan down, oh my god this pan down. Camera pans help to reveal new information off-camera or to showcase a shift in tone/perspective. Suffice it to say THAT IS A LOT OF INFORMATION and a new shift in tone. This long shot is here to help establish our setting more clearly, what characters we're following, and what is happening. What are we establishing here? Mizrak and Olrox had sex in an inn room, that's all this shot is. It doesn't have to be anything fancy, other than the fact Olrox is censoring his own and Mizrak's crotch but that's it. As simple as it is, it is extremely effective. Yet it's so pulled back and obscured by the flower we can't be completely certain which is why we need the midshot of them that follows after, which helps to continually ease us into the scene. It tells us so much with so little. Show, don't tell is not only a powerful tool in visual arts. It leaves the audience to their imagination and I'm pretty sure a lot of us can fill in the gaps (I see you writers, I've seen everything on AO3).

This a midshot of Mizrak blankly staring up at the ceiling. Then they both turn to each other before Mizrak leaves and Olrox watches. In silence.

It's simple.

It's straightforward.

It makes you throw your arms up and go "what the fuck is happening???" It works. We're easing into this scene which is what we need. We're distracted by our own shock. So we've gone from our establishing the bed to establishing in our faces that, yes, it is indeed Olrox and Mizrak and they are both naked. That yes, they had sex and that Mizrak decided to stay for the night. Reasons? No clue and it's not important plot-wise, we just need to wrap our heads around that it is THESE TWO. It needs to be simple.

The lack of dialogue gives us room to breathe and to think. This is why this shot feels and holds on for what feels like a long time, in silence.

It might've changed but last I recall on average, shots will hold for 2-3 seconds. This is due to preventing the audience loose interest because the unchanging visual stimuli (and let's be frank attention spans are shortening, therefore media will change to reflect that). HOWEVER, a shot length heavily depends on the context of the scene and what you're trying to specifically say with a single shot, therefore making it super short OR super long. This one shot is six seconds. It allows for the dramatics to be amped up and it allows us to get through our shock for a bit longer since we're only TWO SHOTS into this scene, and right after this we're jumping straight into exposition and their deeply intricate dynamic. This is out six seconds to scream our heads off in shock and laugh in disbelief before we get hit with Mizrak's existential crisis.

The silence and the simplicity of it all also strengthen their mysterious characterization that has been established in episodes 01-03. We never see how they got here OR the act itself. However, what is really telling of these characters is their lack of body language and facial expressions. From episodes 01-03, Mizrak and Olrox have been seen to be very reserved characters until their fight in the courtyard. Their last scene together was fighting, in a courtyard. Now we're seeing them, post-sex, with neutral expressions and body language? The lack of any answers, the lack of anything dynamic happening from this shot and the last shot makes the audience absolutely learn for an answer. We're now invested in this side plot. What got these two men to be in this vulnerable state? How do we get the answer? We sit, we wait, we watch that vulnerability get earned. Mutual vulnerability that is.

This gets into personal opinion here so feel free to skip, but I really really enjoy how we get absolutely no answer or visuals, which might be a strange take for someone who does of fan-anims and fanart of them coughcough. We as an audience can get through literally two images and understand they had sex. We don't need to be spoon-fed. Media is in my personal opinion is more fun to engage in where we get just enough to know what going on, but we can fill in the blanks ourselves. We can read between the lines. This is adult animation. This is not to say I'm opposed to an explicit scene with them later down the line, I just think this is a very good way to establish the dynamic they are going to have. It has me way more emotionally invested in these characters which I believe is far more important because it tells me we're in it for the long haul and we're going to see a relationship actually develop in real time, both their high points and pitfalls. Also, I personally feel this whole scene is building towards something we have yet to see. I do not believe this is the last time we will see them put in a situation like this due to the whole emotional weight of them being naked, but that's theory territory LOL. I'm so happy to be proven wrong though.

This long shot is slightly tilted up to help to censor genitalia but it is again a REALLY SHOCKING SHOT. I personally don't know any recent Western animated media that has done this, especially of a male couple. Even if there are some animated examples, this is not a very common thing, especially to this extreme.

Now we're actually getting into the meat of their actual discussions, knowledge, if you will.

By the way, the question Olrox is presenting, is already information everyone knows. Actually, a better word is presumed. We saw the abbot in episode 02. Olrox explicitly states it in episode 03, asking "Why is your abbot forging Night Creatures for the Vampire Messiah?" There's technically no reason to say this BUT for this scene, it works because we're still distracted visually. We still need to ease into this, much like how Olrox needs to ease himself into this conversation before getting what he wants truly. Mizrak's opinion.

This midshot of Mizrak's back is so much important then you think.

I can be wrong, but I feel like you're supposed to be half-distracted or get whiplash by Mizrak's back. Frankly, we're supposed to get major whiplash from these two characters naked for a moment. These characters are usually completely covered from the neck down. This also makes the conversation they're having to be put under a way different lens. If they were clothed for this entire scene, the emotional weight would almost be non-existent.

Nakedness/lack of clothes is vulnerability, especially for a knight. Especially for a guarded vampire. I will be talking A LOT about vulnerability, so I hope I don't wear out the word too much.

You can perceive this shot in two ways and I think both work in this scenario. It can showcase even when naked and vulnerable, his unwillingness to open up, unable to fully face his own truths, the truths Olrox lays out for him. Yet, you're also having your back to a vampire, a perceived threat, which is a very vulnerable position to be in. You can't see your opponent.

It shows Mizrak trusts Olrox physically, but not emotionally. Not yet. We're going to watch Olrox earn it and for Mizrak to reciprocate it back throughout the series. Also just in general, sex requires vulnerability, choice AND trust, therefore even the implication of sex, those meanings get slapped down onto these characters. It means that they have the means to trust, be vulnerable, and have a choice with each other physically, but emotionally, they're building up to that.

This medium shot will be the ONLY SHOT we get of Mizrak in his boxers. This is plainly in part of the fact he's hurriedly getting dressed BUT we need to see his hesitation, him slightly lowering his clothes, him actually listening to Olrox.

Olrox is right.

Though Olrox isn't here to converse about other people to Mizrak. He wants his opinion.

Close-up shot of Olrox!

Close-ups are used to make the facial expression of a character the main focus. It gives us clarity on the character's thoughts and feelings on a particular subject, even when lying it can already tell us a lot about a character in the moment. The character themselves are the sole focus of the shot, nothing else. The same goes for objects. This also means when you do the opposite and obscure the face...

(drum roll to the next shot)

This is a great close-up shot to cut to because this has Mizrak fully turn AWAY from Olrox, put on his armor, and paired with the line "I don't know what you're talking about." We're getting visual and audio confirmation that Mizrak does not want to acknowledge his own thoughts, in turn, he will not face Olrox and the audience.

He is actively putting his guard back up as soon as Olrox prods for his opinions. From episodes 01-04, all we have seen him do is be at the church and stand alongside Emmanuel, that's it. He is not a leader, a pillar of the community like the Abbot, he is a follower. A guard dog ( like Drolta Tzentes, though she has way more personal agency than Mizrak). He never voices his own opinion, his own thoughts. To do that would need you have the strength to be

VULNERABLE!

By this point in time, he's not fleshed to the same degree as most of the other characters. Richter gets the episode 01 prologue with Olrox being his main point of trauma. Tera gets her speaker backstory fleshed out along with establishing Drolta and Ezerbet's longstanding history. Annette and Edouard get a really well-established (btw beautifully done too oh my god) flashback as Annette recounts the past. While Maria has no flashbacks, her character gets to have her individual values and attitudes fleshed out due to her screen time and her connections to Richter and Tera.

Mizrak though?

Not much is known about him besides the church. We put this label on him simply due to what the show has given us, but through Olrox we're getting information out of him because clearly Olrox has seen there's more than meets the eye. Especially when Mizrak drops the line "when the world abandons you." Olrox's investment is also now our investment in discovering who Mizrak is.

Mizrak however, does not want to get personal feelings in the way of duty, a common trope in media for knights, soldiers, and religious people. So he shuts him out.

Multiple.

Times.

This shot pans up, moving Olrox from lying down, which is more casual to more structured sitting pose. Specific movement is IMPORTANT to capture, so instead of just cutting to another shot, you move the camera with it. There's a tone shift. We need to see him go from lounging to making a very direct statement. Mizrak is ignoring his question so Olrox has to be more blunt with his statement because he needs him to listen- so the camera and the his body language have to clearly state "I'm not joking or fucking around anymore, just listen."

What he says is absolute truth though, this is exactly what happens in episode 08. "They're revolutionaries, Father. We're here to crush them."

The stark difference here is crazy in this medium shot.

Mizrak. His head is purposely cut off, he's practically clothed, with his chain mail on. He's standing up and his posing is quite stiff with his hands almost balled into fists. You also might be thinking, why is his chest and boxers the only things we see???? It makes him appear so much more clothed up and, therefore a lot more guarded. Cutting off the face means we don't get to see his emotions, he's trying to ignore personal feelings on whether it's right or not.

Olrox on the other hand, is full body, we see his face, naked, and despite his very direct statement in the last shot, he still somewhat casually sitting. Olrox is STILL trying to get Mizrak to be vulnerable and trying to get HIS opinion.

Funnily enough, I've talked about this close up shot before in BOTH episode 06 and episode 08's breakdowns. However, I've never actually discussed this initial way Olrox approaches him.

Olrox again, prods at Mizrak and this time Mizrak does have to sit with that thought. "Do you think he's right?" "Are you sure this path is right?" He's asking if what Mizrak is doing is good. If the horrors committed are justifiable. Both the way their expressions tell us that Mizrak does not think it is, and Olrox KNOWS. This close-up is INTIMATE. We're getting deep into personal matters (well try)

Side profiles not only give an air of drama to a scene, but it usually means there's more to the bigger picture since we're not seeing a person's full face. We're deliberately only seeing one side of the picture.

This is a split-second shot and I've discussed it briefly in another breakdown, but now I can get to discuss it more in-depth now as it's own shot!

This is a top-down shot, putting these characters in a place of vulnerability and weakness. Olrox is put even lower than Mizrak in this shot, he's far smaller and takes up less space in this shot, therefore giving him less presence and less power. Episode 03 had established Olrox was the man (or should I say vampire) in control of the situation, hell, the shot just before this one had Olrox wrapping around Mizrak, again trying to get under his skin. Yet now he's suddenly placed the lowest in the power dynamic.

Not only this, the camera is packed in so tightly and close, it's practically suffocating. We have no visual room to breathe, almost like we're suffocated with the evil that prevails in the world and suffocated with the weight of the question "Are you sure this path is right?". Olrox's eyes are the only aspect we see of his face and Mizrak's eyes are the main focus of this shot.

And they both look horrifically sad. An emotion we have not seen either of these characters make.

This shot does not last long but it shifts the rest of the section completely, even when the moment of concern is gone. It lingers with us when dismissed because it does not match any other scene we've had thus far or what we have known of the characters.

This one specific close-up is very important because it comes back to us in episode 08 and episode 06.

It's the holding from behind and the very concerned look from behind. Mizrak only ends up mirroring ONE of the behaviors. It's the concerned look from behind in episode 06 (timestamp is 19:25). They're put at the same heights, both talking about the evils of the world. Tin foil hat here, Mizrak may end up doing the other behavior, holding from behind, in another season.

The weight of this shot is so heavy that it is treated so differently amongst all of the other shots in this entire interaction. It also holds on for much longer. It holds for 5 seconds. This is important. There are little character moments from Olrox, like how Olrox looks up at him and he holds onto Mizrak as long as he can before has has to let go and watch him walk away. Duty, before desire.

A moment that Olrox has to go through once again for episode 08.

In response to a line. "So we use our heads." Olrox jokingly goes "Or lose them."

This long shot is not only tilted up but it's on the slightest of angles as if to showcase how we're shifting the mood and tone of the scene. We are losing the gentleness and sincerity of the moment, back to the very conveniently placed knee to censor Olrox. We have Mizrak pulling up his pants. Whatever vulnerability they had, it's gone.

I don't think either of them wants to sit in the thought of their existential crisis because not only Mizrak is clearly going through one but Olrox is too. While I'm sure they were sitting with their own thoughts for a long while before meeting each other, it's only forced to be on the forefront and confronted after meeting each other.

So the "lose our heads" line ends up coming back around to where someone actually ends up losing their head in the same episode.

While first, it is very comical because I've seen so many people make the joke of "Olrox gave Mizrak head" (which doesn't help because Olrox smirks at him after passing him the head), it also solidifies Olrox's truths to Mizrak. People will lose their heads under Ezerbet, and there is evidence not even hours after their discussion. Despite the humor, Olrox is deeply concerned.

Olrox is always right. Whenever he makes a statement, he has always been right and has always been proven right. The only thing he hasn't been right about is episode 08 when he says "If you go back, she'll kill you." However, in terms of technicality, Mizrak hasn't gone back to Ezerbet/Sekmet. This will be addressed in season 02 most likely and even then I think Olrox will be proven wrong. Maybe? We shall see LOL.

Which while we're at it:

He eyes Mizrak the ENTIRE time during this very small interaction, and while he eyes him, we get a close-up of the book somewhat revealed before hiding it under his coat- silently communicating to him. This will eventually lead to episode 06. All interactions lead to effecting the next time they meet. I just really like this detail, though that might be a corn plate moment I'm not sure HAHAHA

Ok lets jump back to the bed scene!

So this follows up the "So we use our heads." "Or lose them."

This is said insincerely, so Mizrak jabs back at him with the same insincereity and less seriousness of this scene. Coupled with the fact we have a panning shot of Mizrak pulling his pants up, aka, pulling up his guard. Important note again- his back is STILL FACING HIM. Even with the chainmail fully covering him.

Also, I just really enjoy the animation here, like the way his arm goes from in front of him and straight, and then goes to being pulled back and bent, but that's a side tangent.

Low-angle tilted down shot. It ends up placing Olrox in a lower position of power than Mizrak in this current interaction, coupled with the fact that Mizrak towers over Olrox when he's standing up.

Despite us not seeing much of Mizrak besides his chest- he's fully clothed with his tunic FACING Olrox. While Olrox is STILL naked. Mizrak is shielding himself behind the cross. His faith. Olrox still is trying to delve into Mizrak's vulnerabilities and Mizrak won't give in.

Props to everyone who worked on this shot he just looked really pretty here.

This shot is tilted up and a close-up, an opposite shot to the previous one. It feels daunting, coupled with that line especially. Unlike a tilted-down shots, which make a character appear more vulnerable and weak, a tilted-up shot can make a character feel more in control of the scene. It makes him appear unwavering and solid in his stance Also, this is so specific but we haven't had any solely focused Mizrak shots for a hot moment now. The last time we had it was when he had his back turned to Olrox- now he has all his clothes on and is fully turned towards Olrox. Say it with me !! Mizrak's guard is up !! He's shielding his vulnerability !!

He feels way more emotionally safer to face him guarded up and a lot of his language has very very subtly shifted from when he had clothes on versus off.

Also thank you to everyone who worked on this shot, Olrox is very pretty here too.

Instead of having a tilted-down shot to do a verse version of Mizrak, it's pretty much straight forward close-up shot, which means the equal power dynamic in this conversation has returned. Simply because Olrox begins to prod at Mizrak again with the line "Who pays for it? Will you?"

Oop naked Olrox. However, despite Olrox's ass being very clearly on display, he's not the main focus since his face isn't shown. He's only here to showcase the visual contrast of him being naked to a fully clothed Mizrak. Even his dagger is strapped to his thigh, which only means there's even more layers to his protective bubble he surrounds himself in.

This close-up is important because it's a declaration of how much Mizrak doesn't care in the slightest. His facial performance, aka what we're focused on, doesn't look like he's lying or secretly worried either, he's genuinely disinterested. He just wants to get dressed and leave because Olrox keeps prodding at HIM for his opinions. As disinterested as he is for whatever Olrox has to say, he's disinterested in shedding his opinion.

This midshot is so casual. He is very non-nonchalantly leaning back with a smile and jokes about demons. The camera moves with Olrox. Camera pans normally mean revealing new information visually, as if something is off camera, similar to the bed reveal at the beginning of this whole scene. What Olrox is doing is revealing new information. Also, he is on the very right of the screen then slowly gets pushed a little more towards the center, but still on the right. Having a character placed on the very cusp of a stage makes the visual balance feel really off, therefore as an audience, we feel really off-balance. So couple that with Olrox's humourous attitude with an information dump...

This so interesting because it sprinkles in that Olrox knows a lot about the forge master ability, hell itself, and a lot more we don't get privy to. He knows way more then he lets on.

This ONE LINE gets three different shots. The very casual, humorous sentiment gets interrupted visually with extreme close-ups of Mizrak who is clearly peeved and tense about this. The quick succession of jumping to different images makes us tense up. This is due to the timing suddenly speeding up AND where the camera is placed is so drastically different.

He's reacting to the conversation unlike how he has before.

Now Mizrak's hands are fully covered, the last part of his skin, the last part that Olrox used in an attempt for vulnerability. Mizrak's guard is now unwavering, covered head to toe. He's gone from reserved and quiet to angrily guarding again.

Lol you thought I was done talking about divides and boxes, you are WRONG.

Mizrak is boxing himself into all his preconceived notions of religion. This is the only time he's been aligned inside of the door frame. Mizrak is done with this conversation and he doesn't want to hear anything else.

Also, funnily enough- Olrox takes up the amount of space in this shot as to Mizrak and the door. Compositional it does make it feel more filled up rather than empty, showcasing Olrox is listening, peeved, but he is listening. It also might hark onto the Olrox God connections that are being subtly slid to us, though this feels like a slight stretch. There's a stronger Olrox God parallel I talk about later, so pocket that thought!

I have to skip some of the shots because of the image limitation, but thought this one needed to be addressed!

Not only does this wide shot make us feel really pulled away and disconnected from whatever private conversation they were having. It also makes us feel like after this interaction, whatever same understanding they had, is gone (well not completely gone, it has to be rebuilt again). Mizrak's unrelenting faith in one God is causing a rift, a divide if you will between the both of them. They feel so separated, so distant from each other because Mizrak is still really stubborn.

Then after all is said and done. After Mizrak has the final say. He leaves and Olrox watches. Like episode 08. Again.

Olrox is pushed into a box, which funnyily enough, Olrox tends to be seen in a lot of boxed-up framing to the right of the screen. You can see a visual collection of it here. Whenever he's from the left of the screen boxed up, it's usually turned towards himself like an inner reflection.

Ok, I have to skip some more shots to get to here.

"One God. And you think he can protect you?"

This is major foreshadowing but the one God, that Olrox scoffs about is himself. This close-up solely focuses on how he looks down and watches Mizrak from above. Much like how God is described in scripture.

Psalm 53:2 NIV: God looks down from heaven on all mankind to see if there are any who understand, any who seek God.

Psalm 102:19 NIV: The Lord looked down from his sanctuary on high, from heaven he viewed the earth,

Olrox looking at Mizrak from above as a protector happens numerous times in episode 08.

There are also a ton of bible verses about living under the shadow of God, it's considered a positive thing because God's shadow covers the entire body, therefore a person is fully protected.

Psalms 91:1-2 NIV: Whoever dwells in the shelter of the Most High will rest in the shadow of the Almighty. 2 I will say of the Lord, “He is my refuge and my fortress, my God, in whom I trust.”

Psalm 36:7 ESV: How precious is your steadfast love, O God! The children of mankind take refuge in the shadow of your wings.

(i do realize now all my examples are psalms i hope that's ok to prove a point LOLOL)

Olrox is the sole protector of Mizrak to the point where he even drags him away for his own safety. The shot choice when he says it is a close-up shot of his face and his eye is slightly glowing, making him appear way more supernatural, almost god-like in a way.

It hasn't been confirmed (or denied for that matter) if Olrox's creature form is the Quetzalcoatl (an Aztec deity), but the god parallels are very apparent from the get-go, and a lot of the fandom (aka the audience) who are invested in Castlevania have placed this label onto him not only for the reasons mentioned above BUT also due to his association to Mizrak, who is a man who fights for God. However, this aspect doesn't get fleshed out like their vulnerability because Olrox only goes into this protector role at the very end of the season. After all, that is when he has a change of heart, much like Mizrak. This means this will not be the last time we will see Olrox in this role even after the break-up.

To wrap this up, vulnerability as showcased in episode 04 does appear in episodes 03, 06, and 08! I personally believe though that episode 04 however really hammers you on the head with it because you're able to play around with someone's literal nakedness as a visual metaphor. This episode is supposed to make you really conscious of them and the decisions they decide to make going forward. It is the bridging point between episode 03 and episode 06. It's a stab in the heart when you watch episode 08.

Vulnerability and the ability to open up is a massive thing between these characters and it's only going to get more raw and more human as the series goes on. We see it happen when Olrox is the one to open up first. One thing I noticed from both Castlevania and Castlevania: Nocturne is that love can be the most damning thing or it can save you. The choice, however, is up to you. However, to love is choosing to be vulnerable. By the way, love isn't just romantic it can be very much platonic and familial as seen with practically all the characters, both current and past... Olrox and Mizrak though are just really complicated and messy. Aren't all characters though? Isn't that what makes them human, even if they've lost it centuries ago? HAHAHASBDHADSB

(ok so the paragraphs below is my personal opinion but i think they're a good ending note/side tangent)

If we ever actually get an explicit scene it's going to make a specific commentary on how these characters have developed from season 1 to whatever season they have sex in, especially how they go about sequencing, pacing, and shot choices, especially with Netflix censoring and rating requirements. Limited things you can show, and limited things you're allowed to even imply, so everything has to make sense to what they want to portray AND say. Even simplicity requires a lot of thought. They can do some really cool stuff with it in which vulnerability, both physical and emotional, gets explored between Olrox and Mizrak. Sex is actually a very interesting way to explore a dynamic, I feel it's really underutilized, though it's mostly in part to a societal downpour view on it. With Mizrak and Olrox, two very withdrawn characters, you could say something really interesting about them as individuals and as a pair that you might not be able to do when clothed. The commentary may be as simple or as profound as the creatives behind this want it to be.

A counterpoint though is that you can very easily make a non-explicit scene feel really explicit and sensual without sex or kissing. While yes, we want confirmation through that means, don't get me wrong I love when queer love is straight-up told to us, there's something about telling a story of intimacy between characters that will often engage us first into a story. Phrases like "This is gayer than gay sex" are coined due to the emotional connection a character has, leaving a far more profound impact on an audience. Things like non-explicitly romantic touches like hands, the way the character looks at a person, communication, etc etc, are ways countless media have explored intimacy. Which Mizrak and Olrox already have. Why not build upon a solid foundation?

Whatever the pathway is, it will fit inside the themes of Nocturne and its aspects of revolution, freedom, and choice which is crazy to think "Olrox and Mizrak intimate scene??? meaning-" YES, it can (like sexual freedom, though I don't think it would be explored, it's just cool to think about). All of their scenes serve to strengthen those show's themes since they're a side plot. But I digress! I'm excited to see how they further Mizrak and Olrox's dynamic in a visual manner!

Okay, with that all said, I'm done with episode 04! One more episode to go! This was all for fun and to be silly about a show I really enjoy, but I hope this gets you to rewatch Nocturne! Apply this to other scenes! Enjoy the craft of animation!!

#mystery talks #mizrak #olrox #i didnt think it would be THIS LONG??????#long post #olrox/mizrak #analysis #geniune yap session my bad everypony i hope u enjoy ur morning reading

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thegreatyin · 2 days ago

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22, and also because it would be a cop-out to just ask the nice question, 25

22. your favorite part of canon that everyone else ignores

ever since i met the weird bat-obsessed painter guy from light fingers he's been an icon to me. just. what an absolutely batshit insane one-off character. like yeah there's a guy who literally worships the evil space bats, canonically, and Yearns™ for fires specifically, but y'know don't worry about it. he only appears for like 5 paragraphs in 2 storylets and after that he's literally never mentioned again. insane. i love it. why did nobody tell me about the mr fires stan guy

25. common fandom complaint that you're sick of hearing

i... wouldn't say i'm exactly sick of hearing it, because it is an extremely valid complaint and literally everyone is always and forever right to make it- and i'd say i even agree with them on it- but. sometimes the amount of vitriol people have towards the mr cards ending is a bit. um. Extreme. at least in my experience. from my perspective. idk, as a power ending guy myself, i totally get where those people are coming from, it's just. sometimes i stumble across a post complaining about how the HD power ending has gotten yet another tie-in and all of the guys who make having the robe their entire personality are really annoying and the OP is completely justified in complaining about all of it because it Does suck that it gets so many things every other ambition ending doesn't and it Does suck that those guys are like that. but also it all just makes me feel weirdly personally guilty for choosing the ending in the first place. like. sorry i got this and you didn't. i'd give it to you if i could. y'know? like damn, i'm part of the problem

idk. this part of the ask really got away from me. i'm not sure if it's even coherent or not. also i feel like i'm overcompensating but just because i'm an anxious little shit i just really do need to emphasize that complaining about the robe of mr cards getting the ""favoritism treatment"" compared to other ambitions is always and forever morally correct because it is a problem and i know if i didn't have it i would be complaining about it too. i just also see so much of it that sometimes it makes me feel guilty for choosing it at all. it's a pure anxiety/weird fandom imposter syndrome thing on my end. don't worry about it

#sorry im part of the annoying mr cards guy epidemic. you can take me out back and shoot me now #ask #fallen london

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sokkastyles · 2 days ago

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Wait, I'm not done. @supremechancellorrex, you reminded me that I actually hate the defenses used for Mai's character more than I hate her. I mean, Mai's supposed to be a villain for most of her characterization. We're supposed to not like her. We're supposed to think joking about hating the world is bad. We're supposed to think jokingly telling Zuko not to worry about going back to the Fire Nation is bad. We're supposed to think it's bad even when Zuko pretends to be happy when Mai is doing her spiel, and also supposed to understand that he is not himself. We're supposed to understand these things, they aren't hard. We're also supposed to understand that Mai's inability to emote or connect with others is not a good thing, is not just her "being human" or just being a teenage girl. We are also supposed to understand that the context under which Zuko is in a relationship with her is coercive and not conducive to him believing that she would not instantly try to murder him if he expressed an anti war opinion to her, even without the context of her dismissing every time he tried to express that he was unhappy. We are supposed to understand these things, and the response of "well, Zuko did x thing," "she doesn't have to be his therapist" is a testament to how poorly her redemption was written and how many analytical backflips people have to do to justify it, especially when compared to Zuko's excellently written redemption.

Also, you don't have to be Ozai or Azula to be a bad partner, and I shouldn't have to say that. What I did say, which you misconstrued, was that this is the same logic people use to justify Azula or Ozai or all sorts of abusive characters, because they could have been worse or loved their victims deep down or didn't mean it or whatever. I'm not saying Mai is even remotely on that level but I'm always gonna shut down that logic when I see it. The show is really good at shutting down that logic when it comes to the main villains and even Zuko (as you pointed out, Zuko doesn't always do the right thing, that was kinda the point of his character, that he had to learn to be better), but with Mai the writers just can't really be bothered, and lt shows.

Edit: also, little oopsies in the comics like Mai accidentally trying to get her boyfriend killed to Make the Fire Nation Great Again can't really be written off as bad writing when they're a direct result of Mai never actually unlearning fascism in the first place.

"I think Katara would get along with Azula/Mai because female solidarity!"

Cool. I think Katara would punch fascists in the throat.

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reizoudesu · 2 days ago

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imagine this: (a little steamy, be warned!)

barely two seconds in and you found yourself trembling under your lover's gaze of scrutiny. you never felt so vulnerable under one's eyes before – you were not in love that day, the thought of falling for someone is a little scary.

you know how much your husband wants to have you all to himself, but he didn't want to hinder you from keeping the order and control inside the bedroom. even though he is the domineering force between the pair, he still gives you the free will.

this moment feels like a scene from a movie, but people disregard the true meaning of intimacy. where everything happens in a moment of passion and maybe a little too much of lust. every scene tells the same exact story, the same moment of excitement, until it all leads down to the deepest of eroticism. but you wanted to experience what it really feels like.

the truth.

most of your time is spent with you spread on the soft white mattress of your shared bed, laid bare with your silky complexion gleaming under the moonlit rays, as if the moon itself was bathing you in ethereal glory of the nocturnal. while the predator carefully swoops in and takes a nip of his prey, not before he covers up the marks on your neck with a kiss or a lave of his tongue, cleasing it, soothing it. the colors of the bites range from soft baby pinks to deep scarlets and purples.

just as it happens, a small connection was established, and you were too distracted to even stop it from happening. it made you wince, your body trembling even more as your grip on him tightens on cue.

"shh, i'm here... don't worry about moving. just stay right here while i handle the rest."

you gasp as he made the move, your hands finding his shoulders, a silent gaze begging to continue. it hurts, but the pain only fuels your longing to stick with him. each noise you utter as the two of you collide, each aching plea you call upon the ceiling, and each cry you heave upon your soft quivering lips matters to him just as you value the way his eyee sparkle with tenderness as he keeps you in place.

for the first time, you felt so safe into his arms, even when you're doing something scandalous.

no, your relastionship was never a scandal. you were truly in love. that's why you married him.

"allow me to ease your pain. you don't have to be strong all the time."

you are too overwhelmed to speak, tears of bliss start to make its way down your rosy cheeks like an endless waterfall. he wants to share the pain, and be one of the same. by then, your heart starts to bleed... bleeding out of pain and love, all because of him.

if ever you fall down, will he catch you, when your past love never did?

finally, he answers, planting a kiss to your aching lips, and you were free. your nails scrape at his shoulders as you collided like magnets of opposite polarities.

you prayed for him to end your suffering...

"please, make it end... set me free... love me, love me, love me–"

...and he did.

your divine, oh-so-reverent temple has been tainted, all because of his undying love pouring within you, painting the very interior until it reaches the very middle. but ecstasy's pinnacle sent you both straight into heaven, even the feeling burns like inferno itself.

what scandalous sight: jealousy wails as it sights on your perfect relationship.

genshin men, hsr men, bsd men + your faves~

this, my friends... is how i normally write steamy drabbles: keeping it implict is the best way, at least in my opinion.

also, this is the first time i've ever written a full "slight smut" one-shot in this blog...

(sorry in advance to those who are confused TwT)

©reizoudesu

#genshin impact #genshin x reader #genshin x you #hsr #hsr x reader #hsr x you #bsd #bsd x reader #bsd x you #˚₊· ͟͟͞͞➳❥#suggestive #slight smut #smut(?)

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relaxxattack · 12 hours ago

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old ass homestuck here (been reading since 2013, read with it all the way until the end of act 7 but i consider that the true end and never plan to read the epilogues) but i gotta agree i didn’t care for the squared sprites when they first appeared late in act 6 and i really don’t like them much more years later. i found davepeta slightly interesting but at the end of the day they’re the only one who even stood out enough to even pay attention to and unfortunately looking at them was visually very unpleasant due to the constant color flashing.

random disclaimerrrr this is really just my personal feelings, i'm not trying to make a statement about what is "true" or moral or whatever. i want to stress that i'm not against people making meaningful interpretations of davepeta... i understand the appeal of a trans/plural character. it's just hard to feel like any of that was intentional?

power to hussie for making jokes; but it's kind of confusing sometimes to frequently see davepeta - what felt like a really obvious joke made at the expense of the audience - touted like they're the most genius, intentional, meaningful, well-thought-out character ending or trans representation

especially with nepeta in particular... i guess it's left pretty up to the viewer to decide whether or not she was really done dirty at the end, but. personally i still think she was done fucking dirty. the death -> fefeta -> davepeta pipeline was not very rewarding in my opinion. she also never had a choice in any of these? it was not a consensual fate. she wasnt allowed to explore her own identity or choose this, her identity was simply shafted once again after a long pattern of it being shafted and mocked

davesprite is a suicidal character who gets made to end himself. and i guess thats empowering as a metaphor for some trans people but for me it was like ??? physically absorbing another person and then ceasing to exist didn't relate to me heavily but maybe it does for others! i've heard some talk about it being plural too, which i can also see, but they don't act like that's at all intentional in the story. i've heard a lot of "dave struggles with not being the alpha dave so he gets to stop being dave! :)" but why does he have to? he was dave first and longer, shouldn't the meteor dave change his name? 'dave gets to finally stop being a boy and embrace being a trans girl' does she do that? or is her individualism taken from her and regifted to a catgirlboy that is not actually trans at all but textually stated to be identifying as half of one cis girl and half of one cis boy?

guh i am trying so hard to not sound invalidating to how other people feel empowered by this character. while also explaining how its Not for me. once again disclaimer i LIKE what people have done with davepeta it just feels like, strangely un-empowering to me for these two characters to have their agency taken away in such a manner.

rose's dead corpse who literally just watched the love of her life die in front of her face gets dug out of her final resting place and immediately starts throwing herself at every women in the vicinity

arquius in particular is one i see get completely nostalgia goggled too because every moment they were on screen was painful dialogue-wise; but these days arquius is thought of like a vehicle for hal and equius gender thoughts. which is a concept with merit because of course both hal and equius have stuff going on gender wise and it makes sense to combine those but like. the character wasn't like that in canon and it never felt like they were meant to be like that. most of the time they were.. jokes. insulting jokes.

i get WHY its read a trans or plural narrative. just as a trans and plural person i did not read it that way or think that was what the author intended... and i find it a little uncomfortable in that regard

#ok i really just rambled for a million years here about my most dumb thoughts ever. PLEASE don't come for me #and if you disagree heavily please know i am not taking shots at you i think it is beautiful for you to grow n adapt the concepts we have #and if you want to school me in my notes please be nice about it i promise i will hear you out #the thing is though i KNOW what other people see in davepeta ive READ the essays and such #i just don't also see it. i don't really think that's the intent #and the sprite^2 stuff has always just felt very uncomfortable to me. personally #op #hsmeta

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vi-is-badass · 3 days ago

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This is going to be my scattered thoughts on Arcane season 2. Still reeling from the finale and some of these thoughts and opinions will change with time and re-watches. My thoughts have already changed a lot over the course of the last few days, so I might revisit this in the next couple of weeks, but for right now this is how I feel.

If you disagree with me that's fine. Everyone is going to have a different experience from you and connect with different things. That's why I love media and talking about it with other people.

Act 1 has really grown on me over time. Initially, I was a bit critical of the pacing and Vi's writing but with time, a re-watch, and talking with other people about it I have a significantly more positive view of it to the point I genuinely love the first act. Vi's writing especially works better for me when combined with what they do with her in the second act.

I love episode 3. It's a strong conclusion to act 1 and did pretty much everything I wanted to see in a follow-up to season 1. The Ashes and Blood sequence that cuts between Jayce, Ekko, and Heimerdinger finding the anomaly and the fight between Jinx and Vi was so well done that it is one of my favorite sequences to rewatch. It’s especially incredible from an editing perspective. The way the fight ends is also great with each characters reaction to Isha’s involvement being incredibly powerful on a personal and thematic level.

Act 2 is easily the strongest act for me because it takes the time to slow down and really focus on Vi and Jinx. They are what I consider the narrative heart of Arcane and it's their relationship that made me fall in love with the series in the first place. I think this act is phenomenal for both of them, doing so much heavy lifting to explore their characters and trauma in a quiet and subtle way. It really takes a look at who they were before they lost their parents-- the core of their characters-- and how it informs who they are now. How trauma and hardship shaped the two of them and who they want to be vs who they were forced to become.

To me, the " Remember Me" montage is the most beautiful music sequence of the season. This montage does so much in so little time. I will write something to expand on how I viewed the scene, but for right now, I'm just going to say it never fails to work for me emotionally.

Episode 5 is my personal favorite of the season. I love the way it explores the relationship between Vi and Jinx. They get to be siblings, fight like siblings, and finally start to reconnect after years apart without any influences pulling them in opposite directions. It's also another exploration of their longing over what could have been (What if vander and silco succeeded in creating zaun, what If silco found Vander's letter, what if they were allowed to talk in season 1, what if things with their second family didn't fall apart). It's a strong episode that is centered around what I love most about Arcane.

The moment when Vi trusts Jinx and puts down her fists, calling out to Vander despite her uncertainty, and Jinx's desperate attempts to see what happened in the aftermath really shows just how much they love each other and their individual growth.

The family hug where Vi looks at Jinx and tells her "What are you waiting for? He's your dad too." and she breaks down crying, lunging into the hug, is also one of the most potent emotional moments for me. (This family makes me emotional if these thoughts don't make that clear)

Act 3 still has me a little split, but I'm going to talk about the things I loved first because there are a lot of things I loved! I was overall mostly positive on it, but I have a few nagging issues.

Episode 7 is phenomenal. This is a close second for my favorite episode of the season. It's such a beautiful exploration of "What could have been". The way it shows that Ekko, the character the most adamant in the first season that Jinx is a lost cause and that they have to look forward, is also bogged down by a wish that things could be different especially when it comes to his relationship with Jinx/Powder, hits like a truck. His decision to return to his own reality and change what he can in the present, reconnecting with Jinx and helping save Piltover and Zaun, makes his arc one of the most effective and impactful ones in the season. It

Episode 7 also gives Jinx and Ekko's relationship the most beautiful and satisfying exploration of any of the relationships in the season for me. Ekko gets to see what Jinx could have been, that she was a creation of her surroundings rather than through pure choice like he convinced himself in season 1, and that the girl he cared about and loved/loves is in there and worth reaching out to. This alternate universe allows him to let go of his anger and pain over how things played out and mend that relationship that was broken in his universe.

Side note for the spiel above: The fact that the episode has Jinx and Ekko talk about Vi in such an emotional and empathetic way only for people to use this episode as a bludgeoning tool against Vi, saying her death made everyone happier and she made Jinx, is incredibly ironic and deeply frustrating to me. (It took me a minute but I realized my issues with this episode stemmed from the bad takes I've seen online rather than anything in the episode itself, but I'm glad I took that step back)

The dance scene with "Ma Meilleure Ennemie" playing over it was gorgeous.

The way that Jayce and Viktor's arc ends worked incredibly for me. I was initially worried because they had no screen time together in act 2 outside of Jayce killing Viktor, but the way they had their conflict play out in act 3 subverted my expectations and was very satisfying to me.

I actually like how Jinx's arc played out in the season. It was a beautiful arc that I felt was fully explored for the most part. I'll also probably expand on my thoughts on Jinx's arc once I finally recover from my most recent rewatch of Arcane and can pull my thoughts together to make something more coherent.

This isn't an act 3 specific thing, but I absolutely love how much praise Mel has been getting as a character since season 2 started up. I thought she was one of the strongest characters in the first season with a fantastic arc and I was so glad she lived to continue her growth in season 2. (She was awesome in this act though so it is a bit act 3 specific haha)

This one is hyper-specific but the shot of Vander looking at little Vi and Jinx with so much love while the words “if there was nothing to fight or protect maybe then I could finally be free maybe death is like falling asleep” play over the scene in the finale makes me want to bawl every time I see it and/or think about it more than any other moment in the series. That hit me so hard and it really shows just how much this series and its writing made me love these characters.

Now for the negatives. I didn't like how much they sidelined Vi for the final act. I loved what they did with her in act 2 and I have grown to love what they did with her in act 1, but I really don’t think they did what they needed to for her character in act 3. I do think the end point for her character is where she needed to end up and that it was where she was heading since season 1. I like the moments on their own, but she’s not in the act enough and her perspective is explored so little that it doesn’t work for me as a whole. We go from her breaking down after losing what’s left of her family (from her perspective) to a happy ending with Cait so quickly that it feels like whiplash. The show didn’t give us enough screen time with her in the third act for me to buy into Vi's ability to move forward from the weight of her guilt and feelings of responsibility. It’s frustrating because it’s that very part of her character, the guilt and responsibility that comes with being parentified at a young age that stays with you into adulthood, that really resonated with me and seeing the transition and healing from that being skirted over disappointed me personally. Still love the show and Vi is still my favorite character but the way the show handled her in the final arc was disappointing.

I will probably get crucified for this take but I was also a bit disappointed with how the show chose to brush over a lot of the things between Caitlyn and Vi in act 3. Act 1 introduced so many issues between the two of them that still needed to be addressed in act 3 (Caitlyn’s actions towards Vi in episode 3 and her prejudice towards Zaunites in particular) that their big moment didn’t feel as satisfying as I wished it did. I genuinely did want them to get together, I like that they got a happy ending, and I actually do like the scene where they get together because so much of it evokes the empathy and understanding I liked about the relationship in season 1, but I was disappointed they decided to sweep so much under the rug between them. I might have a different experience as time passes and I genuinely hope I do, but that's just how I feel right now.

I also wasn't a fan of how Vi and Jinx were sidelined during the final fight. I already talked about Vi, but outside of Jinx's big damn heroes moment she was really sidelined as well. We didn't get to see her and Ekko rally the undercity and her fight with Vi against Warwick, while emotionally impactful, lacked any tangible impact on the course of the final battle. Considering how much emphasis acts 1 and 2 put on Jinx stepping into a leadership role and being a symbol for the people of Zaun I think the decision not to show her do exactly that was a misstep and something missing from her arc. I think the fight with Warwick should have had some sort of importance in winning the fight against Ambessa and the Machine Herald.

Overall these aren't things that make me hate the show or the finale, but they're persistent issues for me that make the third act my least favorite of the season as a whole right now. I can understand why people would think differently. This was just my experience. I don’t want to be a blog that spreads negativity and I hope others enjoyed the show and found something to connect to. I love this show and it was a big part of the last 3 years of my life. I will always love this show.

#arcane #arcane Netflix #arcane season 2 #vi #jinx #Caitlyn #Mel #victor #Jayce #the machine herald #arcane emotionally destroyed me #arcane is a grand tragedy #I love this show

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