#but I’ll be busy all day

[goofily-moved]

do you guys like my new theme / psd? C:

[i-like-forcefem]

You wake up due to a an odd discomfort around your groin, you feel around and touch something soft and plastic?

You turn on the lights and find yourself lock in a small, pink chastity cage

You panic a little, you’ve never done this before, you try to pull it off and it won’t budge and you notice just how little you can touch your member now

You get hard

It hurts

You look around the room and see an envelope next to a small pile of clothes and some odd plastic?

You open the envelope

My dearest love,

You wronged me, the fact you wouldn’t know who I am makes it that much worse

So I thought it’d only be right if I punished you

As you might’ve found out already I’ve securely locked you up and only I have the key

If you ever want it back you’ll need to do some things for me first

Mod course you won’t be allowed to touch your memeber until I release you

Next you will need to wear the clothes, and insert the remote anal vibrator I provided to you

You will then need to watch any porngraphic content I send you over the course of the next 2 weeks, dressed up and wearing the plug

I’ve made a separate number where we can chat

I expect you to use the proper respect when talking to me

I expect you to thank me for teaching you how to be a good girl

And I expect you to drop whatever you’re doing whenever I send you a message, and if I so ask you’ll put on the shuttle clothes I gave you, put in the plug, and watch whatever degrading smut I sent you while I control your ass

Do this like a good girl for 2 weeks and I’ll take off the cage

Mess up once, and I’ll flush the key down the drain

Oh and don’t think to get it removed or anything, I got that onto you without you noticing once, and if you get it off I’ll know that means you’re ready for your second round!

And trust me you wouldn’t like the second round, something tells me that you’d hate losing your freedom of movement

So now be a good girl and dress yourself up already love~

I’m waiting

Oh! And one more thing!

I can and will change the rules at any time, for example one I thought of right now: the two weeks only count down if you spent the whole day in cute woman’s clothing, so if you ever put on those nasty clothes you’re wearing right now, the day doesn’t count and you still have 2 weeks to go

Good luck cutie! Try to keep me happy~

[springypaws]

A kinda-chunky info comic(?) about asexuality and aromanticism, in celebration of International Asexuality Day today!!

Also, I’m not trying to erase asexual representation today by explaining aromanticism as well, I just thought it would be useful to explain both in this comic, as they’re so closely related, and I’m not sure the next opportunity I’ll get to make a whole other comic for aromantics. Not to mention I’m both, and don’t want to explain asexuality in a skewed or inaccurate way because of that fact

[allgreekbitch]

ACT 2 SPOILERS!!!

[withthewindinherfootsteps]

Wei Wuxian and Narrative Agency – Part One

For Xiantober Day One: Genius… albeit stretching the prompt so it refers to MXTX and MDZS itself, but at the end of the day it’s still about WWX – so no harm done!

(Part Two | Part Three | Full version on AO3)

The narrative is a very active player in MDZS’ story. How it presents information, what it chooses to show and omit, often reflects important facets of its themes and characters – Nie Huaisang, for instance, is so good at hiding behind his mask that not even the narrative can hold him accountable; the present day’s storyline as a murder mystery and the slow reveal of information about the past both prompt the reader to think critically about the truth of events, when the importance of thinking critically is an important theme; and the dangers not thinking critically (and instead basing conclusions on rumours without much evidence) are shown by tricking unquestioning readers into the very same trap the cultivation world falls into, as the information given by the title, summary and in-universe rumours – which contradicts how we see actually Wei Wuxian act – turns out to be false.

But nowhere do I love this trait more than in its treatment of Wei Wuxian – and, more specifically, in its way of emphasising his agency. We’re not just told how much his active choices define his character, and we’re not just shown this in-universe through his personality, worldview and the events he causes. I’d argue that this aspect goes a step further, and shapes the structure of the out-of-universe narrative as well.

There are two main ways this happens: one, in how the aspects of Wei Wuxian’s life that are shown and hidden directly tell us what’s important about his character (which is good writing but isn’t necessarily tied to this shaping of the narrative), which is what we’ll explore today; and two, how what’s shown and hidden reflects what Wei Wuxian himself prefers to dwell on, resulting in the narrative respecting his own thoughts and feelings on matters (which very much is tied to it). We’ll explore this at a later date.

But as for now – let’s explore my favourite aspect of MDZS.

(Here, narrative agency will be considered the ability of a character to meaningfully influence their events and the story they’re in.)

Tragedy, Circumstance, Choice

If we simply look at Wei Wuxian’s backstory in a vacuum, it seems almost typically tragic. His  parents died in circumstances beyond his control, he was left alone as a child with nobody to care for him, he was forced to grow up fending for himself on the streets, he was faced with abuse when he finally was taken in… as with all typical woobies, everything simply happened to him, and none of it was good. It’s just another example of the lack of agency being used for sympathy points, right?

…Except there’s one problem with that idea. We don’t actually see any of this.

It would’ve been easy to start the flashbacks during these times. We’re telling the story of Wei Wuxian in (largely) chronological order, and these are likely important experiences for him! But instead of starting in his street days, or evenat the moment Jiang Fengmian took him in*, we start at the lectures in the Cloud Recesses. That’s not even something mentioned in, and therefore something that’s able to disprove, the rumours at the start of the novel. So why is this the case? 

Well, there are multiple reasons – the main one being that MDZS is also Lan Wangji’s (and Wangxian’s) story, and having the flashbacks open with their first meeting is very satisfying. But I want to focus on something else.

This period doesn’t have to be shown, because what happens to Wei Wuxian, especially out of his control, isn’t what’s important about his character.

We’re not even at Lotus Pier here, where Wei Wuxian certainly has more agency than he would’ve had as a young child, but where the harm caused by Madame Yu is still completely out of his control. Here, he has agency! Though there are consequences, he is free to act, and what happens to him is a result of those actions and not of circumstance. Yes, he gets punished more than others who also take those same actions (due to classism); yes, it’s not his choice to be picked on by Lan Qiren in class (yet look how he responds, twisting the situation to his advantage and ending up tricking Lan Qiren into letting him leave, which is what he wanted to do. He is not at all helpless here!); yes, these choices have been influenced by his learned mindset from Madame Yu that punishment is arbitrary and will happen anyway, so you may as well do what you want regardless. But there is cause-and-effect here. It’s not circumstantial tragedy.

Therefore, instead of our first impression of past!Wei Wuxian being that of an unfortunate woobie, it’s of someone who has the freedom, ability and will to choose and act (and that’s after these initial tragic events have taken place). This is compounded by the fact that before we see any of his backstory, we get a similar impression of him in the present day.

If the purpose of his tragic past was to earn him sympathy points, to make us pity him due to how much he was influenced by events out of his control, this would’ve been a terrible way of going about it… and it’s this that betrays the true reason for its existence. Because now, the flashbacks instead show us how little these tragedies define who he is! From the very start, Wei Wuxian isn’t someone defined by circumstances out of his control, but rather by who he is as a person and by what choices he makes in the present day (which is both a mindset in-universe, and a nice little out-of-universe detail that lines up! Because out-of-universe, this means he’s not defined by sympathy points from a backstory, but rather by his great character writing… aka, by who he is as a person and what choices he makes). And this refusal to be defined by tragedy is a conscious choice on his part, too – but we’ll explore that more later. 

The important thing is that this idea of Wei Wuxian isn’t because of what exists in his past, it’s because of what parts of his past are shown to us (as well as what he chooses to do, with agency, in the present). 

Now, if this relationship between what’s displayed and what’s omitted was just a one-time thing, I might’ve considered it a cool detail or a nice way to establish a character, but not something the narrative is actively focusing on. But it’s a pattern that continues throughout the flashbacks. What, arguably, are the two other most important times in Wei Wuxian’s life where he doesn’t have enough agency to meaningfully influence his circumstances? His three months in the Burial Mounds (before escaping – he managed to assume some control of the circumstances but not enough to substantially reduce his suffering in his time there), and his loss and death during the First Siege. And we’re not shown either of them! We skip to when Wei Wuxian has emerged from the Burial Mounds and is torturing the Wens, or we skip to the present day – both times he has agency once more, because, again, what he’s like without it doesn’t matter enough to be shown. 

Furthermore, I’d argue this does actually contrast the other tragic events we see in Wei Wuxian’s later life. Things do go horribly wrong, but it’s either due to choices he knows the consequences of (see: rescuing the Wen Remnants in the first place), or instances where he still has some ability to act in the situation and influence it within the limitations. If he’d had no ability to influence circumstances at Qiongqi path, he would have died in the ambush; if he’d been unable to do that at Nightless City, he would’ve died then, too (of course Lan Wangji helped him escape as well). The attention drawn to him losing control of his actions in both instances is very interesting, but intentional or not, it’s still his actions influencing the plot. And that influence happens to be detrimental. The very ability to act and influence, at a base level,  is not taken away (though, of course, that doesn’t make these events any less tragic).

So, so far, the narrative seems to be telling us that the ability to act and choose is key to Wei Wuxian’s character. And it’s doing it through omitting his moments without agency in favour of instead showing us his moments with it. 

Let’s see if this is echoed in the text itself before we go further – because even with this pattern, nothing would end up mattering if Wei Wuxian’s agency wasn’t actually that important to the story itself. But thankfully it is, and that first impression we get of Wei Wuxian in the Cloud Recesses turns out to very much be accurate! Though there are defining circumstances out of his control that occur, such as the massacre of Lotus Pier, the majority of the important events of his life are due to his own choices. He didn’t happen to be forced to cease traditional cultivation and solely use guidao, didn’t happen to lose his Golden Core in a fight with Wen Zhuliu or due to some force in the Burial Mounds, it was his own choice to give it and his spiritual powers away. He didn’t tragically happen to get targeted by the cultivation world, it was a result of him acting on his morals and protecting the Wen remnants (a choice which he was fully aware of the implications of). He isn’t a protagonist to whom things simply occur, and that activeness and agency is my favourite thing about him. 

That’s not to say that the times Wei Wuxian doesn’t have agency, or feels like he doesn’t have any, don’t exist at all, either – but they are rare enough to have attention directly drawn to them in his internal narration:

Or else what could he do? He could do nothing. He was powerless. Lotus Pier had been destroyed, both Jiang FengMian and Madam Yu were gone, and Jiang Cheng had disappeared as well. He was the only one left, alone, with not even a sword in his hands. He didn’t know anything, he couldn’t do anything! For the first time, he discovered how little his power was. In front of something as large as the QishanWen Sect, it was the same as a mantis trying to stop a chariot. - Chapter 59, EXR translation

(And even in this circumstance, note that he still does force himself to act – to carry on searching for Jiang Cheng, to place his faith in Wen Ning – and does accomplish his goal (albeit with the help of others)! So even in dire situations, he isn’t simply passive. This is actually also the case with his time in the Burial Mounds, almost certainly the First Siege, and even his days on the streets as well (Chapter 20: he did actively fight with dogs to get food despite their danger and his growing fear of them, rather than just waiting and hoping to somehow receive some more). He can’t influence or immediately influence his circumstances, but that doesn’t stop him from trying.)

Overall, although they do influence him, Wei Wuxian is very much who he is in spite of his circumstances, not because of them. We’re shown the importance of his agency both in-universe by the major impacts his choices have on himself and the plot, as well as by narrative presentation – important periods where he lacks the ability to meaningfully influence anything are often mentioned but not directly shown, which suggests that such moments and circumstances aren’t as important to understanding Wei Wuxian’s character as moments where he does have this agency are. And I’d argue this works very well. Depending on the version of the story you consume, you may end up having different interpretations as to how much circumstances were at play nearer the end of his life – but nobody comes out of MDZS thinking about Wei Wuxian, the poor bearer of yet another generically tragic backstory.

(Part Two | Part Three | Full version on AO3)

—

*We are shown this moment in more detail in Chapter 23… but even then, it’s through the framing of Wei Wuxian remembering Jiang Yanli’s narration, not through a flashback proper or even him remembering the experience itself!

[jemmo]

i don’t want to jump the gun, but i think hwang daseul might have just done it again. two episodes in to let free the curse of taekwondo and i am obsessed. more than obsessed. transfixed. this show feels special in a way hwang daseul’s touch only can give, and just using these two episodes to compare to her previous works, i love that i can already spot the continuity in the kinds of stories she tells, the messages she portrays and how she portrays them. she just knows how to let her characters exist in harmful and difficult places and show how their experiences affect them while also just showing them as normal human beings. it is so so easy to overdramatise these kinds of stories that have these difficult topics and have it be so surface level, but she has never done that. instead, she shows how those experiences shape a person and how they go about living in spite of them. all the way from where your eyes linger to now, she gives us characters that are wholly themselves and not just the traumas they have gone through and i just adore that. i can’t remember what i was talking about specifically, but i remember talking about this sentiment and how it actually helps to build empathy in an audience as opposed to just showing a difficult topic at the most surface level bc you think that makes it accessible and easier to understand and hence empathise with. i don’t think that ever works. it’s only when you do what hwang daseul does, when you give us characters we can get to know and fall in love with and care for that you help us to empathise with their experiences. it’s hard to understand the weight and the hardship of experiencing something traumatic, but when something bad happens to someone close to you, a family member or a friend, you understand and feel that pain astronomically more. that’s what hwang daseul manages to do. and more so, she makes you feel that while also seeing these people as people. you get to see them away from the hurt, you see them smile in moments of happiness and you see that too with people you’re close to, and you feel even more how special and important those moments of happiness are.

and that’s why, whenever hwang daseul is at the helm of something, i will be seated from start to end with endless boxes of tissues ready. i can’t wait to see what else this show has in store.

[pamouche]

some favorite lines from THE ECLIPSE RERUN. EPISODE 12

[mikeru-funzies]

he canonically didn’t let the choir remove their cloaks so they could make a good first impression

[quietlyblooms]

alright, friends, it's time for a lil heart-to-heart.

for quite a while now, i've struggled with feeling like the rpc is an actual community. there's a few things that contribute to this feeling, but it mostly comes down to a lack of interaction and visible interest. sometimes i feel very one-sided in my interest and attachment to my mutuals bc when i see their ooc posts or headcanons, i like them or comment, yet this isn't reciprocated by everyone. i can usually guess who i'm about to see in my notifications, and to be absolutely clear, i'm very grateful for those people!! it's a handful or two of you, but it could be just one and i'd be grateful. it's not about numbers whatsoever but rather growing uncomfortable that not all of my mutuals are all that interested in my character or me.

i write on here to share the excitement of creating with other people. i write on here to create together, too, but i'm also here to share characters and ideas and lore with people i know are happy to hear me ramble. i'm just getting to the point in which i'm questioning how many of you are actually happy to listen, and that's just not a good feeling at all. i'm not a mind reader, y'all. if you don't tell or show me that you care about the things i talk about or even about interacting, there's no way for me to know. eventually, i'm going to question why you're following me if i never see or hear from you, and eventually, i'm going to softblock and move on. that's the only way forward i see right now because i just do not feel comfortable on my own blog. i feel like i'm retreating into this quiet bubble to avoid discomfort, and it really sucks. it's killing my muse.

i'm not perfect. none of us are, and we can't be online at all times to catch every little post. but if we're a community, then we should be supporting each other when we can and liking headcanons, liking/commenting on those lil ooc posts that remind us our writing partners are humans with lives outside this site, reblogging their promo posts, sending in that meme they've reblogged even if we're nervous to reach out first -- if we're a roleplaying community, then we need to act like it. " community " implies connection, and a connection doesn't really begin when you follow each other. it begins when you reach out, even if it's in some small way.

tldr: i think we can all do better to support our mutuals and to connect, and i'm going to softblock people rather than continue to feel unsure where i stand with my mutuals. i won't start until sometime next week, and i won't make one of those " like this to remain mutuals " posts. they're not helpful to me, if i'm honest. if you're worried, just reach out. i'm literally a 4'9'' gremlin who sleeps with a m.unchlax plushie -- i promise i'm not scary despite this post uvu

[idontmindifuforgetme]

There will not be a single moment next week in which I’m not running around doing something

[seiwas]

hope everyone is having is having a great week so far! 🥹✨

[tetzoro]

happy sunday friendz ෆ may you rest up today ! drink lots of water, unclench your jaws, & be gentle with yourself as this week comes to a close (✿ᴗ͈ˬᴗ͈)⁾⁾

[tiger-grace]

mp100 pencil sketches 😪

Also I got the first manga and that version of mob does not put up with reigen’s bs at all holy cow?? 😭😭

[ghosttotheparty]

The dialogue writing prompt thing. Number eight with Steddie. I think Eddie saying it to Steve. Idk. It'd be cute:]

youre so right cw: weed use

8. “I look at you and I think, ‘sunshine. Literal sunshine.’ It’s annoying.” dialogue prompts!!

Eddie is very tired.

It's been a long... few days. (Feels like years.) And he wants to go to bed, and listen to the wind, and maybe get a little high, but as he thinks about it all he remembers where he is.

In the lobby of Hawkins Memorial Hospital, with stitches in his skin and an ice pack on his head. Next to Nancy Wheeler and Robin Buckley, with Steve Harrington by his side. Steve's knee won't stop bouncing up and down. Eddie can hear the rubber sole of his shoe squeaking on the tile, and after he suffers through it for another minute, he reaches out and sets his hand on him. Steve's knee freezes as soon as Eddie's hand is on it, but Eddie can feel his tenseness radiating through his jeans, can feel how anxious he is, and he wordlessly flips his hand over, holding it out.

He doesn't know what he expects, but after a moment Steve slides his hand into Eddie's, pressing their palms together and lacing their fingers. Eddie keeps staring at the floor. There's a spot of dirt on the white tile that looks how he feels. Steve's fingers tighten after a moment, and Eddie squeezes back.

They're there for a long while. Waiting. Robin falls asleep with her head on Nancy's shoulder, and Nancy rests her head on Robin’s, sighing deeply. Eddie wishes Steve would fall asleep. He seems like he could use it.

He doesn't know how long it is until a door opens and the others appear around the corner into the waiting room. Eddie and Steve pull their hands away silently, tightening as they watch everyone trickle into the room. Max, Lucas, Erica, and Dustin, followed by Max's mom, Lucas and Erica's parents, Dustin's mom, Dr Owens, and Chief Powell. Steve exhales next to Eddie. It takes a long while for them to sort everything out. The parents all look... Eddie doesn't think tired is the right word for it.

They all look scared. Even as they look at their children.

Eddie wishes he was high.

The kids don't want to go home alone, even with their respective parents, so a sleepover is organized at the Sinclairs'. Max will borrow some of Erica's pyjamas that are too big for her, and Dustin will borrow Lucas's. (Though Eddie suspects they'll all be asleep as soon as they enter the house. Especially Max, who looks like she's about to keel over any second. Lucas seems to notice it too, and keeps an arm around her the whole time.)

Goodbyes are said in the parking lot, in the brightness from the hospital that's spilling out into the night. Mr Sinclair shakes Steve and Eddie's hands and Ms Henderson hugs them both as gently as she can. Eddie feels like he's spinning, blindly hugging the kids, murmuring soft I love yous and pressing kisses to the tops of their heads, until he's standing by Steve and watching the cars peel out of the parking lot.

Nancy sighs heavily again.

"You're with me?" Steve asks Eddie softly. Eddie looks at him. His eyes reflect the hospital lights in a way that looks holy.

"Yeah," he says.

He sits shotgun while Steve drives to drop the girls off at Nancy's, getting out to hug them and accept the kisses they press to his cheeks, and then he watches Steve walk them up to the front door, hugging them both tenderly before he whispers something to Robin that makes her smack the back of his head. Steve is snickering when he comes back to the car, and it makes Eddie smile.

"Ready?" Steve asks, like they're going on an adventure instead of going home.

Home.

"Do you think... we can stop by my place first?" Eddie asks weakly. "I wanna get... some stuff."

"Yeah," Steve says, pulling out of the Wheelers' driveway. "What do you wanna get?"

"Uh." Eddie sighs. "Some clothes. Keepsakes. Cash. Wayne doesn't know where I hide it, I bet he didn't get it when they made him leave. And, uh..."

"And?"

"Okay, you can't judge me," Eddie says, opening his mouth to speak and make excuses for himself, but Steve interrupts with a quiet, "Never."

Eddie smiles at him for a moment.

"I kinda really wanna get high," he says. "I'm just... I'm so fucking tired, man, and my stitches hurt like a bitch, and I'm..." He trails off, unsure of what to say. He doesn't have that many reasons. He feels like he should have more, like he needs excuse after excuse to get high, but Steve just nods.

"I feel you," he says. "I have some weed at home, but it's not a lot."

"Steve Harrington," Eddie says, relaxing into his seat with relief. "Where've you been my whole life?"

Steve laughs quietly.

"Right here, man."

The trailer is taped off when they get to it, but they don't let it stop them. (It's not like Eddie's never broken in anywhere. Plus, he isn't even actually stealing tonight. It's all his.) If they get arrested, Powell is in on everything now. It'll be fine.

Eddie finds some bags and Steve helps him stuff them full of sweaters and jeans and shirts and handfuls of socks and underwear. Eddie finds his lunchbox in the living room, untouched and unbothered, and he supposes it makes sense that the military government men don't actually care that much about drugs in the grand scheme of things. He fills the lunchbox with the cash from the false bottom of his sock drawer. Steve watches, an almost curious expression on his face. Eddie does one last sweep of the room as Steves takes the bags out to his car. He presses a kiss to his guitar, silently promising he'll be back for her, He finds a bong under his bed and carries it out of the house with him, holding it up as Steve starts the car. Steve grins at him. (He's got an amazing smile. It lights up his whole face like a lamp.)

Steve’s house is eerily quiet when they get there. Silence isn’t all that weird in and of itself, Eddie thinks, but the house is so… big. Like there should be twenty people living here, and not just Steve by himself. Even at the trailer, there's always some kind of noise, the tap dripping, the radiator clicking, the wind making the windows rattle. But the Harrington house is so silent Eddie can hear his own heart beating.

Steve pauses in the doorway, taking a breath that almost echoes in the emptiness, and Eddie’s heart suddenly aches as he thinks about Steve coming home all alone, day after day, night after night. Sitting in the empty loneliness.

“Steve,” Eddie says softly as he follows Steve inside, watching as Steve turns to face him, holding one of Eddie’s bags.

“Yeah?”

Eddie hesitastes for just a moment before he steps forward, shutting the door behind himself, and wraps his arms around Steve’s neck in a tight hug. Steve hugs him back just as desperately, and it’s a little awkward because they’re both carrying Eddie’s bags, and Eddie can’t get as close as he wants to. Which is probably a good thing.

With the door shut, there’s no light in the house at all. It’s pitch dark, but Eddie doesn’t really care. Steve asks if everything is okay, his voice soft and breathy right by Eddie’s ear, and Eddie almost cries. His eyes burn, and he nods for a moment as he swallows, desperate for his voice not to break.

“Yeah.”

They separate after a few moments, slowly, like they don’t really want to let go.

Steve leads Eddie up to the guest room. Shows him how to turn on the shower, adjust the temperature.

When he leaves to take a shower in his own room, Eddie’s body aches. Like Steve’s absence makes him hurt. That’s probably not healthy, he thinks to himself. But when has Eddie ever had healthy habits? And in the grand scheme of things, Eddie doesn’t think a little codependency is the end of the world.

The shower is nice. The water is nice and hot, the water pressure even and hard enough on his back that he relaxes. He watches dry blood and dirt and Upside Down grime wash across the white tile floor and down the drain.

He gets cold when he gets out of the shower and quickly scrubs his hair dry with the towel before he dresses, grabs the bong and lunchbox, and heads downstairs.

Steve is in the kitchen, searching through the fridge, when Eddie gets there. His hair is dripping wet, and the sweater he’s wearing is too big, loose and hanging down to reveal his chest when he bends down.

“You hungry?” Steve asks, looking over his shoulder at Eddie. His eyes glance up and down. Eddie pretends not to notice.

“Maybe a little.”

Steve pulls some Tupperware out of the fridge and sets it on the counter before he reaches back in, looking back at Eddie.

“Did you re-bandage your stitches?”

“Uh, no,” Eddie says. He sets the box and bong on the island, watching as Steve pulls out two cans of Coke. “They’re not bleeding or anything.”

“Should still keep them covered,” Steve says. “So they don’t get caught on your clothes.”

“I don’t have…”

Steve just shakes his head.

“I got it.”

He pulls a first aid kit out from under the sink. Everything looks brand new, except the bottle of painkillers. Eddie leans against the counter as Steve pushes his shirt up, kneeling in front of him and carefully, gently bandaging him up.

Eddie laughs.

“What?” Steve questions, shooting a look up at him.

“Just…” Eddie sighs, looking at the ceiling, wincing as Steve presses medical tape to his skin so it sticks. “Helped prevent the end of the world. Somehow survived. Now I’m… standing in Steve Harrington’s kitchen.”

Steve laughs softly, moving onto Eddie’s other side. There are fewer stitches there, but the skin is all mangled. Steve is so gentle Eddie barely feels it.

“Who would’ve thought?” he says softly. Eddie just hums in response.

They’re eye to eye when he stands up. Eddie can’t tell which of them is taller. Steve’s eyes catch on his cheek, and he puts his fingers to Eddie's jaw, gently making him turn his face. Before Eddie can say anything, Steve is finding an ointment in the first aid kid and smearing it carefully over his cheek before he murmurs, “Tilt your chin up,” and Eddie looks up at the ceiling. Steve’s fingers press ointment over the injury on his neck. That one isn’t that bad, but Steve is still careful, almost tender. He bandages his cheek next, his teeth caught between his teeth and his brows furrowed in concentration.

Eddie takes the ointment when he’s done and wordlessly touches the underside of Steve's chin, making him look up so Eddie can do the same to his neck.

“When did you take the painkillers at the hospital?” Steve asks as they settle on the sofa.

“Uh.” Eddie hesitates, crossing his legs as he sorts out the weed. “Maybe two hours ago? Ish?”

“Think they have you to four to six hour ones,” Steve says. “Should last a while. If you need more in a few hours tell me.”

“Might not need ‘em,” Eddie says as he works. “If this works.”

Steve leans back against the armrest of the sofa and pops open a Coke as Eddie smokes, the empty house filling with the sound of the bong bubbling. He holds the smoke in his lungs until it burns, closing his eyes and letting his head fall back to blow the smoke at the ceiling.

“Yup.”

Steve snorts, and Eddie grins, opening his eyes to pass him the bong and the lighter.

“What would happen if your parents walked in right now?” Eddie asks, watching Steve he takes a hit, and Steve coughs, laughing as he blows the smoke out.

“They’d lose their shit,” he says, grinning. “Don’t know what they’d be more upset about, that I’m smoking weed or that I’m getting high with Eddie fuckin’ Munson.”

Eddie laughs, almost giggling, like it’s a compliment.

Steve takes another hit, his eyes fluttering shut as he inhales, and Eddie watches raptly, like he’s studying him.

Slowly, the pain in Eddie’s waist subsides, and he relaxes into the sofa, staring at Steve as they pass the bong and lighter back and forth, as they nibble at the fruit from the fridge, as they sip their Cokes. Eddie doesn’t even really know what they’re talking about anymore, but Steve is smiling, so it doesn’t matter.

The room is a little brighter when Steve smiles. Eddie’s eyes are stuck.

“You’re so annoying,” he says. Steve’s smile broadens, and he snorts.

“What the fuck did I do?”

Eddie huffs, taking a hit, watching Steve. He’s leaning against the back of the sofa now, slumping. His hair is almost dry, frizzy and wavier than Eddie expected.

“You’re so perfect,” Eddie complains, mentally cursing his lack of filter when he’s high. “Even in school, fucking… Golden boy Steve Harrington.”

Steve snorts, laughing quietly, childishly. Eddie likes seeing him like this. Relaxed, his brain quiet.

“Not so perfect anymore,” Steve says softly, still smiling.

“No,” Eddie disagrees. “Still perfect.” Steve rolls his head on the back of the sofa to look at him. Eddie nods. “Golden boy, perfect golden boy.”

Steve is smiling. His cheeks are flushed but Eddie can’t tell if it’s because of the weed or not.

“I mean seriously,” he says, because he can never shut up. It’s part of his charm. (Or lack thereof.) “I look at you and I think, ‘sunshine. Literal sunshine.’ It’s annoying.”

Steve giggles.

Eddie passes him the bong and drains his Coke while he takes a hit.

“What do you think of when you look at me?” he asks as Steve blows smoke at the ceiling.

Steve looks at him, his eyes glassy.

“Don’t know,” he says softly. “‘S not really… like.” He takes a breath. “An image. I guess. Like, I see your face, but when I think about you, ‘s more of like…” He looks at the ground, his mouth twisting as he thinks. “A feeling.”

Eddie looks at him, his breath catching in his throat.

“What kind of feeling?” he asks, taking the bong from him. Steve barely seems to notice, looking at the ground. He’s quiet, his lips almost curved into a smile.

“Don’t know. Kinda… In my stomach,” Steve says quietly, almost mumbling. Eddie listens closely. “‘Nd my… my chest.” He runs his hand over his chest, over his heart. Eddie lowers the bong to his lap, his eyes following the movement. “Like a twisty kinda feeling.”

“Like you’re sick?” Eddie questions. Steve takes another breath.

“Kinda,” he says softly. “But like… a good sick. Like a…” He gestures vaguely with his hand, his fingers moving. “Like a fluttery sick.”

“Like… butterflies?” Eddie asks quietly.

“…Yeah.”

Eddie smiles, raising his eyebrows.

“Sounds like you gotta crush on me, Stevie.”

Steve doesn’t say anything, still staring at the ground, and Eddie wonders if he heard him, before Steve blinks and his face shifts. Hardens. His brows furrow slightly like he’s thinking, and then his eyes widen and he looks at Eddie.

Oh.

“Steve?” Eddie asks quietly, looking at him, and Steve looks away sharply, the hand that touched his chest reaching for his hair.

“Shit.”

He gets up, and Eddie’s eyes widen, and this must be the actual Upside Down, because Eddie’s world has been flipped over. The ugly paintings on the walls all fall to the ceiling, and the burnt wood in the fireplace falls up the chimney, and Steve doesn’t notice.

“Shit,” he says again. He’s pulling at his own hair, pacing across the room. “Shit.”

Eddie follows him up, putting the bong on the ground and dropping the lighter. It bounces off the carpet and lands under the sofa.

“Steve,” he says, reaching for his shoulder. “Hey.”

Steve turns when he pulls at his shoulder, and Eddie looks into his red-rimmed, teary eyes.

“‘S okay,” he says softly, pulling Steve closer. He reaches for the hand in his hair, gently pulling it away. “It’s okay.”

“‘M sorry,” Steve chokes, breathing hard, and Eddie shakes his head, reaching to hold Steve’s face.

“Don’t be,” he says softly, smiling. “Don’t be sorry, it’s okay. Breathe, Stevie.”

Steve inhales deeply, looking anxiously between Eddie’s eyes. Eddie nods.

“It’s okay,” he says when Steve exhales slowly. His thumbs brush over Steve’s cheeks.

“Eddie,” Steve says weakly. Eddie pulls his face forward and kisses his forehead gently.

“‘S okay,” he murmurs.

When he pulls away Steve’s eyes are closed, and Steve’s hands find him, hesitant and gentle and soft on his waist like he’s scared Eddie’s going to fight him off. Eddie steps closer.

“I like you too,” he says softly. Steve’s eyes flutter open and find Eddie’s.

“What?” he asks breathlessly, his eyes shining again, filling with tears.

“I have a crush on you,” Eddie says quietly, slowly. “Like a huge, debilitating crush.”

Steve’s eyes unfocus, trained on Eddie’s mouth like he’s trying to find the words written in the air between them.

“Really?” he asks so quietly Eddie almost can’t hear him.

Eddie grins.

“Really really. Like, since high school.”

“Woah,” Steve breathes. Slowly, his hands find Eddie’s cheeks, gentle over the bandage that Eddie forgot about, gentle over his skin. Eddie's eyes flutter shut when Steve leans closer, sighing when their lips brush, and then they’re kissing. It’s a brief kiss, soft and tentative and nervous, but Eddie is breathless and almost dizzy when they part.

Eddie pushes his fingers into Steve’s hair, smiling softly when Steve exhales slowly, shakily.

“I think…” Steve starts quietly, his forehead resting on Eddie’s. “…I may be too high for this.”

Eddie giggles quietly.

“We can talk tomorrow,” he whispers softly. Steve hums, tilting his head and closing his eyes.

“Kiss me again?” Steve murmurs, nudging their noses together.

“Thought you were too high for this,” Eddie breathes. He’s just as high as Steve is. The room is spinning a little bit.

“I know, I just…” Steve stops, swallowing and licking his lips and looking at Eddie with a desperation in his eyes that makes Eddie ache. “I just want…”

Eddie kisses him. Hard, and lingering, just a firm press of his lips to Steve’s, and a soft whimper escapes Steve’s throat, his hands tightening on Eddie.

Eddie kisses him again when they part, tilting his head, and then again, and again until Steve feels like he’s about to fall over, leaning against Eddie heavily.

“Woah,” Steve says again, his arms now around Eddie’s waist. Eddie grins, pushing his hair back.

He pulls Steve into a tight hug, gentle over his bandaged sides, and Steve presses his face into Eddie’s neck, taking a heavy breath. Eddie tugs him over to the sofa, and it takes them a moment to get situated, finding a position that doesn’t strain Eddie’s stitches, that doesn’t put weight on their sides. Eddie ends up on top of Steve, his head on his chest, Steve’s hand tracing over his back and slowly dragging through his tangled curls. Eddie holds his other hand and presses kisses to his knuckles before he holds his hand to his face.

And Eddie falls asleep, excited, for the first time in many long years, for the sun to rise.

[kairithemang0]

Ngl, really missing Tin Can Tuesgays right now

[anidealistatbestburntoutatworst]

no peace, problems always…