#but I enjoy being critical of the things I consume

[youngpettyqueen]

here's the thing about world-ending/universe-ending threats in prequels. if that is your entire focus and what all your tension hangs on, then it will not work

all of your tension cant hinge on a universe-ending threat in a prequel because we already know that that universe is going to be ok. just by virtue of being a prequel, there is already no tension there- we know the future of this story. now, you can create tension by focusing on the angle of what happens to the characters- if those characters are not also present in the content the prequel is leading up to

the universe-ending threat in season 2 of Discovery really doesnt work. right from the get-go, we know that things are going to be ok. we know the universe doesnt end here. and, by involving TOS characters, they do unfortunately eliminate some of that tension when it comes to what might happen to the characters. we know Spock doesnt die here. we know Pike and Una dont die here. the writing also doesnt leave a lot of room for me to be worried about the main cast- I honestly dont know if I think this show is capable of permanently killing off anybody on the main cast. we'll see if im proven wrong in that

to compare to another prequel series- I think s3 of Enterprise did this a lot better. we knew the Earth wasn't going to be destroyed. we knew Starfleet wasn't going to be destroyed. but the Xindi plot started with a devastating attack that killed 7 million people- something of that scale is usually the endgame, the very thing the characters are fighting to prevent, but instead it was the beginning. thats a POWERFUL way to introduce a plot like that, especially in a prequel

I think where Enterprise's Xindi plot also got it right was having such a strong focus on the characters. I found a lot of the tension for me personally hinged on seeing just how far the Enterprise crew- especially Archer- would go. how far they wound bend their morals. how much they would break them. for me, thats the real tension in that season. I know the Earth will be fine, but I dont know how far Archer will go to ensure it. innocent people are killed. prisoners are tortured. civilians are attacked and robbed and left stranded. so, while I know ultimately that the Earth is going to survive this and the crew will succeed, im still hooked and asking what comes next because I want to see what this crew will do next. I want to see how far they'll go

im not organizing this as well as I could honestly im just slapping my thoughts at the wall but yeah. as much as I really am enjoying Discovery- its a good show, its not a very good prequel. so far I would consider Enterprise the better prequel series. interested to see where things go now that its not so hindered- 930 years into the future is far beyond anything we've seen from any Trek series so far, so theyre no longer confined by having to be a prequel. looks like we'll finally get to boldly go where no man has gone before!

[bigothteddies]

I think that part of what like. kills me about the whole media literacy and critical thinking aspect of enjoying media these days is that people refuse to like. contextualize that

A. Bad media can still hold significant meaning to people

B. Media made for a demographic you aren’t apart of is not inherently bad media

C. Media made for and consumed by the opposite demographic is not inherently shallow or flawed nor is it above criticism for its media tropes either.

[deepseawave]

obsessed w the tags on ur last reblog

Omgg, thank you haha, it was a quality post so I just had to appreciate it in full force 😂❤️

Can‘t believe someone would actually enjoy my yapping :,D

[annoying--moth]

I find it funny how English classes seem to try to teach you to overanalyze media/look at media super critically, yet some of my least favourite kinds of people are people who are overly critical of media 😭

"Oh but the pacing is the bad and the chatacterization is inconsistent-" who cares, it's fun to watch

[divorcetual]

sooo many talking points that i need 2 be like "im saying this in a normal way I promprom im not saying this in a proshipper pedo way I swear I swear"

[dovedrangeas]

the internet is a stupid place because you can see someone get accused of "openly supporting child porn" just because they like. post their works on ao3

[froody]

“I don’t know how to reconcile that my favorite piece of media was made by someone awful.” Because they’re a shitty person who made something good. It’s not that rare of a phenomenon. Shitty people make good things everyday. A piece of art being made by a terrible person does not make its effect null and void and making good art does not redeem a terrible person. People who are irredeemably nasty can say something true and honest on occasion. To reevaluate a work after finding out more about the artist’s horrendous biases and actions and still find things that are honest and true even when consuming it through a critical lens, that is a beautiful thing. If the artist’s actions and words completely destroy it for you and distort the meaning you once found, it’s okay to feel a sense of mourning and loss at that.

This is not to say that you should continue to lavish social and financial capital on the artist because you enjoy their art but to say that enjoying art made by horrible people does not mean you are in some way unclean.

[fuchsiasea]

it’s really scary how people went from being open minded to really conservative in the name of being woke

[honeytonedhottie]

how to keep a dolly mind⋆.ೃ࿔*:･🧁

this post is inspired by @arielleslipgloss's post about dolly mindset and i just wanna make my own post about keeping a doll mindset so i hope that u enjoy…💬🎀

WHATS IN UR MIND ;

whats in ur mind manifests. what u think consistently everyday is what u will experience, thats just how the brain works. so if ur thinking positive thoughts, you'll experience positive things but the same is true if u think negative thoughts.

BE POSITIVE ;

affirm. affirm. affirm. if u dont want to experience it, then dont dwell on it. when u spend so much time dwelling on negativity you'll only perpetuate that into ur reality so can we not? be POSITIVE and dwell only on things that u want to manifest and experience.

DONT THINK TOO MUCH ;

with that being said, DONT THINK TOO MUCH. sometimes its good to get out of ur own head and just affirm positively on autopilot. dont spend so much time pondering things that upset you. ofc its important to ponder things that you struggle with because thats how u overcome them, but if u dwell on them too much you'll only perpetuate it. make ur mind a good place to be. dont worry about a thing ♡

dont give others the power to make u uncomfortable in ur own mind. dont dwell on other people's negative opinions or criticism, dont be consumed by a situationship. the center of ur universe should be you, you and YOU.

HOW TO MAKE UR OWN DOLLHOUSE (IN UR MIND) ;

this section is inspired by something that i read about in the book pyscho cybernetics and essentially the idea is that u create a space in ur mind that is completely and wholly yours. a place that u can go when u need a breather and i though it was just ADORABLE.

so create ur own dollhouse in ur mind. how i did this was i focused on my 5 senses and i imagined myself creating a space for myself. once i was done imagining it, i imagined myself walking into it and just relaxing in it.

♡ i imagine a cute room (pretty large) with baby pink wallpaper

♡ i imagine a balcony with fresh flowers and a cute pink chair

♡ pink drapes DUH

♡ plush couches with leopard print throw pillows and cashmere blankets

♡ very 90's hollywood mansion inspired with cute dolly music playing softly in the background

and whenever i want to i just imagine myself walking into this space and relaxing on the couch. painting my nails, doing a face mask or just talking to myself and its so soothing…💬🎀

WHAT SHOULD CONSUME UR THOUGHTS ;

♡ shopping

♡ glitter

♡ self pampering

♡ your education

♡ YOUR FUTURE (the most important one btw)

♡ urself and ur future

WHAT SHOULDN'T CONSUME UR THOUGHTS ;

♡ toxicity from any source (bad friends, social media etc)

♡ the past

♡ jealousy

♡ and anything that u DONT want to manifest

THINGS THAT CAN HELP UR MIND ;

if u find it particularly difficult to stay positive or ur just going through a hard time, first of all know that ur NOT alone and things will always get better 💗 some things that can help ur state of mind can include ->

getting a full 8-10 hours of sleep every night, staying hydrated and eating a balanced diet, getting sunlight and fresh air everyday, journalling and other forms of self expression. and to finish off this post i wanna leave u guys with some dolly affirmations to live ur best dolly life 💗

🧁 i am so flawless from head to toe

🎀 i am absolutely in love with myself, and why WOULDN'T i be?

🧁 i manifest instantly

🎀 i am more than capable of anything that i want to do

🧁 i am gorgeous on the inside and on the outside

🎀 im just SUCH a ray of sunshine and beauty to everything and everyone

[gothhabiba]

The 2023 Barbie film is a commercial. I’m sure it will be fun, funny, delightful, and engaging. I will watch it, and I’ll probably even dress up to go to the theater. Barbie is also a film made by Mattel using their intellectual property to promote their brand. Not only is there no large public criticism of this reality, there seems to be no spoken awareness of it at all. I’m sure most people know that Barbie is a brand, and most people are smart enough to know this and enjoy the film without immediately driving to Target to buy a new Barbie doll. After all, advertising is everywhere, and in our media landscape of dubiously disclosed User Generated Content and advertorials, at least Barbie is transparently related to its creator. But to passively accept this reality is to celebrate not women or icons or auteurs, but corporations and the idea of advertising itself. Public discourse around Barbie does not re-contextualize the toy or the brand, but in fact serves the actual, higher purpose of Barbie™: to teach us to love branding, marketing, and being consumers.

[...] The casting of Gerwig’s Barbie film shows that anyone can be a Barbie regardless of size, race, age, sexuality. Barbie is framed as universal, as accessible; after all, a Barbie doll is an inexpensive purchase and Barbiehood is a mindset. Gerwig’s Barbie is a film for adults, not children (as evidenced by its PG-13 rating, Kubrick references, and soundtrack), and yet it manages to achieve the same goals as its source material: developing brand loyalty to Barbie™ and reinforcing consumerism-as-identity as a modern and necessarily empowering phenomenon. Take, for example, “Barbiecore,” an 80s-inspired trend whose aesthetic includes not only hot pink but the idea of shopping itself. This is not Marx’s theory on spending money for enjoyment, nor can it even be critically described as commodity fetishism, because the objects themselves bear less semiotic value compared to the act of consumption and the identity of “consumer.”

[...] Part of the brilliance of the Barbie brand is its emphasis on having fun; critiquing Barbie’s feminism is seen as a dated, 90s position and the critic as deserving of a dated, 90s epithet: feminist killjoy. It’s just a movie! It’s just a toy! Life is so exhausting, can’t we just have fun? I’ve written extensively about how “feeling good” is not an apolitical experience and how the most mundane pop culture deserves the most scrutiny, so I won’t reiterate it here. But it is genuinely concerning to see not only the celebration of objects and consumer goods, but the friendly embrace of corporations themselves and the concept of intellectual property, marketing, and advertising. Are we so culturally starved that insurance commercials are the things that satiate our artistic needs?

— Charlie Squire, “Mattel, Malibu Stacy, and the Dialectics of the Barbie Polemic.” evil female (Substack), 2023.

[noodles-and-tea]

What are people even saying fiddleford did?? 😭 like what did he ever do wrong I can’t think of a single thing. maybe it’s bc I didn’t read the book yet

I think what is primarily being discussed in his case is a) he left his wife and b) he started a cult to erase people’s memories, generally nonconsentually.

Now we don’t actually know all that much about fiddlefords relationship with his wife, there are things that suggest he maybe wasn’t prioritising his family when he was with Ford (I.e. the Christmas presents) but I think it’s unfair to write off someone’s headcanon or theory as “wrong” when there’s no definite answer.

The cult is probably definitely a bad.

BUT! What’s so revolutionary about Gravity Falls is that it has well written characters that are complex and with flaws. I think just about every main character does something bad or selfish at one point or another but it’s also always perfectly justifiable to the character too. There is always personal reason for their actions so nothing is technically black and white “bad”.

I’m not pointing fingers but I reckon some people who maybe aren’t so familiar with fandom spaces or consuming media in a more critical way seem to have a sort of mindset which means that in order for you to like a character they have to be entirely good (or bad - but if they’re bad you have to admit they’re bad and that’s why you like them). And of course people could also take the personal justification and turn it into actual justification.

A lot of the conflict in the show is morally ambiguous and the characters motives are generally easy to understand and even empathise with. Most people that genuinely enjoy the characters - or at least, speaking for myself - don’t excuse their flaws but enjoy the complexities of them!

All that to say, Fiddleford is literally me you guys <3

[writingsbytee]

I LOVE YOU

SUMMARY: The reader and Terry say ‘I love you for the first time’

WARNINGS:  SMUT!!! 18+; MINORS DON’T INTERACT!!!!!;  ‘p’ in ‘v’, pure filth; MDOM; use of “daddy”, “babygirl”; size kink; unprotected sex (wrap it before you tap it); switch; slight FDOM if you squint.

Word count: 1.587

Please be nice to me. This is my first time ever writing or posting for other people to consume. I accept constructive criticism but don’t be mean please. I hope you guys enjoy! I'm so excited to share this with you guys. Please don’t plagiarize my work 😘

“Fuck Daddy! Right there! Right there! Oh God!” I nearly scream into my pillow. 

“Yeah? That’s the spot baby?” Terry moans, as he obliterates my cervix with his thick dick. His thrusts are punishing. He is tearing my ass up and I’m loving every second of it. 

“Y- yes Daddy it feels so good. You always make me feel so gooood”, I moan out. I’m almost delirious at this point. We’ve been going at it for hours now. Terry and I rented a cabin in Lake Tahoe for our first anniversary. We could barely unpack before we were on each other. 

“Deeper Daddy! Please! I need to feel that big fucking dick in my stomach! Please give it to me Daddy!” This man has me moaning like an absolute slut. Saying things that would make a monk blush. 

“Well, fucking take this dick baby. Take it all,” Terry growls, grabbing a few pillows, and placing one under my head and my lower stomach. He then grabbed both my arms, pinning them behind my back, then using his other hand to hold my head against my pillow, and then he went to WORK.

If I thought we were fucking before, that’s nothing compared to what we’re doing now. He is digging my shit out. His dick is punishing my cervix like it stole something. I let out a high-pitched moan when one of his hands came cracking down on my ass. He slid his hand to hold the back of my throat and I practically purred, complete putty in this man’s hand. 

“Fuck yeah, baby! Look at you, being such a good girl f’me. Taking Daddy’s dick like a champion. Baby, you’re so pretty like this.” Terry rains praise after praise on me and I can’t help but bounce my ass just a bit harder.

“Ooh you like hearing that shit huh baby? You’re doing so good for me pretty girl. Fuck you’re so wet baby I feel like I’ll slide out. This is the best fucking pussy ever! Shit! Yeah, that’s right fuck your dick baby. Take that shit c’mon!”

“Terry! Fuck! It’s feels so good! I need this baby fuck I love you,” I moan out. I barely process him pulling out of me before he flips me over. 

“What’d you say?” Terry asks.

“Hmm?” I ask in a daze.

“Just now baby, what did you say?” Terry asks coming face to face with me.

I close my eyes recalling the last few minutes and I gasp. I look up at Terry, and he looks like the world’s cutest golden retriever. 

I smile before saying, “I love you, Terry.”

He grins wide at me, “I was supposed to say it first. Now I have to punish you for stealing my thunder.”

“Oh no!” I say rolling my eyes.

“Did you just roll your eyes at me?” Terry asked his voice deepening sexily.

“I did, and what are you going to do about it, Daddy?” I ask flipping back over and interlocking my hands at the base of my spine. 

Terry chuckles darkly before interlacing one of his hands with both of mine. I hear the crack of his hand across my asscheek before I feel it. The delicious warmth spreading across my ass pulls a needy whine from deep in my belly. Terry grips the meat of my asscheek soothing the burn before he leans forward to whisper in my ear.

“Start counting babygirl.” He raises back up, his hand lays in three slaps back to back. 

A squeal leaves my lips as the third slap lands, “one, two, three”

“I can’t fucking hear you!” Terry grabs the ponytail he so lovingly put my hair in before he yanks me up.

“C’mon, you can be loud talking all that shit. Be loud while I’m laying into this ass. Just for that start over,” Terry says in my ear. His voice is so sexy I could come from this alone.

“No, Daddy please don’t! I need you! Please!” I moan out grinding back trying to catch his dick.

“Oh, what’s wrong? You want me to fuck this pussy don’t you baby?”

I moan, “Yes, yes, please!”

“Listen to yourself. So fucking desperate for this dick. Why should I give it to you? Huh?!” He lands three more slaps on my ass.

“Ugh! Because I love you, baby. Don’t you want me to show you?” I smirk and shake my ass, jiggling the way he likes. 

“Fucking show me then. Take your fucking dick baby”, Terry says as he leans back on on his calves. I take that as my sign to show out. 

“Let me turn around Daddy. I want to see you, please,” I whine trying to get out of his grip. 

“Well, since you asked so nicely, I guess that’s fine. But, you’re doing all the work. Show me you love me baby”, Terry whispers in my ear while rubbing my clit in slow agonizing circles. 

 I moan as he releases my hands and slowly turn around. I look up at my handsome ex-marine and my hearts warms as I give him a dopey smile.

“What’s got you smiling all big baby?”, Terry asks caressing my cheek.

I lean into his hand, “Oh nothing, just love you.”

“I love you too babygirl, now come on and fuck me so we can get pho later,” Terry chuckles with another slap on my ass. A man that feeds me after he fucks me silly? Yeah, let me fuck the shit out him real quick. I turn in his arms and lace my fingers behind his neck.

“Kiss me,” I say pulling his head towards mine so that our lips could meet.  When our lips finally meet, I slide myself down his thick shaft. 

“Ohh Daddy you’re so deep inside me,” I moan as the tip of his dick kisses my cervix.

“Right where I belong, now get to work before I take over,” Terry says his hand sliding down to my throat gripping slightly. 

“Whatever daddy wants,” I moan as I slide myself up and down his dick. I watch Terry’s face changes as I start grinding. 

“Mm, fuck baby that’s what I’m talking about. Fuck me,” Terry’s eyes darken the color of storm clouds, his teeth buried in his lip, and his brow furrowed. 

“You look so sexy like this baby, taking my pussy like a good boy. Tell me how much you love it,” I say in his ear before taking a small bite.

Terry groans tilting his head back like he can’t take it and my smirk widens, “I love your pussy baby, you know I do. Always so warm and wet for me, fuck you’re going to make be cum”

“Lift that head up baby look at me, show me how good it feels,” I shift on my toes so that I can bounce a little bit harder. He lifts his head up to look at me. Seeing Terry become undone by me has to be the biggest turn on. This mountain of a man, and I do mean man is a whimpering, moaning mess because of me. If that doesn’t make a woman feel like a goddess I don’t know what will.

“Oh baby I love seeing you like this. You’re so pussy drunk you can barely keep your eyes open. I’m getting close baby I need you to do something for me ok Daddy?”

“Anything babygirl, whatever you want.. mm fuck I’m going to cum”, Terry’s trying to hold on. The grip on my hips so tight I know they’ll be bruises in the morning. 

“That’s what I want Daddy. Come. Fill this pussy up, give me everything you have. I need it”, I whine mouthing all over his neck. 

Terry brings his hand towards my clit and starts to rub with his thumb while pressing my lower belly with his remaining fingers. 

“Oh shit! Terry! Fuck!”, I scream as the dam breaks. I come so hard my eyes cross. Next thing I know my face is buried in the pillows again and Terry is pounding my shit.

“Yeah you was talking all that shit! Fuck, now look at you! Dick made you stupid huh?”

I’m a moaning mess. Tears streaming down my face at the overstimulation. The dick definitely made me stupid. 

“I’m about to fill this pussy up! Fucccckkkk”, Terry groans cumming deep inside me. I hum satisfied mumbling a quiet ‘thank you daddy’. He slides out of me slowly before flopping next to me on his back. 

“Goddamn baby. We couldn’t even get in the door good,” Terry chuckles. I reach for him, my hand rubbing his chest right above his heart. 

“ It was so worth it, I love you baby,” I say looking up at him still too fucked out to move. 

Terry leans over placing a kiss at the base of my spine, “Not as much as I love you. Now come on let’s go eat before you get too tired”

[dumbsoftheart]

pas de deux

pairing: ballerina!reader x university!coriolanus snow

tags: 18+, mdni. dub-con, semi-public sex, oral sex (fem receiving), creampie, vaginal sex, dirty talk, power play, manipulation

summary: corio is tasked with writing an exposé on his university’s prized ballet student for the school’s newsletter.

notes: self indulging on my perfectionism being ruined for coryo’s self-pleasure!

word count: 4.9k

౨ׅৎ

coriolanus hated this assignment with the same fervour and passion he hated writing for his school’s publication. the only reason he’d even applied for the position was because he knew of the ways it would put him on the scene- articles and reviews with his name plastered over them were unavoidable to anyone who had half a brain to engage in thoughtful composition. he enjoyed writing critical pieces on political discourse or literature, anything that challenged him to peel back the layers of society and dissect it, persuade others to align with his mode of thinking, so the mere thought of his byline etched onto an article about ballet- of all things- made him want to curl up and die. he tried oh so desperately to pass on the assignment to one of his female partners, and even tried his hand at requesting his supervisor for a new assignment entirely, but he was coldly dismissed and cast away to the hallowed halls of the university's dance studio. he didn't notice how frustrated he’d actually felt until he flinched behind the sound of the studio door slamming behind him, clashing uglily with the buzzing noise of music that flooded his eardrums. it was unnecessarily loud, but he knew you could hear him enter. his jaw clenched the more you ignored his presence. 

instead, you focused on the strains of music you’d become uncomfortably accustomed to. the melodic rhythm of the cantilena you choreographed to consumed your body in a symphony of music. each note was dictated thoughtfully with the graceful movements you now begrudgingly danced for the stranger, weaving a story that transcended words, one only understood through the language of dance. as you traversed the space, your movements harmonised seamlessly with the refined tune, a testament to the years of dedication and passion you poured into this art form. you grew frustrated at the way his presence clashed discordantly against the elegance of your dancing and disrupted the harmony of the room. you watched in the corner of your eye how he marched his way to the centre of the room, lingering only a few steps behind you as you danced. you caught him clear his throat one, two, then three times. it grated against your patience, forcing you to stop dancing abruptly and march past him with the same conviction as he did to shut off the music, a huff escaping your lips at the sudden quiet as you stared expectantly at the tall boy before you. you watched his fists clench and then flex before he turned to face you, his pearly blond hair falling ever so slightly out of place from the speed at which he’d turned on his heel. 

"can i help you?" the words slipped from your lips, delivered with a flatness that barely concealed the tinge of annoyance behind it. your hand found its place resting on your hip, a subtle gesture reinforcing your composed stance, determined to maintain an air of indifference. 

“coriolanus snow. i’ve been assigned to write a review on you and your dancing for the university newsletter,” his introduction sounded pompous, as though he assumed you already knew of his identity. of course, you knew the name very well- his reputation preceded him. you couldnt deny that you too had once or twice been privy to the occasional swooning over the quite popular boy, but you found that now as he stood in front of you, tall and beautiful as he was, you felt a growing discontent for the man and his obnoxiously bright hair. yet, you clung fiercely to the facade of ignorance, a guise of disinterest veiling the curiosity that lingered beneath the surface. you held your head high, refusing to grant him the satisfaction of acknowledging his perceived importance in your realm of artistry. 

you pretended to think before a moment, before turning back to the speaker and switching the sound back on, gesturing for him to sit. you rolled your eyes at his request to turn the volume down. despite you hating everything that had to do with this review, you were aware of the potential impact this coverage had on your burgeoning career. you acquiesced, lowering the volume to appease his demand, a concession made not out of respect for the boy but rather with your future in mind. you knew the power coriolanus held with his words, as much as you hated it, and you knew you couldn't risk jeopardising your future at the sake of a little attitude. 

so, with an inward sigh and a curt nod, you allowed him to observe. you positioned yourself within the room as you waited to pick up on the rhythm of the music where you left off, quickly finding your place among the complexities of the song in a manner that seemed impossible had it not been for your tireless work and memorization of every single note and harmony of the song. 

as snow observed your movements, he jotted down comments in a small leatherbound notebook, his pen scrawling his disdain. "lacks depth," he muttered under his breath, pausing to look up pensively at your figure.

the comment caught you so off guard it took every bit of strength in you to not fall with the abruptness at which you stopped. lacks depth? what the hell would he know? you felt rage burn inside your chest, only fueled by the way he stared at you as if he had said nothing wrong. 

“what about my dance lacks depth, snow?” the question hung in the air, and you watched his adams apple bob up and down through the mirror as he swallowed, glancing briefly at his notes before looking back up at you. 

"the dance is fine, quite beautiful, i might say, but your movements lack the emotional vibrancy expected from a performance of this calibre," he responded, "there's an absence of connection, it feels superficial and fails to convey the intended depth of expression."

he spoke with a measured confidence, and you scrunched your brows at his words. you didnt expect him to know the first thing about ballet, and you still stood by that sentiment, but part of you wondered if he was speaking truthfully- a consequence of the sensitivity you harbour in relation to your artistry. dance was everything, and while ballet trained you to accustom yourself to harsh criticism, you always held those criticisms to your heart, and it pushed you to always do better than you had before. 

despite this, your shoulders never slumped, nor did you show any physical acknowledgement to his critique, only moving to turn your gaze from his cobalt eyes in the mirror to look him in them truly, strutting your way back to the speaker and restarting the song, determined to prove him wrong. 

“you restart the song when you feel i’m ‘lacking depth’, so i can know whether or not to call bullshit.” 

the two of you went at it for a while. he only gave you a few seconds at first before he continuously restarted the song, but you danced for him nonetheless. over, and over again. when you thought you’d finally caught him, he’d restart the song a few seconds later, and it took everything in you to not scream in frustration at the top of your lungs. you wanted to strangle him, in truth, especially when you caught a glance at his smirk the 12th time he’d restarted the music. 

it was nearly midnight by the time he’d given you some respite, and you made no effort to be hospitable as you collected your things and stormed out the door without a word. you pretended to ignore the scribbles on his notebook as you rushed passed him, unable to make sense of the haphazard writing. you hated him. the way he seemed to try seize control of your creative space and your studio made you go mad. additionally, you were convinced he was only trying to get under your skin, and you hated that it worked- even if you refused to show it (or more appropriately, tried not to show it, because coriolanus reveled in the fact that he did, in fact, get under your skin). 

coriolanus, on the other hand, walked out of the studio feeling quite prideful. he adored the effect he had on you: how despite his ignorance on your mastered art, he absorbed the control in the room. he adored seeing you struggle to keep up to his standards, watching your face twist with effort as you danced over and over again, all for him. watching the muscles of your shoulders and legs flex, the arches of your back and neck, the way you exposed yourself to him repeatedly- it festered a strange desire in him to tear you apart. you were so meticulous with how you danced that it made you look fragile. with every twist and turn of your body coriolanus felt his breath catch in his throat as if he were afraid if you moved slightly too much, you would shatter. only, he wanted to be the one to break you: tear away that meticulousness and precision built into you and mould it in a way that was perfectly suited for him. he wanted to dismantle that untouchable image you carried, strip you away of your elegance and create a dependence that would tether you to him alone. it made him care about your performance more than he wanted to admit. not because he cared for you, per se, and your success, but because he’d developed a carnal urge to shape you into perfection solely for his own satisfaction. knowing that onstage, your dance was now catered just for him, to his own liking? the thought made coriolanus’s pants grow tight with lust. 

the week progressed following the same routine: he would sit and watch you overwork yourself at his beck and call until your eyes filled with tears of anger and your body would give out and he’d leave you panting on the dance room floor, killing yourself until you got it just right. the boy was acutely aware of the mental struggles that accompanied ballet- the pursuit of perfection, the strive for excellence, the intensity of the competition and the pressure to excel. he knew how hardly you critiqued yourself and used it to his advantage; knowing if he played his cards right, soon enough he’d have you wrapped around his finger, begging him for that validation you needed to keep going. 

your performance was on saturday, and the way you worked yourself over the dreadful symphony of music had you lacking sleep. you couldn’t stop- even after you and coriolanus parted ways. you found yourself practising in your dorm room, counting steps on your way to class- you knew deep down that coriolanus’s article really meant nothing, as the man knew nothing about what he asked of you, and your success wasn’t at all tied to his review; but you were unable to stop. a voice nagged at you that it did matter. that somehow his influence could ruin you and everything you’d worked for. you knew how badly he was getting to you when the two of you crossed paths on your way to class. 

he took in the sight of you: your hair done perfectly, not a single hair misplaced, your pink tights and leotard, the pink cover-up skirt you adorned neatly wrapped around your waist with a perfect bow. he took in your lips, swollen and red from the anxious biting you’d fallen into the habit of doing again, the way you messily tried to cover up your dark under eyes with concealer and draw attention away from it with haphazards amount of blush. in passing, you’d simply given him a nod, but he was quick to grab you, looping his finger under your chin and forcing you to stare into those piercing cobalt eyes of his as he studied you. 

“you should wear white instead. pink washes you out,” he mumbled to you before turning away, his tall figure disappearing into one of the lecture halls behind you. had it been a few days prior, you would’ve found it in you to bite back. only now, you bit at your manicured fingernails as you dragged your fingers across the silky white pointe shoes in your favourite dancewear boutique, followed by the white leotard and tights you brought home with you that night.

 

౨ׅৎ

“i need a break,” you sighed. it was the night before your performance, and only now did coryo have the decency to step back for a moment in his unrelenting pursuit of perfecting you. he nodded, shutting off the music as he watched you saunter towards your dance bag, downing half the contents of your water bottle with short pants. he stood to meet you, making his way behind you and resting his slender fingers on your tense shoulders. 

“whats bothering you, bunny?” the pet name sent a small shiver down your spine, and coriolanus threw his head back slightly at the feeling of you shudder, gathering all his strength to contain himself. you turned to face him, and he felt his dick harden at the vulnerability in your eyes. the fire that once burned behind them was fizzling, and he could tell. your mouth was parted as you searched for the right thing to say, but the words caught in your throat. 

“is it the dance?” he pressed, his face now dangerously close to yours, and you croaked out a small yes as his hand made its way up to your hair, his thumb stroking it gently, “you know it’s perfect, darling, you and i have been making it perfect all week long, no? show me which part is bothering you.” 

your head spun as he spoke to you- his fingers stroking your hair, the way his voice was now all of a sudden so soft; contrary to the stern way he’d spoken to you all week. but what really dizzied you was the sudden validation he’d given you. the casual way he threw it at you; as if it was what was known all along, as if you were crazy to think otherwise. 

you stumbled back towards the centre of the room, slowly positioning yourself as you waited for his go-ahead, form snapping into movement as soon as the music filled your ears. you watched in the mirror as coriolanus paced behind you, his chin in his hand as he watched you and pondered. your eyes closed with focus, moving with such ease that it felt second nature to you. then, the music seized, and you froze in place as you raised your head to look up at the man now in front of you. 

“you’re too tense,” he murmured, moving to press his hands into the soft skin of your shoulders, massaging the strained muscle gently. it did nothing at getting you to relax. inside, you were fuming as you replayed the past week in your head. you’d worked yourself dry all for the approval of a man whose opinion you couldn’t care less about. you let your guard down for a sliver of a moment and he used it to get inside your head. you hated him with every fibre in your being, and his breathing down your neck only fueled the fire burning inside of you. 

“get off of me.”

“just relax.” the way he whispered it was short of anything kind, spat at you with annoyance as he tightened his grip on you.

“i said get off!” it was the loudest you’d spoken all day. it was barely a shout, but it was enough for the man to recoil from behind you. you breathed shakily, hands trembling at your side. when you turned to face him, you nearly flinched at the sight of him. his usually perfectly combed back hair was now a mess, curls fallen out of place as he ran his hand through the golden strands harshly. you both stared at each other for what seemed to be an eternity, panting heavily, waiting for the other to say or do anything to loosen the tension that filled the studio air. 

he looked down at the floor for a second, tonguing his cheek with a smile before surging forward, crashing his chapped lips into your plump, soft ones with a groan. you tried to push him away, but his grip on your face was too strong- and you couldn’t ignore the way your legs turned to jelly from the way he kissed you with an undying hunger. one hand made its way down your waist as he moved you backwards into the large studio mirror, your head thumping painfully against the glass, pain mixing with pleasure as coryo attacked your lips and dragged his hands all over your body, savouring the warmth of your skin through the fabric of your garments. 

“so good for me,” he groaned against your neck, the hot breath of his words sending shivers straight down to your core, “so perfect.. so pliable.. all for me. isnt that right, princess?” 

it was truly embarrassing, the way his words made you moan softly and rub your thighs together with want. embarrassing how compliant you’d become for him, how eager you were to please him. he took notice of the pathetic state you were in, watching with glossy and swollen lips how your legs trembled and your hips stuttered in a desperate attempt to gain friction against your growing heat. 

“look at that, so fucking precious,” he continued to watch you struggle, laughing softly to himself before snaking his hand between your thighs, cupping your cunt and slowly encouraging you to rock your hips back and forth. you whined at the contact, relief and pleasure swarming you as you ground yourself into the palm of his hand, gripping tightly onto the curls at the back of his head for leverage. lost in bliss, you barely noticed when the man made his way down to his knees, lip bitten so hard you swore you could smell the metallic scent of blood peer through your senses as he toyed his fingers across your clothed cunt. you moved to remove your small skirt, untying the meticulous bow around your waist and tossing it to the side. when your hand reached to remove your leotard, coriolanus removed his hand with a small chuckle. 

“what do you think you’re doing?” he tutted, and you whined at the sight of him below you, willing and able to keep pleasuring you but withholding that power. you scrunched your brows together with confusion, and coriolanus thought you’d never looked so beautiful: face flushed with heat, writhing above him while your hips urged for his fingers to touch you again. too lost in the pleasure that lingered, head thrashing from side to side with pleads to keep going- he wanted to ruin you. 

“good girls wait and do what they’re told. are you gonna be a good girl for me?” he chuckled at the way you shook your head aggressively, savouring your small moans as he returned his hand to where you wanted it most. a loud gasp escaped your lips when he ripped your tights viciously, the soft torn fabric now giving him better access to the skin of your thighs. he splayed his hands over them, massaging your muscles and soft tissue before pulling your leotard to the side and diving his tongue into the wetness of your folds. 

he pulled back with a moan, gasping as he peered down at the mixture of his spit and your slick connecting your cunt to his chin, and he looked up at you like you were a god, sticky and wet from the most trivial of touches. 

“you’re so wet for me, princess- such a good girl. you’re so good for me,” you couldn't get a word out before he took a long swipe with the flat of his tongue, lapping messily and so, so loudly- chasing the taste of you. he loved teasing you with his mouth. he thought about it that day, unashamed as he jerked his cock into nothingness when he caught sight of you on campus earlier that day, dressed all in white- just for him. the small gesture was enough confirmation to him that he’d won at the game you two were playing, that you let him break you into submission and you were now his to claim. the thought of taking ownership of you by reducing you to nothingness with his tongue alone had him cumming onto his stomach with a loud, broken cry. now, he had you right where he wanted- and he wasn’t going to let that pass just yet. 

he relished every sound and movement you made when he flicked his tongue up and down your lips, relished the tears that fell when he slowly circled it around your swollen clit, rejoiced in the way you gripped his curls tighter when he tongued your hole, gazing up at your already fucked out faced with pure lust and admiration when you came undone and released yourself into his mouth. he continued to lap and suck every moan and whine out of you until you cried with overstimulation. he stood up, licking his lips and stared down at you like a predator who’d hunted its prey. 

“you did so good for me, bunny,” he mewled, kissing your neck softly as you came down from your high. you had started to gain back your senses, and a wave of humiliation washed over you. the man you claimed to hate had just given you the best orgasm of your life, and suddenly you could no longer find it in you to hate him again. every fibre in your body ached when he praised you, called you good and cooed in your ear as you regained your strength. you continued to cry, no longer out of pleasure but in self-disappointment. you felt the urge to scream and lash out at him for robbing you of your senses, for reducing you to a state where the tiniest shred of approval clouded every bit your perspectives until you couldn’t figure out left from right. he continued to coo in your ear as you sobbed, but your eyes widened with fear when you heard the small sound of a zipper and looked down to see his cock in his hands, pumping slowly as he made his way into you. 

he shushed every one of your protests, his lips pressed tight against your collarbone as you tried to push away from him when his tip made contact with your hole, “be good, bunny, be good for me,” he chanted into your skin and your body broke down into more sobs as you willingly let him push into you. alarms were blaring in your head for you to stop giving into him, but your body was unrelenting and begging with want- and so all you did was cry as he thrust slowly into you, small moans of praise nonsensically falling from his lips as your cunt struggled to take all of him in. 

the way he mumbled his sweet words into your neck and the slow stretch of his cock prying you open had your brain short-circuiting, the sweet tone of his voice once again making you lose all sense of what was unfolding before you. you winced as he tried to thrust his length deeper into you. 

coriolanus didn’t like that. he took the sounds of complaint as direct disobedience. he wanted to hear nothing but your begging- he wanted you to thank him for letting you have his cock, and hear nothing but your loud moans and pathetic mewls as he fucked you. he grabbed at your bun, yanking your head back with such force that the once perfectly smoothed back hair came undone painfully, strands falling to your face and wisping at your shoulders. 

“does it hurt?” he asked, and for a moment you thought he was trying to take you with care, but when you nodded and his grip tightened on your hair, you knew you were oh so wrong, “i thought i told you to be a good, fucking. girl.” 

he thrusted into you harshly with each word and you cried out in pain, his cock stretching you out far beyond what you could handle, overstimulation making your knees buckle and tears fall from your eyes again. 

“thats it, baby. take it, be a good girl and take my cock.” 

your fingers dug into his back and coriolanus let out a loud, lewd moan, unable to peel his eyes away from the sight of his cock thrusting without preamble into the slick mess of your cunt. he threw his head back as you moaned through your cries, and thrusted even harder when you wrapped a leg around him to let him fuck you even deeper. 

he moved to rip off the top of your leotard, licking his lips hungrily as he watched your tits fall and bounce in tandem with his thrusts. he dove his head down, latching his lips onto your hardened nipple and sucking harshly, nipping and biting the soft flesh while his hand pinched and flicked at the other one. 

you were incoherent. your stop’s had turned into more’s and your sobs turned into that of pure desire. you threw your head to the side and gasped at the spectacle the two of you were making of yourselves in the middle of the dance studio. the mirror you were pressed up against had begun to fog up along the silhouette of your body pressed up against it, the cool glass dripping condensation onto your back and through your ruined clothes as coryo fucked you into oblivion. he looked right at you now, his fingers making their way to lace into yours as he pressed you even closer to him, your arms now bound against the coolness of the mirror. 

“fuck, princess, you’re so fucking tight. so tight for me, yeah? gonna make this pussy mine,” your head spun with his words and the constant pumping of his cock, unable to contain the obscene sounds you let out. you were so close, and the way you tightened around him as you chased your release almost had him cumming prematurely. 

“you gonna let me make you mine, huh bunny?”

“fuck, yes!” 

“s’at right? gonna let me claim you? such a good girl.” 

you moved your hips against his with no rhythm, simply in pursuit of the orgasm that coiled in the pit of your stomach. you kept your eyes on his, your mouth open with pants as you urged him to keep going. he hiked one hand behind the knee you had wrapped around him, the other one pulling you up so you were off the ground, letting him fuck you in a way that hit all the right spots in all the right places, and you just about lost it right there. 

he smiled, “you like that?”

“uh-huh..”

“you want me to keep going?”

“please- please dont stop, coryo, please!” 

his cries got louder, moans twisting up into a slightly higher octave, his face scrunched with pleasure as your cunt clenched around him with each of his words. 

“gonna fill you up with my cum, baby. is that what you want? for me to breed you?” he babbled, voice trembling, “gonna fuck you full of cum ‘n make you mine. no one else can have you.” his voice got weaker as his hips pivoted upwards to thrust even deeper. he was in complete in control of you; his elbows hooked beneath your knees and opening a new gateway to your soul.

“naughty fucking girl, huh? ‘s alright, good girls get to be naughty sometimes..”

“i’m gonna cum,” you whined pathetically, rambling over and over as it was the only thing you could think of. you were so close, and each word he groaned at you brought you infinitely closer. 

“you wanna cum?”

“i want- i want it so bad.”

“s’at right?”

“please, coryo- god, please! ‘m gonna be good for you. so good for you, daddy—”

your words collapsed into meaningless cries and shattered sentences— fuckyesyesyes— and cumonmycockbaby— as you worked each other towards release. you pulled him deeper to your center, tightening around him as the coil in your stomach finally burst and you saw white. you both came with a loud moan, yours no doubt shattering through the walls of the confined space, and coriolanus released his load into you with a long, droned out fuuuuuck as he slowly pumped his cum into you, mesmerised by the way it mixed and swirled with the mess of your own release. you whined at the overstimulation, body still jerking from the aftershocks of your orgasm, but coriolanus only felt himself grow harder. 

“coryo, i cant..”

he snapped up at you, gaze softening as he took in your tear stained and fucked out face. he took your face in one hand, squeezing your jaw tightly and admiring the slight cross-eyed look you had on and the dribble of spit falling from your perfect lips. he cocked his head to the side, smiling coyly. 

“oh, bunny, you don’t have a choice..” 

౨ׅৎ

@dumbsoftheart, 2023

[burquillos]

I’d love to hear your thoughts on the final MHA chapter because the internet seems to be very divided

I waited till MHA officially ended! Long post ahead!! People being divided on the ending makes sense. Different people come to watch shows and read comics for very different reasons and with very different expectations for an ending in mind. Especially for a series like MHA which is a battle manga that seeks to subvert shonen genre tropes.

I think part of the reason why people are so divided on it right now is because of leak culture and reaction culture. People have to remember that comic books and manga are a storytelling medium. The author actually thinks about the arrangement of the panels, what’s in the panels, and how the combination of these things can form a narrative. Reading it from twitter thread/discords from people in a rush to translate to get the information to you as fast as possible is NOT the intended way to experience the story.

The “leak format” kind of encourages people to put too much focus on certain panels and roughly translated text that would otherwise feel very different when you are reading the story through the intended medium, and when you pair that with the highly reactive way people ‘consume content’ nowadays, the result is a snowball of very volatile emotions being thrown around without a moment for people to breathe, think, and wonder for themselves “Why did the author write it like this? Was there something I missed? How does this re-contextualize story? Have I actually missed the point this whole time?” etc.

That being said, I sort of have a philosophical way of approaching MHA?? When I got back to it again, I was hyper-critical of it especially because I just came back from reading One Piece (and the writing styles and messages are VERY different). I slowly learned to judge the writing for what it is rather than keep comparing it to other series and I learned it was more enjoyable to experience the story like that.

The ending is a very hard pill to swallow for a lot of people which is understandable, but it didn’t come out of nowhere. I mean, just look at the ending lines of "Do Not Be Defeated by Rain", the poem that inspired Deku’s character:

I am also a stubbornly optimistic person, and my number one rule is never to engage with anything in bad faith. I CHOOSE to see hope through the margins and the final chapter being so open to potential encourages that thinking of mine.

So even though I think there are some things that could be handled better (the villains) and storylines I WISH were explored (OFA vestiges my beloved) there’s no reason why it couldn’t be fixed.

There is this openness to it that leaves so much room for hope and imagination that I can’t truly be mad at it.

I might find MHA lacking as an entertainment piece, but I will defend it to the end as an artistic piece.

Horikoshi has said before that he doesn’t care if his manga is popular or not, MHA is basically a culmination of the stuff he enjoys, and I KNOW drawing whatever the hell you want despite knowing not everyone will like it takes a lot of guts and it’s what makes MHA so human.

All the traces of him are in there, flaws and everything, so you can endlessly turn it around, flip back and forth and there will be always something new to unpack, learn, and realize and the thought of what could've been will always haunt people (just like Star Wars, a series he also likes kajdbaldnlk)

[collapsedsquid]

What then is the explanation? Why do workers typically push for more consumption rather than for shorter hours? Here I think Cohen’s argument is untypically unclear. He tells us that workers do indeed want more goods (other things being equal) but it is also plain that they dislike the toil then need to engage in to get those goods and evidences that claim by making the point that if workers were granted money such that they didn’t need to work at their jobs, very few of them would choose to do so gratis, and there would be a dramatic decline in the amount of work done. His suggestion seems to be that since there is a permanent propaganda campaign in support of people getting more stuff and no corresponding campaign in favour of free time of the kind one can enjoy without extra spending, extra consumption always has a salience for people that additional leisure lacks. I think Cohen’s uncharacteristically feeble discussion of this point can be explained in part by a blindspot in his thinking. First of all, he neglects the way in which states support and encourage consumer spending and simultaneously encourage a culture of work and effort through moralizing campaigns, stigmatization of “shirkers” and the like. Take the first of these elements: states help establish and support structures of lending to help people to do things like buy their own homes and then furnish their homes. They do this in a variety of ways, by providing support to banks and other financial institutions but also by giving borrowers all kinds of tax breaks. In order to buy the things they want, consumers have little choice but to borrow, but once they have borrowed they have to repay and repaying requires income, which requires work. Now perhaps workers could simply refuse the blandishments of capital and refuse to borrow in order to consume and then the option to work less would be more available to them. But I think this neglects the competitive and social aspects of consumption that Cohen rather dismissively refers to as “keeping up with the Joneses”. One need not be of a particularly competitive or comparative disposition to be caught up in social standards of self-presentation that are inherently comparative in nature, as Adam Smith knew in that famous passage about labourers being ashamed to appear in public without a linen shirt or, in some countries, leather shoes.

Still feels like everyone's discourse on consumerism & capitalism is stuck in the 1960s, he criticizes Cohen's view and maybe I'm out of touch but this doesn't feel much better. Maybe because the only people who write on consumerism are petite-bourgeoisie who unlike most people do live like this.

Speaking as a member of the salaried class, while I do appreciate the gee-gaws I am able to purchase with my full-time job, speaking as I believe a somewhat representative member of the professional-managerial class I am more concerned with rent, health insurance, and the ability to hopefully retire at some point, and these guide my financial decisions. I purchase some fun stuff I didn't choose my career to be able to afford a fancier grill. I crave the respectability of not living in a van.

Now there Is perhaps a discussion of how I could move to somewhere cheaper like Montana or Spain and why I don't do that but if you're going to discuss this issue I think you gotta address issues like that directly

[whumpinggrounds]

Overused Disability Tropes

Woohoo here we go. I expect this one to be a bit more controversial because I am using specific media as examples. I would really prefer if, when critiquing this post, you avoid defending specific media, and focus instead on what’s actually being said/represented about disabled communities. If you feel I’ve done a really grave injustice, you can come into my askbox/DMs/replies to talk to me about it, but I might not answer.

One more time: I am not interested in getting into a debate about whether something is a good show/movie/book/whatever. I’m not telling you it’s bad, or that you shouldn’t enjoy it! People can like whatever they want; I am only here to critique messaging. Do not yell at me about this.

Newest caveat aside, let’s get into it!

Inspiration Porn

Without a doubt, our biggest category! Term coined in 2012 by badass activist Stella Young, but the trope has been around for literal centuries. There are a few different kinds that I will talk about.

Disabled character/person is automatically noble/good because of their disability. A very early example would be A Christmas Carol’s Tiny Tim, or, arguably, Quasimodo from The Hunchback of Notre Dame. Real life examples include the Jerry Lewis MDA telethon, or children’s hospital ads that exploit sad-eyed kids with visible illness or disability.

Having a disability does not automatically make you a kind/angelic/noble person. This many not seem harmful, and may even seem positive, but in reality, it is condescending, inaccurate, and sets bizarre standards for how disabled people should behave.

This portrayal is often intended to elicit pity from abled audiences, which is also problematic.

In these portrayals, disability is not something to be proud of or identify with, only something to be suffered through.

Disabled character person does something relatively mundane and we all need to celebrate that. This is less common in writing, but happens in the real world when people do things like post pictures of disabled people at the gym captioned “What’s your excuse?”

This is condescending, and implies that anything disabled people are capable of, abled people are automatically capable of.

Makes it seem like it’s an incredible feat for a disabled person to accomplish tasks.

Uses people’s actual lives and actual disabilities as a reminder of “how good abled life is.”

The “Supercrip” stereotype is a specific kind of inspiration porn in which disabled people are shown to be capable of amazing things, “in spite of” their disability.

The Paralympics have been criticized for this, with people saying that advertisements and understandings of the Paralympics frame the athletes as inspiring not because they are talented or accomplished, but because their talents and accomplishments are seen as “so unlikely.”

Other examples include the way we discuss famous figures like Stephen Hawking, Alan Turing, or even Beethoven. Movies like The Theory of Everything and The Imitation Game frame the subjects’ diagnoses, whether actual or posited, as limitations that they had to miraculously break through in order to accomplish what they did. Discussions of Beethoven’s deafness focus on how incredible it was that he was able to overcome it and be a musician despite what is framed as a tragic acquisition of deafness.

The pity/heroism trap is a concise way of defining inspiration porn. If the media you’re creating or consuming inspires these emotions, and only these emotions, around disability, that is a representation that is centered on the feelings and perceptions of abled people. It’s reductive, it’s ableist, and it’s massively overdone.

Disabled Villains

To be clear, disabled people can and should be villains in fiction. The problem comes when disabled people are either objects of pity/saintly heroes, or villains, and there is no complexity to those representations. When there is so little disabled rep out there (less than 3.5% of characters in current media), having a disabled villain contributes to the othering of disability, as well as the idea that disability can make someone evil. There are also a few circumstances in which particular disabilities are used to represent evil, and I’ll talk about how that’s problematic. 

Mentally ill villains are colossally overdone, particularly given that mentally ill people are more likely to be the victims of violence than perpetrators of it.  This is true of all mental illness, including “””scary””” things like personality disorders or disorders on the schizoaffective spectrum. Mental illness is stigmatized enough without media framing mentally ill people as inherently bad or more suspectible to evil. This prejudice is known as sanism.

Explicit fictional examples of this include the Joker, or Kevin Wendell Crumb in Split.

People can also be coded as mentally ill without it being explicitly stated, and that’s also problematic and sanist. In the Marvel movie Doctor Strange and the Multiverse of Madness, Wanda’s appearance and behavior are coded as mentally ill. This is used to make her “creepy.” Horror movies do this a lot - mental illness does not render someone creepy, and should not be used as a tool in this way.

Visible disability or difference to indicate evil is another common, incredibly offensive, and way overdone trope. This is mostly commonly done through facial difference, and the examples are endless. These portrayals equate disability or disfigurement with ugliness, and that ugliness with evil. It renders the disabled villain in question an outcast, undesirable, and uses their disability or difference to dehumanize these characters and separate them from others. This is incredibly prevalent and incredibly painful for people with visible disability or facial difference.

An example of visible disability indicating evil is Darth Vader’s prosthetics and vastly changed physical appearance that happen exactly in time with his switch to the dark side. In contrast, when Luke needs a prosthetic, it is lifelike and does not visually separate him from the rest of humanity/the light.

Dr. Who’s John Lumic is another example of the “Evil Cripple” trope.

Examples of facial difference indicating evil range from just about every James Bond movie, to Scar in the Lion King, Dr. Isabel Maru in Wonder Woman, Taskmaster in Black Widow, Captain Hook in Peter Pan, and even Doofenschmirtz-2 in Phineas and Ferb the Movie. Just because some of the portrayals are silly (looking at you, Phineas and Ferb) doesn’t make the coding of facially scarred villains any less hurtful.  

A slightly different, but related phenomenon I’ll include here is the idea of the disability con. This is when a character fakes a disability for personal gain. This represents disabled people as potential fakers, and advances the idea that disabled people get special privileges that abled people can and should co-opt for their own reasons. 

In The Usual Suspects, criminal mastermind Verbal Clint fakes disability to avoid suspicion and take advantage of others. In Arrested Development, a lawyer fakes blindness in order to gain the sympathy and pity of the jury.

In much more complex examples such as Sharp Objects, a mother with Munchausen by proxy fakes her daughter’s illness in order to receive attention and pity. Portrayals like this make Munchausen or MBP seem more common than it is, and introduce the idea that parents may be lying or coaching their children to lie about necessary medical treatment.

Disability as Morality

Sometimes, the disabled character themselves is a moral lesson, like Auggie in Wonder. Sheerly through existing, Auggie “teaches” his classmates about kindness, the evils of bullying, and not judging a book by its cover. This also fits well under inspiration porn. This is problematic, because the disabled character is defined in terms of how they advance the other characters’ morality and depth.

In the “Disabled for a Day” trope, an otherwise abled character experiences a temporary disability, learns a moral lesson, and is restored to full ability by the end of the episode/book/movie. Once again, disability is used as a plot device, rather than a complex experience, along with more permanent disability being rejected as impossible for heroes or main characters.

Examples include an episode of M*A*S*H where Hawkeye is temporarily blinded, an episode of Law and Order: SVU where Elliott Stabler is temporarily blinded, and an episode of Criminal Minds where Agent Hotchner experiences temporary hearing loss.

Real life examples include sensitivity trainings where participants are asked to wear a blindfold, headphones, or use a wheelchair for a given amount of time. This does not impart the lived experience of disability. It should not be used as a teaching tool. 

Disabled people as inherently pure. This is related to inspiration porn and disabled people as noble, but is different in that it is usually appears in combination with developmental, cognitive, or intellectual disabilities. These characters are framed as sweet, “simple,” and a reminder to other characters to be cheerful, happy, or grateful.

Examples include Forrest Gump, Rain Man, I Am Sam, and What’s Eating Gilbert Grape.

No matter what the stereotypes of a given diagnosis are (yes, I’m thinking of the automatic cheerfulness associated with Down Syndrome), disabled people have personalities. They are capable of being sad, angry, sarcastic, irritable, annoying - any number of things beyond good/sweet/pure. It is reductive to act otherwise.

Disability as Surreal

Less common than some of the others, but still worth thinking about!

Disabled characters are framed as mystical, magical, or other than human, a condition that is either created by or indicated through their disability status. This is especially common with little people.

“Disability superpower” is when a character compensates for, or is uniquely able to have a superpower because of, their disability. Common tropes include the Blind Seer, Blind Weapon Master, Genius Cripple and Super Wheel Chair.

Examples include Pam from Supernatural, Charles Xavier from X-Men, or the grandpa in Spy Kids.

Disability as Undesirable

Last and least favorite category here. Let’s go.

Disabled people as asexual or not sexually desirable. Disabled people can be asexual, obviously. When every portrayal is asexual, that’s a big problem. It frames disabled people as sexually undesirable or implies that it is impossible for people with disabilities to have rewarding, mutually satisfying sexual relationships.

Examples include The Fault in Our Stars or Artie in Glee.

Abandoned due to disability. Hate this trope. Often equates disability with weakness. Don’t want to talk about it. It’s all right there in the title. Don’t do it.

Examples: Quasimodo in Hunchback of Notre Dame, several kittens in the Warrior Cat series, several episodes of Law and Order: SVU, Bojack Horseman, and Vikings.

Discussed in 300 and Wolf of Wall Street.

Ancient cultures and animal nature are often cited as reasoning for this trope/practice. This is not founded in fact. Many ancient civilizations, including Sparta, cared for disabled people. Many animals care for disabled young. These examples should not be used to justify modern human society.

Disabled characters are ostracized for disability. Whether they act “““normal”““ or odd, characters with visible or merely detectable disabilities are treated differently.

Examples include pretty much every piece of media I’ve said so far. This is particularly prevalent for people with visible physical disabilities or neurodivergence. Also particularly prevalent for characters with albinism.

This is not necessarily an inaccurate portrayal - disabled people face a lot of discrimination and ableism. It is, however, very, very common.

Bury your disabled. What it says on the label.

Examples: Animorphs, Harry Potter and the Deathly Hallows, American Horror Story, Criminal Minds, Dr. Who, Star Trek, The Wire.

Mercy killing is a subtrope of the above but disgusting enough that it deserves its own aside. I may make a separate post about this at some point because this post is kind of exhausting and depressing me.

Examples: Me Before You, Killing Eve, Star Trek: The Next Generation, Of Mice and Men, and Million Dollar Baby.

Disability-negating superpowers imply that disability is undesirable by solving it supernaturally instead of actually portraying it, and giving their character powers instead.

Examples include (arguably) Toph from Avatar: the Last Airbender, Captain America: The First Avenger, The Legend of Korra, Dr. Strange, and Daredevil.

Overcoming disability portrays disability as a hindrance and something that can be defeated through technology and/or willpower.

Fictional examples include WALL-E, Kill Bill, The Goonies, The Dark Knight Trilogy, Heidi, The Secret Garden, The Inheritance Cycle, Agents of S.H.I.E.L.D, The Big Bang Theory, Dr. Strangelove, Sherlock, The Witcher.

Real life examples include videos of wheelchair users standing from their chair to walk down the aisle at a wedding, or d/Deaf children “hearing” for the first time through cochlear implants.

What Does This Mean for Your Writing?

First of all, congratulations for making it this far!

Now, as I have said again and again, I’m not going to tell you what to write. I’ll ask some questions to hopefully help guide your process.

What tropes might you be playing into when writing disabled characters? Why do you find these tropes compelling, or worth writing about? How prevalent are these tropes? How harmful are they? What messages do they send to actual disabled people?

Just because they are common tropes does not mean they are universally awful. Cool fantasy or futuristic workarounds are not necessarily bad rep. Showing the ugly realities of ableism is not necessarily bad rep. It’s just a very, very common representation of disability, and it’s worth thinking about why it’s so common, and why you’re writing it.

As always, conduct your own research, know your own characters and story, and make your own decisions. If you have questions, concerns, or comments, please hit me up! Add your own information! This is not monolithic whatsoever.

Happy writing!