#that’s why we have critical thinking

[fuchsiasea]

it’s really scary how people went from being open minded to really conservative in the name of being woke

[wizardsix]

I can't be the only one who thinks it's so lame that spite ultimately had 0 effect on lucanis whereas the writers made anders suffer for just wanting to live.

[avalencias]

red moon rising….

[lizzybeeee]

Inquisitor: "Is there any way Solas can be reasoned with?"

Me after Solas has killed Varric, used blood magic on me, trapped me in the fade, created the blight, made the titans tranquil/fucked with the dwarves, started the chain of events that led to Southern Thedas being destroyed, and stealing all my good gear from Inquisition:

[jzargo]

i just want to see these two old men fight (fane would win)

[michaeljoncarter]

sorry, i'm still hung up on how bad the writing for sarevok was in bg3. it's not even just "he's so out of character!!" bad. that is just straight up not him. literally who is this man, what the hell is he talking about, and what has he done with the actual sarevok because nothing he says makes ANY sense like....

just as one example of how wild the contradictions/retcons are, this is how bg3 has him recount his resurrection in bg2 -

and this is (parts of) how it actually happened -

like??? it's so bad and weird and dumb and for WHAT???

[teapetal44]

The state of the league of villains during act 3 is so sad man. Compress literally gave his ass for the league, got arrested and nobody gaf. Twice’s demise amounted to nothing, nobody cared. The whole discrimination arc Spinner was involved in was a mess. Suddenly Hori decided he cared about realism in his story so Toga dropped like a fly from a simple blood transfusion. Dabi is forced to sit and listen to Endeavor whine and yap about how sad he is about being an abusive pos, all the while nobody actually cares and he never got any real repercussions besides his family being (justifyingly) mean to him. Shigaraki was sidelined for a boring villain and was stripped off all his autonomy and agency.

[theclownghoul]

I still really love Act l of Arcane Season 2 and I was so hopeful with how everything was set up and I still think everything is the first Act was good, approaching Season 1 level.

However now that we have the whole season I’ve seen a lot more people start to interrogate the writing, specifically of Cait and Vi.

I was first to defend the way things were done in act l but now that we have the rest of the story it puts many of the choices in a different light and it’s definitely worth criticism.

It remains me a lot of how I feel about Wasteland, the scene of Ekko talking Jinx down. The scene itself is great, stunning and really shows the care both of them have for each other despite all they’ve been through. Ekko not giving up on her because he sees her value where she sees a curse. It’s interesting to see that at her lowest she doesn’t bother to hide that she cares deeply about him. It’s good (though objectively should have been longer) and in isolation I appreciate it.

Retroactively it leaves a sour taste in my mouth. After the ending and Jinx “sacrifice” (that’s set to the same song) I feel like the writers really didn’t care about Jinx coming back from rock bottom with her supports (not seeing anything in between doesn’t help this). She dies and it’s framed the same way as all of her previous attempts and now it’s framed as good. It poisons the scene with Ekko the same as Vi’s later writing poisons her decisions in Act l. Because we now know they don’t care and were not going to be responsible with what they were depicting.

That scene also seems to be unnaturally beautiful, combined with the glorification of Jinx’s sacrifice it’s sickening. They wanted a spectacle and that was what they chose to debut the Z -Drive….

Even the good parts have to be called into question after the later decisions.

[thatswhatsushesaid]

there are of course certain posts circulating here that do indeed display the grim state of critical reading and thinking skills on this website. (i'm thinking specifically about the "taylor swift isn't bisexual" "don't worry, op isn't actually saying that taylor swift isn't actually bisexual" post that has been making the rounds for years. op of that reblog chain is probably still fighting for their life, thoughts and prayers, etc.)

then there are posts where there are, in fact, very reasonable and plausible explanations for why a large number of people on the 'neurodivergent with diagnosed and undiagnosed disabilities' website might struggle to understand what they're looking at right away. logic puzzles, jokes that rely on solving math problems in your head to unearth the joke, unreality bits, etc.

and i think it is actually very important to be able to distinguish between these two different types of non-comprehension before deciding to have a go at people for not understanding what they're looking at.

[unbidden-yidden-deactivated20240]

Okay I'm a little afraid to post this because of how ridiculous the discourse is right now, but I figured I'd ask anyway.

I am NOT looking to discuss politics or current events on this post.

Can anyone recommend to me reputable, fact-based resources (ideally books, articles, or websites) that can help me learn more about Palestinian history and culture? Pretty much everything I have ever learned about the Palestinian people has been in the context of the conflict with Jews and with Israel, and I would really love to know what is unique to their culture and who they are separate and apart from the conflict. When I've gone looking for this myself I've found: (1) lots of materials that define them as one half of a conflict and only discussing them in those terms, (2) lots of materials that function as Zionist propaganda that erases their history, connection to the land, and unique culture, and (3) lots of materials that function as Anti-Zionist propaganda that demonize Israelis and/or totally erase Jewish history and delegitimize Jewish connections to the land.

I just want to know more about, idk, if they have a specific dialect of Arabic, or the history of their beautiful textile art, their naming culture, music trends, or their olive orchard cultivation. Idk, anything that doesn't involve explosives and bloodshed.

I refuse to accept a political narrative that erases the humanity of Palestinians or their neighbors, but I don't know enough about Palestinians as people and want to fix that.

[creativity-deficient]

Why are people always so shocked when South Park handles a topic well?? I’ll see so many articles that are like “wow even SOUTH PARK is calling you guys out” tf you mean? They’ve BEEN doing this??

[mxtxfanatic]

I don't remember where I have read this before, maybe it's in the tags of a post or something but someone once said something about Wei Wuxian fans being blinded by their "protagonist-colored glasses" and the context was them basically complaining that Wei Wuxian is overrated within the fandom and that X/Y/Z deserved better. That moment was just so wild to me honestly 😭 What even are "protagonist-colored glasses"? Were they saying that Wei Wuxian fans are deluding themselves into liking him? Weird.

Idk, people wanting to legitimize their hatred of a character through the text while using anything but the text as evidence to support their weird hatred will never not be corny and weirdo behavior. You hate that people love Wei Wuxian, the protagonist of the book about Wei Wuxian? The protagonist that is charming and funny and smart and strong and loves children and always sticks up for everyone wholeheartedly and is gay? You hate that people love that Wei Wuxian? Then go read a novel where the protagonist is a shithead, idk, I just know that you won’t find it from mxtx.

[apocalypse-boogie]

People acting like hating on Bonnie or downplaying her importance is the most radical thing to do like…🙄

Literally everybody does that, you’re not the free thinker above all the rest that you think you are.

And (tbf) neither am I, but constantly running into these type of comments is so irritating. Move on. Who the fuck spends that much time letting everyone know how much they hate a character, has zero understanding of why people would attach to them, and then celebrates those facts on top of everything else like that’s some shit to brag about?

[jajanvm-imbi]

Hey remember when I said that this was the most frustrating thing about being a Helluva Boss enjoyer?

Yeah I was wrong.

The most frustrating thing about being a Helluva Boss enjoyer is explicitly stating multiple times that I like show and then get called an anti and homophobic and media illiterate when I complain about the direction it has taken.

I LIKE the comedy

I LIKE the animation and artstyle

I LIKE the more serious plotlines like the government agents plot and the Cherubs plot

I LIKE the themes of friendship and found family

I even like most of the songs!

And ofc the voice cast slays every time

But just because your show has angst and tears and drama and sad music doesn't automatically make it "good".

Just because your characters are queer doesn't automatically make them good or well written characters

This fandom is so frustrating to deal with when you want to express your more nuanced takes of it

This is probably gonna be the last post I make about this subject and about Helluva Boss in general, this shit is too stupid to deal with

[orchid-n-petals]

So I've already shared parts of this on a discord server, but I have to scream about Ketheric Thorm on here as well. Obviously spoilers about the character under the cut! It's a long one.

The entirety of act 2 is about him, right? Jaheira, Shadowheart and numerous other NPCs shit on him for his fickle faith. First Selune, then Shar, then, as we meet him, Myrkul. You hear about his changes of faith on a whim, you hear that he's the person responsible for the shadow curse, he is painted as a villain, plain and simple.

You can figure it out pretty early on that Isobel was resurrected and that she is his daughter; the detail as well that he wants Isobel alive is so on the nose, it gives him away completely but there are still a few questions that remain unanswered, mainly about his faith.

And then you get to the mausoleum and the picture assembles; this entire tragedy, the death of hundreds if not thousands and the complete ruination of a landscape was all, ALL because you had this absolutely wrenched, heartbroken father who had lost everything and nobody answered his grief. He was left woefully alone, the Goddess whose daughter his daughter was involved with did nothing to save Isobel.

Imagine outliving your wife and your daughter. Imagine dedicating your life to fight the Lady of Loss, your Lady of Silver's enemy, and then be left so completely alone and in silence with your grief, with your loss. It's so, so poetic how and why he turned from Selune, and it's so understandable as well; he broke. His spirit completely broke. He couldn't deal with that void of having lost the only two important people in his life, seemingly undeservedly so. He was going mad with this and a lot of his ire was likely targeted at Aylin who, in his eye, represented Selune; she's literally her daughter, after all, and it was implied that even before the deaths of his family, he sort of saw Aylin courting Isobel as Selune taking his daughter from him, despite his service. This relationship was clearly not seen by him as a boon of "giving his daughter to the Moon-maiden".

His ways in the past clearly didn't spare him from tragedy and having to cope with it (which he clearly didn't, he snapped under the weight of his grief). He was clearly angry and unable to do anything, furious and helpless, which is a dangerous combination. A good part of his first change of heart must have been fuelled by a sense of revenge.

But then Shar didn't provide any balm to his aching heart either. If you read his letters in Grymforge and in act 2, he is so focused on enacting the will of Shar because he believes that healing lies in oblivion. Everything would be easier if he could just forget, if the damn world could just forget, if nothing was remembered because without Melodia and Isobel, nothing was worth remembering.

Then came Myrkul. Literally the only god who was not only able, but WILLING to give back his daughter to him. Imagine spending your all, EVERYTHING you have to serve two gods who would not give a single shit about the greatest suffering in your life. You were basically nothing, your loyalty didn't matter for shit, everything that was taken from you amounted to no recognition whatsoever: you should simply cope and seethe. Your grief will not simply go unanswered (which is not inherently antagonising) but ignored.

And then comes this supposedly evil entity who can alleviate your pain just like that, snap of a finger and it's a done deal.

I am so serious when I say that I believe Ketheric's main incentive was to extend Aylin's immortality to Isobel as well. You can read in her diary that she feels a taint after having came back, and there are things not even Selune can cleanse, but at this point, Ketheric doesn't care about Selune, vengeance is secondary if not tertiary, he's done that war during his Shar years and what did it give him? Literally nothing.

He doesn't even care about the fact that Isobel is still her cleric. He cares about the single most important fact: Isobel is back. Life is worth living again, there is something for him, and it was not Selune or Shar who gave it to him but Myrkul, and for this singular gift, he would raze the world for the Lord of Bones. Like people can clown on him for being disloyal but the man has the loyalty of a dog bonded to its owner.

He is powerful and is willing to go to insane lengths for crumbs. What is raising a single life for a god? Nothing. It has happened and it will happen again. But Ketheric will go to the ends of the earth to serve the single god who actually listened to him. The one god who didn't ignore him.

He knows that what he does is not the morally upright thing! He is so insanely self-aware that allying with Orin and Gortash and doing this entire plot with them only to then betray them is morally reprehensible at the best of times, he knows that people hate him, etc-etc. He was a Selunite at one point and he's not stupid. He just doesn't care; it could be literal Asmodeus and he wouldn't care as long as he got what he wanted, no matter the price.

He is probably the only one from the three of the chosen who has complete clarity over his situation, he almost sways (if you pass the check during his confrontation), he is not an inherently evil man blinded by power.

But he is inherently loyal to those deserving, and as of the story's standing, completely broken by his grief. In his eyes, at this point, the only one deserving loyalty is the one who actually listened to him. Isobel lives. It doesn't matter that she hates him, that his entire life has fallen apart, that literally nothing else that is good has come of it, because Isobel lives.

I don't think he regrets a single thing. His consciousness might tear at him at the end, but I believe he would do everything over again, exactly as he did, because in the end, his daughter was brought back. Because what would a grieving, broken parent give to bring back their child? Everything. Absolutely everything. And it's such a simply given answer, no second thoughts, no doubts.

Nobody can tell me that this man is fickle. Nobody. This man was willing to burn the world to the ground, create a Boudica destruction layer all by himself for the one single thing he wanted. For any God that would listen.

I don't know, I just have a lot of thoughts about his character.

[waspgrave]

now there was no reason for lucanis to be given purple johnny silverhand as a plot point and then never have the purple johnny silverhand utilized except for maybe 3 or 4 times in the game (if you saved Treviso, otherwise it's twice) and dialogue. Dialogue where he pretty much just says weird and funny things and occasionally gets scolded like a dog which is entertaining sure but there is Literally A Demon In One Of The Companions Why Is This Not A Bigger Deal