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#bobbi and peter doing the same
biitchcakes · 2 months
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NEW AVENGERS Vol 1. Iss 48
( personals DNI. )
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salemsvlog · 4 months
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Fuck. I just checked the promo. WHAT DO YOU MEAN BOBBY IS HAS A KNIFE ON IS THROAT. WHATTTT.
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doolallymagpie · 11 months
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role-reversed version of That Page in caliban’s war where it’s bobbie’s “lizard brain” going apeshit over holden but it just sounds like your average tumblr bisexual talking about blorbo from her shows
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seddair · 5 months
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erinwantstowrite · 2 months
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some people often put in peters gen in the comics (who could be aged down to match him since he is aged down) are johnny storm (the human torch), kitty pryde (shadowcat), harry osborn (who in some comics is a hero version of green goblin), tyrone johnson (cloak) and tandy bowen (dagger), kamala khan (miss marvel), and sometimes bobby drake (iceman) depending on how the timeline of the x-men lines up with the lof timeline.
(he was 14ish when he joined the xmen so if he joined around the same time peter got bit he would be in their gen)
a lot of people like to make harley keener from iron man 3 into iron lad which could be fun if they met through tony
im WAY less educated on the dc side of things when it comes to dami's generation unfortunately but i hope this was still helpfulish? :)
oh this is PERFECT!! I had a whole list for the the DC world but I was a little lost on who I wanted for Marvel side of things. i have tons of research to do on them now :3
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itsanerdlife · 2 months
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Wicked Intentions 3
Pairing: Bucky Barnes x Stark!Reader // (Seriously close) Steve Rogers x Reader // Clint Barton x Reader // T’Challa x Reader.
Warning: Violence. Language. Bullying. Girl Fights. Name Calling. Degrading Comments. Angst. Degrade of Woman (to a point). Criminal Life. Illegal Shit. Fights. Alpha Males. Stalking.
Characters: Peter Stark. Howie Stark. Bucky Barnes. Steve Rogers. Clint Barton. TC (T’Challa). Ben Reilly. Cledus Kasady (CK). Brock Rumlow. Gwen Stacy. Wanda Maximoff. Becca Barnes. Amore Lorelei. Kitty Pryde. Frank Castle. George Barnes. Joe Rogers. Winni Barnes. Pepper Stark. Wade Wilson. Eddie Brock. Warner Strucker. Barney Barton. Bobbi Morse. Pietro Maximoff. Logan.
A/N: This is a Bully Romance. High School setting. Mafia Family Life. Woman are on a lower level than males in their world. Just a heads up. This is the third installment of the series. Bad Intentions, Cruel Intentions, and Wicked Intentions.
Credit: Huge shout out to @ml7010 for all the help, pushing, hyping up, putting up with my changes midway through. If it wasn't for this peach, y'all never would have gotten this series or nearly as far as I am now.
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Peter is yelling, hands cupped at his mouth.
Howie is on his feet, cheering.
Clint’s on the ring edge, calling out tips.
Steve’s staring down the opponent’s boyfriend.
Bucky watches her dodge right, hands up protecting her face. Her knee comes up, connecting with the girl’s side. She stoops, her first mistake. Y/N grabs the back of her head, her toes barely touching the ring mat, before her knee comes back up faster this time. Y/N slams the girl’s head down, meeting her knee. Shoving the girl back, into the ropes, when she stumbles from the knee to the face, Y/N winds up, throwing an absolute ruthless right hook to the jaw.
Her head snaps back, blood spraying, her body goes limp, hitting the mat with a thump.
The Ditch goes nuts, screaming from all sides. Cheering, celebrating, talking shit.
TC dips under the ropes, grabbing Y/N’s hand, holding it up, cheering just as loud.
When the Stark’s meet eyes. Howie and Peter are on their feet. Y/N bounces on her toes, all three at the same time, flex inward, with a loud “AHHHHH!” at one another.
“That’s our girl!” Becca is on her feet, screaming for her best friend.
He grins when his girl locks eyes with him. She grins, rolling her eyes at him.
They still went to The Ditch, sometimes TC worked the decks there. Mainly when Y/N wanted to beat on bitches for kicks. She was getting Becca into it now. Only Y/N’s now fighting top fighters from other areas, coming to see what she’s made of.
Sure she might be taking over the table, running her own mafia, and be the most feared thing in Saints high school, but she’s still the girl that needs a good fight to feel calm. Compromises were made between him and her when they started settling into life together. Like her training with Frankie and TC, after the battle for her, she never wants to be underprepared for another fight. He couldn’t blame her, encouraged her.
The memory of her in the hospital, damaged and broken, burned into his mind for life.
A tight feeling appeared in his chest, worrying about his baby sister taking over.
“Boss man?” She’s next to him, Clint cutting the tape off her hands. Steve, cleaning up the few cuts on her.
“The right hook, baby girl.” He shakes his head, smirking at her. “I’d say it’s blessed by Satan.” He chuckles, leaning into kiss her.
“But I am Satan.” She laughs against him, kissing him again.
“Don’t we know it.” Clint snorts.
“Unlikely to ever forget it.” Steve shakes his head.
“And if you do, I’ll remind you.” She sasses, like a snotty teenager.
“Yeah. Yeah. Yeah.” The two mutter at the same time, laughing.
“Ah.” Steve pauses.
“What?” He asks.
Steve scratches the back of his head. “Is that new or old?” He cut his eyes to her thigh and back away.
Fingerprints, on the outside of her thigh, a thumb print on the inside of her thighs.
“Old.” She grins in Steve’s face.
“Scarred for life.” Becca whines, walking away.
Clint looks down and back to her. “That’s hot.” He grins.
“Fuck yeah.” She laughs, they high five.
“Alright, enough of that.” He pushes Clint away, making him laugh.
-----
The house party loud and packed. The typical Friday night high school parties for them. He sat on the couch talking with the guys. “What’s the policy for fighting here?” Howie laughs, sipping from his beer bottle.
“Don’t. Why?” Steve smirks.
“Cause if Smalls sees that girl eye fucking Bucky, that policy won’t matter to her.” Peter laughs.
“Does any rule?” Bucky sighs.
They all laugh.
“Boss man.” She saunters up to them. Dark cut off shorts, a cut short red T-shirt, with a black sports bra underneath. Her ball cap turned backwards, dark hair in messy waves.
“Doll?” He smirks up at her when she comes to stop the side of the couch, he’s on.
She leans down, black fingernails tip his chin up towards her. Her eyes cut to the side and instead of kissing him as he thought. She licks him, from his jaw to his eyebrow. Staring down the girl watching him. She looks startled before she bumps into someone trying to get away.
“Much better.” She smiles pretty walking away.
Peter’s brow yanks down. Howie looks confused. Steve and Clint are unbothered.
“Did our baby sister,” Howie blinks.
“Lick you?” Peter’s eyelids flutter quickly.
“Yup.” Clint and Steve reply, throwing back shorts.
“What in the fuck?” Peter laughs.
“Not new.” Clint shakes his head, downing his beer.
TC is moving towards them, a look of worry on his face.
“What?” He puts his cup down.
“Pretty sure Eddie is across the street.” He jerks his thumb backwards.
They exchange a look between the five of them before jumping up and hurrying out of the house.
Indeed, on the other side of the road, sits Eddie parked, leaning against his car. He smirks at them, as they come to stand on the walkway of the house.
“Gwen get in the house.” Y/N’s voice hits his ears.
“Y/N.” Gwen sounds nervous.
“Wanda stay here.” Y/N orders, he can hear her coming up behind them. She cuts around him, walking down the path, they follow her. She stops on the edge of the curb.
Eddie flicks his eyes from her to Becca, standing next to her.
“Try it.” Y/N warns him.
Eddie smirks, cutting his eyes back to Y/N. They stare back at one another.
She stares him down, Buck looks from Eddie to Y/N, something dark and dangerous in her brown eyes.
It’s Eddie who blinks first, looking away. Suddenly he gets back into his car, leaving.
She turns on them, staring at each of them for a moment.
“Something you boys need to tell me?” Her brow lifts, Becca looks tense next to her.
“We don’t know what that was about.” He assures her.
She nods slowly. Cutting between them heading back towards her girls at the door. The six of them exchange a look, heading for her. She pauses, taking the cup from Gwen, she turns to them standing above them on the front stoop.
“You better swear on whatever god you believe in, Boss man; you didn’t lie to me.” She repeats the saying from the beginning, when they first started out and Ben Rielly and Sina were causing issues for them. The ice cold look in her eyes, makes his steps stop suddenly.
“I’ll make your life hell, James Barnes, you think before was rough, you haven’t seen shit yet.” She warns him. Turning, she steps into the house between her friends, walking away.
Fear creeps into his chest.
He swallows hard.
-------- Everything Peaches 12/8/22 @mo320 @ml7010 @kmc1989 @irepeldirt @joannie95 @nunu2888 @coley0823 @rileyloves5 @sexyvixen7 @duckestylez @abschaffer2 @drayshadow @shirukitsune @xoxabs88xox @carostar2020 @rosalynshields @destiel-artemis @hookslove1592 @CallSign-Vesta @royal-sunflower @iwillbeinmynest @bellamy-barnes @geeksareunique @happydeanpotter @fanfic-n-tabulous @steel-blue-eyess @mariekoukie6661 @wonderswrittings @bless-my-demons @notyourtypicalrose @lets-talk-about-xyz @loving-life-my-way @shinycupcakebaker @also-fangirlinsweden @stupendous-science @daughterofthenight117 @dandelionsmarkthegrave @physically-a-cheesecake @letsgetfuckingsuperwholocked
Bucky 'Fuck Me Up' Barnes: @nickyl316h @jbbarnesgirl @lets-roggerthat @this-is-mycrisis @kaylaphantomhive
Series tags: @sebastians-love
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My (embarrassingly okay-ish) 9-1-1 Sims
so I do not claim to be good at remaking real people in the sims... I want to go ahead and get that out of the way first and foremost
however I don't think I did *terrible* on these sims (some are definitely better than others) but with that said, here are my 9-1-1 sims
(please don't judge me too hard)
Evan "Buck" Buckley
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the tattoo cc I made for buck is definitely way out-of-date, but alas i am too lazy to go back and make a new tattoo to add all of his current 6,000 tattoos (love your tats oliver but no thanks <3) Including that last shirtless pic to show them off a little better.
Eddie Diaz
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I know that Eddie doesn't have Ryan's map&compass tattoo in the show but I love that tattoo on Ryan so I included it on Eddie. I chose this hair for him bc I wanted to like blend the length it's at now with his s6 style a little bit- very floofy yet tidy, but also not a schoolboy or slicked back to the gods.
Maddie Han
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I think I spent hours trying to get JLH's face as perfect as I could in-game and honestly I don't hate the outcome? like it's definitely NOT perfect by any means, but I think Maddie is one of my favorite sims in terms of how she turned out.
Chimney Han
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Chimney is where things started to go a little downhill for me... I don't know why, but after HOURS of working, I just cold not get him right so I eventually had to sit back, take a deep breath, and say 'this is as good as it's gonna get.' I'd like to issue my formal apology to Kenneth Choi for this <3 (pls don't judge too harshly I swear I tried)
Karen Wilson
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Karen, like Chimney, was a sim I spent HOURS on trying to get right, but for some reason I just could not for the life of me perfectly replicate Tracie's face... and unfortunately when I first made these sims (a LONG time ago) there wasn't a hair that fit Karen perfectly until (imo) THIS one came with the Lovestruck Expansion pack... I did make the executive decision to give her light brown hair rather than the blonde/brown she actually has, because the blonde in-game looked weird on her. I know these aren't her classic dreads, but I feel like they evoke the general vibe of hers better than some of the options we have in-game.
Hen Wilson
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so Hen turned out being one of my favorites. I really love the outfits I picked out for her (bc lets be honest Hen loves wearing some of the WILDEST fits on the show) but unfortunately, this game hates to give female sims just plain slacks that are higher-waisted, so I was stuck with a cc pair that don't quite match but what can I do
Bobby Nash
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yet another sim who I feel like I missed the mark on- Peter Krause's face was just IMPOSSIBLE to replicate, so I did my best. I also made the executive decision to not go full-grey for Bobby bc then he looked ancient rather than just late-50s.
Athena Grant
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All I have to say about Athena is ANGELA BASSETT DID THE THING (also the cop outfit does NOT do her justice in this- I promise I worked hard to make sure Athena was giving just as much mommy vibes as she does on the show in her other outfits) (she's also ripped as fuck in my game bc I said so)
May Grant
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I have a love-hate relationship with this sim because I spent so much time trying to perfectly replicate Corrinne's face, but no matter what I did there was always something that was always just the tiniest bit off... she's definitely not the worst of these sims though
Ravi Panikkar
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all I have to say about Ravi is that if they want to give him a boyfriend in s8 i am available, and willing to travel to shoot in Los Angeles-
Also, I DID make a Josh sim, but I accidentally deleted him bc my mouse battery was dying and it was glitching out and i misclicked the "yes delete" button rather than the "don't delete" on the "are you sure?" tab and I didn't feel like going back and finding him again in the depths of my library so I will have to remake him :/
Oh and I made Chris too but every child sim looks exactly the same so he doesn't look anything like Gavin, but that was out of my hands I fear 💀
But anyway, these are my 9-1-1 sims... I made these forever ago and went through last night and updated their hair/outfits, but I haven't touched their physical attributes since I first made them. I'm excited to start playing with them again 😭😭
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dottie-wan-kenobi · 1 month
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earlier I saw a tiktok saying that spideytorch is queerbaiting... the word you are actually looking for is "queer subtext" or even "queer coded"
queerbaiting is a marketing technique. it is meant to sell something. it tells the audience that MAYBE there can be canon queerness IF the audience keeps watching/buys something/votes for them/does some other action
queer coding is giving a character queer traits/storylines/moments to a character whose sexuality is not clearly stated. it's part of the story and especially back when the hays code and CCA ruled everything, characters could not be explicitly queer
(please note these restrictions from the CCA in 1954, just before Johnny and Peter were created in the early 1960s:
- Illicit sex relations are neither to be hinted at nor portrayed. Rape scenes, as well as sexual abnormalities, are unacceptable. - Sex perversion or any inference to same is strictly forbidden.
don't forget, according to the standards of the time, 'sex perversion' included queerness)
and so from the beginning, neither character could be explicitly anything other than straight. but as individuals, they both have queer subtext
I can't list everything but: Peter joking about having a chance with Luke Cage, saying he dated Moon Knight 'a little bit', his whole dynamic with Deadpool, constantly calling other men terms of endearment, his close relationships with other men... this is not queer baiting. this is queer coding. whether marvel is doing it as a form of humor or not, they're not trying to sell you something -- Peter is just a funny guy who likes to flirt with his enemies and act like he's married to all of his friends
(shout out to Andrew Garfield, the #1 biderman defender. in a better life we got genderbent MJ and Andrew didn't get fired)
as for Johnny, he has so much queer subtext I don't even know where to start. he is "flaming". every relationship he's had with a woman has failed. he has an obvious crush on namor. he's very similar to Bobby Drake, who is canonically gay. someone who wrote a story with Johnny and Daken confirmed they included sexual tension between them. there are elseworlds where he is literally canonically queer. plus there's a theory that Johnny was supposed to come out in a somewhat-recent comic but that marvel chickened out at the last second
(please go read @traincat's post on Johnny being queer coded, top 5 post of all time. also their post on that potential coming out)
I won't say there's absolutely no evidence for queerbaiting because I haven't read every comic, I haven't seen how authors all about the characters, but simply put the existence of queer moments like this are not proof on their own of queerbaiting. ultimately, these are different things. they are not interchangable. queer subtext is not a bad thing and I wish people would remember what queer baiting really is
rant over
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jovenshires · 8 months
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THE BATTLE OF THE BANDS AU OFFICIAL SOUNDTRACK
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THE BEST OF THE CHOSEN
the chosen is an alternative rock band, whose members are spencer agnew (lead singer / secondary guitarist), shayne topp (lead guitarist), damien haas (bassist / vocalist), and courtney miller (drummer / vocalist). known for their iconic guitar riffs and heavy bass lines, the band has been accused of relying heavily on their instrumentals to distract from their lead singer's vocal insecurity, to which they have not disagreed. hit songs include "short kings," "i was there man," and "nuclear rain." the band is inspired by the early 2000's alternative movement, specifically weezer, green day, and simple plan.
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THE BEST OF FTC
ftc (short for full-time cast) is an indie trio known for their slow melodies and sad lyrics. their songs, typically written by their lead singer tommy bowe, are often explicitly queer, romantic, and yearning, though they also frequently feature themes of self-doubt and internal struggle. other members of the band are amanda lehan-canto (singer / guitarist) and kimmy jimenez (drummer / occasional background singer). with songs such as "creekside killer," "reading of the will," and "bones," ftc is inspired by artists such as boygenius, hozier, and mitski.
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THE BEST OF KOLIVTION
kolivition is a hip-hop duo fronted by keith leak jr. (singer / rapper) and backed by olivia sui (pianist / dj / sound mixer). they incorporate r&b, funk, and rap into their music as well, with their soulful beats and psychedelic sounds. kolivition's songs typically revolve around romance in the modern world. the duo's hit songs include "life's a party," "give me all your money," and "bobby from the block." kolivition is inspired by childish gambino, frank ocean, and kendrick lamar.
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THE BEST OF COVENTRY
coventry is a female-led punk band consisting of erin dougal (singer / guitarist), heidi ha (singer / drummer), and selina garcia (singer / bassist). they typically theme their songs around female empowerment and relationships - romantic, platonic, or otherwise. their hit songs include "sluts," "sunflower," and "wish i could (say the same)." they are inspired by paramore, no doubt, and veruca salt.
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THE BEST OF LET'S DO THIS
let's do this, though a relatively new band, is an enthusiastic underdog pop trio. its members, chanse mccrary (lead singer / guitarist), angela giarratana (bassist / vocalist), and arasha lalani (drummer / vocalist), are clearly tuned into the pop scene and thus make current, upbeat, snappy music that is practically made for the radio, even if it's yet to take off. their songs rely heavily on romance, and are often either explicitly queer or gender-neutral. their top tracks are "i lied," "lost the room," and "coroner." ldt is based off of artists such as conan gray, maisie peters, and troye sivan.
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THE BEST OF SMOSH
smosh is a moden reinvention of an early 2000's pop-punk / alternative duo. back after a 6-year hiatus and preparing to win a competition they've already lost, ian hecox (singer / bassist), anthony padilla (singer), and their rotating backup band are re-entering both battle of the bands and mainstream. their music centers around personal identity and how that identity affects one's relationships. though they are re-inventing their sound, smosh was and is still known for their heavy instrumentals and all-star vocals. hit songs include "shut up," "the sun," and "destiny," and the band was based off of twenty one pilots, fall out boy, and panic! at the disco.
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THE BEST OF JACKIE UWEH
jackie uweh - also known as the most talented voice of our generation - is an r&b / soul singer who sells out football stadiums with her powerhouse vocals. her songs often feature themes of feminism, romantic relationships, and a continuous journey of self-discovery. this is her first year judging battle of the bands, and, according to her, hopefully not her last. jackie's hit songs include "buggin'," "over easy," and "been with." she is inspired by beyonce, rhianna, and lizzo.
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THE BEST OF MYTHICAL
mythical, which consists of rhett mclaughlin (singer / guitarist) and link neal (singer / guitarist) and their fantastic backing band, is a country band notable for having won battle of the bands ten years ago. since then, they have created their own empire, complete with a record label and several signed artist - previously including ian hecox of smosh fame. though they are a country band, mythical is also known to incorporate alternative genres into their music, especially their most recent album, which has been by far their most controversial in terms of sound. their musical themes vary, sometimes instead focusing on story-telling rather than relatability, but typically they utilize love (romantic, platonic, and familial), religion, and self-expression and exploration. their songs include "will it?," "buddy system," and "let's talk about that." they are inspired by james and the shame, noah kahan, and the lumineers.
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THE BEST OF TREVOR
trevor (that's it, just trevor) is a soundcloud-based rapper who's honestly just happy to be here. an up-and-coming (read: thus unsuccessful) artist, trevor is a part-time musician and a part-time sound designer and editor. after working on mythical's latest album, he was invited to emcee the battle of the bands and is ecstatic at the chance to promote himself. trevor focuses on the self-described subgenre "meme rap," which views modern life through a comical gen z lens. his songs include "another banger," "silly guy," and "o7," and he is based on yung gravy, yungblud, and danny gonzalez.
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whollyjoly · 4 months
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alright we doing crazy predictions for 911 tonight??
here we fucking go:
tim nash isnt going to be bobby's brother, he's going to be bobby's dad in a flashback
hear me out-
john brotherton, who's listed as playing "tim nash" on the imdb page for step nine, is 15 years younger than peter krause. now, it could be that bobby just has a much younger brother. BUT, i think with that age (44) being peak Dad Age, it makes a whole lot more sense to me that its flashback!dad than brothers
the synopsis for 7x08 says that "bobby delves deep into memories of his childhood, unearthing moments from his fractured past" and like...if we're going to see memories of his childhood, again a 44 year-old playing "tim nash" makes a lot more sense for a dad!!
we've heard a bit about bobby being a third generation firefighter, and its something that he's very proud of. i think it would be really interesting not only to see his dad as a firefighter, but see that hero worship from bobby towards his dad, and his early love for the work and for saving people...especially in the context of dealing with the trauma of the apartment fire.
if bobby has always wanted to be a firefighter, watched his dad saving lives and heard stories of his grandfather doing the same, what would his young self think of the man who caused so much grief and pain, of the man that amir thinks he is, of the man who cost 148 lives?
maybe, just maybe, "step nine" isn't just making amends with amir, but making amends with his past self, the one who just wanted to help people, who he feels like he betrayed??
because i would LOVE to see that kind of angst - the reconciliation between the man bobby dreamed he would be and the man he is now.
and like....thats not even approaching the question of bobby's "fractured past" that the synopsis talks about, which i have...so many questions about
we know basically nothing about his family - what if bobby's dad also struggled with addiction? or had something happen at work that also cost lives, and young bobby was never able to forgive him for that? maybe bobby sees the anger amir holds towards him, and realizes that he still holds something like that towards his own father?
bobby has talked about a brother before, but i think the only time that he's mentioned it was in a story about playing "lawn darts when they were kids". maybe something happened to his brother, and he's held his father responsible for all these years? in the same way amir holds bobby responsible?
i have!! no idea!!!
i dont exactly know what they're going to throw at us (shakes fist at tim affectionately), but i think that with where this season has been going - focusing on the cornerstones of our main characters, of the things that run the deepest and are haunting the narrative (eddie's catholic guilt, buck's bisexuality, chim's journey and love for his family, doug, kevin, shannon) - it would make sense for us to take a look into bobby's childhood, something we basically no nothing about.
and with that, i truly think that "tim nash" as bobby's dad makes a lot more sense than it being his brother, and that's who we're going to see in flashbacks tonight.
but, whatever happens, i cannot WAIT to see where the angst train takes us! ✨
(bonus, since im thinking about that sweet bobby angst: do you ever think about whether bobby feels a deep sense of failure and guilt that, because of him, there will never be a 4th generation firefighter in his family? do you think the first time bobby told his dad he wanted to be a firefighter when he was a kid, his dad looked both so proud but also so worried? and when asked about it his dad just said "you'll understand when your kid says the same to you"? and that bobby realizes he will never understand because he took that chance away from them?
...cause yeah, i think about that sometimes)
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hooked-on-elvis · 11 days
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"My Boy" (1973-1974)
Recorded on December 13, 1973 at Stax Studios, Memphis · Released on March 20, 1974 · Album: Good Times
MUSICIANS Guitar: James Burton, Johnny Christopher, Charlie Hodge. Bass: Norbert Putnam. Drums: Ronnie Tutt. Piano & Organ: David Briggs, Per-Erik Hallin. Vocals: Kathy Westmoreland, Mary (Jeannie) Greene, Mary Holladay, Susan Pilkington, Voice, J.D. Sumner & The Stamps. OVERDUBS Guitar: Dennis Linde, Alan Rush. Percussion: Rob Galbraith. Piano: Bobby Ogdin. Organ: Randy Cullers. Vocals: Ginger Holladay, Mary Holladay, Mary Cain.
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RELEASES In March 1974 "My Boy" was first released on the album "Good Times", and in January 1975 the song came out as Side-A single (backed with "Thinking About You".
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The master of “My Boy” was lengthened by splicing on a repeat of the last section.
"MY BOY" — LYRICS Songwriters: Bill Martin/Phil Coulter/Claude Francois/Jean-Pierre Bourtayre You're sleeping son, I know But really, this can't wait I wanted to explain Before it gets too late For your mother and me Love has finally died This is no happy home But God knows how I've tried Because you're all I have, my boy You are my life, my pride, my joy And if I stay, I stay because of you, my boy I know it's hard to understand Why did we ever start? We're more like strangers now Each acting out a part I have laughed, I have cried I've lost every game Taken all I can take But I'll stay here just the same Because you're all I have, my boy You are my life, my pride, my joy And if I stay, I stay because of you, my boy Sleep on, you haven't heard a word Perhaps it's just as well Why spoil your little dreams Why put you through the hell Life is no fairy tale As one day you will know But now you're just a child I'll stay here and watch you grow Because you're all I have, my boy You are my life, my pride, my joy And if I stay, I stay because of you, my boy Because you're all I have, my boy You are my life, my pride, my joy And if I stay, I stay because of you, my boy Yeah, because you're all I have, my boy You are my life, my pride, my joy And if I stay, I stay because of you, my boy Oh, because you're all I have
--
TAKES · FROM FIRST TO MASTER
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THE TAKE 2 Studio Sessions for RCA · December 13, 1973: Stax Studios, Memphis Please, read what Ernst Jorgensen says about the moment "My Boy" was being recorded, and listen to the take. -- The next night Elvis began with a song from his live repertoire, “My Boy,” which had been included in the August Las Vegas show. The song told the traumatic tale of losing a child through divorce, but Elvis wanted to be done with it fast. When Felton pushed for a third take, he exploded: “I told you to get this goddamn thing in two takes. I can’t sing it no more.” Take three was actually better; it lacked the long fade out Felton wanted, but he knew better than to ask for another, confident that he could loop it in mixing to get the effect he wanted. Excerpt: "Elvis Presley, A Life in Music: The Complete Recording Sessions" by Ernst Jorgensen. Foreword by Peter Guralnick (1998) -- So, when I first read this part of Jorgensen's book I hadn't listen to that take yet, but now that I did I don't take Elvis' comment as "he exploded", do you? If that was Elvis exploding, I have to reconsider a lot of the stories about his supposed short-tempered moments. Just saying. He sounded pretty like just casually commenting rather than snapping at Felton like the description of the moment made it look like. Still, I personally think that comment came for a reason, maybe EP was too polite - or too embarrassed - to show how affected by the lyrics of that song he was. Below is the take two alone, if you prefer to go straight to the point go to min. 3:50.
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Elvis and Lisa Marie Presley at Baptist Memorial Hospital in Memphis, TN, on February, 1968. ♥
I must have been the only person in the fandom who hadn't seen this picture before. So cute! I'm meltinnnggg! Is it real? Looks edited, IDK. Anyway, what are your thoughts about Elvis' recording of My Boy? Do you think it had a meaning to him?
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Waking up in Beacon Hills - pt. 29
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Chapter summary: all work and no play would make kara boring. peter is there to ensure that doesn't happen. set between Teen Wolf seasons 3b and 4, and Supernatural seasons 7 and season 8.
Series masterlist: can be found here.
Word count:  3.9k
Warnings/notes: swearing, canon (TW and SPN) typical violence, smut, peter hale being incredibly attractive and nice, which definitely requires a warning. Gif sources:  Peter 1 | Peter 2
Utah:
Peter scratches his nails through your scalp, eliciting a contented sigh from you as you recline against him. You’re all kinds of relaxed, leaning back on his chest and resting your hands on his bent knees, savoring the moment as you come down from your high. He’s just given you a good-morning orgasm and if he wasn’t sitting behind you, propping your body up, you could collapse and melt into the bed. 
Almost. If not for one question that’s pin balling round your head.
“Peter?”
“Mmm.”
“You know that…. Wh- when you…ah fuck, never mind.”
He stops playing with your hair to peer down at you, “What?”
“Doesn’t matter.” 
He swiftly wraps hands around your waist and shifts you so you’re facing him, draping your thighs over his own, “Tell me.”
Suddenly keenly interested in inspecting the veins running down his forearm, he has to lay a palm on your cheek to get you to look at him. 
“Just…that thing you say -”
“We say a lot of things.” 
You smile shyly at that, couldn’t deny it if you’d wanted to, because Peter is vocal and descriptive in bed and he makes you loud. Part of you thinks he does it on purpose, like he’s hoping if you get enough noise complaints at one Motel 6, you’ll be banned from them all and he won’t have to lower himself to your standards anymore.
“You know which thing I mean.” 
Peter genuinely has to wrack his brains to figure out what you’re talking about and grins when the penny drops on the word that makes you croon beneath him, throwing your body higher toward ruination in an instant. 
“Oh - you mean ‘Daddy’?” he smirks before continuing, “I thought you liked that?”
“I do! But…it doesn’t weird you out?” averting your gaze, your eyes drill a hole in the wall behind him. Tell me you don’t think I’m a freak.
“Why would it?”
“Because you’re someone’s actual father.”
Peter draws in a weighty breath, staring at you intently. He didn’t realize you knew about that, and guesses your source at the same time you break and admit;
“Stiles?”
“Stiles.”
The sound of shared laughter pierces straight through your embarrassment.
“You know they’re dating, right?”
“Yes, thank you - I’m aware,” he says curtly. 
It bugs him; Malia with the sarcastic boy who not too long ago was flinging chaos around Beacon Hills - though he knows it’s not his prerogative, his place to be worrying about her.
“For one thing,” Peter lifts his fingers to list off reasons, “I only found out about Malia recently. I didn’t raise her, and she has never called me that.” 
It makes sense. You know that blood doesn’t necessarily mean family. As much as you came to adore Bobby, all his bumbling affections couldn’t turn back the clock and make it like you’d known him your whole life, like he’d parented you.
“Also, it’s…” his eyes drift, recalling each yes daddy, daddy please, fuck daddy, you’ve ever uttered, “Exquisite - so you better not stop.”
He grins when you relax, “And third, you started it.”
“What? No, I didn’t!” 
“You did.”
“When?” you demand.
He thinks back, pinpoints the beginning, “Colorado - when we sorted that nest.”
“Oh…whoops.” 
You don’t remember, would have sworn it was Peter who said it first, which only proves how corrupting he can be, how far gone you are. With your fears mollified, you scoot closer and push on his chest to force him down to the pillows.
“Does Stiles know about me?”
“Pretty sure you’ve met him - several times,” you tease, grabbing a condom from the box on the nightstand. 
Peter rips the foil packet open with his teeth. “Come on, you don’t gossip about me?”
“God no! Much as I love the kid, I’m not sharing details of my sex life with a seventeen-year-old.” 
Impatiently, you wait as Peter carefully rolls the condom down before positioning yourself above him.
“Fair enough…mmmm,” he sighs as you glide over his length. “What about Weiner boy?”
That would be worse than Stiles - technically Samandriel’s probably thousands of years old, but he looks eleven, so the thought makes you cringe.
“Nah, he’s mad at me.” 
“Why?”
“I have an idea. He thinks it’s dumb.”
The sensation of Peter’s hands squeezing your waist, exerting control over your motions, gets you worked up, primed for another round. How he studies your every move floods you with want, causing your cheeks to flush as you grind.
“What’s the idea?”
“Not telling.” 
“Why?”
“It might actually be dumb…shit…” 
Peter sits up, the head of his cock tapping against your entrance, 
“Can you just shut up now?” you whine.
“Depends,” he smiles into your neck, gripping the base of his cock, “You gonna keep saying it?”
“Yes, Daddy.”
Finally, he tilts his hips and lets you sink down onto him.
****
Arizona:
You decide you deserve a night off. The day hasn’t been particularly taxing, just a couple of hours wandering through the mall to replenish your and shower stuff and skin care.
You even got a trim, a few inches of split ends taken care of before feeding quarters into a massage chair and licking cinnamon sugar from your fingers after a warm pretzel, reluctant to venture out of the air conditioning back into the humidity.
After such a peaceful day of research and retail therapy, you simply can’t face the thought of hunting, want to chill, be normal for a change. So now you’re wolfing down a burrito while you watch A-Team reruns and text Peter. He’s arriving tomorrow, and you’ve been thinking about him all week. 
Luckily, the limited amount of sex you’d had in the past hadn’t been bad, per se, maybe just a little disappointing. Bland. Boring. Not that you’d known at the time.
Chris was your introduction to multiple orgasms and dirty words falling from your mouth and all kinds of things you’d wanted but never tried. The discoveries you’d made about yourself, the way he monopolised your mind for a bit there, had felt like more than only sex. All intertwined with wanting to be his - you liked it when he called you pretty as he came and held your hand after, loved how he snuck kisses away from the bedroom. 
But that’s all it - all Chris - can be now; a memory. Had to try to forget, the good parts and the bad. Clear out the image of his hand wrapped around a gun, pointed at Stiles. Push down the humiliating way you’d tried to fuck him after Allison, how kindly he’d denied you, barely touched you after that night. Until he left and kissed you goodbye at the airport.
Forced to choose one thing to lock away in your mind forever? 
You wouldn’t be able to decide between the miss you and you’ve got this and trust your instincts or the heat of his breath on the shell of your ear moaning your name and groaning shit baby, just there and mmm, that’s it.
Peter, on the other hand, is your first experience of fucking like it’s sport, or a competition, something to excel at. Of giving yourself over to someone and letting them use you as they please.  He calls you things you never would allow outside the walls of cheap motel rooms, things you probably shouldn’t enjoy - slut and whore. But always daddy’s slut and my perfect little whore. 
It’s disgusting, and it’s worrying and it’s perverse, except...it really isn’t. It’s fucking hot.
No stake in each other, no claims, just teasing and playing games and then going your separate ways. It’s purely physical, neither of you have feelings, you’re merely another of each other’s bad habits, like how smoking tastes so right when you’re drinking.
Regardless of what this thing with Peter is, it’s undeniably fun and you want to keep it. You’re even beginning to feel relieved you’re so completely alone, because you don’t want to defend your desires, just want to follow them down the rabbit hole. Why not have some light to look forward to when everything else is so dark? 
Wiping your hands, you laugh at his response to your text saying you’re headed for a shower.
Pics?? 🙏
You tell him to piss off and stand waiting for the water to warm up with your phone in your hand.
Go clean up, doll. Tomorrow you’ll be filthy. Sleep well x
****
Oregon:
A month later, and you’ve got a fairly stable routine going, taking tentative steps back into the real world. It’s an after effect of running away or being left behind that you become adept at rebuilding. You’ve done it before, even find some comfort in sowing the seedlings of a new life.
You work during the week, mostly straightforward cases, make time for Samandriel even though neither of you have anything resembling news, and do a reasonable job of being nice to him. 
Peter usually arrives on Fridays - grabbing you up as soon as you open the door, always ready and always with some snarky remark about your lodgings. 
“Is there any hovel you won’t stay in?”
“‘Dunno, any mirror you don’t stop in front of?
Tonight, though, you’re alone. Kicking open a flimsy bathroom door and slamming on the light switch, leaving a trail of blood across the wall and knocking the hairdryer out of its cradle. Panting hard and mumbling to yourself, you take off your jacket and cut your t-shirt up the middle so you can peel it away.
One glance at the gash that starts at your shoulder blade and runs all the way round your left side has your throat filling with acid. You slip your arms through your bra straps, unclip it and drop it at your feet before you lay out supplies across the counter and steel yourself.
“Shit.” 
Much worse than you’d thought. 
You’d only tracked two demons sneaking in and out of the abandoned mill. Nothing you couldn’t handle on your own. After climbing in through a basement entrance, there were three more waiting. During the fight that ensued, you lost your footing and landed on something sharp. In your hustle to get back up, you’d twisted without thinking, howling as your flesh tore open. 
With the stress and the fever pitch of your anger, you were able to clumsily dispatch the last demon before you staggered back to your car, which was hidden behind the tree line a mile down the road. Not your finest work. Wasn’t until you were a few blocks from your motel that you started to feel the pain.
You feel sick as you un-spool thread with trembling hands. Feel so fucking stupid as you poke into the skin under your breast, watching your progress in the mirror, so you can pretend it’s not your body that’s carved and leaking blood.
Realizing there’s no chance you’ll be able to reach around to patch up the entire wound, you let the needle hang useless and pull your phone from your jeans pocket. 
Don’t want to ask for his help but you’re out of options; the cut is still dripping and you’re chilly and tired and he’s closer than anyone else.
“Fuck.” you watch a fat red line dribble down your abdomen as your finger hovers over the contact. You hit the call button before you change your mind.
When it clicks over to voicemail, you turn and slide down the cabinet, wanting to cry at the automated voicemail greeting.
“Hey, it’s me. I’m in Oregon…can you…”
Suddenly you panic. He won’t come. Why the hell would he? You barely talk when he visits. All your questions seem to annoy him, so you just bang the weekend away - hardly what you’d call friendship, and probably not worthy of a favour.
“Can you come fuck me right now?”
The only ace up your sleeve to guarantee he’ll show up. 
“Sweet Home Inn, Highway 20, Room 7.” you speak fast, closing your eyes and pulling your jacket to wrap it around yourself.
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Peter parks next to your beaten up car, smiling to himself and brimming with smugness as he retrieves his overnight bag from the passenger seat. 
It’s only Wednesday and you’ve called to beg. This is going well. 
He raps his knuckles on the door, playing out in his mind how the night will go, what new thing you might be up for trying this week. Then there’s an unmistakable scent in the air and he barges in to find you slumped against the bathroom cabinet. 
You’re out cold, topless except for your jacket thrown up over your shoulders. Could be mistaken for asleep, if not for the puddle of stained red clothes next to you, if your skin didn’t look ashen, gray under the singular lightbulb. 
He moves your jacket aside and sees what he’d smelt - long, dried rivulets down your stomach. 
Peter scoops you up and takes you to the bed, happy to hear you groan but unhappy you’re not waking. He presses a towel to your torso, because moving you caused fresh streams.
so much blood
Deaton doesn’t answer Peter’s call, and he fights the impulse to throw his phone across the room, electing instead to glower at your side, as if his angry look alone might staunch the flow.
too much blood
He calls Derek, who thankfully picks up.
“What?”
“I need you to go to Deaton’s.”
Peter can feel Derek rolling his eyes at him through the phone.
“Why? Pet-”
“Kara’s hurt. She needs a Doctor.”
****
People are arguing. 
“She should be in the hospital.”
“Keep your voice down.” 
They’re quieter now, “If she wanted to go, she would have.”
“Fine. Get her a tetanus shot, at least. And look out for signs of infection.”
“Fine,” Peter is equally snarky, “Here.”
He hands the man wearing glasses a wad of cash and bundles him out the door.
You watch it occur from one opened eye, wondering briefly who that man is and who they’re talking about before you fall back asleep.
****
Night comes and Peter wakes you, gently running his palm up and down your arm until you stir.
“Hey. You came?” you’re groggy and sore and more than a little shocked.
“You called,” he tucks your hair behind your ears, unsettlingly relieved to hear you speak, “Who did this, Kara?”
“Huh? No one…” you scramble for something that will stop the chilly steel in his voice from overflowing, because he’s here now and you don’t want him to leave, “I….slipped.”
You change the subject, wriggling your arms out from the sheets, “Who was that guy?”
“Some doc Deaton recommended. Stitched you up. Said you made a good start.”
Peering under the blankets, you look over the cleaned up wound, take in the line of sutures - much tidier than you would have achieved.
“I tried.” you admit, embarrassed by your efforts, and squirming under the soft smile he’s aiming your way.
“What do you need?”
Closing your eyes, you stretch your legs, careful not to move your body too much.
“I’m starving. Diner?”
“No, you need proper food.”
You roll your eyes at Peter’s disapproval. True, you’ve been subsisting on a steady diet of scrambled eggs, takeout, and protein shakes. Though in your defense, the drinks are loaded with vitamins, taste like chocolate milk and are the easiest way to stay full during your long drives.
He swats at your leg, “C’mon - get your ass up.”
“Eggs are healthy,” you mumble under your breath as you slowly get off the bed to wrap a bandage around yourself.
“They’re probably powdered.” Peter tells you, helping you get your bra clasped and pull a shirt on.
“Waffle House would never!” you protest, swaying as you let him do your buttons.
“There,” he takes your face in his hands and kisses you, “You’re ready.”
****
The restaurant Peter takes you to is fancy, as expected. What’s unexpected is that the hostess let you in.
Must be a slow night, or he laid out a hefty tip or - there it is. You realize Peter has disarmed her with all his handsome and charm when she grazes her hand over his back while taking his coat, and looks solely at him as she lists the specials.
“It’s like I’m not even here.” you tease after she’s gone.
“Jealous?”
“Definitely…. think she’ll take my number?”
Peter peruses the wine list as you read the menu, frowning at the prices.
“Don’t,” he warns, “Get whatever you feel like. My treat.”
“You sure? I didn’t bring my wallet.”
He pulls the menu away from your face, “It’s just dinner. I’m not giving you an organ.”
“You’d love to give me an ‘organ’”
Groaning at your terrible joke, he opens his mouth to say something obscene when the hostess returns, beaming at him.
He orders, then directs her attention to you, “What do you want, darling?”
“I’ll get the eye fillet, please.”
“Sides?” she’s a touch less friendly now.
“Green beans, and mashed potatoes, and…mushrooms.”
Peter grins at your appetite and you shrug, too hungry to care about politeness and if he’s buying, you’re eating.
“Drink?” 
Now she sounds downright snippy and you can’t look at Peter in case you laugh.
“Just whatever he’s having.”
You hand back the menu and glare at Peter, waiting till she’s out of earshot to scold him, “Why’d you say that? She’s gonna fuck with my food!”
“She wouldn’t dare.” 
Your phone vibrates against your ass and you squeak before you pull it out of your pocket and read the screen, remarking on the coincidence -
“It’s Derek.” 
“Ah.”
You raise your eyebrows that he doesn’t sound surprised.
“I called him. I was trying to get hold of Deaton. Derek went and found him.”
Peter tries not to let it get to him when you mutter shit before hitting ‘answer’.
“Hey, one sec.” you tell Derek, holding the phone against your chest while you get up from the booth.
“I’ll be quick,” you promise Peter, “Check my food for broken glass please?” 
You drop a peek on his cheek as you pass, leaving him smiling. Outside, you pace the block as you bring the phone up to your ear.
“Hi.”
Derek doesn’t bother with a hello, “Are you all right?” 
“I’m fine. How are you?” 
“Seriously?”
“Yeah. Just a cut. All sewn up.” You pretend that’s all he’s talking about.
“That’s not - why is he there?”
“He’s…we’re…”
Screwing each other senseless? Pals? 
“I called him.”
“Kara, he’s not what you think.”
“And what is it I think, Derek?” you ask, working hard to keep your voice on an even keel.
“I mean…he’s not a good guy.”
He’s probably right, you should heed his warning, but you look through the window and see Peter sip his wine without a care in the world. He’s just him, he’s here, and you’re not particularly good either. 
“I can handle Peter.” you laugh off Derek’s worries, “Okay?”
You hear him exhale… ”Okay.”
****
Peter stays an extra few days, helping you out while you recuperate. He refuses to let you do anything for yourself, bringing you coffee and food in bed, fetching your laptop when you’re fed up with reality TV, lingering outside the bathroom door while you shower. 
He’s kind and attentive and you wonder if it’s because he feels guilty. He should. You’re frustrated, borderline hostile, because Peter’s been ignoring you.
Tipsy from the drinks you had downed, drunk on how he’d taken your hand and shot the hostess a pointed stare, you pawed greedily at him in the car on the way back from dinner. 
“Peter? Can I?”
He tuts, shaking his head as he peels your hand off his thigh, “No, you’ve been bad - running off, getting hurt.”
You huffed and sulked, then your hand snaked back toward him. “Please….Daddy?”
He couldn’t refuse, with your voice needy and your fingers running across the pronounced bulge in his trousers.
“Need it that bad?”
He smirks as you nod eagerly and pretends to be annoyed, “Go ahead, doll.”
Made it back without crashing, locked the door behind you, and almost got him right where you needed him. Peter could always fuck you dumb, bury himself deep in a way that had your vision blurring and stopped your mind from spiraling. 
So, you braced for the pressure that would drive away your shame at messing up and having to resort to calling him to rescue you. 
He looked down, saw your eyes squeezed tight shut and quickly put an end to it. Making a barrier of pillows between you, he told you to quit bitching and rest.
By the end of the week, you’re climbing the walls, itching to leave. Had grown accustomed to being alone, to uninterrupted days spent with only your own thoughts, so it’s strange to share your space with someone for such a length of time. And if he won’t fuck you, what’s the point?
“It looks good,” Peter says, inspecting the cut as you lie on your side, arm thrown up over your head and clutching a sheet against your front. 
You’re healing fast, not as fast as he would, obviously, but he’s pleased with your progress.
“Good enough to get outta here?” you ask, dropping your arm.
“Wait…” Peter pulls your arm back where it was, “I’m fixing you.”
He focuses on arranging three rectangles of gauze in a line and taping them down carefully as you huff out a sigh, not sure which is worse - the ache of your injury or the one between your legs. 
“Done.” 
You tug a t-shirt over your head and start clearing up the trash, but Peter smacks your hand away.
“I got it.” he sits next to you and repacks the first aid kit, “You in a hurry to get somewhere?”
You glance toward your open notebook, “Mmm. Maybe Chicago?”
“What’s this?” he stands and picks it up, flipping through the pages, “See the Empire State Building? Faulkner Books, Jackson Square?”
“Hey! Give it back.” 
Leaping off the bed, you grab for the book, but Peter spins and continues to read, 
“Ride a horse? Kara, there are horses in Oregon.”
“Not the point, you dick.”
“Are you…” he turns to face you, “Are you scared of horses?”
“The average horse weighs 500kgs.” 
Peter laughs.
“Shut up!” you try again to get it out of his grasp, wincing as you reach up.
“Sorry, here.” Peter hands it over immediately when he sees your pain, “Are you all right?”
“I’m fine,” annoyed you lift your shirt to show him your side, “See? No blood.”
Peter’s gaze travels along your body, taking in the littered bruises in various hues of yellow and purple, and the small cuts and scabs of pink that dot your skin.
“Darach?” he whispers, eyeing older scars that have faded to an almost translucent silver. 
Nodding and realizing he’s staring, you drop your shirt, self-conscious under his burning scrutiny. 
You’re not hideous, but you don’t think you’re beautiful either. Hated feeling frail or weak, so are proud of your hard earned muscles, years of a strict training schedule giving you strength where you wanted it. A decent rack, curvy enough to like the way you look in jeans - but that was in clothes, covered. Without layers is a different story, an ugly one.
“Don’t.” 
Peter moves your hand away from your hem, tracing his fingertips gently across your skin. His other hand reaching around the nape of your neck to bring you close,
“Scars mean you survived.”
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lover-of-mine · 1 year
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Hi, hi, hello, I am here once again to sound absolutely insane while arguing something buddie, this time from Buck's side because I haven't done one on him in a while. I think this is a Buck needs to choose defense, but who knows really ¯\_(ツ)_/¯
Okay, I've talked about this before, but Oliver is a really big guy, he's taller than the rest of the cast so we don't see Buck looking up a whole lot. In conversations where Buck would be in a more vulnerable position, they put all of the involved sitting down so they are on the same eye level, when he tells Abby about the catfish guy, when he talks to Maddie after the bombing, when he talks to Maddie after Red dies, when he finds out about Daniel, when he talks to Maddie after the thing with Jonah, when he talks to Bobby after the lightning.
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Or they're both standing up, when he talks to Bobby before he quits before the tsunami, when he talks to Bobby after the lawsuit, when he tells Bobby he is one of the most important people in his life, when he tells Eddie about the fight with his parents, when he talks to Bobby after the crane, when he’s helping Eddie fix the walls (as I was typing this I noticed the trend of having him sitting down with Maddie and standing up with Bobby, which makes sense considering how much shorter than Oliver Jennifer is and how Oliver and Peter are just a few inches apart).
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Or they have Buck being the only one standing up, or just at a higher level, so that he has the high ground in sense, when he tells the 118 about the thing with Daniel, when he yells at his parents, when he talks to Maddie after he messes up with Red, when he breaks up with Taylor, but it is a trend to not have him look up at people. (All of these have more examples, I just didn't feel like screenshotting every major Buck scene lol)
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People he does look up to in vulnerable moments, moments actually end up leading to a fight? Ali and Taylor. He looks up at Ali when she's talking about not understanding what the job means and when he tells Taylor he kissed someone else. So he looks up at his love interests. Before a fight, but still looking up. Ali is the most intense example I could find in my quick skimming of the scenes I could think of, but since Taylor is standing up and he's sitting down, it counts.
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This does nothing for my point but I do want to point it out. He looks up at Eddie before the confrontation at the gym lol. Sure that ends with Buck towering over Eddie, but it starts with him looking up at him and fits the trend (or actually starts it? Considering this happens before Ali or Taylor lol).
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I could be wrong here, maybe there are other moments where he's looking up and I just can't think of them right now, but Eddie is pretty much the only person he consistently looks up to, when he clears with Bobby for Chris to stay at the station (not about him but he's looking up), the Hildy incident (this one is just funny but it happens), when he tells Eddie it would’ve been better if he had been shot, after Chim leaves to look for Maddie, after he dies. And it's interesting to have those last two scenes because he's going to Eddie for advice and they decided to literally have him look up at Eddie. 
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Conversations with Eddie fit all types of categories when it comes to the two of them because they are best friends, just focus on these ones tho (you can read this for thoughts on framing in multiple scenes tho)
"But Anna you've said this before in at least 3 different posts already" I know, I know, and I have a point, I promise. 
I like taking season 6 knowledge and recontextualizing the previous seasons. What does Buck want in season 6? Answers. From the dude at the happiness convention to “I’m the guy with the answers, I kinda like that”. But it’s not crazy to say that Buck has been looking for whatever this answer is his whole life, but the main thing is that Buck keeps looking for answers outside of what he already has, the choice he makes is to look for something else to make things make sense and for someone else to tell him so he can pretend he's not responsible for the consequences. There’s a whole other discussion here and I was talking about this yesterday, but Buck doesn’t really make choices in his life (bisexual king 🫶), he fell into firefighting, he tripped into every relationship he had, he didn’t pick his apartment, he still hasn’t picked a couch. 
Okay, but why does that relate to the whole looking-up thing? I don’t know if this makes sense, but I think in a way he expects Eddie to have the answers in a way that’s a bit, not excessive, but like, bordering on too much? Like, for example, the way he takes what Eddie tells him before the tsunami and runs with it, the whole just move on thing that he is still doing (I’m kinda fascinated about the way that the end of the cemetery conversation gives the same message that Eddie tried to push onto him there and we all know how that ended for Eddie), the whole “somehow we manage to just suck it up, why can’t you?” and “a lot of I’s in there” and “you’re making it about you? again?” that does make Buck act as if having feelings about traumatic events means he’s making it about himself, makes him selfish, that makes him act as if he needs just to push through. He keeps following Eddie’s lead at all times. And I think that is something that needs to be addressed in some way before they can have a relationship. I do think post-lawsuit Eddie is trying, post-therapy Eddie is trying even harder to not lead them wrong or dismiss Buck’s feelings, and if Eddie asked Buck out, chances are he would say yes, but it would leave the question of whether he’s just following Eddie’s lead. Because Buck keeps tripping into relationships. We don't see him ask anyone out, we don't see Buck make the decision. The only way to fight this is to have Buck be the one to march to Eddie and go “I want this, do you want me?” and hope he’s doing the right thing while knowing he is the one who went for it. 
And like, I don’t really think Eddie would ask Buck, not for lack of wanting, but because he runs from fights he’s not sure he can win, dude retreats back to safety like no one else, and taking a leap with Buck is not safe. But, hey, we’re supposed to believe Buck is the one who keeps running into unsafe situations, so sure, have Buck do it. 
And I think the cemetery can be used as a start for that, because Buck keeps trying to get Eddie to tell him what to do, he keeps looking at Eddie and waiting for him to just give him the answers, but Eddie already retreated from the fight, he’s all “whatever you say, bud” so Buck thinks he’s doing something Eddie agrees on, but what Eddie wants is the opposite, the shift in the way Eddie is handling that conversation is really obvious and to have Buck go against it could be used in an interesting way. 
And the cemetery scene itself opposes the whole looking-up thing because Eddie refuses to keep looking at Buck while Buck keeps poking him to get him to look. Buck is all “*tugging on his sleeve* tell me I'm right tell me I'm right tell me I’m right” and Eddie is all “you’re right buddy *narrators voice* he doesn’t think he’s right at all”.
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And Eddie is locked out of making changes in the relationship in a sense, because Buck basically told him “this woman is the one” so why would he risk the friendship when Buck has made it clear what he wants? In Eddie's head, it's a fight that's already lost, so why would he jeopardize the part of the relationship he does have for something he thinks is hopeless?
But Buck doesn’t have that, I think right now, the power is in Buck’s hands, Buck needs to realize he has it and Buck needs to make the choice to use it. 
Mr. Human Calculator I Have The Answers Now needs to accept that life has a level of unpredictability and go for it anyway. Start fighting the current he put himself in and getting the things he does wants not the things he thinks he should want.
Random rant about the cemetery if you feel like reading my thoughts on that.
Random post about Buck, water, and the way he just goes with it forever and ever.
Shorter post about why Buck needs to choose.
My tag for metas if you liked my brand of crazy. 🫶🫶🫶
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sunflowerdigs · 5 months
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I can't decide whether Abuela is going to get sick/hurt or whether it's going to be Eddie. The show has been doing a lot of callbacks to S2, and for that reason, Abuela makes a lot of sense. She had the fall in S2 that brought Buck and Eddie to the hospital together. Abuela being unable to take care of Christopher is what enabled Buck to come into Eddie and Christopher's lives more fully for the first time by calling in Carla. So, a callback that involved Abuela being ill would make sense, and Buck and Eddie rushing in to the hospital as friends would be a lovely compare/contrast to that scene in S2.
More reasons I think it's Abuela under the cut
Additionally, the show has deliberately placed Abuela in LA for Chim's wedding. They knew we'd be so busy celebrating Marisol not being there that we wouldn't even consider that choice in the context of the overall story. It allows Buck to easily be a part of any upcoming family drama involving her.
Abuela currently being in California also means that in the event of an emergency, she will likely be taken to the same hospital where Shannon died, which should escalate Eddie arc about letting go of Shannon. He will have to witness Christopher losing yet another mother-figure in the same place that he lost Shannon. But guess who will be there very much alive the whole time? Buck.
So, I bet that Abuela is still staying with Eddie in 7x07 and something happens to her in Eddie's house at the end of the episode. And that triggers Eddie's family coming to LA for 7x08 and possibly blaming Eddie for Abuela's hospitalization.
Peter seemed to be shooting at locations mean to look like a different state for ep 7 or 8, and it would be cool if in the same episode that Bobby went home to face his family, Eddie's family came to LA to face him.
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wellcollapse · 6 months
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8, 22, 25
8. common fandom opinion that everyone is wrong about
hooo boy.
bobby and eddie's relationship.
i think i've met like. two people who actually Get it bc their dynamic is either reduced down to bobby being eddie's "father-in-law" — which makes no sense since their onscreen relationship exists completely independent of buck — or, in the rare cases that people don't view their dynamic that way, it's usually described as 'eddie is bobby's kid too!' instead. which, admittedly, is not as egregious as the first one but it's just so far from what i personally believe.
i think their bond is incredibly meaningful for both of them, and i think they've both been irreplaceable in terms of the other's growth, but i really don't think that eddie canonically views bobby as a father, nor do i think that bobby sees eddie as his kid. and i don't think that they really need to see each other that way for their relationship to be important.
honestly, i strongly prefer the interpretation that he sees eddie as a reflection of himself (as peter krause said) bc i think that's a much more compelling reading of their dynamic. this is a relationship where bobby saw someone who was struggling in so many of the same ways as he was and decided that he would never let eddie suffer like him, instead choosing to take what he's learned from life and loss and choosing to guide eddie down a better path toward healing and happiness, and i love it for what it is.
22. your favorite part of canon that everyone else ignores
answered here!!
25. common fandom complaint that you're sick of hearing
thankfully i don't see it much right now but when i was first getting into the fandom i saw a lot of people complaining about lucy and i've always found it exhausting bc i like her character.
(also anything to do with the punch or lawsuit. good lord.)
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itsanerdlife · 2 months
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Wicked Intentions 2
Pairing: Bucky Barnes x Stark!Reader // (Seriously close) Steve Rogers x Reader // Clint Barton x Reader // T’Challa x Reader.
Warning: Violence. Language. Bullying. Girl Fights. Name Calling. Degrading Comments. Angst. Degrade of Woman (to a point). Criminal Life. Illegal Shit. Fights. Alpha Males. Stalking.
Characters: Peter Stark. Howie Stark. Bucky Barnes. Steve Rogers. Clint Barton. TC (T’Challa). Ben Reilly. Cledus Kasady (CK). Brock Rumlow. Gwen Stacy. Wanda Maximoff. Becca Barnes. Amore Lorelei. Kitty Pryde. Frank Castle. George Barnes. Joe Rogers. Winni Barnes. Pepper Stark. Wade Wilson. Eddie Brock. Warner Strucker. Barney Barton. Bobbi Morse. Pietro Maximoff. Logan.
A/N: This is a Bully Romance. High School setting. Mafia Family Life. Woman are on a lower level than males in their world. Just a heads up. This is the third installment of the series. Bad Intentions, Cruel Intentions, and Wicked Intentions.
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Father: Meet at the house. All of you.
Glancing at the text as Bucky pulls into my father’s drive behind my brothers.
“What could this be?” Clint wonders as he pulls open the door for me.
“No idea Packman. Maybe it’s wedding stuff.” I shrug. But don’t miss the glance between the three of them. “Do you know?” I lift a brow at them.
“No idea.” Steve cuts his eyes to my brothers gathering outside their car.
“I’m sure you’re right, wedding stuff.” Bucky comes towards me, slipping his hand to the small of my back, guiding me forward.
“Ah huh.” I glance at him before my brothers. Becca looks to be edging into a nervous breakdown.
“Don’t go getting a head of yourself.” TC chuckles next to me.
I eye him slowly as we round the side of the house.
Something is off.
“You know if I find out you’re lying to me, I’ll torch all of your asses.” I comment cutting between my siblings, leaving the boys with them.
“Nothing to lie about smalls.” Howie’s quick to reply.
I turn on dime, forcing them all to stop.
Gwen looks down at her belly. Becca picks at her thumb nail. All six boys have blank looks. Wanda’s head tips looking past me.
“Something wrong, smalls?” My father’s voice making me turn around.
George, my soon to be father in law standing next to him. Another man with them I hadn’t met before.
“If my siblings come up missing, I’ve torched them and put them in the woods with brock.” I shrug, walking towards the three men. George chuckles, pulling out a chair for me at the patio table.
“Now that’s no way to handle your problems.” My father sighs.
“At least she makes jokes about Brock now.” Peter smirks pulling a seat out for Gwen.
“You’ll be next big brother.” I blow him a kiss, as Bucky sits next to me. He chuckles, reaching over to pat my thigh.
“You can’t put bodies in the same place, that’s how they get found.” He reminds me.
Glancing over at him, I smirk. “Bet Frankie knows some places extra secluded.” My father and George exchanging a look, smirking at one another.
“You weren’t kidding when you said she is ruthless.” The strange man comments. I notice Wanda isn’t sitting.
“Red?” I sit up, leaning forward.
My father nods, looking from the man to Wanda.
“What are you doing here?” She snaps suddenly.
My eyes cut to my father.
“Who is he?” TC stays standing, watching the man.
“My names Logan.” He spoke in a deep, gruff voice. Dark hair greying. Well built, a salt and pepper beard.
“He works for my father.” Wanda adds.
“Oh fuck.”
“Shit.”
“Fuck.”
“What’s he doing here?” I ask, looking at my father.
He clears his throat, adjusting in his seat.
“If he’s dead just say it and leave.” Wanda huffs, crossing her arms over her chest.
“He’s not dead.” George assures her.
“Your brother,” my father starts, only to be cut off by four voices.
“Brother?!”
“What brother?!”
“Wait a minute!”
“Hold the fuck on."
“Wanda has a twin, his name is Pietro.” I explain for them.
“How do we not know this?” Bucky looks to me.
I shrug. “Wasn’t important information at the time.”
“Pietro is getting released. Early.” My father finishes, nodding slowly.
“Fuck.”
“Me.”
Wanda and I blink at each other.
The guys look between us
“Released from where?” Steve wonders.
“Prison.” Peter replies.
“Your twin is doing prison time?” Bucky’s brow jumps up.
“With her father.” Howie adds.
It’s strangely quiet for a moment.
“The Russian Mafia is coming to town, boys. Strap in, a hurricane is calmer.” George shakes his head, looking at his boys. The three of them look from one another to my brothers.
“What’s this mean?” I straighten my spine.
Logan looks from Wanda to me. “Her wedding is to be done in the coming weeks.” Wanda’s hand drops quickly, Howie quickly grasps hold of one. “And he’s looking for an audience, with the Stark.” He nods. I look to my father. Only he’s looking at me. Glancing around, they all are.
“Me?” Snapping my eyes to Logan.
“Even in prison, he’s heard about you.” Logan nods.
“I’m not in charge yet.” It comes out like a whisper.
My father snickers. George chuckles softly.
“Oh darling if you think you’re not in charge, you’re wrong. Everything pushed at that table is with you in mind.” George levels me with a look.
I look to Bucky. He smirks at me.
“You’ll start sitting in and taking matters into hand in coming days.” My father explains.
“What?” I jump up.
My brother’s smirks at me.
“It’s only time you start running things, little miss.” My father smirks. I blanch for a second. “I’m not married. You’re not retiring.” I can’t quite grasp what’s being told to me.
“You’re marrying a tables son. You are the center of The Saintz and Brothers, as well as your own girl gang.” My father waves his hand at the table. Glancing around slowly.
“He isn’t wrong, Sweets.” Steve smirks at me.
Bucky slowly pulls me back down into my seat. “You know this, CK knew this, Brock knew this, Ben knows it. You are the push of all of us. Without question,” he smiles softly at me “since you walked into Saints.”
“We told you before.” Clint grins. “You want to take over, we’ll take anyone down and build you a thrown.” He shrugs.
“You know we back you on anything.” Howie winks at me.
“Ball up baby sister, you said you wouldn’t take over without the guys. It’s time to take over.” Peter smiles.
Looking to Wanda, Gwen and Becca.
Becca smirks at me. “And crush anyone who steps to you.”
When my eyes drift to TC, he smirks, shrugging. “You know I’m your right hand, no matter what comes.”
Leaning back in my chair, nodding slowly. “Fine.”
My father and George exchange a look, looking back at me.
“Just fine?” George chuckles.
“Smalls?” My father lifts a brow at me.
“My way.” Cocking my brow at him.
They laugh, nodding.
“That’s our girl.” George laughs.
“She already has a right hand?” Logan looks to my fathers.
“Problem with it?” TC cuts his look to him.
“Tony, your girl has her own mafia family.” Logan shakes his head. My father’s smirks, nodding.
“Spread the word too.” I lean forward, staring directly at him. “Speak it like gospel or what the fuck ever, make sure it’s known to all.” I warn him. He stares at me for a second, long and hard before he nods slowly. “Fuckers around here know don’t play with me or mine. Look what happened to the Kasady family.” I smile smugly at him.
“Like a fucked up Grim Brothers fairy tale.”
Howie licks his lips, grinning he looks to Peter, a cold look in his twin brothers’ eyes, smirking.
“Make it a warning. Make sure they know, they fear it. Like our father, only so much worse.” Peter tips his chin.
“I heard she’s called Satan.” Logan smirks at Peter.
“I am.” I reply, staring back at him. “Don’t ever second guess it, either.” I cut my eyes around the table, stopping on Bucky, before I stand, leaving the table, TC follows me.
----
Everything Peaches 12/8/22 @mo320 @ml7010 @kmc1989 @irepeldirt @joannie95 @nunu2888 @coley0823 @rileyloves5 @sexyvixen7 @duckestylez @abschaffer2 @drayshadow @shirukitsune @xoxabs88xox @carostar2020 @rosalynshields @destiel-artemis @hookslove1592 @CallSign-Vesta @royal-sunflower @iwillbeinmynest @bellamy-barnes @geeksareunique @happydeanpotter @fanfic-n-tabulous @steel-blue-eyess @mariekoukie6661 @wonderswrittings @bless-my-demons @notyourtypicalrose @lets-talk-about-xyz @loving-life-my-way @shinycupcakebaker @also-fangirlinsweden @stupendous-science @daughterofthenight117 @dandelionsmarkthegrave @physically-a-cheesecake @letsgetfuckingsuperwholocked
Bucky 'Fuck Me Up' Barnes: @nickyl316h @jbbarnesgirl @lets-roggerthat @this-is-mycrisis @kaylaphantomhive
Series Tags: @sebastians-love
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