#big time therapy

[inkameswetrust]

ah, yes.

my favorite traumatized siblings. the child star with intimacy issues and the emotionally neglected chronically online 9 year old.

[bacchuschucklefuck]

soon it'll be dawn again

transcript under the cut ⏬

page 01

Fig: no way? - you're still up?

Riz: Wh– yes?

Riz: Why'd I not be.

page 02

Fig: I me~~ean - that took.

Fig: whole day.

Riz: Yeah?

Fig: 'm beat.

Riz: you should sleep.

page 03

Fig: nah. my guy's still up

Fig: I wanna hang out.

page 04

Riz: That's really nice.

Fig: Hah! - Nobody ever expects an Archdevil rockstar to be nice.

Riz: … yeah. - 's just budget work tho. (the stuff I'm working on) - I've heard it's boring.

page 05

Fig: yeah, but you do it…

Riz: It keeps things going, right? - Nothing happens if nobody sits down and - does the thing.

Fig: That's right… - though. Yeah.

page 06

Fig: sometimes it's someone else who - doesn't want the same thing to happen.

Riz: … - mm.

page 07

Riz (off screen): …It took me a long time to get that not everyone likes doing what I do. - 's probably because you guys are so nice– - or. - kind.

Riz (off screen): to anyone too, not just. - the people you /love/.

page 08

Riz: that's not how it is elsewhere. - The world's– not. hostile. - but 's not like it's kind.

Riz: So I'm doing as much as I can now… 

page 09

Fig: Hey.

Riz: ?

Fig: Go dig some dirt with me.

page 10

Riz: [blank speech bubble] - oh you meant like - actual dirt. (not incriminating information)

Fig: o yea.

Fig: there's clay in the backyard soil. - sometimes when I'm sun deficient or something I go touch dirt for a bit.

page 11

Fig: here u go

page 12

Riz: uh

Fig: now we make a thing! - 'm pretty good at freehanding a bowl.

Fig: I'll show u

page 13

Fig: just– yep, flatten that out as evenly as u can, then–! - actually ur nails'd be so good at cutting out the strip. [larger than usual space] wait. - wait. wait u can carve patterns with them! we HAVE to try

Riz: uh - What. do I carve?

Fig: anything!!!

page 14

Fig: and– yep just seal the inside uh. seam?

Fig: yep that works - okay time's up! all contestant hands up

Riz: [blank speech bubble] - okay - wh. what's next?

Fig: haha - watch this.

(sound effect text): FWOO—MP

page 15

Riz: WH– DON'T JUST DO THAT???

Fig: Now it's fired!

Riz: THAT WAS NOT SAFE

Fig: (actually it's just dry. if u add water rn it'll dissolve)

Fig: ok catch!

Riz: [blank speech bubble] - careful!!

Fig: dw no need haha

page 16

Riz (thought bubble): oh - it's warm…

Fig: now I want you to throw this.

page 17

Fig: u gotta do it - c'mon

page 18

Riz: wh– - It's like 3AM right now

Fig: oh it's not /fired/ fired it's not gonna make a loud noise

Riz: And then just? leave a pile out here?

Fig: pour water over it & it'll be gone I told u

Riz: but

page 19

Fig (off screen): RIz.

page 20

Fig: I've done all this before.

Fig: Can you trust that at least?

page 21

Riz: no, I– - I do. - I trust you.

page 23

Riz: okay what happens now

(sound effect text): glob

page 24

Fig: we do it again!

page 25

Riz: wh. [larger than usual space] What do you mean. (this clay's too wet also)

Fig: see! you're already learning

Fig: [blank speech bubble] - there are flows that are futile to fight. - The world changes.

Fig: Things change.

page 26

Fig: I've learned my lessons with "forevers". - But - as an artist

Fig: I can give you one thing: - You can always do it again.

page 27

Fig: most of everything depends on the rest of the world, - but this. - making new. - that's yours as long as you want it.

page 28

Fig: So?

page 29

Riz: Yeah. - Yeah! - let's make another one.

[pangrams-n-palindromes]

3x03 / 7x10

do you ever think about the glasses & the backpack? because I do

[buttercupshands]

I started drawing this next day after I finished Act 6

13 or so days and it's finished!

Main things are traditional and Loop's body was edited digitally after

Unedited it looks like this

I've been torn on how to do Loop's body for the entirety of lining, also

A bit sad the main lines are visible only as a wip, most of this thing is literally just a ton of sharp lines

I think it's also my first day of drawing, Loop is just a sketch here (feat. my leg)

I even finished the beans before it so they were a moral support, because if you let me things like this take a year

[natalievoncatte]

31. Spookycorp

(Yes I know it’s late. I have a permit. I can do what I want.)

Lena adjusted her cheap plastic tiara, which she’d had chosen herself at a Spirit Halloween. Though she would never admit it, Lena felt giddy when she went shopping now. She used to just send Jess or use a high end shopping service; Lena Luthor had neither the time nor the patience to fumble with checkout lines and coupons, but post-L-Corp Lena, private citizen Lena, head of a charity org and retired from corporate sharkery Lena delighted in it. In a sweater and leggings with her hair in a simple ponytail and glasses not contacts, she felt human. Normal.

Her costume was simple, the tiara and a goofy floofy mini dress she’d picked up at a thrift store, and a wand to top it all off. Kara recognized her immediately.

“Let me guess, a good witch?”

Lena stood in the door and beamed, nudging her glasses. She was still getting used to them every day but her therapist had insisted she stick with the changes she made.

(The penthouse was going on the market and she was selling her Louboutins. Most of her Louboutins. She was finally telling that little voice in her head that sounded like Lillian to SHUT THE FUCK UP YOU’RE NOT MY MOTHER whenever it admonished her about not being perfect enough)

Kara was dressed in an all-green ensemble with a pointed hat resting on her head and a cheesy plastic bow on her back.

“Robin Hood?”

“Of Locksley,” Kara bowed.

(If I’d know, I’d have dressed as Maid Marian.)

She beckoned Lena to enter in an expensive gesture and watched her step inside, her gaze lingering in a way that made Lena tingle all over, goose flesh rising on her arms. She hopped up onto a stool and smiled when Kara handed her a beer.

“They make pumpkin spice beer now?”

“Mmmm,” Kara said, nursing her own. Lena’s eyes widened when Kara tipped a flask into it; a sticker on the side read Not For Humans.

“Just a little to loosen me up,” said Kara. “It’s a party.”

Kara sat down on the other side of the table and just… looked at her. She looked at Lena with her chin resting on her fist and a soft distant look on her face, and Lena stared back just as intently, entranced by the way her sunny curls escaped her sloppy ponytail and framed her face.

The spell, as it were, was broken by a knock at the door. The snacks were coming, an absurdly huge order that Lena had placed while she was on her way. As the bewildered delivery boy accepted her excessive tip, Kara carried the bags into the apartment, and together they began laying it all out on the kitchen island.

Brainy and Nia were the first to arrive. They wore matching silver body suits and Nia had put on a gloss of green makeup: Querl simply disabled his image inducer.

“We’re aliens!” Nia chirped. “Lena I love your outfit! Wait is Kara Robin Hood? Lena, why aren’t you Maid Marian?”

Lena froze, suddenly aware of Kara’s tense presence beside her. She didn’t dare turn her head and gauge Kara’s reaction.

“Did you purchase every potsticker in National City?” Brainy asked, almost pointedly snapping the tension.

Kara laughed. “I think Lena just wants to keep me from eating everything else.”

Alex and Kelly also showed up in marching costumes, making the moment even more awkward. They were married, of course, so they were supposed to coordinate.

Alex strutted into the apartment, grinning, and threw back the cowl of her Batman costume, as Kelly rolled her eyes behind the mask of her Catwoman outfit.

“That’s cute,” said Kara. “Did you guys like flip a coin to decide who was who?”

Alex poked the gray fabric over her stomach. “You know what, Kara? Sometimes I want people to know I have abs too. And unlike some people I have to work for mine.”

Kara poked out her tongue and shoved a beer in her hand as Kelly pulled Lena into a hug.

After a toast to James, and J’onn, and Winn, and absent friends, Kara started the first movie of their marathon. Each couple had selected one film, and Alex’s selection went first: a really weird movie called The Keep.

“This was originally three hours long before the studio butchered it, but it’s still a classic,” Alex explained. “It’s Michael Mann’s only horror movie.”

Lena found it largely incomprehensible and not very scary, and there were some scenes, especially the nonsensical sex scene, that made the experience a tad awkward.

“If I was in an ancient castle in Carpathia and the crosses in the wall started glowing, I would not mess with them.” said Kara.

“Yes you would,” Alex snorted. “Your approach to danger is to shove you arm in it.”

Kara drained her beer and rolled her eyes. Lena glanced over at her and giggled, nursing the last of hers.

“Want another one?”

Lena nodded, and Kara got up to get them more drinks. Lena lost interest in the movie as she watched Kara cross the apartment and bend low to grab two more bottles from the bottom shelf of the fridge, bending at the hips. The bottom of her tunic pulled up over her muscular backside and the buns of steel strained her green leggings.

(She would annihilate me with a strap)

When Kara stood up, Lena snapped her gaze around and found everyone staring at her, Nia suppressing a giggle. They all looked endlessly amused, except Brainy, who had a self-satisfied smirk, as if he’d beaten her at chess.

Kara sat down and passed the cold beer to Lena, saying, “these movies would be scarier if they didn’t all have a bad guy I could just toss into space.”

She looked at Lena and raised her arm to curl her bicep.

Lena felt her soul almost leave her body and took a drink from her beer to hide the shivers.

The movie ended and Nia jumped up to put on her selection, which she proudly announced to the group. “ARMY OF DARKNESSSSS!” she shouted, clapping her hands.

Lena hasn’t seen this before and even though there was a ten minute prologue explaining what the hell it was about, Lena finally just decided to stop caring about the plot and just go along for the ride.

Kara had apparently seen it and she and Nia went back and forth quoting the dialogue back and forth at each other and gobbling snacks. Alex and Kelly seemed more interested in each other and had gone fairly quiet.

Lena was more interested in Kara. Her joy was infectious, especially after a third beer.

It was getting cool in the apartment by the time they were ready for the final movie, and Lena’s outfit was hardly warm. Kara felt her shiver and got up, coming back with a stack of blankets, which the others accepted.

Kara then took her cape and spread it over Lena. The fabric was stout and heavy and lay warmly about her as she tucked it under her chin.

“Uh oh,” said Alex. “Lena gets the Superblankie.”

“Oh, shut up,” Kara said.

“Lena always gets the Superblankie,” Nia agreed.

“Guys!” Kara said, sounding a little panicked.

“Start the movie already,” Kelly yawned, breaking the tension.

Kara put on the final movie, her choice: Bram Stoker’s Dracula.

No one remarked that for movie choosing purposes, Lena and Kara had been expected to act as a couple. Kara sat down on the sofa with Lena and pulled the cape around them both, tucking them tightly together and sharing her blessed, glorious body heat. Kara ran about three or four degrees hotter than a baseline human and it made her a living space heater. Lena adored it.

She adored a lot of things about Kara, like her laugh and her smile and that funny little scar, the only imperfection on her invulnerable body. She adored the way her blue eyes glittered like sapphires in the dark apartment, and the soft pillow of her bottom lip and her big strong hands and the way she was always laying a protective arm across Lena’s shoulders, making her feel so safe and…

Lena turned her attention to the movie. It was a comfort choice of hers and she knew it by heart, so it was easy to relax into Kara and not worry too hard about how much she was utterly, irrevocably, cruelly in love with her unattainable best friend.

The apartment was quiet. Lena was fairly sure that Alex was asleep and Kelly was mellow, too entranced with her new wife to care about anything else, and the way that Brainy and Nia were tucked under their blanket and whispering to each other made Lena hot with jealousy.

Kara’s chest hitched and Lena turned to her sharply.

“What is it, darling?” she murmured.

“Nothing,” Kara lied, then whispered. “This is so sad.”

She took Lena’s hand and Lena almost died on the spot, and it got worse when Kara nuzzled her chin into the crook of Lena’s shoulder.

Out of nowhere, half an hour later, Kara murmured, “if I lost you I think I’d become a monster too.”

Lena flinched, then turned to her. Kara was looking at her with big puppy dog eyes and that crooked little smile of hers, at once an honest smile and a smile for the keeping of secrets.

Everyone else was asleep, and would probably stay that way until morning.

“Kara,” Lena whispered.

Kara took it as an invitation, gently shifting so that Lena was now in her lap, and tucked Lena under her chin. She wrapped her arms around her and just breathed, chest gently rising and falling against her.

“I want you to know how sorry I am for all the things I’ve done,” Kara whispered into the top of her head. “I’ve never told you, I was gone before I could and after I got back I was scared.”

“Kara,” Lena murmured back, “darling, it’s alright.”

“I was so scared when I was there,” Kara said, not daring to name the Phantom Zone. “That place messes with time. I was terrified that if I ever got back you’d all be gone. You would be gone. I was so afraid it hurt.”

Lena went still, just listening.

“I’m so sorry, baby. You deserve better than me.”

“No I don’t,” Lena insisted, almost too loud. “No I don’t. There is no one better. God, Kara,” she softened her voice, “I think I fell a little in love with you the day we even met. I never used to believe in love at first sight or soulmates but… I am a witch after all.”

Kara let out a slow sigh. “Lena, are you saying…”

“Even when I was trying to tell you I hated you, I was telling you how much I love you. It’s you, Kara. It’s always been you.”

“I love you so much,” Kara said whispered, “I’ll love you forever.”

“Kara, everyone else is asleep,” she forced out, her jaw trembling from excitement. “Take me to the bedroom. Please.”

Kara said nothing but stood up in a single motion, lifting Lena with ease and curling her up in the cape. Lena didn’t think her feet ever touched the ground as they slipped into the bedroom and Kara laid her down on the bed, quickly and quietly closing the door before lunging into the bed, pressing Lena into the mattress with a barrage of hot, aggressively desperate kisses.

They were both quiet, Kara pausing only briefly to implore Lena with her eyes and wait for a murmured yes. There was something thrilling about the quiet, they way they swallowed their gasps and passed their moans softly through one another’s lips, and Lena would never forget the way Kara delighted in her, virtually worshipping her.

Lena returned the favor with with enthusiasm.

By morning, Lena was exhausted in every sense of the term and was curled up in a tangle of blankets and a snoozing Kryptonian.

There was a knock at the door.

“Well lock up on our way out,” Alex called. “By the way, you guys forgot about the whole keeping quiet thing about halfway through. Thanks for etching Lena yelling “daddy” into my brain.”

Kara snorted.

“Alex, I love you, but get out.”

[slavhew]

Dirk in the middle of a therapy session

in all seriousness tho if you want dirk therapy hours. keep ur eyes on my ao3 account ive got some real stupid self indulgent 13k-odd words cooking and ill try to post it sometime this month

Edit: it is DONE and just shy of 14k. Go go go

[puppetmaster13u]

Prompt 208

So Danny would feel exasperated, and probably should. But Dan is actually doing good and hasn’t even bitten anyone during this situation so that’s a win in his books. Now if the turned-into-a-four-year-old could tell him where he managed to grab this other child when he was supposed to be at the babysitter’s, that would be swell. 

Or why there is a hero who nearly broke the door down in a right panic. 

Like genuinely, he doesn’t know who was more surprised, him, or the hero who came running up half in a panic attack. 

[basil-does-arttt]

so we all know how Bury The Light as a theme song represents Vergil and subsequently his story and themes within DMC 5??

Well obviously that means Subhuman is the same for Dante. So i did some thinking (wow big surprise there shocking i know)

The TLDR of this is my conclusion that Dante is reckless and overconfident because of his half-devil nature and as a result disregards his life and safety. Also, that Dante has mixed feelings about his demon side.

Specifically what got me to this thought was the line we all know if you've listened to subhuman:

"You cannot kill me, i am subhuman."

And,

I mean come on, the message couldn't have been written any clearer here. Because he's part demon, because he's - as Dante puts it, assumably the writing of this song is from his POV much like i assume Bury the Light is from Vergil's POV - sub-human, he believes he cant die. That whatever is thrown at him, no matter what or how dangerous the situation is, he naively believes he will come out the other end unscathed.

And to be honest, he kinda has reason to believe that thus far. If being stabbed at least 5 times throughout your life and brushing each one off as if it were a mere scratch wasn't enough to convince him, defeating so many different great demonic beasts including Mundus himself definitely would. I mean, who wouldnt? Whatever hell throws at Dante, surely cant be any worse than the actual fucking demon king or his own brother post-DMC 5. In a sense, he believes he is immortal.

But that way of thinking is shallow, its naive and leaves him open to danger because it makes him cocky. He thinks he's untouchable, and that way of thinking could get him seriously hurt or worse if he isnt careful. (As we see in the beginning of DMC 5 actually. He thinks "eh, ive fought worse, how bad could this actually be?" That "Its only Vergil, and ive fought him before." Only to have his shit kicked in and end up in a coma for a month. Imagine if that happened with a different demon that wasn't so merciful as to keep him alive for all that time, who would've jumped at the opportunity to rip him to shreds in an instant.)

I also want to go into how the song reflects Dante's (poor) mental health and his thoughts on being a half-demon.

Its kinda hard to catch unless you really think about it but the song is clearly negative in tone when it comes to describing Dante's own devil form. "As i call upon the dark gift to erupt" is one line that sticks out to me and i think is the best example of this. I also believe from the song that Dante views his DT as a seperate entity from himself; "I feel the devil in me, we're coming right for you".

"Funny how the mind tries to sink me deeper, as the evil tries to turn me around." The evil could be in reference to other demons, yes, but it also could be referencing his own "demon"; "i must not forget that i have bled, from no respect to the demons in my head". Wether that line means he's gotten himself hurt because of his own recklessness or self-harm i cant tell, and i wont assume one or the other specifically.

Throughout the song too, the lines "i cannot erupt, i must control, i cannot erupt, i must explode" to me also seems like Dante struggles with control of his DT, and is scared of losing himself when triggered. The whole tone of the song seems like a rampage of sorts too, its very aggresive and almost violent. "Something save me, put me out of my destiny, and drop me safely in this hell"; yet at the same time as his fears toward his own DT, it feels natural to him, this kind of "bloodlust" he feels in his triggered form is something he doesnt want but he knows he cant keep from happening entirely, so as a result the most comfortable place for him is in danger. He can let loose and he doesnt have to worry when all he's killing is demons. One last thing, "i see right past me, the eyes are flashing" to me sounds like Dante becomes almost dissociated when triggered, he's not really present in his mind and body and is acting on pure instinct alone.

All in all, Subhuman (like i said earlier) at first just sounded like an epic battle theme for Dante, but when i really listen to it, it becomes much sadder. Of course all of this could just be me bullshitting so id love to hear other's takes on this.

i also wanna analyze Bury the Light too. So i might do that later.

[haunted-xander]

Do you think Saix' emotional co-dependence started as a Nobody or did it start as human Isa and just grew to an unhealthy degree?

[1doesnotsimplyhavejust1fandam]

Need an acknowledgement after Buddie goes canon of them having had latent or explicit feelings for each other for years. This isn’t a case of “oh, we were best friends for years and then one day we woke up and were in love.” This is a case of “we’ve been best friends for years, and we’ve been falling in love with each other since the day we met. We just didn’t understand it yet.” We’ve already had Buck’s realization that he’s bisexual, but his arc was chock-full of obliviousness to his attraction to Eddie, his feelings for Eddie, whose attention he actually wants. He still doesn’t really get it, but he gets that he likes men too, at least. Eddie is a whole other ball game. From the Catholic guilt to the toxic masculinity to the childhood emotional neglect to the pressure he keeps putting on himself to perform in relationships. He’s repressed as hell, and he isn’t to “I’m gay” yet, but we see hints of him understanding that how he feels might be a little different (his pause at “follow your heart, not Christopher’s” from Carla, his two talks with Bobby, admitting to performance anxiety on dates to the whole team, his talk with Buck about Marisol being an ex-nun, his acceptance that Ana and a ready-made family was the reason for his panic attack).

We know that the two of them are bad at identifying how they really feel, or at least allowing themselves to feel it. So, it makes way more sense for the show to admit that they’ve had romantic feelings for each other for years, rather than trying to convince the audience that what we’ve been watching these past seven seasons isn’t a product of two characters’ struggles with their identity and relationships. And while I’d be satisfied with a light-hearted snark from Hen or Chim about how they’ve been seeing it for years, I’d be so much happier with a full circle moment of the boys actually fully knowing themselves, acknowledging that they were never just best friends, they just didn’t understand it yet. It would show their series-long growth, as well as being an enormous tip of the hat to the audience. Because we aren’t misinterpreting it. We’re reading the queer-coding directly from the show, yes through subtext of course, but also the literal text. There have been so many moments deserving of acknowledgement in this regard, and I would hate for Buddie to go canon without it being clarified that those moments were exactly as queer and/or romantic as we thought.

[many-but-one]

Okay everyone, I have to talk about this movie my partner and I went to see together. Some of you may have seen info about it before. It is called Wild Robot. (Trailer linked)

This movie could not get any more overt about its message about “overriding your programming.” Specifically, overriding your programming and becoming “more than what you were programmed to be” and overriding your programming in order to help each other and keep each other safe. Another big theme is deciding not to return to the programmers to “get fixed.” Although, spoiler alert, it does sort of happen, but not in the way you think. It has a happy ending.

This movie was delightful, heartwarming, adorable, and incredibly impactful for our system to see, especially our parts who are young and still a bit ingrained with their programming. While we consider ourselves fully deprogrammed in the “parts are willing to not run their programming” way, they still have to process a lot of the traumas that caused the programming and fully deconstruct the narratives they were taught about themselves. Seeing this movie really hit hard for a lot of these parts who are still struggling with this.

I highly, highly recommend this movie to any RAMCOA or programmed system who feels this sort of message being delivered in a heartwarming kid’s movie format may be of help. There’s tons of media geared towards teens and adults about overriding programming (Detroit: Become Human was a huge hit for our parts even before the lesser knowing ones even realized why, for example) but we have never seen a movie geared towards children with this message, and it may help systems whose young parts may need a different format of the same message!

[ciderjacks]

therapy

[kindnessoverperfection]

Lately, when I talk about someone I strongly disagree with, I think about my friends.

When I interact with someone who regularly rants about people, and tends to take things in the worst ways (without any attempts at self-reflection or grace), I feel more on-edge. I'm nervous to voice opinions. I'm always over-thinking everything I send them, worried about how they'll receive it.

On the other hand, I feel much safer during conversations where someone is speaking neutrally about those they feel at conflict with. When they feel upset about a situation, but without talking aggressively about the other person. Because I know that if we're ever in a disagreement, or have some sort of conflict or misunderstanding, they won't hurt me or suddenly hate me*.

I used to speak much more aggressively about people. My personality disorders, combined with online toxic environments, were big factors in that. I was stressed and angry constantly, and I felt justified, and I felt afraid and ashamed to respond with anything but anger. But to make a long story short, I had several big painful interpersonal experiences where I realized how my attitude was impacting my friends.

I remember the nervousness in my friends' eyes. I remember the people I've met who are much older and never grew out of that reactive communication style, and I don't want to be that person. I want my loved ones to feel safe around me.

So nowadays, I do my best to speak compassionately (or at least neutrally). Because I want to signal to my friends that I'm not going to be cruel to them, or to automatically believe the worst of them, during a conflict or misunderstanding. I try to vent about situations and my fears instead of people.

I wish I'd realized this before.

*(I discuss splitting in the tags)

[possession1981-moving]

went window shopping in those baggy jeans nct love so much

[insufferablemod]

Life is wild,,, I'm likely gonna say no to what has been my dream job for like 10 years or something,,,???

[whiskey-tango-matcha]

not to brag, but my therapist told me today that i did incredible during our emdr session, which means i get an A for the day in therapy, something that is both normal to want and possible to achieve 🙂‍↕️😌