#big rip tbh

[d-issent]

Thinking abt how Smudger, Duke and Stanley were meant to be the traffic light system (green, amber, red) and they were affectionately referred to as such by staff on the MSR.

Then when Smudger & Stanley got fucken generator’d, it started this big ripple effect where shit just got gradually worse as time went on lmfao.

[chewingbatmanlikeasqueakytoy]

Okay so I'm a big fan of Danny (or the other Phantoms) running into Constantine and seeing his soul damage and going

DISGUSTING

But like actually

That's so rude???

Like could you imagine running into someone you don't know, and they have massive facial scarring and just exclaiming

"What happened to your face! It's hideous!?"

Like.

The judgement.

The silence.

The pure social shame.

How would Constantine abuse such a faux pas to his advantage?

Bc this man, Mr. ConMan that he is, would abuse the HELL out of it, if Danny or the others are half as powerful in DC scaling as we like to make them.

How is Danny reacting, to essentially knee jerk reacting to someone's severe scaring by screaming in horror? Resisting the urge to curl up and evaporate? Literally involuntarily invisible for the first time in years bc he's so embarrassed?

Honestly even if Danny has heard of Constantine and knows he did that to himself, you also don't scream about someone's tattoos or SH scars being ugly, so the point stands if he's a full stranger or known by reputation

[kitkat-the-muffin]

If I had a nickel for every time the second season of a Lego show had a mid-season finale where a major character was sucked through a red portal unable to return, I’d have two nickels, which isn’t a lot but it’s weird it happened twice right? In the same year, too

[chirpsythismorning]

Fun fact: In the original pitch for Stranger Things, El had a little brother.

After being rejected by almost 20 studios for the Montauk pilot, the Duffers were finally green-lit by Netflix. It was at this time that they began casting and then writing the first season officially, which included reworking a lot of that first episode.

This led to the removal of the brother reference, and with it, removing any sort of arc El could have had about her apparent brother.

But the thing about this moment, is that it might not have been scrapped entirely...

Going into the final season, no one can explain why or how El recognized Will back in 1x02. And while there are plenty of things on the show that are left unexplained, with a small portion likely left that way with the intention to uncover it later, what sets this moment apart from the rest is that there are very few possibilities here.

Because for starters, the story presents El's ability to see people in the void in s1 as requiring either a picture of that person for reference, or having met that person before.

But when El see's this picture of Will, she's never met him before. Or maybe she has, but we wouldn't know because they never showed us. They could have just not done this scene at all, given that it's clearly a copy/paste/edit of something scrapped from the pitch. Or they could have even still included it, but explained it.

One explanation could be that the lab had shown El a picture of Will before, similar to what they did with the Russian agent they wanted to spy on. But then that begs to question, why would the lab show El a picture of Will? Why would they want to see what he was doing? That alone is incriminating in and of itself, implying that Will is more connected to the lab than we realize.

The only other, and frankly most likely explanation, would be that El stumbled across Will at some point on her journey between escaping the lab and Will going missing. This is actually something that happens in The Other Side comic, which explores all the things Will may have experienced during his time in the Upside Down.

Though it’s worth noting the comics aren’t technically canon, and I highly doubt they would outright spoil everything in relation to Will’s time there, years before it was intended to be revealed. But still, let's humor this for a moment given that I do think Will's time in the UD is going to be very relevant in s5, which means it's highly likely they will finally address how exactly El saw him.

Basically, in the comic, Will see’s El walking through the woods, almost apparition like, glowing as she passes by, while also sporting the Benny’s burgers shirt. This means they would have crossed passed within a short span of time, between when El escaped Benny’s when the agents arrived, but before she was found by the boys.

Though it’s worth noting that we’re seeing this all from Will’s perspective. This means from the UD, Will was capable of seeing El on the other side, despite them being on different sides. And not only that, but she also looks back at him.

What confuses me about this, is that it doesn’t make sense for El to be in the woods, only to randomly decide to pop in to the void for a moment. She was trying to escape the lab and everything that came with it. I doubt she had any desire to lurk back there for some reason, not until someone encouraged her to. Not to mention, it would make no sense for her to go there and see Will if she wasn't even looking for him in the first place. And so this would mean Will and El could see each other, with Will being in the UD, and El being on the other side.

While it does seem pretty far off, given that you would think Will and El wouldn't be able to see each other from different sides, it is true in the story that El not only recognizes Will, but knows that he is in danger. She mentions that he is hiding specifically.

Which means she has likely seen him within the last 24 hours regardless.

This, in combination with Will being able to respond to El in the void at the end of the season in Castle Byers, when no one else outside of Terry and flayed-Billy have been able to, seems to imply that there is indeed something special about Will that makes him capable of communicating with El from the UD. Not only that, but El also seems to have an ability to be in this constant knowing state of how Will is doing, without even checking again to confirm. She's just certain of it. And she seems terrified about it.

Going forward, El never uses a picture of Will to find him. She never did. And more often than not, they don’t show us what she see’s either, not until the very end. And that’s the moment they reveal that he was able to communicate with her.

Again, there was really no reason to have El recognize Will. If anything it complicates things. But the fact that they chose to introduce this concept, with a scene from the original pitch that was related to El’s younger brother, with her pointing at his name cryptically, startling Benny, only to revamp it and have El not say anything at all while pointing at the picture of Will, startling Mike… It just really makes you stop and think.

Which brings me to the other aspect of this that might have people doubting, which is that El’s brother was originally younger than her.

We know Will is not younger than El, so how could this apply to him?

Well, it might be helpful to consider that in the original script, El was actually 10 years old, while the boys were always 12. Meaning that for some reason, they decided to age her up to the age of the boys, aka the same age as Will…

Ever since @erikiara80 shared this brother discovery with me, I have been sort of reeling. It then led to other little discoveries of changes they made between Montauk and Stranger Things.

It’s important to understand that the Montauk bible and the original script precedes what we ended up with in the final product, with it finally changing and evolving months, maybe even a year since that original vision. Even casting occurred before writing started for the first season. We know this because casting announcements were made in June and August of 2015, with writing not starting until August going into early 2016, simultaneously while they were filming.

And believe it or not, what I've discovered is that a lot of the changes they made between their original plans and what we see in the final product, have to do with not only Willel, but also Byler.

If you've read the original script for Montauk, you'll know that Mike's crush on Jennifer Hayes was focused on right from the jump, along with the birthmark on his face being focused on, which was the main cause of the bullying he experienced.

This has actually been talked about recently, and some of the claims people make do fit with what I am genuinely starting to consider here, which is that the initial plan for what makes Mike an outcast shifted.

I think when they completed casting, and started actually deep diving into what they wanted this world to look like, both from a short-term and long-term standpoint, they were presented with some pretty interesting discoveries, arguably already hiding in their initial plans without realizing it.

And this is where it sort of becomes a 'chicken or the egg' situation. Because which one came first? Byler or Willel?

I can't say for certain, because obviously this is all just speculation. But in the case that Willel came first, I think Byler would come very naturally after that.

The Duffers themselves are twins. Then they hire Noah, who is a twin. Then they're thinking and planning for El's past and how her family all fits into this, and they're thinking... wait a damn minute... We could totally Star Wars this bitch!

And then when they think it couldn't get any better, they uncover another layer that they hadn't planned or really considered in their initial plans.

While Will was always going to have sexual identity issues according to the Montauk bible, meaning that the writing process for him likely involved sitting down imagining scenarios that encapsulated this arc for Will from the beginning, they were simultaneously now finding very interesting aspects of Mike's character that made it hard not to at least consider the possiblity that Mike is not exactly straight.

Just think about it. The Byers and Wheelers are basically polar opposites on the spectrum of what a family looks like. While Will's discovery and acceptance of his queerness is interesting to explore because he comes from a low-income, single-mom household, all while having been bullied for years based on his perceived queerness, he also has a mother and brother constantly reinforcing that they will accept him no matter what. They've been sort of hitting us over the head with it for years, and so it wouldn't be very satisfying for his entire arc to merely lead up to something we've known all along. It's pretty much a given at this point.

On the other side of the spectrum, Mike comes from a more upper-middle class family at the end of a cul-de-sac, more aligned with what a nuclear family looks like. Mike's family is also presented as being more conservative, and while Karen does give that very queer-coded speech to Mike in s1 (I'm convinced they only wrote this after deciding to explore queer-coding more heavily with Mike), it also comes with comments from Ted and even still Karen that hint that they are probably not as open-minded and accepting as Will's family is to him. Which means Mike's arc would be a lot more about acceptance around him from his loved ones who we have been led to believe might not be as accepting of his queerness in contrast to Will.

And so as they're putting this story together, and they're being presented with something very interesting. Two similar experiences that play out in different ways because of the characters circumstances.

Will goes missing, and his twin sister with a buzzcut pops up and has the ability to help them find Will.

This leads to several moments where El is being compared to as not only a boy, but Will as well.

Now suddenly, their initial plans to have Mike's arc be about having a girl be interested in him and to hopefully have his first kiss and feel like less of a loser, starts to look a lot like what the experience a queer kid in his position might encounter growing up in the environment that he did.

And if you don't want to take my word for it, just hear the Duffer's themselves hinting at what they initially planned for Mike and the fact that it changed.

The changes don't stop there.

Believe it or not, 'It was a seven', did not exist in the initial pitch. When the boys went outside bickering over Nancy, they leave right after that.

Another thing that changed from the first script, was Scott Clarke's introduction:

And so you might be thinking, who cares? What does that have to do with anything?

Well, it's interesting because the line we end up with on the show is arguably one of the most on the nose Twelvegate proofs to date. Mind you, this is from the first episode:

Why chuck the original version, which was arguably more interesting and fascinating in terms of it hinting at the mysteriousness surrounding this story, only to replace it with him listing off tips about their upcoming test?

Well, I think it's the irony of it all. Here Mr. Clarke is practically telling us where to look to figure stuff out for ourselves what is going on, with all the kids filing out and ignoring him...

I relate to Scott a litttle too much in this shot here, any time I try to drop Willel evidence.

And the changes go on, as they obviously would.

Things like Terry Ives not even being El's mom, but actually a man who more so aligns with the characterization of Murray.

And one very interesting one I almost overlooked was in Hopper's introduction, where instead of a kids drawing done by who we assume to be Sarah, we actually see a picture on the wall of him and his wife and daughter... Interesting that they decided to switch it something that is a lot less definitive in presenting what Hopper's past looked like...

If you've made it this far, congratulations.

If you still think I'm out of my mind, just remember that El was going to have a brother in the original script, but they scrapped the scene and gave a near identical one to introduce her connection to Will instead 😘

[bunnyboy-juice]

its the birthday bunny!

[carnivalcarriondiscarded]

Joel meeting Ellie: *slams her into a wall & threatens to shoot her*

Joel five minutes later: *kills a man w/ his bare hands for threatening to shoot her*

[dang-dood]

i completely forgot that house md was canon in torchwood

[moeblob]

I love my dumb OCs so much ...

I think I have rambled about them before so to spare you! A tl;dr version that you can also skip:

Shilva can turn into a dragon. Vikrahm goes on an adventure and meets Pops. Pops is a famous dragonslayer who refuses to tell anyone his name and never collects reward money unless needed at that time. Shilva and Pops get married. They both do not tell Vik his name though so he resorts to a threat and is shocked when it actually works. "I didn't expect to get this far idk what to do now" kinda vibes.

[k--havok]

So, I actually am curious about this.

I use quite a few different programs for editing my work, specifically I prefer using ProWritingAid but have also used Grammerly in the past too before I wanted something with more features and specialized.

Both ProWritingAid, Grammerly, and other editing software often have features that can reword sentences for you for numerous reasons, such as getting rid of a "passive voice," for clarity, or just to make it sound better.

I'm not entirely sure what sort of program is running to do this. Is it AI based? Perhaps. Or maybe an algorithm of some kind? I am not sure. I know very little about software.

Personally, I find it really helpful and it speeds up the line editing, which I hate doing. Content editing and rewriting? Fine. LINE EDITING? Ugh.

But what is everyone else's opinion on this?

[noahtally-famous]

can't believe this hasn't been said before but unhinged!scarlett and unhinged!dave would be an iconic duo. shame pi didn't get a second season bc these two in an alliance would basically succeed in destroying the island, they'd wipe everyone out

the fact that they're both versions of the nerd character so they're already smart in their own ways, the fact that they have absolutely zero fucks to give anymore, their individual darker sides have come out (whether it was hidden consciously (scarlett) or unconsciously (dave)), and they've each attempted to kill/seriously injure one or more contestant(s) (and mess up the island in the process) just to reach their end goal. imagine if these two found a common goal somehow, literally nothing could get in their paths (except possibly each other)

[corpusdiem-seizethedead]

Angel: Let me see what you have-

Niffty: A KNIFE! 🔪

Angel: N O !

[garbagequeer]

loving the vibe of people who havent watched riverdale and havent watched the finale posting to complain about how they had a very normative ending because it reinforced the idea that characters have to be in relationships to be interesting. like my man fuck 86 year old single mother by choice and feminist magazine editor with no regrets about never getting married whose dying wish was to see all her old friends again betty's entire life just because she was in a quad for a year 67 years ago i guess. it's not enough that narrator jughead erased her whole shit now people on the internet who dont even care about betty my friend betty are doing it too. and the core four arent even in set relationships in the big pop's in the sky because they're juniors again. but you dont get the big pop's in the sky you don't care about the big pop's in the sky. i do

[starbuck]

every time i message someone about ravenous i’m like “are they ready for the conversation about how Boyd and Ives are possessed by ghosts?” and the answer is always “no,” but it’s “yes” in my heart…

[valiant-portabella-pirkko]

"It is done, my Champion. When this world comes to heel, you will be my blade in the dark. Together we will remind mortals why they once feared the night."

Guess who just finished Mordremoth's Fang the other night. :)

[dreamedfyre-a]

unfortunately i keep rewatching the borgias tidbits and being like 'how do i make this about the targaryens' and most of the time it's too easy tbh

[sskk-manifesto]

Finally got around to watching ep 11 (´；ω；｀)