#because how else would he know about the future

[beingatoaster]

Re: how you skip a section and keep on writing: you determine enough about the skipped section's progression to know what the next point will be, and then start at that next point, without sorting out the exact details of that progression. E.g., for the aforementioned WIP, I have a written section where two characters wrap up a date they went on together and agree on the date for the next one, a scene break, a couple notes in the style of the OP about what scenes I want in the week in between, another scene break, and then I start back to writing in full narrative form about the second date.

...I was starting to describe it vaguely but hey, you will recognize the fandom, so:

As if setting that plan was a cue, Diluc starts to clean up the remains of the picnic, and Jean leans in to help him. He takes the two boxes the skewers had come in and carefully divides all the food out between them, handing one to Jean before tucking the other into his basket, and rises to offer Jean his hand. She lets him help her up. Together, comfortably discussing their tortoises, they head back to Mondstadt. *** [her evening with Barbara! maybe could lead to the 'keep Barbara from coming along' later on] [Kaeya is doing things to try and make the situation up to her, which Jean can tell he's doing and wants him to stop -- second Kaeya scene, with him taking work, moves here] *** On her next day off, Jean rises with a refreshing sense of anticipation. She picks through her civilian wardrobe for something practical for the trek down Drunkard's Gorge and wrangling tortoises. Even if it has to be practical clothing, though, it's nice to plan for this trip without automatically donning her uniform.

Now, those notes in the middle aren't clear here because I already know what tensions I'm pushing with these scenes (the main plot is Jean dating Diluc out of hanahaki-based obligation; Barbara is oblivious and happy for her, while Kaeya talked Jean into doing this but is now very guilty about it) and thus I don't need to describe them in more detail to myself. But I know what they are, I know what they're doing, and I don't need to know the exact wording of the dialogue or the exact actions taken in them right now to move on with the main-focus relationship, which is Jean and Diluc and the slow-motion train crash that is occurring between them.

And because said slow-motion train crash is the main driver of the plot, I can skip the side-character scenes for now because as long as I know what they're doing in the larger scheme of things (adding friction to the wheels such that individual cars on this train are beginning to tilt under the pressure), I can go back and fill in the exact details later. The Barbara scene needs to have her induce guilt in Jean about the lie. The Kaeya scene needs to emphasize that their relationship is under strain, leading later to Jean not being willing to trust him with a future plot development. I can write the guilt and the reluctance into later scenes knowing that in the second draft, they'll have a basis.

(I would bet every single example in OP's work is not a "I have no idea what goes here," it's a "I know that X needs to be here for Y reasons," but the note, like my notes, is just a placeholder in the text for that line/scene's actual story-function as they have it in their head.)

Also, a smaller within-scene example that works the same way:

"Thank you," Jean says again, less formally, a tightness in her throat. She hesitates there, not sure what else to say, what else she *can* say without further thinning the line she has to walk. Diluc solves the problem for her. "You'll have to handle the clean-up personally to be sure it's done right," he says, and that sounds irritable, this time, but at least his irritation isn't at her. "I'll do a final sweep for any stragglers. I expect managing other Knights' incompetence will take you the rest of the night." [some transition that DOESN'T include negging the Knights, that makes her think of the flower and/or how they're focused on the same goals] "Wait," Jean says, as he turns away.

I can figure out the exact dialogue I want to put there later--what matters is knowing what it does to move the story forward. Since I know what effect it will have, I was able to carry on with that scene and into the next one it effects without getting bogged down in the exact verbiage, which wasn't coming to mind at the moment.

So I guess the point is, you can leave blanks to fill in later as long as you know what those blanks do. Scenes/moments in a story are links in a chain, and you can always temporarily loop some baling twine in to connect lengths of a chain together until you have time to go to the store and buy a replacement, but that doesn't mean you aren't continuing the chain. I still think of myself as writing this story in order! It's just got a lot of baling twine in it right now because if I stop to go to the store while counting links, I will lose all forward momentum and won't continue on down the chain.

...Which is, to be clearer, why I'm suggesting trying this for motivation problems. The moment I hit friction when I'm writing a first draft, my motivation starts to die. On the other hand, once I have a finished first draft (by which I mean, still with these notes and unwritten bits scattered through, but with all the main scenes written and a solid ending), going back and writing those bits is not "friction" but "enrichment." Which may also prove true for you.

Or it may not! Your approach to writing is fine if it's working for you! Or if the reason it's not working for you is because something completely different is tripping you up and you need to troubleshoot from that direction. I'm just talking on and on about my approach because it's the only thing I know that works for me, and also I love navel-gazing. XD;; Hopefully you can find something that works for you!

me: yeah I'm pretty close to finishing this fic

the fic:

[eiralunaire]

Headcanos of Damian Wayne.

1. Small Gestures of Tenderness.

Although Damian would never admit it out loud, he always feels inexplicably more relaxed when he's around his girlfriend. He often watches her in silence, observing the small details, like the way she laughs, her expression when she's focused, or how she always has something to say, even when she doesn't feel like talking. There's something about those moments that makes him feel, for the first time in his life, that war and fighting aren't everything.

2. Defender of Her Well-Being.

Damian, who has been trained to be cold and calculating, can't help but become extremely protective when it comes to her. If someone looks at her wrong, even in jest, he'll step in without thinking, making it clear with his gaze (and sometimes his threat of "don't do it again") that no one can hurt her. He's convinced that it's his responsibility to take care of her, but it's more of an internal desire to make sure nothing bad ever happens to her.

3. The Typical Sarcastic and Jealous Behavior.

When it comes to other men, Damian is relentless. Although he would never express it in an obvious way, he feels extremely uncomfortable if any kind of unwanted attention is directed towards his girlfriend. It is common for his sarcastic tone to appear when some guy talks too close to her. "Really? Do you think she wants to hear that?" he would say, with an almost imperceptible smile on his lips, as he takes a step forward.

4. Thoughtful (albeit weird) Gifts.

He is not the type of boyfriend to buy expensive jewelry or flowers (because he doesn't know how those things work), but what he does do is remember the little details about what his girlfriend likes. One day, unbeknownst to her, Damian shows up with a rare book she mentioned in a casual conversation, or with that chocolate she is known to like a lot. The truth is, he's become an expert at listening to her, not just because of his tactical intelligence, but because he genuinely wants to please her, even if his way of showing it is... unconventional.

5. Intimate Moments of Vulnerability.

When Damian is with his girlfriend, his guard is down in ways that only happen with her. It can be something as simple as watching a movie together, or lying next to her after a long day of training, but in those moments, he doesn't have to live up to his last name or his lineage. It's just him, Damian Wayne, simply enjoying her company. It's a luxury he doesn't usually get with anyone else, but with her, it's something that constantly draws him in and comforts him.

6. Interactions with His Family.

Despite his reserved attitude, Damian has found himself talking more to his family about his girlfriend, albeit in a slightly brusque manner. With Bruce, for example, his attitude towards her is a kind of possessiveness that makes it clear that he wants her in his life, but he also knows that his father will never really understand what he feels. With Alfred, however, he seems more relaxed, because he knows that the butler sees what he sometimes can't recognize: how happy their relationship makes him.

7. Subtle but Efficient Jealousy.

Damian can't help but show jealousy, although he does it in a subtle and almost childish way. For example, if his girlfriend talks a lot with another guy (even if he's a close friend), he may make comments like: "Since when are you so interested in what he has to say?" or suddenly offer to take her back to her apartment, as if there was some "urgent" business to attend to, to prevent her from staying too long with that person. It's his way of saying "I want you all to myself" without having to say it directly.

8. He Likes Deep Conversations.

Damian isn’t a man of many words, but when he’s with his girlfriend, he finds it easy to open up and share things he never thought he’d say. He likes to talk to her about topics that have nothing to do with war or fighting, like his views on the future or what he thinks about life. Sometimes, he catches himself talking more than he planned, but he doesn’t mind, because he knows he can be vulnerable with her, something he’s learned to deeply appreciate.

9. The Vulnerability of Being “The Man”.

When he’s with her, Damian feels weird about not being able to show off everything he knows how to do. I mean, with his combat skills and tactical intelligence, he could defend her from anything, but what really attracts him to her is how she calms him down and makes him feel more human. In her mind, that makes him more than just Bruce Wayne’s son or trained assassin. He makes her feel a little more normal, like any other guy in love, and that thought baffles him, but he loves it at the same time.

10. Sudden Moments of Insecurity.

Despite all his training and his confident facade, Damian sometimes feels insecure in their relationship. There are times when he doubts himself: Is he really up to par with her? Will he be enough for someone like her, who has so much to offer? Although he would never admit it, he has those moments of uncertainty that make him more human. However, as time goes on, he realizes that all he really needs to do is be himself, and sometimes, even a more vulnerable and caring Damian can be what attracts her the most.

11. The Unspoken "I Protect You".

Although he never says it outright, Damian is obsessed with the idea of ​​protecting her. If she is ever sad, he turns into a wall of ice, willing to face anything to make her feel safe. This leads to more possessive behavior, but he doesn't see it that way. It's his way of showing her that even though he's not the traditional boyfriend type, he'll always be there for her, even if that means walking away from conflict and just offering his company.

[whateversawesome]

Spy x Family Ch. 108: Fear

Don't get me wrong, that panel with Twilight remembering his friends was beautiful. I think he feels nostalgic for that connection with other people. However, I think what really caught my attention in this chapter was Melinda.

Come on, look at this:

Look at this face of terror. And she was just remembering her husband's eyes!

A long time ago, when we just met Melinda, I wrote this theory about her being afraid of her husband. Today, it was finally confirmed.

I feel so sad for her. Melinda has probably been carrying this alone for a long time. I doubt she's shared her fears with any friends or family members because, who would believe the illustrious political leader could be an abusive man? This is especially true if there's no actual physical violence in the relationship. However, like I said before, violence is more than that.

Something tells me that the violence in their relationship is mostly psychological. Donovan Desmond uses his authority to tell Melinda what to do, to create fear, to keep her away from their children.

Melinda appears as such a composed woman who has her life together in front of others, and only someone as emotionally perceptive and caring as Yor would notice something is wrong. There's a shame component in abusive relationships: "How did this happen to me? I used to be so strong and brave," combined with disbelief: "Am I overreacting? Is he really that bad? Why am I afraid of him if he hasn't really done anything to me?"

Hopefully, in time, Melinda will realize that fear is not only her responsibility; even if her husband wasn't physically abusive, his behavior caused her fear.

Without a doubt is a complicated issue, which brings me to something that will probably complicate things even more:

Yup, Twilight.

I'll admit that this is the first time that I felt very uncomfortable with what Twilight is about to do, but that's exactly the point. Good fiction/literature is suppose to move something within us, even if at times, it makes us feel uncomfortable.

You probably imagine why: Melinda is a person in dire need of therapy. She deserves (and needs!) a true professional and instead, she getting someone who is only trying to gather information.

HOWEVER...

Time and again, Twilight has shown that despite his line of work, he'll always try to do the right thing and the least amount of harm. So, I'm hoping he will apply that in this specific situation. My guess is that it will start as a way to get information (his classic "for the mission") but then, as Melinda opens up, he will actually give her good advice and hopefully empower her, as a real therapist would do!

Something else to keep in mind is that Melinda story of domestic violence could trigger Twilight himself in some way, given his own family history. We will have to wait to see how that goes.

Bonus

A final note on Melinda's beliefs in occultism: it makes sense.

I won't comment too much on the specific meaning of the cards because my knowledge is limited and I'm skeptical about that. But I will say that it makes sense that someone with so much fear and uncertainty in her life would believe in something that would bring her reassurance that everything will be okay or try to know the future in order to protect herself. (I really want to give Melinda a hug.)

On the other hand, you know who doesn't believe in that?:

Yup, our dear Becky, who is one of the most authentic character in sxf, who is protected and loved by her parents and Martha. That makes sense too.

[that-nerd-who-writes-fanfiction]

Sometimes I think Merlin and Arthur started the sacrificing each other to save each other shit too soon into the series.

Then I remember this scene exists.

(Screenshot from S1E2 - Valiant of Merlin bringing the snake head from the enchanted shield to Arthur to warn him that he’s in danger.)

They moved quickly, but they have a damn good reason for it. I honestly can’t say I blame them.

Merlin learned two things about his destiny with Arthur from this episode:

The first is that Arthur will listen when it matters, but his father’s influence runs deep. Arthur cares more about people’s opinion of him than anything else because he’s been groomed his entire life to become the future king, and Uther is tyrannical in his power so he believes that his is the only way to rule. Arthur picked up bad habits, so while he’s still young and learning what kind of man and leader he wants to be, he could still go either way and Merlin can’t yet trust him to always make the best decisions. (Proved in S1E3 when he enlists Morgana to talk to Arthur about the Afank)

The second thing is that Arthur believes in the systems that Merlin knows to be broken, so he learns it’s better to come to Arthur with results rather than warnings, because Arthur believes the systems in place can help, even in situations where they’d be more of a liability.

Both points are then enforced through season 1 and reinforced by Merlin himself in season 2 onwards.

Arthur learned that Merlin is loyal and honest to a fault, but because of the lifelong grooming as royalty and someone who’s supposed to be “above all others” - as proven when Uther says “his life isn’t worthless, it’s worth less than yours” to Arthur in S1E4 when he denies Arthur a group of men to take to save Merlin - it takes a while for it to really sink in that someone can be loyal and genuinely like him without ulterior motive, and when he finally does recognise that Merlin’s devotion is genuinely sincere, he pushes Merlin away (S2E1) in an attempt to keep himself from getting too close and then hurt by what his father would call his own naivety, rather than just admitting that sometimes people are just bad people who do bad things.

He then subconsciously or not learns that Merlin not being by his side is bad so he keeps him around but at a distance with walls built to protect himself. I can go more into that another time. Uther scapegoats Arthur for a lot, and even acknowledges that he’s a bad parent a few times but never does anything to change the behaviour so his apologies aren’t worth shit. Add that to the genocidal tyranny, and you’ve got a fascinating character who somehow isn’t the main villain of the story. I hate him, he should go play hop scotch on quick sand, but damn is he interesting from a writing/analytical standpoint.

So, yeah, they moved from “if anyone wants to kill him, they can go right ahead. I’ll give them a hand” (-Merlin S1E1) to “…Certain death. Few who have crossed the mountains in search of the Mortaeus Flower have made it back alive” “Sounds like fun” (-Gaius and Arthur S1E4) pretty quickly, but it makes sense when you think about why they moved that quickly with context of how they interact and their (assumed) past experiences.

[starspangledbatter]

⭐️ “Dead Wife Rag”???: The Amazing Digital Circus Theory ⭐️

⭐️ About a day or two ago, Gooseworx released the entire soundtrack of episodes 3 and 4. Excited, I went and prepared to explore each and every one of the tracks individually. That is, until something strange caught my eye. This thing specifically, was a name for one of the latest tracks titled “Dead Wife Rag”. ⭐️

Now, this name could simply just mean rag. Rag as in a syncopated rhythm. But what if “Dead Wife Rag” is actually a double entendre? Let me explain…

🌟 You see, Gooseworx seems to title her tracks based off of the scene her tunes takes place in. “Character Quirks” plays during the living room scene where the characters show off what happens when they don’t breathe. “Still Friends” plays during the moment where Zooble comforts Gangle and admits that they are still Gangle’s friend, regardless of what happened at Spudsy’s. ⭐️

Now, knowing this information, the time and place where Gooseworx’s tracks take place seem to hold prominence in the track’s title names. So, knowing this, where exactly does “Dead Wife Rag” play within the series?

⭐️ Here. This is the scene where this track plays. The scene where a dead wife, Martha Mildenhall, explains to Ragatha that her husband accidentally kills her with his gun, while telling her about men and their “silliest priorities”. This scene follows with Ragatha turning to Jax, agreeing with Martha that she knows the feeling of dealing with a man who puts his own feelings over anyone else’s. ⭐️

Now, why does this matter? Well, what if I were to tell you that “Dead Wife Rag” actually means “Dead Wife Ragatha”, and that’s what makes the name a double entendre. This isn’t just my Bunnydoll bias speaking here. I actually mean it. Consider this.

⭐️ Jax’s episode is described as “guns!”. A gun is the thing that Baron uses to kill Martha, resulting in her demise ⭐️

⭐️ Gooseworx has said in the past that she “apologizes to the Bunnydoll shippers”, meaning that there’s something that could happen in the future that may strain their relationship, which could possibly involve abstraction. ⭐️

⭐️ When asked how Jax would react towards Ragatha abstracting or going missing, Michael Kovach responds with a tragic but surprising response (go to the 1:25:45 mark). He states that if Jax realized that Ragatha abstracted, he would be devastated. This is because Ragatha was someone he knew the entire time during his time at the circus. He would then continue to repress these feelings and pretend that everything is fine (like he did with Kaufmo, the stressful aftermath at Spudsy’s etc). ⭐️

⭐️ Jax’s episode (the gun episode) will explore each and every character, showing the audience how their personalities have changed amongst being at the circus. Maybe Ragatha and Jax used to be closer in the past? Maybe they weren’t always at each other’s throats? ⭐️

⭐️ So, where does this all lead to? What does all of this mean? Well, what if Jax does something in the future that hurts Ragatha emotionally. Something irredeemable, something unforgiving. What if Jax causes Ragatha to accidentally abstract, leaving the circus to cope with the death of one of their longest-surviving members? ⭐️

⭐️ Like Kinger said “In this world, the worst thing you can do is... make someone think they're not wanted or loved”. The worst thing you can do to Ragatha is make her feel hated or unloved. She doesn’t want Jax to hate her, despite how she feels about him and his actions. Jax always seems to push away others and constantly uses them for his entertainment. The only time he actually thinks about anyone but himself is during times that lack distraction. Maybe he says something that convinces Ragatha that he hates her. She believes in the one thing she can’t live with acknowledging. ⭐️

The guns aren’t actually guns. The guns are a symbol for a device or an event that leads to the accidental demise of a loved one. Kinger isn’t the only parallel to Baron. Jax is Baron. Ragatha is Martha. She’s “Dead Wife Rag” and he’ll have to live with what he has done. For the rest of his life.

[thesummerstorms]

You know that conversation you can have with Emmrich where he asks what your plans are for your body when you die?

I think Arsinoë accidentally horrified him. Not by clinging to non-Nevarran ideals about cremation, but by telling him she never thought anyone would care that much one way or the other.

She would be dead, so she wouldn't care. And honestly, a majority of compradi die as Fledglings without graduating; she thinks their bodies were probably burned (since you have to do something with bodies) but they certainly don't have funerals, so it certainly wasn't worth worrying about then.

Emmrich interjects, trying to wrangle his own shock long enough to point out that she's not a Fledgling now, so surely...?

Well if she dies now, Arsinoë all but shrugs, it would depend on the circumstances, wouldn't it? She isn't someone important like a Talon or the scion of an established Crow family. She certainly isn't Caterina Dellamorte, who warrants something verging on a State Funeral.

If she died, there is still a non-zero chance it would be at another Crow's hands, in which case it's anyone's guess what happens after.

If she dies honorably fulfilling a contract, then Viago might feel obligated to do something if he isn't pissed off at her failure and she's isn't still in Exile. He's her mentor, so probably he would manage at least a small pyre. Maybe even a flower or two for the flames if he's letting himself feel sentimental. Teia would probably be there because Viago was.

But just as often, when a contract goes wrong, there's no time to go back for the body. The mark get ahold of it, or whoever's left on the contract has to focus on survival rather than the dignity of a corpse that can't feel any of it.

But really, none of that would matter to Arsinoë, would it? She'd be off wherever dead souls end up going, or maybe in oblivion, who knows. She doesn't have any family to be horrified by her corpse unless you count Viago, who is Fifth Talon, has bigger things to worry about, and will get over it.

But anyway, why do you ask, Emmrich?

Emmrich is too aghast to answer clearly at that point because every single point of Arsinoë's answer goes so deeply against everything that is ingrained in him as part of the Mourn Watch, from the belief that a corpse just doesn't matter to her sincere belief that no one would care enough about her for any particular mourning rights.

And the thing is Emmrich does care. It's his professional duty to care, but he's also become fond of his young friend and he cannot handle imagining that she could die on this mission or the next and potentially receive no rites at all.

Cue Emmrich starting to plan how he's going to have Rook interred in the Grand Necropolis when the time comes. It may involve some string pulling, especially if (hopefully) she dies not on this mission but in the distant future, and even more so if he precedes her and has to leave the job in one of his colleague's hands. But Maker help him, there will be a plan and her death will be respected.

When it comes to light, Neve is uncertain and a little weirded out, but also a little offended by all this. She's fallen in love with Rook, but even before that, the respect between them would have warranted a pyre and Arsinoë's name on the Wall of Light if there was no one else to arrange things. Is this why she's never asked about what happened after Varric-

Lucanis is horrified by the idea of Arsinoë as one of the spirit-possessed skeletons in the Necropolis or one of the jewel-eyed skulls in its many niches; he snaps at Emmrich about Nevarran obsession and respecting Rook as Antivan.

Emmrich refuses to budge. She expected the Crows to do nothing for her. She deserves better, deserves to be remembered, even if she isn't Nevarran.

Lucanis seems fully stunned by the idea that Rook believed this in the first place, given Viago's attachment. Given Lucanis's own growing feelings. Emmrich does soften a little bit when he sees that Lucanis truly didn't realize, but he also doesn't fully divert his plans.

Gathering a grave-dowry is normally left to a lover or family member if the deceased was themselves unable, and Emmrich is neither. But needs must, and though his friend now seems attached to Neve and Lucanis, hearts can be fickle. A plan is better. So he puts away small things here or there, eyes which of Rook's enchanted rings and amulets she seems to favor just in case.

It almost helps him live with the knowledge that Arsinoë believed she would die unmourned. Almost.

[celaenaeiln]

Small scenario ask:

A kid version of Robin!Dick gets teleported into the present day of the DCU, in particular during one of those times that Batfamily are split up and at each other’s throats with only Tim(my) and Alfred sort of trying to keep the peace.

They don’t know he’s present until he jumps in from out of nowhere to help the Batfamily take on a Scarecrow attack.

How would they react to this tiny version of Dick and his more chipper and lively attitude especially once he starts asking Batman if these other guys around them are their allies or something?

OMG I AM SO EXCITEEDD!!

THE FUNNY THING IS IVE ACTUALLY BEEN THINKING ABOUT THIS TOPIC SEPARATELY IN MY HEAD!!

Not this exact scenario but just like how much Dick has changed over the years.

This is SUCH a good fanfic idea!!!

Okay so Dick would jumps into the future where the whole family is fighting and all of a sudden, a brightly colored boy just "POP"'s into the dark batcave.

Everyone at that point had been growling and snarling and screaming at each other over ethics and morals and course of action for a case that devolved into tearing at family lines and loyalties.

The tensions are high and no one is on anyone's side because as united as the batfamily is, they are just as divided.

They're seconds from coming to blows when - pop (goes the weasel. lol jk) - a 3 foot 2'' boy in the most canary yellow cape, scarlet vest, and emerald green scaled shorts blinks into existence.

The batfamily immediately goes for their weapons at the sound and most barely refrain from throwing them at the sight of a boy but some weapons slip out people's hands too fast for them stop.

They watch with their hearts in their throats and move as one to prevent it, their minds barely registering the sight in front of them, the only thought in their heads is - STOP! As if mere words could halt assailing weapons hurtling at breakneck speeds towards the child.

They've barely started moving when the small child - he couldn't have been taller than Batman's hip at the height he was - suddenly bounced on his right foot and used the moment to twirl horizontally in the air. The brilliant yellow cape swirled around his body as he turned, almost acting like a cocoon. The batarang sailed underneath their twirling body while two knives sliced the air harmlessly above him, all three weapons embedding themselves soundlessly into the cave walls behind him.

The batfamily makes an aborted move forward, halting in their tracks as the imminent danger passed and the walking traffic light of a child uses their split-second of decision to stop to take the time to gracefully land on his toes before flipping far out of reach. His back arched back into a perfect elegant little backflips which absolutely should not be possible or done so smoothly for a boy as young as he, but the kid manages anyway to land perched on a railing from the upper batcave level, looking down at them from his spot.

Duke glanced around to see if the rest of them had seen the same thing he did. Clearly not because Bruce, Tim, and Alfred looked like they'd seen a ghost. Jason and Damian looked grudgingly impressed. Steph looked openly impressed.

"So, we’ve got surprise visitors, huh? Gee, swell! You folks friends of B? Wait a sec-that can’t be right. B doesn’t have any friends except for me!" The kid chirped - and Duke swore, honest to god, chirped - with a cheeky grin, hands on his hips like he'd just cracked the world's funniest joke.

Duke just stood there, mouth slightly open, like his soul had momentarily left his body. The kid’s mask squinted as if narrowing his eyes at Bruce.

Duke blinked hard. Am I hallucinating? Did I eat bad takeout? He thought.

Bruce, meanwhile, stood frozen, looking like he was wondering where in his life he went wrong.

“Gee whiz, mister, I don’t mean to jump to conclusions or nothin’, but it’s kinda bad manners to go borrowin’ somebody else’s clothes without asking first!” He gave Bruce an exaggerated once-over, the grin on his face making it clear he wasn’t intimidated in the least. “I mean, that cape looks swell and all, but it isn't exactly screaming ‘your size,’ ya know?”

He tilted his head and piped up, “A friend of Catwoman’s?” His voice was light, full of curiosity and mischief.

Jason suddenly snorted. "A friend of Catwoman's, alright."

Cass gently smiled. Duke suspected she had known from the beginning who he was and thus had not moved a muscle during the chaos. Duke couldn’t shake the feeling it wasn’t because of uncertainty. Nope, Cass had known. She always knew.

He sighed internally. Why was he always the last to catch on to these Batfamily mysteries? On the other hand, maybe he should be grateful. He was still wiping off the remaining sludge off his suit from the last batfamily mayhap.

"Dick?" Bruce’s voice was raw, breaking apart as if it couldn’t decide whether to hope or mourn. It was the sound of disbelief and desperate longing, the kind of ache you didn’t just hear—you felt it. Duke’s chest tightened, a lump forming in his throat. He couldn’t imagine what it must mean to Bruce, but the pain was so thick it was almost unbearable.

"Who are you, mister?" Dick - holy fuck that was Dick. Wait- Duke whipped his head around. Where was their Dick?!

Tim was looking a little peaky in Duke's opinion and that was saying something since the other guy always looked pale.

Bruce raised a shaking hand to his cowl, dragging it down the back of his head almost looking like he wanted to do anything but. "Bruce. It's me, Bruce."

"I know you're a guy who looks like Bruce, but you're not my Bruce."

If his kids' previous deaths hadn't killed Bruce, then that one single sentence did, Duke thought, watching the man.

He saw a flicker of something break inside Bruce. The hardened mask Bruce wore cracked, revealing the raw, vulnerable man beneath. It was like hearing the one thing he feared most—that he wasn’t enough for them—and the way it pierced him was brutal. The light left Bruce's eyes for a moment, and Duke could almost feel the weight of that rejection.

It probably hurts to hear it from an 8 year old version of a person that adored you. Duke realized sadly. He wasn't there for Dick's childhood with the man - none of them were - but he was sure it wasn't called the Golden Ages by everyone for show by all those who had known them then.

"Wait, Alfred?" Dick asked, boring holes into the elderly butler.

So, he recognizes the same Alfred but not Bruce? Duke fought back a hysterical laugh. That's gotta sting. Sorry, man. Duke sent a silent prayer to the man who looked like he didn't know if he was going to start sobbing or glaring daggers.

Alfred cleared his throat, rather wetly in Duke's opinion. "Yes, son." He said and smiled warmly.

The boy gave a hoot of laughter that sent the bats in a flurry as he threw himself off the railing. Steph and Jason scrambled to catch him but mini-Dick (Duke was still half-panicking over where big-Dick went. Big-Dick. Haha) hopped onto Jason's shoulder used Stephanie's back as a personalized springboard and landed happily in Alfred's arms.

He hugged the man's neck like it was a plush toy and Alfred tightly held the boy with one arm under his thighs and the other around his waist.

Duke noted with no small amount of surprise that Dick perceptively didn't point of Alfred's suspiciously wet eyes and near-silent sniffling. It was damn loud for the cave though.

"Hey, did you whip up some cookies? I gotta say, that casserole’s a real knock-out, and your filet mignon? Spot on! Say, after we chow down, how about a rousing game of badminton? I’m on fire today! Let’s shake a leg, have some fun, and see who’s got the best swing!"

"Of course, Master Dick." Alfred said and the two continued conversing as Alfred carried the boy up the stairs of the batcave.

"Say, did you get to the next chapter of Lady in the Lake? I gotta tell ya, there's something fishy goin' on there, like a real gumshoe mystery. I can smell a twist coming a mile away, like a crook with a bad alibi! Whaddya think? There’s more to this dame than meets the eye, I betcha!"

Dick's voice faded as the rest of them dumbfoundedly realized they needed to follow after the two of them. Except for Cass, of course, who was already tugging a stiff Stephanie along.

Duke couldn’t help notice Tim. The guy was practically glowing in the corner like he was about to faint, his face flush with excitement. Duke knew all about Tim’s obsession with Grayson—Steph had spilled enough gossip to fill a novel. Tim had ranted about Dick for years, quoting everything from his acrobatics to his smile. But now, seeing the younger version of Grayson in front of him? Tim was this close to passing out. His eyes were practically sparkles. If there were stars in the Batcave, they were all shining in Tim’s eyes.

���Tim, dude, you alright?” Duke teased, but Tim couldn’t even form words. He just gave a thumbs-up so exaggerated it might as well have come with a marching band soundtrack.

Duke couldn’t shake the feeling that Damian was acting a little… off. The usually fierce, unflappable kid was clearly trying to maintain his tough exterior, but Duke could see the subtle signs. The way Damian’s eyes flicked over to Dick with just a hint of nervousness, his stance rigid, like he was bracing for something, but not quite sure what.

"Is it just me, or is Dick an absurdly happy kid?" Duke suddenly spoke, thinking about Dick's demeanor. The older Dick Grayson was so strict and while he joked, there wasn't a free-hearted levity in him that his child version carried.

The kid had been practically shining, bouncing around the Batcave as if it were his personal playground. This was the same kid who had grown into the stoic, responsible, and sometimes brooding Nightwing. The difference was like night and day. Duke could see the weight of the years had changed him, and as he watched this boy, full of energy and warmth, he realized just how much had been lost. This wasn't the Dick they all knew. This was a Dick that had never seen the kind of pain that had hardened him into the man they looked up to.

It was a version of Dick they would never witness - laughing so freely, so full of life - one that was locked away in Bruce's heart, his memories paying tribute to their god-like figure he'd embellished of their brother.

It was a homage Bruce had unknowingly clung to and fed into, and a part of Duke wondered how much of this Dick, too, had buried inside himself.

Duke felt an ache in his bones, realizing just how much was buried under the weight of Dick’s current life. The boy before him was a ghost of the past that no one would ever get back.

Jason groaned. "One depressing revelation at a time, Duke." He stomped his way up the stairs followed by near swooning Tim, and an anxious Damian.

Bruce hadn't moved an inch. It was as if the air around him had thickened, suffocating both of them with tension. Bruce, usually so composed, was now locked in a frozen tableau of silent agony. His face was unreadable, but his eyes - Duke could see them - betrayed a terrible storm. Guilt, loss, and a deep, unspoken grief. The kind of grief that didn’t make noise but settled in your bones and dragged you under.

But Duke was The Signal. He was the Light, that's what his emblem meant. While Bruce was drowning in his own anguish, Duke could not afford to drown with him. So he patted the man on the back and followed his brothers up the stairs, readying himself for more horrifying realizations about the loss of innocence and joy from their favorite brother.

[warblogs17282]

I''m busy thinking about how this part of the episode is supposed to directly mirror what's already happened in the show.

Ignoring the obvious s1 e1 reference, let's start with the backstory behind this hit.

Something that this show makes very clear is that she is supposed to represent Stella, for multiple reasons that I will point out in this post.

Instantly starts out with ex-husband, just like with Stella and Stolas.

The next line proceeds to mention daughters, which is obviously the show planting the seeds for the scene yet to come, the Stolitz family scene. The daughters are very clearly supposed to represent Octavia and Loona.

Plus, the whole 'Can't stand my ex-husband enjoying himself' thing is also supposed to mirror Stella in a way, because guess who else purposefully went out of their way to ensure that their husband/ex-husband never was able to truly enjoy himself.

"When he fucking left me for another man!", when he left me for another man who was able to show him actual, true happiness. Just like how Blitz did just that for Stolas.

I also really want to note Blitz's and Stolas' reactions to all of this, for Blitz, even though he knows almost nothing about Stella, you can already tell he's put some pieces together and realized 'oh shit, this is sounding extremely similar to what happened between me and Stolas.', especially considering the way he looked over at Stolas when she finished talking there.

Which explains why Blitz looks so nervous and trying to talk her out of carrying through with the hit, before just outright denying the request, because it hits way too close to home for him as well. With the next thing she says after this scene pictured below just nailing the similarities home to Blitz.

As for Stolas' reaction, you can tell even before this moment that he's also realized just how similar the whole situation is to his own, and that detail tells us that Stolas isn't just talking about the person the client wants dead, but also himself.

Stolas thinks he's selfish for choosing to be with Blitz, Stolas thinks that he deserves death because of his 'selfish' choice to be with Blitz. Stolas likely thinks at that moment that he deserved to be killed by Striker for his 'selfish' choice.

And well, the show definitely doubles down on showing us just how evil the client is, just like Stella.

Then we get to the moment where every single similarity undeniably falls into focus for Blitz. Blitz doesn't see a random gay couple with two daughters he's been paid double to assassinate a member of, he sees himself, he sees Stolas, and their own respective daughters all in the same room as each other, he sees his dreams for the future with Stolas, and their daughters.

He sees a future of domestic bliss with the four of them, the future he's hoping he can achieve some day.

And because of all of these similarities between the family and Blitz himself, he cannot bring himself to ruin a happy family, can't bring himself to ruin what they have, can't bring himself to ruin what Blitz dreams for, can't bring himself to kill the person he envisions as Stolas, and can't bring himself to ruin the family that he envisions as his own as well.

Plus, Blitz would never be able to truly forgive himself if he took that shot, if he killed that man and ruined the family Blitz places himself in. Blitz would see himself as being no better than Striker if he did take the killing shot.

Because, let's compare s2 e4 and this episode for a second.

"Ex-wife hires assassin to kill their ex-husband with a daughter for extremely evil and selfish reasons."

"Ex-wife hires assassin to kill their ex-husband with two daughters for extremely evil and selfish reasons."

Even if Blitz only understands the s2 e4 hit as "Unknown person hired assassin to kill father with a daughter for unknown reasons.", as I've pointed out before, everything about this assassination hits way too close to home for Blitz.

Blitz has probably already realized at that moment that if Striker had killed Stolas in s2 e4, all of his hopes and dreams of having a happy family with Stolas, Octavia and Loona would instantly go up in flames.

So, why would Blitz want to ruin a family that has what he hopes for in the future? Why would Blitz want to kill the person he envisions as Stolas? Why would Blitz want to kill the person he envisions as Stolas, especially when Striker almost very well killed Stolas, which would've ruined the dream Blitz has that we see here if Striker had succeeded?

What I'm getting that with this is simple, the client represents Stella, the ex-husband represents Stolas, the daughters represents Octavia and Loona, and Blitz represents Striker.

But Blitz isn't Striker, Blitz could've very well chosen to be play the role of Striker and kill that ex-husband, ruining the family as a result for some money, but he didn't, Blitz saw the happy gay couple and their daughters, saw himself in it, and decided the money wasn't worth it, stopping himself or anyone else in the team from taking that killing shot, because Blitz simply refused to play the role of Striker, Blitz played his own role, which is himself.

Blitz is not Striker, and I feel like this moment goes to show even further that Blitz and Striker are supposed to be narrative foils to each other.

[gloomskulls]

LIMERENCE PT 2 [tasm!peter parker x reader

pairings: tasm!peter parker x reader

part 1

warning(s): dub/non consensual (reader is drunk and drunk people cannot give consent), terribly written smut (i'm a virgin i'm sorry, I have no idea what goes on actually in the bed), oral (fem receiving), drinking, drunk reader, overstimulation, everyone is 18+ here lemme know if I missed any

If you don't want to see my dark stories in the future please block the tag #madi: dark content

A/n: I'm sorry this took a whole ass while, it's probs 90% story and 10% smut. Like it's probs shit, the smut's the reason why I couldn't finish this sooner because I had no idea where it was going. Also tried to write 2012 slang, idk if it even sounds right. don't steal any of the shit I've written or else I'm going to turn you into Victoria Heyes from terrifier ❤️🫶/srs

Peter shuffled in his sleep. Tossing and turning. Sleep never found him, how could it? He did something so unforgivable. Having an obsession with someone who barely acknowledges your existence is one thing, but sneaking into her house, completely crossing every single line, and then jerking off to the scent of your panties while imagining you on top of him, riding him as you creamed his cock with your cum.

The air felt heavy and there was an almost stifling silence in his small bedroom, while his mind worked in the manner of a broken machine, looping thoughts.

Every single thing about you — your laugh, the spark in your eyes when you spoke of something you loved, the way you uttered his name — his mind kept replaying like a broken record. Each one felt as fresh as if it had just taken place a moment ago, and each one pulled at something deep within his chest.

He had spent years arguing with himself about what he was doing. He told himself that viewing you from a distance was merely innocent fascination, a little crush. But that had been a lie. What he had done the night before, sneaking into your room was not a mistake; it was a deliberate decision.

Peter was filled with doubts, a regular person would call him lovesick, a creep even. Is she really worth it? Peter admits something he'd been avoiding for a while.

He wanted you.

Not as a classmate. Not as a partner for a stupid project. He wanted you in a way that was raw and desperate and consuming. Oh, he wanted you to look at him the way you look at the rest of the world with trust, with affection, with the same ease that made you laugh at his dumb jokes.

The realization hit him hard. The weight of it sank into his chest like a boulder, but there was a rush of something else too-something darker, more intoxicating.

Peter sat up abruptly, there's only one way or another, heart hammering as he snatched up his phone. Tapping out a quick message, he did so with trembling hands.

"Hey, u free 2nite? Was thinkin maybe we could finish the proj & grab dinner after. My treat. :)"

He stared at the screen, his thumb hovered over the send button. The fear crept back in, whispering in the back of his mind. What if she thought he was crazy? What if she rejected me outright? What if everything he'd built up in his head came crashing down?

Many thoughts crowded his mind, neither of them was good

As he stared at the text, his finger quivered. His stomach tightening in knots. The reply was already forming in his mind—would you say yes? Or perhaps he was weird for asking, for suggesting anything other than school?

But what if he didn't ask? What if he kept on pretending that this crush wasn't eating him up from the inside?

I've got to do this; he tried to steady his breath. This would never come again.

Deep breath and then Peter clicked "send."

Time seemed to stretch into eternity. His mind was racing, spinning out into the worst-case scenarios. You could just say no or even laugh it off and tell him it wasn't a good idea. It's a biology project, after all. That's what it was supposed to be—right?

That crumbled page of biology scraps lay on his desk as evidence of the project you both were working on. It was supposed to be a simple collaboration, probably will last for a few weeks if he was lucky, and then he'd just go back to being invisible to you.

But he didn't want to go back to being invisible.

He sat there at the edge of the bed, hunched over in an awkward position, his elbows rested on the stretched knees, and he stared his phone, convinced that at any moment it would leave his grip. He had typed the message, the own words glowing brighter as he waited.

He had redone it like at least a dozen times, but all versions felt way too casual to too formal. His current message was just right; friendly, innocent enough but still an invite.

What if you think it is strange? What if you don't even reply at all?

He shook his head to stabilize his breathing. It's alright, he told himself. His not asking for something crazy. It's only a dinner.

But it wasn't just a dinner. It was the convergence of years of quiet yearning, stolen glances, and missed opportunities. This was the first real step toward something more, if only he could find the courage to take it.

He shunned his phone flat on the bed thinking that might ease the tension in his chest, but it didn't. His heart raced as seconds ticked by on the clock, each second feeling like an eternally long wait.

What if you didn't reply?

What if you did?

His thoughts were interrupted abruptly as his phone buzzed.

He grabbed it with trembling hands.

"Sure! I'm totally in. Where r we meeting? 7?"

He read the message over and over again: You're saying yes. Relief was an actual weight that was just lifted as disbelief flooded him as he blinked at the screen, rereading the message to make sure it hadn't been imagined.

For a moment, he allowed himself to smile, but it quickly disappeared. Now that he got the answer, a different kind of panic struck.

What happens next?

"Yea 7’s cool, I’ll pick u up @ ur place"

He looked up at the clock-6:30. In thirty minutes, he needed to get ready. Thirty minutes within which he needed to figure out how not to screw this one up completely.

Peter fell out of his chair and quickly rifled through his closet for something fresh and unique that didn't look like it had just been thrown on five minutes ago. His room was strung out in a mess of hoodies and T-shirts that didn't do any good as he tried on piece after piece-each feeling wrong.

"Relax," he murmured at himself while gazing at his reflection in the mirror. Hi hair looked like he just crawled out from under the bed, his face was red, and no matter how many adjustments he attempted on the clothes, he still looked like the awkward kid he'd always been.

Peter raced around his pod-sized room in search of a shirt that didn't scream "high school loser." The bed was a battlefield littered with crumpled hoodies, a checkered flannel, even his Midtown Science Academy T-shirt.

"Peter?" Aunt May's curious sounding voice called out from the hallway.

"Yeah?" he shouted back while looking through his closet and listening.

"Why does it sound like a tornado hit your room? Are you okay in there?"

Peter groaned and threw another hoodie onto the pile he was amassing on the bed. "I'm fine!"

The creaky door slammed open a moment later, and Aunt May peeked her head in. Her sharp eyes traveled the disaster area that was his room, from the piles of clothes, and even down to the one sneaker he was wearing.

"Uh-huh. Fine." She crossed her arms, leaning against the doorframe. "What's all this about? A wardrobe crisis?"

He sighed at her and rubbed the back of his neck. "Nothing serious, okay? I just… I'm going out."

May raised an eyebrow as her lips twitched as if trying hard not to smile. "Going out? As in… on a date?"

"What? No!" Peter's voice shot up as he spun around, waving his hands. "It's not a date! It's just dinner. For a project. With a friend."

By now, she wasn't even trying to hide her grin. "A 'friend,' huh? Is this the same 'friend' you've been talking about nonstop since this biology project started?"

"I don't talk about her nonstop!" protested Peter, turning into a shade of tomato. "Oh, you definitely do," Uncle Ben countered from outside the hallway and into the room, sporting the knowing smirk of someone who has heard too much. "Half the time, it's, 'Oh, she's so smart,' and the other half is, 'She's so good at this lab thing.'" He said with a dreamy tone

"Okay, okay, so I get it!" he groaned while burying his face in his hands. "Can we not do this now?"

Ben laughed and slapped Peter on the shoulder. “Relax, kid. We are just teasing, and you've got this.”

May walked into the room and picked up one of the forgotten shirts from the bed. Holding it up, she said, "What is wrong with this? Nice but casual, not slobby."

Peter squinted at it. "It's too—I don't know; plain?"

"Plain is better than looking as if you are trying too hard," she said, tossing it to him.

Uncle Ben nodded sagely. "It's right." "You don't want to go full tuxedo on a first—uh, not a date," he added quickly, holding up his hands when Peter glared at him.

Peter huffed but pulled the shirt over his head anyway. "You two are the worst," he muttered, though his tone lacked any real bite.

May smiled and reached out, smoothing the collar of his shirt. "We are not the worst. We are just proud of you. It's good to see you putting yourself out there."

"I'm not—," Peter began, but Ben cut him off.

"You are," Ben said firmly. "That's a good thing. Just be yourself, Pete. If she's as great as you say she is, she'll see what we see, a smart, kind, slightly awkward but very lovable kid."

Peter's face burned. "Yea, you really know how to give a pep talk."

"Hey, it worked, didn't it?" Ben fired back with a grin.

May handed Peter his second sneaker. "Here. Don't forget this, unless you're planning to really impress her with your one-shoe look."

Peter rolled his eyes but could not quite hide the grin that crept onto his lips. "Thanks, Aunt May."

So Ben called after him as he grabbed his jacket and headed for the door. "And remember, kid—Italian places usually give you breadsticks first. Don't fill up before the main course!"

Peter groaned loudly. "I'm going now! Bye!"

He was there, at your door, heart pounding heavily, as if wanting to burst out from the body. He lingered for a while, staring at the doorbell.

What if this is a mistake?

But before you could think otherwise, the button pressed his finger.

And then echoed the sound of the bell from inside, and Peter felt that the earth would open up and swallow him whole in an instance. He heard footsteps, and then the door opened.

There you were.

"Hey, Peter!" you said, smiling that effortless way that made his breath catch in his throat, stepping aside and gesturing for him to come in. "You're right on time, I just need a minute to grab my bag."

Peter managed a small smile and stepped in, wiping his sweaty palms against his jeans. "Yeah, of course. Take all the time you need."

You disappeared into another room, leaving Peter hanging awkwardly at your door, his eyes darting about. It was a very warm and inviting house, in harmony with the kind of person you were. The faint hum of a television in another room was muffled, someone talking, and he could hear that easily.

Your presence returned with your bag slung around your shoulder and you ignited the nerves again in Peter.

“So,” you said, smiling at him, “where to?”

Peter hesitated just a beat too long, his mind scrambling to come up with an answer. "Uh, I was thinking Italian? That okay with you?"

"Italian sounds great," you said easily as your smile widened.

Peter's heart raced as you stepped out the door, walking beside him toward the small restaurant a few blocks away. The night air was crisp, and for the first few minutes, he was too caught up in his own head to say much. But then you started talking, asking him about his day, about the project, and the sound of your voice eased some of his tension.

You made him feel like he belonged, even without having a word to say.

When the restaurant came in sight, Peter turned to you. Nerves still there but mixed with something else: a quiet and hopeful excitement.

Maybe just maybe, tonight will be the beginning of something real.

The walk to the restaurant was such a nerve-racking experience. Each step Peter Parker took beside you felt like a step closer to something he wasn't ready (or was actually hoping for). His hands buried deep in his jacket pockets, fingers curling and uncurling, while trying to keep steady pacing alongside you.

But you appeared to be at full ease. You talked about the cool evening, how the trees' leaves were beginning to rustle with the cold wind blowing, and even the faint smell of roasting chestnuts from a street vendor a few blocks away. Peter heard everything, nodded, and punctuated things now and then with the occasional "Yeah" or "Totally," but as for his thoughts, they were running wild within him.

This is well. This is the standard. This is alright, He didn't over hypothesize for the hundredth time.

As much as there was relief in now having something solid to focus on, Peter was panicked that it all became real at that moment.

He opened the door for you, his hand trembling slightly as he held it.

"Thanks," you said, giving him a swift smile before stepping inside.

"Uh, yeah. Of course," Peter mumbled as he hung his head and followed you in.

The hostess took you to a corner besides the glass window, a cozy little spot with a flickering candle in the middle of the table. Peter's hands trembled as he took the chair and gestured you to sit on it.

The menu in front of him could be in another language as he stared dumbly at it, words bringing into a blur while the thoughts buzzing in his head were getting harder to put to rest.

Don't be weird. Just be normal. What does "normal" even mean? Stop overthinking! You've got this!

"This place is nice," you commented as you scanned the menu. "How did you discover it?"

"Oh, um, my aunt used to like it here," Peter said, grateful he could answer such a question. "She says the lasagna is the best."

You grinned. "Aunt May has good taste. I will try that."

He nodded, yes, but could not stop the rush of nervous thoughts flooding his mind. He glanced at the menu as if studying it although he already knew what he would order. But his mind was instead filled with every possible thing he could screw up tonight.

Don't talk too much; don't laugh strangely; don't look like an idiot.

Here came the waiter, and you ordered effortlessly, laced with a polite smile as you handed him the menu. Peter stammered out his order and felt his palms sweat as he gave it. When the waiter walked away, Peter could feel your eyes on him, and it took everything he had to meet your gaze.

"So," you said, leaning in with elbows planted on the table, chin cradled in palm, "what's your thing, Peter?"

"My thing?" he said, taken aback. "Like, my thing?"

"Yeah, like… what do you do for fun? What are you really into doing when absolutely no one else is watching and judging?"

Peter blinked, trying to think of something that wouldn't sound lame. "Uh, well, I like photography," he said. "And science, I guess. Experiments, stuff like that."

You perked up. "Photography? That is cool. What kind of pictures do you take?"

"Mostly city stuff," he said, his voice gaining a bit of confidence. "You know, like weird angles, shadows, reflections. It's probably not that interesting to most people."

"I think it sounds interesting," you said. "I would love to see your pictures sometime."

Peter's heart was pounding so hard. "Really? Uh, yeah, sure. I mean, if you want."

That made the conversation flow more easily. You told him about your love-hate relationship with math, how sometimes you spent too long procrastinating by watching cooking shows instead of doing your homework, and how one time you tried to make crème brûlée and almost burned your stove.

“I had to open every window in the house,” you said, laughing. “My mom came home and thought I’d burned dinner. I didn’t tell her it was supposed to be dessert.”

Peter grinned, feeling just a little bit more at ease. “Maybe stick to cookies next time, huh?”

“Noted,” you said with a mock-serious nod.

Then it was time to eat. You both started digging into it while still keeping up your conversation. Peter quickly found himself becoming much more relaxed, finding it absolutely easy to talk to you when he didn't over-analyze every word. You burst into laughter each time his jokes finished, and whenever his eye fell into yours, everything around faded.

There was little doubt that he was doing this because he was desperate enough to strike a topic that wouldn't make him sound like an idiot; this was the reason why he asked, "You, uh, good with the whole project?"

You leaned back, fiddled with the napkin on the table, and said, "Yeah, it's actually been fun. Well, I mean, we work well together, and you're much smarter than I had thought."

Peter blinked. "Wait, you thought I wasn't smart?"

"No, I just-" You smirk, it's clear you're enjoying his reaction. "You always seem kinda… busy with stuff, you know? You're not exactly the loudest guy in the room."

"Well, I, uh…" Peter rubbed the back of his neck awkwardly. "I'm, uh, more of a behind-the-scenes guy. You know, less talk, more… action?"

You laughed, the sound light and easy, and Peter felt himself get a little more relaxed. Maybe you weren't judging him.

'This place have wine?' you ask all of a sudden, not looking up from the menu.

Peter blinked. "Uh… I think so?"

You smirked and put your feet up on the table after throwing the menu on it. "Perfect. I could use a glass."

Peter was at a loss on how he should respond. It just didn't seem like the kind of person who would order wine to go with dinner-at least, not in his limited and admittedly romanticized view of you. But when the waiter came by, you ordered an entire bottle without hesitating, barely glancing at Peter for confirmation.

"Um, yeah, sounds good," Peter said weakly, even though the thought of drinking anything stronger than soda made him nervous.

The waiter nodded and disappeared, leaving the two of you alone in an awkward silence.

But the waiter was back again, this time with a bottle and two glasses, which he laid down with a polite smile. And before you knew it, the deep red liquid was already swirling around in your glass because you had poured it in haste from the bottle.

Want some? You asked, already halfway through your first sip.

“Uh, maybe later,” Peter said.

You shrugged and took another long drink before putting the glass down with a satisfied sigh. “Suit yourself.”

The most casual kind of conversation developed between you: you asked Peter about what he was interested in, and he managed to stumble along throwing together great lengthy descriptions about why he loved photography and science, and the words came out too fast for him to think them. It almost seemed like you were listening to him, however, because he went on to nod before even asking follow-up questions, which made him for the first time in a long time feel that he wasn't entirely invisible.

By that time, he was becoming aware, as the hours slipped away, that you were filling up your glass more and more often. The bottle was now half empty when the food came, and you were already sporting rosy cheeks when the alcohol was pouring into your system.

“This is good,” you said, hardly bothering with your plate in order to gesture with your fork at it. "I mean, really good. Good call, Parker.”

The smile that appeared on Peter's face was that of nervousness. "Thanks. I'm glad you like it."

Now you leaned back in your seat, holding your glass up to the light. "You know, I don't really do stuff like this. I've kind of never had dinner with classmates. It's just a little… weird, you know?"

Peter sank a little. "Weird, how?"

"Not bad weird," you said immediately by waving your hand. "Just… different. Like, generally, I would just be at home watching some lousy reality show and trying to forget how much homework I have to do."

Peter chuckled, even though he had no idea what to say next.

After a sip of wine, the boy looked up at Peter who immediately landed his gaze upon the bottle. You seem well into your first glass with a heightening sense of ease that you appeared to be at his home. Maybe it was because of the wine or perhaps how you were looking at him right now-not with judging spectatorship but with a strange kind of understanding that made him feel as if he were not really out of place.

It was only a count of seconds before the food arrived while you already had a second glass in hand. Peter's stomach flipped at that moment. This wasn't the way he was used to seeing you, all loosened up and speaking without that slight guard he usually saw when you were around. You appeared different tonight, and Peter couldn't quite figure it out if it was a good thing or not.

However, the conversation was still going on, only that as soon as you took a few more drinks, conversations shifted to more profound, much more personal things. Laughter spilled from your lips more freely, although Peter saw that smiles were now somewhat uncontrollable. Maybe it was the wine; maybe it was just the ambience. In any case, he could feel something shifting, like you were letting him see this version of yourself you weren't sure he was supposed to see.

"Peter", you said, looking at him with wide eyes after a long sip. "What's your big dream? Like 20 years from now, what do you see yourself doing?"

He shifted around uneasily on his chair. And that question was sudden, a little more intense than he would have reckoned it to be. He was not used to being asked about his future like this.

"Honestly?" said Peter, leaning back a little and looking down at the half-finished plate in front of him. "I don't really know. I think- I think I want to do something with science, or photography. Maybe combine. Don't know really. Just like, I want to fix things, you know? Help make the world a little less broken.''

You were quiet for a moment, and Peter wasn't sure whether it was because he'd said something wrong or whether you were just thinking. But when you finally spoke, your voice was softer, almost quieter than before.

"I think that's really admirable, Peter."

That was it. That one simple sentence hit him harder than he expected. He wasn't used to compliments like that- not from you, not from anyone. The words were a strange dream, and for a second he just looked dumbfoundedly at you trying to really understand what you mean.

Peter had never imagined the night to go this way. Not even in a million years. But here he was, walking alongside you, swaying slightly on the sidewalk with less steadiness in your step than before. Surprisingly, the wine had hit you faster than he figured, and he wasn't so sure if he should be concerned or just chalk it up to the kind of night it had turned into.

"Hey, I'm-" You hiccupped, laughing lightly at your own clumsiness. "I'm fine, Peter. Really."

But Peter wasn't so sure. His instincts were whipping him into overdrive-the same ones that always made him want to leap into action when something was amiss. "Yeah, I don't think you are," he said, trying to keep it light. "Let me just walk you home, okay? Just to make sure you're good."

But you rolled your eyes, with an almost sheepish smile you gave in, "Fine, fine. I get it. You're worried about me."

"Yeah, I am," Peter said, his voice a little quieter than he intended. "But you're my responsibility right now, okay?"

You exhale a small laugh, and Peter can't help but take note of how completely giddy it sounded, a little like you weren't quite sure where you were or what you were doing. You leaned against him, and then Peter was surprised at how easily you let him help you with that.

The way home was otherwise silent except for the occasional trip and the muttered apologies from you. But Peter didn't mind it, sensing closeness, although strange. Everything was just weird tonight. The brushing of your hand against his as you reached for your keys. That laugh of yours that wouldn't leave his ears. The vulnerability you seemed to wear in your eyes at that moment.

So, then you reached your door, and you suddenly stopped and stood there, fumbling with the keys in your hand. Peter moved closer but silently offered to help. You shook your head.

"I've got this," you said, though your words were slurring just enough for Peter to catch the uncertainty behind them.

After much effort on your part, the door finally opened. You leaned in again, and Peter nearly lost his heart as he had to rush forward to steady you.

"Whoa, take it easy," Peter said catching you as you stumbled. "Let me help you."

You smiled up at him, glassy and unfocused. "I'm fine, Peter," you slurred. "Just a little…tipsy."

Peter chuckled and guided you up the walkway to your front door. "Tipsy, huh? Well, let's get you inside and safe, then."

As you both reached the front door, you fumbled with your keys and Peter had to gently take them from your hand and unlock the door himself. You smiled up at him, your eyes sparkling with amusement.

After some time and a couple of tries, she got the door opened.

"Okay, inside," he said, his tone a little more powerful now. You did not resist him as he helped you through the door, but there was a strange sadness in your eyes that twisted Peter's stomach.

You moved slowly to the couch and finally sank down on it; the wine was exhausting. Peter stood near the door for a moment, wondering his next move. He wanted to shoot his shot, his thoughts wandered to somethings more inappropriate. Wasn't this all about getting you safe? Ensuring you did not end up passed out somewhere in a big, messy pile of sheets and regrets.

"Can you just… stay for a bit?" you asked quietly, with barely a whisper.

Peter hesitated. He didn't want to go too far, and he couldn't just leave you here, not looking so…fragile.

"Yes," he spoke softly, entering then into the living room. "I'll stay for a bit"

You nodded at him, gazing at him with tired eyes. "Thank you."

Peter perched on the edge of the couch; his hands awkwardly balanced on his knees. What a strange space there was between you two now, strange in that it was so very close, yet so far away. He wanted to be of some use and ensure you were okay, and yet the way the glance kept coming from you in that direction somehow felt… off. It was like walking on a fine line.

Peter looked at you longingly, you were so beautiful.

Too close and too perfect, he found himself sitting next to you, and Peter felt the pressure of so many things left uncommunicated fill his chest. He needed to do it. He needed to say it.

"Peter?" Your voice was a soft whisper, a little uncertain. Wine had aided this whole relaxing process, yet made almost everything feel slightly out of focus.

Peter swallowed, heart pounding in the chest. He wasn't entirely sure if it was the alcohol that has found narrate in your system, or if it was the raw honesty of the moment, but he knew very well it was now or never, the one chance to say all he had kept bottled up for months.

"Yeah?" he whispered, getting closer so that he was almost against you now.

"It's just that, I… I'm sorry if I've been too much tonight," you said, your words slightly slurring as you allowed your gaze to drift over his face. "I didn't mean to get that drunk."

Peter felt his breath hitch in his throat. "It's fine," he said, his voice softer now. He could feel his palms sweating, his heart racing faster than ever. "I just… I just want to make sure you're okay."

You smiled up at him, but it was a little foggy, and Peter could tell that the wine had dulled your clarity. Still, you were so beautiful, standing there, looking at him with those eyes—eyes that made him feel like he mattered.

Peter took a sharp breath and let a sudden breath of air come out. It was as if a magnet was pulling them together, and he was drawn to it. "So, uh– I was thinking…" He hesitated for a moment, then recovered his composure, trying to calm the trembling in his hands. "I've been thinking about you for a long time. Like, longer than I should have."

His brows knitted further in confusion as Peter quickly realized that the rest of the sentence was failing miserably in getting through your mind, as if the actual words were swimming around in it, suspended in fog. He stepped closer, unable to stop himself.

"If I—" He let out a shaky breath. "You know, I've been loving you for so long now. And tonight, I couldn't hold it anymore and just… broke the dam."

Your expression shifted slightly. Confusion clouded your gaze. You blinked, trying to piece together his words. "Wait, what?"

Peter took a step closer, completely incapable of holding himself back. His heartbeat pounded in his ears, and he felt the heat between you intensify. He reached out, his hand brushing gently against your arm. "I love you," he whispered again, barely able to breathe. "I love you so much, and I've been too scared to say it. I've watched you for so long, and I—" Peter stopped mid-sentence as he looked at you, eyes looking like a lost puppy.

"You're so beautiful, so so beautiful" He leaned in, your face was so close to him, his lips brushed against yours. He held your face as he licked your lips.

You could feel the warmth of his breath on your skin with just the proximity of Peter's face to yours, and the goosebumps it sent down your spine. Those eyes were filled deeply with a longing expression and captured yours as if drowning you in its depths. There was air that quite vibrated between the two of you, and the heat that seemed to take form could even be felt emanating from his body.

"I wanted to do that for so long," Peter whispered. His voice shuddered with desire. Gentle words falling like a caress to send shivers through you: "Wanted to touch you, hold you, kiss."

His lips brushed against yours when he spoke, making your body spark with electricity. You were pretty much melting into him, as if his very desire were consuming your human body. His lips, soft and gentle, just as firm and insistent. You tasted like wine.

"You're so beautiful" he said as his hands went underneath your dress, his hands inching close to your under garments. He touched your clothed core; he used his index finger to rub your clothed cover clit

You squirmed in his touch, "P-peter" You mewled in his mouth

This just seemed to fuel Peter even more, as he set aside your panties as his smooth fingers rubbed your now exposed core. Peter looked at you, he slowly kneeled as he spread your legs.

He looked at your wet core, as if it was a painting that he couldn't understand. Without warning he then sucked your glistening pearl; his tongue probed the inside of your gummy walls as his fingers rubbed your pearl. You cried out, your body arching up to meet him, and Peter felt a surge of excitement. He was in control now, and you were at his mercy.

He knew it was wrong, you were drunk after all, but he couldn't help it, this was his only chance.

He licked and sucked at your clit, his fingers plunging in and out of your dripping wet pussy, you cried out in ecstasy, your hands tugging at Peter's hair. But he didn't care, all he cared about was your dripping we cunt.

Anticipation dwells in the coiling mouth against your body, sending shivers along your spine. Every inch of you is lulled into stimulation by his gentle probing, drawing near to a soon-to-be-hidden insistent demand. You can feel that hot air glazing across your skin, soft scraping with teeth, and relentless pressure from his lips, all of which accompanies his tongue.

Your hands are clenched while he works, fingers digging into the sheets or perhaps his hair, holding him there. Your hips jerk primitively, as though to push him deeper and encourage more pressure, while your breathing makes raspy sounds mixed with soft mewls of pleasure.

One hand is busy at your hips, molding you solidly into place, while the other slips only up over the curve of your waist before settling over your breast.

You feel yourself immersing in the sensation as your focus is honed into one. The only critical thing is the feeling of his mouth on you. The whole room begins to fade away, and you're left with only the slushing wet sounds he makes and your breathless gasps, groans, and cries.

Peter on the other hand felt like he was in cloud nine, his mouth was now fully covered in your arousal, but he didn't care. He continued lapping at your cunt, accompanied with his middle finger thrusting in and out of you.

As the intensity rises, so do your frantic movements: the hips jerk and thrust as though reaching toward some ill-defined height. His mouth is a scythe-like blur of tongue lashing and probing until the pressure builds and you're all quivering trembling muscles, precariously balanced on a knife edge of release.

Your mouth is wide open, frozen in a silent scream on your lips, and your entire body starts quivering at the moment of release.

Then silence engulfs the outside world; its only inhabitants are trapped in a silent world of raw lust. His mouth is a furnace, raging, and threatening to engulf you completely, but you lean into the flames, thirsty for the intense heat that only he can provide. Your skin is slick with sweat, your heart thundering like a runaway train as your body builds toward the inevitable climax.

Your cries intensify as tension rises, a mournful cry into this frantic air, a scream savage, echoing off the walls as your body strains towards that release. Your muscles quivering.

Before you knew it, it almost hit you like rough wave of pleasure.

His cock twitched, his balls tightening with anticipation, as he felt the warmth of her your release in his mouth. That alone could make him cum his pants. He had never been this close to a woman before, and the thought of exploring your body was almost too much to bear. And here he was doing exactly just that.

You were beautiful to Peter, but you looked ungodly when you were in a state of release. The way your chest would heave up and down, how your mascara was running down your eyes, and your lipstick smudged on the side of your face.

"You're so beautiful" he said, barely even above a whisper.

"P-peter— OH MY GOD!"

He suddenly took a long slow stripe of your pussy, as if savoring everything, but then stopped when his tongue reached your clit. He sucked on your little pearl as if it was lollipop.

You moaned loudly as your back arched and your toes curled, "P-peter" You whimpered

The way he was sucking on your clit, along with his fingers that was thrusting deep inside you. It made it nearly unbearable. The last few moments or so almost sent you spiraling into one of those severe orgasms that made you see stars on your ceiling.

Loud moans slipped from your mouth, you wondered if your parents were at home, what if they see their sweet girl falling apart underneath the so-called weird kid of your school.

Your hips bucked against his mouth, trying to ease the bittersweet pleasure he was giving you. "P-peter, oh god, stop, I c-can't take it anymore" you begged in a voice very nearly a whisper. Body trembling, your hands reached instinctively for his hair, holding him.

He continued his performance on your clit. A familiar knot kept building inside you. Suddenly, the moans turned into loud gasps, and your body began to shake uncontrollably. P-peter, I…I think I'm going to come again" you finally whisper. To that, he only sucked harder, licked harder, his fingers falling on a rhythm with his tongue swirling relentlessly on your sensitive spot, bringing you to sweet agony. Your back arched up, you gasp while screaming, "P-PETER!"

Heaving and shaking with each pulsing moan, you lay there with your body's hypersensitivity after such intense pleasure receding. Finally, Peter raised his head. That satisfied smile on his face was testimony to your ability to elicit such feelings from him. And with his eyes, he stared at you, every flicker of lust speaking volumes about what was crossing his mind. Then he kissed near the center of time in your inner thigh, his lips dragging softly, and then moving to lie with you at the side of the couch

Peter's smile slowly faded as he noticed your catch of breath, replaced with a show of real concern. He stroked your hair as he gazed into your eyes. "That was intense," Peter said. "You're shaking." His voice was tender, wrapping around you like a soft blanket. "Time to get you to bed, all right?"

He managed a slowly rise from the couch while extending his hand forward towards you. You grasped onto it and found your balance shaky; nonetheless, Peter assisted you toward leaving the living room, down the hallway, and into your bedroom.

Peter opened your door slowly, revealing the bedroom from that night. Snap out of your thoughts Parker!

The bedside lamp cast a warm glow over the room. Peter placed you carefully at the edge of the bed. He knelt down to remove your shoes and started undressing you slowly and carefully. He threw the covers over you as you laid back in bed, tucking you in like a young child.

"Rest," he whispered as he brushed his lips against your forehead. "Sleep, I'll be here when you wake." He sat beside you, stroking your hair with his hand. Your eyelids began to feel heavier, and weariness, along with all the forms of pleasure, finally overtook you. Peter was the last person you remember as you slipped into slumber, where upon you felt the warmth beside you that offered the source of a much-needed sense of safety.

@gloomskulls 2024, DON'T COPY, TRANSLATE OR USE OF MY WORKS IN ANY OTHER WEBSITE. Photos don't belong to me

[best-seungkwality]

breakfast for two (romantically!)

pairing: guitarist!band member!ellie williams x brother of band member! soft personality!female!reader

summary: ellie knew there were lines she wasn’t supposed to cross. but the way you blushed when she called you ‘babygirl’ made her want to toe every single one.

contains/warnings: college!au, you have a brother named harold, subtle but unspecific mention of trauma, suggestive towards the end

word count: 2.3k

author's yap notes: sue me i loved the k-drama kingdom bye. and yes here i am again with ellie williams IDK guys she's just hot and inspires me to write i just Have to take advantage of this. i'd write about my kpop boys but ,, i'm very wlw-coded the bisexual in me is not bisexualing.

would like to give credits for the dividers i think they're gna be permanent lmao: © saradika, magnusthemes here in tumblr!

'god, i'm such a kid,' ellie thought to herself as she fixed the crinkle in her flannel shirt. as usual, she felt a bit conscious of her appearance whenever she went to the house of her bandmate to practice for their upcoming gigs.

with one heavy breath, she brought her hands up and knocked gently on the door. it was really unlike her– she could care less about stupid harold's door, but she didn't.

once it opened to reveal his younger sister, all thoughts were wiped clean from her mind. suddenly, you were all she could think about, from how cute you looked in your pajamas, to how those fuzzy house slippers fit your soft and caring personality.

"hi, ellie," you greeted sweetly, and god, could she just melt right then and there. she wouldn't mind going to harold's every weekend if she could always have this kind of welcome.

"hey, doll," she greeted back, ruffling your already bad bedhair, earning a whine from you. "harry there?"

you nodded and let her in, immediately going in for a hug. if it were anyone else, she would've punched the living lights out of them for invading her personal space, but this was you. you could cozy up to her as much as you (and she) wanted.

"you should go down now, he'll be there in a bit, just changing clothes."

she put an arm around your shoulders and leaned her head onto yours. "i can spare a few minutes for my favorite girl."

"and if you don't take your arms off her, i'll spare a few minutes to body slam you on the ground."

ellie raised her hands and chuckled at your overprotective brother, who was rushing down and suddenly pushing her to the direction of the basement and away from you.

"call you later, princess!" ellie hollered playfully, getting a 'sure thing, baby!' in return, much to your brother's annoyance.

harry started with his usual monologue whenever he caught her flirting with you, be it in their home or school. he always went on about how you were his most precious baby sister who deserved everything nice the world could offer, and that you were off-limits until you graduated because your family only wanted the best for your future. he even said his parents could throw him in a ditch somewhere if it meant you achieved your dreams.

ellie raised an eyebrow at him, feeling that she was never going to completely get used to this kind of brotherly side of harold. she inched away from him and went to her spot, saying, "chill out, dude. one more sentence, and i'm gonna think you have a sis complex or something.."

harry's jaw dropped in disbelief. "how dare you, ellie," he whined, throwing an empty can of soda at her, to which she just laughed. he scoffed then turned serious, "you all know how she got to where she is now, right? i just wanna make sure..."

"yeah, totally, i get you, har," she cut him off, not wanting to make him explain any more. she knows it was hard to talk about the traumatic event his sister went through and his family had to overcome together.

"ellie's just being ellie, but you know we all care about y/n. don't worry, har," emma quipped from the corner as she was fine tuning her own instrument.

"yeah relax," she told him, "i'm just happy to be around her. i like the influence she has on me. i'd take care of her the way i want to, but i won't cross the line without your go signal, harry." she showed him a thumbs up, which he returned.

harold smiled and thanked his bandmates, and ellie couldn't help but feel warm. she had a found another family in them, and she was beyond grateful. not many people her age have the bonds that their little band shared with one another. she was thankful that some people actually accepted her for who she was and treated her the same way they would treat their own close family members. joel was the only one she had at first, but because of them, her world expanded and became even better.

with that, she decided to let the matter go first and stop giving their poor leader a headache. her feelings for his most precious sister could be dealt with some other time, preferrable when everyone's less stressed about it.

"ellie?" you answered the door in surprise, looking at your friend with curious eyes. "what are you doing here?"

ellie cocked her head to the side in confusion. "practice, doll. what do you mean?"

you stepped aside and opened the door, letting her in that morning. she ruffled your hair as always and went in, plopping down on one of the chairs in the living room comfortably. it was her second home after all-- no one would contest that.

"i know, but didn't you get harry's text?" ellie's eyebrows furrowed, bringing her cellphone out to check. "he said practice would start later evening. he and lance had to rush to uni for a report," you told her, sitting on the other couch near her seat.

ellie scrolled through her messages and didn't see a notification, which was odd because harry never missed messaging reminders, especially if they were about their schedules. he respected their time way too much to do that. it must've been a mistake-- that, or he was messing with her, waking her up that early for no reason.

she mumbled a few profanities, swearing to get back at him, before putting her phone aside and slouching on the chair. "well, i guess i'll spend the day here. got nothin' else to do anyway," she said, folding her arms behind her head, hoping your eyes would at least linger a bit on her body. and they do.

she smirked a little when you abruptly looked away and turned the television on, showing Kingdom on the streaming app. "mi casa su casa, els."

els. she was only ever gonna like that nickname if you say it.

"have you eaten, babygirl?" she stood up, scrutinizing your face for any indication that you were affected by the pet name. she did a little fist pump in her mind when she saw the blush on your cheeks deepen in a redder shade. "can i cook for us?"

you cleared your throat and waved your hand, pretending to be nonchalant. "our kitchen is your kitchen. and you know what i like already, so pleasee," you spoke, lying down on the couch without looking at her.

ellie smiled dipped down, coming face to face with you and your adorable blush. "me, right?"

she laughed when you pushed her face away, complaining that the two of you were too close and she should go ahead and cook because she was starving. ellie affirmed and let her know their food would be ready in several minutes, obliging her princess who doesn't know she's her princess yet.

she got in the kitchen, cleaned her hand and the cooking wares she was going to use, and decided to just go for a typical omelette with bacon and sausages. kid ellie would always say that she would be caught dead first before ever cooking for a man, and she made sense because the only person she would cook for was her girlfriend who wasn't her girlfriend yet.

when the meal was almost done, she peeked inside and saw that you already set up your dining table for the two of you, meaning there really was no one around.

"y/n, babe, food's done," ellie called, and you were there to assist her in no time, preparing all the food in their respective plates. you two brought it over the table, and immediately chowed down on the food as if you weren't being fed by your parents and brother.

ellie looked at you fondly as you chewed on your food carefully, wanting to avoid any incident that might humiliate you somehow. she was just glad you were eating comfortably compared to back then when it was harder. she would cook and cook for eternity if it meant you would have the smile you had on yours face right now forever as well.

"love your cooking," you said in-between bites, scarfing down your food.

"careful. harry or your mom might hear and cry," she joked before eating her food herself.

you chuckled and placed your utensils down once you finished everything. it surprised ellie a bit, but it made her happy more than anything else. she was just waiting for you to wife her up.

"el," you called, looking down at your lap.

she stopped eating for a while, and took your hand, worried at the sudden change of mood. you seemed anxious, playing with your fingers like that again. ellie ran her thumb over your knuckles, asking, "what's wrong?"

you pursed your lips before shaking your head. "nothing. maybe we can talk about it later."

"sure, let me just finish this quick."

"no, take your time," you insisted, giving her a small smile which tugged at her heartstrings, as cheesy as that sounded. "meet me in my room when you're done, okay? don't rush, and just leave the plates there. i'll clean them up later."

ellie nodded in agreement and watched you go up to the second floor and disappear into your bedroom before going back to eating. it made her anxious too, wondering if harold told you anything about yesterday and asked you to stay away from her. that was why even if you told her not to rush her breakfast, she still did, being unable to take the suspense.

she left the dining room and quickly raced up the stairs, turning to the right at the top to go to your familiar bedroom. she knocked twice then went in, and saw you sitting by your bed and looking out the open window.

ellie's eyebrow's bunched up in worry, taking the seat next to you and holding your hand gently to let you know she was there no matter what. you turned to look at her and sent her a small 'hi.'

"hi, doll, what's wrong?" she asked, cutting to the main point.

you smiled a little. "it's nothing. i've just been deep in thought."

the girl frowned and brought your head onto her shoulder. "it's not nothing if it's making you think that deeply. c'mon, you can tell me. is anything hurting?" she asked, running her fingers through your hair.

"i- i'm scared of asking you," you admitted, looking down to avoid her gaze.

she decided not to force eye contact yet. "about what? i promise i'll respond gently. when have i not been gentle with you, doll?"

thankfully, you were the one to look up at her first, and she gave you a reassuring smile. "c'mon, n/n. it's just me, no need to be scared."

panic settled in once she had seen the tears pooling in your eyes. she asked what was wrong again frantically, bringing your face into the crook of her neck to allow you to cry to her. you let out a few sobs until you started fully crying, and then you managed to calm down. ellie was not good at comforting, so she was kind of relieved you were the type who didn't need many words to feel someone was there trying to make you feel better.

"c'mon, babe, what's wrong?" ellie coaxed, wiping the tears off your face.

"that's what's wrong.." you murmured, looking down.

her mouth hung slightly open, truthfully not understanding what you meant. you sighed and grabbed a pillow, hugging it close to you.

"you call me 'babe' or 'babygirl' and i give stupid romantic meanings to them and i just... what if you'll actually never see me as someone's and your little sister? i'm gonna be stuck with these feelings on my own, and i won't get over you, and i don't even know..." you said quickly, as if this was the only time you had let these thoughts out into the world.

ellie, on the other hand, couldn't be any more overjoyed than she was at the moment, but she had to keep her calm first because you were emotional, and she didn't want to overwhelm you much more than you already were.

instead, she grabbed one of your hands, and her other went to cup your face gently so that you two could look at each other deeply. she let out a little chuckle before speaking, "i have never looked at you as just a little sister. if you just knew how head over heels i was for you the moment harry introduced us," she said with a large grin. "i've got to be insane if i don't see you as a woman i wanna be with."

your lower lips trembled. "really?"

ellie laughed and stood up, gathering you in her hold and spinning you around, garnering laughter from you as well.

"yes, really! you're the only i would ever let in my personal space, clueless girl!"

the girl fell on your bed with you on top of her, and she smiled lovingly up at you, giving you a quick peck on the lips. "i've always wanted to do that."

to her surprise, you brought your lips together, kissing each other to make up for the years that the two of you could only hug and smile at each other. ellie sat up and flipped the two of you so that you would be underneath her, caged in her arms. she let go of your lips and went down to your neck, trailing downwards.

the two of you could feel your breaths become deeper, with your eyes darkening with need.

"you hungry?" you asked with a small voice.

ellie smirked. "famished."

oh well, harry's blessing was mattered less now that you made the first move.

[avelera]

hi! first off, i love your arcane meta, especially the jayce characterization and hextech details. you get it.

now second, (and feel free to ignore this wall of text for any reason):

if you're in the mood to talk about meta, i'm curious to hear your take on one season 2 thing that i've been scratching my head about

how much does post-anomaly jayce know about the future? my initial impression was that wizard viktor only told jayce what we see onscreen, and jayce was kind of improvising and trying his best without detailed knowledge of future events.

but some lines ("we're meant to lose this fight") and a comment from the artbook (post-anomaly jayce wearing armor bc he knows there is a battle coming) imply that he knows more than he lets on.

what's your (watsonian) take of jayce's knowledge of the future in season 2? is there any detail in the show that sheds some light on this?

i think jayce knowing or not knowing about certain events really recontextualises some scenes. is he following his own or wizard viktors plans? is he suprised about the events of act 3? i've been rotating this in my head but i'm not sure what interpretation i prefer.

Thank you so much!

As for your question, it's a really interesting one!

Unfortunately, I do think I need to start the answer with the Doylist one:

Jayce knows as much about the future as he needs to for the plot.

I think this is important to note because it informs an understanding of their choice not to show us him getting an exposition download of everything Wizard Viktor has worked out over the years as to how exactly Jayce can thread this needle of saving Viktor at exactly the right time.

Because, in theory, the amount of optimization could be infinite. It could get all the way down to, "Jayce needs to be scared into falling into this exact pit and spending no more than 3 months there because that gives him the suffering needed for his plea to Viktor to be heartfelt and informed by similar suffering, but not so long that Jayce goes insane from isolation."

Or even things like, "Ekko needs to go to the Happy Zaun universe or else he won't have the sympathy needed for him to prevent Jinx's suicide and without her present at the battle, one of Herald Viktor's mind-control arms snatches up Ekko too soon rather than grabbing Jinx instead, so he's not there to buy Jayce's those critical extra seconds for his appeal to True Love and also put a bomb in Herald Viktor's face."

That said....

I admit, part of me still sort of wishes that Jayce had been the one to go through multiple realities of optimizing, just because I think it answers... a few more questions? Like how did he suddenly get so comfortable with killing someone like Salo, if he wasn't fighting in other universes? Why does he look so aged if only 3-6 months passed? How does he know things like how exactly to get to Viktor's commune and the fact they're going to lose the fight, etc etc etc.?"

I think it would have been cool and very fitting for Jayce but I will admit, the story we got covers all of this too.

Jayce's aging could easily be the product of extreme hardship (I wouldn't be surprised if the animators referred to images of people who have been, say, stranded on desert islands or prisoners of war for long periods to inform just how much Jayce's face muscles wasted away while he was there and just how much extreme hardship can age you because it can be extreme even within a few months and between pain, starvation, dehydration, and magical gangrene, Jayce was going through it).

Jayce's comfort with the idea of killing Salo could just be a product of his hardship (killing and eating lizards with his bare hands lol yuck), or of understanding that assimilated people are already dead, effectively, and to stop that future he cannot hesitate at all. Also, maybe he just fucking hates that guy, which would be pretty understandable after Salo voted to banish him back in 1.02 and also is very funny to me, personally, that he was just a little more comfortable smooshing that particular Councilor than he would be literally anyone else.

And this is were I get to your question: how much does Jayce know? Presumably, if we go Watsonian, whatever Wizard Viktor believed he needed to know to actually thread this needle, because there's probably information he doesn't need to know too.

For example, Jayce might know:

He cannot let a Cultist get back to Viktor with Hexgems. Salo needs to go. Who knows what this prevented but I can easily see how Viktor having more power right now to prolong his healing/assimilation would be a bad thing regardless. Also just... having Salo at all as a potential power player that Viktor could work through.

He knows where the commune is. In theory, he probably could just ask someone in Zaun too I mean, I doubt it's a secret, and narratively we don't need to see that.

He knows he cannot under any circumstances let Viktor talk to him once they're face to face. He can't even look at Viktor after Viktor knows he's there. There's a heavy implication that if Cult Leader Viktor so much as smiles at him, Jayce will fold, if we believe the little flash of memory of Jayce remembering him smiling at him isn't just Dead Wive Vision but is actually Anomaly Future Jayce warning him about what happened to him to lead t that point, which I think is a baller theory.

He can't give into Viktor, ever. He can't let Viktor touch his forehead before the right time. Jayce fights like mad to get away from that robot once Viktor decides that Jayce will be his partner again or else.

He knows he needs to take all the Hexgems out of the base of the Hexgate, but is it to stop Viktor? Or is to buy a few extra seconds while Viktor plugs them back in again so that Ekko has time to wake up? This is the sort of thing where Wizard Viktor might know the real reason for something but doesn't need to get that granular with why because it's about buying time, not actually preventing the Herald from grabbing the Anomaly.

By the way, I have a theory that one reason Jayce needs to get the gem burned into his wrist is because there's universes where his bracelet gets cut off and he loses the gem so Wizard Viktor is like, "This is gonna suck, but you really need this thing embedded in your flesh so it's there at the right time." Though, it could also be so he can engage the magic in his Alt Universe hammer. Still, I am a little sad that it's not an effect of Jayce universe hopping where some battle got it burned into him, because that was my original theory and I'm still very partial to it.

Jayce knows that he has no chance of winning the fight, he just needs to survive it. Once he gets to the top of the tower, once he grasps the hammer, it's all over. From that point on, the only thing he can do is have faith and get his big Power of Love speech ready, that is his only chance.

As for what Jayce is surprised by, I do think he might have been told information but not shown it necessarily. I am still really sad we didn't get a visual of what Wizard Viktor told him but, at the same time, one of the fun parts of Arcane is that it doesn't spoon-feed us, which gives us the chance for discussions like this, so wanting that scene is me being a Jayce addict not because I think it would necessarily strengthen the story.

So I think Jayce doesn't know what Machine Herald Viktor looks like. It's possible that Wizard Viktor doesn't either, because that didn't happen to Wizard Viktor, he didn't get slowed down at the commune, Jayce probably joined him there and probably didn't fight him at all, there's a strong hint that Anomaly Universe Jayce surrendered to Viktor at the top of the tower (the explosion marks around him are behind him, which implies that the force of his conversion might have been in front and willing, like he was kneeling before his king, and we don't have the top of his head to know which direction the fingerprints are positioned in).

So basically, Machine Herald Viktor is a product of Viktor needing Singed to regain enough power to go get the Anomaly, which Wizard Viktor didn't need to do.

It's possible that Wizard Viktor doesn't know about Ekko, he just knows that something outside his awareness has to happen for MH Viktor to be caught off guard, and as MH Viktor says, "That device cannot be," he cannot in his infinite knowledge account for what happens in a world where Hextech never got beyond its infancy with Jayce and Viktor at the helm.

So, at a certain point, there may have been things that Jayce and Wizard Viktor just had to rely on faith to come about too.

But it's way more fun to speculate because I think we'd be punching holes in it instead of speculating on it if we had been given this whole download.

Hope that answers your question??

[maythedreadwolftakeyou]

(DATV thoughts with spoilers ahead; i think my tags will keep it filtered but just in case it doesn't since i dont want this in the actual game tags)

i just... man. i don't have a well formulated thought for this yet (and its my PERSONAL OPINION and other people can feel as different as they want, this is not an attack) but it keeps bouncing around my head, so. i know the popular thing right now is coming up with in-universe justifications for The Pantry Almost-Kiss Scene in ways that imply Lucanis didn't mean it/it doesn't represent him as a person/he was Faking It.

and i just don't like any of them. they make me sad!!!!!! i don't like the idea that one of the like 4 romance scenes we get in this game is him Pretending in some way, even if he does at that point like Rook back at least somewhat. None of the justifications i've seen make me feel Better about that being the point where we declare him as a romantic interest, which is what it is in the game, functionally. It doesn't lock you in yet but that point IS where the game says "they will take your flirting more seriously now". I did those same scenes for Davrin, Emmrich, and Taash and this is the formula the game uses (the "interrupted almost-kiss/confession" happens for almost all of the companions).

so if the answer for Lucanis' is "actually he stopped because he Didn't like what he was doing/feel that way yet" or that he felt he had to pretend for Rook's sake... it's kind of a letdown you know? esspecially when it comes right after what seems like an actually authentic moment (dispelling his "perfectly gathered clouds of doom"). Because, at that point in the game from my/Rook's perspective, it was like he finally was reciprocating. It made me hope that he'd acknowledge whatever was between him & Rook more in future scenes, especially because you get so little else from him at any other point, in terms of flirting back/showing you he IS interested. like up to that point I felt kind of bad for continuing to flirt at him, when he'd just change the subject right after! if someone did that in real life i would take it as a hint to stop. This is pixels and not real people so I didn't but they have done "reluctant/fearful interest" better in other characters if that's truly what they were going for in this one.

so after finishing the romance and getting the rest of content... idk. I don't like saying "one of the major chunks of characterization we get needs to be Thrown Out Actually because he was Pretending". because it's not like he or Rook ever actually address it in game--you just don't get to talk about feelings until some dialogue choices only in the act 3 romance scene, and then his speech at endgame (not even a full conversation, so much as his personal declaration). like it takes until the VERY end of the game for him to say the thing about "he was afraid to want you", but that comes after you've already hooked up, even.

I think truly what annoys me is that it's a story choice that can only make sense in HINDSIGHT not AS PLAYING. Only once you have all the scenes can you say "this one is out of character" and then you either have to accept it as bad writing, or come up with some in-universe justification to explain it... and so far none of the in universe ones feel good to me. i wish they did because maybe then I'd be less annoyed, rip. but at the end of the day i think even if there was some intent there, it was a poor choice for his story arc, because it doesn't effectively convey anything... and the reason why we can project a lot of different explanations onto it is simply because it is never addressed again (and again, Lucanis Dellamorte is NOT A PERSON he is a CHARACTER used to further a story for you the player, and so the reasons I don't like this choice are story-level and not a dig at how real life people feel or act).

So yeah at the end of the day. that is simply not a narrative device I would ever personally use in this way on a player/reader. certain kinds of hindsight revelations have their place (see: what the devs tried to do with Varric though I also think that falls apart on close inspection, but at least it has justification in-universe), but for a romance it just makes me embarrassed for Rook. In a game where you don't have nearly as many back-and-forth conversations with characters and have to resort to eavesdropping on them talking to each other, it's sad that one of the like 5 times you actually get to talk to Lucanis one on one we're maybe supposed to believe he wasn't being authentic, and also that Rook can't respond to this ever. It would be different if it had any kind of follow up, imo. or honestly as i've said before i would rather it have been swapped out with something entirely different or where we get to talk about their feelings instead, before i get labeled as one of the "people mad he's not Zevran 2.0/a sexy latin sterotype".

But having to step back to player-level analysis versus in-character analysis when looking at his whole romance arc just feels sloppy. but i'd much rather stick to "bad writing" than "intentional character choice" in terms of how to interpret the scene I guess, at this point, for poor Rook's sake. and i know people disagree with when I've said that before bc as much as I love Mary Kirby in other areas, she has said many times that she doesn't like writing romance, and I think it really does show here. As much as I love Lucanis and the scraps we got I wish I didn't have to do so much filling-in-the-blanks on our own.

[thethronezone]

Primarchs holding their child for the first time

At first, Mortarion's hold on them is awkward, his body tense and brows furrowed like he's holding a bomb instead of an infant. But ever so slowly, he relaxes. His expression eases up into one of quiet contemplation and slight wonder. He suddenly feels younger. Not as broken. Like a tiny piece of himself that he thought died long ago have returned.

Fulgrim fusses over the baby in his arms, inspecting them with the eyes of an art critic. And he can't look away. Splendid. Spectacular. Perfect. Fulgrim calls them his greatest creation, his masterpiece. He coos to them, promises of grandeur and greatness. Oh, he's got such plans! So much to teach them, to show them, he can't wait!

Weeks pass before Angron decides to hold his child for the first time. Most people assume that he doesn't want to be a father, that he doesn't care about his child. They are wrong. The truth is, Angron is afraid that the nails will drive him to hurt them. He holds them only briefly, just for a short moment, but he treasures that moment of peace, sears it into his memory like he'll die without it.

Magnus knew his child before they were born. The moment their little soul formed, the moment they developed brain capacity, he formed a mental link with them. For curiosity? Yes. But also because he could not wait to meet them. Now that he has them in his arms, it feels like he's meeting an old friend, someone he's known for a long, long time.

Perturabo stares at the child sleeping in his arms. He had refused to hold them directly after birth, seeing no point in it. But now he's holding them and for once, Perturabo doesn't know what to do. They are small, they are fragile, they are weak and most of all, they are USELESS. Yet he can't bring himself to hate them for it, no matter how much he wants to.

Alpharius is the first to hold one to hold the baby. He smiles down at them, already proud of them despite the fact that all they have done so far is be born. Omegon gets to hold them later, when Alpharius returns with the child back home. Omegon practically snatches the child from his brother's arms, impatient and unwilling to wait any longer.

Lorgar holds the baby high up in the air, above his head, like he's showing them off to the stars themselves. Actually, he's probably doing just that. His child is his blessing, his life work. Lorgar needs the world to see them and feel what he feels. He then holds them close, forehead pressed against them as he mutters soft prayers. There are tears in his eyes, with a few rolling down his face.

There are not enough words to describe the amount of warmth and love in Horus' smile as he gazes down upon the baby in his arms. This is his treasure, his legacy and heir but most importantly, the child he's always wanted. Horus promises them the world and more. He refuses to put them down or for anyone else to hold them for a good while.

It takes a while for Konrad to hold his child for the first time. He's so scared that he will hurt them, that his thirst for violence and terror will get the better of him. But once he gathers the courage, once he holds them in his arms, he doesn't want to ever let go. He cradles his child in his arms and promises to never hurt them, that he would rather die than let that happen. And he means it.

Sanguinius folds his wings around him and his baby, shielding both himself and his baby from view as he holds them close. He can't stop staring at them, eyes wet with unshed tears and a soft smile on his face as he whispers them promises for the future and proclamations of love and assurances. You are enough, you are strong, you are loved, you are perfect the way you are.

Corvus sits in silence, a sleeping infant in his arms. He can't help but stare, as if they will suddenly disappear if he looks away for even a second. It feels unreal, finally holding them after waiting for so long. He gently swipes a thumb across the side of their face. Corvus slowly curls up around them, as if to shield them from the world he knows won't wait to tear them down.

When Ferrus prepared for the arrival of the baby, he thought he had it all under control. But now, holding them in his arms for the first time, he's suddenly so aware of how lost he is. This is a real person. Not just a concept. And he's all they've got. They are his responsibility and his every action, every word, every lessons he teaches, will have consequences. They depend on him. And Ferrus fears that he won't ever be enough.

Rogal has never been the best at expressing his emotions. He's stoic, disciplined. Even now, with his newborn child in his arms, the corners of his mouth does little more than twitch. But his eyes? There's no denying the love and pride in them. Dorn rocks the child in his arms as he tells them that he will protect them, now and forever.

Oh, Vulkan just can't stop smiling. Cradles the baby in his arms with such tenderness, almost as if they are made from glass. Vulkan tells them he loves them, that they are his heart now. He means every word of it and he's never going to let his child forget how much he loves them. For the rest of their life, Vulkan's child will never go a single day doubting the fact that they are loved.

Lion thinks it isn't fair the way the infant doesn't even know how wrapped around their little finger he already is. He would kill for them. He would die for them. He knows this for sure, can feel the truth of that statement in his very bones. Is this what all parents feel as they gaze upon their progeny for the first time? Did the Emperor once feel this way when he gazed upon them? So many questions yet for once, Lion does not mind not knowing all the answers.

Pacing around the room with a newborn in his arms, Leman won't stop talking to them. His pup, his fierce little warrior, his proud and joy. His voice is warm and energetic, but not loud like how it usually is. It rumbles softly, soft for small ears. He bounces them in his arms as he walks, eyes sparkling and teeth bared in a genuine smile, as adoring as it is wild.

It's with eager arms that Jaghatai picks up his child. He's waited for them, waited for this very moment where he gets to meet them and hold them for the first time. Already, he knows that his child is strong, knows that they will grow up and achieve greatness. He heard it in the way they wailed upon being born, can see it in the way they flail their limbs around. Jaghatai is already so proud of them.

Roboute doesn't speak as he holds his child, the wheels in his mind spinning and churning as he gazes down upon them. Suddenly, there's so much to do. He thought himself prepared but he now realizes that those preparations were nowhere near enough. How could it ever be enough? He needs to create a bright future for them, create a safe galaxy for them to grow up in and explore. A safer world in the palm of their hands.

[chiefcroissantdeanbanana]

hey chat do you ever think about evbo and parrot in pvp civilization. the. the things they could've been. it wrecks me.

pvp civilization spoilers below!!

When Parrot and Evbo first met, he was the first person to tell him how the iron sword level works. He acted like a guide of some sorts, answering his questions, telling him the story of the chosen one, and just being gentle. Evbo admired him, even if that admiration only extended to parrots mansion and how he was the only iron sword that has a mansion.

Evbo trusted Parrot, he trusted him because he was one of the few people that didn't lie to him. Because parrot treated him with respect, treated him seriously, and parrot cared for him.

When Evbo accidentally shared the contents of his journal to parrot, he didn't tell ANYONE that Evbo was the chosen one. He did the opposite, he tried to HIDE the fact that Evbo was the chosen one. He warned Evbo to be careful, to not be obvious, to hide himself, because. because because he cared. for him. He cares for Evbo, if he didn't then he wouldn't have told him about The World. The world of parkour civilization, that he wasn't a natural born sword, that he was a bow. He wanted Evbo to know because he genuinely cares for him. And if that means breaking Evbo's trust for him to know the secrets of the world? He'd gladly do it. He can't lie to Evbo, he wouldn't. He can't. Not after Evbo shared his journal to him, even though it was an accident, it was the reason why Parrot even told him anything in the first place.

Parrot will accept the disdain Evbo would give him in the future if it means Evbo won't be clueless about the civilization he is in right now. He would prioritize Evbo's safety over anyone else's, proven by the fact that Parrot tried to stir him away from the iron swords gazes.

It does NOT excuse the fact that he did nothing when Evbo was being farmed though, not like he could do anything but yea... we didn't see him in that whole section, not even once. Which augh the angst </3

He changes in the end though. Parrot fought because of Evbo. He picked up his bow again and fought for his principles, that no sword should be farmed for a longer life. Evbo reignited his will, his almost forgotten belief of peace. That arrow- that singular arrow that we see. Is proof. Proof that he's ready to fight once more, to risk his life for a better life for others. And in extension, for Evbo.

[heal-the-ashes]

I feel like Hershel and Desmond would both be afraid of themselves.

If they stop and look at themselves. If they realize what they're doing came from years of pain. Would it all lead to a question of "Who else am I going to hurt?" "How many people have I unintentionally hurt because I never realized what I was really doing?" "How many things of my life have I missed because of this?" "How many things do I—or will I—regret?"

I feel like Layton self-sacrifices to a fault. That others get hurt trying to protect him. That he unknowingly drags other people through pain to get to where he thinks he needs to go. To solve every mystery there is. To get rid of his pain from outside sources, he needs to make as much of it himself under the titles "Determination" and "Amazing at solving things" and "Helping others" because then, how could those things ever hurt him? How could they ever be seen as pain? They're not like his (other) traumas. They don't cause pain at all. Not to mention what he thinks about danger. Danger? What danger? There's no danger here. Just people who are willing to hurt others to get what they want—Which is very sad and shows their pain and he'd very much like to help them in any way possible, if possible. If they show that they don't want to be helped, then it's better to leave them be.

But then again, nothing can ever be someone's fault other than his around him. I think he goes over betrayals thinking, "There must have been something I could have done." or "There must've been something I did." or "If I learn from this, I can make sure it never happens again." or... ... I think he has a hard time accepting that things really aren't his fault / there's really nothing he can do about some situations. Actually, when it comes time for Unwound Future and the whole Evil Layton arc... The only time in which he actually raises his voice is at himself. Is at the version of him that betrayed all of the morals in which he's held onto for so long. But a part of me thinks that, if he knew things were actually his fault, he'd have a problem with that, too... I mean, look at how he reacts to him getting puzzle answers incorrect in CV. In CV. In the 4th game of experience that he's had with puzzles. And a movie. With all that experience and he gets something wrong... he's disappointed in himself. Going back to the UF/LF thing... "I demand an explanation!!" I don't think I'll ever forget that line. I think, from his journal... We know he was trying to think of reasons why he would do something like this. Idk. I'm. Thoughts are not thinking anymore. Um. Wow I really lost my thought process. I was also gonna talk about Desmond. But I guess that's not happening at the moment.

[themetalvirus]

how egghog silver and shadow realize something is wrong and how they run away. 2k words.

while eggman is gathering the chaos emeralds for a nefarious plot, silver enters the room where he's keeping them on his own. he thinks about something amy said about them being able to turn thoughts into power. if they're so powerful, maybe he could use them to see the future himself…

he puts his hands on them and thinks and hopes. he's trained and honed his powers for this, so it HAS to work. and it does – a portal opens. after a moment's hesitation, he takes the two chaos emeralds he used through the portal. he's glad he did, because the portal closes behind him.

suddenly he can't breathe. there's too much smoke and ash in the air, and his sensitive lungs are immediately very unhappy. as he's coughing and hacking, he notices just how barren everything is. how orange and dark. there are no people here, but there seems to be a lot of metal and machines. he wants to know what happened so he can better prevent this from happening, and in turn prevent his birth parents from suffering, prevent the pain of what happened to him from happening to anyone else by any means necessary. he seeks out a library or really anywhere with books. books are more reliable than people anyway. he's in luck and finds an old library with much of its delicate inventory undamaged by the fires, and he gets to work picking out everything that seems relevant in his pk before opening them in a circle around him twilight sparkle style and gets to skimming.

there's a lot of things about daddy. they are not flattering. there are a lot of mentions of him and his brothers. how they were such powerful tools that they were the key to eggman being able to destroy the world. he couldn't have done it without his sons.

silver doesn't take this well. he believes the book is propaganda or lies, but the more he reads, the more affirmations there are that this could be true. he's in denial, but he makes sure to put the books somewhere they won't burn before he heads outside and tries to find material proof that it's lies.

he flies around in a desperate bid to see anything but metal buildings and scrap, but he can't. everything left behind is familiar to him in style and structure. he comes across a large drilling machine that spans the area of a small city and the oil oozing out of it is burning brighter than anything else he's seen, fueling the flames of everything else around it. it has eggman's logo still clearly emblazoned all over it.

his heart drops, he panics, he covers his mouth and hyperventilates and tries to come to grips with this but he can't. the kicker is that he knows eggman has time traveled before and told his sons it was too dangerous and terrible to join him. eggman had to have known this and he didn't care. he knew and he didn't care. silver caused his own abandonment, helped kill his own parents he'll never meet or remember, and his daddy wanted it that way. he can't take it anymore and goes back to... his time? but it isn't his time, is it. his time is on fire and the world is dead. his time is nowhere.

he tries to tell his brothers about what he saw, but shadow is too walled off to talk to and sonic believes what he saw was misleading or a lie. shadow says that silver said himself that the chaos emeralds turns thoughts into power. it could all be in his head.

help isn't here and he can't let dad know what happened. he leaves the next morning after a sleepless night for a "mission", but he's just looking for amy. she's the only person who could possibly believe him and HELP him. his family wouldn't do anything.

this whole time he's in emotional anguish, crying so hard he's thrown up a few times already, and when amy sees him she thinks he's faking it like he always does. until he starts gagging and begging. he would never lay himself this low for a lie. concerned, she takes him to tails, who is having a much harder time believing that this is real and not a trick to find out where his workshop is or take advantage of him. he's a bully and a tyrant and he wouldn't feel safe having silver in his house. amy forces him to accept anyway. amy awkwardly offers silver new clothes, and he accepts. they're ill-fitting and not his style but he's already got his fur matted with tears and rank with Things so he gives up his dignity. tails is unhappy, silver is panicking and throwing up all night while amy tries and fails to comfort him, and eggman becomes deeply suspicious of silver not coming back. especially when he can't track his precious son boy's location. hmm.

he pulls shadow and sonic into his main Scheming Room and say anything silver told them was a lie and a trick. amy was brainwashing him. they need to report any sightings to him immediately and bring him back at all costs. meanwhile silver has told amy about eggman's scheme and that eggman already has a few emeralds. his first order of business to save his future is to steal them back. tails has a conversation with him first. if you want to actually save your future, you'll be completely out of any time. an anomaly. your parents would most likely never exist.

silver thinks this over for a surprisingly short pause in the conversation, looking at his hands. he says yes, i'll accept it. i don't want what happened to me to happen to anyone else. ever.

jumping forward a little bit, the first time silver sees his family again they're surprised to see him out of uniform and actually helping amy. he pleads with them, saying they've got it all wrong, they're destroying the future and the world, but they all say that can't possibly be right. the future must be destroyed because we haven't tried hard enough, haven't gotten rid of amy, or because YOU abandoned us. silver openly cries, and eggman rolls his eyes and says he isn't going to fall for it. silver chokes on his own spit and sputters about how he was abandoned and they don't care, they don't care that everyone was dead and the sky was blotted out with thick smoke, they didn't care that his lungs are permanently damaged just from being in that world as an infant, they don't care.

shadow and sonic are confused and worried and try to step over to comfort him however they can, but eggman says boys. here. now. they can't disobey. they get into the eggmobile and leave him on his own. and that's what he thinks is his final goodbye to his family, home, and previous life. shadow complicates things.

-

shadow is unsettled by silver's distress. privately, he believes that silver wouldn't lie to them and wouldn't leave them over a lie. sonic repeatedly tries to soothe shadow's apparent worry, but it isn't working. despite everything, shadow hopes that things will just go back to normal, silver will realize how foolish he's being, and he'll come back home and everything will be okay.

while eggman is working on getting the chaos emeralds back from amy and friends (hes ultimately unsuccessful this time), he seems very busy and distracted. more than usual. shadow is particularly sensitive to eggman's moods, so it's apparent to him. on a day where he's keeping watch while eggman works on some sensitive files and plotting work, eggman gets up and leaves the room to check something. shadow is left alone with a computer with every single permission possible, including the files on him and his brothers. he wonders what eggman could have lied to him about. he pushes through fear and sits down in a chair much too large for him and opens up the files labeled with his name. there's a lot of files from someone named gerald. design notes labeled to be about 65 years old now. there's police filings, reports, personal journals, scientific studies, newspapers, obituaries... there's a strange fixation on a little girl named maria that died somewhere called "the ark".

she was only 4.

he's never met this girl, so he feels no more than a vague sadness. this whole thing is so... odd. but all these design notes are about him, specifically theories about how he would grow up, and the practical designs seem to all be based around a fetus, and there's some stuff about aliens, and... eggman did not make him. eggman stole him.

right as he realizes the gravity of this, eggman clears his throat in the doorway.

so? what do you think about what you've learned? shadow is frozen as eggman steps closer. does this change anything?

eggman watches closely. shadow is sweating and he swallows and he says no, nothing changed at all. eggman says good, good. you passed my little test. do you think so low of me that i would leave my computer unattended without reason? you silly little thing.

and that's that. shadow doesn't change anything about his routine, but he's deeply troubled by several fundamental truths he knew about himself were wrong. he was lied to for so long and eggman didn't care... that pings another worry of his. silver was right. he knows a lot more than he did a few months ago, but he assumes things will be normal. though he's not able to do his job as well, and seeing silver again makes him scared and want to go with him and say he was right all along, and seeing rouge makes him tempted to leave with her, and he has to shake it all off because he really doesn't want to get in trouble.

it's monthly checkup time, and eggman is being very thorough. a bit more thorough than usual, but it's okay, it makes sense, it's been a while since the last full physical. this is normal. eggman starts sterilizing him, helping him clean himself thoroughly down to the skin, and this is normal and it's fine. eggman puts on a full sterile hazmat suit in blinding white and this is normal, he's put in a hospital gown and plastic booties and that's normal, and eggman is leading him by the shoulders to the back room he's only been in for surgical upgrades and that's normal.

eggman opens the door, still firmly holding his shoulders. the long-term stasis chamber with comfortable cushions is open and waiting like a casket. the screens around it are alight with information, some of which he's seen before. notes on memory extraction.

eggman left the notes up on purpose. this is shadow's final test of loyalty, staring into the abyss. shadow does not pass it. he teleports away, using all his strength to teleport over and over again to somewhere far away, not fussed about where it is in particular as long as it's AWAY.

he ends up in the woods somewhere, dazed and confused and looking for some kind of help, any help at all. tails reports to amy that there's been odd energies somewhere in the deep woods and she should investigate.

she sees shadow in a hospital gown, ekg/telemetry electrodes stuck all over him, fur ruffled and smelling like chemicals. his eyes are somewhere else, and he begs her for help and shelter because he needs to GET. AWAY.

she takes him to tails, tails is unhappy, silver is shocked but can't have a proper reunion with shadow because he seems to be in shock and he isn't talking much. silver is still once again in tears. tails takes shadow to the guest room where silver was staying and he falls asleep on the floor not long after, a spare blanket draped over him. he always did steal sleep whenever he could. when he wakes up, he's disoriented and doesn't believe this is real. he wanders around until he runs into tails, and tails says he's not dreaming. welcome to team amy. the world pops into clear focus for the first time in over a day and he collapses as he finally absorbs what happened to him and how badly this could end. dad was going to kill him. he can never go back.