#and theres a possibility of me losing my job

[natandacat]

Theres no words that can describe the complete alienation of having severe long covid. One infection, caused directly by political decisions to remove public measures, and i cant walk. Can't stand except on really good days which are getting rarer. Sitting is a privilege i dont always have. Cognitive work is too much of a risk to consider for the moment. I live in constant fear of going back to being utterly bed ridden in the sense that i cant even feed myself, drink water, speak, move my limbs beyong my fingers and toes. For days and days without relief.

Nothing feels real. Every gain can be lost in a literal second. And on top of this, the fear of reinfection. The very real possibility of death, given how weak a single infection has made me when I was healthy and young. The even more real possibility of a worsened state, where there are no good days. That means death, too. If i am constantly in a state where I cannot move, i am going to have to resort to euthanasia because it is not a bearable existence. I can barely tolerate it when it know it will end. Last time was 14 days and I am still so traumatized by it 2 months later nothing feels real.

And on top of that, i am being told that my life doesnt matter. Covid is not a real concern. Let it fester. Even if the stairs in my building didnt lock me in, all public spaces have become lethal to me. I cant see my friends because they cant avoid exposure when theres a wave. To love me, you must live in a horrific world where no matter how many precautions you take, no matter how much they ostracize you, you might still cause my death.

Covid is a privileged issue they say. Im not even in the room for it bc i cannot be in the room. You can move your body, youre not afraid of death, you havent lost everything that makes you *you*, but im the privileged one. I cant even emote the way i used to. If i get too excited, too happy, i cant move. I talked to countless people who cant work anymore, are losing their jobs their houses their partners their immigration permits but no. Covid doesnt matter. I dont matter. Everyone cheered when i got covid bc they got to party for new years eve. I hope it was a good party. I will never agree that it was worth my life.

For the past 2 years ive had to share classrooms with students and professors who know everything about my story, who have seen how disabled i am by long covid, who ive begged to mask. They all refuse to mask. And i have to sit there and pretend its not a cosmical level farce that theyre talking about social justice and ethics and just what good people they all are. Not to mention that most of them have revealed themselves to be zionists. I have to sit next to an iof soldier and act as if its ok that she gets to sit in this classroom, except im not even sitting in the room because cases are too high and im too weak to be there physically anyway, so im on zoom. At least i get to remove my earbuds when she speaks so i dont have to think about the atrocities she has committed.

[hisaodiagon]

Wow it sure is fun having covid a second time. Good thing covid is over tho and I can just go to work tomorrow *screams*

[toytulini]

i feel like the makeup standards are not necessarily going to get Worse, just. stay the Same. "raised by sephora and ulta" christ alive yall act like this shit is new. as if this hasnt been the standard to blast young girls with makeup ads and shit via magazine and tv and imposed beauty standards anyway. the only real difference is like, idk, accessibility of tutorials for how to apply it well

[marklikely]

whatever maybe im being too hard on him specifically maybe the other execs in that article are right that he's just an easy target because he's the one passing on changes from all of them. but even so what kind of insane defense is that. "no this one guy isnt bad at his job! the employees are just mad at him because hes the point of contact for the rest of us, who are all bad at *our* jobs!"

[nomairuins]

whining hours . sry

[abimee]

things keep happening and i really need $1,000 usd so if anybody wants like a character refference sheet made or wants to buy the dio brando figurine that my roommate left me let me know because this is getting serious

[thedevotionaltour]

in terms of art alone im sorry. im a jrjr defender to my last breath you be fucking nice to him. i dont wanna hear shit❗️❗️❗️

[confused-and-dickless]

In the latest instalment of my personal divine comedy: I've spent all my spare emotional and mental energy on understanding chemistry (which I still don't understand) and now I'm about to take a biology exam over diabetes- a disease THAT I HAVE. And I am fairly sure I'm not gonna do great friends.

[etherealkissed88]

applying the law while experiencing the 3d

why do you accept the neutral 3d as true?

“she texted me saying she doesnt want a relationship”

“i got a rejection letter from my dream college”

“i still dont have my ideal appearance”

“my bank account says i only have $2.45”

-> “i cant manifest” “what should i do now?” “it didnt work”

why are you accepting these as true? why are you adding negative meaning to the neutral 3d and then accepting that you “cant manifest”? why accept that as true? whatever happens in the 3d is always neutral. meaning does not come on its own - you add meaning when you judge it and decide its something negative. you are the only one in power and you have the option to choose what to assume and accept as true and youre accepting that she didnt want to commit? youre accepting that youre broke? it doesnt matter what happens in the 3d because the real stuff is happening in imagination. the 3d is always a neutral illusion. as the only one in power, you chose that she wants you in imagination so stick with that. dont use the 3d as validation when it only follows you.

you always get to choose the meaning

3d -> she sent a text saying she doesnt want a relationship

person A: shit, she doesnt want me. now what? i failed at manifesting

person B: *knows that is only neutral & still knows she and her sp are already in a relationship in imagination*

the fact that you can look at something in the 3d and decide what it means (or stick with the fact that it has no meaning), means you have power over it. you always have power over the 3d. if you didnt, how does law of assumption even exist? how is it possible that a homeless woman can manifest wealth while living in her everyday 3d homeless life? because the 3d never matters. ever. the only thing that matters is who you are being in imagination because that is what constantly is molding the 3d every second.

“but what do i do if the 3d is always in my face?”

1. remember that the 3d is always neutral so whatever happens, doesnt mean anything. it doesnt mean, your getting failing at manifesting. get used to seeing things as neutral. even getting your manifestation is neutral. you are the one adding positive meaning to it. there are even times when “negative” things in the 3d become the actual thing that leads people to their manifestation. an example is a lady’s success story: she was manifesting a better job and in the 3d she lost her current job but that lead to someone recommending her to a higher company since the person knew she lost her previous job. so she experienced something that is usually seen as negative (losing her job) but it caused her to get exactly what she wanted (the better job). this is why we always say: stick to the end, no matter what happens, stay true to what you want in imagination.

2. now that you know everything is neutral, remember that your only job is to assume your desire is fulfilled in imagination only! theres no reason to assume you have it in the 3d if it clearly isnt there. the 3d is neutral and a therefore a dead world. assuming you have something in a dead world is just useless. especially since you know imagination changes the 3d. that means the only goal is to assume its done in imagination and leave the 3d alone! live your normal life in the 3d while knowing its already done in imagination. using the lady’s success story about getting a better job, when she lost her previous job, she had to find another way to pay the bills, but she still stayed true to imagination and remembered she already has her upgraded job. do whatever you need to do in the 3d, feel whatever emotions you have, because the dead world doesnt matter. emotions, actions, etc in the 3d dont matter and remember feelings (angry, depressed, etc) dont manifest. your only job is to know its already done in imagination. since imagination = 3d, of course, by law, the 3d had no choice but to obey imagination where she already had her better job. thats why the 3d reflected that.

kisses, jani ☆

[zemnarihah]

I keep getting scheduled outside my availability and I've been messaging the scheduling manager abt it for the past like week and she hasn't even READ one of my messages since the first one

[yanderes-galore]

hello panther, hope your doing well! can i request a romantic black noir (the boys) scenario w/ a reader who works in crisis management at vought? after having to oversee the cover ups of vought’s heroes they’ve become bitter to all heroes, they only continue working at vought out of necessity.

maybe with the prompts “I don’t scare you, do I…?” and “Is it so hard to love me?”

thank you for considering my request! no pressure to fulfill it, hope the rest of your day is great!

prompt links:

https://www.tumblr.com/ddarker-dreams/188458087108/yandere-sentence-starters-theres

https://www.tumblr.com/starbabytae/612088733784752128/yandere-prompts-1-i-saw-you-last-night-you

I can try! I've been getting into The Boys again and I'm halfway through Season 2. I know Noir has a bigger role in Season 3 but I got so impatient with my ideas so I just had to do it now. I did my research though!

Prompt 22 Here

Prompt 26 Here

Yandere! Black Noir Prompts 22 + 26

“I don’t scare you, do I…?”

“Is it so hard to love me?”

Pairing: Romantic

Possible Trigger Warnings: Gender-Neutral Darling, Obsession, Stalking mentioned/Implied, Delusional behavior, Subtle threats, Manipulation, Forced relationship.

You remember when you used to like Supes when you were younger. It was your dream to help Superheroes be super. Then, in your adult years, you l got a job at Vought's Crisis Management.

That's when you began to know better.

No, Supes weren't heroes in your eyes. They're people with way too much power. The only reason they look good is because people like you hide their flaws.

As Vought crumbles you're left bitter. How could you not when your job has only gotten more hectic as Vought's "heroes" mess up. But you try not to complain...

You really just need the money.

You've tried your hardest to not to associate with The Seven often. You've always been on to just keep your head down. Unfortunately... you still managed to attract attention.

From one of the most feared "heroes" in Vought, too.

Black Noir... even you didn't know much about him. He wears a mask all the time, he rarely speaks, and he always seems attached to you. You know what he's capable of... which is why it scares you to know he seems interested.

It becomes increasingly hard to do your job once Black Noir grows an attachment towards you. You've been constantly raising your head to see Black Noir standing there to visit you. He never says anything... he just seems like he wants to watch you.

You try so hard to ignore him... but you will admit... the hero scares you a bit.

Despite the violence he's capable of, he seems so gentle with you. You've even caught him reaching out to touch your cheek. You don't bother complaining... Vought would ignore the issue.

While you yourself are bitter towards Vought and its "heroes", Black Noir is infatuated. The Supe can't stop looking at you. He sees you as something close to comfort... perfection.

The Supe feels he's hopelessly in love with you yet make no real indication of showing it. He wants to hold you and feel your warmth. He could stare at your face forever.

... he wishes you'd look at him the same way.

Instead he notices the glint of fear you have towards him. You try so hard to focus on work... all while Noir tries to pull you closer. He wants that fear to be gone...

He wants you to adore him...

But your adoration towards heroes is long dead by now.

Tension between you and the Supe continues to rise as you try to ignore him. You hope the loses interest. You have no idea what he wants... but his gaze is suffocating.

It isn't until the Supe pulls you away during your break that you get some sort of idea.

You feel your heart rate increase drastically as Black Noir confronts you on your lunch break. You try to communicate with him and ask him what he wants. You're alone... just how you prefer it... but it leaves you vulnerable.

Noir merely passes you a paper, encouraging you to open it. So, you do open it...

Your heart drops.

In big bold letters on the paper... there's the words 'I LOVE YOU.' You pause, looking over the paper as you feel yourself shake. You barely even notice Noir sit beside you.

Not until he wraps an arm around your waist... he's actually oddly hesitant about it.

You slowly turn to look at the black mask staring at you again. Your hands are shaking as you lightly put down the paper. Oh... this really isn't what you needed.

"Y-You... You-" You're trying so hard to say something. However, Black Noir merely cups your cheek. Why is he so gentle?

He's a murderer.

"You... can't mean... me...." You whisper, but Noir merely nods while pointing to you. Black Noir has been following you... because he loves you.

Your worst fear has come true.

"I see..." You whisper, trying to stand up. Black Noir stops you from getting up, his grip pulling you back into his side. You're stuck... unable to leave his gaze staring into your eyes.

Fear shows in them... causing Black Noir to hold you in a tight embrace.

You feel your breathing pick up... then he spoke.

“I don’t scare you, do I…?”

His tone is a whisper in your ear, a soft yet unexpected question. You're shaking against him as you stare in his eyes. He seems to be trying to comfort you... ignoring the twisted confession he had shoved upon you.

The Supe's grip tightens.

“Is it so hard to love me?” Black Noir whispers again, sounding desperate as he holds you against him. You merely shake in his arms as he strokes your head like you're a frightened animal. Yes... yes it is... you want nothing to do with him.

You wish you could find another job other than Vought... you wish other jobs paid well. But no, instead you manage to catch the eye of Vought's best assassin. The same arms holding you... could easily tear you in half.

Black Noir then picks up the paper and passes it to you again. He taps the bold letter then points to you and him. He wants you to say it.

He wants you to love him too.

You take a deep breath, wanting to appease the Supe so you could leave. Black Noir looks at you expectantly. You're forced to play such a dangerous game....

"I love you, too." You say softly, hoping to appease the Supe.

Black Noir seems to take this as a positive, holding you closer. It was as though you said some sort of vow. One that would lock you to him indefinitely...

With how things work around here...

There's probably some truth to that... perhaps you really did just sign yourself away to a psychopath... all for the money.

[blacklegsanjiii]

I just realised something with the kid of warlords AU: the seraphims!!

Cause they still have some of the same character quirks like the real ones (like hancocks crush on luffy and mihawks interest in zoros skill) so put it Sanji aka their kid, their lil boy

They see him walking around and randomly start lecturing him or hugging or whatever the fuck, idk its really funny in my head

Maybe since vegapunk works for the marines and world goverment and they mustve known about sanji being the warlords kid, theres a lil seraphim sanji? Idk idk

That's so cute! It reminds me of these asks from a while ago when warlord!Sanji was fairly new. Sanni is staring at the little Jinbei and Jinbei is also staring at little him because it's a possibility it could be his kid. Then before Zoro fights the little Mihawk with star eyes and white hair and black wings in front of him who reaches out to him but the little Hancock rushes to him first and hugs him. Everyone is staring at the seraphim in wonder because the crew doesn't know yet. Sanji and Jinbei haven't mentioned this so when little Jinbei yanks Sanji down by his shirt so that the seraphim can look him over it's weird. Then the seraphim pull away as one more comes in and it's a little Sanji looking like him as the others crowd around the smallest seraphim, clearly younger than the others.

Everyone is staring at them and then at Sanji and Jinbei and then back and forth. Sanji is looking confused at them as they try to figure out what's going on but then all the fights start breaking out and the group starts fracturing. When the run into Bonney and Kuma, who Sanji knows and grew up with and was kind of surprised was a Revolutionary in secret. No wonder he never participated in the weird hand off. Turns out Bonney is his daughter too so that's just...wild to Sanji. Sanji is just hoping that no one is going to ask too many questions even after he fights Kizaru and Saturn and Jupiter. Kizaru recognizes him and Luffy is confused and asks if this has to do with little him and Sanji says he'll explain everything after they get out of here. Kizaru keeps calling him 'little warlord' because of his parents and he's smiling and trying to catch up during the fight but Sanji is like 'not the time!' as Sanji starts escaping with Vegapunk.

When all is said and done and they're leaving with Kuma, Bonney, and the seraphim everyone immediately starts asking Sanji questions about that except Luffy, Bonney, Jinbei, and Kuma - Luffy and Bonney are asking for food as Zoro is trying to fight Sanji for answers which leads to some of the Seraphim getting ready to fight him. Sanji is trying to make sure they don't fight Zoro, or in S-Hawk's case fight him again and Sanji is very tired. Very, very tired and says they should probably head to Karai Bari because two of them are there and Kuma says the army could raise the seraphim and Jinbie laughs and says he'll have to fight Hancock and Mihawk for the seraphim of Sanji which he is holding and the seraphim is looking at him curiously. Robin asks if he was the child Crocodile would go see once in a while at Baratie and Sanji nods. Mihawk got him of the rock and didn't want to leave him alone and took him to meetings and then he had jobs so other warlords took him and Perona would visit him on Kuriagana and they'd dress up and make Mihawk paint their nails. Then he moved to Baratie full time and they would come visit him because they all wanted him to be able to set himself apart from them, not that anyone knew really but still. It was important that they kept their distance for a while because they didn't want Sanji to get kidnapped. Still they should probably at least drop Seraphim Sanji with Mihawk and Crocodile because they can get a hold of Hancock and do what they want there, but Kuma can take the others, probably, most likely. Kuma is chuckling as Jinbei is losing it because the way it sounds Mihawk and Hancock are about live their best parenting lives again.

When they do arrive at Karai Bari there's a Kuja pirate ship and Hancock is swooning on the dock at the sight of the strawhat flag. Luffy is sticking close to his boyfriend and is just holding Sanji's hand and also eating a huge piece of meat. Crocodile is there next to Hancock and lets them on land and Luffy cold cocks Crocodile. Hancock immediately loses it at that and Luffy then asks Sanji if he should have punched his dad and Sanji shrugs because it's not like he listens to Sanji. Crocodile sighs and asks them to come on land and they all start to follow to a tent and Hancock is swooning for Luffy until she notices the little seraphim and the little Seraphim Sanji and snags him and runs ahead causing a violent and fiery chase. The amount of shouting and yelling coming from said tent when they arrive is loud and Zoro and Luffy break in first only to see Hancock smiling widely and holding S-Croc and S-Shark while Mihawk looks genuinely bewildered at the sight of S-Hawk holidng a miniature Yoru at him and Seraphim Sanji hiding behind him.

"The hell is going on?" Mihawk asks as he looks at the men who bursted in and the others follow quickly.

"These are Vegapunk experiments, they're called Seraphim but they are us." Kuma explains.

"Right, and there's a little Sanji!" Hancock squeals.

"Oh not again." Mihawk groans.

"The Revolutionary army is willing to take them-" Kuma starts.

"Absolutely not, I'll take them Amazon Lily. I'll call Perona-" Hancock rambles.

"At least Doffy's in prison." Crocodile says to Mihawk.

"Maybe it would be more helpful if he was out of prison." Jinbei hums.

"I don't need my boyfriend fighting two of my dads, please." Sanji sighs.

"Right, of course. Which one are you dating?" Mihawk asks Sanji.

"Me!" Luffy smiles widely as he picks up little Seraphim Sanji and S-Hawk lets him.

"Oh, that's fine. I'd have a few questions if it was Roronoa." Mihawk shrugs nonchalantly as Zoro gets red, seeing a challenge.

"I would be a good boyfriend to your son!" Zoro yells with offense.

"Sure." Mihawk says as he looks at the seraphim who are watching them all with narrowed eyes.

[noangeleither]

"fixing" the panic attack scene to be more platonic ™

im extremely active on twt and have been noticing a sydcarmy tweet go viral multiple times a week (like w thousands of interactions its crazy), and its really great to see how much people love and see it for this ship. recently carmys panic attack scene went viral again, and naturally, some ppl gave their piece about how we are all dumb for interpreting it as romantic. that sydney represents his love for his job or his duty to the restaurant (*sigh*).

this scene imo, is the most concrete proof of this ship. i can excuse (not really) interpreting every interaction between them thus far as platonic but this scene....i just refuse. this is gonna be a long post, not analyzing the scene per se because i can't possibly say anything that hasn't already been said but more "fixing" the scene to fit the narrative of antis, and i hope in doing so really shows there's no other way to interpret this scene as other than romantic. again its gonna be a long post bc im just ranting and i think i will lose my mind if i dont type this out.

lets go.

so first off i like to think of this scene as an equation/experiment. simply a problem that needs to be solved.

problem/reason of panic = ...we will discuss this...

solution # 1 = claire -> failed

solution # 2 = sydney -> worked.

Problem/Reason

s02e09 opens up with carmy and claire finally consummating their relationship, with an interesting song choice might i add and carmy dissociating, looking sad, or broken (???) after. because many have said carmy pulling memories of sydney from his psyche to calm down have to do with work i always remember that, it really doesnt make any sense?

carmy is clearly having a panic attack due to him not being "fixed" as soon as he made it official with claire. he felt pressure from his family both currently and in the past to date claire because she is amazing and perfect. add mikey also being a part of that crowd, and carmy so desperately trying to connect with him when he cannot, is why i think he looks so despondent after that scene. i truly think he thought he would be a changed person after everything with claire and when that didn't happen he flipped...

we know this is the reason bc his panic attack starts with their sex scene and the lyric "I dont know" from strange currencies by REM.

this isn't to say that he isn't nervous or stressed about the soft open but its clear that he's not having a panic attack about work nor have we ever seen him have a work-related panic attack (correct me if I'm wrong). in s1 he has one or two due to him greiving his brother.

platonic fix: To make it about work I would have added scenes like when Carmy started that stove fire in braciole, his meltdown in review, some scenes of his horrible time at EMP, and him grieving his brother. i think these would represent his fear of failure, falling back into old toxic habits pertaining his career, the fear of fostering a toxic work environment like the ny chef and also the idea of "failing" mikey

but theres a reason why none of this occurs bc its not about his job or the opening of the bear. this is explicitly about his personal and romantic love life.

Solution # 1 : Claire

carmy proceeds to try and calm down by thinking of claire through literal rose-coloured glasses...

the music is distorted, he's thinking of his abusive family, he remembers every one pushing him to date claire bc shes a #goodthing.

again...this is not about his job and wouldnt make sense to think of sydneys place in his work life as a soultion to his clear personal problem....

platonic fix: in the story of carmys love life claire and sydney act as narrative foils. they have been compared and contrasted for all of s2. my platonic fix for this would be making the NY chef this first "solution" of a work-related panic attack. he represents a horrible time in his life but also represents a time when carmy was at the height of his career. when carmy gets locked in the walk in and has his monologue, its alluded to that he will revert back to that mind set in order to not let everyone down.

NY chef abused him for so long, it makes sense that carmys psyche would readily go back to his insults and the time he himself was an isolated 'psycho' bc it yielded results.

nothing is black and white and i DO think sydney represents a healthier approach to the toxic mess that is the culinary world and does represent that for carmy. if the show was invested in that, sydney and the NY chef could be overtly contrasted like sydney and claire have been.

BUT again this isnt about his job and dedication as a chef...thus why he tries to think of claire to solve his personal problem, and it fails.

Solution # 2: Sydney

LMFAOOO.

carmy then in a crazy plot twist starts thinking of his platonic work bestie sydney adamu....the love song dedicated by the show to his relationship with his girlfriend is then made clear highlighting some pretty damning lyrics about desire and love.....all platonic btw. yes you are dumb if you think otherwise (*wink*)

I actually have two platonic fixes for this...

platonic fix # 1: if we only wanted to focus on sydney as a person who calms carmy down because shes his work bestie who represents his responsibilty to the bear and the postive change they are trying effect in the culinary world, i would add scenes where they are...you know actually cooking???

i think its pretty crazy how the memories carmys immediately jump to are ones that have little to do with their jobs. when they first meet (would also like to note that when carmy first laid eyes on Sydney, he forgot she was there for a job, so this is his raw reaction to seeing a pretty girl lol) and when she comes back after she quit and their break up fight.

i would add their scenes in carmys kitchen (even tho this is extremely damning bc they were flirting DOWN - they don't make this easy at all). this represents their collaboration skills and the way they WORK and bounce ideas off of each other seamlessly. specifically the scene about him wanting to give her a star, representing his duty to her and the restaurant.

*and no shade to carmy but if his responsibility to the bear/syd as a co-worker was bothering him this much and calmed him down wouldn't he have just immediately called the fridge guy.....anyways*

platonic fix # 2 (the best one): if i was chris storer and joanna calo and i REALLY wanted to sell it that carmy isnt in love with sydney then i would put every single member of the OG beef crew + Nat to calm him down not just Sydney.

im talking to them laughing at family, carmy giving tina his chefs knife, richie in his new suit, carmys one on one w Marcus/trying his donut, nat telling carmy shes pregnant (signifing rebirth/wanting to rid all the toxic abuse from his family), carmy trying sydney risotto, and her face when he said it was tremendous etc etc...you get the gist

and honestly?

even as i type this out im tearing up a little bit bc that would have been really beautiful. carmy is changing. he can and is getting rid of old toxic habits from his family and the mess that is the culinary industry. things are changing for the better....that would be beautiful....IF his panic attack was about any of these things lol.

and to even look at this scene without this need for symmetry and we entertain the idea of carmy thinking about his job as a solution for his personal problem...carmy has said himself (s02e01) that this isnt fun for him. i dont think that means he hates cooking i kinda disagree with the ppl who think he isnt passionate about it. i just think currently its something that doesnt bring him joy but i do think its something hes starting to or at least could have started to enjoy if he just committed to working with syd...

conclusion

theres a lot of....delusion? denial? straight up bias? yes all of that, going on.

idk what is happening bc this show is really great at being subtle. but i dont know whats more in your face, dumbed down, even a toddler could understand, than this scene. if you dont come out of this understanding that carmy is falling in love/currently in love with Sydney...and i hate using this term..but you just arent media literate.

bonus: bc it makes me laugh and connects the purpose and solutions.

i think we need a Snyder Sydcarmy Cut™ of bolognese and omelette.

the start of the episode is when sydney and carmy fight over claires inclusion in the menu, and also when sydney randomly asks him to define his relationship with Claire. the episode would continue until we get to the table scene.

i think its WILD how as soon as Sydney asks him to define their relationship, carmy starts calling claire his girlfriend. then the show proceeds to insert sydney in their romantic montage, shows her tattoo about heartbreak and someone getting in the way of your relationship...THEN proceeds to have carmy compare these two women in his mind and only calms down after seeing Sydney.

i could talk about this scene for AGES. wheres the straitjacket....

[pinazee]

Season 2 final thoughts:

My apologies to my Psych mutuals, my hyperfixation took me on a trip to Hatchetfield and very soon it’ll be in cinderellas castle. It can’t be helped. I plan on finishing my rewatch, especially because I’m about to get into one of my favorite seasons, but it’ll probably be sporadic at best.

Here are my final thoughts on season 2!

This is the official season of lassie stumbling upon shawn and gus by happenstance. He does it in american duos, dis-lodged, black and tan, and im counting lassie standing in front of his pic at the museum. He can push them away as much as he wants but shawns like a boomerang.

I find it incredibly disrespectful that shawn and gus took credit for finding that dinosaur when that one guy literally died for it . Also im pretty sure it would be impossible for a t-rex to be discovered in california because it was all underwater at that time. But thats neither here nor there.

Shawn being a forgery/handwriting expert brings up a funny/depressing image of little shawn having to write lines but in different peoples handwritings

Shawn is an incredibly fast thinker! He saw this scene

And not only deduced what actually happened, but also came up with a cover story for him at the same time.

Word of the day Abulic: abnormal lack of ability to act or to make decisions. Psych writers just casually dropped that little pearl in the middle of a scene in the finale

Overall it was a great season! Juliet got some more scenes, plus her character is beginning to get fleshed out, Gus was even funnier than i remembered, the heartfelt moments were very well acted especially by james who nailed the whole avoidant turmoil of it all. Henry, though, as ive stated in previous posts, is a lot harder to watch as a full fledged adult. He’s just such a prick to shawn any chance he can get. I’m so curious if I’ll be able to forgive him myself down the road. I mean, no wonder Shawn split when he turned 18 and hardly spoke to him again. Man, i wish we could’ve seen Shawn right after he left cause that is one juicy peach. He’d just be all angsty, jumping from one job to the next, getting fired or losing interest (or my personal headcanon is that his gifts of seeing everything kept getting him in some sort of trouble kind of like Poker Face (with natasha lyonne)).

Shawns add’l talents/ random knowledge:

-sketching

-forgery/ handwriting

-can operate a forklift (i think thats what it was lol)

-chess

-tango

-Spanish (honorable mention- he knows enough to speak it passably so i added it) and possibly Portuguese though i bet he just learned the one random phrase to try to trap jann

-acting

-airport codes

Gus niche interests:

-reality tv/ spanish soap operas

-archaeology

-legal tender

-santa barbara models/fashion

Rankings

The Blueberry Tier

American duos

Shawn (and gus) of the dead

Sixty five million years off

Black and tan: a crime of fashion

Nectarina Dulce Tier

Bounty hunters!

Lights, Camera, Homicidio!

Green Apple Jacks t-shirt tier

If you’re so smart then why are you dead

Rob a bye baby

Gus’ dad may have killed an old guy

Theres something about Mira

Did-lodged

And down the stretch comes murder

Psy vs. psy

Genocide of color Tier (somewhere a rainbow is weeping)

The old and the restless

Zero to murder in sixty seconds

Meat is murder…but murder is also murder

[eddiegettingshot]

8a plot were eddie shows up to work with a mustache and buck just starts being like kind of bad at rescues like nothing too bad but maybe a bit clumsy or forgetful and hes all sad and nervous about it like am I losing my touch is it a sign I shouldnt be doing this job right now and he just has no idea whats wrong with him but its really starting to get to him. (background plot of everyone else hating on eddies mustache of course) and then theres a buddie scene where buck's cooking and eddies talking and buck just ruins all the food and hes like WHAT is going ONN with me :(((. and then eddie shaves because he cannot do another shift of everyone talking about his facial hair and buck is normal again and hes all happy and was like huh maybe it was just a case of the jitters Im all fine now and hen is like maybe you should sit down and think about when you started acting weird and when you stopped acting weird

IM SO OBSESSED 😭😭😭😭😭😭 SCREAM. hen being like buck i think you have some more soul searching to do. and buck being like what more could i possibly learn about myself ⁉️ and having to come to terms with his eddie stache kink.

[racketballz]

is butch killing people not bad enough for buttercup lmao 💀 actually this is something that always bugged me in mth why are bubbles and buttercup so understanding of the boys commiting murder to the point of keeping it hidden from eachother (we already know blossom is going to lose her marbles when she finds out but shouldn't all of them lose it a little bit?)

This is controversial possibly lol I think also my BIG ONION dunno if sbj is writing like this but this is a little what I think but I don’t think the worst thing the boys or anyone could do in this universe is to kill someone!

I think this goes with the morals and ethics of humanity and I think their reality is not that black and white. I think there’s a little bit of understanding when buttercup and bubbles brush past it not because they’re okay with it but because they’re not? Blossom is a bit more stubborn and not as understanding when it comes to what is good and what is bad so I understand if she will have a bigger reaction than her sisters do. At the same time I think theres a commonality between their situations because of their powers to get a job done whether than be saving the day or some more gruesome I guess…

I’ve said this before but I think theres a difficult line to walk when it comes to super hero stuff in comics at least.

Like would the girls kill to save the townsville? Personally I think they would and I don’t think that makes them bad people or not heros at least but it’s not a decision that’s like black and white ya know

Tbh violence for me isn’t the worst thing in this world either that’s why I’m like 🤷‍♂️

We can kinda tell that with the little bit we know JS those guys were under obligation and survival (?) at the point but we’re gonna see how that will play out! Which I’m excited to see how she goes about it or even if she decides not to I think that tells a lot about the world they live in tbh

But I don’t think the worst thing butch could do in buttercups eyes is kill a man I think it would be something else