#and just make my points so much less valid and interesting

[qoldenskies]

same anon!! i feel validated so yes to everything you said. it was “Taking Care of your Brothers: A Two-part guide by Mikey and Donnie” by Calliopes_Anon that really made me change my perspective on how these two might act, particularly the mikey chapter simply because we get to see him look out for donnie as much as don looks out for him

and i think the fact there even was a mikey pov, much less one as thoughtful and detailed as that one is, helped a lot. because like. i can’t think of another fic envisioning this pre-movie state with a mike that isn’t constantly scared. kinda eye-opening for me lol

and yeah i do like the sorta ‘i don’t know if it can be fixed’ vs ‘i don’t know how it can be fixed’ mindsets from them and gosh i wish they didn’t take such a backseat during the movie bc i would’ve loved to see them have more of a reaction to the other two than just mild concern. i’d like to explore a version of the movie where they are frustrated, dare i say resentful, with their older brothers because ‘yeah raph can argue how much leo’s new attitude and its consequences are affecting the team. but does raph even understand that extent?’ it’d prob be a whole movie rewrite due to the fact it’s so raph and leo heavy, but isn’t that the beauty of fanfic

oh and yes to your point about donnie’s neurodivergence bc as sweet as it is to see him in fics gifting mikey his own noise blocking headphones, mikey would probably yell at them to shut up for five seconds before putting dons on his head for him

would love to see that pre-movie fic of yours one day!!

yeah with the neurodivergence thing i do genuinely feel like it would go the other way around cause like ,,, donnie is SO jumpy in canon. unexpected loud noise will even make him fall over sometimes, which means he's particularly sound-sensitive. and as a person with a trait exactly like that, i cannot handle shouting. at all. even when i expect it, it completely throws me off my game and scares the shit out of me. like i usually write it so donnie already struggles to handle getting yelled at, but i could see being in the proximity of it freaking him out too.

i do think that'd be one of those things that would piss off mikey in particular because as much as they make fun of each other and get fed up with each other, it's such an obvious and easy boundary to respect in his eyes. mikey can definitely handle yelling, even if it upsets him to see them arguing, but he would hate it because donnie very much cannot. he'd probably at least snap at them to stop or go do it elsewhere lmao

and resentment towards something like this kind of depends on just how bad raph and leo's dynamic actually was, because while its pretty heavily implied they've been arguing like this kind of continuously (especially based on their talk before they go on that mission that has them lose the key), raph's "i have to look out for you or you could all end up dead" talk feels like something that's ,,, new? considering how leo reacts to it initially before pretending to brush it off. maybe leo just normally derails the conversation faster, or normally they dont have arguments like this in private lmao

definitely what fic's for ,,,, raph and leo kind of going back to the dynamic they had in bug busters (but reversed, and likely more intense) while donnie and mikey kind of pair off together is a really interesting thing to play around with, especially with how they naturally they just go and stick close to each other in the movie (easy way to connect that to them gravitating towards each other with everything going on), ive just never really seen it in the exact Flavor that id want to see so maybe ill check out the fic you recc'd ,,, gotta expand my tastes fr

[itspileofgoodthings]

so funny because my emotions are a strength of mine (also their strength in particular is a strength) but they’re also a huuuuge weakness and downside and pitfall as well, and not just because they make me suffer. they also just, like, get in the way of so many good things.

[anxiously-sidequesting]

how about you shut the fuck up Mr. Irresponsible

[milkoomi]

⋆˚࿔ a new canvas means a new you 𝜗𝜚˚⋆

a mini series on the art of becoming a better you

chapter 1 | chapter 2 | chapter 3

chapter four — THE ART OF SELF RESPECT

when you live a life where you don’t respect yourself, your boundaries, your health, your mind, your emotions; just anything about you, you’ll end up living a life where you’re walked all over, where people take advantage of you, where you’ll find no successes or achievements— you live a life feeling lost and feeling empty, feeling like your mission in life is to be meaningless. we’re taught to respect others, but we’re never taught to respect ourselves. we, as individuals, need to have the highest level of respect for one person. that person being us.

ᥫ᭡. where to start

decenter men

i was talking about this the other night with my best friend, but way too many people (women, men, trans women/men, literally anyone) center their lives around men. the patriarchy has stolen so many people’s individuality, stripping them of finding their own personality, their own interests, opinions, hobbies, etc. and that is one of the main reasons people don’t have any self respect. decenter men.

a man should not, and never define who you are as a person. a man should never make you feel like you are undeserving of your own successes. a man should never make you feel any less than what you truly are! men should never be a source of validation for you as a person. it doesn’t matter if you’re a man yourself (cis or trans), it doesn’t matter if you’re a woman (cis or trans), and it doesn’t matter if you’re nonbinary/gender-nonconforming; you should never ever— and i mean ever— center your ideals, thoughts, opinions, hobbies, interests, and your entire self and life around a man.

too many people are so focused on men and what men think about them. and let me just give you some food for thought: when have you ever done something solely for yourself without the back thought of a man’s approval? i’ll admit, back in high school i spent all four years thinking about men and seeking validation from a man. from my freshman year all up until my senior year i was in back to back relationships because i couldn’t even fathom the thought of being without a man. and you know what that did for me? it made me miserable, it made me more insecure, and it made me put myself into situations that the person who i am now would be insanely repulsed by because what the fuck was i thinking? majority of my teenage years were spent centering my life around men, and i was miserable.

now, at my current age at this point in my life, i am so unbelievably lucky to be engaged to the man of my dreams, but! i remember when my partner and i first started dating, my therapist asked about 5-6 months into my relationship, “do you feel like you depend on him for your happiness?” and it made me think, “oh my god, what if i am? what if all the anxieties i have about my relationship are because i rely too much on him for my own happiness?” while my relationship with him is the healthiest, happiest, and most healing relationship i’ve ever been in, i had to learn to be okay with being by myself; with being in the company of my own, without him, because i can’t depend on him for company or happiness or peace— i have to depend on myself for those things, and he’s just my wonderful partner that i get to enjoy and experience life with. he’s not my entire life. he’s only a part of it.

you have to learn to be happy and to find peace with being by yourself. your whole life can’t be surrounding the idea of a man.

here are a couple posts that i’ve found to be really helpful with how to decenter men:

“decentering men and recentering yourself” by @honeytonedhottie

“how to decenter men” by @femmefatalevibe

stop seeking validation from others

not only do people seek validation from men, they seek validation from literally anyone. parents, teachers, bosses, friends, classmates, colleagues; people are looking from validation from all the wrong sources. you, yourself, should be the only person you seek validation from. you should be setting your own standard from yourself.

again, looking for validation from any outside source only makes you lose yourself more and more in the process. you forget all about what you want and need from yourself because you’re so focused on what other people need and want from you. validate yourself, affirm yourself, just be there for yourself. you don’t need anyone or anything else telling you that you’re doing something right. you’ll know what’s right for you because you should know yourself better than anyone else!

set boundaries

chapter three was all about learning how to say no and how to set boundaries, so i highly recommend going back to that chapter and reviewing it since i go more in-depth on that topic!

setting boundaries for yourself is one of the best things to do to regain your self respect. knowing what exactly you want from yourself and from others and setting that line will not only protect your happiness and peace, but it will also show an immense amount of respect that you have for yourself to others who may think that they don’t have to respect you.

ᥫ᭡. self respect as a whole

respecting yourself means respecting your peace, your privacy, your thoughts, your opinions, your emotions; you as a person. it protects you from things and people that could potentially harm you, whether it’s physically, mentally, emotionally, or spiritually.

protect your peace. protect your happiness. protect your mind and your body. when you disrespect yourself by partaking in an overuse of harmful substances, having unprotected sex with someone you don’t even have a genuine connection to, or accepting behaviors from someone who’s constantly hurting you or betraying your trust you become a doormat for people to walk all over you in life.

i have known too many people, myself included, who disrespected themselves and faced one too many hardships in life. it makes us miserable and that misery turns into so many mental health issues that can sometimes cause too much harm that it makes it 100 times more difficult to recover.

self respect doesn’t have to be hard. you can always start small by just taking care of yourself! this has been a recurring theme in this series, but here i am to say it again: prioritize yourself! respect that you have needs and wants and do things for yourself that make you feel good and that benefit you. self care is vital, and respecting the fact that your own health needs to be in check is a wonderful first step towards gaining more self respect.

you have to show up for yourself, you have to immerse yourself in activities/hobbies/media that’s actually good for you— not what you think is good for you, you have to be kind to yourself, and you have to love yourself, babes. seriously, self respect can be a really simple thing at the end of the day and it can come so easily to you if you just let it be. don’t make your life harder by disrespecting yourself.

ᥫ᭡. final notes

we’re nearing the end of this mini series! chapter five will be the final chapter! i’m so thankful that this series has been shown so much love so far and i hope that it’s been able to help you guys as much as it helped me! i know i’ve been writing all of these, but something about creating content like this really motivates me to keep moving forward with my own self improvement journey.

i hope you guys always know i’m with you every step of the way in this journey. you never have to walk it alone, trust me! i know i always talk about being there for yourself, but other people (who are genuinely worth it, of course) can be there for you too! we’ve all got the same goal: to better ourselves. it’s going to be a difficult and long journey, but we’ll make it together!

with lots of love, juno 🌷

[honeytonedhottie]

decentering men and recentering urself⋆.ೃ࿔*:･💅🏽💓

the secret to decentering men and not having ur entire world revolving around them (bcuz it should be revolving around you, duh) is having a fulfilling life. it makes me ICK so bad when im watching a video or reading a post and im rly loving it, and then it'll find SOME way to make it revolve around men. like can we not?…💬🎀

WHY WE CENTER THE OPPOSITE SEX ;

a lot of people find themselves centering their lives around the opposite sex in an attempt to fill a void within themselves. they do it because they aren't happy with themselves or their lives, or maybe its learned behavior. whatever the reason is, its NOT hot.

some things that someone who centers men might think are "oh my life is so boring, maybe it would be spiced up if i got with a man" or "maybe it'll bring some excitement into my day" like EUGHHH. obviously the solution is to find ways to make our lives fulfilling but how do we do that? and how do we get to the root cause and squash this self sabotaging behavior?

SELF AWARENESS ;

if u have nothing going on for u, ofc ur gonna be energetically desperate and accepting anything and EVERYTHING. practice self awareness and try to get to the root cause of why u center men through things like shadow work, therapy, or just straight up having an honest conversation with urself cuz i swear it helps.

when you make the conscious effort to build ur dream life you'll notice that people that are on the same mindset as you will vibe with the REAL you. the need to fake/adjust urself to fit in with other people will dissipate because ur fitting into ur own standards and ur connections will be more meaningful because of it.

TAKE UR POWER BACK ;

no ones actions should ruin ur day or make u upset for more then a day (even less) cuz its YOUR world. 💕🍰

make time for YOU, doll. plan self care routines for urself every week. doing face masks, journalling, vision boarding, WHATEVER U LIKE TO DO. making time for urself reminds u that ur the main character of ur life so u dont have to settle for crumbs.

stop giving that power to someone else and dictate how u feel, NOT the actions of a significant other or the opposite sex or anybody. the reason why its important to make sure that ur the center of ur own life is so that you can be happy and fulfilled regardless of if there is a man or if there isnt a man present. so the objective is to decenter men -> and then put yourself at the center

GET A HOBBY ;

find something to make ur life fulfilling. pursue ur OWN interests and try out different hobbies if ur unsure of what ur interests are yet. cultivate ur world to the point where it GLEAMS with perfection and then do a little extra. build a life that u love so much that whether u get male attention or validation doesnt even matter cuz their opinions have little to no relevance 💀

challenge yourself: next time you catch yourself thinking, ‘would a guy like this?’ flip it and ask urself "hey, do i like this?" start checking with yourself first instead of checking with others.

MAKING THE DECISION TO DECENTER MEN ;

decentering men simply means that ur deciding to no longer think, feel, act, dress, or plan ur life around a man or for the validation of any man…💬🎀

relationships will actually get BETTER when u decenter the opposite sex. cuz ur not looking for someone to compete with and ur whole on ur own. this sets the stage for balance and mutual respect and THATS hot.

you can be in a relationship and still decenter men. decentering men simply means that you are the priority, not the relationship. how can we tell if we're decentering men or not? here are a few questions to help you know if u are ->

if i did not care about looking good to the opposite sex what would i actually like to wear?

if i did not get married, how could i create the best and most abundant life for myself?

what hobbies/interests do i have that dont involve being around men/have male attention as a component of it?

[aquickstart]

i need to talk to you guys about the colors of the Cattons (Felix specifically) and Oliver. the clothes they are wearing are telling the story of Oliver taking over and leaving his mark throughout the whole movie, with Oliver's failures and successes and a final triumph. holy shit. get in. this is long and ends in ancient greek culture trivia. let;s talk please.

disclaimer: am starting from Oliver's arrival at Saltburn. before that the outfits are also very intentional, but it's a lot more complicated and it has been discussed before. the world distorts once we are at Saltburn and the story gets truly gothic there, and every detail—including color!—is enhanced in meaning. also, special thanks to @kivlaro for doing this with me, the thoughts on this specifically and the Saltburn craze on the whole. pics and detailed analysis under the cut!

let's start from the beginning. here is Oliver at the door. simple, blue shirt.

the shirt is sort of its own character. logically it makes sense as Oliver's suitcase is small and he spends the whole summer there, of course he'll rewear stuff a bunch. but it is blue.

in contrast to Felix, in yellow. yellow is one of Felix's colors (he is the sun, which i've talked about here btw, so this makes sense).

same to Pamela, in blue. first time we see her, she is next to Elspeth, wearing the color that is Oliver's, taking the place that he takes right away, in this very scene. the only other time she is physically present on screen is at dinner, in black and white, and black and white are a blank slate. she is stripped of color and gone very fast.

a bit of crucial data for later: Oliver, in blue, and Felix in pink. pink is very important on Felix. this is their first morning together. they are separate and opposite, solid, contained.

where it starts to get good is the morning after the vampire strike.

Venetia is a Felix extension, just as everyone in the house is to Oliver. i will eventually rant about Saltburn as a whole entity and Cattons as aspects of one self, and Oliver as psychosis, but not here. so, yes, Venetia is a pink riot, a euphoria of self-containment because Oliver gave her a piece of something she felt she lacked to feel whole (validation, attention, care), not a piece of blue, of himself. Oliver is expectedly solid blue. Felix is incredibly interesting and something i didn't pay much attention to at first: predominantly blue, incredibly upset at Oliver for ditching him, with a tile of bright red (on the left! close to heart! over-reaching here but like still!), which still tracks. i mean, really, if i had so much foreign color bleed into me and then abandoned, i'd be pissed, too. nice little touch is sir James' beloved hydrangeas, behind Felix, also pink, very pink, always pink; i don't think i've seen them blue in the movie, although the sort exists.

Farleigh. sweet baby Farleigh i love you. I'm not dead-set on my interpretation of this specifically but i think multiple things are happening with Oliver and Farleigh here. like Rent, which is their song, blue is their color of outsiders and the triers to fit in. Farleigh points out the favoritism and preference of Oliver to him and his mother here, so it may also be appropriation of color to draw attention to Farleigh as almost (but never quite) Oliver. it may also be as simple as that Farleigh, as much as he denies and resists, still retains Oliver's influence, which bleeds into him very slowly.

a nice little moment of Felix wearing blue swim shorts with just tiny specks of a pink pattern. Oliver's shorts also have a bit of pink, but less than Felix's. Oliver is pretty good at remaining unaffected and uninfluenced overall.

and we're getting to where it all clicked and started for me. the Quick family house, the failed reconciliation, and the immediate aftermath. oh it's so good.

on the drive there, Oliver is blue, Felix has a pink polo shirt with a solid blue pullover over it. this is the most blue Felix has ever been (this is the most blue he will ever be!), this is trust. however shaky and toxic it is, Felix loves Oliver and accepts him into his world. as a side note, Oliver's parents are also very blue, mom more so than dad. nice!

and then it crashes. immediately after, it's the evening of the same day, but Felix is not wearing the blue pullover anymore. this is very, very important. this is rejection. it's the end for Oliver in Felix's world and with his trust. Felix, again, in solid pink, Oliver in solid blue. Felix successfully rips him out with the roots and everything. ouch.

daddy. sorry. is that highlighter? sweat? fuck. let me- daddy. SORRY

no i actually have a point about this.

the clothes are replaced by the lights, but we roll with it. Oliver basks in the blue-green light, while Felix is on the other side, in pink and purple and red. sure, blue shines through, and Oliver also walks through the slashes of pink, but it is mostly pretty separate, Oliver watching Felix's pink in his own blue from a distance.

the morning after palette is deep. the wine color that is so prominent in these scenes is fascinating to me. if i were to over-reach again i'd say it's the Oliver in Felix's attributes and in his place that requires the robe to be so dark, not usual definite pink, because deep blue has leaked into the color itself, mixed with it, made itself integral to the shade. but it's also just a nice color, and it is pink in its core. the flowers (with sir James in the background) i think are also this specific shade for the same reason. you look at what remains of Felix everywhere here, and it is his color.

and finally oh the lunch scene. the last supper. the judgement day. the who's afraid of virginia woolf madness.

i think we've established what's up with Oliver, but i also think it's important that he is his own color at lunch but in Felix's pink/wine right before and after. lunch is where he attacks, whereas before and after is where he grieves and enjoys. Farleigh is almost completely blue save for a strip of the same deep pink, and he is soon cast out, and Venetia is striped, blue and pink/salmon, affected deeply by Oliver yet still clinging on to the Catton pink with grief, probably, but also love for Felix.

and after all this, Oliver leaves himself.

no, like, actually, literally himself. sure, he'd got a taste of the Cattons and the pink, but he is a monolith, a solid blue when he leaves Saltburn. he has not been affected by the house, he has taken what he wanted but stayed true and whole. what a power move, honestly.

but it's an even bigger deal that 16 years later, Elspeth runs into Oliver wearing all white and a blue scarf. oh, she's not let this go, alright; it was a long time ago, "but not to me," she says. What Oliver has been up to in that time is a great question, without a doubt he's been keeping tabs on the remaining family as much as he could; but Elspeth has never moved on, either. She has held on to Oliver's blue and the pink is not important at all now. Oliver, of course, is invariably, unwaveringly blue. welcome back to his show.

and welcome back to his triumph.

the only color (except for, again, white and black) we see him wear in the flashback about Saltburn inheritance is the all-too familiar deep pink. wine. bright pink mixed with deep blue.

now i will take a liberty and step back, over-reach, over-interpret and go insane. here's a fun bit on ancient greek culture trivia for you.

this is an interesting and complicated historiographical and linguistic debate that i will not even attempt to relay here, but the essence of it is this: for us, the sea is conventionally deep blue. historically, one of the most prominent civilizations considered "deep wine" to be the descriptor for it (not necessarily the color but the property. highly rec to look this up it's so fascinating). what it gives me here is that Oliver has changed color, but not his self. he has integrated, mixed, but persisted, completely winning over, triumphing. long live the king!

in conclusion, i would just like to propose "colors" by halsey as the next cattonquick anthem. thank you for your attention, please let me know your thoughts. yours, yes, you. cheers. god. peace out

[bwat5-blog]

Vi's Ending

**Spoilers for all of Arcane**

I have written about and discussed Vi in significant detail. However it was pointed out to me recently that her ending is worth its own detailed discussion and I completely agree. For those who have been sticking with me on these, you already know Vi is my favorite character. She means a lot to me, as she does to many of you for various reasons. So before we dive in let me say this:

Vi is NOT the Jinx

Vi is NOT a bad sister

Vi did NOT get Jinx killed

I have written in great detail defending and explaining each of these points, and because of that I will not detail those here. But if you are interested I'd love for you to check out my other posts and share your thoughts! Ultimately I am just another fan, and I am really enjoying celebrating the achievement in story telling this show has become, and its legendary characters.

The End:

At the end of this story, we find Violet, sitting alone, drinking, humming powder's song from the very first moments of the show. She appears deeply in thought and is curled up on herself, only opening up when her beloved Caitlyn joins her. They share a tender moment where Caitlyn asks her if she is still in this fight, to which Vi responds "I am the dirt under your nails cupcake, nothings gonna clean me out" and lays her head on Caitlyn's shoulder allowing herself to relax as Caitlyn smiles softly looking into the fire. This seems to be our last look at the couple outside of the game if Riot is to be believed (money talks people, keep these characters popular and they may listen!), and it has understandably sparked reactions across the board. For myself, I found it bittersweet. Beautiful and hopeful in many ways, but recognizing the weight of what they have survived, and validating the healing they still need. I view it as Vi finally being on the road to peace, just not quite there yet.

The Heart of Zaun:

I have extensively detailed who Vi is in other posts and therefore will spare you the diatribe here. But to properly appreciate and understand why her ending was so meaningful we do have to understand who she is.

"You've got a good heart. Don't ever lose it, no matter how the world tries to break you"- Vander

Vi is not perfect. She impatient, quick to anger, stubborn beyond belief and impulsive. But these are things born of the dark and angry world she has been forced to survive in all her life. At her core, who is she really?

A Daughter

A Sister

A Warrior

A Guardian

What Vi proves time and time again throughout this story is that she is fiercely loyal, loving, and true. She is tough as nails and brave sure. But we also get these beautiful moments of fragility. Moments where her love, her fear and her hope bleed through the mask she keeps up showing us who she is beneath. Other lessons from Vander plays a major role in who she becomes as well:

"When people look up to you, you don't get to be selfish"

"Who are you willing to lose?"

-- Vander

Vi was already trying to care for the kids around her, and had at a young age been through so much trauma and loss. But as any teenager would, she still displayed a lack of understanding about the potential broader consequences of their actions. After her talks with Vander, almost every decision she makes she is trying to protect those she loves, or trying to atone when she feels she has fallen short. Her own happiness becomes her last priority in almost every situation. And her journey to overcome this, to learn that its okay for her to know tenderness, and peace, and love and that those things don't make her unworthy. This is Vi's inner journey.

She deserves the things she fights so hard to give the people she loves. I meant to re-blog it and hope I did, but another user pointed out something I have never considered. When she and Vander are talking on the bridge, and he gives here these lessons, what does she say is the reason she wants to fight? - that she grew up knowing she was less than, but she wants more for her little sister and will bleed to do it. Even at that young age, before experiencing so much of the pain she goes through, she doesn't see herself as deserving of that same defense as everyone else in her life... She believes is meant to be the shield, and never the shielded.. An inspiring and heroic notion on paper, heartbreaking to recognize in a teenage girl who is only just beginning in life.

Back To The End:

Okay, with that refresher lets return to Vi's ending. We see this beautiful, tender moment between Vi and the woman she loves. And sure, on the surface of the moment alone it appears your standard happy ending. Safe, warm, and in the company of the woman she loves. These are all undoubtedly good things. But context matters. No decision in this show, no plot point, no animation, no detail is accidental. So we need to account for the following factors:

They have just survived a truly terrifying battle which no matter the result in terms of life and death ,would be deeply traumatizing

She and the woman she loves have made it through together its true (thank god). On a purely physical level, Caitlyn's heroic willingness to sacrifice a part of her own body to achieve victory has left her forever changed. And Vi's body has become a tapestry of scars from a life time of sacrifice and struggle

Caitlyn and Vi's reconciliation is a controversial topic in the fandom. I feel that it was justified in terms of us being given the necessary pieces to believe it, but rushed (the whole season was). Like if I asked a student to show me his work on a math equation, he got the correct answer, but he could only show me the beginning of each step he took to solve it. Correct, but incomplete. All of that to say this, their scene in the jail cell was beautiful, and it was full of meaning far more than the spicy quality (although god damn who are we kidding), but we are talking about months of time apart, with both of them living through an extremely dark period, all precipitated by an extremely traumatic "breakup". I don't think it's unreasonable to assume they have more to work through and heal from regarding this issue, although thankfully their love for each other remains strong.

The death toll of this battle is seemingly enormous although we are not given an exact number. The impact of this is obvious. And although I agree his character was not perfectly utilized, I saw Loris as the face of the countless faceless citizens of Piltover and Zaun who died in this conflict. His death right in front of Vi happening so quickly, and brutally.

Vander.. Vi had to watch her adopted father die not once, not twice, but three times. The first time after saving her life, the second time after they seemed so close to saving his, and the third time with him very nearly killing her. I'm not a mental health professional but I don't think I need to be in order to suggest this may leave lasting emotional and mental scars on her

Jinx. Vi's crusade for her sister's soul begins the moment she steps out of Stillwater with Caitlyn. The relationship between Vi and Jinx is far too complex and detailed to cover in a bullet point like this, and is one of the pillars upon which this show came to be. I'm not getting into fault or blame or any of that right now, because what it comes down to is this. Vi loves Jinx and fought so.. so hard to BE her sister again. And finally, right at the end when it seems like they are finally going to be okay, she loses Jinx. again (not dead but Vi doesn't know that). And why? because Vi breaks at the sight at the sight of Vander's body and Jinx sacrifices herself to save her. Vi's breakdown is heartbreaking. It its understandable, its realistic, its painful and its human.. But after a life time punishing herself for how she feels she failed her sister.. it hurts to admit the truth that as things stand now, Vi will probably carry the guilt of Jinx's death for the rest of her life.

I know that is all so bleak, and so heavy. And it hurts because you want to see Vi happy. We want to see her and Jinx living as sisters catching up on the time that was stolen from them. We want to see a world where she and Caitlyn are energetic and happy and healed. We want to see Vi in some way acknowledge that in the end, Jinx's sacrifice was not because Vi failed her. It was because Jinx saw that her sister who had always loved and believed in her, needed her this time. That the woman who had always stood for those she loved needed someone to stand for her. So Jinx became the shield Vi never believed she deserved.

That Vi is a bad-ass is never in dispute. We see her fight countless times in defense of those she loves, and do so quite well. Her journey is not to find her strength. It is to recognize that she is worth more than that. She deserves more. And our hope for her is born of the changes we see. As her relationship with Caitlyn evolves, and she sees her belief in her sister finally validated, She comes to understand she has more to offer than the strength of her arms.

Her relationship with Caitlyn: Their love story is so amazing, and complex, and layered. It is far too much to cover as a bullet point in another post like this and I do intend to deep-dive it soon. But in terms of this discussion, I want to stay this. That Vi and Caitlyn have their ups and downs is obvious. Its not that every moment of their time together is an unending parade of joy and romance, that would be not only bad story telling but not realistic. But the best romantic partners are those people who can fall into the flames together and walk out not untouched, but re-forged into something stronger. These two women are a great example of this. There are many important moments in their relationship that greatly effect Vi, but I am going to focus on just one:

Caitlyn Finds Vi in Jinx's Cell:

As I mentioned previously, this scene is so important for so many reasons. For our purposes, we need to remember what leads up to it. Vi immediately goes to rescue Jinx after confronting Caitlyn over her imprisonment, only for Jinx to stun her and leave her in the cell herself (there is so much context and meaning here in terms of Jinx and Vi/Jinx but we are focusing on Caitlyn right now). Then Caitlyn finds her. Alone. In the cell of the woman who killed her mother. Now there are a lot of ways this could go and Vi is clearly expecting the worst. She laments that she always chooses wrong trusting and believing in Jinx, and that this time its cost her everything. Her sister is gone. She assumes Caitlyn will be enraged, and not to mention she is in this incredibly vulnerable state, in a jail cell, after surviving seven years of false imprisonment that started when she was still in her teens. But it doesn't go how she expects.

"Sorry to say, you've grown a bit predictable"

Vi believes that this part of her, this emotional, trusting, vulnerable part of her is always wrong. But Caitlyn reveals just how much she knows that part of Vi. And not only knows, but accepts it, predicted it, and even stepped in to help the woman she loves, putting aside her own hate and bitterness. Its a powerful moment. It shows Vi just how much she is worth to Caitlyn, and it has nothing to do with her fists. Just her heart. And Vi's response to this revelation shows us maybe the first time in the entire story, where given this tiny seed of evidence that she may deserve to be happy, she chooses to let herself be. Right there in that cell with Caitlyn.

Her Relationship With Jinx:

Like Caitlyn, this relationship could only be explored properly through it's own deep dive. So again, I am going to focus on a single moment between these two as evidence of Vi hard earned affirmation of her refusal to quit on those she loves. When Vi goes to break Jinx out of jail, Jinx stuns her and escapes instead, leaving her locked inside. As Vi panics for her sister, Jinx walks away, pleading with Vi to let herself be happy, and to stop looking for her. This of course leads to the incident we just mentioned in which Vi claims she always chooses wrong in trusting her sister. "I really thought she'd help" Vi says to Caitlyn about her sister when Cait arrives. And how does her belief in her sister shake out? Jinx rides in on a war balloon at the head of an under city army, and saves the day... and then later on, saves Vi's very life at what seems to be (We know better) the expense of her own. Vi was right about her sister all along.. its just that some lessons are hard won indeed..

Conclusion:

Vi is an amazing character who has quite frankly, earned her rest. And that's what the end of the show is sharing with us. Vi is warrior. She has fought, and bled, and lost so much, but she has endured. Through her two most important relationships in her life she has found the road to the recovery from the many, many wounds her existence has left on her, and they are still wounds that need healing. There is grief, and pain, and guilt still dwelling in her. But we have seen the seeds of her self-worth beginning to bloom and it is in them that we place our hope for Vi. Because she has an inkling that what Vander told her, the same thing the woman she loves noticed within hours of of meeting her, and the same reason Jinx knew Vi would never give up on her, has always been a far greater power than her ability to do violence.

[gilverrwrites]

The Best You Ever Had

Jason Todd/Reader, 1.7K

A/N: Welp, as promised here’s that self-serving, mildly fucked up Jason Todd/Reader scenario I mentioned earlier. I’m working on I don’t fall, I fly chapter two I swear, but I had to get this unhinged Jason idea out of my head if I’m gonna concentrate. I don’t remember the exact details of the plotline I’m branching off of here 100% so if it’s inaccurate sue me. Warnings: Darker portrayal of Jason. Unhealthy relationship to slightly less unhealthy relationship, non-graphic mentions of death, grief, dub-con, manipulation, abuse of authority kinda, exhibitionism, unprotected sex, swearing, size difference, hair pulling.

Right so, remember when Jason went balls to the wall on absoloutely fucking ruining Penguins’ life after finding out he was responsible for the death of his birth father?

Okay, now imagine you’re working at The Iceberg at the time, as a waitress, a card dealer, dancer, whatever you fancy, it’s mainly just a cover for the fact that you’re actually Ozwald’s sugar baby.

You’re practically attached to his hip. Sure, he can be a bit much at times, a bit mean, but he’s real sweet on you. There isn’t a thing in this world he wouldn’t do for you, no clothes or gadgets too expensive, no jewels too well-guarded, 'cause you’re his favourite gal. At least you were until you watched Red Hood shoot him in the head on live TV.

Ozzie had paid your rent, your bills, everything, he’d showered you with gifts, but he’d never dealt you actual cash. Without his bank account to fund your checks, you have nothing, not unless you sell off your material possessions. So, not only are you grieving, but you’re forced to pick up as many extra shifts as you can in order to afford to keep up your lifestyle.

Being at The Lounge only reminds you of him, which makes your sorrows worse. You were never bad at the cover job, in fact, it’s how you got your foot in the door. But your emotions are affecting your performance, and when your new boss, Jason Todd, calls you into his office for a performance review, you’re pretty much resigned to the fact that you’re about to be fired.

However, Mr Todd is surprisingly chill. Understanding even. He doesn’t grill you; he just points out that your performance as of late does not match up with Cobblepots files and asks why? What can we do to fix it?

You feel comfortable explaining that you and his predecessor were close, and so his sudden death has hit you hard. You need time to mourn but can’t afford the time off.

When a tear rolls down your cheek you start to feel self conscious until he rounds the desk, crouching in front of you and presenting you with a tissue. He offers you the weekend off, paid, and promises to look into amending the shoddy bereavement policy Oz had enforced. But for now, commiserating may help, and he’s happy to listen, to be a shoulder to cry on.

So, you take the tissue, dabbing up all the tears that fall as you tell him about your arrangement. How Oz had done so much for you, got you out of a pit, how no matter what your friends and family thought, Ozzie really did have your best interests at heart, you swear. Mr Todd nods along, offering a polite laugh when you tell him a funny story, or pulling faces when you recall some of Oz’s less-than-savoury moments. His disapproval makes you feel validated in your distaste for some of the seedier things you’d let Oz get away with because he loved you.

After a while, you move from the desk to the conversation pit which sits beside a floor to ceiling fish tank. You can’t help commending him for keeping on top of looking after the fish and their habitat, it’s a lot of work. He tells you it’s one of his favourite things in the whole building and you agree, recalling how you used to spend hours watching the fish go about their existence when Ozzie would call for you only to spend the evening ignoring you whilst he dealt with 'business'. Jason says that you’re more than welcome to come see the fishes any time you like.

He's so much kinder than you’d expected. Which is why you don’t move when you feel his hand on your back, drawing you closer with strong arms until the warmth of his breath brushes your neck. It’s been weeks since you’d gotten this close with anyone. You hadn’t realised how much you’d craved the intimacy until it was handed to you.

And shit, he smells good too. Looking into his undeniably handsome face you’re struck with guilt for having enjoyed the company, the touch of another man and can’t help the second? third? who knows, wave of tears.

The tissue he’s given you is too sodden to do anything, so he reaches up with his long, surprisingly coarse fingers to wipe up your tears, and you let him.

Your weeping soon starts to ebb after that, but the few droplets that fall regardless are dried by his lips as he boldly presses kisses to your cheeks, and again, you let him.

“You shouldn’t waste your tears on that asshole.” The way he stares into your eyes as he speaks, it almost feels like he’s daring you to challenge him. “You’ll be better off without him.”

Out of respect for Oz, or maybe to defend yourself you bite back at him. “He’s not- he wasn’t an asshole! Not to me.” But you both know it’s a lie.

Before either of you say something you’ll regret, you decide to do something you’ll regret instead. In sync, you both crash your lips together, and Jason all but forces you onto your back with his body weight, his tongue pushing between your lips as his hands work at your uniform.

He’s nothing like Oz. His hands are strong and deft, free of perspiration as they pop your buttons with precision and knead at your newly exposed skin. His mouth, while steeped with a hint of beer, tastes clean. He looks at you with a reverence you’d never experienced before as he draws back to look you in the eye.

“Let me treat you the way you deserve, the way a real man should.” He begs, and when you nod, he practically starts tearing at his clothes. You work on his belt while he pulls his shirt and waistcoat over his head, too impatient to bother with his own buttons.

Your eyes bulge, heart plummeting to your stomach when he pulls down his boxers, exposing a dauntingly large erection.

“Bet you’ve not seen something this big in a long time.” He suggests with a smirk.

“No, I’ve never seen anything that big.” You offer, shuddering when he teases the tips between your slit, grazing your clit. “I don’t think I can take something like that.”

“You will.” His confidence goes straight to your already hungry centre. “Don’t worry. I’ll make it easy on you.”

You gasp when you feel friction at your entrance, and Jason chuckles into the crook of your neck, gently fussing in your ear as he slips a single finger inside you. True to his word, Jason makes the whole thing (mostly) painless and effortless, working his fingers into you one at a time, scissoring his digits and massaging your sensitive clit until you're stretched out and cumming all over his palm, staining the sofa beneath you. Purring to you all the while about how tight and plush your pussy is, how fucking good his cock is gonna make you feel, how he can’t wait to make you forget all about Cobblepot by making you gush all over his dick again and again.

When you’re partly lucid again, coming down from your first orgasm Jason lifts you with ease. He sits back against the couch, settling between your legs so that you’re straddling him. Guiding you onto his cock, thrusting from below, drawing a sinful cry from you as he fills you in one quick movement. It wasn’t unbearable, in fact, you’re a little flustered by the ease with which your pussy sucked him up, but your walls still throb from the final stretch of him buried in the depth at which his impossibly long fingers hadn’t been able to reach.   

His hands grip and caress and pinch every part of you, soaking in every inch as you ride him out, grinding your hips against his, using his body to chase your second release. His lips latch along your torso, sucking and biting his mark into your skin. This time, once you've successfully fucked yourself to climax on his dick, he doesn’t wait for you to come back down. Flipping you over and pushing you forward, he puts you on your hands and knees, presented for him on the coffee table so he can pound into you from behind.

Once he’s coaxed another orgasm out of you there, he carries you to his desk. He fucks you over and over. Revelling in every heated orgasm he rips from you, eating up your sob. He takes you on every surface. The floor, the walls, the window. He even presses you face first against the fishtank, making you watch your reflection in its mirrored back, and you are a pornographic sight to behold; lips dark and swollen from his kisses, hair tangled in his fist, tits pressed against the glass as he pistons in and out of your twitchingly overstimulated, cunt. Every thrust is slick, punctuated by the wet slap of your hips coming together. By this point, Jason’s unending strength is the only thing keeping you upright.

“That bird creep ever fuck you this good, baby?” He grunts into your ear, dark eyes glaring at you through the glass. From this angle you can see how his body practically engulfs yours; the reflection showcasing how his massive palms seem herculean when pinning you. All night he’d been throwing you around, bending and posing you to his will like a doll in his sturdy arms. Something Oz could never do.  

“No, god no Jason!” You whine. Drool spills from your lips as you try to speak. It catches on the glass, smearing back on your face but you’re too utterly fucked, too cock drunk to be embarrassed. “Nobody… never been… fucked like…”

When you don’t finish your sentence Jason laughs, it almost sounds cruel and sends a shockwave to the clit you long thought had been abused to numbness. “Am I the best fuck you ever had?”

“Yes! Yesyesyesyes.” You chant. Completely oblivious to the fact that your sugar daddy, Oswald Cobblepot is not dead. He’s very much alive, and very much not well as he watches Jason Todd fuck the brains out of his best gal from his prison on the other side of the one-way mirror. 

[kraangdroidz]

I really enjoy looking at Donatello's characterisation - especially the 2012 version of Donnie.

I don't know why, but something specifically about the 2012 iteration of our favourite brothers draws me to them. Maybe it's because I think they have the most interesting and unhealthy brother dynamic to explore out of any version of the Turtles. But just to say right off the bat, I don't agree with the statement that Raphael is abusive toward Mikey in this version. I don't think this to be true at all.

But in the 2012 version of Donnie, I think it's the obsessional aspect of his character that I find interesting. People flame him hard for it - which is very valid - the way he treated April was very creepy, and some of the things he did April had no knowledge of, (Like Donnie taking a photo of her and having it as his laptop wallpaper). But I like doing a little more when it comes to characters' less-than-ideal traits. Yeah, what they're doing is bad, creepy, etc. But why exactly might they be acting that way?

For Donnie, I think his problem is how he looks.

In the 2012 iteration, we never really see the turtles have a strong desire to be human. Mikey sometimes doesn't understand that humans will be scared of him, but he never lashes out and has a big moment like, 'I want to be a human so I can make more friends!' We see Mikey wonder what he'd look like as a human in an episode after Donnie creates retromutagen - with Mikey assuming if he used retromutagen on himself he'd turn human and not back into a regular turtle.

It is played as a joke, though, and he doesn't seem genuinely upset by the fact he's stuck as a turtle, as he is seen smiling after saying he wondered what he'd look like.

Interestingly enough, Donnie is the one to be portrayed as having a negative view attached to being a mutant more than any of his brothers.

Outside of being a mutant, it is implied that Donnie already has a fragile self-image anyway.

Remember the episode Turtle Temper? I think it's the third episode of the first season. But at one point, the other turtles are instructed to shoot arrows at Raph, while Raph has to try and avoid the arrows. Splinter makes it clear, however, that Mikey, Leo, and Donnie are allowed to insult Raphael during the exercise.

I've seen another content creator say that the insults they throw at Raphael could be more them self-projecting views they have on themselves rather than them actually thinking these things about their brother. Leo says, 'And you're always whining, poor me, nobody understands me.'

While this is easily applicable to Raph as an insult from Leo - Leo does have his own fair share of moments where he has gone to Splinter complaining that the others aren't listening to him or respecting him, that they don't understand the burden he has to hold as leader.

Mikey tells Raph he moves like a bloated buffalo - which, although never hinted at in the show, could imply that maybe Mikey is insecure about how much he eats. Maybe his brothers have made comments about his greediness.

Donnie says, 'Oh! You can't keep your back straight during Omote kote Gyaku! And you're ugly!'

I think the first part is interesting as Donnie is the tallest out of his brothers - gangly limbs could mean Donnie has more difficulty knowing how to stand, how to sit, so on so forth. A lot of tall people can feel really awkward as a result of their height.

Donnie most likely is sat over a desk all day, and again, being tall, Donnie has more of a slouched posture out of his brothers. I think it was Karai that also insults Donnie in an episode by calling him scrawny, in which he responds, 'And I'm not scrawny! I'm svelte!' Svelte meaning slender and elegant.

Raph has also insulted Donnie's looks before in an episode, and again, it is unclear if this is a common occurrence, but knowing 2012 Raph's character, it's probably happened on more than one occasion.

Donnie : And why do you keep grabbing me by the face? What is wrong with my face?!

Raph: Do you want me to list the reasons alphabetically or in descending order of grossness?

So regardless of being mutated or not, it seems Donnie just has a generalised lack of confidence and some issues surrounding how tall he is.

But to his issues regarding being mutated.

Donnie might've previously not had any issues with being a mutant. Before, it might've been just a general lack of confidence, as I have already said. But in society, looks are always seen as a good trait to possess if you want to have any shot at a love life. You need to fit into the beauty standards and be attractive if you want a partner.

Before April, his brothers would've been the only thing to compare himself to. He lived in a home with only mutants for fifteen years of his life - so had normal teenager issues of going through puberty and insecurities. A lot of people can feel odd/uncomfortable and dislike their growth spurts, which is why Donnie's issues at first might seem like normal things for a teenager to worry about. Donnie's biggest issue would've been how scrawny and lanky he saw himself.

But when they meet April, there is a glaring difference.

Suddenly, there is somebody in his life who isn't a mutant like him. It becomes abundantly clear to Donnie that from somebody else's standpoint, their biggest issue with him wouldn't be his tooth gap or his height, but just the plain fact that he's so different. Inhuman. Out of the ordinary. A mutant.

When he's rambling to Timothy (Mutagen Man at this point) about why April might be on a date with some punk kid (Casey) the conclusion he resorts to is, 'Because he's human, that's why.'

At the end of the episode A Foot Too Big, when Donnie apologises to April, he says, 'I'm just... a mutant.' Again, this shows Donnie jumps to the conclusion that this is why April doesn't want to be with him, not his overbearing nature or the fact that she just genuinely might not be interested. The problem in Donnie's mind is that he's mutated.

The fact that Donnie used the word 'just' implies that being a mutant is all that Donnie has boiled himself down to. He thinks that his other traits aren't worthwhile or good - like him being funny, smart, inventive - because he thinks that nobody would pay attention to those aspects of his personality. At the end of the day, he thinks nobody will be able to see him outside of being a monster.

In Fungus Humungous, the hallucination of April that Donnie experiences calls him an 'ugly mutant freak'. It is unlikely April actually thinks this of Donnie, but it's what Donnie thinks she does because it's his biggest fear. I'd like to split Donnie's hallucination into two parts. April insulting Donnie about being a mutant, and Donnie's hallucination of April kissing Casey.

We see April kissing Casey. I think the fact that this part of the hallucination comes second is meant to represent this fear of rejection and insecurity surrounding being a mutant are two sides of the same coin. His fear of April choosing Casey is a by-product of his main insecurity. We are shown April calling Donnie an 'ugly mutant freak' first. Donnie isn't afraid to lose April as a person to Casey. He's afraid of losing his only hope at feeling confident to Casey.

In the first half of the hallucination, it shows that April uses a sharp tongue like a whip.

This tongue is shown to go through Donnie's heart and subsequently breaks it.

"To have a sharp tongue" means to be quick to criticize, speak harshly, or make cutting remarks; essentially, someone who is often unkind or sarcastic with their words.

I think this represents that, over anything, it is April's words that break his heart more than her actions. It is her disgust at him being a mutant that shatters him. It's what makes him crack in the episode. He starts screaming, runs away, and shouts that he, 'doesn't want to hear anymore.' This is Donnie's breaking point. Her sharp tongue and words, over her actions like kissing Casey, that is Donnie's true biggest fear.

Donnie doesn't want to be with April purely because he loves her. To Donnie, it would be more than April simply making a choice on who to partner up with. It would be confirmation for Donnie that the issue all along was because he's a mutant.

The point I'm trying to make is that Donnie is more obsessed with trying to improve his own self-image than he is obsessed with April as a person.

He wants to use April as a means to prove someone could love him despite appearances because, as I said earlier, looks are important to a lot of people. Gaining a romantic partner would most likely grant Donnie the confidence, the consolidation that he 'isn't ugly after all' because someone managed to fall in love with him. That is why he so desperately chases after April.

He chases after the feeling of confidence.

His character kills me.

[lordofdestructionm]

Reading Mordecai Heller as a repressed gay man

The tragic attraction

This is a full post based on my response to a great analysis by @sedgewick-gayble

Let me start by saying that if you read Mordecai as being totally asexual/aromantic and any affection he has for other characters to be entirely platonic that is entirely valid and I respect that

However as this response by Tracy makes clear on the topic of fans reading Mordecai as gay there is an intentional ambiguity about it. Being 28 at the time of the main story his "lifestyle is certainly asexual" up to this point, yet "being ace and being gay are not mutually exclusive things" and people sometimes "don't know themselves or understand their own motivations all that well"

This leaves the possibility open that Mordecai is actively repressing his natural desires and feelings

Mordecai's early life didn't exactly provide much time or opportunity for "self discovery", even by the usual standards of the less than tolerant and understanding world of the early 20th century

Being born into an impoverished family and having his father die very early in his life leaving him and his Mother and two younger sisters in dire straits, Mordecai had to get to work and assume adult responsibilities pretty damn early.

As Tracy says "selling newspapers wasn't going to cut it" and so using his natural talent with numbers Mordecai starts bookkeeping for the mob. Is it any wonder someone with that background would develop such a serious and rigidly buttoned up demeanour?

Since being forced to abandon his mother and two sisters at the start of the 1920s and flee New York, being picked up by Atlas's due to his habit of collecting useful strays, Mordecai had very few people he was close to in St Louis. With his generally anti-social personality and not only lack of interest but discomfort with any sort of flirting or romantic entanglements, that would be unlikely to change

Side note: Probaby coincidence but

There are only two people who seem to make it onto that exclusive list of people that "count" for Mordecai, who he cares about and are able to bring things to the surface he would normally keep hidden

Atlas to Mordecai is not just an employer, he is the man who saved his life, the man who moulded a desperate fearful shabby young stray into the sharp professional he is today, who took him under his wing and made him his protege. Filling the empty space his father left in his life. His grief and desperate hunt for those responsible for his death are his big motivation (the strain of which is slowly tearing him apart)

That connection is undertsandable

Much more surprising on the surface is the bond with the partner Atlas teamed him up with soon after his arrival, Viktor Vasko.

The assumption at the start would have been that while their skill sets might compliment each other in the field there would have been no warmth in their dynamic.

Certainly not on Mordecai's part as Viktor appears to be a sum total of many things Mordecai hates. Viktor is unshaven, relatively casual in his attire, speaks a broken English, and hates people chattering or “noise, noise, noise” as he calls it. Clashing hard with his obsession with good grooming, high quality tailoring, correct grammar etc. Indeed Mordecai doesn't hesitate to nag/criticize Viktor for these things

Yet at the same time Mordecai has far better chemistry with Viktor than with anyone else, able to banter and bicker with him in a way you rarely if ever see with others

Its why when he gets tailored clothes for the first time Viktor is the first person he wants to show off too. Its why the one time he is intoxicated Viktor (and his large physique) are his chosen topic of converation. Its why at Christmas/Hanuhhah he gives him the gift of a tie while claiming its just because of the big guys poor fashion sense and that its "embarassing to be seen with him" (even that justification makes him sound like a nagging girlfriend)

A smaller detail is that during their iconic chess playing in the side content, set during their days staking out the remote town of Defiance, Viktor is shown very casually winning the game much to Mordecai's visible distress

This is hilarious but could also be taken as a metaphor for Viktor (possibly without even realizing it) breaking through his defensive emotional barriers

Something Mordecai doesn't know how to handle or respond to

The animated short only adds fuel to the fire

During their dispute over strategy Mordecai moves his face so close to Viktors that he almost knocks his cap off his head. His eyes at one point even dart down towards his mouth

Sharp eyed Vikdecai fans have also noted that Mordecai seems on some level to want the two of them to match

The tie being the same colour could simpy be Mordecai giving Viktor one of his own ties because its a joke gift and he just grabbed it on a whim to tease Viktor about his poor fashion choices

But think about the matching suits at the New Years party for 1926

I mean, seriously, not only is it the exact same style of suit in the same blue-grey colour distinct from everyone else, but they are standing in the perfect spots to be symmetrical to each other. Something that we all know means a lot to this compulsive man

Mordecai must have known there was going to be a big group photo ahead of time and then carefully planned this

Got matching suits made to his and Viktors measurements

Then most impressively convinced/nagged Viktor into cooperating (he may have taken off the tie and rolled up the sleeves but hey him playing along at all is quite a compromise from Viktor "I hate dressing up" Vasko)

Mordecai is intent on making Viktor retire and get out of danger, and avoid a situation where he gets sent to kill him by Marigold because he knows he could NOT do it, and his cover and investigation into Atlas's death would be over

He is horrified that Viktor is still working at Lackadaisy (though he again has to hide how much he cares) and that he has gotten not only hurt again but hurt by Mordecai again (albeit this time indirectly by stealing the guns)

Can this be read as simply platonic comradere? Absolutely

But there is something so *intense* in the fact he was willing to resort to kneecapping him. Its an extreme and desperate act that could only result from intense emotions, seemingly out of character for someone who tries very hard to appear logical and controlled.

While Vikdecai is a very fun ship when imagining them as an actual bickering married couple, I have often said that a tragic one-sided on Mordecai's part version of Vikdecai is the one that fits closest and surprisingly well into the canon.

His nagging and complaining about Viktor in that context take on a Tsundere aspect, both to protect himself from being found out and maybe even try and convince himself the uncomfortable alien feelings aren't there. He not only doesn't want others looking too hard at his feeling he doesn't want to examine them himself all that much

There is a heartbreaking but appealing angst to the idea of this extremely repressed man having such feelings for the first time in his life for his straight best friend and NOT knowing how to handle that. Having to perform the balancing act of being around him so much as his partner but being painfully aware that he can't let anyone catch on, especially not Viktor himself, as it would likely destroy his bond with the only person in town other than Atlas he is close to.

Though tragically he did that anyway later via the kneecapping, which while about trying to keep Viktor safe, he may now looking back try and tell himself its actually somehow "better" for Viktor to hate him for that

Because the big guy now wrongly thinks the feeling is mutual and that Mordecai never really cared about him, which may be better than (what Mordecai assumes would be) disgust at his partners doomed more than platonic feelings

Because he sees those feelings and his situation as a sad perfectly structured joke life has played on him

[emilibro]

Ughhh I'm so sorry to be an ass but I see so much popular art on tumblr and around the internet that really woobifies both Laios and Kabru and their relationship, especially when they're together.... You guys are aware that Laios eats monsters the way people would like. Eat animals, right? He's not crazy or stupid or sadistic or anything. He has a special interest and it's monsters.

Furthermore, his past having himself and his sister be shunned for their interests in the abnormal made him develop a distaste for humanity. Laios has just thought monsters were way cooler since he was a kid, and Falin really looked up for him for his dedication to his interests and personal code of moral ethics. He never loved his sister less for her abilities, he admired her for what made her different. Because he's fucking awesome and they're autistic as hell.... they both went through so damn much. Laios never fit into the military, into his hometown, he barely fit into most groups of adventurers since he met Marcille, chilchuck, and company, and two of the members of that original party didn't care enough to join him. His feeling of worthlessness to his friends in the beginning of the story are enough to make him imagine a whole scenario in between major chapters where he was the one who was eaten.. and he thought nobody except Falin would care enough to save him.

Point being Laios has a much richer character that goes ALONGSIDE his special interest in monsters. Which honestly is more comparable to, like. A fucking biologist. Not a monsterfucker, not a cannibal, none of that shit. Monsterfuckers are cool as a monsterfucker but he's not one.. he's more like a furry man.... And he's not stupid he's just. Autistic. Why are we making autistic characters with a silly side seem stupid? Everyone has dumb moments sure but like.. he's really smart guys... there's a reason he's such a good leader outside of his ability to listen to his party members. Don't fall for the mischaracterization of Laios that his party members originally set for him before major important arcs guys...

And Kabru. Oh my God. Kabru. Kabru is also autistic but for humans, social interactions and culture... he's a nerd for politics and the humanities, and I'll avoid saying much more to avoid spoilers for non-manga readers but you'll see more of that as time passes. But he's not the type to be easily flustered. Laios only gets to him, not even because he's that difficult to read, but because he catches him off guard. He's an interesting critter, bro. And Kabru definitely sees that. It takes time to respect that, but within a period of time he learns to see him as a relatively competent adventurer and places a lot of faith from him. On some level, this guy has learned to understand this very interesting autistic guy who is forward with his feelings that a very autistic Kabru hasn't learned to understand. That's what makes their relationship so cool, man. He's not cold in reality (though people may perceive him that way due to backstory motivations and attitude within the dungeon), but he's a lot more serious than this... c'mon guys.. let's be a little real here please.... at this point I barely like Labru anymore because they've been so like. Babied. Woobified. Whatever the word is man. I'm starting to appreciate their friendship more as a friendship now because I just think the beautiful qualities I saw in their romance have been sort of overlooked or misinterpreted. Nowadays I just think their platonic relationship is beautiful. Sighs.

Farcille is awesome though and these girls are awesome slay

-

Edit: hey guys, I wanna address a couple of things here! For one, this isn't intended to be ship hate. Labru is a perfectly valid ship - rather, I'm just not a fan of how deep the mischaracterization of both characters runs, and how it results in the subsequent babying of their relationship. While it's driven me personally away from the romance a bit, I have no problem with the ship itself. Additionally, Farcille has its own issues with woobification that could use some addressing, I just haven't had to see as much mischaracterization on my feeds. Maybe in a future post I'll address some of my personal peeves with many people's characterization of Farcille, ESPECIALLY Falin.

[shaunamilfman]

Being Jackie Taylor's controversially young gf

pairing: jackie taylor x reader note: let me be delusional lmaoo

definitely broke up a semi-serious relationship with a man she'd been dating for a year or so when she realized she would have to spend the rest of her life with that guy. In my mind she got really drunk one night at a sorority party and had an “oh, shit” moment and avoided him for two weeks before breaking up with him. 

i see Jackie as a news anchor. honestly, I think it would really fit her. always struck me as a morning person.

meets you at a coffee shop that she has to rush into at the crack of dawn before work. she's so fucking happy and in a good mood that it puts you off at first. like seriously, it's like 6 AM, why is she smiling??

Jackie immediately takes a liking to you. starts going out of her way to stop by whenever you're working, even though it's five minutes out of her way and she likes the coffee at the other shop better. 

she's so flirty, incessantly even. she derives so much pleasure from making you nervous. even with all the flirting she does, she doesn't seriously expect you to reciprocate her interest. she's immediately stunned and a little unsure when she realizes you wrote a flirty comment on her cup, because don't you realize how old she is? 

comes back in the next day and mentions it and is immediately flattered when you just shrug and hand her the usual before she can even order it. Jackie's so flustered by your attention that she leaves without paying. runs back ten minutes later and practically throws the money at you before sprinting back to work. 

Jackie really likes the fact that you don't know who she is. i mean, who watches the news anymore?? 

you finally catch a clip of her as the anchor and realize what she does. she gets so shy when you tease her about it. asking her for her autograph as a joke and she's tripping over herself and bright red

god, she's never like this but you just make her so nervous sometimes. makes her feel like a kid again and she never thought she'd like that. 

doesn't even cross her mind to be embarrassed or hesitant about dating someone half her age. starts talking about your college classes and one of her friends is like “oh, it's good they're going back to college at their age” and Jackie's just like “oh no, they went straight out of highschool 🥰.” doesn't even notice the way their jaw dropped as they're doing the math. 

worries constantly about how you perceive her. she seems so charismatic and confident that you wouldn't think she would be so insecure, but it's constantly on her mind. she's not embarrassed about you at all but she keeps waiting for the day that you realize she's too ‘old’ ever since someone pointed that out to her for the first time. 

tries way too hard to seem hip and cool. she spent hours researching how to use modern slang correctly even though she already mostly had it down. 

over the moon whenever you reference liking something from the 90s. she'll talk your fucking ear off about it if you let her. 

Jackie values your validation a lot less than she would've at 18, but she still really needs to be the center of your attention. one off comment from you can really have her off kilter for the rest of the day even if you didn't mean it. Jackie's more chill about it now, but she still has a desperate need to be liked. 

she gets so jealous when it comes to people your own age. there's so many spaces you’re in that she really just can't enter due to her age and it drives her crazy thinking about all the people who might be able to relate to you better or on a different level. 

such a reality TV fan. has you on the couch for days getting caught up on all 12 seasons of her favorite show before the new season airs. you just know she's got the best snacks though. 

ridiculously supportive of every little thing you do. if it has a competition attached, trust that she will be in the front row with your picture on a t-shirt. People definitely think she's your mom with how extra she is about it, but she doesn't even care. the crowd audibly gasps when she kisses you afterward, but she doesn't notice as she's too busy hyping you up about getting fifth place.

most considerate gift giver on the planet, I swear. she only gets better with age. it's so sweet and thoughtful that you almost tear up every time. 

won't lie about her age but also won't correct other people. your friends are like “what is she, thirty???” in disbelief when they meet for the first time and Jackie's ass is just like “... yes. that's it.” 

world’s most expensive makeup collection, i swear. it’s so expansive that you're almost in awe the first time you see it. entire shelves dedicated solely to it

sometimes when you get bored sitting outside the shower listening to Jackie yap you start googling the prices of things just to feel something. what do you mean that skin cream was $250???

Offers to give you a tour as an excuse to get you into her room. You’re looking around her one-story house like 🤔. You’re not sure there’s a single room in this house you can’t see from the living room, but you’re not stupid enough to give up that chance.

[yangsharperavery]

my carmy/sydney related thoughts on season 2

i think when digesting this show, it's done more easily when we see who carmy and sydney are as people and how they bring that beingness to their dynamic.

it's interesting to see the takes from people who are troubled by what they saw in this season in terms of their relationship.

i personally thought there was so much fascinating groundwork that was laid.

we knew when molly gordon was cast they were likely trying to introduce a love interest for carmy.

i was not shocked, i was not surprised. i literally expected it.

doesn't mean i wasn't rolling my eyes but i was well aware of what function she would play within the narrative.

but the writing is so sharp that there are a million subtle elements of carmy's character, and what we know about him up to this point, including what was illuminated by the christmas episode.

let's first talk about carmy's choices and behavior where it relates to claire vs sydney and the restaurant.

we know that carmy is awkward, isn't incredibly relationally experienced and has sacrificed everything for his career and specific level of skill.

he'd just been ruminating on expanding his experiences as expressed in the al-anon meeting.

we know this man is intensely grief-stricken and also that he's battling his own mental health.

we also know he's literally been bred from chaos and emotional tumult.

even him not going to his own brother's funeral makes so much sense after that christmas episode.

he couldn't stand to witness what that type of grief had done to his already deteriorating mother.

so he's trying to conceptualize fun.

notice he wasn't trying to conceptualize love or relationships or a partner.

it was literally presented and integrated as fun.

so he runs into this girl he used to a have a crush on and even then, he's not sold because he knows himself, he knows his priorities, his propensities toward self sabotage, etc so he gives her a wrong number.

yet she persists.

so to me, this may seem like a sign to him to give this a chance, do some exterior exploration of something outside of the kitchen and outside of his career and outside of his own neurosis.

so he's just going with the flow. trying to be "normal". not really knowing the content or context of anything. another reason why he wasn't even calling claire his girlfriend.

claire even brings up the fact that they'd hung out so much but didn't actually talk.

which is SPOT on because the audience only actually ever sees them talking about their careers or what they were like as kids/teenagers.

but you know who carmy DOES talk to? hmm, more on that later.

so claire is symbolic of this thing that was pleasant when he was younger, when he was less of this grown conglomerate of anxiety and disarray and sorrow. a part of him that's separate from all of his current worry and fixations and dysregulation.

him saying he loves her so much and that he thinks she's so great actually rings hollow because we, the audience, didn't actually get to see when and where that level of specific emotion or intensity occurred.

so off rip i don't believe him. i don't think about it in the context of if or when he and sydney explore anything, because it feels patently untrue to me.

and completely separate from sydney.

it's not earned. it's not rooted. it's not tacitly valid.

it's fine. it's a good time. it's some laughs and conversation and sex and a nice, normal person he has fond, nostalgic memories of.

and i think it's written that way on purpose!

so him professing this to other people feels like this way to continue digging a hole of his own distraction, his absence, his lack of attention to detail.

i completely understand the frustration that many feel about interpreting this like carmy was essentially choosing claire over sydney.

carmy was trying to have an unfamiliar and different experience and didn't have the depth perception, the self awareness and the internal regulation to recognize he was doing it to the detriment of something so deeply and irrevocably important to him.

as soon as sydney brought it up, he got defensive but then moments later recognized his errors and apologized.

she told him she didn't want to share his attention.

he told her she was absolutely correct and that she deserved his full focus.

what's fascinating about this part is they aren't even explicitly talking about the restaurant.

she says "me" and "i", he says "you".

uh. wow.

now even in the context of JUST the restaurant this is saying ALOT here.

him instantly apologizing and agreeing with her requests means a substantial amount.

carmy isn't an ass because he stood sydney up for the palate cleanser. or even because he went absent when he shouldn't have.

carmy is deeply troubled and wounded and suffering and he was grappling for something else to feel or do or think about besides what he's ALWAYS thought about and done and fixated on.

that's why he's unreliable, that's why he's haphazard and emotionally or energetically messy. he's coping.

that's why he knows he makes mistakes all the time. because he feels like he's a screwup in a lot of specific ways in his life so he's used to it.

he's not being malicious or cruel or even unkind to sydney.

and this isn't an excuse. it's a reason. it's what all the information we have about him up to this point is providing us.

and yes, his timing is godawful.

but he trusts this person so implicitly because he knows how talented and capable she is.

carmy does not know HOW to be a partner, of any kind. where would he have learned that? where would that have been modeled for him?

"this is what you wanted originally and i'm giving it to you."

so let's transpose the way carmy and claire are presented with how carmy and sydney are together.

he literally can't WAIT to hear what sydney has to say. about literally anything.

at any given time.

"say more please."

all he wants to do is listen to her talk. he wants to know everything about her. the personal stuff too, almost especially.

he listens to her so closely. in the first or second episode she loses her train of thought and he repeats everything she just said.

i don't even think it was restaurant related.

he brings up her mother not once, but twice.

he feels like he should have known that sydney lost her.

he wants to pour into and believe in her because he does. he already does.

he's ready to apologize to her because he knows what a mess he can be and often is.

he knows what his anger can do. he knows how he was conditioned and raised in the industry and he doesn't want that at all for her, least of all from him.

especially after she walked out last season.

he's hyperaware of it. he calms down instantly both times she does the sign for sorry that HE taught her.

he has this propulsion to NEED to know what's happening with her in the very moment something occurs.

he did it last season when she quit on the spot and he kept trying to talk to her when she was leaving.

he did it this season when she was frustrated and trying to say goodnight after carmy was actively telling everyone goodnight and to go home, yet he tried to talk to her when she was leaving.

"what?"

"i'm saying goodnight."

he was repeatedly ushering everyone out but because of the look on her face, carmy's like wait, "what's that about, what's happening?"

he can't stand it!

same with them outside last season when he brought her food and asked what was wrong.

if something is up with her, he reacts immediately.

if she's peeved, he wants to know why right away, he wants to know what to do to make it better, how to approach it, what to say, he goes out in search of that information in the moment it's happening.

sydney is his soft place.

he feels very anchored and tethered to her and i believe she feels the same with him.

sydney is his respite. his peace. the thought of her literally calms and stills him.

her being energetically seats him.

we saw it penetrate his seismic and consistent panic in real time.

that was clearly displayed for all of us to witness.

he doesn't want to be cruel or unkind or anything other than present and communicative with her.

i'd venture to say he actually doesn't want anything more than that, besides maybe the restaurant to succeed.

now sydney is in her "i have something to prove" era.

she is so driven and so determined but she's also a realist and is inundated and surrounded by all this proof that what she's doing may be foolhardy.

at the very least, it's incredibly risky. it's a jump.

and someone deeply ambitious and creative and tuned in and focused like sydney has such fear of failure.

because she knows what it often means for someone like her.

that's why she overextends herself so continuously.

she's often had to and she thinks it gets her closer to the opposite of failure.

she was not only aware of the gaps carmy's absence was leaving but also planning this tasting menu with a MILLION things on it because something was gonna be the star because it MUST.

and i think the carmy absence flares a bit of abandonment as well, like he's left her in a lurch.

she has feelings about that.

she finds out why he did, and TRIES not to have feelings about that.

that's confusing and she's already beyond stressed out so she tries to stuff it.

her success is so tied to her identity because she's worked so hard to get where she is and still feels like she's not where she wants to be.

so she wrestles with worthiness and worry and the financial climate of affability for restaurants. she's riddled with what if she can't hack it?

she has evidence of that being true in the past.

she has evidence of her past failures and those are what keep her up at night, not the infinite possibilities of her future successes.

and that's also why she picked carmy.

because she was always going to pick the best.

she was always going to follow the career and moves of the standout in the industry.

of the person that made the best meal she's ever had.

so if he's anal retentive or jumpy or doesn't call about changing the structural elements of their restaurant while it's happening, she deals with it because she picked him.

she chose him. and then he chose her.

(and then she lightweight chose him again when she came back)

so that's why when they're talking he so often checks in by looking her in the face, scanning her expression. he instantly picks up on something being off or wrong or him being "shitty".

or why when they're under a damn table, despite being peeved or annoyed with his disappearing acts, she lets out the most vulnerable, softest admissions about the perceived necessity of her contribution and future failure.

or why he responds with "i couldn't do it without you" so instantly, so rapidly, it's like it's etched in him. that's the quickest response he'd given to anything she said to him the entire season, she barely got the words fully out before he was verbally soothing her.

then he STAMPS this by saying "i wouldn't WANT to do this without you."

there was such an unexpectedly, viscerally aching quality to that exchange.

it's honestly searing.

i'm sorry are these wedding vows or are we talking about opening a damn restaurant?

or the way he says "you love taking care of people" to her when she talks about making sugar food.

that's also a stellar mirrored moment because i've seen a few people, i believe @eatandsleepwell is one, talk a lot about how that's one of carmy's main drivers and internal tenants.

they see so much of themselves in each other.

the buried parts, the unknown parts, the odd parts.

the parts they wanna work on. the parts they wanna exalt.

they are so similar. they are also quite different.

they have reflected one another in the narrative since s1 ep1.

they exist so flawlessly within the others interstices.

she wordlessly hands him pepto for his stomach.

he tells her he won't let her fail.

the pulsing undercurrent of sydney and carmy is pretty fucking palpable.

there's people on social media who weren't convinced or didn't ship them last season that have suddenly completely seen the vision.

whether the writers actually go there or not remains to be seen.

i don't necessarily trust that they will or won't to be honest because i know there are so many moving pieces and variables and factors.

ships get bypassed and messed up all the time.

i don't watch any shows for ship guarantees but i know how writer's rooms work.

i'd venture to bet that at least 1/3 of that room DOES have an interest in seeing something happen between carmy and sydney, (maybe even 1/2).

or at the very least the option to have it explored.

different people write different episodes, the showrunner/creator can scratch or add whatever.

scripts are TIRELESSLY edited and shortened.

yet there is alot that makes the final cut that points to the potent carmy and sydney marrow.

him giving her the captain reigns before they served for the first time, her saying 'let it rip'.

to me, sydney walked into that failing sandwich shop with a mission that day, they locked eyes and immediately fused.

something happened to the both of them in that moment and they largely don't even realize or can adequately reckon with its magnitude yet.

[whetstonefires]

Also the thing is, Jiang Cheng can't share how he threw himself out there as chum to cover Wei Wuxian, because it isn't a usefully reciprocal confession to the revelation about Wei Wuxian's core.

All it says is: there was a moment on the worst day of my life (up to that point) where I valued your life more than my own.

That's all. Arguably it says not even that, because Jiang Cheng is established as insecure enough that he very much cannot prove that this was an act driven primarily by affection and the will to protect, rather than guilt and shame and grief, and the desire to make a gesture that would prove his worth to himself, and let him opt out of the pain of having outlived the world he knew and almost everything he loved.

(after all, this self-sacrifice fairly directly followed an episode of 'strangling wei wuxian while blaming him for everything' and then being taken care of by wei wuxian like this hadn't even happened.

normally, jiang cheng is not someone who is physically violent. he is verbally violent all the time, but his physical violence is typically reserved for mortal enemies. that first time he came within throwing distance of murdering wei wuxian in a fit of grief-rage was almost certainly more traumatic for him than it was for wei wuxian, who is really good at compartmentalizing that kind of shit.

interesting element of mirroring there though, in that jiang cheng allowed wei wuxian to know about the murderous rage but not the self-destructive love, leading wei wuxian to misunderstand the exact shape of his place in jiang cheng's life and act on the basis of the rejection, in a way that encouraged relationship decay, just as wei wuxian's own secret-keeping would later lead jiang cheng to do in reply. vicious cycle!)

But the important thing is that this truth doesn't really explain anything.

Wei Wuxian's mute self-mutilation for Jiang Cheng's sake explained everything. All the withdrawal, the betrayal, what he thought was the rejection; the previously inexplicable decisions to abandon the teachings and home and allegiances that bound them in favor of death and the children of their enemies. Wen Ning's revelation explained it all, and recast it utterly.

It made the story different in a way that mattered a lot to the people in it.

What Jiang Cheng did...it shows he wasn't unworthy of that sacrifice in the way everything else about the narrative paints him. It's a grace note to his character.

It's not meaningless, exactly. It's just also not enough to actually change the weight of debt between them; it doesn't restructure the narrative.

It's not even, truly, new information.

Wei Wuxian knows Jiang Cheng loved him. Wanted to protect and keep him. He knows Jiang Cheng understood his abandonment as a betrayal, that Jiang Cheng felt he was owed better, and that this sense of being-entitled was a major impetus behind his increasing hostility.

Adding this little scrap of context for those reactions, for that rage--it's not enough. It gives Jiang Cheng a little more reason to have felt hard done by, validates a little of that wild resentment and makes it less of a spoiled young master reaction, lends it more dignity.

But your feelings being valid doesn't really go that far to justifying actions taken because of them. The hurt was already sympathetic; the choices aren't really changed by the context making it more so.

After all, he knew he'd lost his core protecting Wei Wuxian, but he also knew that Wei Wuxian risked his own life almost as foolishly extracting him again afterward, and 'knew' that Wei Wuxian freely gave away his only connection with his own dead mother and access to the help of an immortal for his sake; they were already square by rights in the world as he understood it, and he still acted the way he did.

And after all, Wei Wuxian's actions in his first life were always taking Jiang Cheng and Jiang Cheng's feelings into consideration, even when it didn't look like it; even when he fucked up, and Jiang Cheng paid for it. Right up until he lost his mind, and to an extent afterward.

'Consciously, on purpose choosing against someone out of spite' is something Wei Wuxian did not ever do to him, which he did do to Wei Wuxian. A lot. Escalating.

That doesn't become any less happened because at a prior time he did the opposite.

All the while not putting a lot of effort into worrying about Wei Wuxian's feelings, or how to spare them, because one of the norms of their relationship was that Jiang Cheng's feelings deserved to be privileged and handled gently, but Wei Wuxian was too tough to need that kind of consideration. Except about dogs.

That's a norm Jiang Cheng accepted and took for granted; it turned out to be the norm that broke their relationship, because Wei Wuxian treated 'protecting Jiang Cheng's delicate feelings' as such a mandatory task that he put it over things that logic would call much more important.

And so there's no way Jiang Cheng can talk about how he lost his core trying to die for Wei Wuxian without sounding like he's trying to justify himself, to wipe his deliberate-choice-to-harm off the record with a single act of goodness.

When Wei Wuxian has never once for a second tried to argue that his own goodness cancels out his crimes.

(He doesn't even argue that other people's crimes cancel out his crimes; the furthest he's gone is that since everyone involved did or abetted evil shit, it's inappropriate and bullshit to construct him as uniquely villainous and structure a concept of justice around that falsehood.)

So the only meaning that truth can carry now, after everything, coming from Jiang Cheng, is his saying: Please. I'm a better person than you think I am. I loved you more than you believe.

I was just as good as you, no matter what everyone always thought. I deserve for you to love me like you did before, in spite of everything, and I deserve not to have to say I'm sorry, and I deserve your respect, and and and--

And he is not gonna fucking say that.

[semyazzayee]

I'm starting to think viv genuinely believes acesexual is a person that doesn't get fucked instead of person who doesn't feel attracted to commit sexual intercourse or horny w others

Also, as some already pointed out

characters who are in the spectrum here fall in a aroacephobic stereotype where we only love ourselfs and that being why we dont feel as attracted to others. Because of extreme self love

Mammón gives a chance to Glitz and Glam who are clearly not jesters or clowns but rather bonermaking show, flirts with Leviathan and as a friend pointed to me out yesterday he surrounds himself with sexual robot fizz instead of the average ones in OOPS.

In general, the way he interacts with those mentioned can't make me buying him being ace at all and Bee points out that nobody wants w him

Octavia It's just a Child (Not deniying exploration is possible in adolescence,in fact its the most revealing time I think with the hormones making many start to experiment Sexually) So I didn't expect her being canonically ace much less when she barely appears in the series and hasn't been seen interacting with others w her same age to draw conclusions

If the part where she is disgusted bc her father is talking sexually on the phone with the man which he cheated on her mother ruining the dynamic in the family for her its clue that shes not interested in sex then it's a very unclear one. Her rep doesn't give any kind of actual weight but it's not confusing at least

Alastor doesn't really stick with me as ace rep again, they never do anything with it except Rossie saying a skippable pun.

They could use Angel dust to make him realize hes Ace based on what he tells like Todd in Bojack (also the best and most complete ace rep I've seen so far) who had to be pointed out by someone else that what he feels already has a label and it is valid not to wish that kind of exchange with others

Also, both Alastor and Mammón view themselves over others in a godlike way and that the others can't get within their reach. Thats about it.

-

okay that was more long than i tought it be-

I usually just roll my eyes when people say Vivziepop does acesexual representation bc

she's never done anything with her ace's characters outside of only one pun so she proclaiming herself as a queer pillar when on her series there are no real efforts to discuss queerness except mlm wattpad yaoi stuff being putted in motion its kinda empty, just a no 4 me.

But yesterday we (friend & I) agreed that Mammón who is one of the few characters who are supposed to be on the spectrum the spectrum can't even feel like hes on it.

[mushimatsu]

choromatsu handwriting post

compiled all of choromatsus handwriting that i could find bc i love him

i realize these were all made by different teams and have different sources (anime/games/webkuji/etc) but there are some similarities between them all and i think its cute. i'll try to make it easier for ppl that cannot read japanese too

(note: some of these may or may not be valid criticisms, im not a native japanese speaker but i got my bachelors in japanese. idk if this means anything to anyone im just pointing out things that im noticing and maybe it will be interesting to you. if you notice anything else interesting feel free to add)

commonalities i noticed:

sometimes will combine multiple character strokes into one (normal thing to do, i've seen some native speakers do this)

with a few exceptions (mt takao for some reason), generally neat handwriting. proper and easy to read. not too big, not too small, not over stylized, but not messy either. very choromatsu

letter in s1e24

very nice handwriting, legible and neat. this is closest to how i think i would picture his handwriting. i know that the staff across different ososan things probably don't care too deeply about keeping minute handwriting details consistent and that's why they're all gonna look different but i like this one best for him.

new years cards in s2e13

very cute, love the stupid drawing of himself. everything very nice and tidy. to me these characters look a much curlier and rounder than the ones in the letter.

for both the letter and the new years cards it looks like he was careful to properly write out all the strokes of the kanji, even for more complicated ones like 緊張 and 就職. we see in mt takao that his handwriting gets a LOT messier. i know the real reason is because it was probably different animators that did his handwriting, but i'm choosing to believe that in canon it's because both of these are more fancy/formal letters addressed to people, whereas the trip guide is just for him and his brothers and doesn't necessarily need to look nice.

also i adore his tendency to add little drawings to things, like this and the mt takao guide he's everything

trip guide from mt. takao s3e8. his handwriting here, for some reason, is exceptionally bad especially compared to everything else. he writes like a little kid and i love his shitty little drawings. he's so cute.

my teachers would always correct my kanji down to the tiniest strokes, if i wrote like this is class i would get scolded so bad. you can see him combining his strokes together for 記念撮影, this will continue for the other pictures too. cute detail imo

the 昼 in 昼食 is definitely written wrong, but the second kanji 食 might be a little nitpicky. technically that bottom part is three different strokes, not two crossed over each other

more of him combining the strokes together. i wouldn't necessarily say that's wrong, since i've seen people do that before; it's probably just a habit that happens over time. i do it in english too

HOWEVER, he did write the 日 radical in 撮影 wrong here. previously, i thought he was just combining strokes again so that it looked like three lines instead of two (note 3 and 4 are two parallel lines, he just didn't lift his pen up)

but when you look at this it's clear that he very much did write three lines this time. that's the wrong radical

anyway

another example of him writing a two stroke character with just one. again, this is fine, ive seen people write their characters like this. however it looks bad when he does it here

i love how he wrote "campfire" i love how for some reason he didn't keep the letter sizing consistent or straight. also his little campfire drawing

１９時

キャンプ

ファイヤー

also there's two ways to write そ, its just a matter of choice its not important but he writes it the second way. and he messed up a kanji again

these next ones are maybe less canon cause they're not from the show itself

Airport Matsu

very tidy, combines a couple strokes together. both 松 (matsu) characters look like he combines the last two strokes together instead of writing them as two separate ones

and he does a similar thing with the right half of 野 in Matsuno

nostalgic moments webkuji

this one he writes every stroke and doesn't combine them and that's probably because different people worked on these and the tiny details like this don't matter to anyone but me. or you could say that he wrote a little neater in high school and started simplifying things as he got older.

Rock School

he drew himself again lol

i think his handwriting looks very good here actually. idk how to describe it but i like when handwriting looks like this specific way in japanese. i've seen other people that have handwriting like this and it just looks so nice. like the characters seem to vary in size, but somehow it makes it a little easier to read imo?

like in the first bullet point (underlined in yellow), the す in 多すぎる is a little big, but like it looks nice. in the second bullet point (blue), the の in 世の中 is slightly smaller but it emphasizes the kanji on either side of it. the stroke on the side of the か characters are written a little longer than usual (red). like it just looks nice, everything is shaped really nice and whenever i see people that have this handwriting i always try to emulate it lol

Neetpro

this one is a bit messier than the others. the way he wrote チョロ just doesn't look as nice as the way he wrote it in airport matsu and nostalgic moments. the way the て is written is more curved compared to the others. also the 界 kanji (blue) is written in a way that looks weird to me, and kara from this same set also writes the kanji that way so i think the same person might have written all of them lol

also interesting is that he writes き differently in this one

i was told by one of my professors that you're supposed to write さ and き with the upper and lower parts disconnected when writing by hand. it's only in text that they're connected. but i've still seen some people write them in the connected way

in all the other examples, choromatsu doesn't write them connected like that, just this one.

sukiya app

my lovely boy and his nonsense words and lies. the handwriting here comes off as very cutesy to me, at least compared to the others. some of the ways he writes, especially any box-like shape, seems round in a way. he also connects the right half of 野 again.

overall writes very neatly, altho a lot of the kanji here seems like its very big on the top and smaller on the bottom, and a lot of the letters seem more rounded. all the other examples just feel like the writing is a bit more angular, with the exception of the new years cards.

extra: coloring book

the way he wrote his name here is messier than the other examples. i like that he added little commentary on his own coloring though ("looks good!" "the tail was black too i believe") maybe he colored this with a paintbrush????? the strokes look as if he was trying to write quickly with a brush as if it was a pen. so maybe that's why its a little messier

anyway thanks for reading. i love choromatsu