#and it's so important to be able to look at someone who you might think is very different from you and find common ground
Explore tagged Tumblr posts
Text
Danny X Cass Part 4
They arrive at the pantry in just a moment. Danny, Cass and the rest of the batfam go to take their seat while Clark and Diana go to make some teas and snacks. Danny and Cass sit beside each other with the other side of Cass being Spoiler. Opposite of Danny is Bruce while beside him are Nightwing and Robin. Red Robin takes a chair and sits right behind Batman while still taping on his wrist computer.
Batman, Nightwing and Robin keep staring at Danny while Clark and Diana prepare the snacks and teas but Danny doesn't look nervous at all. As much as Danny wants to take all of them seriously, he really can't when he knows what he knows.
A moment later Clark and Diana come with 2 trays of snacks and teas and put them on the table. They take a chair each and sit near the end of the table. Clark and Diana can feel the intense glares from 3 bats. Both of them glance at the target in question and they can see that the guy takes the glare with stride. It's like the person that is being glared at is someone else.
Suddenly, a loud ding sounded in the room. Danny takes out his phone and a grin spreads on his face. Danny shows the screen to Cass and she also releases a few giggles. Feeling the glares becoming more intense, Danny puts his phone on the table and lets everyone see what he is seeing.
On his phone is a selfie of Dan holding a bloodied Darkseid in one hand with a caption "Can't even give out a decent fight. Even Boxy is a better sparring partner than him." Another message entered Danny's phone and there is a selfie of Elle with Danny's clone bitch slapping Trigon in the background. "This place is so cool. You gotta bring me here to play more." Danny shows the rest of the heroes that the deed is done and they finally relax. Clark stands up from his table and goes back to the other room to inform the other heroes that the threat had already been taken care of.
Danny then puts back his phone and continues drinking his tea. Heh. They might think that they are being scary but they don't even know even now Danny is still flirting with Cass. That's one of the benefits of being able to read the opponent's body language and ghost speak. To others holding hands is just holding hands but to them, holding hands can be used to convey all of your emotions.
They stay like that for a while longer until Clark returns from the other room. Seeing Clark fully seated, Bruce finally speaks.
"Who are you really?" Bruce asks with the most intimidating voice he can use.
"Didn't I say? I'm Danny Phantom. High King of Infinite Realm etc etc. I have a lot of titles but the high King one is the only important one." Danny says carelessly.
"How old are you?" Bruce asks.
"20"
"Impossible." Red Robin suddenly interjects.
"Why is it impossible?" Danny looks curiously at him. He genuinely doesn't know why it is impossible.
"There are records of you all across time all the way back to the ancient human. There are even traces of you in multiple pantheons." Red Robin says.
"Oh, you mean that. Duh, it's easy. I time travel. It's quite easy to time travel when your pops is the master of time." Danny says.
"But didn't you say Clockwork hates when someone messes with time?" Superman asks.
"If there is a time traveler that messes with the timeline, who do you think will deal with the guy? It certainly ain't that old man. He sends me to deal with the time traveler/magician who are trying to change the timeline." Danny says.
"Is Clockwork your father then?" Diana asks.
"Adopted parents. He is my parents/mentor for anything ghost related. Well actually for most things related except personal human problems." Danny says.
"How long have you known Black Bat?" Nightwing asks. Finally the real question.
"Wait, I think 10 years now. You are 21 right Cass? I remember when I first met her she was being chased down by this weird ninja. After I shot a few of them down with my Fenton Taser, Cass handled the rest of them. She then passed out from exhaustion and I brought her to my secret hideout (A cave Danny found just then). After a few days, Cass fully recovered and since then, she and I have been meeting every few months whenever she comes around."
"Also, I know all of your real identity. The phrase 'Dead man tells no tales' is a complete bs by the way. The ghosts really like gossiping. Like that one time I heard a ghost say that he sees Bruce fall into the dumpster because his grappling hook is jammed. Or that one time Dick got catcalled by an old lady."
The bats (except Cass)froze when they hear that Danny knows their secret identity. Bruce sighs and takes off his cowl followed by the rest of the family.
"Do you also know my identity, Danny?" Clark asks.
"Yes, I know you Kal-el. Your parents are very proud of what you have become."
"You met Ma and Pa?"
"Your biological parents."
"You- you've met my parents?" Clark's voice shakes. Danny nods while smiling warmly.
"If you want, I can set up a meeting with your parents. Not for long of course. It's not good for a mortal to be inside the realm for too long. And that invitation extends to all of you."
Most of them stilled at that invitation.
#danny phantom#dead silent#danny x cass#dp x dc crossover#dpxdc#batfam#cassandra cain#justice league
194 notes
·
View notes
Note
Another prompt for birthday week if you dont mind: Inko tries to get back on Izuku’s good side after abandoning him at her brother Shouta’s place because Izuku is a famous hero. Izuku’s partner cuts her off
Hitoshi just wanted to go to sleep.
It was hardly a new feeling for him. There was little he loved more than sinking onto the nearest semi-flat surface to catch whatever sleep he could after finishing his patrols, made even better when he could coax Izuku to lay with him, so he could soak in their warmth and bury his face in their curls to just breathe them in. But here, standing halfway in one of the second floor windows and making eye contact with familiar green eyes in a very unfamiliar face standing in front of his front door, there was little he wanted more than to be decidedly unconscious.
Instead he sighed as he eased back out the window, making sure to slide it closed before he dropped down to meet their unwelcome guest. The last thing he wanted was the sound to carry and wake Izuku. They needed all the rest they could get before their own patrol started... or someone called in a Code Red that couldn't be solved by anyone else.
Hitoshi shoved his hands in the deep pockets of his jumpsuit, and dipped his head into the coils of his capture scarf, cursing himself for slinging off his persona chords and hanging them from his belt when he caught sight of their home.
"What?"
The woman blinked, seemingly taken aback by the rude demand. Hitoshi couldn't imagine what else she expected showing up on a stranger's doorstep before dawn.
"I want to see my s-- my child."
"Tough. Now leave."
"Excuse--!"
Hitoshi wanted to slam his head into the door, but that would, unfortunately, wake Izuku who would come running to find them on the doorstep. He settled for a bone deep sigh instead. "Look, there's no way in hell I'm letting you see anyone that you might think is in this house, and, no, I will not be passing a message either. It is as a courtesy you do not deserve and out of a deep desire not to do any more work tonight that I am not going to arrest you for trespassing right here. Leave before I decide that having you gone is worth more to me than my dislike of paperwork."
"You can't keep my from my child!"
A flash of anger had Hitoshi barking out a cruel laugh. "Your child? Where?"
"Izuku is--"
"An Aizawa. Or, technically, Shinsou-Aizawa now. You made it damn clear that they weren't your child when you abandoned them, just like they made it clear that they wanted nothing to do with you should you come crawling back now that you think they're suddenly valuable to you. Now I have had a very long night and don't have the patience to hold your hand through what child abandonment means. Get off of my property before I remove you from it. I guarantee I will enjoy the second option far more than you will."
Inko Midoriya huffed as she seemingly decided that whatever her plan was would work better when not in jail for trespassing and stomped her way back down the path. Hitoshi watched until she disappeared around the corner. Waited even longer until his phone buzzed in his pocket.
(How Nezu knew what was going on, Hitoshi didn't want to know. He liked being able to sleep whenever he could manage it, and the politest Not Shovel Talk of his life at sixteen had done enough damage to that already. All he needed to know was Nezu was just as protective over his former personal student as he was.)
Izuku stirred when Hitoshi finally slipped into bed, all sleep-warm skin and pillow lines through their smile as they seemingly tried to climb into him they pressed so close. "What took you so long?" They mumbled into his bare shoulder.
"Nothing important," He promised, pressing a kiss to their curls. "Just an annoyance."
They hummed and moments later their soft snores filled the room once more. Hitoshi smiled before following them into sleep.
23 notes
·
View notes
Text
okay. HOLY FUCKING SHI-
Sun² (dark sun) looks like he's thriving LMAO 😭
Let me just say, THANK YOU MOON FOR BEING SO CURIOUS
I'm curious too, so this satisfied me so much
We got A LOT of information, and one VERY jaw dropping one
So.. sun² created a paradise for himself and others, most likely suns but not every sun. That- that honestly sounds so sweet 😭 I'm pretty sure by psychotic, sun² meant like- do things without thinking, go insane, kill for no reason ect ect.. since he doesn't like violence from what I've been able to gather. The violence he has probably committed, I am guessing was necessary because sun² thinks reasonably
But I wonder- do suns go there when they die? Like, heaven? There are already people there.. but are those people suns or random people??
His dragon is there to be a protector so, it's most likely dead suns I think..? To protect them? That'd be so sweet, I hope that's the case
Goliath died, oof 😭 I never cared much about him but that ONE THING he said to sun once;
"You..might be pathetic, but you're so much more than them."
The fact that EVEN goliath, someone so egotistical, sees sun's morals.. yet others cant and just see it as being cowardly
Our sun has been proven to be the most empathetic among all suns. He HAS done bad, but hasn't continued to do so, he tried his best to make it right. I love him sm I swear
But oh goodness. There is one MOST important jaw dropping lore we got out of sun².
Oh my fucking gosh.
Oh my.
The fact he chose this sun specifically.. BECAUSE HE COULDN'T HAVE DONE IT HIMSELF.
We already knew he was like sun, but moon broke him. Just like how it usually goes in dimensions, here's the thing, though. Even if he did the same back to him, he could NEVER kill him.
Now there's more space to understand why he did it. He couldn't do it, he wanted to give other suns a chance.
Holy shit. Holy shit.
This is too shocking for me I'm sorry
I did not think that SUN² COULDN'T KILL HIS MOON
I guess that was a thing that truly connected all suns before sun's² whole thing
The fact our sun was the first, THE FIRST WHO WAS ABLE TO AND THAT IT WASN'T AN ACCIDENT.
Finally. FINALLY IT'S BEEN PROVEN HE'S SPECIAL IN SOME SORT OF WAY
I'VE BEEN WAITING FOR SO LONG
The "I hate him, but couldn't kill him" thing reminds me kinda of my mother and I, just with different context 😭 like- I hate her but can't hate her completely. I have mommy issues QwQ
I literally sometimes get so mad at how she treats me that I hope she dies.
Although- lets not get into that
The point I was trying to make is, even when you swear you hate someone close to you... ESPECIALLY YOUR OWN FLESH AND BLOOD, you can never completely hate them.
That is only what I've been able to gather from other things like that
ALSO ALSO ALSO aLsOoOoooO
Why did sun² sound so unsure.. at that one part.
"I suppose nexus could sure try, if he was still around. Mumbles if he was still around..."
WHY DID HE SOUND SO UNSURE.
I wouldn't be surprised if he said it like that because he's seen how many times villains come back in this dimension ☠️☠️
LITERALLY I WOULDN'T BE SURPRISED
But if nexus comes back, SHIT.
A part of me believes he will. It's after Christmas, and the new tradition is that shit happens after Christmas because the October takeover tradition ended
AAAAAAAAAA
I'll be kinda happy about it, ONLY BECAUSE THE ANGSTTT
YAYAYYAYAYAYYAYAYAYAYAYAAAAA
Another also and another woa!! >:D
"why does EVERYTHING have to be US"
"you think I have that answer? Heh, even with my intelligence.. I can never answer that one."
EVEN SUN² ACKNOWLEDGES IT
Because the show runners need to feed us, that's the answer <333
Their lives are something else 😭 they have to deal with something new everyday. They can never catch a break
That would be all. BUT HAHSHHDD I LAUGHED SO HARD SEEING SUN² FLY HELPPPPP
He had his "I was a fairy" moment 🎀 NDNDJSJMS
okay now it's all :3
WEEEEEEEEEEEEEE
#dark sun tsams#tsams#tsams sun#tsams nexus#dark sun#nexus#nexus tsams#tsams dark sun#sams#sun tsams#moon tsams#daycare attendants#the sun and moon show
24 notes
·
View notes
Text
Thanks for translating! And guys, Let me talk about him a little. Because no doubt that he's MVP of this year for me. So welcome to Yuki Hayama appreciation post by me (lol)
Around last month, I read his cast blog and impressed a lot so let me share about him.
He used to have a negative thought about himself and have a complex. (I heard one time somewhere that when he was in an idol group, He confessed to other members that he felt like he was a burden. While everyone moving forward, He was still there and had nothing changed.) Until one day he decided that he hate it and don't wanna be like this anymore. So he started to mark his goal of "his ideal self" and doing his best to reach the goal everyday. And while he's going forward to that goal. He managed to build his self esteem and finally, Be able to love himself more. Even though sometimes he messed up, He won't regret and think that
"Well, the answer I came up with turned out like this, and even if I fail now, it's okay as long as I acted because I truly believed it was the right thing to do at the time."
Instead.
I'm amazed of how he developed his self esteem to love himself a lot (so much that sometimes it sound narcissism lol) I feel like I, Who have a time of my life that lack of self esteem so bad and took so long to recovered, learnt something important from him.
He may looks cheerful, Being funny Kansai boy, And always have a big heart-shaped smile on his face when we saw him on camera. But he's actually hardworker and sometime maybe being too serious. I saw many times when he talk about his roles, Seeing him being literally no.1 Ishiro fan, Seeing him try to read and understand his role as much as possible, And seeing how he taking his role so seriously and trying his best to perform as Ishiro even though it might be hard make me impressed a lot.
I'm so glad that I entrusted my boy's life to him. And I'm so thankful I met him too. He performed the character who became my very first Super Sentai oshi (Seriously. I'm toku girlie for more than 10 years but my main focus is Kamen Rider. I didn't have oshi who I love that much in Sentai until this time.) And then he managed to made me fall for him later lol. I usually don't have much irl person oshi and maybe I'll find someone to become my oshi in every 10 years. And yes, He became my new irl person oshi, Since last time that was 10 yrs ago.
Thank you for become one part that changed me a lot in 2024. I love you and your character so much :)
Animage January 2025 Issue ft. Hayama Yuki Interview (translation below)
Publication: December 10, 2024
The Informant's Dignity
The Informant who supports the Boonboomgers, with his ability to collect data quickly from all over the world and superior intelligence to formulate strategies and countermeasures against enemies based on said data he collects, is Ishiro Meita.
Although he has immense trust in their leader, Taiya Hando, when they first met, they were enemies. Hired by the ISA, he sneaks into Taiya's house, where he's recruited by him to join the Boonboomgers. "I've fallen for you. That skill of yours, I want to buy it!" These words moved Ishiro so much, that he makes the decision to become Taiya's friend.
As the battle between the Boonboomgers and Hashiriyan intensified, Ishiro investigates the suspicious movements happening behind the scenes of the ISA's Division Director, Tokoyari Eiichiro. He's then confronted by Sutea, a former fellow spy, who received the request from someone else. The fact that someone associated with him was opposing the Boonboomgers, and that the tracking device attached to Sutea was found broken must have cast a dark shadow over Ishiro's mind.
With the current situation of enemies on Earth operating with secret techniques, Ishiro's spy skills gained from living in the underground are sure to be of great help to the Boonboomgers. Don't take your eyes off the Informant's future movements!
-I'll never doubt Taiya-
"Over the course of the year, Ishiro's come to show a variety of expressions."
Hayama: When filming first started, I kept a certain amount of distance from everyone else except for Taiya, often times because the Director asked me to do so. Lately, there have been more situations where he works as a pair with someone, the expression of my lines in the scripts have become softer, and his overall rough vibes have relaxed. I think he now trusts everyone else as his friends, though not as much as Taiya, but I think his participation in the BBG has changed into a goal for the six of them to achieve together. I think that's how comfortable of a "place" Boonboomger has become in his mind.
"What's one thing you consider to be important when playing the role of Ishiro?"
Hayama: Since the start of filming, I've been dedicated to carefully expressing his sense of distance from people. I'm conscious of keeping his distance from anyone he encounters for the first time, and I also put importance on his habit of folding his arms as an expression of being on high alert. This is just something I personally obsess over, but as an indication of him getting closer to a character, I've been challenging myself to change my tone of voice when speaking. He usually speaks slowly, but for those he's comfortable with, while not much faster, he does change his talking speed, and from the very beginning, I was able to create that distinction between Taiya and the others. I've also been slowly working towards breaking his habit of folding his arms, as I've been trying to avoid doing it right away.
"On the flip side, is there anything you became more conscious of over the course of filming?"
Hayama: It was depicted in episode 6, but in the beginning, I didn't know he had a hot blooded side to him (laughs). I took that into consideration and changed my direction to playing someone who's trying his best to be cool. I was conscious of making him look cool in the way he stood and the way he spoke. Also, Ishiro's past, which was revealed in episode 14, was a very important point for me. I don't think normal people would see fish at an aquarium, cry, and be like, "Uwah, they're all living their lives to the fullest," nor would their body and minds be driven to such an point. No matter how cheerful he gets, I keep in mind that there's a depressing back story at the root of him being like that. I was also extremely nervous about the part before entering the aquarium, where he walks around looking unwell, as I thought, "If I mess up here, Ishiro will be ruined forever." I remember very well how scared I was to go to that shoot.
"It meant just as much to Hayama-san as it did to Ishiro, huh? Please tell us what you value when expressing your relationship with Taiya."
Hayama: To never doubt. When I read the scripts for the episodes we're currently filming just once or twice, there are quite a few parts of his interactions with Taiya that left me thinking, "?" When this happens, without fail, I always remember the words Director Nakazawa Shojiro said to me in the beginning, that being, "He trusts Taiya 100%." As depicted in episode 37, despite the fact that Ishiro and Taiya were acting separately, they knew what the other was going to do. Sometimes I have to forcibly convince myself about parts like that (laughs), but I read my lines with the intention of never doubting Taiya no matter what, and I also try to express this through my acting.
"Taiya said, I can tell what Chasshiro's thinking through his eyes."
Hayama: It almost felt like cheating (laughs). When Haruhi and I read the script, we were like, "How can he tell by looking into his eyes?" (laughs). Still, I once again found myself thinking that the words Director Nakazawa said to me weren't wrong.
"In episode 37, the main focus wasn't only his bond with Taiya, but also the appearance of Sutea, a fellow spy."
Hayama: I interpret Sutea as someone who, even in the darkest moments of Ishiro's life, made him see the light, or rather, someone he had a few cranked up moments with. If they had just been on the same mission once or twice, they wouldn't have a relationship where they called each other by their names. At the end of the episode, Ishiro restrains Sutea, but she manages to escape after that. I'm sure it was a sort of "you've lost" restraint, and that in Ishiro's mind, Sutea was the one opponent who could do that (escape).
"What was the most memorable scene involving Sutea?"
Hayama: Before the exchange between Ishiro and Sutea, they had to film the scene where Sutea watches the Robo fight after she frees herself from her restraints, and Director Hayama Koichiro allowed me to observe the scene in order to study. The way Sutea said "Ishiro" sounded alittle sad, which made me imagine that the relationship between the two wasn't just as friends, although I wouldn't say it went as far as love. In the scene where Ishiro leaves after restraining Sutea, the footage was shot from a wide angle, so it didn't show the scene clearly, but when he walked away, Sutea looked sad, as if she was about to start crying. At that time, I was happy to feel that Sutea's Naito-san and I were thinking the same thing about the relationship between Ishiro and Sutea. I've learned alot from Naito-san's performance, and I hope to work with her again someday.
-Ishiro's range that we both created-
"Episode 37 had alot of untransformed action scenes, but both Ishiro vs Sutea, and Taiya vs the fake Ishiro were great because they were fast paced."
Hayama: Asai Kosuke-san, who normally performs as a Suit Actor, was my stand in for the more dangerous scenes, but I wanted to do as much as I could on my own, so I performed most of the scenes myself. I had struggled alot in the previous boxing story (episode 29) that involved untransformed action, so to be honest, I was anxious before the shoot. Furthermore, this time, Ishiro and the fake had two different "hands" (choreography for the sword fight and fighting while moving), so things were already pretty chaotic because of that.
"Sutea's Naito-san is good at action, so there'd be alot of pressure when performing with her."
Hayama: That's true, the speed at which Naito-san learns is amazing! She did all her actions without a stand in, so for me, she's like an almighty being (laughs). For the part where I was facing off against Sutea……I can't really say that I was keeping up with Naito-san, but I had to make it look like we were neck and neck with each other, so it was also tough mentally. Ishiro's a combat specialist, so If I moved too slowly because "action isn't my strong point," that wouldn't be Ishiro Meita. I'd just be Hayama Yuki cosplaying as Ishiro. So, for the scene with Sutea, I had Naito-san practice the same moves with me multiple times, and by taking advantage of the gaps in filming time, I was able to film them. BoonBlue's Suit Actor Yoneoka Takahiro-kun was by my side the whole time we filmed the action in this episode. Just having him nearby made me feel safe, and he also gave me advice like, "Maybe you should do it more like this?," which really helped me out.
"Yoneoka-san is like a partner to Hayama-san."
Hayama: Yes, when a new script comes in, I discuss it with Takahiro-kun by saying, "What should we do here?" and since we're also close in age, we go out for meals in our private time. When it comes to the performance, we both trust and leave everything to each other. Takahiro-kun sometimes does things that he's never done before, and I sometimes hear him say, "Sorry Yuki-kun, I might've been too playful," but he never goes beyond the role of Ishiro. Instead, it's fun to find out that "this kind of Ishiro is possible," and I sometimes wonder if it's "okay for me to be alittle more playful."
"What's one of the most memorable scenes featuring BoonBlue's performance?"
Hayama: In the baseball episode (episode 23), Takahiro-kun said "You may have overdid it alittle," and to be honest, my roll call sounded really silly (laughs), but I was able to use my voice surprisingly easily during the post recording. I was able to reaffirm that Takahiro-kun and I have the same image of Ishiro. From there, I came up with the idea that "maybe Ishiro likes sports," and "If he enjoys doing things with everyone, he must be feeling very comfortable right now." We even found a way to screw around that would connect to episode 41's soccer episode (laughs). It's fun for the two of us to play Ishiro, it really is. I'm glad that Takahiro-kun is BoonBlue.
"Finally, please tell us what some future highlights to look out for in regards to Ishiro."
Hayama: I think that going forward, Ishiro will be faced with more and more situations, ones where you'll want to say, "What are you doing?" But I hope that you won't stop here, and it'd make me happy if you could rewatch episodes again, all while imagining what he's thinking and feeling as you watch. _
Q: What's your favorite manga/anime?
When I was in my fourth or fifth year of elementary school, my father recommended "SLAM DUNK" to me, saying, "This is a manga that teaches you about morality and what makes humans so cool." At first, I watched the anime, where I thought Mitsui Hisashi was just the coolest! I liked Mitsui so much, that I actually started playing basketball. In the end, I didn't become a shooting guard. I went to see "THE FIRST SLAM DUNK" five times because the sounds of basketball in the movie theater was too good (laughs). (-Hayama) _
Emotional Record
Family of Spies Ishiro's parents were also spies. He once said, "I was trained in all kinds of fighting techniques from a young age," suggesting that he had a tough experience as a spy.
Memories In the past, when he was exhausted from his duties, he happened to visit an aquarium that saved his life. He's still attached to the aquarium, so much so that he bought an annual pass.
Fateful Encounter Ishiro is hired by Tokoyari of the ISA and breaks into Taiya's house to find out Bundorio's true identity. Taiya discovers him, but since he was impressed by his ability to break through all the electronic security systems, they become friends.
Becoming No.2 Ishiro becomes Boonboomger's Informant. He was strict with the members, such as being against Mira joining, and tailing Jou out of suspicion, but he began to trust them as they worked together.
Doubting Tokoyari Ishiro is asked by Tokoyari to carry out a top secret mission. The task was to retrieve the Hashiriyan key, known as an Ignition Key, from the Aori family. This incident caused Ishiro to become suspicious of Tokoyari.
Spy vs Spy Sutea uses the power of Camera Grumer to create a fake Ishiro and tries to destroy the system related to Boonboomgers. Ishiro and Sutea, and Taiya and the fake Ishiro face off against each other, with our heroes being victorious.
#bakuage sentai boonboomger#boonboomger#boonboomger cast#yuki hayama#i appreciate him#appreciation post#thank you for becoming my very first super sentai oshi character#i'm so glad to met him and ishiro#cast interview
59 notes
·
View notes
Text
Recent game related things .. hrmm...
#I do like the inconsistency of the first map. that is actually something older but that I re-found and added to my Game Reference stuff#so that when characters reference where they're from I can be accurate. I like that the whole map is kind of shifted up that way. Where the#actual south part doesnt even count as the south since its Too Far and Scary lol. and if you say you're from 'the north' thats basically#like.. one single continent. Though some people do make distinctions like 'north midlands' or etc. still. I like the ways that common#language isn't always precisely accurate like that. and thinking about why a culture would classify things a certain way or etc. etc.#The inventory page is so funny to me because it's literally just the BASe like.. sample layout just to make sure it works properly with 0#actual design into it. just colored rectangles thrown together in MS paint. but what if I like... left it like that.. what if all the other#art in the game and UI is like stylized and fully matching BUT the inventory/journal/etc. screens I just left as plain colored blocks#with random misalignments and black spots and etc gjhbhjj... It looks unfinished in a Funny Contrast way to me.#the wordcounts are just like... my past few days of writing.. I am still not getting 2200 words a day done or whatever I needed. I'm lucky#if it's even half of that .... tee hee.. :3c I do also keep having appointments and other things going on but..grrr...#The full map of the area is probably not necessary but I thought it would be more realisitc if people were able to reference things. Like i#you have people all living in a city area probably at some point someone might mention a neighboring city or some landmark nearby#or etc. so I thought having at least the basic names of what's around for reference would be sensible. A side character mentioning#'oh yeah I don't live here full time I just travel from Marisene sometimes' or whatever makes it seem more like a Real#Fleshed Out Place than people just making vague references like 'the river' or 'i come from a city nearby' or 'i went to a place somewhere#around here' or 'the other city' or etc. lol.. Especially since global cities/global areas are weird as they operate almost like an#independent country within their walls. so it's like a micro country inside of another country usually. just plopped down in some agreed#upon plot of land that won't be too disruptive to the main country around it. That could get very complex depending on the cultural and#political backdrop of where they're placed (though obviously they try to choose the 'easiest' areas possible for it). Asen is a very mild#country without much history of conflict or anything so it's fine. But still interesting that Sifeh and the entire branched out global area#border three other districts of Asen. Which means like 3 times the local representitives you'l have to negotiate with for some major change#or anything. I think one of the 'random characters you can find around the world and have short discussions with just to make the area#feel more populated and real even though theyre not actual important npcs' is going to be a guy who actually serves on the council that#handles running the global areas and he's like.. some perpetually exhausted middle aged elf running around with a clipboard or whatever#ANYWAY...... hrgh... still trying to write when I can....#I WISH so badly that I had the scope for a simple character creation menu and all character interactions would allot for the background#of your player character. And also to have a simple day night cycle where places in the world you explore/people you talk to during the day#have new options or dialogue at night.. BUT alas... I already am so behind on everything as is lol.. aughhh... T o T#As the worlds number one Needless Detail And Complexity Enjoyer i must dilligently prevent myself from adding additional complexity
4 notes
·
View notes
Text
I had another fic idea and the brain was like "no, that's too fluffy and romantic and YOU ARE NOT ALLOWED TO WRITE NICE THINGS, PEOPLE WOULD JUDGE YOU" but then I went "but what if it was kind of... comedy fluff?" and brain went "...yeah, okay, if you really must." Which I fucking HATE! Why can't I write nice things, brain?! Everyone else is allowed to! FFS, it's fanfiction, it doesn't have to be ~deep~ or any of that shit!
This has actually been a bit of an issue when I'm trying to write The WIP because while I told myself yeah sure go ahead and write the massively self-indulgent epically long (by my own odd standards) fic but still sometimes I get stuck because I'm not "allowed" to write something that appeals to me and my own sometimes niche interests??
Like angst I can do because that's "proper" somehow? WTF is that about? It's not proper! It's still daft! And comedy I'm allowed because I dunno apparently if it will make someone laugh that means it has "value"? It's very annoying, I don't like it.
Do other people have this? How do you deal with it? You'd think after all this time I'd be okay with writing any old shit that I want to. If anything it might be worse now. I remember years ago I could tell myself "Look, if you've spelled most of it correctly then it's already in like the better half of all the fanfic on the internet" which isn't really TRUE but I could go along with that and let myself write whatever-the-fuck I wanted to.
You know how many of us go "I'll write this fucked up thing... but I'll post it as Anon"? I get that with fluffy fic ideas as well. Or with things that are "too shippy" (WTF?) It's just such a stupid and weird form of self-criticism and it bothers me a lot.
#ranting at myself#writing stuff#possibly this is a mental illness thing but i don't think it is but it might be?#i am Quite Mad but it usually manifests related to fic as the usual “you suck!!” or irritating OCD things about wordcounts or such#this is a VERY SPECIFIC thing and i don't even know where it came from?#maybe i'm just pretentious? do i look pretentious? i might be?#(the fluffy thing was sylki fic where spinning off on the 'oh no unable to express feelings!' they have to pass each other notes)#(the comedy element was that this is Bloody Stupid and also Mobius attempts to Help (oh no) and etc)#(will i ever be able/“allowed” to actually write that thing? dunno!)#the Frigga thing also suffers from “that bit is despicably adorable you should be ASHAMED of yourself”#.The WIP? currently stuck at “okay now he needs to Hold The Baby. this is an important bit you can't skip it. but babies are Too Twee”#“so you may NOT just write someone Holding The Baby because that's like something people might actually want to read!”#“the murders are fine you can write murders. murder isn't twee. babies are VERY twee though.”#PROBLEM: there are several babies in this fic and the next chapter is like... ENTIRELY baby-based#(the end of the entire fic is already written and it's Too Twee as well but i've kind of gone immune to that because it's existed a while)#(oh no did i just spoiler a Happy Ending?!)#(SPOILER: kind of. it depends who you backed in this race and whether you wanted them to Become Better People)#anyway am gonna post this now before i change my mind as i probably should#fic related
21 notes
·
View notes
Text
The truth is, everybody is unique and not like you. And you have to learn at some time-- number one, to embrace and enjoy the fact that it’s different than you. But something that’s so different from you has so many elements that are exactly the same as you, that you can share.
And that’s what I’m fascinated-- and I’m always trying to grasp and trying to find out “how are you like me”? Or “what do we have in common”? You know, “have you ever been to this restaurant?” “Yeah, it’s the best restaurant! We’ve been there!”
If you could find something in common with somebody that has nothing in common, there is-- there is some sort of attachment, that’s the buoy of life. That’s the lifesaver. That’s the thing, we’re all drowning in our own little world.
- Howie Mandel, Anthony Padilla show, 2023
#thoughts#and like yeah this doesn't apply well to racists or people who are actively trying to harm you#but we immediately thought of a lot of community discourses#and it's why we personal embrace endogenic and nontraumagenic systems!#who aren't all that different and DO have pretty much everything in common with trauma-formed systems#but even if they didn't#and were different#no one wants to be alone and there's so much more in common than people think#and it's so important to be able to look at someone who you might think is very different from you and find common ground#like if they're trying to erase your existence or kill you then no#but our own communities tear themselves apart because they can't just try and understand
9 notes
·
View notes
Text
No offence but I feel like some people got a little too comfortable with telling people to touch grass and swung all the way round to just straight up shaming anyone who might have a less active social life than them to feel better about themselves. “She should be at the club” was a really funny meme until people started acting like fucking middle school bullies towards people who don’t go out with their friends a lot. All those drinking/drugs/sex milestone polls were fun to engage with until it became a wierd circlejerk making fun of people who haven’t done those things before. People on twitter are once again dogpiling someone for wanting queer social spaces that don’t revolve around alcohol or loud music and telling them it’s their own fault for not having friends.
Like I get that nightclubs and sex have strong ties to queer culture and are often the first targets in the hellscape of respectability politics. It’s important we remember our roots and protect these spaces from conservative scrutiny. I mean that. They are important. But just on a surface level it seems like people are starting to see having an inactive social life as some kind of moral failing which…it’s not. I feel like an insane person for feeling like I have to say this on the fucking queer autism website but like. You aren’t inherently a bad person if you don’t have friends. You aren’t “falling behind” if you haven’t had your first kiss in your 20s or never done drugs. The real world isn’t a movie. And if you see someone who doesn’t go out much and instinctually think “wow what a terminally online loser. I bet their social life sucks because they’re a sheltered creep and not because of systemic barriers beyond their control” you need to have a long hard look at why you feel that way.
There are very real barriers that prevent isolated people from finding community and connection. Do you think you’re superior for being able to breach them? Time, money, sobriety, accessibility, none of those factors were a problem for you, so it shouldn’t be for them, right? Right?
#the wider issue is that there are little to no social spaces that don’t charge you to be there anymore#capitalism has all but eradicated the third space
32K notes
·
View notes
Text
You're a reasonably informed person on the internet. You've experienced things like no longer being able to get files off an old storage device, media you've downloaded suddenly going poof, sites and forums with troves full of people's thoughts and ideas vanishing forever. You've heard of cybercrime. You've read articles about lost media. You have at least a basic understanding that digital data is vulnerable, is what I'm saying. I'm guessing that you're also aware that history is, you know... important? And that it's an ongoing study, requiring ... data about how people live? And that it's not just about stanning celebrities that happen to be dead? Congratulations, you are significantly better-informed than the British government! So they're currently like "Oh hai can we destroy all these historical documents pls? To save money? Because we'll digitise them first so it's fine! That'll be easy, cheap and reliable -- right? These wills from the 1850s will totally be fine for another 170 years as a PNG or whatever, yeah? We didn't need to do an impact assesment about this because it's clearly win-win! We'd keep the physical wills of Famous People™ though because Famous People™ actually matter, unlike you plebs. We don't think there are any equalities implications about this, either! Also the only examples of Famous People™ we can think of are all white and rich, only one is a woman and she got famous because of the guy she married. Kisses!"
Yes, this is the same Government that's like "Oh no removing a statue of slave trader is erasing history :(" You have, however, until 23 February 2024 to politely inquire of them what the fuck they are smoking. And they will have to publish a summary of the responses they receive. And it will look kind of bad if the feedback is well-argued, informative and overwhelmingly negative and they go ahead and do it anyway. I currently edit documents including responses to consultations like (but significantly less insane) than this one. Responses do actually matter. I would particularly encourage British people/people based in the UK to do this, but as far as I can see it doesn't say you have to be either. If you are, say, a historian or an archivist, or someone who specialises in digital data do say so and draw on your expertise in your answers. This isn't a question of filling out a form. You have to manually compose an email answering the 12 questions in the consultation paper at the link above. I'll put my own answers under the fold. Note -- I never know if I'm being too rude in these sorts of things. You probably shouldn't be ruder than I have been.
Please do not copy and paste any of this: that would defeat the purpose. This isn't a petition, they need to see a range of individual responses. But it may give you a jumping-off point.
Question 1: Should the current law providing for the inspection of wills be preserved?
Yes. Our ability to understand our shared past is a fundamental aspect of our heritage. It is not possible for any authority to know in advance what future insights they are supporting or impeding by their treatment of material evidence. Safeguarding the historical record for future generations should be considered an extremely important duty.
Question 2: Are there any reforms you would suggest to the current law enabling wills to be inspected?
No.
Question 3: Are there any reasons why the High Court should store original paper will documents on a permanent basis, as opposed to just retaining a digitised copy of that material?
Yes. I am amazed that the recent cyber attack on the British Library, which has effectively paralysed it completely, not been sufficient to answer this question for you. I also refer you to the fate of the Domesday Project. Digital storage is useful and can help more people access information; however, it is also inherently fragile. Malice, accident, or eventual inevitable obsolescence not merely might occur, but absolutely should be expected. It is ludicrously naive and reflects a truly unpardonable ignorance to assume that information preserved only in digital form is somehow inviolable and safe, or that a physical document once digitised, never need be digitised again..At absolute minimum, it should be understood as certain that at least some of any digital-only archive will eventually be permanently lost. It is not remotely implausible that all of it would be. Preserving the physical documents provides a crucial failsafe. It also allows any errors in reproduction -- also inevitable-- to be, eventually, seen and corrected. Note that maintaining, upgrading and replacing digital infrastructure is not free, easy or reliable. Over the long term, risks to the data concerned can only accumulate.
"Unlike the methods for preserving analog documents that have been honed over millennia, there is no deep precedence to look to regarding the management of digital records. As such, the processing, long-term storage, and distribution potential of archival digital data are highly unresolved issues. [..] the more digital data is migrated, translated, and re-compressed into new formats, the more room there is for information to be lost, be it at the microbit-level of preservation. Any failure to contend with the instability of digital storage mediums, hardware obsolescence, and software obsolescence thus meets a terminal end—the definitive loss of information. The common belief that digital data is safe so long as it is backed up according to the 3-2-1 rule (3 copies on 2 different formats with 1 copy saved off site) belies the fact that it is fundamentally unclear how long digital information can or will remain intact. What is certain is that its unique vulnerabilities do become more pertinent with age." -- James Boyda, On Loss in the 21st Century: Digital Decay and the Archive, Introduction.
Question 4: Do you agree that after a certain time original paper documents (from 1858 onwards) may be destroyed (other than for famous individuals)? Are there any alternatives, involving the public or private sector, you can suggest to their being destroyed?
Absolutely not. And I would have hoped we were past the "great man" theory of history. Firstly, you do not know which figures will still be considered "famous" in the future and which currently obscure individuals may deserve and eventually receive greater attention. I note that of the three figures you mention here as notable enough to have their wills preserved, all are white, the majority are male (the one woman having achieved fame through marriage) and all were wealthy at the time of their death. Any such approach will certainly cull evidence of the lives of women, people of colour and the poor from the historical record, and send a clear message about whose lives you consider worth remembering.
Secondly, the famous and successsful are only a small part of our history. Understanding the realities that shaped our past and continue to mould our present requires evidence of the lives of so-called "ordinary people"!
Did you even speak to any historians before coming up with this idea?
Entrusting the documents to the private sector would be similarly disastrous. What happens when a private company goes bust or decides that preserving this material is no longer profitable? What reasonable person, confronted with our crumbling privatised water infrastructure, would willingly consign any part of our heritage to a similar fate?
Question 5: Do you agree that there is equivalence between paper and digital copies of wills so that the ECA 2000 can be used?
No. And it raises serious questions about the skill and knowledge base within HMCTS and the government that the very basic concepts of data loss and the digital dark age appear to be unknown to you. I also refer you to the Domesday Project.
Question 6: Are there any other matters directly related to the retention of digital or paper wills that are not covered by the proposed exercise of the powers in the ECA 2000 that you consider are necessary?
Destroying the physical documents will always be an unforgivable dereliction of legal and moral duty.
Question 7: If the Government pursues preserving permanently only a digital copy of a will document, should it seek to reform the primary legislation by introducing a Bill or do so under the ECA 2000?
Destroying the physical documents will always be an unforgivable dereliction of legal and moral duty.
Question 8: If the Government moves to digital only copies of original will documents, what do you think the retention period for the original paper wills should be? Please give reasons and state what you believe the minimum retention period should be and whether you consider the Government’s suggestion of 25 years to be reasonable.
There is no good version of this plan. The physical documents should be preserved.
Question 9: Do you agree with the principle that wills of famous people should be preserved in the original paper form for historic interest?
This question betrays deep ignorance of what "historic interest" actually is. The study of history is not simply glorified celebrity gossip. If anything, the physical wills of currently famous people could be considered more expendable as it is likely that their contents are so widely diffused as to be relatively "safe", whereas the wills of so-called "ordinary people" will, especially in aggregate, provide insights that have not yet been explored.
Question 10: Do you have any initial suggestions on the criteria which should be adopted for identifying famous/historic figures whose original paper will document should be preserved permanently?
Abandon this entire lamentable plan. As previously discussed, you do not and cannot know who will be considered "famous" in the future, and fame is a profoundly flawed criterion of historical significance.
Question 11: Do you agree that the Probate Registries should only permanently retain wills and codicils from the documents submitted in support of a probate application? Please explain, if setting out the case for retention of any other documents.
No, all the documents should be preserved indefinitely.
Question 12: Do you agree that we have correctly identified the range and extent of the equalities impacts under each of these proposals set out in this consultation? Please give reasons and supply evidence of further equalities impacts as appropriate.
No. You appear to have neglected equalities impacts entirely. As discussed, in your drive to prioritise "famous people", your plan will certainly prioritise the white, wealthy and mostly the male, as your "Charles Dickens, Charles Darwin and Princess Diana" examples amply indicate. This plan will create a two-tier system where evidence of the lives of the privileged is carefully preserved while information regarding people of colour, women, the working class and other disadvantaged groups is disproportionately abandoned to digital decay and eventual loss. Current and future historians from, or specialising in the history of minority groups will be especially impoverished by this.
16K notes
·
View notes
Text
Also if you really don’t want to spam, you can queue your posts so they’ll appear on your blog/followers feeds spread out over the day/week/month
seeing a lot of "why would i reblog anything i don't have something to add" like
sir this is the user-circulated content site
#also like#i don't know if new blogs are aware of how many people you generally follow to build a feed#like my dash is populated with so many diff blogs/people that someone really has to do their best for me to notice a spree#and it all has to be the same subject#bc i won't notice at all if its just random things they like#i barely look at icons#after like 7 years on this site im following around 400/500 people#a lot of those are inactive#but still it gives me enough content on my blog to be able to scroll for a couple of hours every day#so like#i really won't notice if some person gets into a new niche#and worst case ill just unfollow??#who is using tumblr only for friends and mutuals anyway#99% of the people i follow won't notice if i unfollow them at all#and ive unfollowed friends before bc i wasn't into the thing they were#and we still chat/vibe in discords?#it isn't a huge deal like facebook or twitter might be#bc tumblr is for You#it isn't as much about showing and maintaining ur personal social circles#you can do that but i do really think its important to maintain that part of tumblr culture#not all social media has to be about socializing first and foremost#tumblr is more abt socializing through community rather than individual personal connections#again#there is also that#but it isn't its primary function i feel#editing to add that apparently i do know the blogs ive followed for a long time if they keep their icons#bc now i that im watching em they're all familiar#but still i don't think i ever got annoyed at someone for reblogging something outside of their original interests
48K notes
·
View notes
Text
If you’re someone who needs reassurance from loved ones that they love you, that’s really valid. But the way you ask for it matters. Hinting at it with comments like “nobody loves me” can actually be hurtful to your loved ones. It’s also a good idea to try and reassure yourself first!
The truth is that for a lot of people, giving reassurance constantly is exhausting. It can lead to issues in a relationship over time, and negative feelings on both sides because they may end up avoiding the other person. This is especially true if someone doesn't ask for reassurance directly but hints at it with things like "No one cares about me."
My advice is if you are finding yourself struggling is to first try and self soothe either with skills or things that have helped in the past. Here is my post on self-soothing ideas! And if that doesn’t work, then ask for it in a healthy way.
Some other examples.
Keep screenshots, letters, cards etc that affirm you are cared about by your loved ones. You can even ask someone to give you a recording of them saying it that you can listen to. Bonus: Keep these things in a self-care box that you can use in times of crisis and pull out that has other things in like affirmation cards, favourite treats, self care items, etc.
Examine the evidence. By this I mean try and keep a list of things they've done to show they care about you. For example, I have a list of things my partner has done for me besides saying "I love you" of both big things and little things that I can read when my brain decides to be rude to me and make me doubt he cares.
If the other person has done something specifically to make you feel they don't care, it's important to step back and look at the situation and check the facts. There's a difference between someone lying to you or doing something intentional and someone not replying to you because they got busy. Here’s my post on checking the facts!
Here’s a post on Challenging Irrational Thoughts!
ACCEPTS is a really good skill for distractions! Here's a post on it.
TIPP is a good skill if you are needing to calm down in immediate crisis. Here's a post on it.
If you're having urges to accuse your loved one of not caring, consider Urge Surfing (here's a post on it) and then using a skill or plan that helps you.
If you aren't able to self-soothe that's so valid! It really is. I recommend trying it because sometimes you will be able to. But then sometimes you won't be able to and that's okay. In this case, if you need to get it from someone, ask directly for it instead of doing it in a guilting/passive aggressive/hinting way. You might say "Hey. I know you care about me, but my brain is being rude. Can you please give me some reassurance?" instead of "Sorry I'm such a bad friend/person/burden/etc".
It might also be worth having a conversation when calm with the other person to establish some boundaries and ideas for communication.
For example, if your friend regularly feels drained by you asking for reassurance, they could set boundaries on how often they're okay for you to ask for it.
You both might decide that they will try and message you randomly to offer reassurance because it can mean a lot when that happens.
This might be where they send you messages/recordings/etc that you can read in times of need.
If the friend is doing something specifically, even unintentionally, that makes you question things then it's really valid to have a discussion about it! I recommend using some I-Statements or other communicative skills to talk about it. Even if they aren't doing something wrong, it's still valid to talk about your feelings and see if you can come up with a solution. For example, maybe it's really hard on you that they disappear randomly for a couple days when their energy levels plummet. And this causes you to spiral and think they're ghosting you or etc. In this situation, maybe you and your friend come up with a solution where you establish a single emoji (specific for this purpose) that the friend can send with low energy that says "Hey. It's not you but I'm feeling drained and need to not reply for a bit."
3K notes
·
View notes
Text
Chapter 2 of Blurr storyline >:D
“Actually” says Swerve ”I'm an alien.”
“Heh” giggles Blurr ”sorry, my head is all cloudy, I thought you said you were an alien.”
Part one
Holy shit I actually managed to finish it…..Oh. My god.
Under the cut⤵️
Is it stupid to miss someone who doesn't even exist?
Probably yes, but hey, Swerve already has several degrees, might as well get another one. A degree in Stupidity or something. Who cares?
For the first few days after waking up from his coma, he feels like he's going crazy. Everybody has realistic dreams, right? The ones where you can scrutinize every angle, memorize every face and smell and sound. The ones that make you lie still for a while after waking up, grasping at every thing you can. Trying to memorize everyone you meet, imprint them in your head.
Because apart from your mind, they don't exist anywhere else. So that's your only way to keep them.
It never works. Obviously. Details slip away. Impressions fade. Just a couple days, and you won't be able to recall anything but the main events from memory.
Wait, hell, not days. Cycles.
His life is a weird, pathetic, fantastical circus. Earth term. Heh. There are no circuses on Cybertron, haha!
But Swerve remembers. And the word circus, and the smell of asphalt, and rains that were made of water not acid. Remembers the English language. Can speak it fluently, even if you wake him up in the middle of the night.
Remembers his work schedule and remembers which company makes the best details. And Tailgate with his bright blue uniform and Wheeljack with his endless experiments and Swindle with his expensive coat and of course...yeah, no, don't think of Blurr, don't think of Blurr, don't. Don't.
He'd heard about it. Read about it, too. Mechs waking up from comas and doing wild things. Some forgot how to speak at all, some gained a new skill, some lived a whole life while they slept.
Articles tell Swerve, don't worry, what you've experienced isn't unique. The doctor tells Swerve that the same thing has happened to others before you, it will be okay, it will pass.
Swerve isn't sure he wants it to pass.
He's been in a coma for who knows how long. The medic said it was caused by an internal trauma that decided to suddenly get worse. One minute he's recharging , the next he's gone. Internal injuries are insidious.
So it turns out. One day he just disappeared from the world because he was busy slowly dying in his room and no one noticed until a thief tried to sneak in. The only one who came to him was a Mech who wanted to steal his stuff. Huh.
That feels revolting. Swerve liked to think he had enough friends. Or at least enough good connections. Enough those who should have noticed his absence, right?
Apparently not. His shifts at work were reassigned, his contacts never texted him first, his...
His small persona wasn't important enough for anyone to notice his disappearance.
Would his human coworkers notice? Would Tailgate have noticed? Or Jazz? Swindle?
Jazz would have noticed, he was always surprisingly attentive when it came to his friends. And he was friends with just about everybody.
Swindle would probably get upset about the money he'd lost.
It's amazing how much his brain-- wait, no, his processor. How much his processor could create to entertain him. It's a more elaborate world than the most complex series Swerve has ever known. And that scrap had forty-six seasons and fifteen encyclopedias!
People, Earth, a bunch of new languages and rules and all for the sake of the end being like, OOPS! ...it was all a dream. Hilarious. Worst plot twist ever. Swerve hates it when stories go in this direction even more than when they kill off their characters.
In his humble opinion, death is better than the revelation that none of the experiences made sense or had any value. In terms of writing scripts obviously. Haha.
He's busy roaming haphazardly through his own memory. He's looking, comparing, trying to find inconsistencies or things that don't make sense. All the stuff that usually gives away the fact that what happened was a dream.
Most of his memories are occupied by--No. Frag.
Don't think about Blurr, don't think about Blurr, don't think..
He's thinking about Blurr. A lot.
Blurr occupies a surprisingly important role in his comatose dreams.
In the time he spent just looking at him, you could hand-build an entire Mech. Maybe even three. Swerve remembers picking up every bit of merch he could reach with his paycheck. Watching hundreds of videos and buying every new themed drink even if it was a flavor he didn't like.
Then spent a surprising amount of time resenting Blurr for not living up to his fantasies.
Blurr's behavior hadn't helped either, of course, but now, looking back at the past himself Swerve thinks that.. Oh wow. You weren't just annoyed at him. You blamed him for ruining your beautiful fantasy. You were having so much fun entertaining yourself with thoughts of this marvelous image, and he came along and corrupted it. Poisoned the well you drank joy from.
But that's not quite true, Swerve thinks.
Blurr was more complicated than that. But exactly how, he'll never know. All he has are his memories, and those memories are cut short at the most interesting point.
Swerve knows this plot twist. The asshole character that no one loves at the last second turns out to not be what everyone thought, but it's too late.
Oh no, he's not an evil jerk, he's actually traumatized. Oh no, he wasn't bad, he was actually secretly helping everyone. You thought he was awful? Well now you're going to feel awful reading fanfics.
Serevus Spayne didn't actually betray the main character's dad, no no, he was in love with him! Bam. Drama.
Swerve isn't a big fan of this stuff. He likes his characters developed properly. But he can't deny the appeal of a character leaving behind a bunch of questions you thought you knew the answer to.
Uggh.
The doctor was wrong. These thoughts don't go away. These memories don't dull.
Swerve just boils in them, constantly getting stuck in his own head. Sometimes he puts English words into his speech and everyone looks at him strangely. Sometimes he reflexively says some inside joke and no one gets it and he's left standing there with an awkward smile. Because. Guys, you don't understand, if my coworkers were here they'd think it's hilarious. I promise, in my fantasy world, it's funny.
When he gets a job on one of the Autobot ships, he accepts it thinking it might be a good distraction from his thoughts.
When he happens to see Prowl with a tiny human on his shoulder in the corridor of that ship, he thinks he's lost his mind.
The whole thing. The whole load-bearing structure on which his picture of the world has been held suddenly gives a lurch. Living your life in a super realistic dream is wild, but meeting a character from your dream in real life??
Freaking cursed.
Jazz looks puzzled by his reaction, but all Swerve can think about are two things.
One, if Jazz is here, does that mean everything else was real, too???
Two - holy shit, Jazz is tiny.
It never occurred to him. But he didn't really know what size humans were. Well, sure, he could measure it in numbers. But he was among humans himself. And about the same size. He was generally even shorter than most of them.
If Jazz is so small, he can't imagine how tiny Tailgate would be. Or--
He can feel his spark freeze. In fact, he can almost hear the sound of a string breaking in his processor. Does that mean Blurr is real too? Real and just as tiny and currently dead? Because Swerve was there but was too convinced it was all just a dream to help?
He's going to get sick.
He needs to talk to Jazz right now.
____________
Swerve taps his fingers nervously on the countertop. Come on. You're good at talking. Talking is your greatest skill. All you have to do is tell someone else about your comatose hallucinations and hope they don't think you're crazy.
They're sitting at a table at the bar. More specifically Swerve and Prowl are sitting at the table, and Jazz is sitting right on the table. (God he's so small).
“So uh. I got injured a while back and...uh...well, it got worse, turned out important systems were affected and I kind of. I was in a coma. For a really long time.”
Jazz frowns
“Oh. I’m sorry to hear that.”
He speaks in a mildly wonky Common, Swerve notes to himself. He waves his servo a little too cheerfully in response.
“'Ay it's no big deal really. I saw a whole other world while I was asleep and like. See, I thought it was just my fantasies, but it seemed very real and...”
Swerve mentally crosses his fingers.
“And it was about this planet called Earth and about people who were building their own inanimate huge robots to fight huge aliens and their boss wanted to launch Mechs into space, so he picked the best of the pilots named Jazz and sent him on this test mission and...”
Jazz looks at him with huge eyes before switching to English in surprise.
“Mech, what the hell?”
“...And we lost him...” finishes Swerve with a sad smile.
Before thinking for a bit, and adding.
“I'm going to show you a trick I can do.”
And then projects his holoform onto the table in front of him.
This. It's weird. Not in a way that would tilt it in the direction of unnatural. More like walking around in his comfy indoor pajamas right in the middle of the street. Being human is familiar to him, but being human amongst huge Cybertronians? Strange. And a little creepy.
Prowl looks confused.
Jazz looks absolutely frantic.
“SWERVE????”
Swerve doesn't even manage to respond, only to smile in relief before Jazz rakes him into his arms. In his holoform, Jazz feels right again. He's taller than Swerve and oh boy, he's alive and unharmed. To think everyone thought he was dead, staying up nights trying to find what was left of him, and he was on the other side of the universe the whole time?
Swerve chuckles into Jazz's shoulder. Then picks him up and spins him around a couple times just because he needs something to get his energy out. Man, it's nice to hug people. Warm and soft, eight out of ten.
Jazz pulls away but still stays standing very close. Swerve can literally see the happy stars in his eyes.
“Dude, I'm not complaining but what...how???? You just kinda..."
Swerve laughs and twitches his eyebrows playfully.
“I still speak English, you don't have to torture yourself with Common.”
“Oh thank fuck.” Jazz throws his hands up dramatically “you're my favorite person right now.”
There is a polite click of the vocalizer resetting above their heads.
“I” Prowl says “very glad you two are happy but I'd like some explanation”
Swerve presses his head into his shoulders guiltily. Prowl has the unique ability to always sound like you've done something wrong in front of him.
Although Jazz doesn't seem to feel the same way?
“Short version - I sleepwalked my holoform to another planet.”
He pauses dramatically.
“The long version is...”
Jazz raises his hand
“What's a holoform?”
Swerve sighs.
“It's a holographic avatar that I can project using a holomatter generator. Sort of like a remote controlled game character.”
Jazz whistles impressed. And then immediately turns back to Prowl
“Have you been able to do that all this time too?“
Prowl hums
“I can create an avatar, but it takes a lot of practice to make it at least believable. And to fully perceive the world through it takes even more. It's a whole new technology. What Swerve does is essentially an art form. Sophisticated and impressively detailed may I add.”
Swerve shrugs shyly. He's still using the holoform to stand on the table next to Jazz. Looking up to speak to Prowl isn't exactly comfortable, but Jazz definitely looks like he's been missing the human presence. Swerve isn't human, but he might as well be.
“Thank you. Yes! Uh. Anyway, it seems while I was in a coma my processor projected my avatar onto Earth and I...let's just say I lived there for a while.”
Jazz laughs
“Dude. So you're telling me you were basically sleepwalking the whole time?”
“ I was.”
Prowl frowns.
“But the range limit of the holomatter generator is only four hundred miles...”
“.... I had a lot of practice...”
Jazz claps his hands.
“You learned a whole other language! Got an ID!. You had a job!!!”
“I got carried away,” Swerve admits.
Jazz scratches the back of his head, still looking very amused
“How many degrees did you get? Haha wait no, I have a better question, did you pass your driver's license?”
“Two. And I failed my driver's exam.”
“Dude you are literally a car without a driver's license!” collapses Jazz on the table with laughter.
Swerve blows the hair out of his face
“Says you who retook the physical several times. You couldn't pass the "being human" exam.”
Jazz just wheezes incoherently in response. Prowl looks alarmed.
“Don't worry, that's him getting excited. So...where have I been...”
Swerve nervously shoves his hands into his pockets
“...Do either of you two know where Earth is?”
Prowl twitches his door wings
“No. Since Jazz was teleported we don't have much clues.”
Swerve grimaces. Scrap. Of course nothing's going to be that easy. He's also been, like,....teleported.
He stands there for a couple minutes and just feels fifteen different emotions rise up in his head at once. A crooked, unsteady smile creeps across his face.
He's thinking.
Oh hell, yeah! I knew it wasn't a dream!
Then he remembers the mess he left behind.
Oh, no, it wasn't a dream.
Jazz puts a hand on his shoulder.
“Swer... Swerve? Dude, are you okay?”
“Ah frag..” Swerve says weakly ”it wasn't a dream.”
Jazz looks...puzzled.
“Is that bad?”
Swerve remembers his friends. Remembers the Mecha program. Remembers fire and smoke and screams and rumbling and crackling flames. Ashes flying through the air and the smell of burnt wires. He remembers blood and debris and...
“It's...complicated.”
This wasn't just a stupid plot twist he'd dreamed up because he'd watched too many shows. This wasn't a hallucination or a disembodied fantasy that just happened to linger in his head. This was real. His friends exist out there somewhere. His work and his collections and his little apartment...
And Blurr. Was real. Or still is? Swerve doesn't know. Blurr wasn't a product of his imagination. He was real and what he did was real and Swerve left him there alone, bleeding and trapped in rubble and tiny and...
Hahahahah oh fUCK.
He doesn't like this plot. It's too much. Too much to handle, too complicated, too ambiguous.
It's also probably too late.
But he can't leave it like this, right? Blurr went into the damn burning building just because of the possibility that there might be someone alive in there.
And Swerve doesn't even have to go through the flames. He has to look. He has to try at least.
Jazz glares at him with a worried look on his face
“ That expression you have...”
Swerve puts the smile back on his face.
“I need to get to Earth.”
___________________
Swerve is not an idiot.
Or maybe more accurately an idiot, but with several degrees.
He's well aware that finding Earth in space with only a description of it is impossible. Which leaves him with two options.
Ask the Quintessons. Or look for it himself.
The first sounds like death. The second like coma. Swerve has exquisite enough taste to know which is better.
He just needs to do some preliminary reserch.....
Jazz, now back inside his Mech looks doubtful.
“You're not going to die suddenly and for no reason, are you?”
Swerve laughs.
“Pfffff what, no of course not, would I kill myself hah. No no, look I'll just put myself in stasis for a bit. Send myself to Earth. And try to figure out where it is from there. Get the coordinates. If I'm lucky, I can see what Space Bridge the local Quintessons use. All you'll have to do is wake me up after a while.”
“It's not harmful?”
Swerve makes an uncertain gesture with his hand...servo.
“If I have enough fuel. And an additional connection to an external generator.”
Jazz tilts his head
“ Why are you so eager to get to Earth? Don't get me wrong, I miss it too and want to go back, but.”
Swerve bites his knuckles.
“ I have some unfinished business?”
“Pshhhh you sound like a ghost.”
Swerve only laughs in response.
_______________
Concentration is tricky.
Swerve tries to think about Earth. And not to think about the fact that he doesn't know where it is. If he's already been there once, he might as well go there again yes? In theory? Perhaps?
Except for the possibility that his sleepwalking just takes him to random planets. That would be very inconvenient. It would be a whole new level of lost
Shit. No. Earth. Think Earth.
What's he even gonna do when he gets there? How far away is it? Swerve is very talented with his holomatter generator, but if it's really far away... maybe he should reset some settings.
He mentally starts going through his options. Does he need tangibility? Probably not. Come to think of it, it would only make him more vulnerable and take a lot of energy. Yeah, the tangibility has to go. What else? Touch, too. Sight and hearing should stay, that's not even a question, but colors and textures are not really necessary.
The amount of detail and picture quality can be reduced as well. His holoform will become colorless and grainy and will probably ripple with static, but he'll survive it.
After he finishes making changes to his holoform he thinks about his old stuff left in his house. Then about the posters. Then reminds himself that he needs to focus on the goal or he'll never find Blurr and...oh FUCK his phone! Where was his phone when he disappeared? Was it found?? There were so many personal things on that phone, he's hoping the phone was burned under the rubble. Either that or the arriving investigators will find his browser history and he'll go into another coma from pure embarrassment.
He blinks dazedly when he realizes he has loads of rocks in front of his eyes. Oh..Did he screw up? Did he end up on the wrong planet? Is it a cave or--
Then he notices the odd shape of the “rocks” and. Oh, no. It's not a cave. It's charred concrete debris.
This is the place where he was last.
He hastily looks around. Anxiety creeps up the back of his neck, makes him feel like something slippery and cold is crawling over his skin. There is nothing but ruins all around.
Blurr is not here. The place where his Mech was lying is empty.
Which means he was at least found and dragged out. Dead or alive.
Swerve's bites his knuckles. Okay.
All right.
He's got things to do.
_______________
He's trying to stay out of sight. Which isn't hard, considering he's just a hologram. At first, he just sneaks around in the quiet areas. Then proceeds to do a facepalm and start teleporting. Think, Swerve. Did you read all those comic books for nothing? Superheroes who couldn't really use their superpowers creatively always annoyed him. And he does, in fact, have a superpower. Gotta get creative, right?
He stops and looks at himself again. His holoform is going static and is a dull white color. He thinks for a bit, and then shrinks himself. Thinks some more, and makes himself almost transparent. There's no way he could pass as a normal human right now, so he'd better just do his best to avoid being seen by anyone.
He looks around thoughtfully. Hmm. Even if he's going to be absolutely tiny, he needs to make sure no one sees him, otherwise the whole base will think the Quintessons are now spying on them through holograms or something.
Breaking the rules feels...it's exciting.
All his ..human life here he hadn't thought about it, but if he threw away the rules he was used to about what people could or couldn't do...
He looks up in a sudden rush of sly genius. All people look under their feet when they walk, but how many look up? And how many of them notice the barely visible tiny holoform hiding just behind the blinding lamps?
The answer is probably none.
Swerve projects himself onto the ceiling and mentally pats himself on the shoulder for his impressive intellectual accomplishments. A creativity degree should definitely be a thing.
A degree in spying on the Quintessons' ships wouldn't hurt him either.
Fortunately sneaking onto their ship turns out not to be that difficult. Swerve makes himself absurdly tiny and hides in the darkest corners that no one would ever think to look into. Why hasn't anyone thought of using holoforms for spying before? Could he be the first to think of it? He doesn't know, but he mentally decides to patent the idea.
Finding the Space Bridge is surprisingly easy. The local Quintesson fleet is clearly used to being the dominant force in space. And that's generally logical. Even if humanity collects a mountain of money from somewhere to throw a dozen Mechs into space - there will be thousands of monsters waiting for them. In such a situation, you don't have to hide, the guards are enough.
Well done, well done, don't hide, Swerve thinks, copying the coordinates and address of the space bridge to himself. You have absolutely nothing to fear here, he thinks, so stay where you are and don't move. Please and thank you.
Once the coordinates are obtained, he... has some freedom to explore. And he uses it for probably the most boring-sounding thing in the world. He returns to his usual workplace.
It’s simple. As damning as the Mecha program was, Swerve loved his job in it. He loved his position in the assembly shop. And he missed his friends.
He quickly teleports through several rooms, continuing to hide close to the lamps. Tailgate is here. Alive and unharmed. Wheeljack is too, though his face has some scars added to it. It's great to see them again, even if he can't talk to them right now. No one will probably react well to a grainy unexplainable hologram. He's just glad to know they're okay and honestly, the last thing he needs is paranoid Onslaught installing extra signal jammers.
It takes time to find Blurr. Partly because Swerve is terrified of what he might find if he started looking. So he goes to check the death lists first, and only after flipping through and re-reading them three times does he finally exhale in relief.
Blurr's name isn't there.
So his smug, shiny ass must be around here somewhere.
He checks the hangar. Flips through the Mech launch logs and feels an uncomfortable knot begin to form in his chest. Blurr's Mech has never been repaired or launched even once since the incident. Its plating has been replaced with new, well polished, and put in a prominent place where anyone who wants to can take a picture of it. But all the internal systems are destroyed. This machine hasn't been used for anything other than being a beautiful exhibit.
That's...something's wrong.
He checks offices and schedules as well as eavesdropping on a few conversations and ends up secretly following Swindle, who is arguing loudly with someone on the phone. He says something about deals and how he doesn't need anyone meddling in his business. Then he talks about how he's got everything under control and the person on the phone is “a dumbass who's making drama out of nothing” and that “he doesn't need anyone's handouts". Then he sighs and says, “you know how celebs are. Dumb and dramatic. You can't take their words literally.”
Then drops the call and for a couple seconds looks like he's just had a large bill taken right out of his hand. Curses again, but in a quieter voice. Leafs through his contacts and stops at the one signed 'free ice'.
“Blurr? Where are you? Wha...ah, no wait. No, the advertising agency called. No, liste...Can you shut up for one second?Where are you?
Uh-huh....... Uh-huh.Okay.
Give me half an hour...okay, yeah.”
This is it, Swerve thinks.
He shrinks himself further and teleports under the collar of Swindle's coat.
He wants to take a look. Just. Just a peek. Make sure everything's all right. Then he can go about his original mission in peace. He watches Swindle get in his car and drive off somewhere. Swerve doesn't recognize this part of town. The houses here are much nicer than where he lived. The streets are cleaner.
He tucks himself further under the coat collar. He's not going to be a stalker or anything, but he's worried and he doesn't have time to wait for Blurr himself to show up for work. Just one little look and that's it.
Swindle's car stops outside a beautiful, shiny hospital. Swerve nervously tries to bite his knuckles, but remembers he's disabled touch in his holoform. Shit? Shit.
Shit. Shit. Shit. Shit. Shi
Blurr looks like a mangled corpse.
Okay, not really. His left side that faces the door to the hospital room looks like a mangled corpse and that's the first thing that catches Swerve's eye when he's inside.
Blurr is pale and thin and his hands are covered in bandages. The left side of his face has been turned into an absolute ugly nightmare. A piece of his ear is missing. In the place of the left eye is a creepy empty hole.
Suddenly Swerve realizes why Blurr didn't show up for work. You can't even show him to his coworkers like that, not just to the public.
Blurr turns his head and the spell breaks. His lips stretch into a cocky smile.
“'Got bored without me Swindle?”
Swindle doesn't show the slightest emotion at the gruesome sight. He casually pulls a chair over to the hospital bed and sits down.
“Shockwave is trying to sneak a new project into the program. And he's slowly swaying investors to his side, using you as an excuse. Tells everyone you're a poor martyr he can save if only he's given the green light from above.”
Blurr wrinkles his nose.
“Not that he's wrong. The doctors say I need to pick a new career because with this...” he jerks his head to the left implying his damaged half, ” neither racing nor piloting is an option for me anymore. I'm out of your project.”
Then he stops talking for a few seconds and raises an eyebrow curiously.
“You wouldn't have come here in person just to say that. Why are you really here?”
Swindle adjusts his glasses
“Have I ever told you why I made the contract with you?”
“Because you like money” Blurr says without hesitation.
Swindle lets out a quiet chuckle.
“Fair point. But money wasn't my only priority.”
He pauses for a second. Gets up. Draws the curtains in the room. Checks to make sure no one is outside the door.
Goes back to his seat.
“You didn't see what the Mecha project was like before. Brutality and absolute disregard for human rights multiplied by a thousand. People were desperate and no one cared to maintain any decency.”
He raises his hand when Blurr rushes to say something.
“No no, listen to me. If you think things are bad now, you're right. But it used to be much. Much, much worse.”
Swindle sighs and adjusts his glasses again
“Vortex was taken as a boy. He wasn't even out of high school when they shoved him into the lab. Me and Onslaught were pulled right out of the college exams. The others were no better, although they were usually a little older. My point is that it was allowed. It's what the superiors could do and no one told them no.”
Blurr tilts his head and gets a little all turned around to see Swindle better with his right eye.
“But you... found a way to change that, didn't you?
Swindle rubs the bridge of his nose
“I have no power over my own superiors. But Onslaught and I have come up with a plan. Look. I'll put it in simple terms for you. Above me is my boss, and above him is another boss, and so on but at the very end of that chain are people from the government. The investors. So we figured out a way to cut through the chain of command and influence them directly. Make them worry about us. It's a kind of social shield. Onslaught is a genius.”
Blurr blinks.
“Why are you telling me all this.”
Swindle takes off his hat and just. Crumples it in his hands. The back of his head shows numerous scars and the glint of tiny metal implants barely visible behind his hair.
“You're that shield right now, Blurr. You can't leave.”
Blurr's eye widens
“Is that why you insisted on ‘befriending’ me with all those bullshitters?”
“I needed to make sure that in their minds we weren't just a military unit. To keep them thinking that we're as human as they are. So I gave Project Mecha a face.” He tugs on the hat again, “Your face.”
Blurr runs his fingers through his hair
“Shockwave can't do whatever he wants cause...because of me his efforts would risk going public and people wouldn't like it and it would ruin the reputation of our investors-and-they'd-cut-off-his-funding.”
Swindle puts his hat back on.
“Exactly.’ That's why he's being so persistent right now. He knows you're vulnerable and he wants to capitalize on the opportunity. Make you part of his new project and tell the world about it. Make publicity his weapon, too.”
The lamp above them flickers faintly. Blurr takes a breath. Long and tired and exhausted and. a bit doomed.
Swindle puts a hand on his shoulder.
“Please. Don't leave. At least not now. And don't let Shockwave get to you. That would open the way for him to get to the rest of the pilots you represent.”
They just. Sit in silence for a while. Blurr quickly taps a finger on his knee. A rapid tap-tap-tap-tap-tap-tap-tap-tap-tap-tap.
Swindle moves his hand away and gets up from his chair.
“There's a press conference coming up. I need you to be there. I've told everyone who needs to know that the problem is exaggerated and you're fine but they need to see you.”
Blurr smiles sourly.
“My lawyer is going to charge you such a handsome sum for that stunt.”
Swindle laughs, but his cardboard advertising smile doesn't reach his eyes.
“We’ll see about that. Seriously though. I need you there.”
Blurr bites his lip.
“I..don’t know...”
Swerve...doesn't know what to think of that.
Blurr shows up for the press conference. Late, but he makes it. Just as Shockwave is presenting his new project in his amazingly well-pitched voice. Blurr swings the door open and waltzes lazily inside, skillfully pretending not to notice the many cameras and eyes instantly directed at him.
Swerve, whose memory is still fresh thinks for a second that no, no this can't be the same person. Past Blurr looked like a wreck. Past Blurr was tense and tired and hunched over. Present Blurr couldn't look more alive. His shoulders are squared proudly, there's that cheerful springiness and grace in his stride. He moves with ease and confidence. Smoothly.
The left side of his face is neatly covered with fresh white bandages. Carefully, without leaving the even the slightest gap through which his injury could be seen. His hands are hidden under a fancy jacket. He smiles wide and bright and squints playfully toward the table.
The very embodiment of nonchalance. The few pilots sitting in the audience roll their eyes.
Swindle breathes out a barely perceptible sigh of relief. Swerve, once again using Swindle's collar as a tactical cover, can't help but let out a silent triumphant laugh. Maybe slightly more nervous than he is supposed to be.
Blurr sends Swindle a sly, sharp smile and even knowing it wasn't meant for him, Swerve feels his cheeks heat up.
Ah, damn it.
Swerve breaks the rules. He tells himself that peeking is fraught with consequences when it comes to military organizations, but he can't stop himself from being curious. And from worry, too.
And now that he knows where to look, he sees things he'd rather not see.
Blurr ... is crumbling.
Swerve doesn't know all the details and consequences, but that incident did leave a mark.
But every time Swindle calls him and says “I need you at some place in two hours” he gets up and assembles himself into a human being. Like a goddamn puzzle. Tapes and covers the burned half of his face. Covers up the bruises and hides the stitches. Fixes his hair and sets off on shaky legs to pretend he's fine.
He smiles so bright and carefree, laughs so sweet and beautiful that no one would ever think that even standing up sometimes hurts.
And continues to act like a jerk of course.
The only difference is that this time Swerve mentally gives him the presumption of innocence before he starts judging.
Blurr does a lot of things that seem rude. He also does a lot of things that are actually rude and figuring them out without resorting to alien superpowers would be nearly impossible.
When the pilots see Blurr sitting right on the table while negotiating with investors, they roll their eyes and make comments about his terrible manners. Or when he stops showing up for even the most basic, rudimentary training.
Or when he develops that stupid habit of leaning his elbows on people standing next to him.
It's the model behavior of a rich, spoiled brat.
It's also an inconspicuous way to stay upright.
Employees say “that dumbass has never heard of personal space.”
Investors say, “I think he likes me.”
Blurr leans on Swindle's shoulder and through a charming smile says “Don't move or I'm gonna fall.”
Swindle also keeping up the smile discreetly holds him back, pretending it's a friendly half hug.
Swerve feels like yelling at both of them, but he's not sure what for exactly. For one thing, Blurr in his condition is very VERY VERY contraindicated to even get out of bed, let alone participate in social activities.
On the other hand, without Blurr, everything is going down the pit.
Without Blurr, all the government sees are dry reports and spreadsheets. Without him, all the high command has is numbers and a sense of impunity. Swerve is sickened by how easily people tend to forget that numbers represent other people.
Most pilots are able to draw a parallel between deteriorating working conditions and Blurr's sudden fondness for staying home instead of working. But they think the rich jerk got scared and ran away. Considering the way Blurr has always behaved at work - Swerve can't even judge them too much for it. They assume Shockwave getting more freedom is the cause of Blurr's absence, not the result.
Blurr's influence only becomes noticeable when it slowly starts to fade away. It's like switching from expensive tea to a cheaper one. The awful flavor only becomes noticeable in contrast.
Blurr doesn't lead the development of new technologies or go out to fight in the field. He doesn't make plans and reports, he doesn't participate in drills, he doesn't cover anyone's back in battle.
But he's the one who puts his hand on the government's shoulders when they're about to sign the next piece of paper. He's the one they have to look in the eye before they have a pen in their hands and a document authorizing Shockwave to stick more needles in people's brains.
It makes a difference. Small one. But still.
It turns a disembodied imaginary “combat units” into a tangible person.
From “do you want to accelerate the combat training of new soldiers” to “are you willing to tell the living, breathing guy standing in front of you that shoving poison under his skin is an idea you approve of.”
More importantly (And Swerve actually admires Swindle for this) Will you be able to explain anything to your families later on, when this same guy is on TV all over the country saying that's what you did to him?
There have been two fronts here all this time, Swerve realizes.
While the pilots were protecting people from monsters wearing teeth and armor, Blurr was protecting the pilots themselves from monsters wearing ties and lab coats.
After another conference, Shockwave stops Blurr in the hallway.
“Good show.”
Blurr laughs. Soundly and proudly.
“Thanks darling~ Sorry I interrupted you. Your speech sounded like something important, but I don't really know much about nerd stuff.”
Swerve, hiding on the ceiling again, snorts.
Shockwave doesn't move. Doesn't give any indication at all if he's offended or upset or whatever.
“It must have been hard getting here with your injuries.”
Blurr shrugs and lazily turns his head around distracted.
“It's just a few bruises here and there. Not the end of the world.”
Shockwave nods slowly. His voice and posture and all, Swerve thinks, looking very uncomfortable.
“Of course it isn't. But hardly good for your career.”
Blurr freezes.
No, Swerve thinks. Shit. No, don't listen to him, don't listen to him, don't listen to him, don't
“Your brilliant achievements have always been a source of admiration to me” continues Shockwave “it would be a pity to lose them.”
Blurr makes an indifferent face and tucks his hands into his pockets.
“Like I said. Not the end of the world.”
Swerve imagines choking Shockwave. Dropping a lamp on his head. Maybe jumping on top of him himself. Shut up, he thinks. Shut up, shut up, stop fucking talking.
Shockwave with a nice, slow gesture pulls out a notebook from somewhere and flips a couple pages.
“Multiple burns, cracked ribs, poisoning from carbon monoxide and combustion products of toxic chemicals...”
Blurr visibly shivers and looks away.
“...loss of vision on one side...” Shockwave continues reading, ”and partial hearing loss. Finally, the impact of neural link malfunctions. And this, if I'm not mistaken, is on top of the already existing memory problems?”
Shockwave takes a step closer. Not fast enough to make it look threatening, but enough to hover.
“It may not be the end of the world, but it is the end of you.”
He writes a set of numbers on the same page, tears it off, and hands it to Blurr.
“You are broken. I can fix you.”
Blurr frowns, but takes the piece of paper.
“That fixing would involve giving you consent to mess around with my head, wouldn't it? It's brave of you to think I'd go for that.”
Shockwave tucks the notepad into his pocket.
“I can assure you, neither I nor anyone else is interested in your brain. I just want to give you back what you're truly valued for.”
Blurr flinches.
“I don't need your help.”
“ If you say so,” Shockwave agrees easily. Nods, slowly and smoothly. Then starts to walk away “But you do need your fame.”
...
“By the way, you might want to wipe the blood off.”
Blurr waits until Shockwave's back disappears around the corner, then quickly pulls a tissue from his pocket and brings it up to his nose.
____________________________
Swerve wakes up looking up at the ceiling of his room. The high, metal ceiling, of a metal room on a metal spaceship.
Holy shit...
Jazz pokes him gently on the forearm
“Are you alive? You've been gone for like quite a while...Did it work?”
“Hey Jazz” frowns Swerve “what do you know about Blurr?”
Jazz laughs
“What are you fanboying over him again? Still??? Dude's smug and arrogant. Good boss though. I was hired to perform at his parties before I became a pilot.”
Swerve sits up and rubs the back of his head.
“Ah...”
“So it worked?”
“Wha...ah! Yes! Yes, it worked! I managed to get the number and codes from the space bridge the Quints used on you. We just need to find another space bridge and we'll have a pretty much direct route to Earth...well. Or rather, to the Quint ship that's located near Earth. You get the idea.”
Jazz rubs his hands together happily.
“I'll take it.”
Swerve jumps to the floor and heads to grab an energon cube. Man, these holoform exercises are burning energy like crazy.
He stares at his metal hands like an idiot for a couple minutes. Just...Contemplates how non-human they are.
He has eight fingers again instead of the human ten. Huh.
Prowl downloads the information he's gotten and immediately runs off to plan a route to the nearest working space bridge and for a while Swerve is just.
Left to himself.
He tries not to think about Blurr. What would he even say to him? Hey, look, I'm sorry I accidentally set you up, see, I'm actually an alien who was sleepwalking and thought you were fictional, surely this won't affect our non-existent strictly professional working relationship? Nah, screw that. If he's going to sound crazy, he needs to at least come up with a good presentation for his insanity.
....
Is it weird to think humans are beautiful if you're not human? If you're kind of human, but only in your soul and only half human?
He looks at Jazz and Prowl.
“You two get along really well.”
Jazz chuckles, sitting on Prowl's shoulder.
“Right now, yes. But we got on each other's nerves quite a bit when we first met.”
Swerve looks up at Jazz's chattering legs from his height and thinks. This is working somehow.
On the other hand, Jazz is the exception rather than the rule. He's friendly with everyone, he's easy to get along with, he's the soul of any company and most importantly, he was a little too much into robots before he discovered they could be alive. If anyone could find common ground with the Cybertronians, it would definitely be Jazz.
_____________________
”Are you a ghost?”
Swerve shrieks in fear and gets covered in static. He hadn't planned on talking. He hadn't planned on being noticed at all. Blurr was supposed to be asleep! And Swerve just wanted to close the curtains and leave, because there's some noisy party going on outside and bright illuminations are very bad for a patient already suffering from neural connection withdrawal.
He freezes in place like that dude from Jurassic Park. Like if he's still enough, he won't be noticed. Oh, or was that from another movie?
“I'm just uh” he awkwardly reaches up and closes the curtains “Lights. Bad for...you...now.”
Blurr chuckles. It sounds suspiciously joyful. His whole posture and facial expression. He looks very relaxed for someone who had a ghost materialize into the room out of thin air.
Swerve traces the line of the IV with his gaze. Oops, that looks like painkillers.
“Yes I am. Uh. A ghost watching the curtains. And now the curtains are fine, so I guess I'd better go?”
Blurr squints amusedly.
“You can walk through walls?”
“Uh, I can teleport into the next room?”
He backs up his words by making himself disappear and reappear in another corner of the room.
“Cool!” says Blurr cheerfully.
Swerve is involuntarily infected by his mood and makes a couple dramatic bows as if he were some kind of magician.
“ Show me more?”
“Hehehe okay eh” Swerve spreads his arms like he's presenting something and then makes himself the size of a soda bottle and teleports to the edge of Blurr's bed “Ta daaaa~”
“Wooooo look at you, you're like an action figure~”
Blurr immediately makes an attempt to touch him, but fails to reach and drops his hand back on the blanket.
Swerve chuckles and steps closer. It's funny to see the usually incredibly agile Blurr struggling with something so simple and ridiculous.
“They really drugged you huh?”
“It's not the drugs” snorts Blurr ”...it's my eye.”
He raises his hand once more and hesitantly pulls it towards Swerve until it bumps into his hair
“... depths Per…percen.. ah, shit. I can't tell how far away things are.”
Swerve just. Lets Blurr fidget at himself, while starting to feel really bad at the same time.
"If you can't tell how far things are, how are you going to drive?
Race???”
He must have a plan right? Something? Let’s-prove-Shockwave-wrong tactic???
Blurr drops his hands back on the blanket
“I won't.”
He freezes when the all too close fireworks rumble outside the window. Then points to his head.
“With this. I can't drive, I can barely walk at all, and I look like horror movie material. Pathetic heeh.”
Swerve sits down quietly cross-legged on the blanket.
“Well...at least you're alive....”
Blurr shakes his head.
“If I had died, it would have been epic. You know? Dharm...dramatic! It would be big news and everyone would be talking about what a hero I was or...or something...”
“...”
“Swindle would be so angry, but he'd figure out a way to make money out of it. He'd make a commercial about how people should be heroes. I'd be remn..remembered for being cool and brave and stuff.”
Fireworks can be heard from the street again. Swerve notices that there is a thin slit between the closed curtains through which a slim, flickering strip of multicolored light streams into the room.
Blurr frowns and leans back against the pillow, looking up at the ceiling.
“I've turned into a boring wreck. My records will be beaten, my career forgotten , and all the guys from work will remember me as a brat. In a--in a--in a way, it's worse than death. Shockwave's right.”
Swerve isn't sure what exactly would be an acceptable gesture of comfort, so he kind of just. Places his hand on the blanket covering Blurr's lap.
“Hey, don't say that. I think what you're doing is great.”
“Liar” smiles Blurr crookedly ”You hated me. I saw your posters collection.”
Oh shit. The ones he ripped off the walls and destroyed in a fit of fan frustration? He didn't even hide them, just shoved them in the back corner. Aw, man...
Swerve folds his arms awkwardly across his chest.
“I can be mad at you and think you're cool at the same time. I'm a multitasker.”
“You're a very specific kind of ghost.” says Blurr. Then, apparently inspired by the painkillers, decides to drop the conversational equivalent of an atomic bomb on Swerve's head “You died because of me?”
Swerve stiffens.
“I...Wwhat?”
“You know.” he makes a gesture with his hand that's ..unclear what it's supposed to mean. “You were working there with everyone else, and then there was that fire and I was sure I saw you down there under the rubble.”
He's silent for a couple seconds before he hesitantly continues
“And then no one could find you so most assumed you either burned or ran away. And now you're here with all your weird ghost stuff, so you must be dead.”
Swerve has.No idea what to think about it. And what to say? He's been so busy blaming himself for Blurr getting hurt that it hasn't occurred to him to think about what it looks like from Blurr's own perspective.
“Actually” says Swerve ”I'm an alien.”
“Heh” giggles Blurr ”sorry, my head’s all cloudy, I thought you said you were an alien.”
Swerve wants to run around and bang his head against the wall.
Instead, he gets up from the hospital bed. Carefully.
“You're high. I'm not going to explain things to you while you're high, you won't understand or remember them. Go back to sleep. It's the middle of the night.”
“You'll tell me later?”
Swerve hums quietly and pulls the curtains all the way closed.
“If future, sober Blurr would want my company.”
---------------
Jazz looks at him. Very intensely.
“Are you going to tell me who this mystery person you keep coming back to Earth for?”
Swerve snorts.
“What makes you think it's anyone in particular?”
“You're right, you're right~” raises his hands in surrender Jazz “So are you going to tell your friend the whole thing?”
Swerve crosses his ..metal arms over his metal chest.
“Is it that big of a deal? He thinks I'm a ghost or something.”
Being a ghost...somehow better, he thinks. If you're a ghost, it kind of automatically implies you're human. Or was a human.
“Sooner or later, he'll put the facts together~” says Jazz in a chant.
Swerve laughs.
“That's unlikely. He's got a pretty bad memory.”
_______________
His plans to stay out of anyone's sight combust with a dramatic pop the next time he projects himself to Earth. He doesn't plan to interfere, he doesn't even plan to linger. He just wants to see what's going on.
He actually just quietly sneaks into the hospital to make sure nothing's happened to Blurr since last time, but when he finally finds him then...oh shit, is that Pharma in the same room with him??? This can't be good.
They don't speak, but Pharma has clearly locked his eyes on Blurr and starts making his way towards him with the relentlessness of a industrial metal press.
Swerve does some rough math in his head. If he briefly gives his holoform back its detail and voice, will that be enough to fry his processor? He's not sure.
Pharma gives a believable impression of a shark getting close. The staff, as if sensing something untoward is about to happen, leaves the room in a hurry.
Blurr looks indifferent, but Swerve's attention is drawn to the way he squints tensely. Man, the lamps are too bright in here.
Pharma smiles sweetly and reaches out for a handshake
“Mind some company?”
Swerve's mental processes fly out the window. Oh no no. Not Pharma. Not in his fucking fanfic. He quickly changes his work clothes into a slightly more business-like looking shirt. Thinks for just a moment and adds a cap to his head to blend in more strongly with the attendants and hide his face to an extent. And then projects himself around the nearest unoccupied corner and runs out of behind it looking as anxious as he feels.
“Blurr!!! Sir, there you are!!! I've been looking everywhere for you!”
Pharma wants to say something, but Swerve doesn't even let him start. He stands in front of Blurr separating him and Farma expressively waves his hands trying to keep his head down.
“The guys you were talking about didn't bring the new hydraulics! It's a disaster, we'll have to use the one on the old models!”
Blurr, to his surprise, backs up his act almost instantly
“Really? But I thought there was nothing to take from the old models?”
“That's exactly the point! I got the paperwork this morning and...oh those assholes are going to screw it up if you don't step in as soon as possible!”
Pharma tilts his head
“Can it wait? We were actually talking here!”
Oh no, thinks Swerve I'll show you who's talking.
“Sir, no offense but this is a matter of extreme urgency. Are you implying that the safety of your patients is not important?”
“What do you mea...”
“Old faulty hydraulics, that's what you want?” raises an eyebrow in horror Blurr.
“No I'm just...”
“I had a better opinion of you, to be honest.”
“I...” opens his mouth Pharma “...WHAT...?”
Swerve shakes his head.
“And I thought his profession was to help people, can you imagine?”
“Wh..”
Blurr rolls his eye.
“Any idiot can get an important position these days.”
“Wait..”
“Tell me about it. Especially doctors.”
Pharma looks like he's about to start pulling the hair out of his head.
“Can at least one of you shut up??”
Swerve adjusts his cap in a businesslike manner
“Sir, I understand you're a bit detached from reality spending so much time in your department, but you need to take better care of your reputation.”
He raises his eyebrows knowingly
“Wouldn't want the rumors about you to turn out to be true. You know what I mean?”
Pharma doesn't even answer anymore. Pharma just looks like a discarded fish.
“…..Wha....there's rumors?”
“Of course” shrugs Swerve ”Ask Norman, he usually knows everything about everyone. And about your interesting tricks with safety, too.”
He leans in conspiratorially, effectively pulling all of Farma's attention to himself
“So if I were you, I'd stay out of any more things you don't understand.”
Pharma wants to say something. Swerve can tell by the look in his eyes. Pharma tries to come up with a witty and context-appropriate response, but this whole conversation has no more context than a typical episode of Teletubbies.
“Where does this Norman guy work?” finally finds the ground beneath his feet Pharma
Swerve shrugs.
“Block C, if he hasn't been transferred yet. He's already been fined several times for spreading harmful information you know? The guy can't keep a secret.”
Pharma throws his hands up angrily and storms away. Probably looking for context. Or revenge.
A quiet cough sounds behind Swerve's back.
“So. Should I be worried about Norman's health?”
Swerve feels the hair on the back of his neck shiver and slowly turns to face Blurr while still looking somewhere on the floor.
“Uh...only if you're concerned about the fate of fictional characters. I made up Norman's wife, she'll be upset if he gets fired for gossiping.”
Blurr chuckles. Then goes silent. Then, after a couple seconds, starts laughing again. That's a good look for him, Swerve thinks. It's not like Blurr's usual velvet-smooth laugh that he uses at social events. It's more like a quick, jerky giggle, and in Swerve's subjective opinion, it's pretty damn cute. He can't help but grin.
Blurr snorts one last time, cutting off the laughter.
Then he reaches out his hand to him.
Swerve reaches back, expecting a handshake, but Blurr ignores his hand and instead goes for his cap and lifts it by the brim.
Swerve, not expecting this, freezes with his hand outstretched.
Blurr freezes as well, still holding the cap in his hand and looking...like he's rethinking his life. A little.
Ugh, and how to explain it all to him....
“Uh...you...uh...probably don't remember me. I...it's...”
Blurr shifts his gaze from Swerve to the cap in his hand. Then back to Swerve.
“You're real???”
Swerve awkwardly waves his hands in front of him
“Ah not.., not really. Do you know why Pharma was looking for you in the first place? He doesn't work with patients anymore, he's been reassigned to the research department, right?”
Blurr shrugs.
“Last time I saw him, he said I might have implant rejection in the third ..uh..what? stage? or something? I think he's trying to get me in for a checkup.”
Swerve twitches.
“Third??? How are you still standing???”
He then quickly reaches up with both hands to Blurr's head and tilts it so he can see his face better. Using one thumb, he pulls his lower eyelid slightly and mentally catalogs. Temperature normal, pupil normal, eyes are steady, no darkening or trace of blood on the eyelid. Implants? He puts both palms up and gently feels the places behind Blurr's ears. No signs of rejection or malfunction.
“No no no” sighs Swerve ”You're fine, it's only stage two. I mean, second sucks too, migraines and all, but you just need to rest and no bright lights and...” he finally notices his hands are still on Blurr's head and pulls them back as fast as if he's been burned ”I MEAN I'm uh...sorry, I didn't mean to, I...”
Blurr laughs quietly.
“I'm glad you're back.”
_____________________
He wakes up in his quarters and can feel his face burning.
When he goes out to get the energon, Jazz throws him a look.
“Is something wrong? You're all kinda...shaky.”
“Hhhhhhuuuuuuuuuuuu” imitates signs of life Swerve “Say, doesn't it bother you that Prowl isn't human?”
Jazz smiles
“ Oh, I went crazy when I found out. But we figured it out.”
“Like...on a scale from ‘bad grade in school’ to ‘an asteroid is coming to Earth’ how crazy was it?”
“Worried about what your human friends will think?”
Swerve swings back and forth on his heels
“Pfffffffffffffffffffffffffffffff. Whatnooooo, no of course not. I'd be worried if I planned on telling them at all.”
Jazz frowns
“No offense, but keeping secrets isn't your strong suit.”
“Haha” Swerve waves his servo “ Watch me.”
#maccadam#tf mecha universe#blurr#Swerve#mecha writing#mecha kef writing#mecha bs writing#if you saw any mistakes - no you didn’t#it’s six am I need to go to bed but I wanted to post it before my brain shuts down completely#mecha pilot jazz au#jazzprowl#jazzprowl happens on the background lol#Swindle#two nano seconds of Vortex#Shockwave#Pharma
1K notes
·
View notes
Text
I've been meaning to write this down for some time because there are some fundamental errors that people keep making in crowdfunding/sales that shoot their campaigns in the foot. So here's a list of easy principles.
Who am I and why should you listen to me? I am a freelance chaos marketer who has raised well over $100,000 when totaling up various crowdfunding campaigns, mostly for aid to Afghanistan. In addition I've managed to successfully market everything from stuffed plush koalas to hydration salts. Why am I putting this out here for free? Because despite a years long track record of success in social media marketing no one will hire me because I don't have a college degree, so I might as well help people out who can't afford to hire full time marketing.
If you'd like to hire me to help you evaluate your marketing and sales and teach you better skills on a 1 to 1 basis then hit me up, I am often willing to barter, esp with artists in a variety of mediums!
Anyway on to HOW TO CONVINCE PEOPLE TO GIVE YOU MONEY:
TL;DR: use positive messaging that humanizes everyone involved and make it as easy as possible for people to give you money.
1. Shame and guilt are demotivators. They will not inspire people to give you money. “Why aren't people helping” “I guess people don't care” “This isn't getting enough shares/donations” etc etc. Online fundraising is often frustrating, heartbreaking, and will make you angry, especially when there's a humanitarian crisis involved. It is critical that if you are raising funds for someone else that you have a place to vent that is not the audience you would like to donate to the cause.
2. Use motivating messages instead! “You can help!” “Even a small donation is important because it tells Recipient they're not alone, and people care” “We can't fix the whole world, but we can make this one thing right, and that means something”. Emphasize that this is a problem that the reader can help fix with even a small effort. With items for sale, tell a story. "I drew this thinking about how safe I always felt under a tree in my childhood backyard". "I chose the colors in this shawl to remind me of sagebrush and piñon pine in my favorite place."
3. Make it easy for people to give you money. Never talk about your product or cause without a link that leads directly to where people can give you money. They should be able to click one link on your post and land at the fundraiser or your shop. Every required click is going to lose people, so minimize the number of them required. This also means if you have a list of fundraisers for people to choose from the ones at the bottom will be neglected - people will hit the ones at the top. Be sure to take those off when they're met or periodically shuffle the list around to make sure everyone gets a chance to be in the first 5 spots. In online stores people will often only look at the first page or two of items so be sure to shuffle things around and remove out of stock items that are taking up prime real estate.
4. Humanize the recipient - this can be tricksy when raising charitable aid because you don't want to be exploitative. But to use my last Afghan campaign as an example, “We need to raise $500 for an Afghan family” is less effective than “This Afghan family's home was damaged in heavy rains that caused extensive flooding. They only need $500 to repair and rebuild so they can stay in their home and not become displaced.” If possible, tell as much of the recipient's story as they consent to. Eg “Fred is seven and loves dinosaurs. His favorite is brontosaurus, and he carries a stuffed one with him everywhere. He wants to be a paleontologist when he grows up and discover a complete brontosaurus skeleton that he can give the same name as his stuffed friend. Unfortunately he's also a trans boy living in Texas and his family needs $1500 to rent a Uhaul and get to Colorado so he can grow up in safety and do that.”
5. If you're not the recipient, humanize yourself while you're at it! “I'd be really grateful if you all could share or donate” “This fundraiser really means a lot to me because…” “Thank you so much for any help, whether sharing or donating”
6. Treat the audience like humans. Speak to them like they are people you're having a conversation with, not ATMs. This ultimately is the goal of not using shame/guilt and humanizing yourself and the recipient.
7. Set low goals and bump them up when met. One of the weird things about people is they prefer to give to successful fundraisers. Yeah I don't know either. So you're more likely to get the full amount you need if you set a partial goal initially and then raise it when that's met. Raise it in small increments and raise it repeatedly as those goals are hit to keep momentum going. You can't always control this so if you're boosting someone else's fundraiser you can do it artificially via asks like “Hey y'all can we get together and put $500 on this?”
2K notes
·
View notes
Text
how to embrace being alone⋆.ೃ࿔*:・✍🏽🎀
learning to be alone is such a crucial thing to learn at all times during your life, but especially during your youth. and something to understand is that sometimes, protecting your peace comes at the cost of being alone but being alone is peaceful! and not as bad as you might think that it is.
being alone offers an opportunity for self discovery and growth and rest and relaxation and reflection and the list goes ON. being able to enjoy your own company is a SUPER power bcuz it genuinely nourishes you so much.
ENJOYING UR OWN COMPANY ;
you dont have to be codependent on someone else to make yourself happy or to make yourself feel good. what fulfills you and nourishes you isnt the relationships that u have with others. although that is an amazing and fulfilling thing, the most fulfilling thing is learning yourself. being alone REPLENISHES you, its like, hydration for the soul.
dont wait on someone else to do something that you wanna do!! if u dont have anyone to go with, just go on your own. you dont have to wait on others to be happy…💬🎀
PRACTICE BEING ALONE ;
go on solo dates, practice planning to do something fun and just doing it by yourself. once you start doing things alone and you see how nice it feels, you'll want to do it more bcuz its so easy to enjoy your own company, you just have to get over your fear of judgement or of being alone and learn to enjoy and embrace it.
♡ have a spa day
♡ learn to cook a new dish
♡ read a book
♡ have a journalling session
♡ schedule appointments for urself
♡ go on a long drive
SOME BENEFITS OF ENJOYING UR OWN COMPANY ;
♡ u can be urself without filter
♡ less distractions and u give urself time to ponder and look internally
♡ ur in control of ur space and time
♡ u can be creative and imaginative without reference
♡ its peaceful
BEING UR OWN BESTFRIEND ;
treat yourself how you'd treat someone that you valued a lot. be compassionate and understanding and respectful. dont talk badly about yourself and dont be mean to/punish yourself bcuz u wouldn't do that to someone that u loved and cherished…💬🎀
dont abandon yourself in times where life can become stressful. focus on being present and dont forget your worth. your self worth and value doesn’t come from how useful you are to others, your valuable simply because you are you. a human being who is deserving of love. your worth doesnt come from how productive you are or what you’ve achieved, instead your worth is already done and your valuable because of your existence.
COPING WITHOUT FRIENDS ;
everything is temporary and meaningful relationships will always find their way to you. just understand that some ppl are here temporarily and some ppl are here for a lifetime but only you are here for all of it which is why its important to be alone and be comfy with that.
not everyone is gonna like you or wanna be your friend and thats okay. it has nothing to do with you and is almost always simply because of different personalities and its not personal
brush off rejections bcuz rejection is just redirection. when you dont take everything personally you'll notice how much happier you'll be overall.
know that the meaningful relationships and connections that u crave will come!! no one is here to be alone forever so you'll meet the people who pour into you and you'll meet ppl that u can pour into and you'll be okay!!
overall, enjoying your own company does wonders for your mental and physical health and its a useful skill to learn in general because it brings so much peace from being able to sit with your thoughts…💬🎀
#advice#it girl#becoming that girl#self care#self love#that girl#it girl energy#dream girl tips#dream life#dream girl#self improvement#self development#self reflection#self growth#self healing#honeytonedhottie⭐️#alone time#productivity#protect your peace#inner peace#inner thoughts#relaxation#dolly#girl blog#im just a girl#girlblogging#just girly things#reflection#tranquility#dream girl life
2K notes
·
View notes
Note
HI MAE so i didnt send the shy remus x reader ask but i saw that u wanted ideas and i had one. what about reader who's very cocky and like confident and stuff and remus is intimidated by her usually but then theyre at a party or smth and shes all drunk and shes all over him telling him stuff like how shes got the biggest crush on him or like how hes genuinely one of the most attractive people shes ever met and shy remus is js like 😳 while also taking care of her bc shes so drunk and simultaneously trying not to combust
Hi my love, thank you so much for your request!
cw: alcohol
shy!Remus x fem!reader ♡ 1.1k words
Really, it should be Sirius’ responsibility to look after you. It is his party, after all. But Sirius has a love for delegating unwanted tasks and also a love for meddling (which Remus theorizes he got at least partly from James). So, naturally, you’re in Remus’ lap.
“You guys are so nice,” you croon, words strung together like cursive and fingers toying with a loose thread of Remus’ sweater. He’s resigned himself to letting you unravel the whole thing without complaint. “All of you, all your friends are the nicest…the warmest people I ever knew. How’d you do that?”
Remus smiles down at you. “I think James has always been good at bringing out the best in people.”
He’s not entirely sure how you came to be lying on your back on the couch, your head on Remus’ thigh and your hands reaching for the dangling thread above you like a cat enjoying some lazy play. If he asked you, Remus doesn’t think you’d know, either. It makes a lovely view for him, your eyes uptilted in his direction and features relaxed and unguarded as a result of the series of tequila shots Sirius had cajoled you into not realizing you’d already had a few drinks. Remus very much enjoys having you this close and being able to look at you so casually, even if your brassy, larger-than-life demeanor often terrifies as much as impresses him. Even if your head on his thigh makes his face feel like a fire hazard.
“Don’t think he had to work very hard with you. You’re such a sweetheart already.” You say it so simply, an obvious truth, and Remus finds himself staying perfectly still like a rabbit in the woods that thinks it might yet escape your notice. His heartbeat pitters in everywhere from his cheeks to his fingertips. He worries he’s going to have to make a response, but your eyes widen suddenly. “Oh! Sit still.”
No problems there. Remus moves only his eyes as you sit up from his lap, tucking your feet underneath you and reaching for him with your lip trapped between your teeth in concentration. You touch a fingertip to his cheek and smile victoriously.
“Got it.” You turn your finger, showing him. “You had an eyelash.” You blow it off your fingertip and onto Sirius’ rug. Remus marvels at the unthinking loveliness of you. “Have I talked to you about your eyes before?” you ask conversationally.
Remus blinks, ceasing his tracking of the eyelash to look at you. “I don’t think so,” he ventures, though he knows you haven’t. He remembers most exchanges you’ve had, and he definitely would have remembered that.
“Oh.” Your brows purse softly. “Must’ve been with someone else,” you murmur, almost to yourself. “Anyway, it’s important to me that you know, they’re really beautiful.”
Remus startles, partly at the compliment but mostly at the touch you lay on his cheek, your fingers cool and gentle, like you’re steadying his face for your perusal. You look into his eyes attentively.
“They’re brown,” Remus says in a soft voice.
Your lips tilt like he’s said something funny. “Nobody’s eyes are just brown, Remus. There are so many different kinds.” Your index finger draws a short line across his cheekbone. Remus can’t tell you mean for it to or not. “Yours are sort of like a…like a gradient. They get lighter farther down.”
Remus decides to study your eyes as you study his, and he sees what you mean. The shadow of your lashes makes your irises look darker at the tops. It’s difficult to tell, though, with your pupils eclipsing so much of them.
“They’re, like, a warmish brown,” you’re saying, gaze unwavering. “Like the color you want your tea to be. You know, there’s some fact or study or something that says brown eyes make people feel safe. Did you know that?”
“I didn’t,” Remus says. The weight of your attention is taking its toll on him, his body aching to sink into the couch cushions. He wants to ask if brown eyes have that effect on you, but he doesn’t have the nerve. “Is that so?” he asks instead.
You shrug. “I dunno. Works on me.”
The breath stalls in Remus’ lungs. You’re looking at him like you haven’t said anything out of the ordinary, expression wide open and somewhat unfocused.
You yawn, removing your hand from his face to half cover your mouth. It’s an awfully endearing show, and over too fast. “I guess that’s probably why—” You cut yourself off with a hiccup. Your eyes flare like you weren’t expecting it, hand jumping back up in front of your mouth. Remus grins before he can stop himself.
“Oh.” Your smile is an afterthought, a response to his. “Sorry.”
“It’s okay.” Remus isn’t even certain what you’re apologizing for.
Your eyes have that sweet, attentive look again. “I really like when you smile.”
Remus feels heat spread up to the tips of his ears. It’s official. He’s got more in common with a live flame than a human anymore. “What were you saying?” he prompts.
You bite your lip as though you’ve forgotten. “Oh!” Your eyes light. “Just, I guess that’s probably why I have such a giant crush on you.”
Remus’ heart thuds. He breathes, “What?”
“Yeah.” You roll your eyes, grinning at yourself. “It’s relentless.” Hiccup. “Super embarrassing. But—but you’ve got those eyes, and your freckles, and that sweetheart face…” You shrug again, helpless. Ride out another hiccup. “What am I supposed to do?”
Remus stares at you. It seems impossible. You have a crush on him? It’s out of the natural order. The world’s gone to chaos. It’s supposed to be the other way around! Remus pines silently after you, you eventually find some big, cocksure bloke who can match you, and Remus continues to pine whilst you go on with your brilliant, dazzling life. That’s the way it’s meant to be.
“I would…” Remus finds his mouth forming around words he doesn’t recognize until they come out. “I’d know a thing or two about a crush like that.”
Your lips part, but you don’t look offended. “Well, yeah. I’d hope you knew I fancied you, I’ve only been seeking you out ever since we met.”
Not what he meant. Remus did not, in fact, know that.
“I didn’t notice you were,” he admits.
Your head tilts. “Really?” There’s an obvious follow up question—then what did you mean just now?—but for one reason or another, you don’t ask it. You only lean onto his shoulder, your head slipping a few inches down his arm.
Remus channels all his bravery into an arm around your waist to keep you from slumping further. He vows to himself to tell you tomorrow.
#shy!remus#shy!remus lupin#remus lupin#remus lupin x reader#remus lupin x fem!reader#remus lupin x you#remus lupin x y/n#remus lupin x self insert#remus lupin fanfiction#remus lupin fanfic#remus lupin fic#remus lupin fluff#remus lupin imagine#remus lupin scenario#remus lupin drabble#remus lupin blurb#remus lupin one shot#remus lupin oneshot#marauders#marauders fanfiction#the marauders#marauders fandom#hp marauders#marauders era#marauders x reader
750 notes
·
View notes
Text
I've been rewatching Avatar: The Last Airbender because why not and I'm losing my mind at Zuko's proper introduction. I don't know if it's hindsight, shifting characterizations, or just me not watching this in a long time, but this was amazing.
We start off showing he's an impatient and very angry kid. Reasonable, and the sort of flaw we might expect to see in a villain. Kinda funny that he expects to go up against an adult and fully 4-Element realized Avatar, but the kid is desperate and Iroh clearly expects his nephew to get the banishment-denial kicked out of him.
What's important here, though, is Zuko's introduction to the Southern Water Tribe.
Here, we have a very intimidating entrance where his entire ship just sails through the ice right up to the village's front door. It's quite ominous and this is our first proper introduction to how the Fire Nation interacts with a foreign people.
Sokka charges, I'm assuming fully prepared to die, and Zuko casually knocks him out of the way. Okay, so clearly the Water Tribe are entirely outgunned.
He asks "Where are you hiding him?" and the people of the Water Tribe go silent. I assume they're either just too scared to talk or actually protecting Aang.
Whatever the case, it's important to note that the Southern Water Tribe know the terror the Fire Nation can inflict. We have a whole episode dedicated to tracking down a division of raiders. Sokka was able to not only identify the ash-mixed snow as signs of an incoming attack, but estimate how many ships the amount of ash measures to. These are a people who have experience being terrorized and are probably expecting something terrible to happen.
And then, after they don't answer, Zuko grabs Gran-Gran. There was a horror sting to it, and everything the tribe knows about the Fire Nation suggests that Zuko is about to threaten or straight up hurt her to get answers. Classic "terrorize the elderly" bad guy stuff.
And then...
He goes "He's (the Avatar) be about this age and is a master of all four elements!?" and lets her go.
And all of a sudden, the tension that was built up is shattered as Zuko went "I know, I'll give them a reference for the person I'm looking for because clearly they're confused and I wasn't specific enough."
This went from a show of villainy to a show of Zuko being totally socially awkward and misreading the situation entirely. Not helping is that when he does try to menace them a moment later, his fire is slow and angled quite safely.
It still worked on the Water Tribe because they're understandably scared, but all I could think of is that this was the equivalent of a playground bully trying to make someone flinch with that fake-out lunge thing.
Because the fact-and something we'll come to learn-is that Zuko is TERRIBLE at being a Fire Nation oppressor. He's capable of doing morally dubious things and is a competent fighter. But he's lousy at terrorizing people and cruelty-that's kind of the point of his banishment.
And while we can see the story paint this picture of Zuko's true character as the story goes on with hints of good and conflicting loyalties, here we get to see just how bad he is at being "the bad guys". He's still unambiguously being the villain of this scene, and it makes no real difference to the oppressed themselves, but there is a comical gap between where Zuko thinks he is, where he actually is, and somehow it still puts him on the same page as his victims just because of how terrible the Fire Nation's influence is on everyone involved.
#avatar the last airbender#atla#you're not an imperialistic conqueror you're a BABY#a BABY BEAN#diffused tension#bad at being bad#can you imagine how horrible this would have played out if Azula was the one that came?#psychronia
2K notes
·
View notes