#and i chose a blue orange color scheme

[glimersims]

Sage & Magnolia

hi guys is it bad that i looked at a candle in my house and was like: wow, that would be so cute as a pair of hairs for the sims 4!!!! yeah my life is just not real atp. but anyway they are a little shitty so i apologize.

bgc

teen to elder

female only

24 swatches

disabled for random

not hat compatible

T.O.U:

don’t steal/claim this as your own, and do not put this or any of my content behind a paywall. Other than that, feel free to use this however you like! tag me in your posts :))

Download - free on patreon

Download - dropbox

[emry-stars-art]

Might i humbly request the jelly!neil au??

I really like neil's design as a jelly fish (also have you ever considered giving him other colors outside of orange for his jellyfish-ness??)

Well I have NOW, this was perfect to doodle after a long day

I also learned while doing these that Portuguese man o’ war are not technically jellyfish but we included him anyway 💕

Also mentioned was a species swap (thank you @jtl-fics ) so I have shark Neil and jelly Andrew too :D

[theghoststandingbehindyou]

today i built a house in the sims 4, its almost done, just the bedrooms left

i wanted to do something cool and modern and maybe even minimalist

turns out the only style i can do is maximalist every color clutter everywhere but i’ve made peace with that

[u3pxx]

How do you choose the colors in your art? Your color palettes always look so cohesive and so pleasing to look at!

ah, this is gonna be pretty long so i'll talk about it under keep reading :^]

now i am no expert!!! i am just a guy!!!! i'll just be talking about how i do it! ok!

PART 1: COLORS??? HELP.

i really like going with warm stuff on my art so it's kind of a given that most colors i use end up wounding up on this side of the color wheel

so, let's say i'm coloring trucy, a character who wears blue, i end up choosing warmer looking blues, sometimes i end up choosing purple or gray if the other colors i chose makes it look like blue, yannow, color theory and stuff. like this for example!

now the first one is noticeably blue, but the second one is like a lavender and third one is like, really not blue! it's like a desaturated rose color or something, however, paired with the right colors...

they're all "blue", aren't they?

PART 2: CHOOSE WEIRD COLORS

by weird colors, i mean colors that aren't like what the thing looks like irl. like, a leaf is green right? but, it doesn't have to be when you color it!

like when i color things gold sometimes, i use a light and desaturated red-orange for it or how like with the color blue, i don't even use blue at all!

now just because i use warmer tones a lot doesn't mean i don't use the colors from the other side of the color wheel, it depends really, if the color scheme i'm going for is monochromatic or if i really wanted to make something pop

but of course, you can't just color willy-nilly, you gotta take into account

PART 3: CONTEXT AND MOOD

where and when is your drawing set? what's the mood? are we having fun here or are there Horrors?

see how it changes the mood? the things we're supposed to be feeling when we look at the drawing? yeahg. ill use warmer colors when i want the drawing to look happy dreamy etc but ill break out the blues and greens when we're in sinister town pftt

also, just wanted to share again how other colors can change what another color looks like:

PART 4: GRADIENT MAPS AND OVERLAY LAYERS

now as for making colors more cohesive... seriously, just slap that thing on top of your piece and it helps the colors get together even more! like of course i choose my own colors but gradient maps + overlay layers are kind of like adding that one final thing.

i'll use this one as an example, left one is no gradients maps/overlays and the right one is with them. i just really prefer some good ol' ourple tones in my art so there are a couple of things i add on top to really bring out the warmth in here, like so:

PART 5: ANYTHING ELSE?

uhhh don't be afraid to use tools in your program to correct the colors you don't like ala color balance tone curve contrast brightness etc etc.

hell, you can even color pick from like irl pictures and adjust accordingly to what colors you want.

i also do have like colors that i consistently use when shading things after countless trial and error; like how i'll use purple to shade red, blue to shade with green etc etc

ig that's all, hope this helps!

[steelsartcorner]

If you wouldn’t mind sharing your secrets, can you drop a quick tutorial for the hades art style? You seem to capture it very well!

Hey anon! Thanks so much, I’m flattered you think so!

To be honest there's really no secret, just a lot of trial and error. I am an amateur, but I’ll point out a few of my observations of the amazing Hades team’s work that I attempted to incorporate into this Astarion drawing, especially SuperGiant Games art director Jen Zee. Everything below is just my layman’s observation of her much, MUCH better work. You should check her out yourself!

First off, here’s a simple split out of the whole process (this will be long, more below the cut:)

POSE & PERSONALITY

Hades art is full of personality so the first challenge was to pick a pose that illustrates just one or two aspects of the character. For example, Dionysus from Hades 1 below has a languid, draping pose that reflects his chill-guy party vibes. Just looking at him you get an immediate idea of his personality.

And as much as I love the later wet-cat version of Astarion as he matures as a person, for the purposes of illustration in this style I chose a pose and expression that leaned into his early, less complex, more wily self. The dagger, wink, jaunty hips and head tilt are meant to communicate, without additional context, that he’s both trying to be appealing and is not trustworthy. 

LINEWORK & SHADING

Next is the linework and blocking! The Hades art team tends to use a combination of near-mono-thickness black lines, where exterior lines are thicker and interior lines are thinner or have no lines at all. They will often forgo an interior line to communicate form via color blocking instead. The style also makes heavy use of absolute black for the deepest shades, especially on more sinister characters or spooky aspects of a characters design. (See: Zagreus’ three dog head skulls and his red eye perpetually cast in deep shadow.)

It took some back and forth to find the right balance of black shading for Astarion. Too much and he looked too sinister and not approachable enough. Too little and he looked too innocent. 

Picking a strong light source helped with determining the direction and placement of the shadows so that just enough was obscured/revealed. It also helps in differentiating forms from each other so that, for example, the arm doesn’t disappear into the chest and become unreadable.

Using heavy black shading was a particularly useful trick in Astarion’s case, because his camp clothes color palette is fairly monochromatic between his light hair, pale skin, and white/cream shirt. That much light color can easily blend in too much and become boring: the flats I used were slight variations of white, from a warm reddish-peach to a yellowy cream to a cool light gray for the dagger.

COLOR & LIGHTING

Last is color! In Hades 1 and even more so in Hades 2, the lighting schemes are deceptively complex. There are often multiple light sources and use of bounce lighting to add a lot of visual interest. For example, check out this lighting on Polyphemus from Hades 2:

Not only does he have a cool moonlight hitting him from above, he also has a warm orange rimlight lighting him from the left, AND cool lavender bounce light bouncing off the ground and hitting him from below. All these combine and layer on top of one another to help emphasize the forms of the cyclop’s musculature and the textures of his sheep wool coat. 

I don’t think I was as successful in my own lighting scheme, because I’m an amateur, but I determined that the scene in which I was placing Astarion has a high sun and was outdoors. This means that the light hitting him from above would be a light, warm yellow and the bounce light hitting him from the left would reflect the nearby water and blue sky of the environment. 

To achieve this, I made use of different layer modes in my art program (Clip Studio Paint) to apply purple shadows (via the Multiply layer mode) and highlights (via the Soft Light layer mode) in a light sky blue and a light yellow for the primary and secondary light sources.

I ran into trouble with the blade, because it was also a light metal in an already light-color-heavy color scheme. At first, it was blending in too much and hard to read. So I decided to give it a bit of a magic teal glow to help it stand out, which meant adding a few specks of magic light reflecting back onto the face and clothes as well. 

INTEREST & DETAILS

Speaking of, Hades style art makes extensive use of adding little speckles of high-saturation color to add visual interest and cohesion. See this Zagreus portrait which is primarily made of grays, a tan bone-color, and reds: 

But sprinkled in are neon teal and magenta that don’t relate to the lighting at all. It’s just there to break up the blocks of color, bring unique colors like his green eye into the rest of the portrait, and direct the viewer’s eye. These highlights are slightly less bright in Hades 2, but still there, such as in this depiction of Apollo, who mostly glows with a warm sunlight but also has random pops of sky blue and green flecking his armor and hair.

The pops of color are often placed more centrally on the figure to keep your eye on the important parts of the portrait, like near Apollo’s face and on his armor. The color pops aren’t as frequent at the extremities; too much on the arm and your eye would be drawn away from his face.

I took a similar approach where I grabbed some of the brighter colors (like Astarion’s red eye, and the teal glow of the dagger), to add dabs of color that normally would not “make sense” from a lighting perspective, but add a little visual interest:

Also I totally studied their approach to Apollo’s curly hair to create the impression of Astarion’s curls!

Anyway, I think that's all I got for now, I hope this helps! There's more but this is already REALLY long so I'll stop here. In the end, it's really just a process of observation and replication of things you love in artwork you admire. Give it a try, it's a lot of fun :)

[thekingofwinterblog]

So just a bit of Rumiko's originally planned color scheme i have never seen anyone comment on.

Ryoga's entire assemble was originally supposed to be very glaring pink, whoch has several meaning in Japanese, as it's speciffically a very masculine color... But with a twist.

In Japanese, Pink is the color of Sakura, and in terms of masculinity, is used to symbolize Samurai who died before their time, in the prime of their lives.

Which you could easily connect to Ryoga's feelings that his life effectively came to a premature end at Jusenkyo.

Meanwhile, Shampoo's most notable different feature is that she was originally meant to have scarlet hair.

Now this is of course a reference to the fact that Shampoo, more than any of the other of Ranma's love interests represents war, fighting, ruthlessnes and martial arts.

In the context of Japan, it also is the color of authority, happiness and strength.

It is also meant to be a clear cut contrast to Lum, the Heroine of Rumiko's first hit series, from whom Rumiko took a lot of inspiration, but ultimately made her a mirror of, as defined by Shampoo's red, to Lum's generally green.

As for Ranma's design, while there is of course the more notable fact that Manga ranma always had black hair regardless of form, there is also the original color of Ranma's famous amrtial arts uniform, which rather than the familiar red and black/blue se all know and love, was instead a very distinct orangish yellow.

Rather than any symbolism, thia is instead a reference to one of Ranma's contemporaries/predessecors, Dragon ball, as Manga Goku's Kame Gi as shown on the cover above, is almost the exact same shade, much brighter than it's animated counterpart.

Overall, Rumiko just loved this color scheme in general, as a lot of art has ranma in orange duds.

Its even the main color on the final volumes of the series.

Similar to Shampoo, Ukyo also has an element of red that was dropped in the anime, in the form of her ribbon, the trim of her short, but also her lipstick and Eyeliner.

It also symbolizes strength, power and war... But in a much more subdued manner, as while Ukyo is just as monstrously strong as Shampoo(With word of god estimating her raw, brute strength on the level of Ryoga, though lacking his monstrous durability), she lacks Shampoo's comfortable with violence, nudity and such, with her loss against Ranma in large part due to feelings of personal emberassment at her own nudity that Shampoo has never shown.

She also in general just lacls Shampoo's comfortable with true, murderous violence as the go to answer to her problems.

Hence while it was meant to be a defining color on Shampoo, on Ukyo it was meant to be a very small yet noticable aspect of her coloring.

It is also the color of sacrifice, and more than anyone of Ranma's finacee's, Ukyo is willing to change herself if it means winning Ranma's heart.

Later down the line, this red color would also link her to her introduced at the last minute love interest Konatsu, who wore red in general.

Also, speaking of character who never got the animated treatment in the original series, Ryo Kumon stands out as not only was he given a color scheme by Rumiko, but his color scheme was speciffically influenced by the Animated color scheme of Nodoka as having purple hair, in order to contrast him with Ranma as looking far more similar to Nodoka than her flesh and blood son.

Its an interesting choice as manga Nodoka had black hair, which meant Rumiko specifficaly chose this color design to make the similarity between him and Nodoka much more obvious for when the arc was adapted for the screen(Which didn't end up happening in the first anime).

[hothammies]

an analysis of clothes in st (part i) - the meaning of yellow within the party

so, this analysis is one that has been in the making since before s4 came out - i literally had to dig through old discord messages to look for what i was talking about two years ago. i'm hoping to make this into a series because i loved analyzing the outfits back then and i wanted to share what i thought about them! the costume designers put so much thought and effort into all the clothes and i'd love to try to understand why they chose what they did for specific moments. heads up! - this analysis series will mainly cover the party members. outfits are important within the entire context of the show as well, so i may include other group members from time to time. however, my primary focus on st has always been the party members, so i'm gonna be giving them the main focus in all of the posts.

--

let's start with my favorite meaning for the clothes: yellow.

when party members wear yellow, they tend to be in situations where they are trying to fit in or act normal, typically when regarding relationships, but could also be within society, a situation, or in general. i have four examples of yellow being used as a signal that these characters are put in situations where they're trying to fit in / act normal - one of max, one of the entire party, and two of mike. let's start with max!

------

example one: in s2e3, we watch max trying her best to fit in with the boys when dustin is showing them dart. despite her attitude when they first meet her, she obviously does want to be friends with these guys regardless. in this episode, max wears a yellow hoodie while all the boys wear variants of the same neutral grays/whites, dark blues and reds, showing the difference between max and the other party members. she has not "earned" her keep yet, and she's trying to fit in but she is not yet in the know of the upside down.

even el is wearing similar colors to the rest of the boys, another clear sign that she is "in" the party too, despite being away from them. they did something similar in the previous episode as well, where the boys + el wore matching costumes (boys were ghostbusters and el was a ghost), while max wore a costume that didn't have her fit in (michael myers).

all of the current party members have the colors gray, red and/or blue that tie them all together in that scene, so max's yellow hoodie makes her stick out like a sore thumb. a side note is that mike and will are the only members to have all three colors on them, and matching color outfits between couples tend to be common in the show.

--

example two: in s3e1, the opposite happens. everyone in the party except dustin is wearing a combination of blue and/or yellow. dustin is wearing primarily green, which i will explain the meaning of in another post. all i'll say about it now is that the color green most likely has to do with being comfortable or confident in your own identity.

will, however, is a special case, because he was actually not wearing yellow in that scene, only blue and a stripe of red. personally, i thought it was to set up how will's growth that season wasn't completely about societal expectations regarding romantic relationships like the rest of his season group. his character arc was much more about having to grow up and understand change when he doesn't want to because of the trauma he'd experienced the previous seasons. this is actually also reflected in his clothes - will is the only one that season to not wear any new colors (he only wears the three primary colors -> red, blue and yellow) while the rest of the party got to wear both secondary and primary colors (mike wore teal, el and max wore many different colors, lucas wore purple, and dustin wore green + orange).

back to the party - in that scene, the couples also match each others outfits. mike and el's have the same color scheme, being mainly blues with a small hint of yellow, and lumax having the perfect blend of yellow and blue together. this may be a stretch, but its a possible hint to show that lumax fit together, while mike and el don't.

the party members that were dating each other wearing yellow that season was to show their attempts to act normal via relationships. season 3 was also the one that the duffers kept referencing as the summer of love, despite all the couples that season being dysfunctional.

--

examples three and four: now, we're at the section of mike wheeler, my favorite closet case. he is the main reason as to why i noticed that there was a small pattern with the color yellow being used in the party's wardrobe.

i think we've all noticed that mike has a tendency to act very... straight when he's wearing the color yellow as his main color. this can be seen in both s3 and s4, especially during the episodes where mike is hyperfocused on his relationship with el.

when mike was wearing the first outfit in s3, he was searching for a way to make it up to el because he lied to her. though he was trying to act normal or learn to be normal for their relationship, he wasn't doing a great job of it. during that entire section, mike was going through the motions of learning how a straight man is supposed to act, with lucas by his side giving constant straight man advice. he was also not getting it.

now, onto what is possibly my favorite outfit in the entire series - mike's s4e2 outfit. first of all, he's wearing a yellow shirt over a purple undershirt, presumably for el because that's her favorite colors apparently. obviously, mike is not himself in this outfit, but he's trying to fit into this california tourist look for his girlfriend.

in this outfit, mike was trying extremely hard to only focus on being el's boyfriend and not will's best friend. we know how that went, and this outfit helped us realize how badly mike was doing trying to follow that mindset.

before s4, we were never given any indication that mike's style would be like this. michael wheeler should not be wearing an outfit that has a yellow hawaiian shirt, the color purple, a visor and sunglasses, and flip flops to top it all off. it doesn't fit his normal style that he's normally been shown wearing throughout the show, being button ups, polos, and for that season, black jeans and chuck taylors.

he was intentionally put in an outfit that did not follow his true identity. the shirt, thus the outfit and the het identity that mike was attempting to fit into, was literally called a "shitty knockoff" by argyle.

------

i'm positive there are way more examples that can be used, but these are the ones that stuck out to me the most. i'll leave off with some ending thoughts:

we as bylers have always considered will's main color to be yellow, but from what i've noticed in each season, the majority of his outfits have blue, same as mike (matching couple's colors)! in fact, s4 was the first time where the majority of the season had will wearing yellow, probably because of how he was dealing with his crush on mike at the time. i'd like to point out that the main colors that lucas and max wear are also the same, being red.

i'd love to do another one of these, the next one probably being about the color green because i think i have a grasp on the reasoning behind that color. other than that, i still really need to analyze the colors of their outfits again because i think the party's clothes specifically are most indicative of their behavior. since they are the youngest group, they are the ones who are the most volatile and it's reflected in everything, especially their clothes!

[luxeluminasoaps]

Maximus

So, I like Maximus. I think he's super interesting for a variety of reasons. I like that he's this super naïve, virginal character. In a bunch of ways. He's cautious but hungry. He wants glory SO bad, he's not only willing to kill for it, but unable to convince anyone that he didn't maim his best friend for it.

The fact that we were led to believe that HE MIGHT HAVE HURT DANE until the very last moment when THEY confirmed that he didn't, was so cool. We didn't know because he didn't. He might have gone that far to get what he wanted. He didn't, but because he would have, he had a hard time convincing anyone that he didn't.

So, obviously, his soap will have the characteristic color scheme of the Brotherhood of Steel. I think he may decide to abandon that organization in the next season, but he's still at the beginning of his arc and needs them, and his Power Armor.

So, his soap will be red and silver. Not entirely sure yet what design or how I'll pour it, but those will be the colors. If I were more talented, a little blue heart running through it for Lucy would be cute, but melt and pour soap is so MELTY.

And for the smell, I wanted it to be sweet. Because he's sweet. Sweet and a little childish in his demeanor. He's not a baby, and he's not innocent by any means, but he's just.. he's not spicy. Not yet. So, his scent is sweet. Pistachio and almond, vanilla, and salted caramel. But not JUST sweet, because he IS a Wastelander. The middle notes will include heliotrope and jasmine. Heliotrope is just a fancy flower haha.

So, the flowers and sandalwood are what ties Maximus to Lucy in regard to soap.

I think this might end up being my favorite scent, but we'll see. I love sweet smells, but I also love the idea of an orange patchouli like what I chose for The Ghoul.

NEXT UP: The Vaults

[its-stimsca]

HI HIIII I absolutely adored the red guy aromantic board u made !!! Could you do an arty Wally Darling one? I like his red orange yellow blue color Scheme ❤️🧡💛💙

This was so fun to make! Funny enough 3 out of the 4 multicolored gifs I chose ended up having eyes in them by complete coincidence and I only realized it as I put the board together, but Wally’s a spooky guy he gets some eye motifs as a treat. Happy holidays! :]

Center gif is by @cutepotatook !

🖌️ 🍎 🖌️ / 🍎 🖌️ 🍎 / 🖌️ 🍎 🖌️

[stepswordsen]

【KHR AU】 XanLena Chibi Commission by Hika ❤️💜🔥🪷

XanLena (Xanxus/Selena) Chibi Icon Commission by Hika (@/onigiwi2namayo)

Hika's Twitter: (X)

Hika's VGen: (X)

In accordance with Hika's Terms of Service (TOS), editing, using, or reposting these arts, in any way, is prohibited without explicit permission from Hika, and me, the commissioner.

Intro

I commissioned Hika to draw my beloved XanLena ❤️💜🔥🪷

Selena is my beloved KHR OC and wife 💜🪷

Her name is Nguyễn Selena, and her Vietnamese name is Nguyễn Nguyệt Vân Liên. Her Viet name, Liên, means "lotus" in Sino-Viet 🪷

She is a Viet NB assassin with a calm and aloof personality, who's reserved and mainly keeps to herself, but cheerful around people she's close to. Her design is NB flag colours 💜🖤🤍💛

She has an interest in gardening (collecting flowers, plants, learning about different types of poisons), and fashion (collecting clothes, including traditional clothes) 💐👗

Xanxus/Selena matching cheebs ❤️💜 The little Xanxus and Selena... I'm SOOOO happy!!!

My friend Snow and I used Hika's XanLena chibi icons as matching PFPs on Discord for a bit 🥰 They're just that cute 💘

Rambles

WAHHHH THE XANLENA CHIBI ICONS ❤️💜🫶 OH MY GOD THEY'RE SO CUTEEE MY BABIES!!! 🥺💗

THEY'RE SO CUTE IN HIKA'S STYLE… REALLY ADORABLE OMG I LOVE THEIR EXPRESSIONS 🥰💞💘🫶

Selena's smiley :D and Xanxus' grumpy pouty >:|

The round lines and shapes... OMGGG ✨ I love the colours too!

I love how Hika drew Selena's eyelashes and underlashes with the dots...

I asked Hika to draw TYL Xanxus' design since I felt like his TYL (Ten Years Later) design would be easier to draw.

Hika originally chose a dark blue BG colour for the both of them, but changed it to yellow and red respectively to make them stand out more!

The blue ones were nice, but omg the final versions Hika went with, do reflect their actual colours better. These fit them better! Matching eye colors (plus it makes their hair stand out from the BG more)

Since Selena and Xanxus are toned with blue/purple in Hika's colours, the new BGs have more visual contrast!

Hika was very accommodating with minor colour edits and revisions as well! 🙏

I wanna commission Hika to draw JuAli and IdaTatsu with my headcanon designs of them in the future 🥰💘✨

My Message

This was the message I left for Hika!

The finished commission arts are wonderful! Selena and Xanxus look so cute in your art style ❤️💜🥺 Really adorable~ I'm very happy with how it turned out!

I love their expressions 🥰🫶 The thick round lines and shapes in your chibi style are great. I love how you draw dot eyelashes in your chibi style!

The colours are amazing! The orange~ish red and blue tones you chose for Xanxus has such nice visual contrast!

I love how the background colours you chose match their eye colours too~ It really brings out their designs' overall colour schemes and hair ❤️💛

Thank you for being very quick and accommodating with colour revisions as well! I look forward to commissioning you again sometime in the future! 🙏 👍

Read more under the cut if you're curious!

Misc Rambles

XanLena doodles by Sen (@/stepswordsen)

I feel like the KHR ani style goes for a much more generic art style, compared to Amano's unique art style.

For Xanxus' late manga design (Rainbow arc Xanxus), Amano improves the shape of his hair and makes it more wavy and easier to draw.

Amano has an amazing art style, and really detailed lineart and inking. She's one of the biggest inspirations for me. Her style was honestly very inspirational for me...

I started drawing everyday as a kid (at 11) BECAUSE of KHR, so KHR is very important and personal to me. I first watched KHR and read the manga at 11.

Amano's style is honestly defining to my style - It shows in the way I draw faces and eyes.

I'm not big on the KHR ani's art style, but I do appreciate what it gave us with the chibi interviews, character songs, etc. It's also cuz of the KHR ani that we (somehow) get endless KHR merch.

I prefer the manga designs, but I prefer the ani's colours for the charas because the KHR ani generally gave the KHR cast more skintone variety (when everyone was pasty in the original manga)

The KHR ani did such a great job by giving the KHR charas more skintone variety... Even pale charas in the KHR ani have different skin tones from each other.

Original vs. My Edit

I headcanon Xanxus to have tanner/warmer skin.

Xanxus with darker skin (olive skin in the KHR ani, and either olive or tan skin in certain KHR ani merch arts), literally just looks better from a character design perspective, imo. That's just facts 📠

His design has much better colour contrast with the ani colours. Like the black and red colours in his design contrast better with darker skin. Also against his blood/wine red eyes. It has more colour harmony and cohesiveness in terms of the colours

Xanxus with pale skin has less cohesiveness in terms of the colours

Xanxus, Yamamoto, and Ryouhei's designs just look so much more boring, pale, imo.

For KHR, I go manga design + ani colours + my own take on the ani colours.

Since I have a tendency to saturate colours with my own arts.

As a personal HC, I think Xanxus has a very mixed ethnicity.

My Italian American friend Feuri said Southern Italy and namely Sicily has a more mixed population.

The ani colours provide a good base for me to work off of for me to improve the colours :3

I do colour edits for fun. I like playing around with colours (editing official arts to see how the colours work together) to help guide my arts. I either do colour edits first or just immediately start picking colours for my arts

...

I usually hand artists a Drive folder filled with XanLena's art refs (including my own doodles) and write some notes on their design details since this makes things easier for the artists I'm commissioning.

Selena is Vietnamese/SEAsian with light tanned skin. She has black hair with a long ponytail that goes down to around the same length as her long front hair strands, and wears a white blouse with frills and a black seam with white buttons. She wears a black pleated skirt with a white line near the ends, and black thigh highs with horizontal white diamonds, and black doll-like shoes.

Since Xanxus wears a brown fluffy accessory, red feathers (that may be dyed red -> orange -> yellow), green strings with red beads, I don't mind if the artists I comm simplify these details.

So, whenever I commission artists, I ask for them to draw my HC versions! I'm very glad that all the artists I've commissioned have been very accommodating! 🙏💖

The XanLena chibis Hika made are being used for Hika's Chibi Icon samples 🥺 Wahhhh

...

The modern remakes of old 90s - 2000s animes have such boring and bland dull colours to me.

I seriously fear that if they ever do a KHR remake or reboot, that they're gonna take away the OG KHR ani's better colours and make everyone look pasty pale (just like in the manga) just for "manga authenticity" and "loyalty to the source material" even though everyone looks so much more boring pasty pale!!! 🧍

[sketchmre]

how do you choose color schemes for your art cos they're always so good, also i looove your horror magical girls <3

<3 receiving this ask made me SO excited i love talking about processes and techniques. anon i hope you enjoy the essay

note: for anyone wondering how i get the different color strokes in my art, that's color jitter! I can answer a different question on that, but it's just a brush setting that changes the color for each stroke. This answers how I choose the base colors :)

GENERAL RULES

I think the first thing to know about my process is that I'm weirdly strict with the colors I use? I see people who color pick and wiggle the color around a bit each time and it's really cool! But my brain doesn't like me doing that, so it makes most of my color palettes a pretty closed ecosystem.

As a overview, I have 3-4 "types" of colors with their own color gradients. Be aware of tone! Don't make the types of colors the same tone. Additional colors are made from combining the types. I use 25-75% opacity for new colors instead of blending them.

This is a good example of the closed ecosystem concept:

My 3 types of color are brown, green, and pink. The circles of colors are the ones I manually picked from the color wheel. The rectangular blocks of color are the new, in-between colors.

Something to note is that my new colors aren't 25% opacity, then 50% opacity, then 75% opacity. I draw a rectangular strip of the base color and draw over it with a 25% opacity brush. Then, I draw over half of that again with the 25% opacity brush. I keep doing this until I'm satisfied with my colors.

This character is a dryad and I wanted to add more interest to the bark skin, so I used the pink for some highlights. The brown and pink are both warm colors and it made the most sense to use them together. This is how it looks without the pink accent:

It ties the brown and pink together pretty nicely, right? I usually do this because I don't really like having two types of colors that are very similar in hue. If I have a pink-red color, then all pink-reds in the piece should be a color from its gradient (or a new color made from it). This makes sure all colors in the piece have a distinct relationship to each other.

(If I'm drawing something that's predominantly one or two hues, the threshold for merging colors is higher)

If that's not the case, then I prefer to manually include a gradient relationship. This particular instance was a little weird, where the brown seems more red than it is. It's actually an orange, but because I never used a medium or light toned variant of the color it just seems red. Changing its hue to pink would be pretty noticeable, so I chose to use the gradient method here.

Here's some other examples with the types explicitly added

and some with just the swatches

As a rule of thumb, there are usually at least 3 types of colors: skin, hair, and clothing base colors. Skin and hair are generally unique, but not always.

CHOOSING GRADIENT/SHADING COLORS

This might change in the future (i want to experiment), but most of the time* when choosing my shading colors I move counterclockwise from lightest to darkest.

I originally started doing this because I use the same color for skin shading as the blush, which was tinted red. In general, this works pretty well because when moving counterclockwise from yellow the average tone of the color decreases. Purple has the darkest tone, so red/blue/purple are often my darkest colors.

*There are exceptions to this, particularly when I'm using green or blue-green. If that's the case, then I do the same thing but clockwise. Purple is still my darkest value.

It's a personal preference, but I very rarely use a yellow as the light color in a shading gradient moving towards green. You'll usually see me use yellow and then move towards orange/red OR use a yellowish green and move towards blue/purple. I'm not the biggest fan of yellow-green and use it extremely sparingly. Consequentially, this does pretty distinctly separate my warm and cool colors. It's not intentional lol

HUE RELATIONSHIPS

To be honest, I usually have two types of color schemes: Boldly different colors or similar colors with a bold accent.

If anyone has seem my art then they know i LOVE a good contrasting color scheme. I know there's actual contrasting colors-- yellow-purple, orange-blue, red-green-- but in this context I'll be using "contrasting color" to refer to the actual contrasting color and it's immediate neighbors. For example, red and blue would be contrasting in this context. Red and purple would not.

The reason I want to make this definition is because I think that you can get the same visual impact of actual contrasting colors as long as a color is the opposite mood (warm/cool) AND not next to the base color. Using the same example, red would be a warm color with green as its actual contrasting color. Yellow is also warm, so we can't use that despite it being green's neighbor. Blue works. Purple is red's neighbor, so we can't use that despite it being a cool color.

Here's some examples of color schemes with really prominent contrasting colors:

For purple/orange

For red/blue

For pink/green

As for the other type of color scheme, it's 2 or 3 neighboring colors and a contrasting color (which is usually very saturated)

In some cases, the "contrasting color" is just a very light grey/white

In both cases, you just need a color that pops from the rest! Because my color palette is so limited, this accent color ends up being used for jewelry, trimmings, embroidery, etc. It helps tie everything together.

FINAL NOTES

I can (and will!) break the rules established here. I experiment, I make the objectively bad decision, I want to try other things. That's art. If you find something here that's interesting, try it out! Make it your own! (maybe tag or dm me, id love to see it)

If anyone has any questions, please let me know! I love answering these and it's really cool knowing someone might take inspiration from this :)

[stereax]

why does the nhl have 20!!! teams that are primary red or blue, meanwhile the only 2 purple teams phased it out and refuse to bring it back full time??? (orange/gold ducks redesign looking gorg though)

props to the recent expansion teams for avoiding the same red and blue half the league use but i want moreeee. utah venom being purple with red accents or something would have been so cool (but at least the shade of blue they chose is new i guess)

any teams you would straight up change the colors of? or what color combo do you go with for a blank slate new team?

nod nod nod! so blue and red are Very Used colors in sports in general, as well as graphic design. some colors like grey and brown can be too "natural" for something like a hockey jersey and can blend in too much. other colors like purple and pink can be strong and feminine-coded, which some may shy away from. blue and red are primary colors that are generally easy to replicate. plus, they're simple to remember.

(by the way, iirc, there are also issues with teams like the bruins who tried to monopolize their color scheme!)

for changing colors: I think the Canes should go back to Whalers colors. navy/green/silver is really slick. I also wish the Lightning did more with yellow/gold. the Hawks just need an entire branding change atp. and yeah I hope LA goes back to royal purple at some point.

for a NEW team: I want to see red/green/black/white. I think that would be cool. that or break out the pink.

[blue-dream-rhapsody]

On Xcution - Epilogue Design Choices

Look I know sometimes the curtains are just blue. But Tite Kubo can be so deliberate with his character design, and with fashion choices in particular, I feel like it’s worth at least looking at it as if it’s on purpose.

And by “it” in this case, I mean his designs for the Fullbringers in his timeskip calendar set. (The four living ones, anyway).

[Under the cut for length. Once again, footnotes can be saved until the end, probably better if you do, and are just attached to the point I think they’re most relevant to.]

Even more specifically, I want to talk about Yukio when compared to the other three. Because I wholeheartedly believe Kubo chose this look for him for a reason, and not just because he didn’t want to change his style from his teenage years.

Think back to the members of Xcution (the original members, outside of Ichigo and Chad), and how their clothes looked. Think about the color scheme at play. If you can’t quite remember, here’s your hint: black and white.

Ginjo, with black jacket and pants, white fur collar, white shirt underneath, and white shoes. Tsukishima, white button-up shirt with black pants and suspenders, black shoes. Riruka, black dress with white trim, black boots, white hat. Jackie, black jacket, white pants, black boots. Giriko, black waistcoat and pants, black bow tie, white dress shirt, black eyepatch. Yukio, black coat, pants, shoes, and hat, with only a white cravat(?) and white gloves.

The outlier is, of course, the outsider Shishigawara, who underneath the standard black of his school uniform jacket and pants, wears a t-shirt thats mainly red-orange. Make no mistake, him being the only one with another color like this is likely on purpose. Chad is also in black and white at the start of the arc, but with his usual vibrant shirt underneath, because he belongs by Ichigo’s side more than Xcution’s. Meanwhile even Ichigo himself is in black and white in the lead up to the end of the arc, black t-shirt and white pants.

“But this is a manga first!” I hear someone saying. “Of course they’re in black and white, that’s the nature of the medium!” But tell me, hypothetical objector, among the other “factions,” when’s the last time you looked at the Visored’s outfits in any of the color illustrations from the main manga? Hell, by the hatched or gradient shading of some of them in just the source material, you don’t even have to see the color to know it’s not pure black and pure white, not on everybody. Or how about the blue and gray in the Quincies’ outfits? Not pure white, and with exception of accessories, no black to be seen at all.

The Fullbringers are also, much like the Visored, a group in easy access to the breadth of modern clothing in the human world. They’re not like the Shinigami who have a uniform, or the Espada who only wear anything particular because Aizen makes them. Xcution could wear color. Riruka especially, who loves cute things, seems like she should be. But she doesn’t, and they don’t. Not then, anyway.

Which brings us to this set of illustrations, ten years in the future.

How much black and white do you see?

Now white, admittedly, is a little hard to avoid. Shishigawara is in a suit, dressed for a corporate environment, and the white dress shirt is just a staple of that. (Also a staple piece of a certain someone else’s dress while he was alive, though whether that’s related or not, who can say.) Riruka’s socks also appear to be white, matching the line in her skirt. If you think her shoes are black, though, try color-picking around the area; you’ll find they’re a coordinating dark green.

And how about the stripe design on the inside of Jackie’s blazer (*1)? That’s probably black, right? Interesting, that. Keep it in mind, along with the other examples.

All three of them have vibrant colors on, with just hints of their old uniformity in traces of either black or white. But Yukio? Apart from his tiny gold jacket buttons and the light blue in the soles of his shoes—assuming it’s not just shading of more white—which would be mostly unseen normally anyway when he stands, and are only visible to us at all because of the angle he was drawn from, he is entirely in black and white. A similar look to his youth, in fact, although he has ditched the hat (*2).

The important thing, is that it’s Yukio still wearing these colors. To understand why that matters, we have to look at his appearances past the end of the main manga, in the epilogue but also the novels that take place in between.

The last we see of Yukio within the scope of The Lost Agent arc, he has a conversation with Jackie, in which he responds to her sorrow their group is breaking apart. He says that, given three years, he’ll have grown his company significantly, and at that point he’ll bring everybody still living (these four) in to work for him. He makes this promise after just having commented that he never felt connected by Fullbring to anyone among them, immediately proving that dismissive statement to be a lie—or at least that it wasn’t from their Fullbrings alone he gained a sense of connection, something especially comforting to say to the person who lost hers.

Now, three years, he said. Then his next chronological appearance (excluding Thousand Year Blood War, which is like weeks later at most) is the novel series of Can’t Fear Your Own World, which takes place just six months after the end of the conflict with the Quincies. And yet, in that time, it’s commented he had already brought Riruka back in and had also at least reestablished contact with Jackie.

Two and a half years sooner than he had told her. And by the time of the novel We Do knot Always Love You, which is itself two and a half to three years after the end of the Quincy conflict, they are both already in full instatement with his company, Jackie working in aid for developing countries and Riruka having a fashion design role at one of his subsidiaries.

(Admittedly, we don’t know when Shishigawara joins the company. However, Yukio is at least tracking him enough to know he visits Tsukishima’s grave periodically, as of just the six months until Can’t Fear Your Own World. We also see in the epilogue Chad in a televised boxing match sponsored by the company, although if that’s about Chad or about the program itself, it’s hard to tell from just the mention.)

Not only that, but Y. Hans Enterprise becomes a haven for Fullbringers beyond them. Any he finds on his own, but that’s not all.

Within the scope of Can’t Fear Your Own World, when the Fullbringer Aura Michibane sacrifices herself to prevent a disaster, she leaves in her wake a cult of previously normal humans who she’s exposed to the reality of the Soul Society, in other words concrete proof of an afterlife and real spiritual power. Humans who can never go back to truly normal life.

And Yukio takes them on. Into his company, so far as we know not into a new iteration of the cult, but into a group that fully understands the reality they’ve now been exposed to. A place to belong when the normal world is no longer meant for them.

If that doesn’t already sound familiar, we also learn in these novels that the Xcution we met in The Lost Agent is not the first time a group of Fullbringers has centered itself around Kugo Ginjo. That he had done this before, back when he was an acting Deputy Soul Reaper, with this exact same intention—creating a space for those who, like him, found themselves outliers in the normal world.

Yukio bringing the other remnants of their group back to his side is not merely about preserving their own bonds with each other. It’s the beginning step of something greater he has taken on, something he is continuing willingly and deliberately: Ginjo’s legacy, the good parts of it. The parts genuinely meant to help others, to create space for bonds like theirs which, despite how twisted circumstances got, formed regardless and shaped them all. Yukio doing this at all, despite how closed off he always had seemed, is tangible proof of that.

And this is why, in my opinion, Yukio is wearing black and white even ten years on. Still wearing the colors of Xcution. Not merely because it’s his preference, but because he has become Xcution, the axis of it, in the spirit it should’ve always been, the spirit Ginjo had once upon a time meant it to be (even if not in that second, messy iteration where they all had to realize on their own what they meant to each other, what it meant to them).

Riruka, Jackie, and Shishigawara are all still connected to it, of course, through him. But they’re following their own paths, living lives beyond it while the thread remains. They’re in vibrant color, the colors of their paths forward, with only hints of the old monochrome mixed in. White shirt, white socks, black stripes. Yukio, though, has made his life’s work into this. He’s built his company out of it, for the purpose of it, made it inherent to it. Whatever it branches into, be it fashion, television, electronics—that is all in service of it being that place for people to belong.

————————————————

(*1) literally sitting here. Face in my hands at 4am. Because I just noticed while writing this sentence that Jackie is wearing a chain necklace. Unless it’s a chain fastener meant to keep her shirt collar partly together, but it seems to go under the shirt completely so.

Like fuck, maybe it’s just fashion but. Her and Kugo having very similar trauma hasn’t escaped my notice. If for him, his necklace represents the power that failed him in protecting his loved ones… she’s wearing an homage to that same necklace… adding to her being the only one of the four, other than his clear successor who has both, to have black instead of white, hidden on the inner part of her blazer… also being the only one without her Fullbring anymore, the power that also failed her…

(*2) Unclear if Yukio still wears the gloves with his hands in his pockets. Color-picking there and the cuff of white nearby both have shading in pink, and a glove could also start lower on his hand where we wouldn’t see it regardless.

For what it’s worth, Yukio’s original design seems very much meant to convey an aversion to vulnerability with other people, preventing him from being exposed or able to be touched directly anywhere. Losing the hat at least in his adulthood, I think, is a step out of that mindset, and the gloves would serve a similar meaning should they be absent too.

Also, from the size of the image, cannot figure out if his cufflinks are just squares (possibly jeweled or otherwise a common style), or if I’m not imagining the tiny indent in the middle of the four sides suggesting it’s an X-shape… Shishigawara’s are too unclear to tell if they’re round or square even for comparison.

[monarchisms]

oh yeah, now that it's closed, here's the post i wanted to make about that rt rebrand poll i made last week. this will be pretty long and kinda rambly, so feel free to just blacklist the "long post" tag :)

so like, i made the poll because of 2 main reasons: 1. because of a mix of comments i saw on other sites from people who also didn't know what color it was supposed to be, and 2. because of myself confidently believing it was some shade of orange until i switched from looking at it from my laptop screen to my phone screen.

it being a godawful shade of red/red-orange was mentioned in the article itself, which is why my question was phrased "what color do you guys think it is?" since either red or orange is both technically correct. going more into the specifics of the poll numbers:

tumblr doesn't show the specific number of people who voted for any given poll option by default, just the percentage, so i went digging and followed this tutorial to get the raw data using firefox's inspect tool. the final results are, with 934 votes total, red at 551 votes (59%), orange at 303 votes (~32.4%), and other/a secret third thing at 80 votes (~8.6%).

red winning wasn't a surprise, really, but i was pleasantly surprised at how many people didn't have a definite answer or switched between answers like i did. i can't exactly pin down why that is, but if i had to wager some guesses...

the color scheme has a high chance of being a callback to rooster teeth's Popular Web Series Red Versus Blue™:

and with a want/need for rt to rebrand, the idea of keeping the color scheme while also making it modern and pop out is really cool, but its execution is uh...

i couldn't fit everyone's tags, but you get the gist. it fucking sucks, man.

as @god-of-arts-and-crafts has pointed out:

orange and blue are complementary colors, with them being opposite each other on a color wheel except the people who made the rebrand chose a deeper shade of blue??? they couldn't even get that right, oh my fucking god, so while its technical color is red-orange, it can be overwhelmingly orange when paired with a similarly bright shade of blue, which is what's causing many people eyestrain. hell, the first time i looked at the picture when the news dropped, it literally gave me a headache lol

finally, as i've said in the tags of a different post about this eyesore, this is an accessibility nightmare. with the worst color combination possible, the colors used for the new font and logo are definitely not ada-compliant. there are free sites out there to test images for general accessibility issues. contrastchecker is what i use sometimes, and below is what i got using red-orange as the background and blue as the foreground, and vice versa:

(both versions had the same ratio and color difference lmao)

the americans with disabilities act recommends that the contrast ratio be 7 at the lowest, but should ideally be higher than that, if possible. this is objectively and subjectively a very bad corporate rebrand, and i really, really want rt to break their "no jokes on april 1st because that's our anniversary" rule this year. if for nothing else, then just so that people who haven't read the variety article and/or the reactions on social media aren't jumpscared once the new intros/endcards/whatever else start rolling in.

[oddballism]

I redesigned the McDuck tartan for the incredibly petty reason that I just don’t like the orange and green color scheme. I still made it have the same pattern that Carl Barks designed for it. I chose two shades of blue, red, and gold because these are colors commonly associated with Scrooge.

[your-local-uwu-artist]

mysterion design >:D

notes under the cut

-i'm imagining for this au everyone's middle school aged, so still like, kids, just a bit older

-ignore the fact that i fucked up the colors on all the text i SHOULD have had the colors shift between lines it helps legibility but i didn't fsr??? i'll figure that out in later art dw

-GOD THESE COLORS TOOK FOREVER the og colors are SUPER desaturated and also more on the pink side of purple but I prefer to use saturated colors and wanted to go more towards the blue side of purple (than the colors are closer to complimentary colors between mysterion and kenny)

-ended up going with a very soft look (rounded edges and ovals and softer lines) i was thinkng off of the batman inspo actually and thinking about that scene in the lego batman movie where the brick notes batmans design isn't very hero looking, i mean it is by western standards but like when i think of a good hero and symbol of justice and hope i think of twintaild magical girls with ultra frilly skirts and cute mascots and sparkles and stars everywhere but like.. i'm biased.... anyway I chose the softer lines to make him feel softer and instead relied any edgy vibes on the colors and body language rather than the shapes (i mean i still used triangles but yeah)

-I ended up not going with brown boots cause i didn't want to have to tie in another color, and i had the epic idea of the little question mark symbols on the soles of the shoes and the m logo on the ... toungue i think it's called?

-so I originally wasn't gonna show his hair but I thought it would help to balance the colors more as the white shorts felt too bright

-i didn't plan to post this or else i would've tried to better phrase all the writing lmao

-i went with rounded feet to make him feel like, floaty?

-one smaller challenge was keeping a short stature for kenny while still making him look like, menancing and powerful, another reason why i went with the graceful floaty feet, I also had the shorts flair out with that triangle shape like they do to emphasize and blend together the general shape of the body

-miiight have accidentally made him more androgynous~ my ass spent years studying and learning how to make characters appear masculine than said 'yeah no thankyou everyone is going to be at least a LITTLE bit pretty <3'

-ah look how nice and not over crowded the doodles are... yeah say goodbye to empty space cause Cartman/theCoon's completely lacks it. I like drawing fluffy animal ears and found the need to label all the drawings "furry" or "menance" so yeah

-i'm that one bitch that says fuck canon even canon doesn't give a shit bout canon so why should i? and never draws kenny with blue eyes, always either light brown or preferrable purple. mostly cause i feel blue + blonde is too basic and I find that the purple makes for a nicer contrast and overall pallete. Cause brown kinda just blends in, cause then his entire color scheme is all within the same hue range, but purple sticks out better + leaning into the magenta side of it looks great with orange

-petition for the southpark fan wiki to acknowledge how fuckign similar Mysterion and the mysterious mare do well are

-funfacts!! considered having the buckles be silver instead of gold (changed to balance with the blonde hair and tie back in the orange/yellow hues) considered having the inside of the cape be a lighter shade of purple either pulling in more pink or blue tinted shades, changed cause it made the overall color scheme to bright

-in case you were wondering 90% of my art has the same stupid level of thought put into it as posts i do add notes onto, I just figured most people don't want a ramble about shape launguage and colors on their silly blorbo fanart posts lmao. but if you find any of this interesting or heck if you ever have a ramble about your own art my inbox is always open~ i love getting to discuss drawing :D