#and adulting is difficult

[dontvap0rdawave]

I really love your pink and blue comic

(just finished watched poketom dubbed it)

But I have a question a few questions

Is the comic going to continue?

When is the next chapter/pages

Love your artwork keep up

First off, thanks for enjoying it! Poketom did a great job dubbing it (specially as time went on) and, as I've said previous times, you should support and be nice to him, he's a genuinely nice guy!

Second, and something I need to leave clear on here too (not just my DA), the comic is on hold for now as I:

1- Manage my college time, and soon enough my working time as well, not only because I am having more responsabilities and not a lot of free time now, nut because I also am starting to care for the story 15 yo me was trying to write as I am now properly scripting pages, revamping character redesigns, and all of that. And

2- Have been getting so overwhelmed by people asking me to continue it almost every. single. day, that I´ve honestly just decided to focus on new proyects that come up and giving this one a rest for now. That and I also want to be recognized as more than "That cringy OC JSaB comic" woman and not be harassed by it (fair, it's not as bad as before, but it's still tiring considering everything going around in my life/country).

[crayonurchin]

First art of the new year is all about re-structuring your internal monologue.

In my early 20s I was working full time in London with many social commitments and a variety of hustles and side projects.

In my later mid 20s I cater to many sensory and social drain needs I have and indulge in special interests while respecting my lower energy reserves and celebrating my different way of processing the world.

Did I get more autistic? Nah. I got less fake.

-

[Art description: Three panels showing figures on a black background. Long descriptions follow.

1. A drawing of OP as a person with hip-length hair and a dress standing sadly with her hands clapsed together in front of her. She is coloured a muted rainbow gradient. Behind her, two pairs of nondescript figures chat while smiling. White text says, ‘I’m getting more and more autistic the older I get.’ 2. OP’s colours are brighter, and her expression looks happier. Crayon-like scribbles have crossed out the text from the previous panel. 3. OP’s colours are vibrant, and she balances on one leg and throws her arms out as she dances. The text above has changed to say, ‘I’m becoming more and more myself the older I get.’ \End descriptions]

[jay-wasstuff]

[turns-out-its-adhd]

[nechto221b]

[sketchydoof]

Chai bought this new t-shirt from the market

[beneathsilverstars]

coffee shop au siffrin... their old cloak doesn't fit them anymore, so it stays safe at home and he just puts the safety pins on whatever else he's wearing!

[flamingpudding]

Fictober23 Prompt: 10 - "It's alright, I'm here now."

Fandom: DPxDC

Rating: T

Warnings: Slight mention / implications of experimentation

A/N: I might have gotten a bit carried away with this... I also might take a little inspirational break tomorrow.

Damian should have known better, he knew his mother and he knew his grandfather. He should have known, especially after having met Respawn. Could his mothers behavior maybe clued him in sooner? But nothing had seemed any different lately, maybe that was what should have tipped him off. Yet if it hadn't been for Drake's paranoia, after another incident with his grandfather, Damian knew he probably wouldn't have found out anytime soon, either.

He ran through the halls of the League of Assassins facilities, knowing this place probably better than his siblings that were keeping his grandfather's men busy. He could hear them over the coms, he could also hear his father confronting his mother. They were in a different location to cover more ground. Richard and Todd were with him in this location while Drake and Cain had gone with their father. Brown and Thomas were back in Gotham awaiting hopefully good news.

Damian rounded a corner, dodging another of his grandfather's men. He did not wait or turn to pin the man down. Trusting his siblings to take care of this, and a second later, gunshots echoed behind him.

There were various options of where the child, his newly created younger brother, could be. But considering how his grandfather had changed, Damian took another turn leading to the underground area. As much as there was a likelihood that the child was created to replace him, he was sure that grandfather was raising the boy differently also, as he was now considered a failure since he had left.

When he reached the underground area he slowed down, blade drawn and surveying the area. It was surprisingly empty, something Damian did not trust. Carefully he walked along the hall until the distant sound of sniveling made him pause.

"I think I found him." Damian relayed through the coms.

"Gotcha we will catch up with you brat." Todd answered and Richard agreed a second later, spouting some 'mushy' nonsense in addition.

"We will finish up here then and prepare for the pick up!" Drake on the other hand informed, despite the fact that Damian could still hear their fathers end of what appeared to be a heavy argument with his mother through the coms.

Carefully he made his way over to a heavy looking metal door. Locked. Damian clicked his tongue. It took a bit of lockpicking but soon enough he heard the soft click of the lock and he slowly pushed the door open.

"Of course grandfather would have an underground lab." He eyed the room and the equipment stored in it. Different machines with different functions were lined all along the walls. He could see villes, tubes, containers and pinchers of Lazarus Water. But what really caught his eye was the huge tank in the back of the room. The tank was nearly empty except for a four inch high puddle of Lazarus Water and a barely clothed, blue eyed child sitting in it.

The child was indeed the source of the sniffling Damian had heard early as he now saw the boy looking at him wide eyed and rubbing at his eyes furiously like he did not want to be seen crying.

"W-who are you?" The child asked, voice cracking from obvious disuse. How bad were they treating this boy? "You look weird."

Damian knew his eyes were softening just a tiny bit at the child's question. They hadn't trained out the child's natural honesty yet. There was still a chance for this boy to grow up with more normalcy than he ever did.

"You can call me Robin." He answered the child as he stepped closer, noting how tiny the boy appeared to be, unintentionally clicking his tongue. Something must have been wrong with the documents Drake found. The papers spoke of a boy at the age of six. But this boy was tiny, clearly younger than that. Or perhaps they hadn't had the chance for the forced aging process?

"Are you a fruitloop?" The boy inched to the back of the tank away from Damian and he barely refrained from clicking his tongue at that motion.

"I am human, not a type of cereal." Damian shot back at the kid inspecting the tank and how to best open it to get the child out.

"Well duh. But you could still be a fruitloop." Richard would have a great time talking to this child, Damian briefly thought as he knocked against the glass of the tank, trying to judge from what kind of glass it was made and if a Batarang was enough to break it.

The child watched him, there were still some tears in the corner of the boy's eyes but there was also curiosity. "You really are getting me out of here?"

Damian absentmindedly nodded as he reached back with the batarang in hand. "Keep were you are, I am going to bre-"

"No, it's fine!" The child suddenly hopped up, splashing the puddle of Lazarus water against the glass as he clumsily stumbled forward, pressing his hands against the glass from the inside. Damian stopped mid movement, watching how the child's tongue stuck out in concentration as the boy continued to press his body against the glass.

For a moment, Damian was wondering what the child was doing until the boy's hand suddenly went through the glass, falling forward. Damian hurried to catch the boy as he literally fell through the glass.

"What did you do?" He asked once he had the boy, his new baby brother, securely in his arms. The boy giggled, swinging his legs a little in the air.

"I got powers!" It didn't make sense to Damian, neither his mother nor father had a meta gene but there was the possibility of his grandfather mixing in other DNA or possibly, he looked around the lab, no he didn't want to imagine this.

"I see." Was his only answer to the boy for now, he turned to his com. He balanced the boy in his arm while placing a couple of devices in the room in preparation. "The child is safely retrieved. Prepare for pick up."

The boy's eyes widened as Damian made his way out of the underground part. Richard and Todd were waiting at the entrance of the stairs for him. The weight of the boy in his arms and the feeling of his small hands clinging to his uniform, it slowly caused the realization that Damian indeed had a blood related little brother now. Not a clone, but a little brother. Sure he had been created through an artificial womb but the boy was not a clone.

"ETA 5 Sending the pick up location." Drake spoke over the coms.

He was close to the stairs when he noticed the boy pressing his face into his shoulder, shaking slightly. It caused Damian to slow down and inspect the child. Did he overlook an injury?

"You… are you really taking me out of here? It's not a trick from the fruitloop to make me trust him? You are taking me away?"

The words made Damian stop right by the foot of the stairs. Richard and Tood were right at the top, waiting for him. He could go up and let Richard carry the child and do the comforting. His brother was better at this than he was. But for some reason, Damian didn't want to do that. He sent one look up the stairs before putting his focus on the child.

"Do not worry." Carefully, while still holding the boy securely Damian made the boy look at him, wiping the beginning of tears away from watery blue eyes. Whatever his grandfather had done to this child, Damian as well as the rest of his family will not let it happen any longer, especially now that they know of his existence. "It's alright, I am here now."

Saying this sounded very 'cheesy', as his oldest brother would put it, in his ears but the small hopeful shine in the boy's eyes was worth it. "As long as I am here, grandfather will no longer lay a hand on you, nor put you through anything you do not want. I am sure father and the rest of our family will agree."

And didn't Damian know it? Because despite all the conflict and contempt that sometimes existed among them, it was still a fact that his family was protective, it was not a if but a certainty that if anyone harmed his baby brother then he was surely not the only one burning down a building or two.

It rang especially true that once they got picked up, instead of letting one of his siblings hold their new brother he tossed them a controller with a certain gleam in his eyes and watched them fight over who got to trigger the explosive he had placed underground before they were out of reach. All while their baby brother was snuggling into his arms and purring like a cat. Damian smirked at his older siblings, it appeared that his baby brother already had a favorite. Not like his siblings would have been a competition in the first place.

[aronarchy]

Why we don’t like it when children hit us back

To all the children who have ever been told to “respect” someone that hated them.

March 21, 2023

Even those of us that are disturbed by the thought of how widespread corporal punishment still is in all ranks of society are uncomfortable at the idea of a child defending themself using violence against their oppressors and abusers. A child who hits back proves that the adults “were right all along,” that their violence was justified. Even as they would cheer an adult victim for defending themself fiercely.

Even those “child rights advocates” imagine the right child victim as one who takes it without ever stopping to love “its” owners. Tear-stained and afraid, the child is too innocent to be hit in a guilt-free manner. No one likes to imagine the Brat as Victim—the child who does, according to adultist logic, deserve being hit, because they follow their desires, because they walk the world with their head high, because they talk back, because they are loud, because they are unapologetically here, and resistant to being cast in the role of guest of a world that is just not made for them.

If we are against corporal punishment, the brat is our gotcha, the proof that it is actually not that much of an injustice. The brat unsettles us, so much that the “bad seed” is a stock character in horror, a genre that is much permeated by the adult gaze (defined as “the way children are viewed, represented and portrayed by adults; and finally society’s conception of children and the way this is perpetuated within institutions, and inherent in all interactions with children”), where the adult fear for the subversion of the structures that keep children under control is very much represented.

It might be very well true that the Brat has something unnatural and sinister about them in this world, as they are at constant war with everything that has ever been created, since everything that has been created has been built with the purpose of subjugating them. This is why it feels unnatural to watch a child hitting back instead of cowering. We feel like it’s not right. We feel like history is staring back at us, and all the horror we felt at any rebel and wayward child who has ever lived, we are feeling right now for that reject of the construct of “childhood innocence.” The child who hits back is at such clash with our construction of childhood because we defined violence in all of its forms as the province of the adult, especially the adult in authority.

The adult has an explicit sanction by the state to do violence to the child, while the child has both a social and legal prohibition to even think of defending themself with their fists. Legislation such as “parent-child tort immunity” makes this clear. The adult’s designed place is as the one who hits, and has a right and even an encouragement to do so, the one who acts, as the person. The child’s designed place is as the one who gets hit, and has an obligation to accept that, as the one who suffers acts, as the object. When a child forcibly breaks out of their place, they are reversing the supposed “natural order” in a radical way.

This is why, for the youth liberationist, there should be nothing more beautiful to witness that the child who snaps. We have an unique horror for parricide, and a terrible indifference at the 450 children murdered every year by their parents in just the USA, without even mentioning all the indirect suicides caused by parental abuse. As a Psychology Today article about so-called “parricide” puts it:

Unlike adults who kill their parents, teenagers become parricide offenders when conditions in the home are intolerable but their alternatives are limited. Unlike adults, kids cannot simply leave. The law has made it a crime for young people to run away. Juveniles who commit parricide usually do consider running away, but many do not know any place where they can seek refuge. Those who do run are generally picked up and returned home, or go back on their own: Surviving on the streets is hardly a realistic alternative for youths with meager financial resources, limited education, and few skills.

By far, the severely abused child is the most frequently encountered type of offender. According to Paul Mones, a Los Angeles attorney who specializes in defending adolescent parricide offenders, more than 90 percent have been abused by their parents. In-depth portraits of such youths have frequently shown that they killed because they could no longer tolerate conditions at home. These children were psychologically abused by one or both parents and often suffered physical, sexual, and verbal abuse as well—and witnessed it given to others in the household. They did not typically have histories of severe mental illness or of serious and extensive delinquent behavior. They were not criminally sophisticated. For them, the killings represented an act of desperation—the only way out of a family situation they could no longer endure.

- Heide, Why Kids Kill Parents, 1992.

Despite these being the most frequent conditions of “parricide,” it still brings unique disgust to think about it for most people. The sympathy extended to murdering parents is never extended even to the most desperate child, who chose to kill to not be killed. They chose to stop enduring silently, and that was their greatest crime; that is the crime of the child who hits back. Hell, children aren’t even supposed to talk back. They are not supposed to be anything but grateful for the miserable pieces of space that adults carve out in a world hostile to children for them to live following adult rules. It isn’t rare for children to notice the adult monopoly on violence and force when they interact with figures like teachers, and the way they use words like “respect.” In fact, this social dynamic has been noticed quite often:

Sometimes people use “respect” to mean “treating someone like a person” and sometimes they use “respect” to mean “treating someone like an authority” and sometimes people who are used to being treated like an authority say “if you won’t respect me I won’t respect you” and they mean “if you won’t treat me like an authority I won’t treat you like a person” and they think they’re being fair but they aren’t, and it’s not okay.

(https://soycrates.tumblr.com/post/115633137923/stimmyabby-sometimes-people-use-respect-to-mean)

But it has received almost no condemnation in the public eye. No voices have raised to contrast the adult monopoly on violence towards child bodies and child minds. No voices have raised to praise the child who hits back. Because they do deserve praise. Because the child who sets their foot down and says this belongs to me, even when it’s something like their own body that they are claiming, is committing one of the most serious crimes against adult society, who wants them dispossessed.

Sources:

“The Adult Gaze: a tool of control and oppression,” https://livingwithoutschool.com/2021/07/29/the-adult-gaze-a-tool-of-control-and-oppression

“Filicide,” https://en.wikipedia.org/wiki/Filicide

[is-this-yuri]

btw since i am actually homeless now and the holidays are over i guess i should put a donation link here. you don't have to give me any money! i know how to live for free. it would just help me be more comfortable

things i'll spend money on in priority order:

- gas for my car (this will keep me from getting towed and get me to therapy and case management appointments)

- food and water (only if i run out of food stamps, or the occasional hot food treat)

- extra blankets and clothes for the winter (it's pretty warm so i might not need this)

- laundry

i don't really like the idea of asking for money since i do in fact have plenty of experience with this situation. i've lived in my car for two and a half years total now, and i know if i'm lucky i can survive this way for a long, long time. a little extra cash will just keep me sane and for sure safe without needing to get lucky. so, if you do throw something my way i will appreciate it! it will make my life easier for sure. but, if you'd rather give your money to someone who needs it more (including yourself), i don't mind at all.

there's no monthly rewards or anything, but for a bit of fun bonus, anyone who donates will get to see my face reveal

[thepeacefulgarden]

And let that be Not Your Problem (tm).

[aftonsparv-bugzz]

ilove you, young people. ilove you if youre 10, if youre 9, 11, 12, 13, 15, 14, any age under 18. youdo not have to apologise for your age. youdo not have to apologise for simply existing. you deserve the rights anyone over 18 has, and im sorry youdont have that freedom. im sorry for all children who suffer from their lack of rights. young people, dont apologise for your actions. youhave the right to be "weird". the right to be "abnormal". the right to go through "phases". youhave the right to speak up against child abuse. against hitting, against spanking, against adults touching you without your consent, against the hatred for young people, against the disbelief of young people, against all forms of discrimination youve suffered from. youhave the right to exist. nobody has the right to bully you for your age, so youshouldnt beat yourself up for your age. young people, please know im listening to your struggles. no matter how young, your struggles arent "unimportant". please know you are loved, young people. you matter.

[etirabys]

I don't have a near-age sibling but some social feedback seems ideally delivered via indelicate roasting by a near-age sibling when you are in your teens. It feels easier to take "you don't shower and that's why no one likes you" from a sibling than parent or friend. Easier to deliver as a sibling, too

your parent gently saying "you should shower more" – ignore it. what do they know about the realities of your existence...

your friend says it (also nicely) – mortifying and weird, much likelier you'll take it to heart but you'll visibly feel terrible about it for a long time, which they didn't want, and now they're even more reluctant to say things to you (or anyone really)

it doesn't get fixed so your future first partner has to say it – god. might as well die

your annoying sibling – "fuck off" + slink off to shower a few hours later

[the-modern-typewriter]

Adult!Villain and Teen!Hero are hilarious, an whole ass adult beefing with a OP high schooler? Comedy

Honestly, doesn't do it for me. (Sorry) I know it's a very common trope and it's totally valid if you or anyone else likes it!

(I don't think I'm drawn to antagonist &/ protagonist dynamics for the comedy in general. It's not what interests me about it. But that's partly also a semantics thing, e.g. 'rivals' versus 'enemies', 'villain' as in 'supervillain' which can mean like megamind versus 'villain of the story'. I can appreciate comedy in a story about rivals, idk, I can't explain the distinction.)

Anyway. Like, to me, this gives:

horror in the power imbalance between children and adults

themes of children/teenagers having to step up to save the world because of the actions or inaction of older generations

themes in the way adults are not taught its unacceptable to have public beef with a teenager + lessened boundaries in how we treat each other in public spaces

themes in the whole creepy child trope, e.g. a teenager who is so powerful and the ways that this can backfire

themes in identity formation and the myriad different masks we might wear as teenagers and how someone can pick up on just one part of who you are growing to be and hate it.

[nechto221b]

[keonnise]

Had to go with flowers for the third game ofc