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Why we donât like it when children hit us back
To all the children who have ever been told to ârespectâ someone that hated them.
March 21, 2023
Even those of us that are disturbed by the thought of how widespread corporal punishment still is in all ranks of society are uncomfortable at the idea of a child defending themself using violence against their oppressors and abusers. A child who hits back proves that the adults âwere right all along,â that their violence was justified. Even as they would cheer an adult victim for defending themself fiercely.
Even those âchild rights advocatesâ imagine the right child victim as one who takes it without ever stopping to love âitsâ owners. Tear-stained and afraid, the child is too innocent to be hit in a guilt-free manner. No one likes to imagine the Brat as Victimâthe child who does, according to adultist logic, deserve being hit, because they follow their desires, because they walk the world with their head high, because they talk back, because they are loud, because they are unapologetically here, and resistant to being cast in the role of guest of a world that is just not made for them.
If we are against corporal punishment, the brat is our gotcha, the proof that it is actually not that much of an injustice. The brat unsettles us, so much that the âbad seedâ is a stock character in horror, a genre that is much permeated by the adult gaze (defined as âthe way children are viewed, represented and portrayed by adults; and finally societyâs conception of children and the way this is perpetuated within institutions, and inherent in all interactions with childrenâ), where the adult fear for the subversion of the structures that keep children under control is very much represented.
It might be very well true that the Brat has something unnatural and sinister about them in this world, as they are at constant war with everything that has ever been created, since everything that has been created has been built with the purpose of subjugating them. This is why it feels unnatural to watch a child hitting back instead of cowering. We feel like itâs not right. We feel like history is staring back at us, and all the horror we felt at any rebel and wayward child who has ever lived, we are feeling right now for that reject of the construct of âchildhood innocence.â The child who hits back is at such clash with our construction of childhood because we defined violence in all of its forms as the province of the adult, especially the adult in authority.
The adult has an explicit sanction by the state to do violence to the child, while the child has both a social and legal prohibition to even think of defending themself with their fists. Legislation such as âparent-child tort immunityâ makes this clear. The adultâs designed place is as the one who hits, and has a right and even an encouragement to do so, the one who acts, as the person. The childâs designed place is as the one who gets hit, and has an obligation to accept that, as the one who suffers acts, as the object. When a child forcibly breaks out of their place, they are reversing the supposed ânatural orderâ in a radical way.
This is why, for the youth liberationist, there should be nothing more beautiful to witness that the child who snaps. We have an unique horror for parricide, and a terrible indifference at the 450 children murdered every year by their parents in just the USA, without even mentioning all the indirect suicides caused by parental abuse. As a Psychology Today article about so-called âparricideâ puts it:
Unlike adults who kill their parents, teenagers become parricide offenders when conditions in the home are intolerable but their alternatives are limited. Unlike adults, kids cannot simply leave. The law has made it a crime for young people to run away. Juveniles who commit parricide usually do consider running away, but many do not know any place where they can seek refuge. Those who do run are generally picked up and returned home, or go back on their own: Surviving on the streets is hardly a realistic alternative for youths with meager financial resources, limited education, and few skills.
By far, the severely abused child is the most frequently encountered type of offender. According to Paul Mones, a Los Angeles attorney who specializes in defending adolescent parricide offenders, more than 90 percent have been abused by their parents. In-depth portraits of such youths have frequently shown that they killed because they could no longer tolerate conditions at home. These children were psychologically abused by one or both parents and often suffered physical, sexual, and verbal abuse as wellâand witnessed it given to others in the household. They did not typically have histories of severe mental illness or of serious and extensive delinquent behavior. They were not criminally sophisticated. For them, the killings represented an act of desperationâthe only way out of a family situation they could no longer endure.
- Heide, Why Kids Kill Parents, 1992.
Despite these being the most frequent conditions of âparricide,â it still brings unique disgust to think about it for most people. The sympathy extended to murdering parents is never extended even to the most desperate child, who chose to kill to not be killed. They chose to stop enduring silently, and that was their greatest crime; that is the crime of the child who hits back. Hell, children arenât even supposed to talk back. They are not supposed to be anything but grateful for the miserable pieces of space that adults carve out in a world hostile to children for them to live following adult rules. It isnât rare for children to notice the adult monopoly on violence and force when they interact with figures like teachers, and the way they use words like ârespect.â In fact, this social dynamic has been noticed quite often:
Sometimes people use ârespectâ to mean âtreating someone like a personâ and sometimes they use ârespectâ to mean âtreating someone like an authorityâ and sometimes people who are used to being treated like an authority say âif you wonât respect me I wonât respect youâ and they mean âif you wonât treat me like an authority I wonât treat you like a personâ and they think theyâre being fair but they arenât, and itâs not okay.
(https://soycrates.tumblr.com/post/115633137923/stimmyabby-sometimes-people-use-respect-to-mean)
But it has received almost no condemnation in the public eye. No voices have raised to contrast the adult monopoly on violence towards child bodies and child minds. No voices have raised to praise the child who hits back. Because they do deserve praise. Because the child who sets their foot down and says this belongs to me, even when itâs something like their own body that they are claiming, is committing one of the most serious crimes against adult society, who wants them dispossessed.
Sources:
âThe Adult Gaze: a tool of control and oppression,â https://livingwithoutschool.com/2021/07/29/the-adult-gaze-a-tool-of-control-and-oppression
âFilicide,â https://en.wikipedia.org/wiki/Filicide
#repost of someone elseâs content#medium repost#Alba M.#purity culture#ageism#adultism#youth oppression#childism#child abuse#parental abuse#youth rights#youthlib#youth liberation#parricide#nuclear family abolition#anarchism#note: I would consider reevaluating the demonization of adults who kill their parents too#many victims remain entrapped well into adulthood#there are still a lot of issues of economic dependency and control especially for young adults#and I donât think such a totalizing power imbalance engendered in childhood is so easily levelled#even if an adult does become financially independent#likewise for adult victims of intimate partner abuse: also structurally made difficult for them to leave#even if not criminalized to the same degree#anti-abuser aktion
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my favourite genre of seventeen is when they're straight up lying
ref:
#quite possibly the funniest still in the entire episode#âhe's not that scaryâ with THREE WHOLE PEOPLE ON THE COUNTER#this is like the funniest episode of gose we've gotten in a while#gose writers understand the series and the medium so much they always know and commit to the funniest bit possible#i could write an essay on the going seventeen horror specials and how the writers subvert/evolve the going original episodes#the exit pass part of the episode was peak btw#i had to cross-reference their outfits + the next few camera angles + voices to figure out who the two crouched in front of jeonghan were#so if that wasn't them. rip.#seventeen#svt#going seventeen#gose#wonwoo#junhui#jeonghan#my art#fanart#art#comic#no watermark it's been 3 months since I've touched this account I forgor#dont repost or dk will start his 5 step donald duck zombie routine and you will not be able to escape.#i also need yall to know. when jun was zombie-talking to the exit pass people. he sounded like an angry bird.
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so apparently this drawing like. got eradicated by the tumblr void because the original post is goneâŚso here it is again bsisndnđđââď¸
#reposting this ig sob#traditional art#utmv#undertale#nightmare sans#error sans#dream sans#undertale aus#dreamtale#ut au#sans aus#bad sanses#dreamtale au#i drew this on sketch paper donât mind the questionable medium outcome#my art#the sun the moon and the great expanse#art
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Klaine moments by episode | 3.01 The Purple Piano Project
#klaine#kurt hummel#blaine anderson#warbler!blaine#3.01 the purple piano project#klaine moments by episode#it's international coffee day !!#ËËËâËËË#non fat mocha + medium drip âĄâĄâĄ#my edits#mlmedit#mlmsource#glee#gleeedit#gleesource#tvseries#tvarchive#filmtvdaily#klaine details#please do not repost
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#also thats my ig username#badtober#badtober2024#drawtober#dee doez drawz#sketchbook#fanart#adventure time fanart#adventure time#fiona and cake#fiona and cake fanart#fiona mertens#multi medium#i miss her#also sorry for reposting lololol#artist on tumblr#trans artist
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Follow the source link to 23 gifs of NIKHIL PARMAR in the tv-series Foundation (season 1 / 2021). NIKHIL PARMAR (born 1990) is a British actor of unknown Indian descent, known for his roles in Foundation, the Rig, and Brassic. These gifs were made from scratch, please donât claim them as your own. This gif pack is free. Trigger warning: guns.
Please consider donating to my kofi!
#my gif to you#poc gif hunt#usermina#fcxdirectory#gif hunt#supportcontentcreators#gifsociety#poc gif pack#nikhil parmar#nikhil parmar gif hunt#nikhil parmar gif pack#gifhunt#gifpack#gif pack#medium gifs#userdevon#usernare#underused fc#underusedfc#//reposting because it didn't show up in the tags
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I see you friend of mine liking ALL of my posts (/poz)
Also because I feel like it *tosses my lovely art on the table*
#bright colors#my art#do not repost#do not steal#reblog if you want#or don't#up to you#atlas talksđ§Ş#old art#mixed medium#i think#eyestrain
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- but I am always swinging at somebody I cannot down -
@cherrifireâs dtiys!! this was so fun i loved making it :]
#cherri dtiys tcw#THIS SONG IS SO MARTYN. WAUH#medium: paper + marker + gel pen !!!!#my art#martyn inthelittlewood#inthelittlewood#itlw#blood tw#3rdlife#3rd life#trafficblr#repost bc the first time i posted it i. a. didnt ID it. and b. it didnt show yp in tags </3#scheduled!! posting on life series friday in tge afternoon<3
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Decided to do something for @tracobuttonsâ Sam gathering this year! My first time ever participating in one, so have my Sam from my spirit medium AU :)
#samgathering2023#jacksepticeye#jse#jse community#septiceye sam#septicart#jse fanart#jacksepticart#jse art#pinkibot#fanaticallyperfect#my art#don't steal or repost thank you!#medium au#septic sam#septic eye sam
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Just finished this delightful pangolin for the wonderful @dragons-and-yellow-roses !
As always, $5 from the sale will go to the pangolin crisis fund to help keep these amazingly weird little creatures around
#pangolin#stuffed animals#medium plushie#pink and white#pink#plushies#fleece#sewing#art#artists on tumblr#mine#please don't repost without credit/premission#reblogs are much loved!
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Letâs Talk about Toddlers and Consent.
Nov 6, 2021
My daughter can be very, very affectionate. Tight hugs, big kisses, tickles, holding hands, sitting in my lap, you name itâif this kid feels like cuddling, she wants ALL the cuddles.
But she has also been, from the get-go, very much determined to be in control of how and when that affection happens. Maybe sheâs in the middle of something and doesnât want to be disturbed; maybe sheâs feeling overwhelmed and being touched is overstimulating; maybe she just doesnât feel like hugging or kissing right now. She has absolutely no worry about hurting anyoneâs feelings when it comes to that stuff.
The first time she set that boundary verbally, she was barely two. I had asked to tickle her and she had giggled and said yes, but after a minute she grabbed my hand, pushed it away, looked me dead in the eye, and said very firmly, âMama, STOP.â
And you know how I felt about it?
So. Damn. PROUD.
I have always encouraged that. Whether she says no when I ask, or tells me to stop because she changed her mind after saying yes, I tell her, âOkay, then I wonât hug/kiss/tickle you. Thank you for telling me you donât want that.â
Now that sheâs getting a little older, I routinely ask her: âWho makes the rules about your body?â âWho makes the rules about someone elseâs body?â Itâs a routine part of our lives at this point, and she knows that she makes the rules for her body and no one elseâs, and that she and no one else makes the rules for her own body.
Now, not everyone likes this. Some people have felt deprived of those messy baby kisses, overeager toddler hugs, and now, almost-four-year-old squeezes and hand-holding. They get sad when they have to say goodbye without a hug, or hurt when she spurns their kisses.
To that I say: Suck it up and deal.
She is absolutely not wrong for deciding that affection should be on her own terms, and nothing makes me more upset than when relatives push back against this.
âDonât you want to give me a hug? I wonât see you again for a while!â
âAw, you donât want to give me kisses? Donât you love me?â
âIâm so sad, canât I just have one of your big hugs to make me feel better?â
NO.
âItâll make [person] feel bad if you donât [perform specific act of physical affection]â is a guilt tactic Iâm not okay with using.
Same with âItâs just [type of physical affection], itâs not a big deal.â âDonât be uptight, itâs just tickling.â âItâs only a hug, it wonât emotionally scar her.â
I will never give my daughter the message that she owes someone physical affection, or should be okay with her boundaries being crossed if it was ânot a big dealâ or ânothing was meant by itâ or âtheyâre just playingâ or whatever.
I know itâs meant innocently. But if you grow up hearing âYou canât say no to being touched if the intentions arenât bad,â then you eventually internalize that.
Theyâre âJust Playing,â so youâre a prude if you tell them to stop touching you.
âItâs not even a big deal,â so youâre a bitch if you get mad about being groped.
They âfeel like you donât love themâ if you reject their physical advances, so you get guilted into things you donât feel totally okay with.
Yes, familial and platonic touch are very different from romantic and sexual touch. But the message is the sameââRegardless of whether you want to be touched, these acts of affection are expected from you, and youâre wrong to refuse them.â You donât think that message gets internalized, and applied to other relationships?
We teach very young children that they donât have bodily autonomy, and then weâre surprised when they grow up not understanding consent. It has to start young.
It starts with asking permissionââCan I hug you?â âCan I have a kiss?â âDo you want the tickle monster to get you?â
It starts with setting an example on enforcing boundariesââMommy needs some space right now, can you please stop climbing on me?â âI donât really feel like a kiss, I donât feel good right now. How about a high-five instead?â
Most importantly, it starts with giving your child permission to say no, and always, always respecting that âNo.â
My goal is for my daughter to be so accustomed to her ânoâ being answered with a full stopâno attempts at persuasion, no guilt, no âitâs not a big dealââthat the idea of someone NOT listening to ânoâ is completely foreign and jarring. I want her to be shocked and appalled at the audacity of anyone who tries to touch her without her permission.
I want her to see persistence without consent as a MASSIVE RED FLAG, and thatâs not going to happen if I start off by teaching her as a child that she owes physical affection to people who love her.
Iâm trying to teach my daughter that she always, ALWAYS has autonomy over her own body, no matter who sheâs with or how much they love her, and that I will always have her back against anyone who dares to disrespect that.
#repost of someone elseâs content#Medium repost#parenting#youth rights#youthlib#abuse culture#assault cw
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what's this?? an actual post on my blog?? scandalous /silly :0
DO NOT REPOST.
#undertale#fanart#artists on tumblr#dyspraxic artist#artsy's art#artsy's post#do not repost#tw: sh scars#IN ART NOT IRL#chara undertale#chara dreemurr#yes i'm aware the watermarks are a little janky i'll figure it out in time#asriel dreemur#asriel undertale#traditional art#is my main medium so if the quality's off its bc i took the photos with a phone camera in not ideal lighting
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one in a million when i watch smthing in the horror genre and don't end up disappointed to/and/or pissed off about it so like "also yeah i liked it. ooo" is like relative to that an off the charts rave review of media of the millennium. also i did think about mh a lot along the way so would recommend its affect/effect if you like mh's horror too
#i didn't realize at first that's the director/creator tim's qrting. thought a rando went ''i love mh'' & he went ''& i love smthing else''#saw this a few weeks ago while also like writing or drawing or smthing like oh good plot's beside the point? b/c i'm splitting this focus#even checking in w/recaps was both like oh ok i missed that / didn't realize xyz could be a Thread or something but each of the like three#or four recaps i went over Also saw points differently in terms of even like; who was there or said what lmfao. or noting sm detail at all.#i went ''oh worm?'' at some early shot that may or may not have even gone mentioned by any of them. depending lol. doesn't matter#anyways we don't have time for tags media analysis except that i'll count this as: once again horror for children wins. even tho it's...#not rated? well anyways you know. probably generally not advisable for children as a direct audience lmao. however#like yes as per the premise as a child we've all experienced this [the media] anyways. perturbing summons dreams we've all had em#anyhow fr i'd even struggle to think of horror movies i'd say i mostly liked / would or did rewatch but still wasn't like. i disliked major#elements / choices to the point of being pissed off abt it. so many movies i can't be bothered to watch b/c i already know specifics like#i don't like or respect any of you people. or choices or elements or premises or executions or effects. not even interested fr like lord...#but often what has better odds are mediums that Aren't straightforwardly tv / film. like i'd compare mh to a series of several movies and#that's also imo largely a more apt categorization than saying it's an ARG or smthing but anyways like i'd recommend it to someone sure....#rare to be like yeah a movie was enjoyable. & if you already liked mh then that's a useful reference point here#which like usually i'd use mh as a categorical tag but idk i guess actually it's actively popular nowadays lmfao i really don't know#posting is already exhausting like whew but this one's for whosoever happens to follow me i guess#which is possible? nonzero ppl arrived for mh but unlikely lmfao. but also ppl see it on their own anyways coincidentally.#and you never know who observes the posts like hell yeah for an anon enjoying niche akd theatreposting who is to me ambiently out there#really odd the other day seeing an mh reblog like ''??? huh. i made that eons ago; then'' & people in the tags talking abt some repost like#on the one hand that Original Source post is two layers of deactivated blogs so a repost could be archival. but if they don't say as much#i.e. that it's even from a different source then that's not exactly it then is it. but also that even finding an original document For OP#is like. oh yeah that's me actually. but then knowing & technically saying as much doesn't / didn't actually affect me as that op lol#just kind of archival on both ends then. vs someone else in the tags saying they saw it on fb 9 yrs ago? definitely didn't post it there#my true op experience: keeping it nicheposting & just kind of saying sm shit & maybe some people are out there nodding thoughtfully#oh also in case fyi. that's tim as in actor playing [also tim] in mh. & did some writing for mh & other such behind the scenes efforts also#every time i look at the text in this post i notice a new typo of mine. get it tgoether (organic typo there. so; lol)
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"life as a 22 year old mother of 3" "life as a married 19 year old couple" *video of mother daughter and grandma making reference to how they were both moms at like 16* *21 year old girl flex video about how she's a mother of 4* *couple whose entire personality is having 10 kids before turning 30* "married my highschool sweetheart at 18 and now i have 8 kids at age 25" "what i do in a day as a 19 year old housewife"
#repost of someone elseâs content#Medium#patriarchy#misogyny#feminism#anarcha-feminism#neither capitalism nor patriarchy#(no; âchoosingâ capitalism/financial obligation isnât consensual or a freely-made âown decisionâ either)
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What the Mirror Shows
She hated mirrors Not for what it was, of course not But because of what it showed
Mirrors showed what was true Thus, her reflection hid no secrets It showed what she had seen
She saw her reflection glaring, sneering, and snickering at her Bloody and covered in bruises Horrifically marred, almost to the point of death
To put it simply, decay was what she had seen
In every mirror, she had seen decay Seeing that image mock her again and again Yet, she never brought herself to destroy them
The mirrors showed what she wanted to deny And what many others didn't seem to see Mirrors showed the truth
Quietly, she begged them to stop tormenting her
For she didn't want to admit it She didn't want to see it for herself The decay
The mirrors knew that She knew that And she hated the idea of facing it.
#mirrors#implied horror#medium poem#old poem#forgotten poem#written by me#date unknown#the mirror knows your true self#possible repost#free-verse#written on the fly#notebook poem#written 2017 (likely)
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