#and I really adore the comics

[shioaoi]

You know somthing I really appreciate about the Life is Strange comics?

Every ship from the games is canon.

The Max the narrative follows is dating Chloe, and spends the majority of the comics trying to return to her.

In one of the timelines she temporarily switches to, she meets a Warren who refers to that timelines Max as "his Max".

And then finally, Max ends up stuck in a timeline where Rachel survives and is together with Chloe. And it's clearly stated that the feelings Max has for this timelines Chloe are majoritively platonic.

I just think it's a neat way to show how every romance option is fully valid in some capacity, and everyone's playthrough can be seen as just one of the many timelines.

[poorly-drawn-mdzs]

Expertise can't help you here.

[bruciemilf]

Normal regular people should slowly plant themselves into the Wayne clan.

There’s this busboy that works with uncle TJ. Dick learns his name is Mikey when he stops by the restaurant. He hasn’t been since Bruce took him when he was 10.

the Bat has no idea the prodigal son returned to the nest. So Mikey’s suddenly babysitting a strange vigilante with the horsepower of 4 drunk girls in an Uber.

“It’s just so fucking frustrating because I WANT to be here but he doesn’t TELL me he wants me here! I want him to want me! I want him to say ‘hey, by the way, you’re my son, you’re always welcome here, I know you get lonely!’ But he doesn’t! He doesn’t! I miss Jason. This sandwich is so good. Thanks cousin.”

Mikey, who’s been working there for about a week, stares at the 300 dollar tip for a straight 30 minutes, wondering who Jason is.

From then on, the flock multiplies.

POV you’re cousin Mikey and Red Hood just walks in while you’re closing, covered in blood, and Spoiler’s leg is broken but she really wants a meatball sub, Signal asks why they upped the prices on the pizza, Orphan stares and nods her head and oh my god that’s an 8 year old with a sword:

[catsharky]

Presenting: King Sidon, his wife Queen Yona and his boyfriend Link.

Yona is very supportive of everything except Sidon forgetting his ceremony cues.

(I had an atrocious week and TotK has been coming in clutch for keeping me sane.)

[webvein]

Niche webcomic fanart for the soul

[zorionbbq]

party chat #56: nanba's transformation

(transcript both in alt text and below)

[image description: five-page comic of a "party chat" conversation from yakuza 7.

beneath the scaffolding of a construction site, nanba holds a bottle of tea and asks "hey, you think i've changed at all since we met?"

the rest of the party, standing or crouching on the side of the path, turn to look at him.

"hm? have you?" ichiban tilts his head, hand on chin, and lets saeko pick from his chip bag. "i dunno, lemme think..."

adachi leaps to his feet, splashing his can of beer and surprising saeko. "got it!"

adachi snaps his fingers with a triumphant smile. "you changed how you part your hair!"

"huh?" nanba reaches toward the back of his own head. "nope, it's still the same..." adachi sheds a single tear.

hand raised high, saeko announces "right! your prescription changed!" ichiban taps a canned coffee on his palm in an "i get it!" motion. "what, are you trying to be funny now!? and that's wrong, too!" nanba retorts.

"okay!" han looks serious. "you changed the frames on your glasses!"

"you started wearing contacts instead of glasses!" zhao finger-guns with a grin.

"will you quit it with the glasses thing!?" nanba snaps at an unfazed, juicebox-sipping han. "and does it look like i'm wearing contacts!?" he gestures at himself. zhao smugly bites an onigiri, still squatting on the ground.

adachi frowns around a pocky. "huh? then what's changed?"

"never mind... sheesh." nanba turns his back on the group.

a view of the vending machine and soccer field across the way. "i just thought maybe i'd grown a bit cheerier since i met you guys."

"that's all." nanba doesn't see the party staring in shocked silence.

saeko, han, and zhao exchange fond looks.

nanba chugs his tea as ichiban approaches.

ichiban bumps his drink hand against nanba's.

"well, we already knew that, man." ichiban grins so wide his eyes shut.

"yeah, you smile a lot more than you did before, nan-chan." saeko concurs, offering him her chip bag.

nanba looks up, eyes wide. "ichiban... you guys..."

a hand lands on nanba's shoulder.

arm slung over his friend's back, ichiban cheerfully assures "and i noticed that you got some new lenses on your glasses, too." nanba's face falls.

the party loses it. saeko collapses on adachi, both doubled over in laughter, zhao cackles as his glasses fall off, and han clutches his head in despair.

"i didn't change anything about my glasses!" nanba roars. on the ground, a plastic bag of leftover snacks reads "#56 nanba's transformation".

end image description]

[gunstellations]

boop! 💙🤍

[beebox-illustrations]

Happy Mother’s Day! - or happy parental appreciation day 🌻💚

I know it’s not the same date all around the world but here we go :)

It’s as good as any day to give your loved ones a call ✨ have a fantastic Sunday 🐝

[beastwhimsy]

this would happen

[unproduciblesmackdown]

Lackadaisy Enrichment

[crustyfloor]

SUA LORE (I'm going to die one of these days fuck)

When Sua was younger, among all the sisters she had grown up with, she had one older sister, but seemingly, unlike their other sisters, that woman didn't treat Sua with hostility, in fact, she looked like she doted on Sua and looked out for her.

Translation (Creds to: @/greenbean1467 on yt in the comments section):

1/2 ?: You should take care of your hair. (Woah, careful) ?: So immature… 2/2 ?: Alright, it can’t be helped. Sua has to be punished! Tickle tickle! [ At that time, you were my only person, and for that reason, you also made me afraid. ]

"You were my only person, and for that reason, you also made me afraid" Is just...All her life, Sua had been an isolated individual, by choice, and because she had been shunned by her family, avoided due to her cold nature, and during those times she's only had two people to who she could really show herself too, this woman and Mizi, this woman being the only person Sua had in her life I can only imagine how afraid Sua was of losing her sister, and just how much her sister terrified her at times.

1/2 SUA: Mhm, so mother said, it’ll be time to leave after ten more nights. And mother seems happy, and I too… SUA: And that pink-haired kid could be there too, so… ?: Didn’t I tell you it’s uncouth to wiggle your toes like that? 2/2 SUA: Oh… I won’t then. ?: Ugh, so cute! ?: But you know, big sis is worried. ?: Worried that our immature little Sua could just up and die in that hellish place.

This woman and Sua look to be close; they are affectionate, and Sua almost seems to look up to this woman as if a sister figure, but the detail here I'm interested in is how worried this woman is about Sua and her remarks about Sua, she cares about Sua. Still, it shows that she looks down on Sua to some degree, whether this be in a teasing tone or not, I'm unsure. But there's an obvious obsessive fixation on Sua's innocence. And even in this relationship, cruelty was reinforced as a means to an end.

1/2 ?: You’re already so stupid, what if you just up and die in that place? ?: You poor thing, Sua. [They say that corpses fall from the sky in that place. When a weak kid like Sua just up and dies, They burn those kids in a hot, hot fire, And then they open the sky lid to sprinkle them over the living kids Like snow raining down. ] 2/3 ?: Even if it's not, I'm not smart, but I've gone so far ?: Pick--If you die. What should I do? ?: It's so cute Sua.

Growing up under the same guardian, Nigeh, who valued quality and beauty in her pets, it becomes obvious why Sua's sister was criticizing her appearance. She'd grown up hearing the same criticisms from the harsh and cold Nigeh who didn't care for their pets beyond their value, and what all they could bring to the plate, I could imagine just what kinds of things Nigeh would say to a pet human with "abnormalities".

Sua, however, was the perfect pet human, she was pretty, obedient, and acted obediently for Nigeh as a manicured doll to meet their expectations. She was attached to Nigeh like a daughter to a mother, looking to their validation to feel as if she was more valuable than she truly was even though the love wasn't reciprocated. For these reasons, she was treated differently from her other sisters, of course, there would be a level of envy and projection from Sua's sister.

Sua's sister is shown to be anxious about Sua, she seems to have been attached to her in the way a hurt child needs a security blanket to rest at night, Sua is so childish, naive, and stupid, it is reassuring to her sister to have someone to care for, as if there was still hope in this world, so without Sua, her sister's worries wouldn't be soothed, her sister was so scared that she even threatened Sua with fear, expressing how frightening and horrific this environment would be (Like, "Pick, if you die" I read it as "If I lose you, what should I do?)

In this way, Sua seems to parallel mirror woman because Sua had this same dependency on Mizi, again, in the way a hurt, lonely, scared child needs a security blanket to rest at night, Sua wanted Mizi to remain naive and stupid, willingly kept her in the dark so that Sua could feel a sense of peace and security through her, her sister was the same way with Sua, she wanted to keep Sua from the hell she would be subjected to very, very soon, but in the end, telling Sua ugly truths, about the snow, and all, had to have been fueled by bitter feelings, to rid Sua of that type of innocence, could have been any kind of love, perhaps in a twisted way she wanted to protect Sua.

She obviously had to have been mentally unstable (understandably) to say these kinds of things to a child, no less, the way she stares at Sua like she's desperate and broken, really, it's not loving, it's just desperate and cruel. Really, the fact that Alien stage can bring a person to this kind of insanity is a horrifying concept. Still, I believe she was trying to teach a lesson to Sua at this time in her life when she was growing up, making attachments and being susceptible to impressions, it was purposely harsh to frighten her, to project her fears onto Sua, and those words from her sister stuck with Sua for the rest of her life.

From that day on, all Sua could think about was death, all she could do was worry and worry until she met Mizi again.

Meeting Mizi, in all her optimism and bright smiles, was like a healing balm on Sua's wounds, or in other words, her "Cure" .

1/2 SUA: Big sister, your words then made me, as young as I was, all the more afraid. I imagined “just up and dying” so many times, even more than before… 2/2 SUA: But if I meet you again, I want to tell you this. That you were wrong. The one to be pitied was probably you.

1/2 SUA: If this is hell… 2/2 MIZI: Found you! You're that snow doll!

Interestingly enough, Mizi calling Sua a "snow doll" may be a foreshadowing of Sua's death, as now it's semi-confirmed that dead children are cremated and sprinkled down onto the Anakt children's faces, but they only think it's snow. (THAT IS JUST FUCKING SICK. someone kill me)

And a parallel to the MIZISUA video, their first meeting. (The nickname is just--telling of how Sua is perceived, as a little dressed-up doll.)

(And that fact just gives this piece a wholeeee darker meaning. of course. It somewhat disproves the theory that the dead are instead fed to the Wagyein, but I don't know which is worse. Then again Sua's sister could've been going off on a psychotic rant, so I'm not taking it too seriously. It's a weird coincidence though)

1/2 SUA: Where else could you find such a paradise so wonderful? 2/2 SUA: So you're wrong.

(Some nuance may be lost in translation. I died)

So this comic, like Ivan's comic after ROUND 6, Cure, Heavenly Garden, was Sua's reminiscing during her final moments, and her only thoughts were the words of her sister, her face, haunting as it was, and Mizi, her universe.

Sua's sister pitied her for her inevitable fate, she had known the life of being a pet-human, used, abused, and hurt, she feared death and still had her instincts intact. Knowing Sua would go through the same cycle and then meet a terrible fate on that hellish stage...tasted bitter. It was frightening, but it was one small liberty for Sua to make it something of her own.

But for Sua, it was far from hell. Sua's sister references Anakt garden and Alien stage as a whole as hell because it's a one-way ticket to your demise, there is no true life once you're in, that's why it's so frightening, but being found by Mizi in that garden--Mizi was wonderful, Mizi made Sua feel like a child, to feel warm in her bright, gentle light, feeling the tranquility of feeling freed and loved in the comfort of Mizi's gentle song, Sua didn't want to be pitied, she didn't even regret making it this far, she didn't care about death as long as she wasn't without Mizi, Because to be able to be with her, and sing with her...everything was all worth it to meet Mizi. For Sua, there is no fate more miserable than living a life without Mizi and dying that way. Living a life of loneliness and anxiety was pitiful.

Side note, the title of this comic, Heavenly Garden, maybe a religious reference and, more specifically, a reference to the Garden of Eden. The themes here that connect to "Return to the Great Anakt", all children, in ashes and all will eventually return to the great Anakt, it gives me the idea that after Sua's death, her "Heaven", was returning to Anakt Garden and returning to her paradise, Mizi.

[dustykneed]

one of my favourite mcspirk getting together tropes is jim and spock noticing something off about bones and being forced to beat it out of him with a stick (metaphorically) before bones opens up and they finally get together. like go you emotionally constipated space nerds i believe in you !!! you can do it!!

semi-accidental prompt fill for @mcspirkevents' mcspirk bingo prompt "getting together for the first time" (⁠ ⁠/⁠^⁠ω⁠^⁠)⁠/⁠♪⁠♪

[poorly-drawn-mdzs]

The girls are here!!!

[hopetatic]

what. who the fuck is that. why are you outside my house

[starvinginbelair]

this tim drake panel in particular!!!

[secriden]

So I made a post theorising about Style before episode 1 dropped and I'm both pleased by how much I got right and enamoured by all the extra details we have about Style in this episode.

Style is so obnoxiously overconfident and full of undeserved swagger that it somehow flips around to being winsome. He's the very definition of "empty-headed" but in a way that makes him innocent and guileless.

Narratively he functions as a bit of a foil to Bison because they are both impulsive and naive and blunt, but where Bison's past is steeped in blood and deception and it feels like he's got tricks up his sleeve, Style is an almost painfully open book. This also stands in contrast to Kant who seems very capable of manipulation.

And while he's nearly annoyingly self-assured, who can blame him; I mean look at him. Pretty boy is so fucking pretty. I bet he rocks up to the club, leans with his back against the bar so his shirt rides up, and immediately has 3 drinks being offered to him.

I'm so glad the show makes it clear that Style was flirting with Fadel well before the deal with Kant. It both establishes how genuine his interest in Fadel is, whilst also telling us that the unhinged behaviour was all Style - he didn't need any incentive to pull the "my nipples are sensitive" line.

I also love how he's demonstratively SO BAD at flirting! At the diner, its clear he's just trying things out to see if anything will stick. He's dressed to make himself alluring: arms and side bared in that loose tank top, and he keeps making these big gestures that show his arms off. (I wonder if he drinks as much as he does partly because he starts to get nervous when nothing seems to be working. xD)

All this is good, though, specifically because Fadel would probably see more sophisticated moves as deception. Instead, I think Style's unpolished and unpredictable flirting winds up being accidentally effective because it leaves Fadel feeling unmoored.

Fadel, who is so in control of his life; who (thinks he) knows exactly what he wants and how to get it. Style makes him feel things he probably hasn't in a while. Attraction, embarrassment; but also, anger and violence. His little dramatic knife-clench moment is such a contrast to the calm, clinical way he assassinates the mob boss and I think it shows that Fadel feels his lack of control around Style - and that frightens him a little.

I like how the show signposts the ways both characters are going to have to grow as people for them to be in a relationship: Style needs to learn how to take things more seriously, to mature and temper that arrogance, and slow down and read the room/people better; Fadel needs to allow himself to let go sometimes, to have some fun for once, to face and accept the reality of his own emotions.

They both have to learn how to love and be loved, and its fascinating how ideally suited they are to teach each other these things.

And in the mean time, well, the chemistry is undeniably electric.