#and dunk is doing an amazing job of portraying the balance between genuine confidence and annoying swagger

[secriden]

So I made a post theorising about Style before episode 1 dropped and I'm both pleased by how much I got right and enamoured by all the extra details we have about Style in this episode.

Style is so obnoxiously overconfident and full of undeserved swagger that it somehow flips around to being winsome. He's the very definition of "empty-headed" but in a way that makes him innocent and guileless.

Narratively he functions as a bit of a foil to Bison because they are both impulsive and naive and blunt, but where Bison's past is steeped in blood and deception and it feels like he's got tricks up his sleeve, Style is an almost painfully open book. This also stands in contrast to Kant who seems very capable of manipulation.

And while he's nearly annoyingly self-assured, who can blame him; I mean look at him. Pretty boy is so fucking pretty. I bet he rocks up to the club, leans with his back against the bar so his shirt rides up, and immediately has 3 drinks being offered to him.

I'm so glad the show makes it clear that Style was flirting with Fadel well before the deal with Kant. It both establishes how genuine his interest in Fadel is, whilst also telling us that the unhinged behaviour was all Style - he didn't need any incentive to pull the "my nipples are sensitive" line.

I also love how he's demonstratively SO BAD at flirting! At the diner, its clear he's just trying things out to see if anything will stick. He's dressed to make himself alluring: arms and side bared in that loose tank top, and he keeps making these big gestures that show his arms off. (I wonder if he drinks as much as he does partly because he starts to get nervous when nothing seems to be working. xD)

All this is good, though, specifically because Fadel would probably see more sophisticated moves as deception. Instead, I think Style's unpolished and unpredictable flirting winds up being accidentally effective because it leaves Fadel feeling unmoored.

Fadel, who is so in control of his life; who (thinks he) knows exactly what he wants and how to get it. Style makes him feel things he probably hasn't in a while. Attraction, embarrassment; but also, anger and violence. His little dramatic knife-clench moment is such a contrast to the calm, clinical way he assassinates the mob boss and I think it shows that Fadel feels his lack of control around Style - and that frightens him a little.

I like how the show signposts the ways both characters are going to have to grow as people for them to be in a relationship: Style needs to learn how to take things more seriously, to mature and temper that arrogance, and slow down and read the room/people better; Fadel needs to allow himself to let go sometimes, to have some fun for once, to face and accept the reality of his own emotions.

They both have to learn how to love and be loved, and its fascinating how ideally suited they are to teach each other these things.

And in the mean time, well, the chemistry is undeniably electric.