#also the date is important :)

[artsekey]

Thinking about the time I lost a game of Overwatch and I was so mad about it that I genuinely considered getting into shit with the other team in chat and then realized that it was a colossal waste of my living breathing Human Time and uninstalled Overwatch instead because it was only making me angry.

And then thought about the OTHER time when I was on TikTok and realized I was Not Enjoying Myself and was, in fact, seeing so many sad videos and fake influencer ads that I felt Truly Despondent and then just…Deleted it.

Imo I want my social media /general media experience to be a pleasant break from real world and I get to decide what I get to cull to make that a reality for myself. I highly reccomended it! Life has improved considerably!

[just-an-enby-lemon]

The thing about jonmartin is that Martin wants to be a romantic, he loves poetry and probably watches romance but for him it is a fantasy, a silly game he plays. Martin is at his core very cynical. Things don't work out for him so he doesn't really belive in romance, it is a pretty dream but that's it. He is pratical and realist. Dating Jon he has to remind himself it is real and he actually struggles with romantic gestures, it is something he has to remind himself to do, to remind himself he can do even and honestly who even has the energy and what if Jon doesn't even like it?

Jon on the other hand wants to be cynical. His first coping mechanism was pretend the things he was afraid of weren't real and goddam if he isn't afraid of love. It didn't really work to him so far so it's easy to pretend he doesn't care. But he is a romantic at heart. He saw love and he read about it and he has enough evidence that it is undeniable. And to be honest Jon was always to much a bunch of mushy feelings hidden in a grumpy (and bitter and afraid) trench coat. Dating Martin he has to hold himself so he isn't too much. He plays the grumpy unromantic guy at first. But he just can't stop giving flowers and planing dates (this is the guy that saw a theme park on a fear domain and considered how he wanted to take Martin to a romantic ferris whell date [until he discovered Martin was afraid of them]) and making all the silly things one does when in love.

TR: Martin is deep down very cynical about love but wants to/pretends to be a romantic and Jon is deep down very romantic but wants to/pretends to be cynical about love.

[ontosgold]

summer date ☀️

[fridgrave2-0]

hehe ghost-turbo haunting felix au

turbo is connected to the last piece of his code in the whole arcade - a trophy he gifted to felix in mid 80s as a symbol of him genuinely caring about their relationships on par with being the best racer. felix also gave him one of his medals and both kept their gifts next to other rewards, but when roadblasters and turbotime were unplugged, the medal was gone with everything else

now, after burning in cola-lava turbo is basically dead, but scraps of his code still were intertwined with the trophy (after all, it was his first winner's cup, but felix never knew about it), giving turbo an opportunity to exist as a shadow incapable of interacting with anything and anyone besides felix, who kept the trophy even after the roadblasters incident

also I went crazy in tags, feel free to check them out

[ewwww-what]

an archdevil and a presidential candidate sneak into a gay bar

flatcolor + closeups below :)

[starcurtain]

Hello! I just saw your latest post and you might have been referring to my ask if it was the one about Ratiorine's differing philosophies or of what philosophies they abide by (existentialism, absurdism, etc) then that's me! If you weren't referring to that I apologize for the confusion. Sending it off anon this time so maybe it doesn't disappear 🥲

Sorry for the ask disappearing the first time; I'm not sure what happened, and I was so sad because I had been carefully holding on to it to answer it! I'm glad you were able to resend.

I do have to say first that philosophy is not my area of expertise, so there may be much more qualified philosophy buffs out there who can answer this more accurately than me, but I'll give it a go with my personal understandings of the characters:

First, Ratio is the easier of the two I think. As many people have said, he's a good fit for existentialism. His entire shtick is basically believing in the power of the individual to improve and enrich their own life, to fight valiantly regardless of the hardships imposed by their life's circumstances, and to make themself into a better person by their own choices.

It's important to underscore that this means Ratio believes in self-determination, in the idea that people's lives are not foreordained but are actually actively shaped each day by personal decisions. Therefore, people have inherent freedom to decide the course of their own lives by accepting what they approve of, refusing to accept what they disapprove of, and harnessing their own individual power to ultimately achieve self-actualization.

Essentially, Ratio works under the impression that life is not guided by something as intangible as destiny, and no matter where you start off in life, what ultimately happens to you is within your control (or at least within the control of whoever controls you). This is likely a small part of why it grates on him so badly that he wasn't recognized by Nous, because the fact that one can dedicate everything to a goal and still not achieve that goal runs contrary to his central philosophy.

If he believes that people have the power to determine the course of their own lives, then what does it say about him, who fought so hard to do exactly as he claims even idiots can do--seize control his own fate--and yet didn't succeed? Are there some things outside of man's power? It's enough to make even a renowned doctor question himself, and Ratio decided to come out on the side of "It's a personal failing, not a flaw in my philosophy." He literally said "Skill issue" to himself.

Changing tack a tiny bit here, I think it's also important to emphasize that there is a difference between existentialism and nihilism even though these philosophies dovetail. Again, I'm not an expert in philosophy, so my understanding is very limited, but the basic idea of existentialism is that "existence comes before essence"--that is, things start as a blank slate and gain nature and meaning after the fact. We are not created by some grand design, nor is there any inherent "purpose for living." Things just exist because they exist.

This is where existentialism intersects with nihilism, at the starting point that existence is inherently meaningless. But, in my personal opinion, nihilism as a philosophy fails to move beyond that. Pure nihilism is ultimately self-defeating because it leaves us with no motivation to commit to growth. It's a philosophy antithetical to the continuation of life as we know it. Existence is meaningless and any meaning you personally derive from existence is also meaningless, so why bother attempting to derive any meaning at all? This complete apathy is the Device IX that Star Rail paints as so dangerous.

And Ratio is not this way at all. His philosophy absolutely reaffirms that life can have meaning, so long as people create that meaning for themselves. He simultaneously asserts that anything that people create is not meaningless ...which basically means that meaning itself cannot be meaningless. (If that makes any sense to anyone.)

Frankly, I would argue that this philosophy may be a core part of why Ratio has not been recognized by Nous so far, rather than simply his "being a good person." (Nous is a robotic AI super-computer, why would THEY care about the presence or lack of human empathy?) Ultimately, Ratio's central philosophy about people being capable of determining their own fates and purposes also applies to his understanding of knowledge--knowledge is not something which is inherent in certain beings from birth or limited to the purview of the "special" (geniuses), but is attainable by all people. People are not "born talented" or "born untalented," they are simply "educated" or "uneducated," with the only barrier between these categories being one's own personal willingness to change. The mundane can become the divine--if they work hard enough at it.

Thus, knowledge is not wealth to be hoarded, but a currency to be spent to enrich other members of humanity.

(By the way, completely random aside--it also surprises me that everyone relates Ratio to Alhaitham from Genshin when they literally have such a glaring fundamental discrepancy in their understanding of the concept of wisdom... But anyway, back on topic!)

Ratio may (sort of) respect the members of the Genius Society, may recognize their incredible knowledge and abilities, but at the heart of the matter lies a single all-important question: Does Ratio even really believe in "genius" as a distinction (other than as a concept to insult himself)? Does he truly believe there is barrier between brilliance and idiocy that "ordinary people" can never cross?

He speaks convincingly about geniuses being different from "the ordinary," but if his core belief is that people have the power to pull themselves up out of despair and achieve greatness through effort and self-development, rather than some form of luck or god-given talent at birth, then... do born "geniuses" even really exist? Is there really an insurmountable difference between brilliant and mundane?

If knowledge is the equalizer of all sentient beings, do we not all have at least the initial capacity to become geniuses?

I personally think this central distinction about the capacity for knowledge among all humanity is the actual deciding factor in Ratio's rejection from the Genius Society, because, at the end of the day... how do you become a member of the "Genius Society" when you fundamentally reject the distinction of "genius" as an exclusive category from the start?

Ratio wants to share knowledge and uplift everyone (even if he thinks most people are starting off at the rock bottom known as idiocy).

His mission is diametrically opposed to the concept of a "Genius Society" in the first place.

He wanted in to the cool kids club because he desperately craves validation and acceptance, but the philosophical values of the Genius Society are ultimately incompatible with his own. In short, he would have to cease to be "Veritas Ratio" to succeed in joining the geniuses.

Okay, okay, back to the original point again, and just one more note about Ratio: Even though existentialism also goes hand-in-hand with absurdism, I don't think Ratio is far enough down the philosophical rabbit hole to believe in the wider definition of absurdism. Although I think he does agree with the inherent meaninglessness of existence, I don't think he views existence itself as truly irrational and the universe as as manifestation of unknowable chaos. I think he'd at least like to imagine that there are some ontological principles and inherent laws governing the operations of reality, and I think he does believe that certain things can be predicted with the application of enough thought... He certainly seems to believe in some form of "objective truth," at the very least.

I think he'd at least like to believe the universe is semi-orderly, even if he might deep down admit this is also wishful thinking.

So, to me he reads as a strong metaphor for pure existentialism, with deliberate rejections to both nihilism's apathy and absurdism's lean toward solely subjective reality.

PHEW, this is already long and I still have a whole other character to talk about... I had more to say about this topic than I thought. Sorry for the long read!

Anyway... Aventurine.

I've seen all sorts of things thrown around for Aventurine's philosophy, and while I think he does inherit a bit of Acheron's absurdism by the end of 2.1, I actually don't think Aventurine is an absurdist, an existentialist, or a nihilist.

I think Aventurine is a struggling fatalist.

He doesn't like it. We see him actively question it, but ultimately, he does come back to the concept of destiny over and over.

First, I think it's important to draw a clear distinction between Ratio and Aventurine: Ratio's existentialism is a philosophy that technically works even in a theological vacuum. Nous doesn't have to exist for Ratio's philosophy to function. Ratio's belief in the self-determination of humanity is, in fact, somewhat opposed to belief in aeons in the first place, and only works because technically the aeons of Star Rail used to be human (or were originally human creations). It's essentially an atheist viewpoint.

But Aventurine is a religious character. Like, he's just... religious. That's a fact about him. Even though we do hear his doubts, at the end of the day, he actually believes in Gaiathra, and believing in a omniscient supernatural being that is not human in origin (is from outside the aeon system) comes with a whole set of philosophical foundations that most aeon-worshipping characters just don't have in Star Rail. (Sunday is the obvious exception here, by the way.)

Kakavasha's like the one practicing pagan in the middle of an atheist convention. Awkward.

Being more serious: Religion requires faith. Faith requires the ability to believe in things you cannot verify with empirical facts. To believe in things you can only feel, never see. The belief that a goddess is watching over you, blessing you, and guiding you requires you to also accept the idea that events in your life are not always in your own control--that some of what occurs to you is decided by powers beyond your comprehension.

In essence, faith requires belief in fate. And that leads to fatalism.

No matter how much he doesn't like it, no matter how much we see him struggle with it, Aventurine does actually seem to believe in the concept of fate. He believes that some events in life are destined to occur, that some things are outside of individuals' control, and that ultimately not everything can be changed.

This is the dead opposite of Ratio's mindset: No matter how hard we fight, how far we push ourselves... in the end, sometimes people fail. Sometimes the only answer to our endless struggles is that we die, as we were destined to, before ever achieving the greatness we sought or the futures we were promised.

As an aside, I don't think faith or religion are necessarily the only factors connecting Aventurine to this particular philosophy either. Even removing theological aspects from the conversation, his extreme focus on the gambling aesthetic suggests a strong connection to fatalism too--if not a goddess, then one's fate may as well be in the hands of luck itself, of the whims of the rolling dice--or the push and pull of "powers that be," those figures of authority in the room where it happens, who make their shady deals according to preset rules and expectations, every bet resulting in an ultimately predictable outcome.

(He keeps gambling and gambling, hoping that he'll get a different result than the one he knows is inevitable...)

This is, of course, an inherently pessimistic mindset, a perfect dark-mirror to Ratio's deep-down optimism. Fatalism puts humanity into a position of powerlessness. All hopes and dreams are given over to the goddess, by whose judgment and whims the actual events of one's life are decided. Pain and poverty are inevitable trials. Suffering and death are foreordained.

And yet Aventurine has to cling to this, as much as he doubts it, as much as he hates the idea that things in his life are beyond his power to control.

Because if fate doesn't exist... If it wasn't destiny, if the tragedies of his life weren't trials from the goddess, if things weren't supposed to go this way... Then every single thing in his life really is meaningless. Everything he suffered, everyone he loved and loss, his mother's and sister's sacrifices, the torment he went through--just sheer bad luck. All of it, completely and utterly meaningless.

How can you convince yourself to keep living, in the face of such supreme and all-encompassing Nihility?

This is the central struggle of Aventurine's character, the actual mental and emotional journey we see him undertaking from 2.0 to 2.1. He is literally on the precipice, swinging between a viewpoint that he hates--his fatalistic belief in destiny--and an entirely self-defeating philosophy--nihilism--whose only possible final outcome is suicide.

This is what his talk with Acheron at the end of 2.1 is all about. This is how she saves him. In that final cutscene, we witness Aventurine reach a mental compromise, managing to finally reconcile his necessary faith in the concept of destiny with the reality that life may truly begin meaningless--but beginning meaningless does not mean staying meaningless, and believing in destiny does not bar you from making your own choices or finding your own purpose in life.

Later on in Penacony's story, we literally see Acheron use Ratio's philosophy to reject the same nihility that crept into Aventurine's:

Acheron wards off nihility's apathy through an absurdism all her own, but one which manages to enclose both Ratio's and Aventurine's otherwise incompatible mindsets: We have no way of ever knowing for certain whether the events of our lives are fated or mere nonsense. We have no way of knowing if our choices are our own or foreordained. But we don't need to know this to find meaning and value in them. Whether life is nothing more than unpredictable chaos or a predetermined pattern of cause and effect, what matters is what you make of it.

Ultimately, I think that this post has really helped me recognize just how well Aventurine and Ratio work as philosophical foils.

They really are perfect opposites.

Aventurine's fatalism is deterministic, while Ratio's existentialism is self-deterministic. Aventurine's philosophy is inherently pessimistic; Ratio's is inherently optimistic. Ratio's philosophy operates on a core belief in the freedom of humanity to decide their own paths in life, while Aventurine hates but does ultimately believe that people aren't really in control, that even if no gods are guiding us, we can't rise above our own natures. Ratio's philosophy makes meaning from growth; Aventurine's makes meaning from loss...

And they both struggle with fundamental doubts in their own philosophies, core questions that are directly tied to their own lives. Aventurine worries that his faith might be misplaced, that destiny might not exist, and that everything he suffered might have been in pointless, empty vain. Ratio faces the crisis of recognizing that his core belief in the power of humankind to determine their own paths and make their own meaning might not actually apply to everyone--because it doesn't seem to apply to himself.

It's literally only by bridging this philosophical binary with Acheron's anti-Nihility absurdist rhetoric that we can reach some sort of healthy outcome. That's why it takes both Ratio's note and Acheron's comments to finally lead Aventurine to acceptance. Ratio probably needs a little bit of Aventurine's "If you didn't make it into the Genius Society, there's got to be a reason" mindset to finally reach some peace with his situation too.

I'm not even a philosophy expert and even I can see that there's really only one takeaway here: These two characters were totally written with each other in mind.

Aventurine and Ratio need each other on core metaphysical levels! 😂

It's so good guys. You can't see it, but I'm making chef's kisses, I promise.

[bubblesbinxs]

Had a dream where instead of A Date With Markiplier i was on a date with dark and trust me when i say i had the most horrible time realizing none of it was real the moment i woke up. anyways here’s some self-indulgent art hihi ^.^

[sleepyjuniper]

I'm making this poll because I use post dates, and in this day and age it seems, to me, that it's absolutely imperative that we be able to tell when a post was made so we know whether or not it's outdated information. I've occasionally seen posts reblogged of old outdated news that makes me wonder if the person reblogging it uses this feature. I'm also curious, if you don't use it, why not? Feel free to elaborate in the notes!

[gobstoppr]

Tetris Fanart.

I've been playing tetris while listening to horror podcasts. and yeah

[bananafishdepression]

Yuma Uchida be voicing every single gay depressed/angry character and serves every single time, I remember his voice as Ash Lynx's and when I try to watch another BL and I hear his voice I get flashbacks but I try my best and now he voices Hisashi in Twilight out of Focus (which is the only reason I read it and watched the episode) and the resemblence is crazyyy 😭😭😭 they didnt need to look exactly like Ash and Eiji but I'm thankful they did 'cause now we can be delulu and say they got their happy ending in another life

[tennessoui]

wait lol au where post-war, the jedi order does a date auction a la every cliche ever where they auction off a date night with one of their jedi generals. it's supposed to raise credits for various post-war charities as well as stoke good feelings about the order (the smear campaign was pretty effective, even if sidious died before the genocide bit)

obviously both the hero with no fear and the negotiator are put on the metaphorical chopping block. anakin is a Good Husband™️ so he clears this with Padmé first, and she laughs and agrees and wishes him luck in surviving the hoards of fans that desire him carnally. she says as a senator, she will be expected to attend and maybe even bid. they both agree that it would be way too obvious for their super secret marriage if she bids on anakin, and anakin asks her to bid on obi-wan in a spur of the moment thing.

it's just. obi-wan was really hurt aboard the invisible hand and then he was hurt again when fighting with grievous. and is anyone vetting these random people who will get to go on a date with the jedi? anyone could win!! a disgruntled separatist could win obi-wan's attention for a night and then take him on a date and then kill him!!!! under anakin's very nose!!!

anakin actually gets like. super concerned about this possibility. like super concerned. he gets padmé to promise that she will bid however much it takes to win obi-wan's hand (she is after all generationally wealthy) and she agrees because she loves him and then also follows through because she's a woman of her word.

anakin gets bid on by several people, one woman wins, it's whatever, anakin doesn't care. what anakin cares about is making sure he and this person can go to the same restaurant as obi-wan and padmé. just like. to make sure obi-wan is alright. he was looking quite flushed during the bidding? anakin is Concerned.

and anakin's poor date, who paid millions of credits for his attention, has to deal with an anakin who is obsessed with what's happening a table over and why are they laughing and are their knees touching beneath the table and maybe anakin should go over and like? break it up? his master is obviously a bit uncomfortable in all this candlelight. he looks beautiful, obviously, but he's clearly uncomfortable and he would feel better if anakin were there. obviously.

and anakin's poor date ALSO has to deal with meeting obi-wan kenobi after/during dinner because anakin can't keep in his lane, and general kenobi is downright hostile and cold to her because he's feeling incredibly overprotective at the thought of anakin having to spend time with some woman who bought him. as if he were a slave again.

[beanghostprincess]

Usopp saying "You killed OUR Sanji" to Nami during Skypiea and Sanji going "How dare you give OUR longnose a terrible time?" with Franky in Enies Lobby... If they are trying to hide their possessiveness they are doing a terrible job

[short666bread]

[petite-phthora]

Hell yeah

[DP x DC fic]

[Love at first… murder? - part 17]

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Part 1

Ao3

---

Danny opens the door to see Red Hood on the other side. They smile and greet each other before Danny steps outside.

“What’s with the bags?” Red Hood asks, gesturing towards the bags Danny has with him.

“Well, this one,” He starts, holding one of the bags up, “is filled with the tp for the manor. While this one,” he holds up the other bag, “has to do with the second part of the date.”

“It’s a surprise for later, so no peeking!” Danny says, wagging his finger.

Red Hood holds up his arms in surrender and nods in response.

“Alright, I won’t peek.”

“Good.” Danny nods, satisfied with the answer.

“Though, would you like me to carry one of those?” Red Hood asks, pointing towards the bags.

Danny opens his mouth to respond but pauses, giving Red Hood a suspicious look.

“This isn’t some ploy to look inside the date bag, is it?”

Red Hood shakes his head in response.

“Nope. Just a genuine question on whether you want me to carry one of those bags or not. No ulterior motives.” He says, not sounding all too convincing.

Danny, who has his eyes still narrowed, gives in.

“Alright. But you carry this one.” He says, handing over the bag with the tp in it.

Red Hood takes it with a nod. They then start walking towards the entrance of the building. Once outside they head over to where Red Hood parked his motorcycle.

“Here, you can put the bags in the saddle bag,” Red Hood says, opening said saddle bag and putting the bag he was carrying inside it before gesturing for Danny to put the one he was carrying in.

After everything is secured and ready, they take off towards the manor.

Instead of going to the front of the manor with the gate, Red Hood takes a different route. They stop somewhere around the back of the manor, beside the stone wall surrounding the property.

Danny takes the bag with the tp with him, leaving the other at the motorcycle.

After looking over the wall to see that none of the manor’s residents are near, they go over it. Luckily for them, the wall isn’t too high and they climb and get down from it with ease.

They go over to the manor and once close enough they stop. Danny holds out the bag he brought between them and opens it up. He takes out some tp rolls and hands one over to Red Hood. They grin at each other.

“Let’s give this manor a little make-over”

“Hell yeah”

Those are the last words spoken between them before they start throwing the rolls at the manor.

---

Danny has another roll of toilet paper in his hand, preparing his next throw. Red Hood is next to him, helmet under his arm, having taken it off a while ago.

They’re both grinning at each other, Red Hood giving Danny a thumbs up in encouragement.

Both grins are quickly wiped off their faces when they hear a pointed ‘ahem’ from behind. Danny turns around startled, the toilet paper roll he was holding falling into the grass when he drops it.

Red Hood, who hadn’t jumped like Danny had, turns around curiously to look at who was interrupting their fun.

Behind them stands an older man with gray hair and a mustache. He’s dressed in an impeccable three-piece suit. He looks at them with a kind and open expression, as if they aren’t trespassers currently defiling the place he works/lives at.

“Good afternoon, Red Hood and guest. Would either of you care for some refreshments? The cookies are just about done.” The newcomer says.

Danny and Red Hood turn to look at each other. Danny gives him a questioning look. Red Hood just shrugs in response. They both turn back to the man in front of them and Danny speaks up.

“Hell yeah, we would love some cookies. If you don’t mind, sir…?”

“Alfred Pennyworth, I’m the Wayne family butler. And your name is?” Mr. Penny inquires as he starts leading them inside the manor and towards the kitchen.

“Danny Fenton at your service, Mr. Pennyworth,” Danny says, doing a silly little bow and almost tripping before he manages to right himself again with a sheepish grin.

“Please, call me Alfred, Mr. Fenton.”

“Only if you call me Danny.”

“Alright. Now, Mr. Danny, Red Hood, would either of you care for a cup of tea?”

---

Jason is looking at Danny and Alfred from a small distance as they are chatting over some cookies and tea. He has his arms crossed and a soft smile across his face.

He doesn’t jump when a voice coming from his right speaks up.

“New Brother?”

He turns to look beside him to see Cass curiously looking over in Danny’s direction. Jason gives her a slight scoff.

“That’s in-law, for you,” he pauses, the next word coming out a lot softer as he turns back to look at Danny who seems to be laughing at something, “hopefully…”

Cass nods in response.

“You’re happy?” She asks with a tilted head.

Jason nods seriously.

Cass smiles.

“Good. Then I’m happy.” She says before disappearing, leaving them be.

---

Behind Danny’s back, Jason catches Alfred’s eye and signs to him.

“I just remembered, the laundry should be done now. Please, excuse me.” Alfred says before leaving the room.

Once Alfred is out of sight Danny turns towards Jason, shoving the last bits of the cookie he was eating inside his mouth.

“So, you ready to get that autograph?” Jason asks him, holding out his hand towards Danny.

Danny glances over at the door Alfred just left through before looking back over at Jason and smiling at him.

“Hell yeah.” He says before taking Jason’s hand and using it to get up from his seat.

Without letting go of his hand, Jason starts leading Danny through the manor.

There’s no way they’d have been able to avoid all cameras in the manor, especially since they went inside with Alfred, so Jason doesn’t bother trying to be sneaky.

They already know of Danny anyway…

While they’re walking towards where Jason knows Tim’s room is, Danny looks curiously around the place.

“Say, how do you know your way around here so well?” He asks Jason.

“I’ve been around here a few times.” He replies casually.  “You don’t wanna know how many of their gala’s have been attacked or the amount of times the Wayne’s have been held hostage” He rolls his eyes. Jason stops walking.

“Alright, I’m pretty sure this is Mr. Drake-Wayne’s room,” Jason says, opening the door of one of the various rooms in the manor and stepping inside.

“Do I want to know how you’d know which rooms belong to which residents?”

“Probably not.”

“Alright, then I won’t ask,” Danny replies with an unconcerned shrug.

Danny looks around the room, inspecting it while taking care not to touch anything.

“Hmmm, do you think he’ll have any documents with his signature here? Or does he keep them all at that Wayne Tower thingy?

“Might’ve been a smarter idea to have gone there for something of use…” Danny says, muttering the last part more to himself than to Jason.

Jason shrugs in response, walking towards the desk.

“He probably has something lying around we could snatch. But if need be, I wouldn’t say no to breaking into the tower and getting the signature from there.”

“More breaking and entering, huh? Would that be another date?” Danny says before fake swooning. “How romantic” Danny grins, trying to ignore how warm his face feels.

Jason snorts at the bit. He then starts looking through the papers lying on the desk,  picking up one of the pieces of paper. He scans it, finding it to be some sort of agreement contract between Wayne Enterprises and some other tech company.

It didn’t seem too important and, knowing Tim, if it were he’d probably already have multiple copies and back-ups at another location.

Now that Jason’s thinking about it, this paper is most likely already a copy and not the original. So he feels no remorse handing it over to Danny.

“Here, check this out.” Jason points to the bottom of the document where Tim’s signature is located.

Danny takes the document from him, glancing over the signature with a smile.

“Alright! This is perfect, thanks Red!” He looks up from the document and beams at Jason, who makes a ‘don’t worry about it’ gesture.

Danny then puts the paper into his bag for safekeeping before speaking up again.

“Soooo… Wanna finish our tp project before ditching this place for the second part of the date?”

“Hell yeah,” Jason responds with a grin.

---

Taglist:

@i-always-say-yea @uraniumwizard @why-must-i-be-like-this @griffinthing @i23432i @imsotiredfanficlovertm @jaguarthecat @arkita-shadow @ilydana @jai-twin

[gatoburr0]

This might be a bit of a dark question about the fuzzy AU but.. was Acht alone when they died? I'm assuming timeline wise that side order didn't happen pre Grizz winning (unless it did) so did they spend their last few days(?) alone in the Deepsea Metro with no idea what was happening to them or did something less heart wrenching happen?

Man that is a massive plot hole I completely forgot about and did not see coming. Honestly I think I can make it so somehow Acht already met Callie before getting fuzzed up? Because if not it wouldn’t be so interesting (and most importantly there wouldn’t be enough angsssssst).

Also yeah this post is a bit sad so just sayin’.

Acht and Callie already knew each other and went out together constantly, but they got fuzzed up when they were far from each other. Acht couldn’t get out of wherever they were in, because they were just so weak, until it was too much to handle and they died, alone, nobody knew they were struggling with it.

Callie often gets flashbacks about the time they spent together, however her memory gets blurred by her instincts and she doesn’t seem to be affected by them that much anymore. But she does remember them vividly, being probably their first true love.

She sometimes stays up at night thinking about them.

And the saddest part is that she still thinks they’re doing okay somewhere around.

(Read tags)

[wonder-worker]

Wild how we know that Elizabeth Woodville was officially appointed to royal councils in her own right during her husband’s reign and fortified the Tower of London in preparation of a siege while 8-months pregnant and had forces gathering at Westminster “in the queen’s name” in 1483 – only for NONE of these things to be even included, let alone explored, in the vast majority of scholarship and historical novels involving her.