#also no they did not fuck

[corkinavoid]

Thank you, @aceinacorner, for this gem:

You are the inspiration for

DPxDC Ring of Rage? More Like Ring of Engage [pt. 3]

[<- part 2]

Duke narrows his eyes.

He swears Tim was not in the Cave just five seconds ago, and yet, in the brief moment when Duke wasn't looking, he just materialized out of motherfucking aether. Smelling like Chinese food and holding a chicken skewer that looks so good that Duke's mouth waters.

"Can I have a piece?" He asks, the divine smell of food overriding the urge to ask 'where did you get it' or 'how did you get here'.

Tim nods, smiles, and hands Duke the whole skewer before going for the elevator.

Is it Duke's hallucination, or is he really humming something as he goes?.. Actually, that doesn't matter. The chicken tastes even better than it smells, and Duke is perfectly willing to keep his mouth shut in exchange for food.

You don't talk with your mouth full, after all.

~☆~

Cass watches Tim over the table. She hasn't heard him coming into the dinner room - no steps in the hall, no rustle of clothing or breathing. It's like the boy has somehow appeared right in front of the door out of nowhere before entering.

What's more, he seems obviously not hungry, picking at his food with an absent, if a bit dreamy, expression. Granted, Tim always picks at his food, but Cass can see the difference between 'Tim's mind is busy with a new case and therefore too distracted to eat' and 'Tim already had dinner elsewhere and is too full to eat now'.

The bags under his eyes are also not as dark as they usually are. Come to think of it, Cass hasn't seen him in a bad mood for a few weeks now, which shouldn't really be that strange, but it's Tim. The smallest of inconveniences can put him in a bad mood.

Tim notices her looking and raises an eyebrow.

Cass blinks and goes back to her plate. Whatever is keeping her brother happy, it deserves her full approval.

~☆~

Jason is... not so sure as to what is happening.

He did notice that Tim was really chill lately, but this is going a bit overboard.

"Did you spike it with arsenic, Replacement?" He asks, suspiciously looking the offered cup of coffee over without taking it. Tim - surprisingly, actually - doesn't react to the nickname in the slightest, instead giving Jason a deadpan look. Then, he brings the cup up to his mouth, takes a sip, and hands it back again.

Okay, well, that proves no arsenic, at least. It's still very weird. Tim doesn't just buy coffee for people, and he especially doesn't buy coffee for Jason.

"Am I going to owe you something for it, or what?" He asks, slowly reaching for the cup. Tim sighs.

"No. It's just a drink - my boyfriend loves it, and I think you'd like it as well," he explains with a shrug, and Jason is honestly too befuddled to ask about anything. Including the boyfriend part.

No, but since when does Timbers have a boyfriend? He sure hadn't mentioned anything about it to any of the others.

The drink turns out to be not coffee but something else, tangy and thick, and when Jason takes the lid off, it's green like Mountain Dew.

It does taste great, though, and later Jason considers asking Tim for another one. He hadn't had anything better in ages.

~☆~

Damian strikes through the last one of the training holograms, breathing heavily. And yet, just as the 'simulation complete' message pops up in the air, he hears a step behind him.

He turns around faster than a lightning, and-

Finds Timothy's neck at the tip of his katana, with his hands up in surrender.

"What are you doing here?" Damian sneers, lowering his weapon, and Tim swallows. Not because of surprise or fear, though, he clearly had some half chewed up food in his mouth.

"Inaccurate drop off," he says, looking Damian straight in the eyes, "I was aiming for the main floor."

He smells of Indian food and spices, and Damian almost sneezes.

"What do you mean 'aiming'?" He demands, but Drake just waves him off, heading towards the elevator up.

"No worries, I'll do better next time," he shoots a smile over his shoulder, "See you on patrol!" And with that, the elevator doors close after him, leaving Damian alone.

Drake has always been strange, but this is too much even for him.

Not that it's Damian's business. He huffs and starts the simulation over again.

~☆~

If Dick didn't witness it with his own two eyes, he would have never believed it. Alas, he did, and even though the swirling green vortex has already disappeared like it was never there, Tim, whom the strange portal just spat out on the floor of the Cave, is still here.

"What the fuck was that?" He nearly yells, and Tim looks up, a face of perfect innocence.

"What was what?" He returns the question, and Dick can't find the words to explain, so he just wildly gestures to the place where the portal has been less than five seconds ago. Tim blinks, "Oh, that. That was my date."

Dick chokes on his breath.

"Your date?" He parrots, hoarse and breathless, and Tim nods, like there's not a single thing wrong with anything that has just happened. "Since when do you go on dates? Wait, I thought you were engaged, you said it was cheating to date anyone else, even if you didn't know the spouse, you said-" he cuts himself off, feeling his own face slowly falling and his stomach sinking down in horror. "No. No, don't tell me."

But the shit-eating grin on Tim's face is already proof enough.

Dick clears his throat. Takes a deep breath.

Seeing that Tim is still in one piece, and, well, that he did just casually come out of a magic portal in the middle of the Cave, it's probably safe to say that it's not the first time.

And, judging by the mirth in Tim's grin, it's also safe to say he's been rather enjoying it.

Dick releases one long, loud breath and forces a smile on his face as well.

"So, how is it?" He asks, trying in vain to sound light-hearted, not suspicious. Tim's smile gets wider, and there's a glint of excitement in his eyes now, which Dick considers a good thing, all in all.

"Oh, I thought you'd never ask."

~☆~

Bonus Scene (that somehow turned out longer than I planned)

~☆~

"Where's Tim?" Bruce asks when all the rest of his kids are already seated around the table for breakfast.

"At Danny's, probably," Steph shrugs before digging into the waffles on her plate. Bruce frowns.

"Danny's?" He asks. He hasn't heard that name before. Is that a friend of Tim's?

"Drake's paramour," Damian clarifies, not bothering to look up from his own food, and Bruce's mind comes to a screeching halt. He blinks stupidly, looking around the table and sincerely hoping it is some sort of a prank, but Cass smiles and nods, and Dick has an expression of pure exhaustion on his face, and Duke is huffing a snort of laughter at him for it.

"Since when-" Bruce starts, but he is suddenly cut off by a glowing circle that appears just a few feet away from them all.

It grows quickly, morphing into a vortex, a green and ominous tear in reality big enough for a person to walk through, hanging in the air a few inches over the ground. The space around it feels staticky somehow, and the color is too bright to look at directly, and it definitely doesn't belong to their dining room. But before Bruce is able to say another word or do anything at all, Tim steps out of it, his hair and clothes ruffled.

"Oh, fuck," he mutters upon seeing them all, and turns around, sticking his head into the vortex just as it starts to close. The vortex pauses.

Bruce is almost too stunned to move.

His kids don't share the sentiment, though, most of them not paying the portal any attention at all. Bruce would have reprimanded them for the poor awareness of their surroundings if he didn't notice how Damian simply glanced up at it before going back to his food.

They saw the portal. They just didn't deem it dangerous. For some reason.

Tim's face comes back out, and he turns to Bruce. His expression looks different than before: a bit smug, a little mischievous, and just a tad bit nervous.

Then, another head pops up through the surface of the portal. A boy - or at least they look like a boy - with snow white hair that floats in the air and bright, almost neon blue eyes. His skin is far too pale for him to be human, and- he has freckles that look like constellations.

For some reason, that's the part that makes Bruce finally resign to the fact that this is just how his life is. With breakfasts interrupted by green portals and otherworldly boyfriends - because who else might it be, really - before he even had his morning coffee.

"Hi!" Said otherworldly boyfriend grins and waves his hand. "I'm Danny, Tim's fiance," he introduces himself, and Bruce conjures the last scraps of his scattered mind to smile and nod back.

"Good morning, Danny. I'm Bruce." He has no idea what else to say; it seems like a bit late for shovel talk, but a bit early for welcoming speech.

"Would Young Master Danny care to join us for breakfast?" Alfred's calm, but still slightly amused voice comes from the door. Bruce turns to look at the butler with a sense of exasperation - is he really the last one to learn anything in this house? - but the man seems... well, not surprised, at least not on the surface. But his grip on the pitcher of orange juice is just a little too tense for him to have been in the know all along.

Danny turns to him and smiles nicely - his teeth are also way too sharp for a human - before shaking his head, "No, sorry, I was just dropping Tim off."

"For God's sake," Tim rolls his eyes, "Just put on some pants and come out, I refuse to suffer through this alone."

Dick chokes on his toast. Steph gasps, her eyes snapping between Tim and Danny in delight. Cass snorts and kicks her under the table. Damian groans.

"Spare me from the details of your personal life, Drake. Need I remind you that I am thirteen," he narrows his eyes.

The constellations on Danny's cheeks shine just a bit brighter, and Bruce has no idea what that is supposed to mean, but his guess is along the lines of embarrassment. Especially when the boy completes it with rubbing the back of his neck sheepishly.

"You mean to tell me that, at thirteen years old, you don't know what sex is?" Tim deadpans, running a hand through his hair in a useless effort to smooth it and taking his seat at the table. Dick's coughing fit comes back with renewed force.

"We didn't-" Danny starts, still kind of hovering midway through the portal, but Damian pays him little attention.

"I do. Yet, I prefer my mind free of the knowledge when it applies to you."

"I want all the details, though," Steph pipes up, looking at Danny from her seat, "Can you, like, sprout tentacles or something, because I know for a fact Tim likes that kind of-"

"Steph!" Tim yells at her, face red, and then turns to Danny, who suddenly has a very interested, if a bit mischievous, look on his face, "Don't you dare."

"Yeah, okay," Danny snorts and disappears back in the portal. Bruce half-expects it to close after him, but the vortex stays.

Which probably means the boy - the King of Infinite Realms, Keeper of Unseen Worlds, Eyes of the Universe - is going to be right back.

After he puts on some pants, supposedly.

Bruce watches Tim rub his face in frustration while Steph giggles and elbows him in the side, and sighs. This is so not how he expected this morning to be.

[dorianpavus]

LET'S GOOOOOOO!!!!!!

[hamletthedane]

I was meeting a client at a famous museum’s lounge for lunch (fancy, I know) and had an hour to kill afterwards so I joined the first random docent tour I could find. The woman who took us around was a great-grandmother from the Bronx “back when that was nothing to brag about” and she was doing a talk on alternative mediums within art.

What I thought that meant: telling us about unique sculpture materials and paint mixtures.

What that actually meant: an 84yo woman gingerly holding a beautifully beaded and embroidered dress (apparently from Ukraine and at least 200 years old) and, with tears in her eyes, showing how each individual thread was spun by hand and weaved into place on a cottage floor loom, with bright blue silk embroidery thread and hand-blown beads intricately piercing the work of other labor for days upon days, as the labor of a dozen talented people came together to make something so beautiful for a village girl’s wedding day.

What it also meant: in 1948, a young girl lived in a cramped tenement-like third floor apartment in Manhattan, with a father who had just joined them after not having been allowed to escape through Poland with his pregnant wife nine years earlier. She sits in her father’s lap and watches with wide, quiet eyes as her mother’s deft hands fly across fabric with bright blue silk thread (echoing hands from over a century years earlier). Thread that her mother had salvaged from white embroidery scraps at the tailor’s shop where she worked and spent the last few days carefully dying in the kitchen sink and drying on the roof.

The dress is in the traditional Hungarian fashion and is folded across her mother’s lap: her mother doesn’t had a pattern, but she doesn’t need one to make her daughter’s dress for the fifth grade dance. The dress would end up differing significantly from the pure white, petticoated first communion dresses worn by her daughter’s majority-Catholic classmates, but the young girl would love it all the more for its uniqueness and bright blue thread.

And now, that same young girl (and maybe also the villager from 19th century Ukraine) stands in front of us, trying not to clutch the old fabric too hard as her voice shakes with the emotion of all the love and humanity that is poured into the labor of art. The village girl and the girl in the Bronx were very different people: different centuries, different religions, different ages, and different continents. But the love in the stitches and beads on their dresses was the same. And she tells us that when we look at the labor of art, we don’t just see the work to create that piece - we see the labor of our own creations and the creations of others for us, and the value in something so seemingly frivolous.

But, maybe more importantly, she says that we only admire this piece in a museum because it happened to survive the love of the wearer and those who owned it afterwards, but there have been quite literally billions of small, quiet works of art in billions of small, quiet homes all over the world, for millennia. That your grandmother’s quilt is used as a picnic blanket just as Van Gogh’s works hung in his poor friends’ hallways. That your father’s hand-painted model plane sets are displayed in your parents’ livingroom as Grecian vases are displayed in museums. That your older sister’s engineering drawings in a steady, fine-lined hand are akin to Da Vinci’s scribbles of flying machines.

I don’t think there’s any dramatic conclusions to be drawn from these thoughts - they’ve been echoed by thousands of other people across the centuries. However, if you ever feel bad for spending all of your time sewing, knitting, drawing, building lego sets, or whatever else - especially if you feel like you have to somehow monetize or show off your work online to justify your labor - please know that there’s an 84yo museum docent in the Bronx who would cry simply at the thought of you spending so much effort to quietly create something that’s beautiful to you.

[cryptocism]

"just as I did, in 1983."

you'd never know my favourite parts of the show are the fucked up insane bits when my first instinct is to draw the cheesiest thing imaginable

[mausolealdrift]

its baffling seeing people on here being all shocked about how other ppl didnt have sex or do drugs or drink or go to parties etc etc in high schools like. sorry i was too busy getting bullied to do all of that stuff i guess. why are you surprised that there’s losers on the cringe loser website

[fox-mulder-gets-pegged]

I just wanna say bc I KNOW you're somewhere on tumblr, to the teenage girl who attended Take Your Kid To Work Day at an office building in Ontario, Canada circa 2013 and had a conversation with a middle aged woman in which you showed her your Black Veil Brides fanart and fanfics and ship content and told her about different fanfic tropes including a/b/o verse bc she happened to know who Panic! at The Disco and Fallout Boy were and thus you felt the need to show her your bandblr ship art, that was my fucking mother and I had to clarify all that to her including looking my mother in the eye and trying to explain a/b/o verse without sounding like a lunatic.

It's been 10 years and I still regularly sent evil energies in your direction. Since you'd be probably two years younger than me and thus legally an adult now, please know if this post reaches you it's on sight.

[xshinina]

*Married life playing in the background

This idea was probably funnier in my head

[spitblaze]

I guess Chilchuck has brought us right back to 'adults who are short are child-coded and if you like them you're a pedophile' discourse huh

[stemmmm]

the scene people keep screaming about from chapter 5 of theseus' guide

[indigo6f00ff]

need to share an experience i had 30 minutes ago

(edit: thanks to @walks-the-ages for providing and reminding me to put alt text, sorry it slips my mind alot lol)

[mcsiggy]

Imagine you're in middle school band class and your teacher asks you and your classmates if anyone wants to use their mp3 player to play a song before class ends. no one does anything until this small quiet girl from percussion takes her ipod out to play a song.

Then the song Chop Suey! By System Of A Down and the girl looks like this;

Because she thought it was a good song to play.

[shadowtraveled]

"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.

but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)

mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…

the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.

every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.

first, the snake part of the chimera appears to be modeled after some species of coral snake mimic

which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.

which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.

the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.

walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?

well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.

you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?

it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.

when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.

and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.

kui laid it out in three panels better than i could hope to.

yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.

[ash-and-starlight]

humble contribution

[inkskinned]

you're in the habit of denying yourself things.

if someone asked you directly, you would say that you love a little treat. you like iced coffee and getting the cookie. you drink juice out of a fancy cup sometimes, and often do use your candles until they gutter out helplessly.

but you hesitate about buying the 20 dollar hand mixer because, like. you could just use your arms. you weren't raised rich. you don't get to just spend the 20 dollars (remember when that could cover lunch?), at least - you don't spend that without agonizing over it first, trying to figure out the cost-benefits like you are defending yourself in front of a jury. yes, this rice cooker could seriously help you. but you do know how to make stovetop rice and it really isn't that hard. how many pies or brownies would you actually make, in order to make that hand mixer worthwhile?

what's wild is that if the money was for a friend, it would already be spent. you'd fork over 40 without blinking an eye, just to make them happy. the difference is that it's for you, so you need to justify it.

and it sneaks in. you ration yourself without meaning to - you don't finish the pint of ice cream, even though you want to. the next time you go to the store, you say ah, i really shouldn't, and then you walk away. you save little bits of your precious things - just in case. sometimes you even go so far as putting that one thing in your shopping cart. and then just leaving it there, because maybe-one-day, but not right now, there's other stuff going on.

you do self-care, of course. but you don't do it more than like, 3 days in a row. after that it just feels a little bit over-the-edge. like. you can't live in decadence, the economy is so bad right now, kid.

so you don't buy the rice cooker. you can-and-will spend the time over the stove. you can withstand the little sorrows. denial and discipline are practically synonyms. and you're not spoiled.

it's just - it's not always a rice cooker. sometimes it is a person or a job or a hug. sometimes it is asking for help. sometimes it is the summer and your college degree. sometimes it is looking down at scabbed knees and feeling a strange kind of falling, like you can't even recognize the girl you used to be. sometimes it is your handprint looking unsteady.

sometimes it is tuesday, and you didn't get fired, and you want to celebrate. but what is it you like, even? you search around your little heart and come up empty. you're so used to denying that all your desires draw a blank.

oh fuck. see, this is the perfect opportunity. if you had a mixer, you'd make a cake.

[mejkosmos]

so funny how the whole gravity falls fandom immediately went from "bill cipher-all interdimensional being hot tumblr sexy man" to "bill cipher- lame loser pathetic fumbler toxic skrunkly sad ex" in a matter of seconds as SOON as the rise of billford came about

[vinestaff]

sighs. another guy in my brain i guess